From 960768ae20ee27a21ed70cf5c8c11cecdc3dda96 Mon Sep 17 00:00:00 2001 From: tucker Date: Tue, 16 Jan 2024 19:22:54 -0500 Subject: [PATCH] piano --- book.ly | 52 ++++++------ manuscripts/III-clarinet.ly | 8 +- manuscripts/III-piano.ly | 158 +++++++++++++++++++++++++----------- 3 files changed, 140 insertions(+), 78 deletions(-) diff --git a/book.ly b/book.ly index 1b4ffcc..e7680f3 100644 --- a/book.ly +++ b/book.ly @@ -11,40 +11,38 @@ \header { tagline = ##f } -% \bookpart { -% \tocItem \markup { "I. " \bold "Largo; Allegro moderato" } -% \score { -% \header { -% title = \markup { \fontsize #1 \xtitle } -% subtitle = \markup { \medium \italic \xsub } -% composer = \xcomp -% poet = \markup { \xinst } -% piece = \markup { \large \bold "I. " } -% } -% << -% \include "manuscripts/I-clarinet.ly" -% \include "manuscripts/I-piano.ly" -% >> -% %\midi { } -% \layout { -% \context { -% \Score -% \override RehearsalMark.break-visibility = #begin-of-line-invisible -% \override BarNumber.font-size = #1 -% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8) -% } -% } -% } -% } \bookpart { - \tocItem \markup { "III. " \bold "Calma" } + \tocItem \markup { "I. " \bold "Canto" } \score { \header { title = \markup { \fontsize #1 \xtitle } subtitle = \markup { \medium \italic \xsub } composer = \xcomp poet = \markup { \xinst } - piece = \markup { \large "III." \bold "Calma" } + piece = \markup { \large \bold "I. " \bold "Canto" } + } + << + \include "manuscripts/I-clarinet.ly" + \include "manuscripts/I-piano.ly" + >> + %\midi { } + \layout { + \context { + \Score + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override BarNumber.font-size = #1 + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8) + \override Hairpin.to-barline = ##f + \override Staff.pedalSustainStyle = #'mixed + } + } + } + } + \bookpart { + \tocItem \markup { "III. " \bold "Calma" } + \score { + \header { + piece = \markup { \large "III." \bold "Calma" " " \parenthesize \italic "to Amber Lucas" } } << \include "manuscripts/III-clarinet.ly" diff --git a/manuscripts/III-clarinet.ly b/manuscripts/III-clarinet.ly index b678543..f5b3567 100644 --- a/manuscripts/III-clarinet.ly +++ b/manuscripts/III-clarinet.ly @@ -133,12 +133,12 @@ \time 3/4 8)[ r16 des16(]\< aes'4 c,4 | \time 7/8 f bes d4.~\mf | \time 3/4 8) r8 b8(\> e, a,4~\! | - \time 7/8 8)[ r8 aes'8(]\> des,[ ges,8~] 4~\p | + \time 7/8 8) r8 aes'8([\> des,] ges,4.~\p | \time 3/4 8) r8 r4 r4 | \time 4/4 r8 d'8(\mf g,2) r4 | \time 5/4 r8 a8~ 2 r2 | - ees'2.\p r2 | + ees'2~\p 8 r8 r2 | \time 4/4 r4 r8 bes8~(\mp\> 8 f4.~ | - \time 5/8 8 c'8~\p 2~ 2) | - r4 r8 e8(\pp b'4~ b2)\fermata | + \time 5/8 8 c'8~\p 4) r4 r2 | + r4 r4 e8_(\pp b'8~ b2)\fermata | } diff --git a/manuscripts/III-piano.ly b/manuscripts/III-piano.ly index dd7ff00..8a71b95 100644 --- a/manuscripts/III-piano.ly +++ b/manuscripts/III-piano.ly @@ -26,7 +26,7 @@ \time 3/4 r4 a8( ~ 4) | \clef treble \time 4/4 d'4(\mp 2.) | \time 3/4 r8 f8~\> 4~ 8 dis8( | - \time 7/8 gis4.)\p b,4(~ 4) | + \time 7/8 gis4.)\p b,4^(~ 4) | \time 3/4 cis'4.(\< d,8~ 8)[ g]( | \time 7/8 a4. ges,8~[\mp ~] 4) | \time 4/4 r8\p\<^\markup { "poco accel." }_\markup { \tiny \italic "quasi-waltz" } f8( fis cis') r8 bes( aes' ees~\mf | @@ -103,7 +103,7 @@ \time 3/4 d\< a d a d a | d\f\> a d a d a d a | \time 3/4 d\< e, d' e, d' e, | - d'\mf\> e, d' e, d'^\markup { "molto rit." } e, d \clef bass e, | + d'\mf\> e, d' e, d'^\markup { "molto rit." } e, d \clef bass e, \bar "||" \sectionLabel \markup { \box \number 55 } @@ -118,12 +118,12 @@ \sectionLabel \markup { \box \number 62 } - r4 c8~ ~ 4~\pp | - \time 4/4 8 f'8~\<_\markup { \italic \tiny "semplicemente" } 2 f8( ees | + r4 r4 g'8~ 8~\pp | + \time 4/4 8\fermata f'8~\<_\markup { \italic \tiny "semplicemente" } 2 f8( ees | \time 3/4 bes'2.)\p | \time 4/4 r8 bes8~(\< 4 aes4.) e8( | \time 3/4 b'2.)\mp | - \time 4/4 fis8~(\< 4 cis'2 a8~ | + \time 4/4 fis4.(\< cis'8~ 4. a8~ | \time 3/4 a2.)\mf | \time 4/4 r8\< g8~( 4 d'2 | \time 3/4 c2.)\f | @@ -137,14 +137,14 @@ \time 3/4 R1*3/4 | \time 7/8 R1*7/8 | \time 3/4 R1*3/4 | - \time 7/8 R1*7/8 | \clef bass - \time 3/4 r8 f,4(\mf bes8 ees4) | - \time 4/4 r2 r8 c,8~-> 4~ | - \time 5/4 4 r4 r8 b'8~ 2 | - r2 gis8~\mp ~ 2 | - \time 4/4 fis2 r2 | - \time 5/4 r4 g4~\p 8~ ~ 2 | - a2.~ 2\fermata \bar "|." + \time 7/8 R1*7/8 | + \time 3/4 r8 f,4(^\mf bes8 ees4) | + \time 4/4 r2 r8 c8~ 4~ | + \time 5/4 4 r4 r8 b8~( 4 e4~ | + 8) r8 r4 gis8(\mp cis,8~ 2 | + \time 4/4 fis2) r2 | + \time 5/4 r4 r8 g8~(\p 4~ 4. d8 | + a2~ 8) r8 r2\fermata \bar "|." } >> } @@ -170,8 +170,8 @@ \time 3/4 r4 gis2 | \time 4/4 r4 f4~ 2 | \time 3/4 r4 d'2 | - \time 7/8 r8 cis,8_~[ 8~] 2 | - \time 3/4 r4 e'2 | + \time 7/8 s4. s2 | + \time 3/4 r4 e2 | \time 7/8 r8 r8 f8~ 2 | } \new Voice \relative { @@ -185,14 +185,14 @@ \time 3/4 fis8~ 8~ 2 | \time 4/4 ees8 8~ 2. | \time 3/4 c'8~ 8~ 2 | - \time 7/8 a4. r2 | + \time 7/8 a8[ cis8~ ~] 2 | \time 3/4 b8~ ~ 2 | \time 7/8 bes8~ 4~ 2 | } >> \oneVoice \time 4/4 \once \offset staff-padding 1 TupletBracket \tuplet 3/2 { d,8 4~ } \tuplet 3/2 { 8 4 } \tuplet 3/2 { c,8 4~ } \tuplet 3/2 { 8 4 } | - \tuplet 3/2 { des,8 4~ } \tuplet 3/2 { 8 4 } \once \offset staff-padding 1 TupletBracket \tuplet 3/2 { ees8 4~ } \tuplet 3/2 { 8 4 } | + \tuplet 3/2 { des,8 4~ } \tuplet 3/2 { 8 4 } \once \offset staff-padding 1 TupletBracket \tuplet 3/2 { ees8 4~ } \tuplet 3/2 { 8 4 } \bar "||" \sectionLabel \markup { \box \number 15 } @@ -249,7 +249,7 @@ } >> \oneVoice - \time 4/4 \tuplet 3/2 { b,,8(\sustainOff fis'4~ } 16) g( aes ees' c8) bes16( d \tuplet 5/4 { f8) e16( a cis,) } | + \time 4/4 \tuplet 3/2 { b,,8( fis'4~\sustainOff } 16) g( aes ees' c8) bes16( d \tuplet 5/4 { f8) e16( a cis,) } | gis2.~ 8 r8 | \omit Score.BarNumber @@ -274,31 +274,72 @@ a'4~\sustainOn ~ 2~ | \undo \omit Score.BarNumber - 4 d4.~\sustainOff\sustainOn 4.~ | + 4 d4~\sustainOff\sustainOn 8~ 8~ 4~ | 1 | \time 3/4 ees,4.~\sustainOff\sustainOn ~ | \time 4/4 1 | - \time 3/4 fis4.~\sustainOff\sustainOn ~ | - \time 4/4 1 | + << + \relative { + \voiceOne + \time 3/4 \stemNeutral fis,4._~ | + \time 4/4 1 | + } + \new Voice \relative { + \voiceTwo + \time 3/4 s4\sustainOff\sustainOn s2 | + \time 4/4 s2 s4 s8 s16 s16\sustainOff | + } + >> + \oneVoice \omit Score.BarNumber \sectionLabel \markup { \box \number 55 } - c'8~\sustainOff ~_\markup { \parenthesize { \concat { \italic "con " \musicglyph #"pedal.Ped" } } } 2. | - \undo \omit Score.BarNumber - a8~ ~ 2. | - fis4 cis'8~ 8~ 2 | - ees,8~ 4~ 8~ 2 | - \time 3/4 c'8~ 4~ 8 d'4 | - a,8~ ~ 2 | - fis8~ ~ 2 | + << + \relative { + \voiceOne + r4 d'2. | + \undo \omit Score.BarNumber + r4 b2. | + s1 | + r4 r8 f8~ 2 | + \time 3/4 r4 r8 d'8~ 4 | + r4 b2 | + r4 gis2 | + } + \new Voice \relative { + \voiceTwo + c8~ ~ 2. | + \undo \omit Score.BarNumber + a8~ ~ 2. | + fis4 cis'8~ 8~ 2 | + ees,8~ 8~ 2. | + \time 3/4 c'8~ 8~ 4 r4 | + a8~ ~ 2 | + fis8~ ~ 2 | + } + >> + \oneVoice \omit Score.BarNumber \sectionLabel \markup { \box \number 62 } - ees8~ ~ 2 | - \undo \omit Score.BarNumber - \time 4/4 r4 \tuplet 3/2 { r8 c''4~\sustainOn } \tuplet 3/2 { 4 d,8~ } 4 | + << + \relative { + \voiceOne + r4 f8~ 8~ 4~ | + \undo \omit Score.BarNumber + \time 4/4 8\fermata + } + \new Voice \relative { + \voiceTwo + ees,8~ ~ 2~ | + \undo \omit Score.BarNumber + \time 4/4 8 + } + >> + \oneVoice + r8 \tuplet 3/2 { r8 c''4~\sustainOn } \tuplet 3/2 { 4 d,8~ } 4 | \time 3/4 g,,2. | \time 4/4 a2~\sustainOff \tuplet 3/2 { 4 cis'8~ } 4\sustainOn | \time 3/4 fis'2. | @@ -306,27 +347,50 @@ \time 3/4 gis,2. | \time 4/4 bes4~\sustainOff\sustainOn \tuplet 3/2 { 8 ees'4~ } 2 | \time 3/4 f'2.\sustainOff | - \time 4/4 r4_\markup { \parenthesize { \concat { \italic "con " \musicglyph #"pedal.Ped" } } } 4 \once \override PianoStaff.Arpeggio.arpeggio-direction = #DOWN 2\arpeggio | + \time 4/4 r4 4 \once \override PianoStaff.Arpeggio.arpeggio-direction = #DOWN 2\arpeggio | \omit Score.BarNumber \sectionLabel \markup { \box \number 72 } \override DynamicLineSpanner.staff-padding = \ds - cis,16~ ~ 8~ 4 ees16~ _~ 8~ 4~ | - \undo \omit Score.BarNumber - 8 b8(^\p a'4~ 2) | - \time 3/4 bes,8~^\< ~ 2 | - \time 7/8 c8~[ 8~] 4 ees'4.^\mf | - \time 3/4 fis,8~\> 4~ 8~ 4 | - \time 7/8 b,8~ 4~ 2 | - \time 3/4 c'8~\p ~ 2 | - \time 4/4 ees,8~ 4~ 8~ 2 | - \time 5/4 gis4. cis8~ 2. | - b8~ 4.~ 2. | - \time 4/4 d4~ c2 | - \time 5/4 f,8~\pp 8~ 4~ 8~ 8~ 2 | - cis'4~ ~ 8~ 8~ 2\fermata \bar "|." + << + \relative { + \voiceOne + r8 fis8~ 4 r8 f8~ 4~ | + \undo \omit Score.BarNumber + 4 r4 e2 | + \time 3/4 r4 d2 | + \time 7/8 s2 s4. | + \time 3/4 r4^\> r8 gis8~ 4 | + \time 7/8 r8 a,8_~ 4 4. | + \time 3/4 r4^\p d2 | + \time 4/4 r4 r8 f8_~ 2 | + \time 5/4 r2 fis2. | + r8 e8~ 4~ 2. | + \time 4/4 r2 c2 | + \time 5/4 r4 r4 4~ 2 | + r4 r8 dis'8~ 4~ 2\fermata | + } + \new Voice \relative { + \voiceTwo + cis,16~ 8.~ 4 ees16~ 8.~ 4~ | + \undo \omit Score.BarNumber + 8 b8^\p a'4~ 2 | + \time 3/4 bes,8~^\< ~ 2 | + \time 7/8 \stemNeutral c8~[ 8~] 4 ees'4.^\mf | + \time 3/4 \stemDown fis,8~ 8~ 2 | + \time 7/8 b,2~ 4. | + \time 3/4 c8~ ~ 2 | + \time 4/4 ees8~ 8~ 2. | + \time 5/4 gis4. cis,8~ cis2. | + b2~ 2. | + \time 4/4 d4~ 4~ 8 r8 r4 | + \time 5/4 f8~\pp 8~ 2~ 2 | + cis'4~ 2~ 2 \bar "|." + } + >> + \oneVoice } } >> -- 2.39.5