From 78629c88ed4d41f2a94593b307a157501ebed199 Mon Sep 17 00:00:00 2001 From: tucker Date: Thu, 18 Apr 2024 18:20:34 -0400 Subject: [PATCH] whattt --- book.ly | 60 ++++++++++++++++++++------------------ eng-files/paper.ly | 1 - manuscripts/IV-clarinet.ly | 47 ++++++++++++++++------------- manuscripts/IV-piano.ly | 49 ++++++++++++++++--------------- 4 files changed, 84 insertions(+), 73 deletions(-) diff --git a/book.ly b/book.ly index 81fb959..5f02d77 100644 --- a/book.ly +++ b/book.ly @@ -13,45 +13,49 @@ tagline = ##f } - \bookpart { - \tocItem \markup { "I. " } - \score { - \header { - title = \markup { \fontsize #1 \xtitle } - subtitle = \markup { \medium \italic \xsub } - composer = \xcomp - poet = \markup { \xinst } - piece = \markup { \large \bold "I. " } - } - << - \include "manuscripts/I-clarinet.ly" - \include "manuscripts/I-piano.ly" - >> - %\midi { } - \layout { - \context { - \Score - \override RehearsalMark.break-visibility = #begin-of-line-invisible - \override BarNumber.font-size = #1 - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8) - \override Hairpin.to-barline = ##f - \override Staff.pedalSustainStyle = #'mixed - } - } - } - } +% \bookpart { +% \tocItem \markup { "I. " } +% \score { +% \header { +% title = \markup { \fontsize #1 \xtitle } +% subtitle = \markup { \medium \italic \xsub } +% composer = \xcomp +% poet = \markup { \xinst } +% piece = \markup { \large \bold "I. " } +% } +% << +% \include "manuscripts/I-clarinet.ly" +% \include "manuscripts/I-piano.ly" +% >> +% %\midi { } +% \layout { +% \context { +% \Score +% \override RehearsalMark.break-visibility = #begin-of-line-invisible +% \override BarNumber.font-size = #1 +% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8) +% \override Hairpin.to-barline = ##f +% \override Staff.pedalSustainStyle = #'mixed +% } +% } +% } +% } \bookpart { \tocItem \markup { "III. " \parenthesize \italic "to Amber Lucas" } \score { \header { + title = \markup { \fontsize #1 \xtitle } + subtitle = \markup { \medium \italic \xsub } + composer = \xcomp + poet = \markup { \xinst } piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" } } << \include "manuscripts/III-clarinet.ly" \include "manuscripts/III-piano.ly" >> - %\midi { } + %\midi { } \layout { \context { \Score diff --git a/eng-files/paper.ly b/eng-files/paper.ly index 8911eb6..e342fc3 100644 --- a/eng-files/paper.ly +++ b/eng-files/paper.ly @@ -15,7 +15,6 @@ \concat { \if \on-page #17 \oddhead } \concat { \if \on-page #19 \oddhead } \concat { \if \on-page #21 \oddhead } - \concat { \if \on-page #23 \oddhead } } evenHeaderMarkup = \markup { diff --git a/manuscripts/IV-clarinet.ly b/manuscripts/IV-clarinet.ly index d74f1d9..cdcfbec 100644 --- a/manuscripts/IV-clarinet.ly +++ b/manuscripts/IV-clarinet.ly @@ -7,6 +7,7 @@ \override DynamicLineSpanner.staff-padding = \sods fontSize = #-2 \override StaffSymbol.staff-space = #(magstep -2) + \override Score.Footnote.annotation-line = ##f \consists Text_mark_engraver } @@ -50,13 +51,13 @@ a4. d,8~(\> d4 aes) | %049 \time 5/4 bes1\mp\> aes'8(\pp fes8 | %050 \time 2/2 ees2.) r4 | %051 - f8[-.->\f r8 f8-.-> cis8]]-.-> r4 cis4~\> | %052 - \time 3/2 \after 2 \mp cis2. r4 \molRit r2\startTextSpan | %053 + f8-.->\f r8 f8-.-> des8-.-> r4 des4~\> | %052 + \time 3/2 \after 2 \mp des2. r4 \molRit r2\startTextSpan | %053 \time 2/2 \after 4. \stopTextSpan r2 r2\fermata | %054 \omit Score.BarNumber \sectionLabel \markup { \box \number 55 } - r8 b'8~->\f b2~ b8 bes-. | %055 + r8 ces'8~->\f ces2~ ces8 bes-. | %055 \undo \omit Score.BarNumber a8-. b-. c2. | %056 \time 5/4 ges8-. aes-. f1~\> | %057 @@ -65,36 +66,36 @@ \after 2 \p cis1 | %060 r2 r4 r8 c'8(\mf | %061 d bes aes ges~ ges4) r8 e'8( | %062 - g8 f4)\< ees8~( ees des8 b' a~ | %063 - a4) d4.->\f f,8~-> f4 | %064 + g8 f4)\< ees!8~( ees cis8 b' a~ | %063 + a4) d4~->\f d8 f,4.-> | %064 \tuplet 3/2 { fis4( b, a'\> } \tuplet 3/2 { bes, aes' c, } | %065 - \time 7/8 g'2~\mp 8) r8 cis,8( | %066 + \time 7/8 g'2~\mp 8) r8 des8( | %066 \pocRit - \time 3/4 \after 4 \startTextSpan e,2.\> | %067 + \time 3/4 \after 4 \startTextSpan fes,2.\> | %067 \after 2 \p \after 2 \stopTextSpan ees2.) \bar "||" %068 \omit Score.BarNumber \sectionLabel \markup { \box \number 69 } \tempo "a tempo" - \time 2/2 g8(\mf\< d' b fis' bes des4) c8( | %069 + \time 2/2 g8(\mf\< d' ces ges' bes des4) c8( | %069 \undo \omit Score.BarNumber \time 7/8 e4\f a,8) ees([ f]\> aes,4) | %070 des,8([\mp\< c e a,] d[ b f'] | %071 - \time 2/2 ees aes g fis\mf bes,) c(\mp\< des ees! | %072 - d8 e f g8~\mf g) r8 aes8-.\< fis8-. | %073 - b8( bes a-.)\f r8 \tuplet 3/2 { g4( c e) } | %074 - \time 3/4 gis16(\< ais b cis) \tuplet 3/2 { d8( eis fis~ } fis8.) a,16( | %075 - \time 2/2 dis2)\ff r8 e8( fis b,8) | %076 + \time 2/2 ees aes g ges\mf bes,) c(\mp\< des ees | %072 + d8 e f g8~\mf g) r8 aes8-.\< ges8-. | %073 + ces8( bes a-.)\f r8 \tuplet 3/2 { g4( c e) } | %074 + \time 3/4 aes16(\< bes ces des) \tuplet 3/2 { eeses8( f ges~ } ges8.) a,16( | %075 + \time 2/2 ees'2)\ff r8 e8( fis b,8) | %076 g( f\> ees bes'~ bes) a8(\f aes4\> | %077 des4) r8 d8( \after 8 \mf c4.) e8( | %078 \time 3/4 d b a-.) c,,(\< ees,-.)\ff des'''(^\mp | %079 bes c g-.) bes,,-.->\ff aes''(^\< ges | %080 - \time 2/4 f8 ees4--)^\f \breathe d8_(^\mp | %081 + \time 2/4 f8 ees4--)^\f \breathe d8(^\mp | %081 \time 3/4 e a cis-.) f,,,(\< a-.)\ff ees''(^\< | %082 ges b c-.)\mf d,,,-.->_\ff aes'''(^\< bes | %083 f' g4.~\f 4) \breathe | %084 - \time 2/2 e,,,4.--\mp aes''8(\f\> d, ees a,8)\! r8 | %085 - cis,4.--\mp bes'8_(\f\< f' c'\! b-.) g,,-- | %086 + \time 2/2 fes,,,4.--\mp aes''8(\f\> d, ees a,8)\! r8 | %085 + des,4.--\mp bes'8(\f\< f' c'\! b-.) g,,_- | %086 \molRit fis4\>\startTextSpan gis2 b4\p \breathe | %087 \time 3/8 cis''8(\mf e,) fis,(\stopTextSpan \bar "||" %088 @@ -106,7 +107,7 @@ \time 12/8 g2.~\mf 4.) r8 d4~( | %091 \time 2/4 d8\> fis8 cis4)\p | %092 \time 6/8 R1*6/8 | %093 - \time 12/8 r4 c8~\< c4.~ c4 c4( ees~ | %094 + \time 12/8 r4 c!8~\< c4.~ c4 c4( ees~ | %094 \time 6/8 ees8) f8( bes,8~\mf 4 a8~ | %095 \time 7/8 \after 4. \! a4.)\> r8 fis'4(\p ees8\< | %096 \time 12/8 \after 2 \> g2.~\mp g8 e4~\pp e4.~ | %097 @@ -138,9 +139,9 @@ \time 2/2 fes2)\! r2 | %117 bes''2~(\mf bes8 d,4 g8~ | %118 g4) r4 r2 | %119 - r8 e8-. ees-. g~ g4 ges,,8-. f-. | %120 + r8 fes8-. ees-. g~ g4 ges,,8-. f-. | %120 d''-. cis-. gis'4~(\< gis8 a4.)\f | %121 - c,8-. f-. r8 e,,-.-> ees-.-> r8 r8 ges''-. | %122 + c,8-. f-. r8 fes,,-.-> ees-.-> r8 r8 ges''-. | %122 r2 r8 b,-.\< g'-. bes,-. | %123 aes'-. d,,,-.-> r8 cis'-. a'-. r8 r4 | %124 b'8-. r8 c-. r8 des-.->\ff r8 r8 ees-.-> | %125 @@ -161,7 +162,13 @@ \phrasingSlurDashed \omit Score.BarNumber \override Score.TimeSignature.stencil = ##f - \time 7/8 d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f bes'4(\mp ces8) | + \time 7/8 d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f + \footnote \markup \huge "*" #'(0 . 4) \markup \tiny \left-column { + \line { "*Cadenza notation should be interpreted freely, though Music should be" } \vspace #-0.4 + \line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4 + \line { "break, while rests are longer." } + } + bes'4(\mp ces8) | \omit Staff.BarLine \time 4/4 ces1 \breathe | \time 9/16 \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { ces'16( des,\< aes') ees'( ces fes) ees( ges ces) } | diff --git a/manuscripts/IV-piano.ly b/manuscripts/IV-piano.ly index a0f15c5..153789d 100644 --- a/manuscripts/IV-piano.ly +++ b/manuscripts/IV-piano.ly @@ -12,7 +12,6 @@ { \set PianoStaff.connectArpeggios = ##t - \omit Staff.SectionLabel \relative { \numericTimeSignature @@ -25,28 +24,29 @@ 1~ | %006 \time 5/4 4~ 16 c8.~ 16 g'8.~^\mp 2) | %007 \time 4/4 R1 | %008 - r2 r4 r16 d16(^\pp e8 | %009 + r2 r4 r16[ d16(^\pp e8] | %009 b1~ | %010 4~ 8) 8~(^\mf 8. a16~ 4~ | %011 - 4) r8. d16(^\> a4~ 8 bes8 | %012 + 4) r8.[ d16](^\> a4~ 8 bes8 | %012 c1)^\mp | %013 r4 g'2( f8^\< e8~ | %014 e8 fis16 dis16 b8 gis'8 cis,2~^\mf | %015 cis2) r4 r8 b8(~ | %016 b8. cis16 f8 d8~ d8 ees8~ ees4~ | %017 ees8) r8 a16(^\f gis8.~ gis4) g8 e8 | %018 - c4-- r16 bes8.~^\mp bes16 bes16-. r8 r4 | %019 + c4-- r16 bes8.~^\mp bes16[ bes16-. r8] r4 | %019 r4 r16 ges'8.~^\mf ges4~ ges8 ges8--^\f | %020 \sectionLabel \markup { \box \number 21 } \omit Score.BarNumber \override DynamicLineSpanner.staff-padding = \phds - \time 3/4 ges8-.\f r8 r4\pp r4 | %021 + \time 3/4 ges8-. r8 r4 r4 | %021 \undo \omit Score.BarNumber + \omit Staff.SectionLabel fis,8.-- g16~->\mf\> g8 bes16-. c16-. e,16-. gis8( cis16)-.\p | %022 - r8 d16(\< a16 b4)\mf b8 dis,8~\> | %023 - dis4 dis8-- r8 f8[-.\mp r16 f16]-. | %024 - r8 a8-. r16\< cis16( e,8 b'8. fis16 | %025 + r8[ d16(\< a16] b4)\mf b8 ees,8~\> | %023 + ees4 ees8-- r8 f8[-.\mp r16 f16]-. | %024 + r8 a8-. r16[\< cis16( e,8] b'8. fis16 | %025 bes16\f ees8.~ ees8 d8~ d4~ | %026 d8) r8 aes4 f'8-. c16-.\> g16-. | %027 \time 5/8 \after 4.. \mp R1*5/8 | %028 @@ -59,7 +59,7 @@ \tempo 2=96 \time 2/2 r8\p f,,4.~ f2~ | %032 \undo \omit Score.BarNumber - f4 fis2 bes8( des, | %033 + f4 ges2 bes8( des, | %033 c2.) b'4(~\< | %035 b8 gis8~ gis4 e4.) ees8( | %036 \time 3/2 d8-.)\mf r8 r4 r2 r2 | %037 @@ -67,12 +67,12 @@ g1->\f \clef treble | %038 \time 3/4 bes8-.\> des-. b4( a4~ | %039 \after 2.. \p a1)\mp | %040 - r2\< fis'8-. b8-. \tuplet 3/2 { r8 r8 a'8~\mf } | %041 + r2\< fis'8( b8) \tuplet 3/2 { r8 r8 a'8~\mf } | %041 a1 | %042 R1 | %043 R1 | %044 \revert DynamicLineSpanner.staff-padding - r4 r8 c8-.\mf g-. bes-. r4 | %045 + r4 r8 c8-.^\mf g-. bes-. r4 | %045 \time 5/4 r8 b8-. r4 r8 ees,8-.\< des-. f-. aes-.\! r8 | %046 r2 e8-.\< a,-. fis-. d-.\! | %047 \override DynamicLineSpanner.staff-padding = \phds @@ -194,20 +194,20 @@ { \voiceOne s4 r4 f'4 | %114 - ges2 g2~ | %115 + fis2 g2~ | %115 \time 7/8 g4 aes8-. r8\mf a4. | %116 - \time 2/2 r8 bes4. + \time 2/2 r8 ais4. } \new Voice \relative { \voiceTwo d'!2. | %114 - \tuplet 3/2 { r4 ees2 } \tuplet 3/2 { r4 e2~ } | %115 + \tuplet 3/2 { r4 dis2 } \tuplet 3/2 { r4 e2~ } | %115 \time 7/8 e4 f8-. r8 r8 fis4 | %116 g2 } >> \oneVoice b2 | %117 - aes,2 a4. c'8 | %118 + gis,2 a4. c'8 | %118 cis2. r4 | %119 r2 c,4(\mp b8-.) r8 | %120 r2 fis8-. -.\arpeggio r4 | %121 @@ -321,7 +321,7 @@ { \clef bass - \set Staff.pedalSustainStyle = #'mixed + \set Staff.pedalSustainStyle = #'bracket \omit Staff.SectionLabel \omit Staff.RehearsalMark \override Score.Footnote.annotation-line = ##f @@ -331,7 +331,7 @@ \tempo 4=104 \time 5/4 r16[ f'16-.^\pp aes,16-. r16] r8[ ges16-. r16] ees'16[-. r16 r16 des16]-. r4 r4 | %001 \time 4/4 b8-. - \footnote \markup \tiny "*" #'(0.01 . 0.01) \markup \tiny "*Maintain 16th note length for staccato notes." + \footnote \markup "*" #'(0.01 . 0.01) \markup \tiny "*Maintain 16th note length for staccato notes." ^\markup { \tiny { \italic { "sempre staccatiss." } } } r8 a8-. c,8-. g'8-. e16-. d16-. r8.[ ais'16]-. | %002 cis16-.^\< gis8-. b16-. r8.[ a16]-. r4 r16[ e'16-. r8] | %003 @@ -352,11 +352,12 @@ r16[ ges-. r16 c,]-. r8.[ des16]-. ees,2~^\mf | %018 8. a16(^\> d8 f8~ 16[ b16)-.^\p r8] r8.[ fis,16]-.^\< | %019 g16-. c16-. d16-. e16-. a16-. bes8.--^\mf r16[ ees,16-.^\< r16 f16]-. aes8[-. r16 ces16]-. | %020 + \override Staff.Hairpin.stencil = ##f + \time 3/4 des8-.\f r8 a16-.^\pp gis16-. f8-. b,16( cis8.) | %021 \override Staff.DynamicText.stencil = ##f - \time 3/4 des8-.\f r8 a16-.\pp gis16-. f8-. b,16( cis8.) | %021 d8.-- 16~->\mf 2 | %022 - r8 fis16(\mp\< c16 g8~\mf 8~ 16) bes8(\> f16 | %023 + r8[ fis16(\mp\< c16] g8~\mf 8~ 16) bes8(\> f16 | %023 cis8 gis'8 fis16 b,8-.) c16( d8-.)\mp bes16-. e16-. | %024 r16[ g16-. r16 ees16]-. a,4(\< aes4 | %025 g16\f c8.~ c8) f16_(~ 16~ 4~ | %026 @@ -381,7 +382,7 @@ \revert Staff.Hairpin.stencil \revert Staff.DynamicText.stencil r2\sustainOff \tuplet 3/2 { gis2~^\p 4~ } | %043 - 2. d,4^\mp | %044 + 2. d,!4^\mp | %044 e2. f4^\mf | %045 \time 5/4 fis2.~ fis2 | %046 \time 2/2 g4.-- 8~->^\f 2 | %047 @@ -400,7 +401,7 @@ \tuplet 3/2 { des2 b4~\mp } b4 fis'4~ | %058 fis8 g'-.\< c,-. f-. bes,4( a | %059 gis2~\sustainOn 2) | %060 - g'2~\sustainOff\sustainOn\p | %061 + g'!2~\sustainOff\sustainOn\p | %061 r2\sustainOff\sustainOn b4\< bes | %062 bes2\sustainOff\sustainOn r4\sustainOff\sustainOn fis4 | %063 r8\sustainOff ees8~\f 2~ \tuplet 3/2 { 4 des8~\mf } | %064 @@ -486,7 +487,7 @@ >> \oneVoice g,4(\mp\< 2) e,,4 | %106 - r4 ees8-.\mf r8 r4 r8 b8-. | %107 + r4 dis8-.\mf r8 r4 r8 b8-. | %107 r4 r8 c-. a8-. r8 r4 | %108 \time 3/4 4( ) r4 %109 \time 5/8 r4 4-- r8 | %110 @@ -501,7 +502,7 @@ \voiceOne \time 2/2 r4 r4 cis'4(\f^\markup { \tiny \italic "piu" \dynamic f } fis,8 g) | %117 c( f,!4) d'8~ d8 bes4 bes8~ | %118 - bes a8( b dis8~ dis4 4~\arpeggio | %119 + bes a8( b dis8~ dis4 4~ | %119 \stemDown 2) } \new Voice \relative { @@ -517,7 +518,7 @@ bes8-. r8 r4 b,8-. r8 r4 | r4 r8 bes( aes2~ | aes4 e2.~ | - e2 e4.) fis8-. | + e2~ e4.) fis8-. | r8 f'4.~ f2 | r4 r8 a,8-. cis-. r8 r4 | r4 f8-. ees8~\> ees2~ | -- 2.39.5