From: Tucker Johnson Date: Sun, 17 Aug 2025 22:21:35 +0000 (-0400) Subject: finish mvm 1 format, start parts X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=fc74bb5755995914d01b4ae345db523b2d7971ad;p=net-clarity.git finish mvm 1 format, start parts --- diff --git a/general/partPaper.ly b/general/partPaper.ly new file mode 100644 index 0000000..8774e1c --- /dev/null +++ b/general/partPaper.ly @@ -0,0 +1,145 @@ +\paper { + line-width = 120 + #(include-special-characters) + footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } } + print-page-number = ##f + #(set-paper-size "arch a") + print-all-headers = ##f + top-margin = 0.5\in + bottom-margin = 0.5\in + left-margin = 0.9\in + right-margin = 0.9\in + indent = 0.75\in + short-indent = 0\cm + #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "sans")) + max-systems-per-page = #10 + system-system-spacing = #'((basic-distance . 10) (minimum-distance . 8) (padding . 12)) + score-system-spacing = #'((basic-distance . 2) (minimum-distance . 1) (padding . 0)) + last-bottom-spacing = #'((basic-distance . 5) (minimum-distance . 5) (padding . 0)) + tocTitleMarkup = \markup { } + tocItemMarkup = \markup \fill-line { + \fill-with-pattern #1.5 #CENTER . + \line { + \fromproperty #'toc:indent \fromproperty #'toc:text + } + \sans \fromproperty #'toc:page + } + + oddHeaderMarkup = \markup { + \concat { \if \on-page #5 \oddhead } + \concat { \if \on-page #7 \oddhead } + \concat { \if \on-page #9 \oddhead } + \concat { \if \on-page #11 \oddhead } + \concat { \if \on-page #13 \oddhead } + \concat { \if \on-page #15 \oddhead } + \concat { \if \on-page #17 \oddhead } + \concat { \if \on-page #19 \oddhead } + \concat { \if \on-page #21 \oddhead } + \concat { \if \on-page #23 \oddhead } + \concat { \if \on-page #25 \oddhead } + \concat { \if \on-page #27 \oddhead } + \concat { \if \on-page #29 \oddhead } + \concat { \if \on-page #31 \oddhead } + \concat { \if \on-page #33 \oddhead } + \concat { \if \on-page #35 \oddhead } + \concat { \if \on-page #37 \oddhead } + \concat { \if \on-page #39 \oddhead } + + } + evenHeaderMarkup = \markup { + \concat { \if \on-page #4 \evhead } + \concat { \if \on-page #6 \evhead } + \concat { \if \on-page #8 \evhead } + \concat { \if \on-page #10 \evhead } + \concat { \if \on-page #12 \evhead } + \concat { \if \on-page #14 \evhead } + \concat { \if \on-page #16 \evhead } + \concat { \if \on-page #18 \evhead } + \concat { \if \on-page #20 \evhead } + \concat { \if \on-page #22 \evhead } + \concat { \if \on-page #24 \evhead } + \concat { \if \on-page #26 \evhead } + \concat { \if \on-page #28 \evhead } + \concat { \if \on-page #30 \evhead } + \concat { \if \on-page #32 \evhead } + \concat { \if \on-page #34 \evhead } + \concat { \if \on-page #36 \evhead } + \concat { \if \on-page #38 \evhead } + } + oddFooterMarkup = \markup { + \concat { \if \on-page #3 \fill-line { \null \xcr \null } } + \concat { \if \on-page #5 \oddfoot } + \concat { \if \on-page #7 \oddfoot } + \concat { \if \on-page #9 \oddfoot } + \concat { \if \on-page #11 \oddfoot } + \concat { \if \on-page #13 \oddfoot } + \concat { \if \on-page #15 \oddfoot } + \concat { \if \on-page #17 \oddfoot } + \concat { \if \on-page #19 \oddfoot } + \concat { \if \on-page #21 \oddfoot } + \concat { \if \on-page #23 \oddfoot } + \concat { \if \on-page #25 \oddfoot } + \concat { \if \on-page #27 \oddfoot } + \concat { \if \on-page #29 \oddfoot } + \concat { \if \on-page #31 \oddfoot } + \concat { \if \on-page #33 \oddfoot } + \concat { \if \on-page #35 \oddfoot } + \concat { \if \on-page #37 \oddfoot } + \concat { \if \on-page #39 \oddfoot } + } + evenFooterMarkup = \markup { + \concat { \if \on-page #2 \evfoot } + \concat { \if \on-page #4 \evfoot } + \concat { \if \on-page #6 \evfoot } + \concat { \if \on-page #8 \evfoot } + \concat { \if \on-page #10 \evfoot } + \concat { \if \on-page #12 \evfoot } + \concat { \if \on-page #14 \evfoot } + \concat { \if \on-page #16 \evfoot } + \concat { \if \on-page #18 \evfoot } + \concat { \if \on-page #20 \evfoot } + \concat { \if \on-page #22 \evfoot } + \concat { \if \on-page #24 \evfoot } + \concat { \if \on-page #26 \evfoot } + \concat { \if \on-page #28 \evfoot } + \concat { \if \on-page #30 \evfoot } + \concat { \if \on-page #32 \evfoot } + \concat { \if \on-page #34 \evfoot } + \concat { \if \on-page #36 \evfoot } + \concat { \if \on-page #38 \evfoot } + \concat { \if \on-page #40 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } } + } +} + + +\layout { + \context { + \Score + \override InstrumentName.self-alignment-X = 1 + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override Hairpin.to-barline = ##f + \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() + \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() + \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() + \override BarNumber.font-name = "classico" + \phrasingSlurDashPattern #0.5 #2.0 + \override PhrasingSlur.thickness = 0.5 + \override StaffSymbol.layer = #4 + \override Stem.layer = #4 + \override Beam.layer = #4 + \override Hairpin.layer = #4 + \override TimeSignature.layer = #2 + \override Tie.layer = #1 + \override TupletBracket.layer = #2 + \override StringNumber.layer = #2 + \override TextSpanner.layer = #3 + \override NoteHead.layer = #4 + \override Accidental.layer = #4 + \override TimeSignature.whiteout = 2 + \override TextScript.padding = 1 + \override TextScript.layer = #4 + \numericTimeSignature + \override TupletNumber.layer = 4 + \override TupletNumber.font-shape = #'upright + } +} diff --git a/manuscripts/I-clarinet.ly b/manuscripts/I-clarinet.ly index 4a1e5ec..55845a0 100644 --- a/manuscripts/I-clarinet.ly +++ b/manuscripts/I-clarinet.ly @@ -14,40 +14,52 @@ \relative { \clef treble \numericTimeSignature - \tempo "Grave" 2 = 36 + \tempo "Grave, molto rubato" 2 = 36 \time 2/2 f'2--\pp f2-- | %001 - f2-- f2-- | %002 - \time 3/2 f2-- \breathe \tuplet 3/2 { e4( fis a,~ } a4 d,4~ | %003 - d1) \breathe d4~ d16 cis''8.~ | %004 - \time 5/4 cis8 b'8~ b4~ b8 b8( c4 g4~ | %005 - g2) \tuplet 3/2 { aes4( ees bes) } r4 | %006 - \time 2/2 r4 f4( e4 fis | %007 - a,1)\shortfermata | %008 + f2-- f2--\> | %002 + \time 3/2 f2--\! \breathe \tuplet 3/2 { e4(\< fis a,~ } a4 d,4~\mp | %003 + d1) \breathe d4~\p\< d16 cis''8.~ | %004 + \time 5/4 cis8 b'8~\mp b4~ b8 b8(\mf c4 g4~ | %005 + g2) \tuplet 3/2 { aes4(\> ees bes)\! } r4 | %006 + \time 2/2 r4 f4(\p\> e4 fis | %007 + a,1)\pp\shortfermata | %008 a2( d,2~ | %009 d1)\shortfermata | %010 - \time 5/4 \grace s8 r4 cis''4( b'4 bes2) | %011 - \time 2/2 \tuplet 3/2 { r4 c4( g4~ } g2) | %012 - \time 5/4 aes2( ees2.~ | %013 + + \sectionLabel \markup { \huge \box \sans \bold 11 } + \omit Score.BarNumber + \time 5/4 \grace s8 r4 cis''4(\p\< b'4 bes2)\! | \undo \omit Score.BarNumber %011 + \time 2/2 \tuplet 3/2 { r4 c4(\f\> g4~ } g2) | %012 + \time 5/4 aes2( ees2.~\p | %013 \time 2/2 ees8) r8 r4 r2 | %014 R1 | %015 R1\fermata | %016 - r2 d2~ | %017 - \time 7/4 d4 e4( fis4 a,2.)\shortfermata r4 | %018 - \time 2/2 \grace s8 des4( ees bes f'4~ | %019 + + \sectionLabel \markup { \huge \box \sans \bold 17 } + \omit Score.BarNumber + r2 d2~\mp | \undo \omit Score.BarNumber %017 + \time 7/4 d4 e4(\> fis4 a,2.)\p\shortfermata r4 | %018 + \time 2/2 \grace s8 des4(\< ees bes f'4~\mf | %019 \time 3/2 f2.) r4 r2 | %020 - \time 2/2 r1\shortfermata | %021 - \time 3/2 c2. c4( g'4 f4~ | %022 - \time 2/2 \tuplet 3/2 { f4) e( fis } a,2)\shortfermata | %023 - \time 5/4 g,4( b des bes'2) | %024 - d4( c ees4~ ees2)\fermata \breathe | %025 - d,4( e2 ees4) g8( c, | %026 - \time 2/2 aes'4) ges2( bes4 | %027 - a2) cis4( e) | %028 - \time 3/2 \grace s8 g1. \breathe | %029 - \time 5/4 cis,4( dis fis2) c4( | %030 - \time 2/2 g2.)\shortfermata a4( | %031 - \time 3/2 aes4 bes8) f8( e1) | %032 - \time 2/2 d2-- d2-- | %033 - b1\fermata \bar "|." %034 + \time 2/2 R1\shortfermata | %021 + \time 3/2 c2.\pp c4(\< g'4 f4~\mp | %022 + \time 2/2 \tuplet 3/2 { f4) e(\> fis } a,2)\p\fermata \breathe | %023 + + \sectionLabel \markup { \huge \box \sans \bold 24 } + \omit Score.BarNumber + \time 5/4 g,4(\f\> b des bes'2) | \undo \omit Score.BarNumber %024 + d4(\mf\> c ees4~\p ees2)\shortfermata \breathe | %025 + d,4(\pp e2 ees4) g8(\< c, | %026 + \time 2/2 aes'4)\p ges2(\< bes4 | %027 + a2)\mp cis4(\< e) | %028 + \time 3/2 \grace s8 g2~\mf g1\fermata \breathe | %029 + + \sectionLabel \markup { \huge \box \sans \bold 30 } + \omit Score.BarNumber + \time 5/4 cis,4(\< dis fis2)\f c4(\> | \undo \omit Score.BarNumber %030 + \time 2/2 g2.)\mf\shortfermata \breathe a4(\> | %031 + \time 3/2 aes4 bes8) f8( e1)\p | %032 + \time 2/2 d2--\> d2-- | %033 + b1\pp\fermata \bar "|." %034 } diff --git a/manuscripts/I-piano.ly b/manuscripts/I-piano.ly index 59ed6b7..df025a2 100644 --- a/manuscripts/I-piano.ly +++ b/manuscripts/I-piano.ly @@ -4,6 +4,7 @@ instrumentName = \markup { "piano " } shortInstrumentName = \markup { "pno " } \consists Text_mark_engraver + \consists Metronome_mark_engraver } << @@ -16,15 +17,15 @@ R1 | %002 \time 3/2 R1*3/2 | %003 R1*3/2 | %004 - \time 5/4 r4 a''4( e f2) | %005 + \time 5/4 r4 a''4(\mf e f2) | %005 R1*5/4 | %006 \time 2/2 R1 | %007 r1\shortfermata | %008 R1 | %009 r1\shortfermata | %010 \time 5/4 \grace s8 R1*5/4 | %011 - \time 2/2 2 r2 | %012 - \time 5/4 des2~ des2.~ | %013 + \time 2/2 2->\mf r2 | %012 + \time 5/4 des2~\mp des2.~ | %013 \time 2/2 des8 r8 r4 r2 | %014 R1 | %015 r1\fermata | %016 @@ -33,56 +34,49 @@ \time 2/2 \grace s8 R1 | %019 \time 3/2 R1*3/2 | %020 \time 2/2 r1\shortfermata | %021 - \time 3/2 r2. r4 r4 4~ | %022 + \time 3/2 r2. r4 r4 4~\mp | %022 \time 2/2 2 r2\shortfermata | %023 - \time 5/4 r4 ges,4 ees'2 | %024 - 2 4 2\fermata | %025 + \time 5/4 r4 ges,4(\f\> ees'2)\mf | %024 + 2_(\> 4 2\pp)\shortfermata \breathe | %025 r2. - << - { - \voiceOne - r4 des'4 | %026 - } - \new Voice { - \voiceTwo - aes2 | %026(b) - } - >> - \oneVoice - \time 2/2 r2 \tuplet 3/2 { r4 f4( ees) } | %027 - r4 r4 4( gis) | %028 - \time 3/2 \grace s8 r2 f1 | %029 - \time 5/4 gis1 bes4 | %030 - \time 2/2 R1 | %031 - \time 3/2 r2 \tuplet 3/2 { r4 r4 ges4( } \tuplet 3/2 { ees' des aes) } | %032 + aes4(\< des4)\! | %026 + \time 2/2 r2 \tuplet 3/2 { r4 f,4(\mp\< ees)\! } | %027 + r4 r4 4(\< gis)\! | %028 + \time 3/2 \grace s8 r2 f1\p\fermata \breathe | %029 + \time 5/4 gis1\< bes4\! | %030 + \time 2/2 r2\shortfermata r2 | %031 + \time 3/2 r2 \tuplet 3/2 { r4 r4 ges4(\mp\> } \tuplet 3/2 { ees' des aes)\! } | %032 \time 2/2 R1 | %033 R1\fermata \bar "|." %034 } } - \new Staff = "u" \with { \consists "Merge_rests_engraver" } + \new Staff = "u" \with { + \consists "Merge_rests_engraver" + \override DynamicLineSpanner.staff-padding = \phds + } { \relative { \numericTimeSignature \clef bass - \tempo "Grave" 2=36 + \tempo "Grave, molto rubato" 2=36 \time 2/2 2\(\p | %001 - | %002 - \time 3/2 1~ 4\) r4 | %003 - \grace g8~ 2\( \grace ges8( 2) | %004 - \time 5/4 2~ 2.\) | %005 - \grace d8~ 1\( 4 | %006 - \time 2/2 2 ~ | %007 + \> | %002 + \time 3/2 1~ 4\)\pp r4 | %003 + \grace g8~ 2\(\p\< \grace ges8( 2) | %004 + \time 5/4 2~\mp 2.\) | %005 + \grace d8~ 1\( 4\> | %006 + \time 2/2 2 ~\p | %007 1\)\shortfermata | %008 - \grace ees'8~ 1\( | %009 - 1\)\shortfermata | %010 - \time 5/4 \grace c8~ 2.\( 2~ | %011 - \time 2/2 2 ~ | %012 + \grace ees'8~ 1\(\pp | %009 + 1\)\shortfermata \breathe | %010 + \time 5/4 \grace c8~ 2.\( 2~\< | %011 + \time 2/2 2 ~\mf | %012 \time 5/4 4\) r4 r2. | %013 << { \voiceOne - \time 2/2 c'4(\( bes) aes2 | %014 + \time 2/2 c'4(\(\> bes) aes2 | %014 } \new Voice { \voiceTwo @@ -102,17 +96,17 @@ } >> \oneVoice - 1\)\fermata | %016 - 1\( | %017 - \time 7/4 2. 2.~\)\shortfermata 4 | %018 + 1\)\p\fermata \breathe | %016 + 1\(\mp\> | %017 + \time 7/4 2. 2.~\)\p\shortfermata 4 | %018 << { \voiceOne - \time 2/2 \grace s8 e1\( | %019 + \time 2/2 \grace s8 e1\(\< | %019 } \new Voice { \voiceTwo - \time 2/2 \grace g,8^~ g4( gis2.) | %019 + \time 2/2 \grace g,8^~ g4( gis2.) | %019(b) } >> \oneVoice @@ -120,7 +114,7 @@ << { \voiceOne - \grace d8~ d2 c4 + \grace d8~ d2\mf\> c4 } \new Voice{ \voiceTwo @@ -129,15 +123,15 @@ >> \oneVoice 4 | %20 - \time 2/2 1\)\shortfermata | %021 - \time 3/2 2.\( \grace f8~ 4 2~ | %022 - \time 2/2 2 2~\)\shortfermata | %023 + \time 2/2 1\)\mp\shortfermata \breathe | %021 + \time 3/2 2.\(\pp\< \grace f8~ 4 2~\mp\> | %022 + \time 2/2 2 2~\)\p\shortfermata | %023 \time 5/4 1 r4 | %024 - r2. r2\fermata | %025 + r2. r2\shortfermata | %025 << { \voiceOne - c'2.\( c2~ | %026 + c'2.\pp\<\( c2~ | %026 \time 2/2 c4 d } \new Voice { @@ -148,10 +142,10 @@ >> \oneVoice 2 | %027 - 1 | %028 - \time 3/2 \grace e8~ 2 1\) | %029 - \time 5/4 2\( 2 4 | %030 - \time 2/2 2.\)\shortfermata 4\( | %31 + 1\mp | %028 + \time 3/2 \grace e8~ 2 1\)\pp\fermata \breathe | %029 + \time 5/4 2\(\< 2\f\> 4 | %030 + \time 2/2 2.\)\mf\shortfermata \breathe 4\(\> | %31 << { \voiceOne @@ -163,9 +157,9 @@ } >> \oneVoice - \grace g'8~ 1 | %032 - \time 2/2 2 2 | %033 - 1\)\fermata \bar "|." | %034 + \grace g'8~ 1\mp | %032 + \time 2/2 2\> 2 | %033 + 1\)\pp\fermata \bar "|." | %034 } } @@ -183,7 +177,7 @@ \time 2/2 bes2 d~ | %007 d1\)\shortfermata | %008 f,1\( | %009 - e1\)\shortfermata | %010 + e1\)\shortfermata \breathe | %010 \time 5/4 \grace s8 ges2.\( f2~ | %011 \time 2/2 f2 d2~ | %012 \time 5/4 d4\) r4 r2. | %013 @@ -200,22 +194,22 @@ >> \oneVoice fis4( e) bes'2~ | %015 - bes1\)\fermata | %016 + bes1\)\fermata \breathe | %016 bes1~\( | %017 \time 7/4 bes2. des,2.\)(\shortfermata d4) | %018 \time 2/2 \grace s8 b'2\( fis4( a4 | %019 \time 3/2 b2) bes4( ges4 a4) gis4( | %020 - \time 2/2 fis1)\)\shortfermata | %021 + \time 2/2 fis1)\)\shortfermata \breathe | %021 \time 3/2 bes2.\( \grace a8~ a4 aes2~ | %022 \time 2/2 aes2\) r2\shortfermata | %023 \time 5/4 R1*5/4 | %024 - r2. r2\fermata | %025 - b2\( a4 bes2 | %026 + r2. r2\shortfermata | %025 + b2 a4 bes2\( | %026 \time 2/2 b2 a2 | %027 g1 | %028 - \time 3/2 \grace s8 a2 bes1\) | %029\ + \time 3/2 \grace s8 a2 bes1\)\fermata \breathe | %029\ \time 5/4 fis4\( e2. f4 | %030 - \time 2/2 e2.\)\shortfermata fis4\( | %031 + \time 2/2 e2.\)\shortfermata \breathe fis4\( | %031 \time 3/2 ees4( d4~ d2.) bes'4 | %032 \time 2/2 bes2 bes2 | %033 c1\)\fermata \bar "|." %034 @@ -240,7 +234,7 @@ R1 | %009 R1 | %010 \time 5/4 \grace s8 R1*5/4 | %011 - \time 2/2 a,,2 r2 | %012 + \time 2/2 a,,2->^\mp r2 | %012 \time 5/4 R1*5/4 | %013 \time 2/2 R1 | %014 R1 | %015 @@ -252,12 +246,12 @@ \time 2/2 r1\shortfermata | %021 \time 3/2 R1*3/2 | %022 \time 2/2 R1 | %023 - \time 5/4 c2.~ \tuplet 3/2 { c4 e4 a4 } | %024 - g2. 2\fermata | %025 + \time 5/4 c2.~^\f^\> \tuplet 3/2 { c4 e4( a4 } | %024 + g2.)^\mp 2^\p\shortfermata \breathe | %025 R1*5/4 | %026 \time 2/2 R1 | %027 - r4 b2. | %028 - \time 3/2 \grace s8 R1*3/2 | %029 + r4 b2.^\mp | %028 + \time 3/2 \grace s8 r2 r1\fermata | %029 \time 5/4 R1*5/4 | %030 \time 2/2 R1*2/2 | %031 \time 3/2 R1*3/2 | %032 diff --git a/manuscripts/II-clarinet.ly b/manuscripts/II-clarinet.ly index c6ab0a3..f5bc8fa 100644 --- a/manuscripts/II-clarinet.ly +++ b/manuscripts/II-clarinet.ly @@ -8,7 +8,6 @@ \override StaffSymbol.staff-space = \clarinetMagstep \consists Text_mark_engraver \consists Mark_engraver - \RemoveEmptyStaves } \transpose bes c' \relative { diff --git a/net-clarity.ly b/net-clarity.ly index 1867b95..3e185e6 100644 --- a/net-clarity.ly +++ b/net-clarity.ly @@ -173,7 +173,7 @@ clarinetMagstep = #(magstep -2) poet = \markup { \xinst } piece = \markup { \large \bold "I. " } } - \tocItem \markup { "I. " \bold "Grave" } + \tocItem \markup { "I. " \bold "Grave, molto rubato" } \score { << \include "manuscripts/I-clarinet.ly" @@ -186,7 +186,7 @@ clarinetMagstep = #(magstep -2) \RemoveEmptyStaves \remove Text_mark_engraver \remove Mark_engraver - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20) + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/35) \override Hairpin.to-barline = ##f } \context { @@ -194,8 +194,8 @@ clarinetMagstep = #(magstep -2) \override OttavaBracket.outside-staff-priority = 200 $(remove-grace-property 'Voice 'Stem 'direction) \override VerticalAxisGroup.default-staff-staff-spacing = - #'((basic-distance . 10) - (minimum-distance . 9) + #'((basic-distance . 6) + (minimum-distance . 5) (padding . 2) (stretchability . 10)) \override StaffGrouper.staff-staff-spacing = @@ -213,116 +213,117 @@ clarinetMagstep = #(magstep -2) } } - \bookpart { - \tocItem \markup { "II. " \bold "Vivace" } - \score { - \header { - piece = \markup { \large \bold "II. " } - } - << - \removeWithTag #'part \include "manuscripts/II-clarinet.ly" - \removeWithTag #'part \include "manuscripts/II-piano.ly" - >> - %\midi { } - \layout { - \context { - \Score - \remove Text_mark_engraver - \remove Mark_engraver - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20) - } - \context { - \Staff - \override OttavaBracket.outside-staff-priority = 200 - $(remove-grace-property 'Voice 'Stem 'direction) - \override VerticalAxisGroup.default-staff-staff-spacing = - #'((basic-distance . 10) - (minimum-distance . 9) - (padding . 2) - (stretchability . 10)) - \override StaffGrouper.staff-staff-spacing = - #'((basic-distance . 9) - (minimum-distance . 5) - (padding . 1) - (stretchability . 1)) - } - } - } - } +% \bookpart { +% \tocItem \markup { "II. " \bold "Vivace" } +% \score { +% \header { +% piece = \markup { \large \bold "II. " } +% } +% << +% \removeWithTag #'part \include "manuscripts/II-clarinet.ly" +% \removeWithTag #'part \include "manuscripts/II-piano.ly" +% >> +% %\midi { } +% \layout { +% \context { +% \Score +% \RemoveEmptyStaves +% \remove Text_mark_engraver +% \remove Mark_engraver +% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20) +% } +% \context { +% \Staff +% \override OttavaBracket.outside-staff-priority = 200 +% $(remove-grace-property 'Voice 'Stem 'direction) +% \override VerticalAxisGroup.default-staff-staff-spacing = +% #'((basic-distance . 10) +% (minimum-distance . 9) +% (padding . 2) +% (stretchability . 10)) +% \override StaffGrouper.staff-staff-spacing = +% #'((basic-distance . 9) +% (minimum-distance . 5) +% (padding . 1) +% (stretchability . 1)) +% } +% } +% } +% } - \bookpart { - \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" } - \score { - \header { - piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" } - } - << - \removeWithTag #'part \include "manuscripts/III-clarinet.ly" - \removeWithTag #'part \include "manuscripts/III-piano.ly" - >> - %\midi { } - \layout { - \context { - \Score - \remove Mark_engraver - \remove Text_mark_engraver - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) - } - \context { - \Staff - \override VerticalAxisGroup.default-staff-staff-spacing = - #'((basic-distance . 10) - (minimum-distance . 9) - (padding . 2) - (stretchability . 10)) - \override StaffGrouper.staff-staff-spacing = - #'((basic-distance . 9) - (minimum-distance . 5) - (padding . 1) - (stretchability . 1)) - } - } - } - } +% \bookpart { +% \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" } +% \score { +% \header { +% piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" } +% } +% << +% \removeWithTag #'part \include "manuscripts/III-clarinet.ly" +% \removeWithTag #'part \include "manuscripts/III-piano.ly" +% >> +% %\midi { } +% \layout { +% \context { +% \Score +% \remove Mark_engraver +% \remove Text_mark_engraver +% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) +% } +% \context { +% \Staff +% \override VerticalAxisGroup.default-staff-staff-spacing = +% #'((basic-distance . 10) +% (minimum-distance . 9) +% (padding . 2) +% (stretchability . 10)) +% \override StaffGrouper.staff-staff-spacing = +% #'((basic-distance . 9) +% (minimum-distance . 5) +% (padding . 1) +% (stretchability . 1)) +% } +% } +% } +% } - \bookpart { - \tocItem \markup { "IV. " \bold "Allegro energico" } - \score { - \header { - piece = \markup { \large \bold "IV." } - } - << - \removeWithTag #'part \include "manuscripts/IV-clarinet.ly" - \include "manuscripts/IV-piano.ly" - >> - %\midi { } - \layout { - \context { - \Score - \remove Text_mark_engraver - \remove Mark_engraver - \override TextSpanner.bound-details.left-broken.text = " " - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) - \override Stem.stemlet-length = #0.75 - } - \context { - \Staff - \RemoveEmptyStaves - \consists Mark_engraver - \override VerticalAxisGroup.default-staff-staff-spacing = - #'((basic-distance . 10) - (minimum-distance . 9) - (padding . 2) - (stretchability . 10)) - \override StaffGrouper.staff-staff-spacing = - #'((basic-distance . 9) - (minimum-distance . 5) - (padding . 1) - (stretchability . 1)) - } - } - } - } +% \bookpart { +% \tocItem \markup { "IV. " \bold "Allegro energico" } +% \score { +% \header { +% piece = \markup { \large \bold "IV." } +% } +% << +% \removeWithTag #'part \include "manuscripts/IV-clarinet.ly" +% \include "manuscripts/IV-piano.ly" +% >> +% %\midi { } +% \layout { +% \context { +% \Score +% \remove Text_mark_engraver +% \remove Mark_engraver +% \override TextSpanner.bound-details.left-broken.text = " " +% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) +% \override Stem.stemlet-length = #0.75 +% } +% \context { +% \Staff +% \RemoveEmptyStaves +% \consists Mark_engraver +% \override VerticalAxisGroup.default-staff-staff-spacing = +% #'((basic-distance . 10) +% (minimum-distance . 9) +% (padding . 2) +% (stretchability . 10)) +% \override StaffGrouper.staff-staff-spacing = +% #'((basic-distance . 9) +% (minimum-distance . 5) +% (padding . 1) +% (stretchability . 1)) +% } +% } +% } +% } \pageBreak \markup { \fill-line { diff --git a/parts.ly b/parts.ly index 7994475..18a28e4 100644 --- a/parts.ly +++ b/parts.ly @@ -4,144 +4,76 @@ \include "general/aliases.ly" \include "general/scripts.ly" \include "general/umbel.ly" +\include "general/partPaper.ly" clarinetFont = #0 clarinetMagstep = #(magstep 0) -\paper { - line-width = 120 - footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } } - print-all-headers = ##t - #(set-paper-size "arch a") - top-margin = 0.5\in - bottom-margin = 0.5\in - left-margin = 0.9\in - right-margin = 0.9\in - indent = 0.75\in - short-indent = 0\cm - #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "syne")) - max-systems-per-page = #7 - tocTitleMarkup = \markup { \hbracket \sans \bold " contents " } - tocItemMarkup = \markup \fill-line { - \fill-with-pattern #1.5 #CENTER . - \line { - \fromproperty #'toc:indent \fromproperty #'toc:text - } - \tiny \number \fromproperty #'toc:page - } - - oddHeaderMarkup = \markup { - \concat { \if \on-page #3 \oddhead } - \concat { \if \on-page #5 \oddhead } - \concat { \if \on-page #7 \oddhead } - \concat { \if \on-page #9 \oddhead } - \concat { \if \on-page #11 \oddhead } - \concat { \if \on-page #15 \oddhead } - \concat { \if \on-page #17 \oddhead } - \concat { \if \on-page #19 \oddhead } - \concat { \if \on-page #21 \oddhead } +\book { + \bookpart { + \header { + title = \markup { \fontsize #1 \xtitle } + subtitle = \markup { \medium \italic \xsub } + composer = \xcomp + poet = \markup { \xinst } + piece = \markup { \large \bold "I. " } + } + \tocItem \markup { "I. " } + \score { + << + \include "manuscripts/I-clarinet.ly" + >> + %\midi { } + \layout { + \context { + \Score + \remove Mark_engraver + \remove Text_mark_engraver + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20) + \override Hairpin.to-barline = ##f + } + \context { + \Staff + \remove Instrument_name_engraver + } + } + } } - evenHeaderMarkup = \markup { - \concat { \if \on-page #2 \evhead } - \concat { \if \on-page #4 \evhead } - \concat { \if \on-page #6 \evhead } - \concat { \if \on-page #8 \evhead } - \concat { \if \on-page #10 \evhead } - \concat { \if \on-page #14 \evhead } - \concat { \if \on-page #16 \evhead } - \concat { \if \on-page #18 \evhead } - \concat { \if \on-page #20 \evhead } - \concat { \if \on-page #22 \evhead } + \bookpart { + \header { + title = ##f subtitle = ##f composer = ##f poet = ##f + piece = \markup { \large \bold "II. " } + } + \tocItem \markup { "II. " } + \score { + << + \include "manuscripts/II-clarinet.ly" + >> + %\midi { } + \layout { + \context { + \Score + \remove Mark_engraver + \remove Text_mark_engraver + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20) + \override Hairpin.to-barline = ##f + } + \context { + \Staff + \remove Instrument_name_engraver + } + } + } } - oddFooterMarkup = \markup { - \concat { \if \on-page #1 \fill-line { \null \xcr \null } } - \concat { \if \on-page #3 \oddfoot } - \concat { \if \on-page #5 \oddfoot } - \concat { \if \on-page #7 \oddfoot } - \concat { \if \on-page #9 \oddfoot } - \concat { \if \on-page #13 \oddfoot } - \concat { \if \on-page #15 \oddfoot } - \concat { \if \on-page #17 \oddfoot } - \concat { \if \on-page #19 \oddfoot } - \concat { \if \on-page #21 \oddfoot } - \concat { \if \on-page #23 \oddfoot } - } - evenFooterMarkup = \markup { - \concat { \if \on-page #2 \evfoot } - \concat { \if \on-page #4 \evfoot } - \concat { \if \on-page #6 \evfoot } - \concat { \if \on-page #8 \evfoot } - \concat { \if \on-page #10 \evfoot } - \concat { \if \on-page #12 \evfoot } - \concat { \if \on-page #14 \evfoot } - \concat { \if \on-page #16 \evfoot } - \concat { \if \on-page #18 \evfoot } - \concat { \if \on-page #20 \evfoot } - \concat { \if \on-page #22 \evfoot } - } - -} - -\book { - -% \bookpart { -% \header { -% title = \markup { \fontsize #1 \xtitle } -% subtitle = \markup { \medium \italic \xsub } -% composer = \xcomp -% poet = \markup { \xinst } -% piece = \markup { \large \bold "I. " } -% } -% \tocItem \markup { "I. " } -% \score { -% << -% \include "manuscripts/I-clarinet.ly" -% >> -% %\midi { } -% \layout { -% \context { -% \Score -% \override RehearsalMark.break-visibility = #begin-of-line-invisible -% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8) -% \override Hairpin.to-barline = ##f -% } -% } -% } -% } - -% \bookpart { -% \header { -% title = ##f subtitle = ##f composer = ##f poet = ##f -% piece = \markup { \large \bold "II. " } -% } -% \tocItem \markup { "II. " } -% \score { -% << -% \include "manuscripts/II-clarinet.ly" -% >> -% %\midi { } -% \layout { -% \context { -% \Score -% \override RehearsalMark.break-visibility = #begin-of-line-invisible -% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) -% \override Hairpin.to-barline = ##f -% } -% } -% } -% } \bookpart { \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" } \score { \header { - title = \markup { \fontsize #1 \xtitle } - arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash } - subtitle = \markup { \medium \italic \xsub } - composer = \xcomp - poet = \markup { clarinet in \concat { \bold "B" \tiny \flat } } piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" } } <<