From dc07106a2741f95e58862932ab4ec4446b5bbd03 Mon Sep 17 00:00:00 2001
From: Tucker Johnson <tucker@newer.systems>
Date: Mon, 9 Feb 2026 08:48:49 -0500
Subject: [PATCH] draft_2

---
 general/scoreLayout.ly      |   1 +
 general/scorePaper.ly       |   9 ++-
 manuscripts/bass.ly         |  81 ++++++++++++++++---
 manuscripts/bassClarinet.ly |  78 +++++++++++++++++--
 manuscripts/bassoon.ly      |  83 +++++++++++++++++---
 manuscripts/cello.ly        |  84 +++++++++++++++++---
 manuscripts/clarinetSolo.ly | 150 ++++++++++++++++++++++++++++++++++--
 manuscripts/flute.ly        |  75 ++++++++++++++++--
 manuscripts/horn.ly         |  72 ++++++++++++++---
 manuscripts/oboe.ly         |  82 +++++++++++++++++---
 manuscripts/perc1.ly        |  72 ++++++++++++++---
 manuscripts/perc2.ly        |  42 +++++++---
 manuscripts/pianoDown.ly    |  72 ++++++++++++++---
 manuscripts/pianoUp.ly      |  59 ++++++++++++--
 manuscripts/tempoMap.ly     |  66 +++++++++++++---
 manuscripts/trombone.ly     |  68 ++++++++++++++--
 manuscripts/trumpet.ly      |  72 ++++++++++++++---
 manuscripts/viola.ly        |  80 ++++++++++++++++---
 manuscripts/violin1.ly      |  82 ++++++++++++++++++--
 manuscripts/violin2.ly      |  81 +++++++++++++++++--
 parts/parts_tiny-cartel.ly  |   2 +-
 tiny-cartel.ly              |  16 ++--
 22 files changed, 1261 insertions(+), 166 deletions(-)

diff --git a/general/scoreLayout.ly b/general/scoreLayout.ly
index ae94b77..9f5f70f 100644
--- a/general/scoreLayout.ly
+++ b/general/scoreLayout.ly
@@ -35,6 +35,7 @@
     barNumberVisibility = #all-bar-numbers-visible
     rehearsalMarkFormatter = #rounded-measure-number-mark
     \override RehearsalMark.break-visibility = #(vector #f #t #t)
+    \override SectionLabel.break-visibility = #(vector #f #t #t)
     \override CenteredBarNumber.stencil = #(make-stencil-boxer 0.1 0.25 ly:text-interface::print)
     \override CenteredBarNumberLineSpanner.direction = #DOWN
     \remove Text_mark_engraver
diff --git a/general/scorePaper.ly b/general/scorePaper.ly
index ad219c0..33f1666 100644
--- a/general/scorePaper.ly
+++ b/general/scorePaper.ly
@@ -48,6 +48,7 @@
     \concat { \if \on-page #39 \oddhead }
     \concat { \if \on-page #41 \oddhead }
     \concat { \if \on-page #43 \oddhead }
+    \concat { \if \on-page #45 \oddhead }
 
   }
   evenHeaderMarkup = \markup {
@@ -71,6 +72,8 @@
     \concat { \if \on-page #38 \evhead }
     \concat { \if \on-page #40 \evhead }
     \concat { \if \on-page #42 \evhead }
+    \concat { \if \on-page #44 \evhead }
+    \concat { \if \on-page #46 \evhead }
   }
   oddFooterMarkup = \markup {
     \concat { \if \on-page #3 \fill-line { \null \xcr \null } }
@@ -93,7 +96,9 @@
     \concat { \if \on-page #37 \oddfoot }
     \concat { \if \on-page #39 \oddfoot }
     \concat { \if \on-page #41 \oddfoot }
-    \concat { \if \on-page #43 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } }
+    \concat { \if \on-page #43 \oddfoot }
+    \concat { \if \on-page #45 \oddfoot }
+    \concat { \if \on-page #49 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } }
   }
   evenFooterMarkup = \markup {
     \concat { \if \on-page #2 \evfoot }
@@ -117,5 +122,7 @@
     \concat { \if \on-page #38 \evfoot }
     \concat { \if \on-page #40 \evfoot }
     \concat { \if \on-page #42 \evfoot }
+    \concat { \if \on-page #44 \evfoot }
+    \concat { \if \on-page #46 \evfoot }
   }
 }
diff --git a/manuscripts/bass.ly b/manuscripts/bass.ly
index 4ec0cf2..1b68d6d 100644
--- a/manuscripts/bass.ly
+++ b/manuscripts/bass.ly
@@ -3,9 +3,9 @@ bassMusic =
 \relative {
   \clef bass
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*11 | %004-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*26 | %016-42
   R1*3/4*2 | %043-44
   r4 r8 ees8->~\mf ees4~ | %045
@@ -27,15 +27,22 @@ bassMusic =
   f2.~-> | %054
   f4 r4 e4~\mf\< | %055
   e8 fis8-. d'8-.\f r8 r4 | %056
-  r4 r4 r8 fis,8-.\mp^\markup { "pizz" } r8 cis8-.\p r4 | %057
+  r4 r4 r8 fis,8-.\mp^\markup { "pizz" } r8 cis8-.\p r4 r4 | %057
   r2 r4 bes2\mf | %058
   f4->\ff\>^\markup { "arco" } d'4-> | %059
-  g,1\mf\fermata | %060
+  <<
+    {
+      g,1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   b4\mp^\markup { "pizz" } r4 r8 d8 g4 | %061
   e8 f8 r4 r8 ees8 r4 | %062
   r2 g8 bes,4 des8 | %063
   R1 | %064
-  <a a>8-. r8 r4 r4 r2. | %065
+  <a a>8-. r8 r4 r2 r2 | %065
   r8 f''8 e8 d8 cis8 b8 a8 gis8 | %066
   r2 r8 c8-. r4 | %067
   R1*3/4 | %068
@@ -59,9 +66,8 @@ bassMusic =
   gis2)\mp <gis e'>2 | %089
   R1*6 | %90-95
   R1*3/4*2 | %096-97
-  R1 | %098
-  R1*7/8 | %099
-  r8 r8 ees8-.\p r4 bes8-. r8 | %100
+  R1*2 | %098
+  r4 r8 ees8-.\p r4 bes8-. r8 | %100
   r4 e8-.\< e8-. r8 f8-. fis8-.-> r8 | %101
   b,8-.->\mf r8 r4 r2 | %102
   R1 | %103
@@ -78,7 +84,64 @@ bassMusic =
   b2\mf bes2 | %114
   R1*2 | %115-116
   r4.\shortfermata r4. | %117
-
+  fis'8.(\p e8.) fis8.( e8.) fis8.( e8.) fis8.( b8.) | %117
+  a8.( c,8.) a'8.( c,8.) | %118
+  aes'8.(\< ees8.) aes8.( ees8.) aes8.(\mp\> ees8.) aes8.( ees8.)\! | %119
+  R1*2/4 | %120
+  b'8.(\p d,8.) b'8.( d,8.) | %121
+  des'8.(\< f,8.) des'8.( f,8.) des'8.(\mp\> f,8.) des'8.( f,8.) | %122
+  r8. g8.~\p g4. | %123
+  e8.(\mp\> gis,8.) e'8.[( gis,16]~ gis4) | %124
+  a'8.(\p\< bes,8.) a'8.( bes,8.) a'8.(\mp\> bes,8.) a'8.( bes,8.)\p | %125
+  b'!8.(\< d,8.) b'8.([ d,16]~ d4) | %126
+  g8.(\mp c,8.) g'8.( c,8.) g'8.(\< c,8.) g'8.( c,8.)  | %127
+  des8. | %128
+  r8. ees8.\mf r8. ees8. | %129
+  f8.( ges,8.) f'8.( ges,8.) f'8.(\> ges,8.) f'8.( ges,8.) f'8.(\p ges,8.~ | %130
+  ges2)\fermata | %131
+  aes2.\< r4 | %132
+  a4~ a4 r8 | %133
+  d2 r4 r8 fis8^\markup { "pizz" } | %134
+  g2 r4 e4 | %135
+  r4 dis8\mf\snappizzicato r8 r4 r8 b8\snappizzicato | %136
+  r2 a8\snappizzicato r8 r4 | %137
+  des4\f(^\markup { "arco" } f,4) r4 | %138
+  r4 bes4-> r4 | %139
+  R1*4
+  r2 r4 c'4~\mf | %144
+  c4 r4 r2 | %145
+  R1*4
+  r2 b8-.\f^\markup { "pizz" } r8 r4 |
+  r4 r8 bes8-. aes2 |
+  r4 e4~\mf\flageolet^\markup { "arco" } e2~ |
+  e2~ e4. r8 |
+  R1*3
+  r4 gis4~\mf\> gis8 cis,4.~ |
+  cis8 fis,4.~ fis2 |
+  b2~ b8 e,4.~\p |
+  e1~
+  e1~
+  e4.~ e2~ | %161
+  e1~ e1
+  R1*2 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 a'8-.\f\> |
+  ees8-.\! r8 r4 r8 b'8--\< |
+  g8-.\f r8 r4 r2 |
+  r4 ges2-> r4 |
+  r2 r4 r8 d8( |
+  e1) |
+  R1*2 |
+  gis1\p~ |
+  gis4. a8\<^\markup { "pizz" } f bes,\mf |
+  R1*2 |
+  r4 r4 b'16\f a8. |
+  R1 |
+  r2 r4 r8 e8~\mf\<^\markup { "arco" } |
+  e2 d2 |
+  c1\f\fermata |
+  c4->~\ff c2.\fermata |
 }
 
 bassStaff =
diff --git a/manuscripts/bassClarinet.ly b/manuscripts/bassClarinet.ly
index ba4d33e..b3a09b5 100644
--- a/manuscripts/bassClarinet.ly
+++ b/manuscripts/bassClarinet.ly
@@ -4,9 +4,9 @@ bassClarinetMusic =
 \relative {
   \clef treble
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*11 | %004-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*8 | %017-24
   r2 r4 r8 d''8-.\mp | %025
   a8-. r8 r4 r4 bes8-. r8 | %026
@@ -37,10 +37,17 @@ bassClarinetMusic =
   r8 c8(\< d8-.) r8 bes8-. e8-. | %050
   r8 g8-.\f r4 r4 | %051
   R1*3/4*5 | %052-56
-  r2 r8 fis8-.\p r4 r4 | %057
+  r4 r4 r8 fis8-.\p R1*3/4 | %057
   c8(\mf ees8~ ees2) bes2 | %058
   f'4->\ff\> d4-> | %059
-  g1\mf\fermata | %060
+  <<
+    {
+      g1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   r8 f'8~\p f2.~ | %061
   f4 ges2 bes8( des,8 | %062
   c2.) b'4~(\< | %063
@@ -82,8 +89,8 @@ bassClarinetMusic =
   aes2.( | %096
   f'4\> a,4 c,4)\mp | %097
   R1 | %098
-  r8 d''4->\f\> fis4( cis4)\mf | %099
-  des,8[(\p\< c8 e8] a,8[ d8 b8 f'8] | %100
+  r8 d''4->\f\> fis8~( fis8 cis4)\mf r8 | %099
+  r8 des,8[(\p\< c8 e8] a,8[ d8 b8 f'8] | %100
   ees8 aes8 g8 ges8 bes,8)\mf c8(\p\< des8 ees8 | %101
   d8 e8 f8 g8~ g8)\mf r8 r4 | %102
   R1 | %103
@@ -98,6 +105,65 @@ bassClarinetMusic =
   cis4.) dis,8~\mf\> dis4. g8 | %115
   fis4 gis2 d4~\p | %116
   d4.~\shortfermata d4. | %117
+  R1*12/8 | %117
+  r4. r8 g4(\mf | %118
+  f2.~ f4.~ f8) f4(\> | %119
+  \after 4 \p a2) | %120
+  R1*6/8 | %121
+  r2. bes2.~\< | %122
+  bes8 bes8( d8 ees8 c4)\mf | %123
+  R1*7/8 | %124
+  r2. r8 r8 des8~\mp\< des8 des4->( | %125
+  aes4.~\mf aes2) | %126
+  g,8.(\p c,8.) g'8.( c,8.) g'8.(\< c,8.) g'8.( c,8.)  | %127
+  des8. | %128
+  r8. ees8.\mp r8. ees8. | %129
+  f8.(\> ges8.) f8.( ges8.) f8.( ges8.) f2.\pp  | %130
+  R1*2/4\fermata | %131
+  R1 | %132
+  R1*5/8 | %133
+  R1*2 | %134-135
+  fis''8-.\mf r8 ees,,8-. r8 bes'8-. r8 r8 b,8-. | %136
+  e'8-. r8 r8 c,8-. d'8-. r8 r8 ees8-. | %137
+  des,4(\f f4) g'8-. r8 | %138
+  \tuplet 3/2 { r8 c,8-.\< des8-. } bes,4->\ff r4 | %139
+  r4 bes''4~\mf bes8 r8 r4 | %140
+  r4 r8 aes8-.\mp des8-. d8-. b8-. r8 | %141
+  R1 | %142
+  r4 g8-. fis8-. c'8-. a8-. r4 | %143
+  r2 r4 f8-. r8 | %144
+  r4 r8 ees8-.->\mf r4 r8 f8(\> | %145
+  \after 4. \! ges2) r2 | %146
+  R1*2 | %147-148
+  r2 a4~\mp a8 r8 | %149
+  R1*2 | %150-151
+  r4 e,2.~( | %152
+  e2~ e4.\< fis8-.)\f | %153
+  R1*2 | %154-155
+  r2 r4 r8 a'8-.\> | %156
+  g8-. r8 r4 b8-. r8 bes8-.\mp r8 | %157
+  R1*4 | %158
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 g8-.\f\> |
+  bes8-.\! r8 r4 r8 b8(\< |
+  g8-.)\f r8 r4 r4 c,,4~\mf |
+  c8 r8 des'2\f r4 |
+  r2 r4 r8 d!8( |
+  e,1) |
+  R1*3 |
+  r4 r8 a8\mp f8( bes,8) |
+  R1 |
+  bes'4(\p f'4) r2 |
+  r4 ees'4\mf r4 |
+  r4 r8 ees,,8~ ees4 a'4 |
+  r2 bes2 |
+  \tuplet 3/2 { ees,4(\< ges4 des4) } fes2 |
+  fes1\f\fermata |
+  fes4~->\ff fes2.\fermata |
+
 }
 
 bassClarinetStaff =
diff --git a/manuscripts/bassoon.ly b/manuscripts/bassoon.ly
index a3e6980..4cbb338 100644
--- a/manuscripts/bassoon.ly
+++ b/manuscripts/bassoon.ly
@@ -3,8 +3,7 @@ bassoonMusic =
 \relative {
   \clef bass
   r8 f'8-.\f aes,8-. r8 r4 ges8-. r8 | %001
-  ees'8-. r8 r8 des8-. r4 | %002
-  R1*3/4 | %003
+  ees'8-. r8 r8 des8-. r2 r2 | %002
   b8-. r8 r4 a8-.\> r8 c,8-. r8 | %004
   g'8-. r8 e8-.\mp d8-. r4 r8 ais'8-.\< | %005
   dis8-. gis,8-. r8 b8-.\f r2 | %006
@@ -15,7 +14,7 @@ bassoonMusic =
   cis8-.\< r8 r8 d8-. c8-. r8 r4 \clef tenor | %011
   ees8-. f8-. r8 ges8-.\mf aes8-. r8 r4 | %012
   R1*2 | %013-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*8 \clef bass | %017-24
   r2 cis,,8-.\mf gis'8-. fis8-. r8 | %025
   r2 e'8(\mp\< ees8~ ees4~ | %026
@@ -49,12 +48,19 @@ bassoonMusic =
   r8 c8( d8-.) r8 bes8-. e8-. | %050
   r8 g8-.\f r4 r4 | %051
   R1*3/4*5 | %052-56
-  r2 b8-.\p r8 r8 cis,8-. r4 | %057
+  r4 r4 b8-.\p r8 r8 cis,8-. r4 r4 | %057
   c8(\mf ees8~ ees2) bes2 | %058
   f'4->\ff\> d4-> | %059
-  g1\mf\fermata | %060
+  <<
+    {
+      g1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   R1*4 | %061-064
-  r2. c,2.(\mp\< | %065
+  r2 r4 c,2.(\mp\< | %065
   bes8-.)\mf r8 r4 r2 | %066
   R1 | %067
   R1*3/4 | %068
@@ -82,8 +88,8 @@ bassoonMusic =
   aes,,4.(\mf d4. | %096
   f4\> a,4 c,4)\mp | %097
   R1 \clef tenor | %098
-  r8 b'''4->\f\> gis4( dis4)\mf \clef bass | %099
-  r8 r8 ees,,8-.\p r4 bes8-. r8 | %100
+  r8 b'''4->\f\> gis8~( gis8 dis4)\mf r8 \clef bass | %099
+  r4 r8 ees,,8-.\p r4 bes8-. r8 | %100
   r4 e8-.\< e8-. r8 f8-. fis8-.-> r8 | %101
   b,8-.->\mf r8 r4 r8 des'8-.-> r4 | %102
   R1 | %103
@@ -98,7 +104,66 @@ bassoonMusic =
   e'4. dis8~\> dis4. g8 | %115
   fis4 a,4 a4 d4~\p | %116
   d4.~\shortfermata d4. | %117
-
+  R1*12/8 | %117
+  R1*6/8 | %118
+  R1*12/8 | %119
+  R1*2/4 | %120
+  R1*6/8 | %121
+  R1*12/8 | %122
+  R1*6/8 | %123
+  R1*7/8 | %124
+  R1*12/8 | %125
+  R1*7/8 | %126
+  R1*12/8 | %127
+  R1*3/16 | %128
+  R1*6/8 | %129
+  R1*15/8 | %130
+  R1*2/4\fermata | %131
+  R1 | %132
+  R1*5/8 | %133
+  r2 r4 r8 fis,8-.\mp | %134
+  g4( b'2) e,,4 | %135
+  b''8-.\mp r8 dis,,8-. r8 f'8-. r8 r8 b,,8-. | %136
+  fis''8-. r8 r8 c,8-. d'8-. r8 r8 bes'8-. | %137
+  des,,4(\f f4) aes8-. r8 | %138
+  \tuplet 3/2 { r8 c8-.\< des8-. } bes,4->\ff r4 | %139
+  r4 bes''8(\mf g,8~ g8) r8 e''8-.\> fis8-. | %140
+  bes,8-.\mp r8 r4 r2 | %141
+  g8-. f8-. r4 r2 | %142
+  R1 | %143
+  ais8-. cis8-. b8-. dis8-. d8-. r8 c,4~\mf | %144
+  c4 r4 r2 | %145
+  R1*3 | %146-148
+  r2 a'4~\mp a8 r8 | %149
+  R1 | %150
+  r4 r8 bes,8-.\mf aes2~ | %151
+  aes4 e2.~ | %152
+  e2 r8 g''8-.\f d8-. fis,,8-. | %153
+  R1 | %154
+  r4 r8 a8-.\mf cis8-. r8 r4 | %155
+  R1 | %156
+  r8 d'8-. r8 ees8-. r2 | %157
+  R1*4 | %158
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 g,,8-.\f\> |
+  ees8-.\! r8 r4 r8 b'8(\< |
+  g8-.)\f r8 r4 r4 c4~\mf |
+  c8 r8 ges2\f r4 |
+  r2 r4 r8 d'8( |
+  e,1) |
+  R1*3 |
+  R1*3/4 |
+  R1 |
+  d''4(\p ees4) r2 |
+  r4 f4\mf r4 |
+  r4 r8 ees,,8~ ees4 a'4 |
+  r2 f'2 |
+  r2 d,,2\< |
+  c1\f\fermata |
+  c4~->\ff c2.\fermata |
 }
 
 bassoonStaff =
diff --git a/manuscripts/cello.ly b/manuscripts/cello.ly
index 453ce3b..a5ee475 100644
--- a/manuscripts/cello.ly
+++ b/manuscripts/cello.ly
@@ -3,16 +3,15 @@ celloMusic =
 \relative {
   \clef bass
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*6 | %004-9
   b8-.\mf\>^\markup { "pizz" \italic "(secco)" } a8-. g4-.\p r2 | %010
   r4 r8 d'8-.\< c4-. r4 \clef tenor | %011
   r4 r8 ges'8-. aes4-. r4 | %012
   b!4-.\mf r4 r2 | %013
   R1 \clef bass | %014
-  <bes,,  f' \harmonic>2.~\p\<^\markup { "arco" } | %015
-  \after 2 \mf <bes  f' \harmonic>2.  | %016
-  \time 4/4 R1 | %017
+  <f,, bes \harmonic>1.~\p\<^\markup { "arco" } | %016
+  <f bes \harmonic>8\mf r8 r4 r2 | %017
   r8 a'8-.\p^\markup { "pizz" } r8 b8-. r8 d8-. r4 | %018
   fis,8\<(^\markup { "arco" } aes8~ aes4 g8-.)\mp r8 r4 | %019
   c,8-.^\markup { "pizz" } bes8-. r4 r2 | %020
@@ -51,15 +50,22 @@ celloMusic =
   f2.~-> | %054
   f4 r4 e4~\mf\< | %055
   e8 fis8-. d'8-.\f r8 r4 | %056
-  r4 r4 b8-.\mp^\markup { "pizz" } r8 r4 r4 | %057
+  r4 r4 b8-.\mp^\markup { "pizz" } r8 r4 r4 r4 | %057
   c,8(\mf^\markup { "arco" } ees8~ ees2) bes'2 | %058
   f4->\ff\> d4-> | %059
-  g1\mf\fermata | %060
+  <<
+    {
+      g1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   r8 f'4.\p^\markup { "pizz" } r2 | %061
   r4 ges2 bes8 des,8 | %062
   c2 r4 b'4~\< | %063
   b8 gis8~ gis4 e4. ees8(^\markup { "arco" } | %064
-  d8-.)\mf r8 r4 r4 r2. | %065
+  d8-.)\mf r8 r4 r2 r2 | %065
   r8 f8^\markup { "pizz" } e8\mp d8 cis8 b8 a8 gis8 | %066
   R1 | %067
   \markSpanner "msp" "ord" ees'8-.\<\startTextSpan^\markup { "arco" } f8-. fis8( g8)\mf\> e8-. d8-. | %068
@@ -92,8 +98,8 @@ celloMusic =
   R1 | %095
   R1*3/4*2 | %096-97
   a'4\mf e'2.^\markup { \italic "sul pont." } | %098
-  R1*7/8 | %099
-  r8 r8 fis,8-.\p^\markup { \italic "ord" } r4 g8-. r8 | %100
+  R1 | %099
+  r4 r8 fis,8-.\p^\markup { \italic "ord" } r4 g8-. r8 | %100
   r4 e,8-.\< e8-. r8 f8-. fis8-.-> r8 | %101
   b8-.->\mf r8 r4 r2 | %102
   R1 | %103
@@ -112,6 +118,66 @@ celloMusic =
   g''2\mf r2 | %114
   R1*2 | %115-116
   r4.\shortfermata r4. | %117
+  fis,8.(\p e8.) fis8.( e8.) fis8.( e8.) fis8.( b8.) | %117
+  a8.( c,8.) a'8.( c,8.) | %118
+  aes'8.(\< ees8.) aes8.( ees8.) aes8.(\mp\> ees8.) aes8.( ees8.)\! | %119
+  R1*2/4 | %120
+  b'8.(\p d,8.) b'8.( d,8.) | %121
+  des'8.(\< f,8.) des'8.( f,8.) des'8.(\mp\> f,8.) des'8.( f,8.) | %122
+  r8. g8.~\p g4. | %123
+  e'8.(\mp\> gis,8.) e'8.[( gis,16]~ gis4) | %124
+  a8.(\p\< bes8.) a8.( bes8.) a8.(\mp\> bes8.) a8.( bes8.)\p | %125
+  b!8.(\< d,8.) b'8.([ d,16]~ d4) | %126
+  g8.(\mp c,8.) g'8.( c,8.) g'8.(\< c,8.) g'8.( c,8.)  | %127
+  des8. | %128
+  r8. ees8.\mf r8. ees8. | %129
+  f8.( ges8.) f8.( ges8.) f8.(\> ges8.) f8.( ges8.) f8.(\pp ges8.)  | %130
+  R1*2/4\fermata | %131
+  r2 des'4\p r4 | %132
+  r4 d!8(\< g8-.) r8 | %133
+  r8 <f a>8~ <f a>4 r4 e4 | %134
+  r4 b'2 r4 |
+  r2 bes,8\mf\snappizzicato^\markup { "pizz" } r8 r4 |
+  r4 r8 c,8\snappizzicato r4 r8 bes''8\snappizzicato |
+  r4 r4 aes,8\snappizzicato r8 |
+  R1*3/4
+  r2 r8 b'8\f(^\markup { "arco" } gis,4) | %140
+  \markSpanner "" "sul pont." gis2:32->\>\startTextSpan a2:32~-> | %140
+  a2:32\stopTextSpan ais:32->\mp | %141
+  \markSpanner "" "ord" b1:32->\<\startTextSpan | %142
+  \tuplet 3/2 { r4 dis2:32-> } \tuplet 3/2 { r4 e2:32~-> } | %143
+  e4:32\stopTextSpan f8-.->\f r8 r2 | %144
+  R1*3
+  r2 r4 ges8-.\p\<^\markup { "pizz" } f8-. | %149
+  bes8-. r8 r4 b,!8-.\mf r8 r4 | %150
+  R1*4
+  r4 r8 a8-.\mf cis8-. r8 r4 | %155
+  r4 f8-.^\markup { "arco" } ees8~ ees2~ | %156
+  ees4 aes,4~\> aes8 des4.~ | %157
+  des8 ges,4.~ ges2 |%158
+  b2~ b8 e,4.\p~ | %159
+  e1 |
+  R1
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 a8-.\f\> |
+  ees8-.\! r8 r4 r8 b'8--\< |
+  g8-.\f r8 r4 r2 |
+  r4 ges2-> r8 a'8~ |
+  a2. r8 g8( |
+  dis1) |
+  R1*2 |
+  b'1~\p |
+  b4. a,4. |
+  R1*2
+  r4 r4 a16\mf\<^\markup { "pizz" } c16 d16 e16 |
+  R1 |
+  r2 r4 r8 e,8~\mf^\markup { "arco" } |
+  e2\< g2 |
+  g1\f\fermata | g4->~\ff g2.\fermata |
+
 }
 
 celloStaff =
diff --git a/manuscripts/clarinetSolo.ly b/manuscripts/clarinetSolo.ly
index b95d140..b02b527 100644
--- a/manuscripts/clarinetSolo.ly
+++ b/manuscripts/clarinetSolo.ly
@@ -4,12 +4,13 @@ clarinetMusic =
 \relative {
   \clef treble
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*11 | %004-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*26 | %017-042
   R1*3/4*14 | %043-56
-  R1*5/4*2 | %057-58
+  R1*3/4*2 | %057-58
+  R1*5/4
   R1*2/4 | %059
   c'1~\niente\<\fermata | %060
   c2.~\p c8 c8~->\mf\> | %061
@@ -50,8 +51,8 @@ clarinetMusic =
   fes,2.\< | %096
   \after 2 \p ees2.) | %097
   g8(\mf\< d'8 ces8 ges'8 bes8 des4) c8( | %098
-  e4\f a,8) ees8[(\> f8] aes,4) | %099
-  des,8[(\mp\< c8 e8] a,8[ d8 b8 f'8] | %100
+  e4\f a,8) ees8(\> f8 aes,4) r8 | %099
+  r8 des,8[(\mp\< c8 e8] a,8[ d8 b8 f'8] | %100
   ees8 aes8 g8 ges8 bes,8)\f c8(\mf\< des8 ees8 | %101
   d8 e8 f8 g8~ g8) r8 aes8-. ges8-. | %102
   ces8(\f bes8 a8)-. r8 \tuplet 3/2 { g4(\< c4 e4) } | %103
@@ -69,7 +70,142 @@ clarinetMusic =
   des,4.\mf bes'8(\f\< f' c' b8-.)\! g,,8-- | %115
   fis4\> gis2 b4~\p | %116
   b4.\shortfermata cis''8(\mf e,8) fis,8( | %117
-  gis1.) | %118
+  \after 1 \! gis1.)\> | %117
+  r4. r8 r8 b16(\< e,16 | %118
+  g2.~\mf g4.) r8 d4~( | %119
+  d8\> fis8 b,4)\p | %120
+  R1*6/8 | %121
+  r8 r8 c8~\< c4.~ c4 c8~( c8 ees4~ | %122
+  ees8) f8( bes,8~\mf bes4 a8~ | %123
+  a4.) r8 ges'4(\p ees8\< | %124
+  \after 2 \> g!2.~\mp g8 e4~\p e4. | %125
+  e4.) r4 r8 bes'16(\< f'16 | %126
+  \after 2 \> d2.~\mf d8)\! r8 r8 r8 b4(\mp\< | %127
+  aes8. | %128
+  c2.)\f | %129
+  r4. a4.~(\> a8 cis4~ \after 4. \p cis2.) | %130
+  R1*2/4\fermata | %131
+  r8 ges,8( ees8) r8 r4 r8 g8(\< | %132
+  e8) r8 r8 r8 c'8( | %133
+  a4) r8 cis8( gis4) r4 | %134
+  r4 r8 bes8( f8-.) r8 r8 b8( | %135
+  d,8-.) des''8-- r8 c,8( aes8-.) g''8-. aes8(\f d,8) | %136
+  cis,8( a-.) f''( ees-.) bes,( g-.) bes''( f-.) | %137
+  b,,[( fis]-.) c''[-- d,,]( e[-.) b'']( | %138
+  a-.) r8 r8 ees,( f-.) ges'-.\< | %139
+  a-. c-. ees-. f~( 8 des'8--)\ff fes,-.\> ges-. | %140
+  bes,8-. ges'4-- aes,8-.  des-. d-. b-. r8 | %141
+  g-. f-.\mp r8 fes'(\< aes4 fes8 aes8) | %142
+  ees'4--\f g,,8-.\> fis-. c'-. a-.\mf r4 | %143
+  bes8-. des-. ces-. ees-. d-. r8 f,-. a'~(\f | %144
+  a[ b c) ees,,,]-. r4 r8 ees8(\> | %145
+  fes2)\! r2 | %146
+  bes''2~(\mf bes8 d,4 g8~ | %147
+  g4) r4 r2 | %148
+  r8 fes8-. ees-. g~ g4 ges,8-. f-. | %149
+  d'-. cis-. gis'4~(\< gis8 a4.)\f | %150
+  c,8-. f-. r8 fes,-.-> ees-.-> r8 r8 ges'-. | %151
+  r2 r8 b,-.\< g'-. bes,-. | %152
+  aes'-. d,,,-.-> r8 cis'-. a'-. r8 r4 | %153
+  b'8-. r8 c-. r8 des-.->\ff r8 r8 ees-.-> | %154
+  r8 g,,,4(\f aes8) r8 e'''-. d-. fis,-. | %155
+  b2(\> bes8 c4) a,,8-. | %156
+  g''-.\! r8 r4 b,,8-. r8 bes-.\> e'~( | %157
+  e4 f2.)\mf | %158
+  r8 a8-.\< d,4( ees) aes8-. ees8~\f | %159
+  ees8\> c,-. des'4-- f8-. r8 c,8-. des'8~ | %160
+  des8 fes8-.\! r8 ees,8(\p\< aes,-.) e'( a,-.) f'( | %161
+  bes,-.)[ g'( b,-.)] d~--[ d] aes'([ ees)] | %162
+  \tuplet 3/2 { e8[(\f\> fis g] } \tuplet 3/2 { a[ b cis] } d2)\mf | %163
+  r8 c,8-. f'4--\< bes8-. r8 ees,,,8-. des''~-- | %164
+  des4\f fis8(\> a, b2) | %165
+  c,8-.\mf\> r8 r8 g''8-. aes,-. f'-. r8 e,-.\! | %166
+  \cadenzaOn
+  d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f
+  \footnote \markup &dagger; #'(-3 . -1) \markup \tiny \left-column {
+    \line { &dagger; "Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4
+    \line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4
+    \line { "break, while rests are longer." }
+  }
+  bes'4(\mp ces8)
+  ces1 \breathe
+  \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { ces'16([ des,\< aes') ees'( ces fes) ees( ges ces)] }
+  \allowBreak
+  \once \override Staff.Stem.stencil = ##f fes4(\f\> \once \override Staff.Stem.stencil = ##f \after 8 \! des) e,8
+  \after 4 \> f,1( \once \override Staff.Stem.stencil = ##f
+  c'4)\! a,8-.\sf
+  d'1\p r4\shortfermata
+  bes,8-- 8-> \once \override Staff.Stem.stencil = ##f g''4(\< d8-.)
+  \override Beam.grow-direction = #'()
+  d'16([\mf\> c bes a g f e])
+  e,,1(\p \once \override Hairpin.circled-tip = ##t \after 2.. \! d)\>\fermata \breathe
+  \allowBreak
+  ces'16([\pp aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d\< f aes])
+  ces[( des ges bes ges bes des])
+  \override Beam.grow-direction = #LEFT \featherDurations 2/1 { bes[(\f des ges) bes,( des ges)] } g8--\sf \breathe
+  \allowBreak
+  \override Beam.grow-direction = #'()
+  ees16([\> c a g a c ees g ees\pp c a g a c ees g ees c a g a c ees g ees c a g a c ees g ees c a g a c\< ees g])
+  \override Beam.grow-direction = #LEFT \featherDurations 2/1 { ees[( c a g e! b] }
+  \override Beam.grow-direction = #'()
+  \once \override Staff.Stem.stencil = ##f fis4)\ff e''16([\> b' fis')]
+  \allowBreak
+  g1 aes,1\mf\fermata(
+  g16[\> f ees des c bes)]\pp
+  r4\shortfermata c8[\< bes]( \once \override Staff.Stem.stencil = ##f a'4)\mp d,,,8-.
+  f'1 c'8([\> g ees' f] bes1)\fermata
+  ees,,,8-.\! s8 \breathe
+  cis'16([\< b fis' e' d gis a-.])\mp
+  fes,([\p\< ees beses' aes' ges c des-.])\mf
+  d!([\< f, b, g bes, aes ees-.])
+  \allowBreak
+  fis'([ e b' a' g cis d-.])\f \breathe
+  s16 c16([ f bes--])
+  r4\shortfermata
+  \once \override Staff.Stem.stencil = ##f a,4(\> \once \override Staff.Stem.stencil = ##f fis, \once \override Staff.Stem.stencil = ##f ees' \once \override Staff.Stem.stencil = ##f des2)\mp
+  c8([ d] \once \override Staff.Stem.stencil = ##f e4) f,,8(\pp aes \once \override Staff.Stem.stencil = ##f g2)
+  \once \override Staff.Stem.stencil = ##f ces''4(\mf\> \once \override Staff.Stem.stencil = ##f \after 8 \! bes,4) r4\shortfermata
+  \once \override Staff.Stem.stencil = ##f bes,4(\mp ces8)
+  ces1 |
+  ees,8 \once \override Staff.Stem.stencil = ##f des'4(\>
+  \after 4. \! fes1)
+  \allowBreak
+  bes,8[-.\sf aes'8(] ges1) \breathe
+  \allowBreak
+  g8([\< d'8) c( g'] \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { bes16--)[ a(\f\> d) c( bes a g f] }
+  \after 4. \p e1\fermata
+  e'8[-.) 8]-- \breathe
+  \once \override Staff.Stem.stencil = ##f d,,,4(\pp
+  \override Beam.grow-direction = #'()
+  f16[ aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f\< aes ces]
+  \allowBreak
+  d[ des bes]
+  \once \override Staff.Stem.stencil = ##f ges4)\f \once \override Staff.Stem.stencil = ##f 4\sf \once \override Staff.Stem.stencil = ##f
+  \cadenzaOff
+  2\fermata r4\shortfermata
+  r8 ees8 | %167
+  a'( c)\< g,( ges) fes''( ces' bes aes) |
+  ees,,-. g''( f) des,-. c''( a) d,,,-. bes'''( |
+  g f ees) c'(\f d cis b a |
+  gis fis e) d8( c b a) ges(\< |
+  ees bes) g( e b'4)\ff \breathe f'8( g,8) |
+  bes( ges\psubito\< aes) cis( d a')
+  ees'([->\mf\< c]) \tuplet 3/2 { fes(-> des bes) } ges'(->\ff\> ces,) d( g
+  a4)\mf ees8(\f\> g aes, \after 4 \! c4.)
+  R1
+  r4 aes'4(\p\< des ges~\mf\>
+  ges4 ces,)\! bes8(\< g e) c(
+  a f) d4\f\> \after 4 \! ees2
+  r4 r8 bes8~\mp bes8 bes4->( ees8~
+  ees2.~
+  8.) e16(\mf\> fis' a, b8~ b2~
+  b2.)\p r4 |
+  R1*3/4
+  r2 gis'2\mp\<
+  cis2 \tuplet 3/2 { d4(\f g, c,~ }
+  c2 f,)
+  f1\fermata
+  f4~->\ff f2.\fermata |
 }
 
 clarinetStaff =
@@ -78,7 +214,7 @@ clarinetStaff =
     \new Staff = "clarinetSolo"
     \with {
       instrumentName = \markup { \concat { "clarinet in B" \flat " " } }
-      shortInstrumentName = \markup { "cl " }
+      shortInstrumentName = \markup { "s cl " }
       \override DynamicLineSpanner.staff-padding = \sods
     }
     << $music >>
diff --git a/manuscripts/flute.ly b/manuscripts/flute.ly
index 9cd4d2c..b694c61 100644
--- a/manuscripts/flute.ly
+++ b/manuscripts/flute.ly
@@ -3,7 +3,7 @@ fluteMusic =
 \relative {
   \clef treble
   <>^\markup { \bold \box "flute" } R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   r8 bes'8~->\mf\> bes2.~ | %004
   \after 2 \! bes2. f'4~->\mf\> | %005
   f1~ | %006
@@ -15,8 +15,7 @@ fluteMusic =
   des1~ | %012
   des1~ | %013
   des2~\p des8 c8~(\mf c4~ | %014
-  c8 g'8~ g2~\> | %015
-  \after 4. \p g2) r4 | %016
+  c8 g'8~ g4~\> g2~ g4)\p r4 | %016
   R1*3 | %017-19
   r2 r8 d8~(\mf\> d4 | %020
   b1~\pp\< | %021
@@ -36,11 +35,17 @@ fluteMusic =
   r2 r8 fis'8~\mp fis4~ | %041
   fis2~\< fis4 fis4--\f | %042
   fis8-.->\ff r8 r4 r4 | %043
-  R1*3/4*13 | %044-56
-  R1*5/4 | %057
+  R1*3/4*15 | %044-56
   f8(\mf bes,8~ bes4) g'8(\< d'8 fis8 e8 cis'8 a) | %058
   \tuplet 3/2 { ees4\ff\> aes,4 b4 } | %059
-  c1\mf\fermata | %060
+  <<
+    {
+      c1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   R1*4^\markup { "take piccolo" } | %061-064
   R1*6/4 | %065
   R1*2 |%066-067
@@ -69,8 +74,8 @@ fluteMusic =
   fis2.(\mf | %096
   \after 2 \p b,,2.)\> | %097
   r2 r4 r8 c''8(\f | %098
-  e4.)\> bes,4( c4)\mf | %099
-  R1*7/8 | %0100
+  e4.)\> bes,8~( bes8 c4)\mf r8 | %099
+  R1 | %0100
   r2 r4 gis8-.-> r8 | %101
   a8-.-> r8 r4 r8 e'8-.->\f r4 | %102
   r4 d8-.-> r8 r2 | %103
@@ -86,6 +91,60 @@ fluteMusic =
   b4.)\> gis8 \tuplet 3/2 { a4( d,4 e4)\mp } | %115
   r2 r4 b4~\p | %116
   b4.~\shortfermata b4. | %117
+  <>^\markup { "take piccolo" } R1*12/8 | %117
+  R1*6/8 | %118
+  R1*12/8 | %119
+  R1*2/4 | %120
+  R1*6/8 | %121
+  R1*12/8 | %122
+  R1*6/8 | %123
+  R1*7/8 | %124
+  R1*12/8 | %125
+  r4. r4 r8 dis8\mp^\markup { \bold \box "piccolo" } | %126
+  e8( a8 e8) a8( e8 a8) e8(\< a8 e8) a8( e8 a8) | %127
+  R1*3/16 | %128
+  bes8(\mf g8 bes8) g8( bes8 g8) | %129
+  d'8( gis,8 d'8) gis,8( d'8 gis,8) d'8(\> gis,8 d'8) gis,8( d'8 gis,8~\pp gis4.) | %131
+  R1*2/4\fermata | %131
+  R1 | %132
+  R1*5/8 | %133
+  R1*4 | %134-137
+  R1*3/4*2 | %138-139
+  R1 | %140
+  dis8(\mf gis4.~\> \after 4 \! gis2) | %141
+  r2 aes4(\< f8 aes8) | %142
+  ees'4--\mf r4 r2 | %143
+  R1 | %144
+  a,8(\f b c8-.) r8 r2 | %145
+  R1 | %146
+  bes2~(\mf bes8 d,4 g8~ | %147
+  g4) r4^\markup { "take flute" } r2 | %148
+  R1*3 | %148-150
+  r2 r4 ees'4(\< | %151
+  f2 e!8-.)\f g,8-. d8-. r8 | %152
+  r2 des''8-. r8 r8 ees8-. | %153
+  R1*3 | %154-156
+  r2 c,8-.\> r8 r8 g8-.\mp | %157
+  R1*3 | %158-160
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 c8-.\f\> |
+  d8-.\! r8 r4 r8 f8(\< |
+  aes8-.)\f r8 r4 r2 | %174
+  r4 ees8(\mf g8 aes,8 c4.) | %175
+  r8 ges8(\< des'8 aes'8) ees'8( f8\ff\> b,8 c8) | %176
+  a1\f |
+  <>^\markup { "take piccolo" } R1*3 |
+  r8 des,8~\mp^\markup { \bold \box "piccolo" } des2 |
+  R1*2 |
+  r4 \tuplet 3/2 { r8 a8(\mf bes8-.) } r4 | %184
+  r2 \tuplet 3/2 { bes4\< e4 f4 } | %185
+  ges2\f ees2 | %186
+  R1 | %187
+  R1\fermata | %188
+  r4 a2.->\ff\fermata | %199
 }
 
 fluteStaff =
diff --git a/manuscripts/horn.ly b/manuscripts/horn.ly
index 6313446..7f62ef5 100644
--- a/manuscripts/horn.ly
+++ b/manuscripts/horn.ly
@@ -4,11 +4,11 @@ hornMusic =
 \relative {
   \clef treble
   <>^\markup { "take straight mute" } R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*5 | %004-8
   bes8-.\mf r8 r4 ges8-.\mp r8 r4 | %009
   R1*5 | %0010-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*2 | %017-18
   fis8(\p\< aes8~ aes4 g8)-.\mp r8 ees8-. r8 | %019
   R1*6 | %020-25
@@ -20,10 +20,17 @@ hornMusic =
   r8 a8~->\f a2~ | %054
   a4 r4 r4 | %055
   R1*3/4 | %056
-  r8 e8-.\mp r4 r2. | %057
+  r8 e8-.\mp r4 r4 R1*3/4 | %057
   R1*5/4 | %058
   \tuplet 3/2 { ees'4\ff\> aes4 b4 } | %059
-  c1\mf\fermata | %060
+  <<
+    {
+      c1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   R1*4 | %061-064
   R1*6/4 | %065
   R1*2 |%066-067
@@ -41,9 +48,8 @@ hornMusic =
   R1*9 | %087-95
   R1*3/4 | %096
   f,2.-+\mf | %097
-  R1 | %098
-  R1*7/8 | %099
-  r8 r8 aes8-.\p r4 g8-. r8 | %100
+  R1*2 | %098
+  r4 r8 aes8-.\p r4 g8-. r8 | %100
   r4 cis8-.\< d8-.\! r2 | %101
   r2 bes8(\< ees8-.->)\f r4 | %102
   r4 f8-.-> r8 r2 | %103
@@ -57,9 +63,57 @@ hornMusic =
   r4 r8 bes8-.\mf e4~ | %111
   e4~ e8 r8 ees4~\f | %112
   ees2. | %113
-  R1*3 | %114-116
+  <>^\markup { "take straight mute" } R1*3 | %114-116
   r4.\shortfermata r4. | %117
-
+  R1*12/8 | %117
+  R1*6/8 | %118
+  R1*12/8 | %119
+  R1*2/4 | %120
+  R1*6/8 | %121
+  R1*12/8 | %122
+  R1*6/8 | %123
+  R1*7/8 | %124
+  R1*12/8 | %125
+  R1*7/8 | %126
+  R1*12/8 | %127
+  R1*3/16 | %128
+  R1*6/8 | %129
+  r8 b'4~\mp\> \after 1 \p b1. | %130
+  R1*2/4\fermata | %131
+  <>^\markup { "open" } R1 | %132
+  R1*5/8 | %133
+  R1*4 | %134
+  R1*3/4*2 | %138-139
+  R1*5 | %140
+  r2 r4 fis4->\fp | %145
+  g2->\fp cis,4(\mf\< fis,8 g8) | %146
+  c8( f,!4) d'8~ d8 bes4\f bes8~ | %147
+  bes8 a8(\< b8 dis8~ dis4) gis4~->\ff | %148
+  \after 4. \! gis2\> r2 | %149
+  R1*4 | %150
+  r8 f,4.~-+\mf f2 | %154
+  R1*7 | %155
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 c'8-.\f\> |
+  d8-.\! r8 r4 r8 f8(\< |
+  aes8-.)\f r8 r4 r4 c4~\mf |
+  c8 r8 r4 r2 |
+  r2 r4 r8 g,8( |
+  dis1) |
+  r2 f2~\> |
+  f4 fis b2\mp |
+  R1 |
+  R1*3/4 |
+  cis2.-+\p r4 |
+  R1 |
+  R1*3/4 |
+  fis2->\f r2 |
+  R1*2 |
+  R1\fermata |
+  g,4->~\ff g2.\fermata |
 }
 
 hornStaff =
diff --git a/manuscripts/oboe.ly b/manuscripts/oboe.ly
index f2e746e..37029da 100644
--- a/manuscripts/oboe.ly
+++ b/manuscripts/oboe.ly
@@ -3,13 +3,13 @@ oboeMusic =
 \relative {
   \clef treble
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*7 | %004-10
   r2 r8 des''8~\pp\< des4~ | %011
   des1~ | %012
   des1~ | %013
   des2~\mf des8 r8 r4 | %014
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*6 | %017-22
   r2 r4 b4~(\mp\< | %023
   b4. a8~ a2~\mf | %024
@@ -29,11 +29,17 @@ oboeMusic =
   r2 r8 fis8~\mp\< fis4~ | %041
   fis2~ fis4 fis4--\f | %042
   fis8-.->\ff r8 r4 r4 | %043
-  R1*3/4*13 | %044-56
-  R1*5/4 | %057
+  R1*3/4*15 | %044-56
   f8(\mf bes,8~ bes4) g8(\< d'8 fis8 e8 cis'8 a) | %058
   \tuplet 3/2 { ees'4\ff\> aes,4 b4 } | %059
-  c1\mf\fermata | %060
+  <<
+    {
+      c1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   R1*4 | %061-064
   R1*6/4 | %065
   R1*2 |%066-067
@@ -56,11 +62,11 @@ oboeMusic =
   a2 r2 | %092
   r4 b,8(-> c8~ c2) | %093
   R1*2 | %094-95
-  fis4(\mf a,4 b,~ | %096
-  b4.\> \after 8 \p bes4.) | %097
-  r2 r4 r8 f''8(\f | %098
-  g4.)\> bes,4( c4)\mf | %099
-  R1*7/8 | %0100
+  fis4(\mf a,2) | %096
+  R1*3/4 | %097
+  r2 r4 r8 f'8(\f | %098
+  g4.)\> bes,8~( bes8 c4)\mf r8 | %099
+  R1 | %0100
   r2 r4 gis8-.-> r8 | %101
   a8-.-> r8 r4 r8 ees8-.->\f r4 | %102
   r4 d'8-.-> r8 r2 | %103
@@ -74,6 +80,62 @@ oboeMusic =
   b4.)\> gis8 \tuplet 3/2 { a4( d,4 e4)\mp } | %114
   R1 | %115
   r4.\shortfermata r4. | %116
+  R1*12/8 | %117
+  R1*6/8 | %118
+  R1*12/8 | %119
+  R1*2/4 | %120
+  R1*6/8 | %121
+  R1*12/8 | %122
+  R1*6/8 | %123
+  R1*7/8 | %124
+  R1*12/8 | %125
+  R1*7/8 | %126
+  R1*12/8 | %127
+  R1*3/16 | %128
+  R1*6/8 | %129
+  R1*15/8 | %130
+  R1*2/4\fermata | %131
+  r2 f'8(\p b8-.) r4 | %132
+  r4 c,8(\< fis8-.) r8 | %133
+  r8 bes,8( f'!4) r8 ees8( a8-.) r8 | %134
+  r8 d,8( aes'8-.) r8 r8 cis,8( g'8-.)\mf r8 | %135
+  R1*2 | %136-137
+  R1*3/4*2 | %138-139
+  d2\mf r2 | %140
+  dis8( e4.~\> \after 4 \! e2) | %141
+  R1*5 | %142-146
+  bes'2~(\mf bes8 e,4 a8~ | %147
+  a4) r4 r2 | %148
+  r2 c,4(\mp b8-.) r8 | %149
+  R1 | %150
+  r2 r8 cis8(\f a4~ | %151
+  a4. c,8-.) r4 ees'4(\mf | %152
+  f2 e!8-.) r8 r4 | %153
+  R1*2 | %154-155
+  r2 bes'8(\f c4. | %156
+  g8-.) r8 r4 r2 | %157
+  R1*4 | %158-161
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 a,8-.\f\> |
+  d8-.\! r8 r4 r8 b8(\< |
+  gis8-.)\f r8 r4 r2 |
+  r4 ees'8(\mf g8 aes,8 c8) \tuplet 3/2 { d8[(\f bes8 g8] } |
+  e8) ges8(\< des'8 aes'8) ees'8( f8\ff\> b,8 c8) | %176
+  a1\f |
+  R1*3 |
+  R1*3/4 |
+  r2 r4 \tuplet 3/2 { r8 r8 d8~\mp } |
+  d4 r4 r2 |
+  r4 \tuplet 3/2 { r8 a8(\mf fis8-.) } r4 |
+  r2 \tuplet 3/2 { bes,4\< g'4 f4 } |
+  aes4.\f a8~-> a2 |
+  R1 |
+  R1\fermata |
+  r4 b2.->\ff\fermata |
+
 }
 
 oboeStaff =
diff --git a/manuscripts/perc1.ly b/manuscripts/perc1.ly
index 04eb449..4b1674d 100644
--- a/manuscripts/perc1.ly
+++ b/manuscripts/perc1.ly
@@ -30,17 +30,23 @@ percOneMusic =
     \set Staff.pedalSustainStyle = #'bracket
     \clef treble
     <>^\markup { \bold \box "vibraphone" } R1 | %001
-    ees'8-+\f r8 r8 \once \omit Staff.PianoPedalBracket des8-+\sustainOn
+    <<
+      {
+        s4 s8 \once \omit Staff.PianoPedalBracket s8\sustainOn
+      }
+      {
+        r2
+      }
+    >>
     \once \override Staff.PianoPedalBracket.bracket-flare = #'(10 . 0.5)
-    des4:32~\niente\<\sustainOff\sustainOn^\markup { "gradually depress pedal" } | %002
-    \after 2 \! des2.:32 | %003
-    r2\sustainOff a8-+ r8 r4 | %004
+    des'2:32~\niente\<\sustainOff\sustainOn^\markup { "gradually depress pedal" }
+    \after 4 \! des2:32 | %003
+    r2\sustainOff a8-+\f r8 r4 | %004
     g8-+ r8 r4 r2 |  %005
     R1*7 | %006-12
     r4 c'8\mf\> d8~ d8 e8 a,8 g8~\mp | %013
     g4 r4 r4 f4~\sustainOn | %14
-    f8 g'8~ g2~ | %015
-    g2 r4\sustainOff | %016
+    f8 g'8~ g4~ g2~ g4 r4\sustainOff | %016
     r4 \xNotesOn cis,,8\p^\markup { "rattan" } dis8 r8 ais8 r8 gis8 \xNotesOff | %017
     R1*2 | %017-18
     r2 r8 d''8\mf e4 | %019
@@ -64,8 +70,8 @@ percOneMusic =
     e,4 b'4. fis8 | %052
     bes8 ees8~\mf ees2 | %053
     d2. | %054
-    R1*3/4*2 | %055-56
-    R1*5/4*2 | %057-58
+    R1*3/4*4 | %055-56
+    R1*5/4 | %057-58
     R1*2/4 | %059
     \override Voice.Clef.stencil = ##f
   }
@@ -75,7 +81,14 @@ percOneMusic =
     drumPitchTable = #(alist->hash-table midiDrumPitches)
   }
   \drummode {
-    <>^\markup { \bold \box "low tom" } tml1:32\mp\fermata | %060
+    <<
+      {
+        <>^\markup { \bold \box "low tom" } tml1:32\fermata | %060
+      }
+      {
+        s4\p\< s4 s4.\> s8\!
+      }
+    >>
     <>^\markup { \bold \box "kick drum" } kdr4\pp r4 r8 kdr8 r4 | %061
     kdr4 r4 r8 kdr8 r4 | %062
     kdr4 r4 r8 kdr8 r4 | %063
@@ -108,8 +121,8 @@ percOneMusic =
     R1*2 | %094-95
     R1*3/4*2 | %96-97
     r4 cxl4\< r4 cxh8 cxl8 | %98
-    r8 cxh8\f\> r8 cxl8[ cxh8] r8 cxl8\mf | %99
-    R1*7/8 | %100
+    r8 cxh8\f\> r8 cxl8 cxh8 r8 cxl8\mf r8 | %99
+    R1 | %100
     r4 r8 kdr8\mp\< r4 kdr4 | %101
     kdr4\mf r4 tmh8\< kdr8\f r4 | %102
     r4 <kdr tml>4-> r2 | %103
@@ -125,8 +138,43 @@ percOneMusic =
     r4 r8 kdr4 tmm8\> | %114
     r4 r8 tmh8 r4 r8 tml8 | %115
     r4 r8 tmm8 r4 r8 kdr8 | %116
-    r4 r8 tml8\p r2 | %117
+    r4 r8 tml8\p r2^\markup { "take bow" } | %117
     r4.\shortfermata r4. | %117
+    R1*12/8 | %117
+    R1*6/8 | %118
+    R1*12/8 | %119
+    \override Voice.Clef.stencil = ##f
+  }
+  \new Staff \with {
+    \remove Time_signature_engraver
+  }
+  \relative {
+    <>^\markup { \bold \box "vibraphone" } r4 <a b>4~\mp^\markup { "arco" } | %120
+    <a b>4. r4. | %121
+    R1*12/8 | %122
+    r4. bes8~ <bes c>4~ | %123
+    <bes c>4. r4^\markup { "take mallets" } r4 | %124
+    R1*12/8 | %125
+    R1*7/8 | %126
+    R1*12/8 | %127
+    R1*3/16 | %128
+    R1*6/8 | %129
+    d''8\mf\>\sustainOn gis, d' gis, d' gis, d' gis, d' gis, d' gis, d'\p gis, d' | %130
+    R1*2/4\fermata | %131
+    R1\sustainOff | %132
+    R1*5/8 | %133
+    R1*3 | %134-136
+    \override Voice.Clef.stencil = ##f
+  }
+  \new DrumStaff \with {
+    \remove Time_signature_engraver
+    drumStyleTable = #(alist->hash-table perc1-drum-style)
+    drumPitchTable = #(alist->hash-table midiDrumPitches)
+  }
+  \drummode {
+    r8 kdr4. r8 kdr4. | %137
+    kdr4. kdr4. | %138
+    r4 kdr4 r4 | %139
   }
 }
 
diff --git a/manuscripts/perc2.ly b/manuscripts/perc2.ly
index 375360b..5bd64af 100644
--- a/manuscripts/perc2.ly
+++ b/manuscripts/perc2.ly
@@ -35,8 +35,8 @@ percTwoMusic =
   \relative {
     \clef treble
     <>^\markup { \bold \box "marimba" } R1 | %001
-    R1*3/4*2 | %002-3
-    b8->\f bes'8:32~\niente\< bes2.:32~ | %004
+    ees'8-+\f r8 r8 des8-+ r2 r2 | %002-3
+    b8-> bes'8:32~\niente\< bes2.:32~ | %004
     \after 2 \mf bes2.:32 f'4:32~\niente\< | %005
     f1:32~ | %006
     f4:32\mf \after 2 \mf ges2.:32\niente\< | %007
@@ -47,8 +47,7 @@ percTwoMusic =
     des1:32~ | %012
     des1:32~ | %013
     des2:32~\mp des8:32 c8 f,4:32~ | %014
-    f8:32 <f g'>8:32~\> <f g'>2:32~ | %015
-    \after 4 \pp <f g'>2:32 r4 | %016
+    f8:32 <f g'>8:32~\> <f g'>4:32~ <f g'>2:32~ <f g'>4:32\pp r4 | %016
     R1*3 \clef bass | %017-19
     r2 a,,2:32~\niente\< | %020
     a2:32~ a8:32 des8\f g8 ges8 | %021
@@ -59,7 +58,7 @@ percTwoMusic =
     R1*2 | %026-27
     r8 bes,8\mp c4 r2 | %028
     R1*3 | %029-31
-    r2 r4 \xNotesOn aes'8\f bes | %032
+    r2 r4 \xNotesOn aes'8\f^\markup { "rattan" } bes | %032
     r8 c,8 des8 f8 ees8 \xNotesOff r8 r4 | %033
     r2 r8 g8~\mf g4 | %034
     a,1:32 | %035
@@ -81,7 +80,7 @@ percTwoMusic =
     R1*3/4*3 | %052-54
     r4 r4 aes4:32~\mp\< | %055
     aes4:32 f'8\f r8 r8 g,8\> \clef bass | %056
-    a,8 e8 r4 b8\mp r8 r4 r4 | %057
+    a,8 e8 r4 b8\mp r8 R1*3/4 | %057
     R1*5/4 | %058
     R1*2/4 \clef treble | %059
     <>^\markup { \bold \box "tubular bells" } <c' g'>1\f\fermata | %60
@@ -97,7 +96,7 @@ percTwoMusic =
     r2 r4 r8 <>^\markup { \bold \box "hi-hat" } htc8\pp \parenthesize -+ | %062
     r4 htc4 r2 | %063
     htc4 htc8 htc8 r8 htc8\< htc8 hth8 | %064
-    <>^\markup { \bold \box "snare drum" } <htp sds>8\mp r8 r4 r4 r4 <>^\markup { \bold \box "ride cymbal" } rcy4\pp\laissezVibrer r4 | %065
+    <>^\markup { \bold \box "snare drum" } <htp sds>8\mp^\markup { "rim click" } r8 r4 r2 <>^\markup { \bold \box "ride cymbal" } rcy4\pp\laissezVibrer r4 | %065
     r2 r4 htc8\mp hth8 | %066
     <htp rcy^\laissezVibrer>8 r8 r4 r2 | %067
     R1*3/4 | %068
@@ -111,7 +110,7 @@ percTwoMusic =
     r2 r4 <>^\markup { \bold \box "marimba" } e''4:32~\niente\< | %070
     e1:32~ | %071
     e4:32\mp\> \after 2 \niente cis,2.:32 | %072
-    R1 | %073
+    R1*2 | %073
     \override Voice.Clef.stencil = ##f
   }
   \new DrumStaff \with {
@@ -120,7 +119,6 @@ percTwoMusic =
     drumPitchTable = #(alist->hash-table midiDrumPitches)
   }
   \drummode {
-    r2 r4 htc8\p htc8 | %074
     r4 r8 sds8 rcy4\laissezVibrer r4 rcy8\laissezVibrer sds8 | %075
     r8 htc8\< hth8 htp8 r8 htc8 r8 sds8 | %076
     sds4\mf htc8 sds8 rcy4\laissezVibrer r4 | %077
@@ -140,8 +138,8 @@ percTwoMusic =
     R1*2 | %094-95
     R1*3/4*2 | %096-97
     R1 | %098
-    R1*7/8 | %099
-    r8 r8 sdr8\p\< htc8[ htc8] sdr4 | %100
+    R1 | %099
+    r4 r8 sdr8\p\< htc8[ htc8] sdr4 | %100
     r8 htc8 sdr8 sdr8 htc4 htc8 hth8 | %101
     <htp sdr>4\mf r4 r2 | %102
     R1 | %103
@@ -172,6 +170,28 @@ percTwoMusic =
     <sdr htc>4\> htc8 sdr8 r8 htc8 sdr4 | %115
     htc8 htc8 sdr8 rcy8\pp\laissezVibrer r2 | %116
     r4.\shortfermata r4. | %117
+    R1*12/8 | %117
+    R1*6/8 | %118
+    R1*12/8 | %119
+    R1*2/4 | %120
+    R1*6/8 | %121
+    R1*12/8 | %122
+    R1*6/8 | %123
+    R1*7/8 | %124
+    R1*12/8 | %125
+    R1*7/8 | %126
+    R1*12/8 | %127
+    R1*3/16 | %128
+    R1*6/8 | %129
+    R1*15/8 | %130
+    R1*2/4\fermata | %131
+    R1 | %132
+    R1*5/8 | %133
+    r2 r4 rcy4\laissezVibrer | %134
+    r2 r4 rcy4\laissezVibrer | %135
+    sds4 htc4 sds4. htc8 | %136
+    sds4. sds8 htc4. sds8 | %137
+    r4 r4 sds4 | %138
   }
 }
 
diff --git a/manuscripts/pianoDown.ly b/manuscripts/pianoDown.ly
index 5fc7a81..3c36fc7 100644
--- a/manuscripts/pianoDown.ly
+++ b/manuscripts/pianoDown.ly
@@ -3,11 +3,11 @@ pianoDownMusic =
 \relative {
   \clef bass
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   b8-+^\mp^\< r8 r4 r4 c,8-+ r8 | %004
   r4 e8-+\f d8-+ r2 | %005
   R1*9 | %006-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*3 | %017-19
   r4 r8 a8~->^\mf a2~ | %020
   a1 | %021
@@ -36,8 +36,7 @@ pianoDownMusic =
   R1*3/4*5 | %043-47
   r4 r4 r8 f,8(^\mf^\> | %048
   cis4 gis'4 fis8 b,8-.)^\mp | %049
-  R1*3/4*7 | %050-56
-  R1*5/4 | %057
+  R1*3/4*9 | %050-56
   c8( ees8~ ees4) \clef treble g''8( d'8 fis8 e8 cis'8) r8 \clef bass | %058
   <f,,, f,>4 <d d,>4 | %059
   <g, g,>1\fermata | %060
@@ -45,7 +44,7 @@ pianoDownMusic =
   e8-. f8-. r4 r8 ees8-. r4 | %062
   r2 g8-. bes,8-. r8 des8-. | %063
   R1 | %064
-  a8-. r8 r4 r4 r2. | %065
+  a8-. r8 r4 r2 r2 | %065
   R1 | %066
   <<
     {
@@ -56,8 +55,8 @@ pianoDownMusic =
     {
       s1\sustainOn |
       s2. |
-      s4\sustainOff s8 s8\sustainOn s2 |
-      s2 s2\sustainOff |
+      s4\sustainOff s8 s8 s2 |
+      s2 s2 |
     }
   >>
   r2 r4 d,4^\p | %073
@@ -77,8 +76,8 @@ pianoDownMusic =
   R1*2 | %094-95
   R1*3/4*2 | %096-97
   r4 <e, dis'>2.\arpeggio | %098
-  R1*7/8 \clef bass | %099
-  r8 r8 ees,,8-. r4 bes8-. r8 | %100
+  R1 \clef bass | %099
+  r4 r8 ees,,8-. r4 bes8-. r8 | %100
   r4 e8-. e8-. r8 f8-. fis8-.-> r8 | %101
   b,8-.-> r8 r4 bes''8( des,8-.->) r4 | %102
   R1 | %103
@@ -91,4 +90,59 @@ pianoDownMusic =
   R1*3/4*3 | %112-114
   R1*3 | %115-117
   r4.\shortfermata r4. | %118
+  fis8.(\sustainOn e8.) fis8.( e8.) fis8.( e8.) fis8.( b8.) | %117
+  a8.(\sustainOff\sustainOn c,8.) a'8.( c,8.) | %118
+  aes'8.(\sustainOff\sustainOn ees8.) aes8.( ees8.) aes8.( ees8.) aes8.( ees8.) | %119
+  R1*2/4\sustainOff | %120
+  b'8.(\sustainOn d,8.) b'8.( d,8.) | %121
+  des'8.(\sustainOff\sustainOn f,8.) des'8.( f,8.) des'8.( f,8.) des'8.( f,8.) | %122
+  R1*6/8\sustainOff | %123
+  e8.(\sustainOn gis,8.) e'8.[( gis,16]~ gis4) | %124
+  a'8.(\sustainOff\sustainOn bes,8.) a'8.( bes,8.) a'8.( bes,8.) a'8.( bes,8.) | %125
+  b'!8.(\sustainOff\sustainOn d,8.) b'8.([ d,16]~ d4) | %126
+  g8.(\sustainOff\sustainOn c,8.) g'8.( c,8.) g'8.( c,8.) g'8.( c,8.)  | %127
+  des8.\sustainOff | %128
+  r8.\sustainOn ees8. r8. ees8. | %129
+  f8.(\sustainOff\sustainOn ges,8.) f'8.( ges,8.) f'8.( ges,8.) f'8.( ges,8.) f'8.( ges,8.) | %130
+  R1*2/4\fermata | %131
+  R1\sustainOff | %132
+  R1*5/8 | %133
+  R1*4 | %134
+  <des des'>4( <f f'>4) r4 | %135
+  r4 <bes, bes'>4-> r4 | %136
+  R1*9 | %137
+  r2 r4 a'''8-. r8 | %149
+  ais8-. r8 r4 b8-. r8 r4 | %150
+  R1*2 | %151
+  r8 d,8-. r4 r4 r8 fis,8-. | %152
+  R1*8 | %154
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 <a' a,>8-.\f\> |
+  <ees ees,>8-.\! r8 r4 r8 <b' b,>8(\< |
+  <g g,>8-.)\f r8 r4 r2 |
+  R1 |
+  r2 \clef treble ees''8( f8 b,8 c8) |
+  a1 |
+  R1*3 |
+  R1*3/4 |
+  <<
+    {
+      R1 \clef bass |
+      \omit Voice.Clef
+      \tuplet 3/2 { \change Staff = "u" d,8 \change Staff = "d" g,,,8 bes'8 } \tuplet 3/2 { aes,8 \change Staff = "u" ees'''8
+      f,8 } \change Staff = "d" ges,,2 |
+    }
+    \new Voice {
+      s1
+    }
+  >>
+  \undo \omit Voice.Clef
+  r4 des'4 r4 |
+  R1*3 |
+  R1\fermata |
+  <c g'>8(\sustainOn <e' c'>8 <c' e g>2.)\fermata |
+
 }
diff --git a/manuscripts/pianoUp.ly b/manuscripts/pianoUp.ly
index 443cc95..1ed65cc 100644
--- a/manuscripts/pianoUp.ly
+++ b/manuscripts/pianoUp.ly
@@ -3,11 +3,11 @@ pianoUpMusic =
 \relative {
   \clef treble
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   <>^\markup { "mute inside strings" } R1 | %004
   R1 | %005
   R1*9 | %006-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*7 | %017-23
   r4 r8 \repeat tremolo 2 { a'32(\< b } \repeat tremolo 8 { a32\mf\> b } | %024
   \after 4 \p \repeat tremolo 8 { a32 b) } r2 | %025
@@ -16,13 +16,12 @@ pianoUpMusic =
   r4 r4 r8 cis8-+\mf\< | %051
   e,4-+ b'4.-+ fis8-+ | %052
   bes8-+ ees8-+\f r4 r4 | %053
-  R1*3/4*3 | %054-56
-  R1*5/4 | %057
+  R1*3/4*5 | %054-56
   f8(\mf bes,8~ bes4) \ottava #1 g'8(\< d'8 fis8 e8 cis'8 a8) \ottava #0 | %058
   \tuplet 3/2 { <ees ees,>4\ff\> <aes, aes,>4 <b b,>4 } | %059
   <c c,>1\mf\fermata | %060
   R1*4 \clef bass | %061-64
-  d,,,8-.\mf r8 r4 r4 r2. | %065
+  d,,,8-.\mf r8 r4 r2 r2 | %065
   R1 \clef treble | %066
   r8 aes''8~\p aes2.~ | %067
   aes2. | %068
@@ -46,8 +45,8 @@ pianoUpMusic =
   R1*2 | %094-95
   R1*3/4*2 | %096-97
   r4 <gis' dis' e>2.\arpeggio\mf | %098
-  R1*7/8 \clef bass | %099
-  r8 r8 <aes,, ges>8-.\p r4 g8-. r8 \clef treble | %100
+  R1 \clef bass | %099
+  r4 r8 <aes,, ges>8-.\p r4 g8-. r8 \clef treble | %100
   r4 <a cis>8-.\< <b d>8-. r4 gis'8-.-> r8 | %101
   <a c,>8-.->\mf r8 r4 r8\< <dis, e'>8-.->\f r4 | %102
   R1 | %103
@@ -60,6 +59,52 @@ pianoUpMusic =
   R1*3/4*3 | %112-114
   R1*3 | %115-117
   r4.\shortfermata r4. | %118
+  b,8(\p dis8 cis8) b8( dis8 cis8) b8( dis8 cis8) b8( dis8 cis8) | %117
+  f8( d8 f8) d8( f8 d8) | %118
+  c8(\< bes8 c8) bes8( c8 bes8) c8(\mp\> bes8 c8) bes8( c8 bes8)\! | %129
+  R1*2/4 | %120
+  e8(\p g8 e8) g8( e8 g8) | %121
+  aes8(\< ges8 aes8) ges8( aes8 ges) aes8(\mp\> ges8 aes8) ges8( aes8 ges)\p | %122
+  R1*6/8 | %123
+  b8[(\mp\> cis8 b8]) cis8[( b8] cis8[ b8]) | %124
+  c8(\p\< f8 c8) f8( c8 f8) c8(\mp\> f8 c8) f8( c8 f8)\p | %125
+  fis4\< fis8~ fis8 fis4 dis8 | %126
+  e8(\mp a8 e8) a8( e8 a8) e8(\< a8 e8) a8( e8 a8) | %127
+  R1*3/16 | %128
+  bes,8(\mf g8 bes8) g8( bes8 g8) | %129
+  d'8( gis,8 d'8) gis,8( d'8 gis,8) d'8(\> gis,8 d'8) gis,8( d'8 gis,8) d'8(\pp gis,8 d'8) | %131
+  R1*2/4\fermata | %131
+  R1 | %132
+  R1*5/8 | %133
+  R1*4 | %134
+  <>\mf R1*3/4 \clef bass | %138
+  \tuplet 3/2 { r8 c,,8-.\< des8-. } r4\f r4 | %139
+  R1*9 | %140
+  r2 r4 \clef treble b''8-.\mp\< r8 | %149
+  d8-. r8 r4 fis,8-.\mf r8 r4 | %150
+  R1 | %151
+  r2 r8 b8-. g'8-. bes,8-. | %152
+  aes'8-. r8 r4 e8-. g,8-. d8-. r8 | %153
+  R1*8 | %154
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 <c' a c,>8-.\f\> |
+  <d d,>8-.\! r8 r4 r8 <f b, f>8(\< |
+  <aes aes,>8-.)\f
+  r8 r4 r2 |
+  r2 r4 \tuplet 3/2 { d,8(\mf\< bes8 g8 } |
+  e8) ges8( des' aes')  ees'8( f8\ff\> b,8 c8) |
+  a1\mf |
+  R1*3 |
+  R1*3/4 |
+  R1 |
+  s2\p\< r2\mp |
+  R1*3/4 |
+  R1*3 |
+  R1\fermata |
+  f,8(\ff\< <f' g>8 <b a'>2.->)\!\fermata |
 }
 
 pianoStaff =
diff --git a/manuscripts/tempoMap.ly b/manuscripts/tempoMap.ly
index 35ec7e3..117daf3 100644
--- a/manuscripts/tempoMap.ly
+++ b/manuscripts/tempoMap.ly
@@ -7,15 +7,14 @@ tempoMap =
 {
   \tempo "Allegro energico" 2=104
   \time 2/2 s1 | %001
-  \time 3/4 s1*3/4*2 | %002-3
+  \time 3/2 s1*3/2 | %002-3
   \time 2/2 s1*11 | %004-14
-  \time 3/4 s1*3/4*2 | %015-16
+  \time 3/2 s1*3/2 | %015-16
   \mark \default
   \time 2/2 s1*26 | %016-42
   \mark \default
-  \time 3/4 s1*3/4*14 | %043-56
-  \time 5/4 s1*5/4 | %057
-  \timeSpanner "molto rit." s2\startTextSpan s2. | %058
+  \time 3/4 s1*3/4*16 | %043-56
+  \time 5/4 \timeSpanner "molto rit." s2\startTextSpan s2. | %058
   \time 2/4 s4.. s16\stopTextSpan | %059
   \time 2/2 s1 \bar "||" | %060
   \mark \default
@@ -40,9 +39,7 @@ tempoMap =
   s4 s4 s8. s16\stopTextSpan \bar "||" | %097
   \mark \default
   \tempo "A Tempo" 2=96
-  \time 2/2 s1 | %098
-  \time 7/8 \textMark \markup { \tiny \sans "3+2+2" } s1*7/8*2 | %099-100
-  \time 2/2 s1*3 | %101-103
+  \time 2/2 s1*6 | %098
   \time 3/4 s1*3/4 | %104
   \time 2/2 s1*3 | %105-107
   \time 3/4 s1*3/4*2 | %108-109
@@ -54,5 +51,56 @@ tempoMap =
   \mark \default
   \tempo "Andante" 4.=64
   \time 12/8 s1*12/8 | %118
-  \time 6/8 s1*6/8 | %119
+  \time 6/8 s1*6/8 | %118
+  \time 12/8 s1*12/8 | %119
+  \time 2/4 s2 | %120
+  \time 6/8 s1*6/8 | %121
+  \time 12/8 s1*12/8 | %122
+  \time 6/8 s1*6/8 | %123
+  \time 7/8 <>\textMark \markup { \tiny \sans "3+2+2" } s1*7/8 | %124
+  \time 12/8 s1*12/8 | %125
+  \time 7/8 <>\textMark \markup { \tiny \sans "3+2+2" } s1*7/8 | %126
+  \time 12/8 s1*12/8 | %127
+  \time 3/16 s1*3/16 | %128
+  \time 6/8 s1*6/8 | %129
+  \time 15/8 \timeSpanner "molto rit." s1.\startTextSpan s4 s8\stopTextSpan  | %130
+  \time 2/4 s1*2/4 \bar "||" | %131
+  \mark \default
+  \tempo "Lento" 2=48
+  \time 2/2 s1 | %132
+  \time 5/8 <>\textMark \markup { \tiny \sans "2+3" } \timeSpanner "accel. poco a poco" s1*5/8\startTextSpan | %133
+  \time 2/2 s1*2
+  s2. s8 s8\stopTextSpan \bar "||" | %134-136
+  \tempo "Allegro" 2=96
+  s1 | %137
+  \time 3/4 s1*3/4 | %138
+  \timeSpanner "accel." s2\startTextSpan s8 s8\stopTextSpan \bar "||" | %139
+  \tempo 2=104
+  \time 2/2 s1*22 | %140-161
+  \time 7/8 <>\textMark \markup { \tiny \sans "3+2+2" } s1*7/8 | %162
+  \time 2/2 s1*2 | %163-164
+  s2 \timeSpanner "poco rit." s2\startTextSpan | %165
+  s2. s8 s8\stopTextSpan \bar "||" | %166
+  \sectionLabel \markup { \rounded-box \bold { CADENZA } }
+  s1*36 s4 s4 s4 s4 \bar "||" | %167
+  \mark \default
+  \tempo "Ravivando il tempo" 2=72
+  \time 2/2 \timeSpanner "accel." s1\startTextSpan s2. s8 s8\stopTextSpan \bar "||" |
+  \tempo "Allegro" 2=96
+  s1*3 |
+  \mark \default
+  \time 3/4 s1*3/4 |
+  \time 2/2 s1*6 \bar "||" |
+  \mark \default
+  \tempo "Tempo rubato" 4=104
+  \time 4/4 s1 |
+  \time 3/4 s1*3/4 |
+  \time 4/4 s1 |
+  s2 \timeSpanner "rit." s2\startTextSpan
+  \time 3/4 s2 s8 s8\stopTextSpan |
+  \tempo "Meno mosso"
+  \time 4/4 s1
+  \timeSpanner "rit." s1\startTextSpan s2. s8 s8\stopTextSpan
+  s1 s1
+  \bar "|." |
 }
diff --git a/manuscripts/trombone.ly b/manuscripts/trombone.ly
index dda03df..66a1723 100644
--- a/manuscripts/trombone.ly
+++ b/manuscripts/trombone.ly
@@ -3,14 +3,14 @@ tromboneMusic =
 \relative {
   \clef bass
   <>^\markup { "take straight mute" } R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*2 | %004-5
   r2 r4 r8 a8-.\mf |%006
   r2 r8 e'8-. r4 | %007
   R1 | %008
   r4 f,8-.\> r8 ges8-.\mp r8 r4 | %009
   <>^\markup { "take harmon mute" } R1*5 | %010-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1 | %017
   r4 r8 b8-.\p e,8-. d'8-. r8 cis8-. | %018
   fis,8-. r8 r4 r8 f8-.\mp\< ees8-. r8 | %019
@@ -46,10 +46,17 @@ tromboneMusic =
   r4 r8 bes8~->\f bes4~ | %054
   bes4\> des8( ees8~\mf ees4~ | %055
   ees8) r8 r4 r4 | %056
-  R1*5/4 | %057
+  R1*3/4*2 | %057
   c8(\mf ees8~ ees2) bes2 | %058
   f4\ff\> d'4 | %059
-  g,1\mf\fermata | %060
+  <<
+    {
+      g,1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   R1*4 | %061-064
   R1*6/4 | %065
   R1 | %066
@@ -71,8 +78,8 @@ tromboneMusic =
   r4 r4 b'4->\mf | %096
   f4-> a,2-> | %097
   <>^\markup { "open" } R1 | %098
-  R1*7/8 | %099
-  r8 r8 fis'8-.\p r4 g8-. r8 | %100
+  R1 | %099
+  r4 r8 fis'8-.\p r4 g8-. r8 | %100
   r4 a8-.\< b8-.\! r2 | %101
   c8-.->\mf r8 r4 r8 des,8-.->\f r4 | %102
   r4 f'8-.-> r8 r2 | %103
@@ -89,6 +96,55 @@ tromboneMusic =
   R1*2 | %114-115
   \tuplet 3/2 { des'4(\mf\> ees4 c4) } \tuplet 3/2 { f,4( bes,4 g4~\p } | %116
   g4.~\shortfermata g4.) | %117
+  <>^\markup { "take harmon mute" } R1*12/8 | %117
+  R1*6/8 | %118
+  R1*12/8 | %119
+  R1*2/4 | %120
+  R1*6/8 | %121
+  R1*12/8 | %122
+  r8. g8.~\p g4. | %123
+  <>^\markup { "open" } R1*7/8 | %124
+  R1*12/8 | %125
+  R1*7/8 | %126
+  R1*12/8 | %127
+  R1*3/16 | %128
+  R1*6/8 | %129
+  R1*15/8 | %130
+  R1*2/4\fermata | %131
+  R1 | %132
+  R1*5/8 | %133
+  R1*4 | %134
+  R1*3/4*2 | %138-139
+  R1*5 | %140
+  r2 cis2->\fp | %145
+  r4 d4~->\fp d8 r8 r8 ees~\mf\< | %146
+  ees2 e8( f4.)\f | %147
+  \after 4 \< fis2. e'4~->\ff | %148
+  \after 4. \! e2\> r2 | %149
+  <>^\markup { "take straight mute" } R1*4 | %150
+  r8 f,4.~\mf f2 | %151
+  <>^\markup { "open" } R1*7 | %152
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 g8-.\f\> |
+  ees8-.\! r8 r4 r8 b'8(\< |
+  g8-.)\f r8 r4 r4 e'4~\mf |
+  e8 r8 r4 r4 r8 a,8~\f |
+  a2. r8 g8( |
+  ees1) |
+  r2 f,2~\> |
+  f4. bes8 aes2\mp |
+  <>^\markup { "take harmon mute" } R1 |
+  R1*3/4 |
+  g''2.\p r4
+  <>^\markup { "open" } R1 |
+  R1*3/4 |
+  r2 des8\mf\< c8 b8 d8\! |
+  R1*2 |
+  R1\fermata |
+  c,4~->\ff c2.\fermata |
 }
 
 tromboneStaff =
diff --git a/manuscripts/trumpet.ly b/manuscripts/trumpet.ly
index bcd8248..f1e32b6 100644
--- a/manuscripts/trumpet.ly
+++ b/manuscripts/trumpet.ly
@@ -3,9 +3,9 @@ trumpetMusic =
 \relative {
   \clef treble
   <>^\markup { "take straight mute" } R1 | %001
-  R1*3/4*2 | %003-4
+  R1*3/2 | %003-4
   R1*11 | %005-14
-  R1*3/4*2 | %015-16
+  R1*3/2 | %015-16
   R1*8 | %017-24
   r2 r4 r8 d''8(\mp | %025
   a2. bes4 | %026
@@ -24,10 +24,17 @@ trumpetMusic =
   d2.~ | %054
   d4) r4 aes4~-> | %055
   aes4 f'8-.\> r8 c8-. g8-.\mp | %056
-  R1*5/4 | %057
+  R1*3/4*2 | %057
   f'8(\mf bes,8~ bes2) bes,2 | %058
   \tuplet 3/2 { ees'4\ff\> aes,4 b4 } | %059
-  c1\mf\fermata | %060
+  <<
+    {
+      c1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   R1*4 | %061-064
   R1*6/4 | %065
   R1*2 |%066-067
@@ -44,11 +51,9 @@ trumpetMusic =
   R1*2 | %084-85
   R1*5/4 | %086
   R1*9 | %087-95
-  fis'4->\mf a,2-> | %096
-  <>^\markup { "open" } R1*3/4 | %097
-  R1 | %098
-  R1*7/8*2 | %099-100
-  R1 | %101
+  fis'4->\mf a,4(->\> b,4 | %096
+  b4. \after 4 \p bes4.) | %097
+  <>^\markup { "open" } R1*4 | %098
   r2 r8 e'8-.->\f r4 | %102
   r4 d8-.-> r8 r2 | %103
   R1*3/4 | %104
@@ -63,6 +68,55 @@ trumpetMusic =
   r4 r8 gis8\> \tuplet 3/2 { a4( d,4 e4 } | %115
   \tuplet 3/2 { cis4)\mp r4 r4 } r4 b4~\p | %116
   b4.~\shortfermata  b4. | %117
+  <>^\markup { "take straight mute" } R1*12/8 | %117
+  R1*6/8 | %118
+  R1*12/8 | %119
+  R1*2/4 | %120
+  R1*6/8 | %121
+  R1*12/8 | %122
+  R1*6/8 | %123
+  R1*7/8 | %124
+  R1*12/8 | %125
+  R1*7/8 | %126
+  r2. r4. ges''4.~(\mf | %127
+  ges8. | %128
+  f2.) | %129
+  r8 b,4~\mp\> \after 1 \p b1. | %130
+  R1*2/4\fermata | %131
+  <>^\markup { "open" } R1 | %132
+  R1*5/8 | %133
+  R1*4 | %134
+  R1*3/4*2 | %138-139
+  R1*5 | %140
+  r2 r8 a'4.->\fp | %141
+  r8 ais4.->\fp b2->\fp | %142
+  gis,2(\mf a4.) c'8\< | %143
+  \after 4. \! cis2.\f\> r4 | %144
+  r2 c,4(\mp b8-.) r8 | %145
+  R1*4 | %146
+  r2 r4 bes'8(\mf aes8~ | %154
+  \after 4. \! aes2)\> r2 | %155
+  R1*6
+  R1*7/8 | %161
+  R1*4 | %162
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 a,8-.\f\> |
+  d8-.\! r8 r4 r8 b8(\< |
+  dis8-.)\f r8 r4 r4 e4~\mf |
+  e8 r8 r4 r4 \tuplet 3/2 { d8(\< bes8 g8 } |
+  e) ges( des' aes') ees8( f8\f\> b, c8) |
+  a1\mf |
+  r2 \tuplet 3/2 { r4 cis,2~\> } |
+  cis4 d4 ees2\mp |
+  <>^\markup { "take harmon mute" } R1 |
+  R1*3/4 |
+  dis'2.\p r4 |
+  <>^\markup { "open" } R1 |
+  c4->\f r4 r4 |
+  R1*3 |
+  R1\fermata |
+  r4 b'2.->\ff\fermata |
 }
 
 trumpetStaff =
diff --git a/manuscripts/viola.ly b/manuscripts/viola.ly
index 2670adb..1b09742 100644
--- a/manuscripts/viola.ly
+++ b/manuscripts/viola.ly
@@ -3,16 +3,15 @@ violaMusic =
 \relative {
   \clef alto
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*6 | %004-9
   r2 r4 e'4-.\p^\markup { "pizz" \italic "(secco)" } | %010
   cis4-.\< r4 r2 | %011
   ees8-. f4-. ges8-. aes4-. r4 | %012
   b!4-.\mf r4 r2 | %013
   R1 | %014
-  r4 r4 <c, g' \harmonic>4~\p\<^\markup { "arco" } | %015
-  \after 2 \mf <c g' \harmonic>2. | %016
-  r2 r8 ais8-.\p^\markup { "pizz" } r8 gis8-. | %017
+  r2 <c, g' \harmonic>1~\p\<^\markup { "arco" } | %016
+  <c g' \harmonic>8\mf r8 r4 r8 ais8-.\p^\markup { "pizz" } r8 gis8-. | %017
   r8 a8-. r8 b8-. r8 d8-. r4 | %018
   fis,8\<(^\markup { "arco" } aes8~ aes4 g8-.)\mp r8 r4 | %019
   R1*9 | %020-28
@@ -36,15 +35,22 @@ violaMusic =
   r8 a,8~->\f^\markup { "arco" } a2~ | %054
   a4\> cis,8( dis8~\mf dis4~ | %055
   dis8)\< fis8-. d8-.\f r8 r4 | %056
-  R1*5/4 | %057
+  R1*3/4*2 | %057
   c8(\mf ees8~ ees2) bes'2 | %058
   f4->\ff\> d4-> | %059
-  g1\mf\fermata | %060
+  <<
+    {
+      g1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   r8 f8~\mp^\markup { \italic "sul pont." } f2.~ | %061
-  f4 ges2 aes8( des,8 | %062
+  f4 ges2 bes8( des,8 | %062
   c2.) b'4~\< | %063
   b8 gis8~ gis4 e4. ees8( | %064
-  d8-.)\f r8 r4 r4 r2. | %065
+  d8-.)\f r8 r4 r2 r2 | %065
   r8 f8~\mp^\markup { \italic "ord" } f2. | %066
   R1 | %067
   \markSpanner "msp" "ord" ees8-.\<\startTextSpan f8-. fis8( g8)\mf\> e8-. d8-. | %068
@@ -73,8 +79,8 @@ violaMusic =
   R1 | %095
   R1*3/4*2 | %096-97
   a,4\mf gis'2.^\markup { \italic "sul pont." } | %098
-  R1*7/8 | %099
-  des8[(\p^\markup { \italic "msp" } c8 e8] a,8[) d8( b8 f'8] | %100
+  R1 | %099
+  r8 des8(\p^\markup { \italic "msp" } c8 e8 a,8) d8( b8 f'8 | %100
   ees8) aes8( g8 ges8\< bes,8) r8 aes8-.->^\markup { \italic "ord" } r8 | %101
   c8-.->\mf r8 r4 bes8(\< des8-.->)\f r4 | %102
   R1 | %103
@@ -92,6 +98,60 @@ violaMusic =
   c2. | %113
   R1*3 | %114-116
   r4.\shortfermata r4. | %117
+  b'8(\p dis8 cis8) b8( dis8 cis8) b8( dis8 cis8) b8( dis8 cis8) | %117
+  f8( d8 f8) d8( f8 d8) | %118
+  c8(\< bes8 c8) bes8( c8 bes8) c8(\mp\> bes8 c8) bes8( c8 bes8)\! | %129
+  R1*2/4 | %120
+  e8(\p g8 e8) g8( e8 g8) | %121
+  aes8(\< ges8 aes8) ges8( aes8 ges) aes8(\mp\> ges8 aes8) ges8( aes8 ges) | %122
+  a4.\p r4. | %123
+  b8[(\mp\> cis8 b8]) cis8[( b8] cis8[ b8]) | %124
+  c8(\p\< f8 c8) f8( c8 f8) c8(\mp\> f8 c8) f8( c8 f8)\p | %125
+  fis4\< fis8~ fis8 fis4 dis8 | %126
+  e8(\mp a8 e8) a8( e8 a8) e8(\< a8 e8) a8( e8 a8) | %127
+  R1*3/16 | %128
+  bes,8(\mf g8 bes8) g8( bes8 g8) | %129
+  d'8( gis,8 d'8) gis,8( d'8 gis,8) d'8(\> gis,8 d'8) gis,8( d'8 gis,8) d'8(\pp gis,8 d'8) | %131
+  R1*2/4\fermata | %131
+  r2 <des,, bes'>4\p r4 | %132
+  r4 d!8(\< <g b>8-.) r8 | %133
+  r8 f8~ f4 r4 <e c'>4 | %134
+  r4 dis2 r4 | %135
+  a'8\mf\snappizzicato^\markup { "pizz" } r8 r4 f8\snappizzicato r8 r4 | %136
+  fis8\snappizzicato r8 r4 d8\snappizzicato r8 r8 ees8\snappizzicato | %137
+  R1*3/4*2 | %138
+  r2 r8 b'8\f(^\markup { "arco" } gis4) | %139
+  \markSpanner "" "sul pont." gis2:32->\>\startTextSpan a2:32~-> | %140
+  a2:32\stopTextSpan ais:32->\mp | %141
+  \markSpanner "" "ord" b1:32->\<\startTextSpan | %142
+  \tuplet 3/2 { r4 dis2:32-> } \tuplet 3/2 { r4 e2:32~-> } | %143
+  e4:32\stopTextSpan f8-.->\f r8 r2 | %144
+  R1*4 | %145
+  bes,8-.\mp^\markup { "pizz" } r8 r4 r2 | %150
+  r4 r8 e8-.\mf dis8-. r8 r4 | %151
+  R1*5 | %152
+  r8 d8-. r8 ees8-. r2 | %153
+  R1*4
+  R1*7/8 | %162
+  R1*4 |
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 a,8-.\f\> |
+  ees8-.\! r8 r4 r8 b'8--\< |
+  f8-.\f r8 r4 r2 |
+  r4 des2-> r4 |
+  r8 ges'8(\< des'8 aes8) ees'8( f8\ff\> b,8 c8) |
+  a1\f |
+  R1*2 |
+  fis1~\p |
+  fis4. e'4.\flageolet |
+  R1 |
+  r2 \tuplet 3/2 { r4 a,4--\>^\markup { \italic "sul pont." } e4--\p } |
+  R1*3/4 |
+  R1*2 |
+  \tuplet 3/2 { dis,4(\mf\<^\markup { \italic "ord" } fis cis4) } e2 |
+  e1\fermata | e4->~\ff e2.\fermata |
+
 }
 
 violaStaff =
diff --git a/manuscripts/violin1.ly b/manuscripts/violin1.ly
index 1c8a9b9..eb76c63 100644
--- a/manuscripts/violin1.ly
+++ b/manuscripts/violin1.ly
@@ -3,13 +3,12 @@ violinOneMusic =
 \relative {
   \clef treble
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*8 | %004-11
   r2 r4 ais'4(\mf\> | %012
   b4-.->) c8( d8~ d8 e8 a,8 g8~\mp | %013
   g4.) ges8~(\< ges4 f4~\mf\> | %014
-  f2.~ | %015
-  f2)\p r4 | %016
+  f1~ f4)\p r4 | %016
   r4 cis8-.\p^\markup { "pizz" \italic "(secco)" } dis8-. r8 ais8-. r8 gis8-. | %017
   r2 r8 d'8-. r8 cis8-. | %018
   R1*13 | %019-31
@@ -19,7 +18,7 @@ violinOneMusic =
   b4. cis8( f4)\f\glissando d4~( | %035
   d4 ees2.~\> | %036
   ees4)\! r4 a8(\f\glissando gis8~ gis4~ | %037
-  gis2) g4--\>^\markup { \italic "flautando" } e4-- | %038
+  gis2) g4--\>^\markup { \italic "sul tasto" } e4-- | %038
   c2\mf r8 \markSpanner "ord" "msp" bes8~\<\startTextSpan bes4~ | %039
   bes8 bes8-.->\f\stopTextSpan r4 r2 | %040
   r2 r8 fis'8~\mp\<^\markup { \italic "ord" } fis4~ | %041
@@ -32,10 +31,17 @@ violinOneMusic =
   ees2 ees4--\mf | %049
   r4 f4.\p^\markup { "pizz" } f8\laissezVibrer | %050
   R1*3/4*6 | %051-56
-  a,8-.\mf^\markup { "pizz" } r8 r4 r2. | %057
+  a,8-.\mf^\markup { "pizz" } r8 r4 r4 R1*3/4 | %057
   f''8(^\markup { "arco" } bes,8~ bes4) g'8(\< d'8 fis8 e8 cis'8 a8) | %058
   \tuplet 3/2 { ees4\ff\> aes,4 b4 } | %059
-  c1\mf\fermata | %060
+  <<
+    {
+      c1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   R1*4 | %061-064
   R1*6/4 | %065
   R1 | %066
@@ -71,8 +77,8 @@ violinOneMusic =
   R1 | %095
   R1*3/4*2 | %096-97
   a,,4\mf dis'2.^\markup { \italic "sul pont." } | %098
-  R1*7/8 | %099
-  r8 r8 aes,8-.\p^\markup { \italic "ord" } r4 g8-. r8 | %100
+  R1 | %099
+  r4 r8 aes,8-.\p^\markup { \italic "ord" } r4 g8-. r8 | %100
   r4 cis8-.\< d8-. r4 gis8-.-> r8 | %101
   a8-.->\mf r8 r4 r8 e'8-.->\f gis8-. fis8-. | %102
   b8( bes8 a8-.->) r8 r2 | %103
@@ -89,6 +95,66 @@ violinOneMusic =
   g,2\mf r2 | %114
   R1*2 | %115-116
   r4.\shortfermata r4. | %117
+  b8(\p dis8 cis8) b8( dis8 cis8) b8( dis8 cis8) b8( dis8 cis8) | %117
+  f8( d8 f8) d8( f8 d8) | %118
+  c8(\< bes8 c8) bes8( c8 bes8) c8(\mp\> bes8 c8) bes8( c8 bes8)\! | %129
+  R1*2/4 | %120
+  e8(\p g8 e8) g8( e8 g8) | %121
+  aes8(\< ges8 aes8) ges8( aes8 ges) aes8(\mp\> ges8 aes8) ges8( aes8 ges) | %122
+  a4.\p r4. | %123
+  b8[(\mp\> cis8 b8]) cis8[( b8] cis8[ b8]) | %124
+  c8(\p\< f8 c8) f8( c8 f8) c8(\mp\> f8 c8) f8( c8 f8)\p | %125
+  fis4\< fis8~ fis8 fis4 dis8 | %126
+  e8(\mp a8 e8) a8( e8 a8) e8(\< a8 e8) a8( e8 a8) | %127
+  R1*3/16 | %128
+  bes8(\mf g8 bes8) g8( bes8 g8) | %129
+  d'8( gis,8 d'8) gis,8( d'8 gis,8) d'8(\> gis,8 d'8) gis,8( d'8 gis,8) d'8(\pp gis,8 d'8) | %131
+  R1*2/4\fermata | %131
+  r2 f,8(\p b8-.) r4 | %132
+  r4 c,8(\< fis8-.) r8 | %133
+  r8 bes,8( e4) r8 ees( a8-.) r8 | %134
+  r8 d,8( aes'8-.) r8 r8 cis,8( g'8-.)\mf r8 | %135
+  R1*2 | %136-137
+  r4 r4 g,,8\snappizzicato^\markup { "pizz" } r8 | %138
+  R1*3/4 | %139
+  r2 r8 b4.~\f^\markup { "arco" } | %140
+  b8 r8 r4 r2 | %141
+  \markSpanner "sul pont." "ord" c'2:32->\mp\startTextSpan cis2:32~-> | %142
+  cis4:32 d2:32->\< f4:32-> | %143
+  fis2:32-> g2:32~-> | %144
+  g4:32\stopTextSpan aes8-.->\f r8 r2 | %145
+  R1 | %146
+  bes2~(\mf bes8 d,4 g8~ | %147
+  g4) r4 r2 | %148
+  R1 | %149
+  d8-.\p\<^\markup { "pizz" } cis8-. r4 fis,8-. <d g>8\arpeggio\mf r4 | %150
+  r8 <d g>8\arpeggio r4 r2 | %151
+  R1*2 | %152
+  r2 r4 bes''8(\mf^\markup { "arco" } aes8~ | %154
+  \after 4. \! aes2)\> r2 | %155
+  R1*2 | %156
+  r2 c,8-.\mf^\markup { "pizz" } r8 r8 g8-. | %158
+  R1*3 | %159
+  R1*7/8 | %162
+  R1*4 |
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 c8-.\f\> |
+  <d d,>8-.\! r8 r4 r8 f8--\< |
+  aes8-.\f r8 r4 r2 |
+  r4 bes,,2-> r4 |
+  r8 ges'8(\< des'8 aes'8) ees'8( f8\ff\> b,8 c8) |
+  a1\f |
+  R1*2
+  r8 d4.~\flageolet\mp d2~ |
+  d4 r8 g,,4.\flageolet |
+  R1 |
+  r2 \tuplet 3/2 { r4 b'4--\>^\markup { "sul pont." } g4--\p } |
+  R1*3/4 |
+  R1*2 |
+  ais,,2\mf^\markup { "ord" } r2
+  R1\fermata |
+  r4 a'''2.\flageolet\ff\fermata |
 }
 
 violinOneStaff =
diff --git a/manuscripts/violin2.ly b/manuscripts/violin2.ly
index 2224e38..6af18bd 100644
--- a/manuscripts/violin2.ly
+++ b/manuscripts/violin2.ly
@@ -3,13 +3,12 @@ violinTwoMusic =
 \relative {
   \clef treble
   R1 | %001
-  R1*3/4*2 | %002-3
+  R1*3/2 | %002-3
   R1*8 | %004-11
   r2 r4 ais'4(\mf\> | %012
   b4-.->) c8( d8~ d8 e8 a,8 g8~\mp | %013
   g4.) ges8~(\< ges4 f4~\mf\> | %014
-  f2.~ | %015
-  f2)\p r4 | %016
+  f1~ f4)\p r4 | %016
   r4 cis8-.\p^\markup { "pizz" \italic "(secco)" } dis8-. r8 ais8-. r8 gis8-. | %017
   r8 a8-. r4 r4 r8 cis8-. | %018
   R1*13 | %019-31
@@ -19,7 +18,7 @@ violinTwoMusic =
   b4. cis8( f4)\f\glissando d4~( | %035
   d4 ees2.~\> | %036
   ees4)\! r4 a8(\f\glissando gis8~ gis4~ | %037
-  gis2) g4--\>^\markup { \italic "flautando" } e4-- | %038
+  gis2) g4--\>^\markup { \italic "sul tasto" } e4-- | %038
   c2\mf r8 \markSpanner "ord" "msp" bes8~\<\startTextSpan bes4~ | %039
   bes8 bes8-.->\f\stopTextSpan r4 r2 | %040
   r2 r8 fis'8~\mp\<^\markup { \italic "ord" } fis4~ | %041
@@ -32,10 +31,17 @@ violinTwoMusic =
   ees2 ees4--\mf | %049
   r4 f4.\p^\markup { "pizz" } f8\laissezVibrer | %050
   R1*3/4*6 | %051-56
-  a,8-.\mf^\markup { "pizz" } r8 r4 r2. | %057
+  a,8-.\mf^\markup { "pizz" } r8 r4 r4 R1*3/4 | %057
   f''8(^\markup { "arco" } bes,8~ bes4) g8(\< d'8 fis8 e8 cis'8 a8) | %058
   \tuplet 3/2 { ees4\ff\> aes,4 b4 } | %059
-  c1\mf\fermata | %060
+  <<
+    {
+      c1\fermata | %060
+    }
+    {
+      s4\mf\> s2 s4\!
+    }
+  >>
   R1*4 | %061-064
   R1*6/4 | %065
   R1 | %066
@@ -70,8 +76,8 @@ violinTwoMusic =
   R1 | %095
   R1*3/4*2 | %096-97
   a,4\mf gis'2.^\markup { \italic "sul pont." } | %098
-  R1*7/8 | %099
-  r8 r8 aes,8-.\p r4 g8-. r8 | %100
+  R1 | %099
+  r4 r8 aes,8-.\p r4 g8-. r8 | %100
   r4 a8-.\< b8-. r8 c8(^\markup { \italic "msp" } des8 ees8 | %101
   d8) e8( f8 g8~\mf g8) r8 r4 | %102
   R1 | %103
@@ -86,6 +92,65 @@ violinTwoMusic =
   ees2. | %113
   R1*3 | %114-116
   r4.\shortfermata r4. | %117
+  b8(\p dis8 cis8) b8( dis8 cis8) b8( dis8 cis8) b8( dis8 cis8) | %117
+  f8( d8 f8) d8( f8 d8) | %118
+  c8(\< bes8 c8) bes8( c8 bes8) c8(\mp\> bes8 c8) bes8( c8 bes8)\! | %129
+  R1*2/4 | %120
+  e8(\p g8 e8) g8( e8 g8) | %121
+  aes8(\< ges8 aes8) ges8( aes8 ges) aes8(\mp\> ges8 aes8) ges8( aes8 ges) | %122
+  a4.\p r4. | %123
+  b8[(\mp\> cis8 b8]) cis8[( b8] cis8[ b8]) | %124
+  c8(\p\< f8 c8) f8( c8 f8) c8(\mp\> f8 c8) f8( c8 f8)\p | %125
+  fis4\< fis8~ fis8 fis4 dis8 | %126
+  e8(\mp a8 e8) a8( e8 a8) e8(\< a8 e8) a8( e8 a8) | %127
+  R1*3/16 | %128
+  bes8(\mf g8 bes8) g8( bes8 g8) | %129
+  d'8( gis,8 d'8) gis,8( d'8 gis,8) d'8(\> gis,8 d'8) gis,8( d'8 gis,8) d'8(\pp gis,8 d'8) | %130
+  R1*2/4\fermata | %131
+  r2 bes,,4\p r4 | %132
+  r4 d8(\< b!8-.) r8 | %133
+  r8 a8~ a4 r4 c4 | %134
+  r4 <b dis>2 r4 | %135
+  fis'8\mf\snappizzicato^\markup { "pizz" } r8 r4 r2 | %136
+  R1 | %137
+  r4 r4 g,8\snappizzicato r8 | %138
+  R1*3/4 | %139
+  r2 r8 b4.~\f^\markup { "arco" } | %140
+  b8 r8 r4 r2 | %141
+  \markSpanner "sul pont." "ord" c2:32->\mp\<\startTextSpan cis2:32~-> | %142
+  cis4:32-> d2:32-> f4:32-> | %143
+  fis2:32-> g2:32~-> | %144
+  g4:32\stopTextSpan aes8-.->\f r8 r2 | %145
+  R1 | %146
+  bes'2~(\mf bes8 d,4 g8~ | %147
+  g4) r4 r2 | %148
+  R1 | %149
+  r2 fis,8-.\mf^\markup { "pizz" } <d g>8\arpeggio r4 | %150
+  c'8-. f8-. r4 r2 | %151
+  R1*6 | %152
+  r2 c8-.\mf^\markup { "pizz" } r8 r8 g8-. | %158
+  R1*3 | %159
+  R1*7/8 | %162
+  R1*4 |
+  s1*36 s4 s4 s4 s4 |
+  R1*4 |
+  r2 r4 r8 a8-.\f\> |
+  <d d,>8-.\! r8 r4 r8 <f, b>8--\< |
+  aes8-.\f r8 r4 r2 |
+  r4 bes,2-> r4 |
+  r8 ges'8(\< des'8 aes'8) ees'8( f8\ff\> b,8 c8) |
+  a1\f |
+  R1*2 |
+  f1~\p |
+  f4. c,4. |
+  R1 |
+  r2 \tuplet 3/2 { r4 d'4--\>^\markup { "sul pont." } cis4--\p } |
+  R1*3/4 |
+  R1*2 |
+  gis,2\mf^\markup { "ord" } r2 |
+  R1\fermata |
+  r4 b''2.\ff\fermata |
+
 }
 
 violinTwoStaff =
diff --git a/parts/parts_tiny-cartel.ly b/parts/parts_tiny-cartel.ly
index 5d97448..aaebac4 100644
--- a/parts/parts_tiny-cartel.ly
+++ b/parts/parts_tiny-cartel.ly
@@ -178,7 +178,7 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { percussion II }
-      meter = \markup { \italic "(marimba, tubular bells, hi-hat, snare drum, tambourine)" }
+      meter = \markup { \italic "(marimba, tubular bells, hi-hat, ride cymbal, snare drum, tambourine)" }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
diff --git a/tiny-cartel.ly b/tiny-cartel.ly
index 839fd5e..fa2c1c3 100644
--- a/tiny-cartel.ly
+++ b/tiny-cartel.ly
@@ -58,14 +58,6 @@
     }
     \score {
       <<
-        \new StaffGroup \with {
-          systemStartDelimiter = #'SystemStartSquare
-        }
-        <<
-          \override StaffGroup.SystemStartSquare.collapse-height = 4
-          \override Score.SystemStartBar.collapse-height = 4
-          \clarinetStaff << \clarinetMusic  \tempoMap >>
-        >>
         \new StaffGroup
         <<
           \fluteStaff << \tempoMap \fluteMusic >>
@@ -85,6 +77,14 @@
           \percTwoStaff \percTwoMusic
         >>
         \pianoStaff << \tempoMap \pianoUpMusic >> \pianoDownMusic
+        \new StaffGroup \with {
+          systemStartDelimiter = #'SystemStartSquare
+        }
+        <<
+          \override StaffGroup.SystemStartSquare.collapse-height = 4
+          \override Score.SystemStartBar.collapse-height = 4
+          \clarinetStaff << \clarinetMusic  \tempoMap >>
+        >>
         \new StaffGroup
         <<
           \violinOneStaff << \tempoMap \violinOneMusic >>
-- 
2.39.5