From a36da572b24ae4904aaf25d35abb2da18cfccf3e Mon Sep 17 00:00:00 2001 From: Tucker Johnson Date: Sat, 22 Nov 2025 10:19:09 -0500 Subject: [PATCH] clock --- general/scorePaper.ly | 9 +++++++- manuscripts/I-clarinet.ly | 2 +- manuscripts/I-piano.ly | 4 ++-- manuscripts/II-clarinet.ly | 2 +- manuscripts/II-piano.ly | 2 +- net-clarity.ly | 45 +++++++++++++++++++++++++++++++++++--- 6 files changed, 55 insertions(+), 9 deletions(-) diff --git a/general/scorePaper.ly b/general/scorePaper.ly index e69b522..9f008c7 100644 --- a/general/scorePaper.ly +++ b/general/scorePaper.ly @@ -45,6 +45,8 @@ \concat { \if \on-page #35 \oddhead } \concat { \if \on-page #37 \oddhead } \concat { \if \on-page #39 \oddhead } + \concat { \if \on-page #41 \oddhead } + \concat { \if \on-page #43 \oddhead } } evenHeaderMarkup = \markup { @@ -66,6 +68,8 @@ \concat { \if \on-page #34 \evhead } \concat { \if \on-page #36 \evhead } \concat { \if \on-page #38 \evhead } + \concat { \if \on-page #40 \evhead } + \concat { \if \on-page #42 \evhead } } oddFooterMarkup = \markup { \concat { \if \on-page #3 \fill-line { \null \xcr \null } } @@ -87,6 +91,8 @@ \concat { \if \on-page #35 \oddfoot } \concat { \if \on-page #37 \oddfoot } \concat { \if \on-page #39 \oddfoot } + \concat { \if \on-page #41 \oddfoot } + \concat { \if \on-page #43 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } } } evenFooterMarkup = \markup { \concat { \if \on-page #2 \evfoot } @@ -108,7 +114,8 @@ \concat { \if \on-page #34 \evfoot } \concat { \if \on-page #36 \evfoot } \concat { \if \on-page #38 \evfoot } - \concat { \if \on-page #40 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } } + \concat { \if \on-page #40 \evfoot } + \concat { \if \on-page #42 \evfoot } } } diff --git a/manuscripts/I-clarinet.ly b/manuscripts/I-clarinet.ly index 0cdf6ef..5c347d9 100644 --- a/manuscripts/I-clarinet.ly +++ b/manuscripts/I-clarinet.ly @@ -43,7 +43,7 @@ \time 3/2 f2.) r4 r2 | %020 \time 2/2 R1\shortfermata | %021 \time 3/2 c2.\pp c4(\< g'4 f4~\mp | %022 - \time 2/2 \tuplet 3/2 { f4) e(\> fis } a,2)\p\fermata \breathe | \tag #'part { \break \noPageBreak } %023 + \time 2/2 \tuplet 3/2 { f4) e(\> fis } a,2)\p\shortfermata \breathe | \tag #'part { \break \noPageBreak } %023 \sectionLabel \markup { \huge \box \sans \bold 24 } \omit Score.BarNumber diff --git a/manuscripts/I-piano.ly b/manuscripts/I-piano.ly index df025a2..2e880f7 100644 --- a/manuscripts/I-piano.ly +++ b/manuscripts/I-piano.ly @@ -47,7 +47,7 @@ \time 2/2 r2\shortfermata r2 | %031 \time 3/2 r2 \tuplet 3/2 { r4 r4 ges4(\mp\> } \tuplet 3/2 { ees' des aes)\! } | %032 \time 2/2 R1 | %033 - R1\fermata \bar "|." %034 + r1\fermata \bar "|." %034 } } @@ -204,7 +204,7 @@ \time 2/2 aes2\) r2\shortfermata | %023 \time 5/4 R1*5/4 | %024 r2. r2\shortfermata | %025 - b2 a4 bes2\( | %026 + b2\( a4 bes2 | %026 \time 2/2 b2 a2 | %027 g1 | %028 \time 3/2 \grace s8 a2 bes1\)\fermata \breathe | %029\ diff --git a/manuscripts/II-clarinet.ly b/manuscripts/II-clarinet.ly index aeccd5b..c7077dc 100644 --- a/manuscripts/II-clarinet.ly +++ b/manuscripts/II-clarinet.ly @@ -239,6 +239,6 @@ ais) gis( fis e)\p b'8--\mp b-- | %186 b( d, a') g(\> f \after 16 \stopTextSpan ees) \tempo 4=104 | %187 c8( bes aes)\p \molRit cis(\>\startTextSpan b a) | %188 - fis( \after 16 \stopTextSpan e d2)\pp\fermata \bar "|." \tag #'part { \break \noPageBreak } %189 + fis( \after 16 \stopTextSpan e d2)\pp\fermata ^\markup { \halign #-2 \large attacca } \bar "|." \tag #'part { \break \noPageBreak } %189 } diff --git a/manuscripts/II-piano.ly b/manuscripts/II-piano.ly index fa31baa..d88457d 100644 --- a/manuscripts/II-piano.ly +++ b/manuscripts/II-piano.ly @@ -342,7 +342,7 @@ \new Voice { R1*3/4 % s4\stopTextSpan \tempo 4=104 %187 R1*3/4 % \molRit s8\startTextSpan s4. %188 - r4 r2\fermata \bar "|." %189 + r4 r2\fermata ^\markup { \halign #-2 \large attacca } \bar "|." %189 } >> diff --git a/net-clarity.ly b/net-clarity.ly index 0e96ed8..de9e3cc 100644 --- a/net-clarity.ly +++ b/net-clarity.ly @@ -120,7 +120,35 @@ clarinetMagstep = #(magstep -2) all 12 pitch classes). \italic "Net Clarity" proceeds from the romantic clarinet sonata as a primary model, but other sounds and allusions abound: ranging from Bach and Schoenberg to Bebop and - Babbit. + Babbitt. + } + } + \vspace #2.5 + \left-column { + \override #'(line-width . 100) + \line { \hspace #100 } + \vspace #-1 + \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "consortium members" } + } + \vspace #0.5 + \left-column { + \override #'(line-width . 90) + \fill-line { \line { Andrew Buckley, consortium leader } } + \override #'(line-width . 90) + \fill-line { "" "Michael Dirnberger" "Erin Dowler" "" } + \override #'(line-width . 90) + \fill-line { "" "Mona Seghatoleslami" "Randy Pollok" "" } + \override #'(line-width . 90) + \fill-line { "" "Han Hitchen" "Amber Lucas" "" } + \override #'(line-width . 90) + \fill-line { "" "Bethany Brinson" "Ko Muramatsu" "" } + \vspace #0.5 + \override #'(line-width . 90) + \justify { + The consortium organized to commission \italic "Net Clarity" was + open to members from the sixteenth of June through the twenty-ninth + of October 2025. More information about the consortium can be found + at \with-url #"https://newer.systems/netclarity" https://newer.systems/netclarity. } } \vspace #2.5 @@ -136,11 +164,18 @@ clarinetMagstep = #(magstep -2) \override #'(line-width . 90) \line { \hspace #90 } \justify { \sans \italic 1. \hspace #1 Accidentals carry through each bar – cautionary accidentals are not supplied. } + \override #'(line-width . 90) \justify { \sans \italic 2. \hspace #1 Two fermata notations are used: a \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a \italic long fermata ( \musicglyph "scripts.ufermata" ). } \override #'(line-width . 90) + \justify { + \sans \italic 3. \hspace #1 Dotted slurs are used to indicate phrasing that may not be clear through dynamics and other notations. + } \override #'(line-width . 90) \justify { - \sans \italic 3. \hspace #1 Dotted slurs are used to indicate phrasing that may not be clear through dynamics and other notations. } + \sans \italic 4. \hspace #1 Cadenza notation should be interpreted + freely, though music should be continuous between breath marks and + rests. Breath marks indicate a short break, while rests are longer. + } } \vspace #2.5 \line { \char ##x2042 } @@ -179,7 +214,7 @@ clarinetMagstep = #(magstep -2) \removeWithTag #'part \include "manuscripts/I-clarinet.ly" \include "manuscripts/I-piano.ly" >> - \midi { } + %\midi { } \layout { \context { \Score @@ -324,6 +359,10 @@ clarinetMagstep = #(magstep -2) } } \pageBreak + \markup { \vspace #5 } + \pageBreak + \markup { \vspace #5 } + \pageBreak \markup { \fill-line { \center-column { -- 2.39.5