From 3c3960b1500670324acb7b4a4723944e1dec634b Mon Sep 17 00:00:00 2001 From: "tuckerajohnsonmusic@gmail.com" Date: Fri, 1 Sep 2023 14:54:12 -0400 Subject: [PATCH] 11-12-rests --- manuscripts/11i.ly | 52 ++++++++++++++++++++++---------------------- manuscripts/12i.ly | 54 +++++++++++++++++++++++----------------------- 2 files changed, 53 insertions(+), 53 deletions(-) diff --git a/manuscripts/11i.ly b/manuscripts/11i.ly index dc88cc6..b27e075 100644 --- a/manuscripts/11i.ly +++ b/manuscripts/11i.ly @@ -5,7 +5,7 @@ << \set PianoStaff.connectArpeggios = ##t \override PianoStaff.Arpeggio.arpeggio-direction = #UP -\new Staff = "ui6" { +\new Staff = "ui6" \with { \consists "Merge_rests_engraver" } { \accidentalStyle piano << \relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f @@ -16,9 +16,9 @@ \time 3/4 fis4~ fis8) e'8~(->^\mf e4 | fis,2.~ | \time 2/4 fis2~ | -\time 4/4 fis8) r8 r2. | +\time 4/4 fis8) r8 r4 r2 | \time 3/4 a,2.( | -d8)^\markup { \tiny \parenthesize \dynamic p } r8 r2 | +d8)^\markup { \tiny \parenthesize \dynamic p } r8 r4 r4 | \time 4/4 s1 | \time 2/4 cis8--^\markup { \tiny \parenthesize \dynamic mf } r8 r4 | \time 3/4 s2. | @@ -43,36 +43,36 @@ e2.~ | \override DynamicLineSpanner.staff-padding = \phds \time 3/4 g'2.(\mp | \time 2/4 c4 f,4~ | -\time 3/4 f8)_\markup { \tiny \parenthesize \dynamic mp } s8 s2 | +\time 3/4 f8)_\markup { \tiny \parenthesize \dynamic mp } r8 r4 r4 | \time 4/4 s1 | -\time 3/4 a4~( a8 d8)_\markup { \tiny \parenthesize \dynamic p } s4 | +\time 3/4 a4~( a8 d8)_\markup { \tiny \parenthesize \dynamic p } r4 | b2.~\mf\> | \time 2/4 b2~ | -\time 4/4 b8\p s8 s2. | +\time 4/4 b8\p r8 r4 r2 | \time 3/4 e,2. | g4~(\mf g8 c,8~ c4 | \time 4/4 f1~ | -\time 2/4 f8) s8 s4 | +\time 2/4 f8) r8 r4 | \time 3/4 c4~\< c8 f8~ f4~ | \time 4/4 f1\mp | \time 1/4 g4~\p | \time 4/4 g1~ | -\time 6/4 g4 s4 s2\mf s2 | +\time 6/4 g4 r4 r4\mf r2. | \time 1/4 e4~\< | -\time 4/4 e2~\f e8 s8 s4 | +\time 4/4 e2~\f e8 r8 r4 | \time 1/4 s4\< | \time 3/4 b'2.\mf | d4~(\p\< d8 a8~ a4 | \time 4/4 c1~ | -\time 2/4 c8)\mp\> s8 s4 | +\time 2/4 c8)\mp\> r8 r4 | \time 4/4 s1 | -\time 3/4 g8\pp s8 s2 | +\time 3/4 g8\pp r8 r4 r4 | \time 2/4 e2~\f\> | \time 3/4 e2.\mp | } >> } -\new Staff = "di6" { \clef bass +\new Staff = "di6" \with { \consists "Merge_rests_engraver" } { \clef bass \accidentalStyle piano << \relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f @@ -86,23 +86,23 @@ s2. | \time 2/4 bes2 | \time 4/4 \tuplet 3/2 { c2( g2 f2~ } | \time 3/4 f2.~ | -f8) s8 s2 | +f8) r8 r4 r4 | \time 4/4 ees1( | -\time 2/4 aes8) s8 s4 | +\time 2/4 aes8) r8 r4 | \time 3/4 s2. | \time 4/4 ees1~ | -\time 1/4 ees8 s8 | +\time 1/4 ees8 r8 | \time 4/4 s1 | \time 6/4 d4 r4 c2( g'2~ | \time 1/4 g4~ | -\time 4/4 g2~ g8) s8 s4 | +\time 4/4 g2~ g8) r8 r4 | \time 1/4 \tuplet 3/2 { bes8( ees,8 f8~ } | \time 3/4 f2.~ | -f8) s8 s2 | +f8) r8 r4 r4 | \time 4/4 g1 | \time 2/4 ees2( | \time 4/4 c1 | -\time 3/4 d8) s8 s2 | +\time 3/4 d8) r8 r4 r4 | \time 2/4 s2 | \time 3/4 ees2.\fermata | } @@ -110,30 +110,30 @@ f8) s8 s2 | \relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f \time 3/4 s2._\markup { \lower #4 \tiny { "[parenthesized, courtesy dynamics apply to nearest pitches]" } } | \time 2/4 bes,2~ | -\time 3/4 bes8 s8 s2 | +\time 3/4 bes8 r8 r4 r4 | \time 4/4 b1~ | \time 3/4 b2 r4 | cis2.( | \time 2/4 gis4 dis4~ | -\time 4/4 dis8) s8 s2. | +\time 4/4 dis8) r8 r4 r2 | \time 3/4 b'2.~ | -b8 s8 s2 | +b8 r8 r4 r4 | \time 4/4 bes1 | \time 2/4 ges2\pp | \time 3/4 bes2. | \time 4/4 des,1~ | \time 1/4 des8 s8 | \time 4/4 b'2(\pp fis2~ | -\time 6/4 fis4) s4 s2 s2 | +\time 6/4 fis4) r4 r4 r2. | \time 1/4 s4 | -\time 4/4 cis'2~ cis8 s8 s4 | +\time 4/4 cis'2~ cis8 r8 r4 | \time 1/4 s4 | \time 3/4 ges2.~ | -ges8 s8 s2 | +ges8 r8 r4 r4 | \time 4/4 f1( | -\time 2/4 bes8) s8 s4 | +\time 2/4 bes8) r8 r4 | \time 4/4 f2( bes2~ | -\time 3/4 bes8) s8 s2 | +\time 3/4 bes8) r8 r4 r4 | \time 2/4 b2( | \time 3/4 gis2.) \once \override Staff.BarLine.stencil = diff --git a/manuscripts/12i.ly b/manuscripts/12i.ly index 0eb089b..af4c955 100644 --- a/manuscripts/12i.ly +++ b/manuscripts/12i.ly @@ -5,7 +5,7 @@ << \set PianoStaff.connectArpeggios = ##t \override PianoStaff.Arpeggio.arpeggio-direction = #UP -\new Staff = "ui6" { +\new Staff = "ui6" \with { \consists "Merge_rests_engraver" } { \accidentalStyle piano << \relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f @@ -13,28 +13,28 @@ \time 3/4 bes''2.->( | g8)->^\markup { \tiny \parenthesize \dynamic ff } r8 r8 aes8~(^\markup { \tiny \parenthesize \dynamic p } aes4 | \time 4/4 des,1~ | -\time 5/4 des2.) s2 | +\time 5/4 des2.) r2 | \time 3/4 s2. | f2.~ | -\time 1/4 f8 s8 | +\time 1/4 f8 r8 | \time 4/4 c2( f2) | aes1(^\pp | \time 2/4 ges2~ | -ges4~ ges8) s8 | +ges4~ ges8) r8 | \time 3/4 cis4~( cis8 fis,8~ fis4~ | fis2.~ | -\time 4/4 fis8) s8 s2. | +\time 4/4 fis8) r8 r4 r2 | \time 2/4 ees2 | \time 4/4 f1(^\pp | \time 3/4 bes,2.~ | -\time 4/4 bes2~ bes8) s8 s4 | +\time 4/4 bes2~ bes8) r8 r4 | \time 1/4 aes4( | \time 4/4 des1) | \time 3/4 c4~( c8 fis8~ fis4~ | \time 1/4 fis4~ | -\time 4/4 fis8) s8 s2. | +\time 4/4 fis8) r8 r4 r2 | bes1~ | -\time 3/4 bes2 s4 | +\time 3/4 bes2 r4 | dis,2.( | \time 2/4 cis2)\fermata | } @@ -50,9 +50,9 @@ c2.(\p aes2.) | \time 1/4 e4~(\mf\< | \time 4/4 e1 | -a8)--\ff s8 s2. | +a8)--\ff r8 r4 r2 | \time 2/4 cis2~_\markup { \lower #4 \tiny \parenthesize \dynamic pp } | -cis4~ cis8\mf\< s8 | +cis4~ cis8\mf\< r8 | \time 3/4 b2.( | e,2.) | \time 4/4 gis1~(\f | @@ -62,45 +62,45 @@ e,2.) | \time 4/4 e2) dis2~\p | \time 1/4 dis4~\< | \time 4/4 dis1~ | -\time 3/4 dis8\mp s8 s2 | +\time 3/4 dis8\mp r8 r4 r4 | \time 1/4 b'8(\< e,8) | \time 4/4 dis2(\mf gis2~ | gis1~ | -\time 3/4 gis2) s4 | +\time 3/4 gis2) r4 | fis2.( | \time 2/4 gis2) | } >> } -\new Staff = "di6" { \clef bass +\new Staff = "di6" \with { \consists "Merge_rests_engraver" } { \clef bass \accidentalStyle piano << \relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f \override DynamicLineSpanner.staff-padding = \phds \time 2/4 g,2( | \time 3/4 c2.~-> | -c8) s8 s2 | +c8) r8 r4 r4 | \time 4/4 e1~ | -\time 5/4 e2. s2 | +\time 5/4 e2. r2 | \time 3/4 c2.( | ges'2.) | \time 1/4 b4( | \time 4/4 d,1~ | -d8) s8 s2. | +d8) r8 r4 r2 | \time 2/4 e2( | b4) g'4~-> | \time 3/4 g2.~ | g2. | \time 4/4 c1( | \time 2/4 g2~ | -\time 4/4 g8) s8 s2. | +\time 4/4 g8) r8 r4 r2 | \time 3/4 g2.( | -\time 4/4 d'2~ d8) s8 s4 | +\time 4/4 d'2~ d8) r8 r4 | \time 1/4 b8( fis8~ | \time 4/4 fis1) | \time 3/4 d2.~ | \time 1/4 d4~ | -\time 4/4 d8 s8 s2. | +\time 4/4 d8 r8 r4 r2 | g1(^\< | \time 3/4 d4~ d8) b'8~(^\f b4 | e,2.~ | @@ -110,30 +110,30 @@ e,2.~ | \relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f \time 2/4 d,4(_\markup { \lower #4 \tiny { "[parenthesized, courtesy dynamics apply to nearest pitches]" } } ees~ | \time 3/4 ees2.~ | -ees8) s8 s2 | +ees8) r8 r4 r4 | \time 4/4 s1 | -\time 5/4 d2~( d8 a'8)--_\markup { \tiny \parenthesize \dynamic p } s2 | +\time 5/4 d2~( d8 a'8)--_\markup { \tiny \parenthesize \dynamic p } r2 | \time 3/4 bes,2.( | ees2.) | \time 1/4 g4~ | \time 4/4 g1 | bes,1~(\pp | \time 2/4 bes2 | -ees4~ ees8) s8 | +ees4~ ees8) r8 | \time 3/4 s2. | d4~( d8 a'8~ a4) | \time 4/4 bes,1( | \time 2/4 f'2~ | -\time 4/4 f8) s8 s2. | +\time 4/4 f8) r8 r4 r2 | \time 3/4 c'2.~ | -\time 4/4 c2~ c8 s8 s4 | +\time 4/4 c2~ c8 r8 r4 | \time 1/4 s4 | \time 4/4 f,2( bes,2~ | -\time 3/4 bes8) s8 s2 | +\time 3/4 bes8) r8 r4 r4 | \time 1/4 a4( | -\time 4/4 g'8) s8 s2. | +\time 4/4 g'8) r8 r4 r2 | c1( | -\time 3/4 f,2) s4 | +\time 3/4 f,2) r4 | s2. | \time 2/4 a2 \once \override Staff.BarLine.stencil = -- 2.39.5