From 6d074c8fdcfecd4180e929986b6827dee7f4bacc Mon Sep 17 00:00:00 2001 From: Tucker Johnson Date: Mon, 27 Jan 2025 22:52:25 -0500 Subject: [PATCH] m. 3 merged --- manuscripts/II-clarinet.ly | 95 -------------- manuscripts/II-piano.ly | 254 ------------------------------------- manuscripts/IV-clarinet.ly | 4 +- net-clarity.ly | 160 +++++++++-------------- 4 files changed, 64 insertions(+), 449 deletions(-) diff --git a/manuscripts/II-clarinet.ly b/manuscripts/II-clarinet.ly index 21125fe..7eec95b 100644 --- a/manuscripts/II-clarinet.ly +++ b/manuscripts/II-clarinet.ly @@ -12,100 +12,6 @@ } \transpose bes c' \relative { -<<<<<<< HEAD - \numericTimeSignature - \tempo "Vivace" 4=168 - \time 5/8 ces'4\f ees8[ bes']-. r8 | %001 - \time 4/4 \grace { s8 } c,4 d'\> a'8( cis4.)\mp | %002 - \time 5/8 \grace { s8 } e,,,8[ g']-. r8 aes,4 | %003 - \time 6/8 f''4 ges8-. a,,4->\f bes8( | %004 - f' d8)-. r8 c'4 e'8-. | %005 - fis,,,4(\mp cis') ees'8-. r8 | %006 - \time 5/8 g8-. r8 b4( aes8-.) | %007 - \time 4/4 c,,4->\f des' bes'8-. r8 a,4 |%008 - \time 3/8 e d''8-. | %009 - \time 3/4 aes,4\p ges'4 f'8-. r8 | %010 - \time 4/4 ees,,,8( g4)\< b'8 f,4->\f ges' | %011 - \time 5/8 g''8 bes,,,4 a' | %012 - \time 4/4 aes'8[ d,,,8]\mp e''4 c'8-.\< r8 cis,,4 | %013 - \grace { s8 } b'8 ees'8--\f r4 \once \override Hairpin.circled-tip = ##t f,,2\<\fermata | %014 - - \sectionLabel \markup { \box \number 15 } - - \time 7/8 f4\fp des( aes4) d8 - \time 4/4 c'4 b'4 bes,,8 a''4. - \time 7/8 ees4 ges,,4 g''8 e'4 \breathe - \time 4/4 d,4( f8) cis' c,,4 bes'4 - fis'4 aes,,8 g'8~ 8 a'4 b,,8( - e,4) \breathe ees'8 d,8~ d8 b''4 c'8 - bes,,4 des4~ des8 g'4 ges,,8 - aes'4 ees''4 \breathe f,,,8\< a4 e''8~\mp - \time 6/8 e4. ees,,8\< b' fis'' - e,,8 cis'' a gis,4.\f - \time 2/4 r8 f'4\> bes8-. - \time 4/4 \after 4 \< d2~\p d8\f r8 aes'4(\mp - \time 6/8 b2. - e,4.) \breathe d,,8-.\mf fis-. a-. - r8 bes(\< des f4 fis8)\f - ees'2.\p - \time 4/4 f,,8-.-> c''8~\< 4~\f\> 2 - \time 4/4 d,8(\!\< bes)-. a'4\f des,8-.-> ees( g) aes,-. - c'2~\p\< c8\f r8 r4 | - r2 r8 e,,8-.-> a''4(\p | - \time 9/8 fis8[) b,,-.-> d''-- g,,,]-.-> b''4 dis,,,8-.-> ais'''( cis) - \time 4/4 gis,8\f( e b'4) r2 | - f'2~\p\< f8\mf r8 c,-.-> r8 - \time 7/8 b'8-> e4 bes8[->\f\< des,-.-> ges,-.->\! c8]-.-> | - \time 4/4 ees'4(\p f2.~ | - \time 3/4 4~ 8) r8 a,8(\f\< e) | - \time 6/8 aes,-.->\! r8 r8 b''4.\p | - ees,,8\f\< g,-.-> d-.->\! bes'''4.(~\p | - \time 3/4 bes4. a8) f,-> r8 - a2.~\pp\<( | - a2.~ | - a4.\mf\< bes,8-.)\! r4 | - ees4 8-. r8 b'-. e,~( | - e4 f,8-.) r8 r4 | - R1*3/4 - R1*3/4 - R1*3/4 - bes''8-.\mf bes8~\p bes2 | - ees,2->\mf( des'8-.) r8 - r8 des8-.\p r8 b8-.\mf b4~\p | - b4 fis'2~->\mf( | - fis2~ fis8 a,8-.)| - r8 a8-.\p r4 ees8-.\mf r8 | - ees8-. r8 r4 r4 | - r8 c'8~ c4. c8( | - f,8-.) bes8-. r8 aes'8~( 8 des,-.) | - r8 g,,8-- g8-. r8 r4 | - g8-. r8 d4---> b''8-. d,,8( | - e'8-.) r8 fis'8->( a,-.) r4 | - a8-. r8 \override Hairpin.circled-tip = ##t a,4.\< c'8-.->\f | - a,2\< e'8-.->\f \override Hairpin.circled-tip = ##f a,8(~\mp\< | - a8 cis4 f8~ f4)\f | - aes,8-.-> r8 r4 r4 | - r8 b'8( dis,)[ e,,(] c'[) d'8]-.-> | - d2.\pp | - g8-.-> d8~ d2 | - aes,8--\mf d'-.\< fis-. bes-.\! b,,8-- c'-- | - r4 ees,,8---> des''-. f-.-> g,,---> | - e''8-.-> f8~\pp\< f2~ | - f8\mf gis8-. a2~\> | - a4\!\< a8( b,8)\f d8-. des,---> | - b'4. f8-- ees'8-- fis-.-> ees4-- a,8( g'8~ g4~\> | - g4~ 8\fermata bes,8-.)\mp r4 | - \time 4/4 - bes8-.\mf\< b( des ees)\f c8-.\p r8 r4 | - c8-. c(\< d e)\mp r4 r8 e8-. | - \time 3/4 - r8 e8-. f(\mf g) g( a~ | - a) \grace { e16( } b'8--)\mp \grace { ees,16^( } c8-.\ff d8-.) r8 d8-.-> | - r8 \grace - - - -======= \tempo "Vivace" 4=168 \time 2/4 ces'4.\f ees8 | %001 \time 6/8 bes'8-. r8 r8 c,4. | %002 \time 3,2,2 7/8 d'4.\> a'8( cis8~\mp 4~ | %003 @@ -333,6 +239,5 @@ b( d, a') g(\> f \after 16 \stopTextSpan ees) \tempo 4=104 | %187 c8( bes aes)\p \molRit cis(\>\startTextSpan b a) | %188 fis( \after 16 \stopTextSpan e d2)\pp\fermata \bar "|." %189 ->>>>>>> working } diff --git a/manuscripts/II-piano.ly b/manuscripts/II-piano.ly index ed3d634..e7a841b 100644 --- a/manuscripts/II-piano.ly +++ b/manuscripts/II-piano.ly @@ -12,152 +12,6 @@ \override PianoStaff.Arpeggio.arpeggio-direction = #UP \new Staff = "u" \with { \consists "Merge_rests_engraver" -<<<<<<< HEAD - } - { - << - \relative { - \tempo "Vivace" 4=168 - \override DynamicLineSpanner.staff-padding = \phds - \time 5/8 r4\f ees'8[ bes']-.-> r8 | %001 - \time 4/4 \grace { s8 } r4 d\> a'8( cis4.)\mp | %002 - \time 5/8 \grace { s8 } s4 r8 r4 | %003 - \time 6/8 f,4 \grace { des'8^( } ges,8-.) r4.\f r4. c,4 e'8->-. | %004-005 - r4.\mp r8 ees,4( | %006 - \time 5/8 g8-.) r8 b4( aes8-.) | %007 - \time 4/4 r4\f des,~ 8-.-> r8 r4 | %008 - \time 3/8 r8 r8 d'8-.-> | %009 - \time 3/4 r4\p \D \grace { a,8( } \U ges'4) f'8-. r8 | %010 - \time 4/4 r4\< r8 b,,8 r2\f | %011 - \time 5/8 g''8 r8 r8 a,,4 | %012 - \time 4/4 aes'8-. r8 e4 c'8-.->\< r8 r4 | %013 - r8 ees8--->\f r4 r2 | %014 - \time 7/8 \after 4 \p f,,2~-> f4 r8 | - \time 4/4 c'4 b'8 r8 r8 a4. | - \time 7/8 ees4 \D \once \showStaffSwitch \grace { gis,,8( } fis4) \once \showStaffSwitch \U \grace { ees''8( } g8) e'8-. r8 | - \time 4/4 d,4 f8 cis'-. r4 \grace { f,8( } bes,4) | - \grace { cis'8( } fis,8-.) r8 \D aes,,8 \U g'8~-> g2~ | - g4 ees2.~-> | - 4 r4 r8 f'8-. r4 | - aes,4 ees''8 r8 r4 r8 e,8~\mf | - \time 6/8 e4.\< \D \once \showStaffSwitch ees,,8 \once \showStaffSwitch \U r8 fis''8 | - r8 cis8 a r4.\f | - c,4\> g4 | - \after 2. \p R1\! | - \time 6/8 R1*6/8 - \after 4. \mp \after 2 \< R1*6/8 - r8 bes8-.-> des-.-> f-.-> r8 fis-.->\f | - R1*6/8 - \time 4/4 R1 | - d8-.->\mf\< bes a'-.-> r8 des,8 ees-.-> g-.->\f aes, | - c'8-.-> r8 r4 r2 | - R1 | - \time 9/8 R1*9/8 | - \time 4/4 gis8-.-> e-.-> b'-.-> r8 r2 | - R1 | - << - \relative { - \voiceOne - g''8-. r8 r8 g8-. r8 g8[-. aes]~ | - aes1~ | - 4~ 8 r8 d8( des8-.) | - r8 r8 des8-. ges,4. | - ges4 ges8-. r4. | - r4 c8-. r8 c,8-. r8 | - } - \new Voice - \relative { - \voiceTwo - \time 7/8 b'8-. r8 r8 bes8-. r8 bes[-. bes]~ - \time 4/4 bes1~ | - \time 3/4 4~ 8 r8 a8( e8-.) | - \time 6/8 r8 r8 e8-. e4. | - ees4 ees8-. r4. - \time 3/4 r4 ees8-. r8 f8-. r8 | - } - >> - \oneVoice - r4 r4 r8 c'8~ | - c4 c8( d,8~ d4~ | - d8 cis'-.) r4 r4 | - R1*3/4 | - << - \relative { - \voiceOne - r4 g'''4. g8~( | - g4 aes,2~ | - aes2 fis'8-.) r8 | - } - \new Voice - \relative { - \voiceTwo - r4 c''8-. c8~( c4~ - c2 d,4~ | - d4 cis'8-.) r8 r4 | - } - >> - \oneVoice - r4 r4 r8 b,8-. | - r8 f''8-. r4 r8 ees,8~->( | - ees4 c'8-.) r8 c8-. r8 - r8 c8-. r4 cis,8-. r8 | - r4 - << - \relative { - \voiceOne - r4 r8 e'''8-. | - } - \new Voice - \relative { - \voiceTwo - r8 gis''8~( gis4 | - ais,8-.) - } - >> - \oneVoice - r8 bes8-. r8 r4 - r8 g'8~->( g8 d'-.) r4 | - g,,8-. r8 r4 r4 d'4.( e,8-.) r4 | - r8 bes''8-. r8 aes'8~( aes des,8-.) | - R1*3/4 - r4 r4 b8-. r8 | - r4 fis'8( a,8-.) r4 | - a8-. r8 r4 r8 c8-. | - r4 \after 8 \p r4 e,8-. r8 | - R1*3/4 | - aes,8-. r8 r4 r4 | - R1*3/4 | - R1*3/4 | - R1*3/4 | - R1*3/4 | - R1*3/4 | - R1*3/4 | - R1*3/4 | - R1*3/4 | - R1*3/4 | - e8-. gis8-. r4 r4 | - r4 r8\fermata 8-.\pp r4 | -<<<<<<< HEAD - R1*3/4 | - R1*3/4 | - R1*3/4 | - 8-.-> 8-.-> r8 -.-> r4 | - R1*3/4 | - r4 r4 \ottava #1 8-.-> r8 | - 8-.-> r8 8-.-> r8 r4 | - 8-.-> 8-.-> r8 8-.-> r4 | - r8 8-.-> r4 r4 | - R1*3/4 | - r8 e4( b'8) 8( cis) | - 8( dis) r8 8-.-> 8-.-> 8-.-> | - r8 8-.-> \ottava #0 r4 r4 | - \ottava #1 \tuplet 3/2 { f'8\p\< \D \U } \tuplet 3/2 { \D ges, \U ges' \D } \tuplet 3/2 { \U \D \! \U } \bar "||" | \clef "bass" - \tempo "A tempo" 4=168 - \ottava #0 s4\f s4 s4\mp | - -======= ->>>>>>> e692014 (start) -======= \override DynamicLineSpanner.staff-padding = \phds } { @@ -196,7 +50,6 @@ r8 cis8 a8 r8\f r4 | %027 c,8 r8 g8 r8 r4 | %028 \after 2 \p R1*3/4 | %029 ->>>>>>> working \sectionLabel \markup { \box \number 30 } \omit Score.BarNumber @@ -497,112 +350,6 @@ \new Staff = "d" { \clef bass -<<<<<<< HEAD - \set Staff.pedalSustainStyle = #'bracket - << - \relative { - \tempo "Vivace" 4=168 - \override Staff.Hairpin.stencil = ##f - \override Staff.DynamicText.stencil = ##f - b4\f r8 r4 | %001 - \time 4/4 \grace { ees8( } c4) r4 r2 | %002 - \time 5/8 \grace { b8(\mp } e,8) \U g' \D r8 aes,4 | %003 - r4. a4\f bes8 | %004 - f'-> d8-.-> r8 r4. | %005 - \grace { a8(\mp } fis4) cis' r4 | %006 - R1*5/8 | %007 - c2~\f 8 r8 a'4~-> | %008 - ~ 8 | %009 - aes4\p r4 r4 | %010 - ees,8 g4\< r8 f4\f ges'4 | %011 - r8 bes,4 r4 | %012 - r8 d,8 r4 r4\< \grace { a''8( } cis,4) | %013 - \time 4/4 \U \grace { e'8( } \D b8) r8\f r4 r2 | %014 - r4 des,4\p aes d8~-> | - d2 bes2~-> | - bes~ bes4.~ | - bes2 c2~-> | - c4. r8 r8 \clef treble a''8 r8 \clef bass \grace { gis,,8( } b8) | - e,4 r8 d8~ d8 \clef treble b''4 c'8 | - r4 \clef bass des,,4~-> des4. ges,8~-> | - ges2~ 8 a4.~-> | - \time 6/8 a2 b4-> | - e,4.-> gis~-> | - gis2~ gis8 r8 r4 r4 ees,4~\p | - \time 6/8 ees2. | - g8( c,8-.) r8 d'~\mp\< ~ ~ | - 8 r8 r8\f r8 b,8-. r8 | - r8 gis'4~( gis4. | - f'8-.) r8 r4 r2 | - r4 e,8-. r8 r4 bes4~ | - bes8 r8 r4 r4 r8 f'8~(-> | - f2~ f8 des8-.) r4 | - R1*9/8 | - r4 fis4~( fis4. d8 | - a8) r8 r4 r2 | - s1*7/8 - s1 - s1*3/4 - s1*6/8 - s1*6/8 - s1*3/4 - r4 e''4(\mf\> f,8-.)\! r8 | - r8 b8-. r4 r8 \clef treble g''8~ | - g4 g4( fis'4~ | - fis8) fis8( aes,8-.) r8 r4 \clef bass | - ees,8-. r8 r4 r4 | - r8 bes8~( bes2~ | - bes8 a'-.) r4 r4 | - e,8-. d'4->( g,8-.) r4 | - r4 r8 \clef treble ges''8~( ges4~ | - ges2.~ | - ges8 a'-.) r4 r4 \clef bass | - dis,,,8-. r8 r4 r4 | - r4 c'8->( f,8-.) r4 | - R1*3/4 | - b,8-. r8 b8-. r8 a'4~ | - 4 8( fis8-.) r4 | - 8-. r8 r4 r4 | - r4 ees8-. r8 c'4~ | - c8 des,8-. des8-. r8 r4 | - aes'2~ aes8 ->( | - 8-.) r8 r4 d8-.^\p\sustainOn r8 | - r4 r8 g8-. r4 | - r4 r4 r8 fis8-.\sustainOff\sustainOn | - r4 bes8-. r8 ees,8-. b-. | - des,8-.\sustainOff\sustainOn r8 r4 r4 | - r4 r4 r8 f8-. | - a8-. r8 r4 r4 | - R1*3/4 | - r8 d8-.\sustainOff\sustainOn r4 r8 fis8-. | - R1*3/4 | - bes8-. r8 r4 r4 | - r4 c8-.\sustainOff\sustainOn r8 r4 | - R1*3/4 | - R1*3/4 | - R1*3/4\sustainOff | -<<<<<<< HEAD - R1*3/4 | - R1*3/4 | \clef treble - r8 ges'8( aes) aes( bes) r8 | - R1*3/4 | - r8 bes8-. r8 f'8~ 4 | - f2.~ | - f8 f4 f8( g a8~ | - a2) a8( c8-.) | - r8 c8-. r8 c8( d8) d8( | - e2.) | - R1*3/4 | - R1*3/4 | - R1*3/4 | - R1*3/4 | \clef "bass_8" - \stemUp d,,,,,8[(^\f g] \U ees'-.)[ \D bes,]-. - } -======= - } ->>>>>>> e692014 (start) - >> -======= \set Staff.ottavationMarkups = #ottavation-ordinals \set Staff.pedalSustainStyle = #'bracket \override DynamicLineSpanner.staff-padding = \phds @@ -934,6 +681,5 @@ r4\sustainOff r2\fermata \bar "|." %b189 } ->>>>>>> working } >> diff --git a/manuscripts/IV-clarinet.ly b/manuscripts/IV-clarinet.ly index 890ea6f..907c43b 100644 --- a/manuscripts/IV-clarinet.ly +++ b/manuscripts/IV-clarinet.ly @@ -179,8 +179,8 @@ \omit Score.BarNumber \override Score.TimeSignature.stencil = ##f \time 7/8 d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f - \footnote \markup \huge "*" #'(-3 . -1) \markup \tiny \left-column { - \line { "* Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4 + \footnote \markup † #'(-3 . -1) \markup \tiny \left-column { + \line { † "Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4 \line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4 \line { "break, while rests are longer." } } diff --git a/net-clarity.ly b/net-clarity.ly index 01043ec..8b5fe59 100644 --- a/net-clarity.ly +++ b/net-clarity.ly @@ -49,6 +49,12 @@ clarinetMagstep = #(magstep -2) \concat { \if \on-page #21 \oddhead } \concat { \if \on-page #23 \oddhead } \concat { \if \on-page #25 \oddhead } + \concat { \if \on-page #27 \oddhead } + \concat { \if \on-page #29 \oddhead } + \concat { \if \on-page #31 \oddhead } + \concat { \if \on-page #33 \oddhead } + \concat { \if \on-page #35 \oddhead } + \concat { \if \on-page #37 \oddhead } } evenHeaderMarkup = \markup { @@ -64,6 +70,12 @@ clarinetMagstep = #(magstep -2) \concat { \if \on-page #22 \evhead } \concat { \if \on-page #24 \evhead } \concat { \if \on-page #26 \evhead } + \concat { \if \on-page #28 \evhead } + \concat { \if \on-page #30 \evhead } + \concat { \if \on-page #32 \evhead } + \concat { \if \on-page #34 \evhead } + \concat { \if \on-page #36 \evhead } + \concat { \if \on-page #38 \evhead } } oddFooterMarkup = \markup { \concat { \if \on-page #3 \fill-line { \null \xcr \null } } @@ -78,6 +90,12 @@ clarinetMagstep = #(magstep -2) \concat { \if \on-page #21 \oddfoot } \concat { \if \on-page #23 \oddfoot } \concat { \if \on-page #25 \oddfoot } + \concat { \if \on-page #27 \oddfoot } + \concat { \if \on-page #29 \oddfoot } + \concat { \if \on-page #31 \oddfoot } + \concat { \if \on-page #33 \oddfoot } + \concat { \if \on-page #35 \oddfoot } + \concat { \if \on-page #37 \oddfoot } } evenFooterMarkup = \markup { \concat { \if \on-page #2 \evfoot } @@ -92,7 +110,14 @@ clarinetMagstep = #(magstep -2) \concat { \if \on-page #20 \evfoot } \concat { \if \on-page #22 \evfoot } \concat { \if \on-page #24 \evfoot } - \concat { \if \on-page #26 \fill-line { \null \tiny \typewriter \longHash \null } } + \concat { \if \on-page #26 \evfoot } + \concat { \if \on-page #28 \evfoot } + \concat { \if \on-page #30 \evfoot } + \concat { \if \on-page #32 \evfoot } + \concat { \if \on-page #34 \evfoot } + \concat { \if \on-page #36 \evfoot } + \concat { \if \on-page #38 \evfoot } + \concat { \if \on-page #40 \fill-line { \null \tiny \typewriter \longHash \null } } } } @@ -247,34 +272,13 @@ clarinetMagstep = #(magstep -2) % } % } -<<<<<<< HEAD -% \bookpart { -% \tocItem \markup { "II. " \bold "Vivace" } -% \score { -% \header { -% title = \markup { \fontsize #1 \xtitle } -% subtitle = \markup { \medium \italic \xsub } -% composer = \xcomp -% poet = \markup { \xinst } -% piece = \markup { \large \bold "II. " } -% } -% << -% \removeWithTag #'part \include "manuscripts/II-clarinet.ly" -% \removeWithTag #'part \include "manuscripts/II-piano.ly" -% >> -% %\midi { } -% \layout { -% \context { -% \Score -% \override RehearsalMark.break-visibility = #begin-of-line-invisible -% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) -% \override Hairpin.to-barline = ##f -% } -% } -% } -% } -======= \bookpart { + \header { + title = \markup { \fontsize #1 \xtitle } + subtitle = \markup { \medium \italic \xsub } + composer = \xcomp + poet = \markup { \xinst } + } \tocItem \markup { "II. " \bold "Vivace" } \score { \header { @@ -304,52 +308,46 @@ clarinetMagstep = #(magstep -2) } } } ->>>>>>> working -% \bookpart { -% \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" } -% \score { -% \header { -% piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" } -% } -% << -% \removeWithTag #'part \include "manuscripts/III-clarinet.ly" -% \removeWithTag #'part \include "manuscripts/III-piano.ly" -% >> -% %\midi { } -% \layout { -% \context { -% \Score -% \remove Mark_engraver -% \remove Text_mark_engraver -% \override RehearsalMark.break-visibility = #begin-of-line-invisible -% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) -% \override Hairpin.to-barline = ##f -% } -% \context { -% \Staff -% \RemoveEmptyStaves -% } -% } -% } -% } + \bookpart { + \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" } + \score { + \header { + piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" } + } + << + \removeWithTag #'part \include "manuscripts/III-clarinet.ly" + \removeWithTag #'part \include "manuscripts/III-piano.ly" + >> + %\midi { } + \layout { + \context { + \Score + \remove Mark_engraver + \remove Text_mark_engraver + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) + \override Hairpin.to-barline = ##f + } + \context { + \Staff + \RemoveEmptyStaves + } + } + } + } -<<<<<<< HEAD \bookpart { \tocItem \markup { "IV. " \bold "Allegro energico" } \score { \header { - title = ##f - subtitle = ##f - composer = ##f - poet = ##f piece = \markup { \large \bold "IV." } } << \removeWithTag #'part \include "manuscripts/IV-clarinet.ly" \include "manuscripts/IV-piano.ly" >> - \midi { } + %\midi { } \layout { \context { \Score @@ -369,43 +367,9 @@ clarinetMagstep = #(magstep -2) } } } -======= -% \bookpart { -% \tocItem \markup { "IV. " \bold "Allegro energico" } -% \score { -% \header { -% title = ##f -% subtitle = ##f -% composer = ##f -% poet = ##f -% piece = \markup { \large \bold "IV." } -% } -% << -% \removeWithTag #'part \include "manuscripts/IV-clarinet.ly" -% \include "manuscripts/IV-piano.ly" -% >> -% %\midi { } -% \layout { -% \context { -% \Score -% \remove Text_mark_engraver -% \remove Mark_engraver -% \override TextSpanner.bound-details.left-broken.text = " " -% \override RehearsalMark.break-visibility = #begin-of-line-invisible -% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) -% \override Hairpin.to-barline = ##f -% \override Stem.stemlet-length = #0.75 -% } -% \context { -% \Staff -% \RemoveEmptyStaves -% \consists Mark_engraver -% } -% } -% } -% } ->>>>>>> working \pageBreak \markup { \null } + \pageBreak + \markup { \null } } -- 2.39.5