From c2507e7dee47ae4004fb238b3516804325600828 Mon Sep 17 00:00:00 2001 From: Tucker Johnson Date: Mon, 27 Jan 2025 00:23:22 -0500 Subject: [PATCH] page-9 --- manuscripts/II-clarinet.ly | 56 +++++++++--- manuscripts/II-piano.ly | 172 ++++++++++++++++++++++++++++++------- net-clarity.ly | 1 + 3 files changed, 184 insertions(+), 45 deletions(-) diff --git a/manuscripts/II-clarinet.ly b/manuscripts/II-clarinet.ly index 049d4a3..0183aad 100644 --- a/manuscripts/II-clarinet.ly +++ b/manuscripts/II-clarinet.ly @@ -9,7 +9,7 @@ \consists Text_mark_engraver \consists Mark_engraver } -%\transpose bes c' +\transpose bes c' \relative { \tempo "Vivace" 4=168 \time 2/4 ces'4.\f ees8 | %001 \time 6/8 bes'8-. r8 r8 c,4. | %002 @@ -158,20 +158,48 @@ \sectionLabel \markup { \box \number 124 } \omit Score.BarNumber - \tempo "Poco meno mosso" 4=152 + \tempo "Meno mosso" 4=152 R1*3/4 | \undo \omit Score.BarNumber %124 - r8 a'4(\mp fis) bes8~-> | %125 - bes8 f4-> des4-> \grace fis8( d8~ | %126 - d2 fis4~ | %127 - fis4) \breathe des'4-> bes8-> \grace f8( d'8~ | %128 - d8 a8~ a2) | %129 - \grace b8( f8->) ees'8~ ees4~ ees8 \grace f,8( b8~-> | %130 - b8) c8~ c4 \grace b8( e4-> | %131 - e8) aes8-> g,2~ | %132 - 8 \breathe g8~( g4~ g8 b,8~ | %133 - b8) \grace gis''8( dis4) e,8( gis,4~ | %134 - gis4) \grace e''8( g,2~ | %135 + r8 a'4(\mp\> fis) bes8~-> | %125 + bes8 f4-> des4->\f \grace fis8( d8~\p | %126 + d2\< fis4~\mp | %127 + fis4) \breathe des'4->\f bes8-> \grace f8( d'8~\> | %128 + d8 a8~ \after 4. \mp a2) | %129 + \grace b8( f8->)\startTextSpan ees'8~ ees4~\< ees8 \grace f,8( b8~->\f\> | %130 + b8) c8~ \after 8 \p c4 \grace b8( \after 8 \stopTextSpan e4~->\f \tempo "Poco rubato" 4=144 | %131 + e8) aes8-> g,2~\> | %132 + 8\mp \breathe g8~( g4~ g8 b,8~ | %133 + b8) \grace gis''8( dis4)\mf e,8( gis,4~ | %134 + gis4) \grace e''8( g,2~\> | %135 g2) c4~ | %136 - c4 r8 g4.\p | %137 + c4\startTextSpan r8 \after 4 \stopTextSpan g4.\p \tempo 4=132 | %137 + + \sectionLabel \markup { \box \number 138 } + \omit Score.BarNumber + fis8 d4 f( c'8~ | \undo \omit Score.BarNumber %138 + c2) r4 | %139 + r8 a,8~(\mf a2 | %140 + gis4.) e''4.\p | %141 + ees,,4.\mf b''4\p bes8~( | %142 + bes2) des,4-> | %143 + a'2 bes'8(\< c,8~ | %144 + c2)\mf r8 b,8~ | %145 + \ace b8\startTextSpan d4 f'8 e,,4( | %146 + fis4) ees'4( aes8 g~ | %147 + g4) c,8\p\< des'4 ces'8-. | %148 + r8 bes,,8 fes''2~( | %149 + fes8 ges8-.) \after 4. \stopTextSpan f,,2\f | %150 + + \sectionLabel \markup { \box \number 151 } + \omit Score.BarNumber + \tempo 4=144 + r4 r4 r8 g8\> | \undo \omit Score.BarNumber %151 + d'8 cis'8-.\mp r8 ges,4\f\> fes'8 | %152 + ees'-.\mp r8 f,4\mf c'4~\< | %153 + c8\startTextSpan a,8\f r8 f8 g'4~\mf | %154 + g8 r8 e,8\f\> fis'4 \after 16 \stopTextSpan gis'8\mp \tempo "Tempo primo" 4=168 | %155 + d,,4.\f d8-. r8 a''8~\mp | %156 + a8 b'4(\< bes8-.) ees,4~ | %157 + ees4 ces,8-.\f r8 r4 | %158 } diff --git a/manuscripts/II-piano.ly b/manuscripts/II-piano.ly index b277d01..7b19535 100644 --- a/manuscripts/II-piano.ly +++ b/manuscripts/II-piano.ly @@ -158,8 +158,11 @@ \override NoteColumn.ignore-collision = ##t << { - \tuplet 3/2 { \D 8 \U 8 \U 8 \D } \U 8-. @@ -190,7 +193,7 @@ d'8 r8 r4 aes8 bes8( des8) r8 | %105 e,8 dis8-. b8-. r8 r2 | %106 r4 r8 \rit g'8(\startTextSpan fis8) b8 cis,8-. d8-. | %107 - a8-. r8 c'8 r8 bes,8-. r8 ees'8 8--\stopTextSpan | %108 + a8-.\> r8 c'8 r8 bes,8-. r8 ees'8 8--\stopTextSpan\f | %108 \sectionLabel \markup { \box \number 109 } \omit Score.BarNumber @@ -204,24 +207,24 @@ fis8-.\startTextSpan r8 a,8 8-- r4 | %115 8-- aes,8-. c8 r8 bes8-. r8 | %116 r4 r4 4 | %117 - r4 r8 b8 dis8 r8\stopTextSpan \tempo "Tempo primo" 4=168 | %118 - 8-- cis8-. 4 r4 | %119 + r4 r8 b8\> dis8 r8\stopTextSpan \tempo "Tempo primo" 4=168 | %118 + 8--\mf cis8-. 4 r4 | %119 r4 r8 8-- 8-. r8 | %120 f'4.---> a~---> | %121 << { - \voiceOne a2\startTextSpan r4 | %122 + \voiceOne a2\startTextSpan\> r4 | %122 } \new Voice { \voiceTwo r4 des,8( bes4) 8-. | %(122) } >> \oneVoice - r8 d8-- 8-- r8 \after 8 \stopTextSpan r4 \clef treble | %123 + r8 d8--\mp 8-- r8 \after 8 \stopTextSpan r4 \clef treble | %123 \sectionLabel \markup { \box \number 124 } \omit Score.BarNumber - \tempo "Poco meno mosso" 4=152 + \tempo "Meno mosso" 4=152 4--\mp r4 r4 | \undo \omit Score.BarNumber %124 c'8-. 4( ) bes8-.-> | %125 r8 f-.-> r8 des8-.-> r8 8~ | %126 @@ -236,7 +239,7 @@ r8 aes8-. s2 | %(129) } >> - \oneVoice f,8-.-> ees'8~ 4~ 8 b8-. | %130 + \oneVoice f,8-.->\startTextSpan ees'8~ 4~ 8 b8-. | %130 << { \voiceTwo r8 c8~ c4 @@ -245,7 +248,7 @@ \voiceOne r4 des'8-. r8 } >> - \oneVoice 8-. r8 | %131 + \oneVoice 8-. r8\stopTextSpan \tempo "Poco rubato" 4=144 | %131 r8 f8( g,2) | %132 bes'8( g,8~ g4~ g8 b~ | %133 b8) d'8-. r8 e,,8( gis,4~ | %134 @@ -253,6 +256,48 @@ fis2 r8 a8~ | %136 a4 r8 aes4. | %137 + \sectionLabel \markup { \box \number 138 } + \omit Score.BarNumber + \tempo 4=132 + r8 d,,8~ d4. ees'8~ | \undo \omit Score.BarNumber %138 + ees2 r8 des8~\mp | %139 + << + { + \voiceOne des2. | %140 + } + \new Voice { + \voiceTwo r8 a,8~ a2 | %(140) + } + >> + \oneVoice aes2~\p aes8 g''8~\mf | %141 + g4.~\> 4.~ | %142 + << + { + \voiceOne 8~ 8~\p 2 | %143 + } + \new Voice { + \voiceTwo r4 r4 4-> | %(143) + } + >> + \oneVoice r4\p\< r4 bes''8( 8~\mf | %144 + 2.~ | %145 + \ace 4.)\startTextSpan 4.~ | %146 + 2. | %147 + r4\p\< r4 r8 8~ | %148 + 4 4 4\f | %149 + r8 8~ \after 4. \stopTextSpan 2 | %150 + + \sectionLabel \markup { \box \number 151 } + \tempo 4=144 + \omit Score.BarNumber + R1*3/4 | \undo \omit Score.BarNumber %151 + r8 8~\p 2 | %152 + 2 4~ | %153 + 8\startTextSpan r8 r4 r4 | %154 + r4 r4 r8 \after 16 \stopTextSpan 8\p \tempo "Tempo primo" 4=168 | %155 + R1*3/4 | %156 + R1*3/4 | %157 + } } \new Staff = "d" @@ -380,8 +425,8 @@ \oneVoice e,8-.\mf d'4->( g,8-.) r4 | %b057 - r4 r8 \clef treble ges''4.(\p | %b058 - ges2. | %b059 + r4 r8 \clef treble ges''4.~(\p | %b058 + ges2.~ | %b059 ges8 a'8-.) r4 r4 \clef bass | %b060 dis,,,8-. r8 r4 r4 | %b061 r4 c'8->(\f f,8-.) r4 | %b062 @@ -436,17 +481,16 @@ r4 r4*1/2 s8^\mp^\< s4 | %b098 \time 3/8 R1*3/8^\f | %b099 \time 3/4 \grace s8 s16 s8.^\mf^\< s4 r4^\ff \clef bass | %b100 - \omit Staff.Hairpin + \omit Staff.Hairpin \omit Staff.DynamicText \time 4/4 \ottava #-1 g,,,,8-.^\mf d8---> ees8( c8) bes---> a8( f'8-.) r8 | %b101 - \omit Staff.DynamicText b,8-- gis'8-. e-. fis cis8---> a-. d( des | %b102 bes) c---> aes' ees---> f-. ges-. r4 | %b103 g8( e) r4 r8 b8---> c-. f---> | %b104 d a4.---> aes'8 bes,( des) fis---> | %b105 e8 dis-. b-. r8 r2 | %b106 r4 r8 g'8( fis) b, cis-. d-. | %b107 - a e'---> c8 aes'---> bes,-. g'---> ees r8 | %b108 + a\> e'---> c8 aes'---> bes,-. g'--->\mp ees r8 | %b108 R1*3/4 | %b109 8-. e-. r4 r4 | %b110 @@ -457,27 +501,93 @@ fis8 d---> a r8 8-. 8-. | %b115 r8 8 c, g'8---> bes-. r8 | %b116 r4 r4 r8 8-. | %b117 - r4 r8 b,8 dis e~ | %b118 - e8 cis'8-. r8 gis4.->~ | %b119 + r4 r8 b,8\> dis e~ | %b118 + e8\p cis'8-. r8 gis4.->~ | %b119 8 fis'->~ fis2 \ottava #0 | %b120 r4 4 r8 | %b121 r8 \ottava #-1 des,8( bes4) r8 | %b122 r8 d8 \ottava #0 r4 e'4~\mf | %123 - e4~ ~ 4~ | %124 - 2~ 8 bes''8~ | %125 - bes8~ 4~ 4. | %126 - ees,,4~ 2~ | %127 - 4 des''4~ 4~ | %128 - 4. des8~ 4 | %129 - 4. d,,4.~| %130 - d2.~ | %131 - d4 4->~ ~ | %132 - 4. 4\arpeggio b''8~ | %133 - b4.~ 8~ 4 | %134 - f,2~ f8 f8->~ | %135 - 4~ 4~ 8~ 8~ | %136 - 4. b4.\p | %137 + << + { + \voiceTwo e4~ ~ 4~ | %b124 + 2~ 8 r8 | %b125 + r8 f'4~ 8~ 4 | %b126 + ees,2.~ | %b127 + ees4 + } + \new Voice { + \voiceOne r4 r4 gis'8~ ~\sostenutoOn | %(b124) + 2~ 8\sostenutoOff bes8~ | %(b125) + bes2. | %(b126) + r4 g2~ | %(b127) + 4 + } + >> + \oneVoice + des'4~ 4~ | %b128 + 4. des8~ 4~ | %b129 + << + { + \voiceOne 4. + } + \new Voice { + \voiceTwo f,4. + } + >> + \oneVoice + d,4.~ | %b130 + d2. | %b131 + << + { + \voiceTwo d4~ 4~ ~ | %b132 + 4~ 8 4\arpeggio r8 | %b133 + r4 r4 gis4 | %134 + } + \new Voice { + \voiceOne + r4 r4 fis'4~ | %(b132) + fis4~ 8 fis4\arpeggio b8~ | %(b133) + b4.~ 4. | %(b134) + } + >> + \oneVoice + f,2~ f8 f8->~ | %b135 + << + { + \voiceTwo 2.~ | %b136 + 4. b4.\p | %b137 + + r8\sostenutoOn d8~ d4. \after 16 \sostenutoOff 8~ | %b138 + 2.\sustainOn | %b139 + } + \new Voice { + \voiceOne r4 des4.~ 8~ | %(b136) + 4. 4. | %(b137) + + g2. | %(b138) + g4~ 2 | %(b139) + } + >> + \oneVoice r8 a,8( 2) | %b140 + 2~\sustainOff\sustainOn\p 8 8(\sustainOff\sustainOn\mf | %b141 + 4~ 8) r8\sustainOff r4 | %b142 + r4 r4\sustainOn\p 4-> | %b143 + 4(\<\sustainOff\sustainOn 4 4~\sustainOff\sustainOn | %b144 + 2)\mf r4\sustainOff | %b145 + R1*3/4 | %b146 + R1*3/4 | %b147 + 2\p r4 | %b148 + r8\sustainOn 8~\mf 2 | %b149 + \after 8 \sustainOff r4 2\f | %b150 + + gis'8( b4 ais8-.) r4 | %b151 + R1*3/4\sustainOn | %b152 + R1*3/4 | %b153 + r4\sustainOff r8 ees4. | %b144 + ees8-. r8 r4 r4 | %b145 + c4( des) r4 | %b146 + R1*3/4 | %b147 } } diff --git a/net-clarity.ly b/net-clarity.ly index 2fa0b7a..949009b 100644 --- a/net-clarity.ly +++ b/net-clarity.ly @@ -11,6 +11,7 @@ clarinetMagstep = #(magstep -2) \paper { line-width = 120 first-page-number = -1 + #(include-special-characters) footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } } print-page-number = ##f #(set-paper-size "arch a") -- 2.39.5