From: Tucker Johnson Date: Tue, 13 Jun 2023 16:49:23 +0000 (-0400) Subject: restruc X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=f8c787dc69120b99cc07e1ca0d52d9d0ddf4d0ce;p=documents.git restruc --- diff --git a/cv+res/cv.ms b/cv+res/cv.ms new file mode 100644 index 0000000..d1ac420 --- /dev/null +++ b/cv+res/cv.ms @@ -0,0 +1,1461 @@ +.nr HM 0.5i +.nr PO 0.5i +.nr LL 7.25i +.nr LT 7.5i +.nr FM 0.25i +.nr PS 10p +.nr VS 15p +.nr DD 0.5v +.nr y 1900+\n(yr +.as LF [% of 10] Tucker Johnson \(em CV \D'l 5i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0' +.ds CH \" empty + +.de heading +. nf +. ps 13 +. B "\\$1" +\h’0n’\v’-1.2n’ +. ps 11 +. sp -1 +. fi +.. + +.de BP +. ie '\\n(.z'' .bp \\$1 +. el \!.BP \\$1 +.. + +.de line +\D'l 5.2i 0 '\D'P -0.6m 0 0 -0.6m 0.6m 0' +.. + + +\# -----------------------TOP------------------------------ +.ce 0 +.ps 18 +.B "Tucker Johnson" +.ps 10 +.I "composer, improviser, technologist " +(CV | updated \n(mo-\ny) +.br +.line +.sp -1 +.TS +tab(|) nospaces; +l rx. +169 spring tree ln|T{ +.I "tucker [@] newer.systems" +T} +Rochester, NY|T{ +.I "(727) 483-3689" +T} +14612|T{ +.I "https://newer.systems" +T} +.TE +\# -------------------------------------------------------- +.heading "Education" +.TS +tab(|) nospaces; +lW10|lx. +08/21 \(en 05/23|T{ +.B "Eastman School of Music" +[Rochester, NY] +\(en +.B "Master of Arts" , +Music Composition +.br +.B "Institute for Music Leadership:" +Arts Leadership Certificate +.br +Primary Teachers: Robert Morris, Mathew Barber, David Liptak +.br +.sp .25 +T} +01/20 \(en 05/21|T{ +.B "Pennsylvania State University" +[State College, PA] +\(en Bachelor of Music, Music Composition +.br +Primary Teachers: Baljinder Sekhon, Sarah Genevieve Burghart Rice +.sp .25 +T} +08/17 \(en 12/19|T{ +.B "University of South Florida" +[Tampa, FL] +\(en Bachelor of Music, Music Composition +.br +Primary Teachers: Paul Reller, Susanna Hancock, Benjamin Whiting +.br +(transfered after fall 2019 semester) +.sp 0.25 +T} +.TE +\# -------------------------------------------------------- +.heading "Roles and Experience" +.TS +tab(|) nospaces; +lW10|lx. +08/22\(em|T{ +.B "Eastman Graduate Composers' Sinfonietta (GCS)" +[Rochester, NY] +\(en Recruiter +.br +Recruit performers from the Eastman community; +Plan rehearsals; +Assist in the creation of the GCS budget; +Print and deliver parts +.sp .25 +T} +08/21\(em|T{ +.B "Eastman Audio Research Studio (EARS)" +[Rochester, NY] +\(en Teaching Assistant +.br +Instruct graduate and undergraduate computer music students; +Provide equipment and services for Eastman concerts (5-7 per semester); +Maintain EARS website; +Maintain EARS equipment and facilities +.sp .25 +T} +08/22\(en12/22|T{ +.B "Hochstein School of Music and Dance" +[Rochester, NY] +\(en Intern +.br +Assist in fundraising campaigns; +Send mail to donors; +Shadow Hochstein grant-writing; +Research donors; +Use Bloomerang donor management systems +.sp .25 +T} +08/21\(en07/22|T{ +.B "Contemporary Art Music Project" +[Tampa, FL] +\(en Podcast Producer/Host +.br +Researched, programed, and wrote monthly podcasts; +Interviewed guests; +Recorded and produced monthly podcasts +.sp .25 +T} +01/20\(en04/21|T{ +.B "Living Music" +[State College, PA] +\(en President +.br +Organized and maintain organization rosters; +Oversaw funding requests; +Hosted and produced weekly radio show; +Produced events and concerts (International New Music Festival, Call for Scores, etc.) +.sp .25 +T} +01/20\(en04/21|T{ +.B "ROARS Recording Studio at Penn State" +[State College, PA] +\(en Audio/Recording Engineer +.br +Produced recordings for Penn State students and faculty; +Assisted in concert production for concerts (3-5 per semester); +Maintained ROARS studio equipment and facilities +.sp .25 +T} +08/17\(en12/19|T{ +.B "New Music Consortium" +[Tampa, FL] +\(en Logistics Coordinator/Librarian +.br +Organized rehearsals; +Oversaw music rentals; +Provided scores and parts to performers +.sp .25 +T} +.TE +\# -------------------------------------------------------- +.heading "Honors and Commissions" +.TS +tab(|) nospaces; +rW5|lx. +2022|T{ +\(en Scholarship: Warren Benson Scholarship in Composition, ESM +.sp .25 +T} +2021|T{ +\(en Commission: Eastman Graduate Composers' Sinfonietta +.I "(Commonplace Common Tones)" +.br +\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023) +.br +\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition +.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)" +.br +\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio +.br +\(en Commission: Hillsborough Arts Grant, Michael Standard +.I "(Mutable Subjects)" +.br +\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music +.br +\(en Selected Composer: Longy Divergent Studio +.I "(Enter Ghost)" +.br +\(en Commission: Bob McCormick and Eunmi Ko +.I "(Even the Pieces I Can't Remember)" +.br +\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU +.sp .25 +T} +2020|T{ +\(en Winner: Marjorie Jane Brewster Competition, PSU +.br +\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities +.I "(A Presence Within Reassembly)" +.br +\(en Winner: Moreau VanTuinen Duo Call for Miniatures +.I "(Second-hand Asymmetry)" +.br +\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020 +.I "(CO)" +.sp .25 +T} +2019|T{ +.br +\(en Elected Logistics Coordinator: USF New Music Consortium +.br +\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea +.I "(CO)" +.br +\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn +.sp .25 +T} +.TE +\# -------------------------------------------------------- +.heading "Festivals, Programs, and Conferences" +.TS +tab(|) nospaces; +rW5|lx. +2023|T{ +.B "Penn State Internationational New Music Festival" +[State College, PA] +\(en Selected Composer +.br +performed work: +.I "Settle the Score" +.sp .25 +T} +2022|T{ +.B "Vibraphone Century" +[State College, PA] +\(en composer +.br +performed work: +.I "Injunctions of Bruckner " +(John McGovern - vibraphone) +.sp .25 +T} +2021|T{ +.B "Penn State International New Music Festival" +[State College, PA (online)] +\(en planning, hosting +.br +performed work: +.I "Wears and Tears " +(Amber Lucas - clarinet) +.sp .25 +T} +2019|T{ +.B "Nick Cave and Bob Faust Workshop" +[Tampa, FL] +\(en Collaborator +.br +collaborative multidisciplinary installation: +.I "Mobillity, on beauty" +.br +.B "Composing in the Wilderness" +[Prince William Sound, AK] +\(en Selected Composer +.br +commissioned work: +.I "Or Maybe While Crossing" +.br +.B "soundSCAPE" +[Cesena, Italy] +\(en Selected Composer +.br +commissioned work: +.I "WRITE/TAKE " +(Dieter Hennings, John Rivera Pico - guitars) +.br +.B "Dot-the-Line" +[Seoul, South Korea] +\(en Call-for-Scores Winner +.br +performed work: +.I "CO " +(Changhoon Lee - alto saxophone, Jieun Shin - piano) +.sp .25 +T} +2018|T{ +.B "SHASTRA Tabla and Hindustani Rhythm Workshop" +[Wayne, NJ] +\(en Selected Composer +.br +commissioned work: +.I "...for the discernment of vocations with... " +(Shawn Matevetsky - tabla, New Jersey Percussion Ensemble, Payton Macdonald - conductor) +.sp .25 +.B "USF International New Music Festival" +[Tampa, FL] +\(en planning, hosting +.sp .5 +T} +.TE +\# -------------------------------------------------------- +.heading "Software/Programming Proficiency" +Finale, +Sibelius, +Lilypond, +Logic Pro, +Reaper, +Da Vinci Resolve, +OBS, +Max/MSP, +Supercollider, +PureData, +HUGO, +Lua, +Latex, +GNUtroff, +Arch/Artix Linux, +Linux Pro Audio, +Octave/MATLAB +.sp .5 +\# -------------------------------------------------------- +.heading "Complete List of Replicable Work (through performance or playback)" +.ps 10 +.TS +tab(|) nospaces; +rW5|lW50|lw10|lx. +[year]|[title]|[duration]|[forces] +2022|T{ +.B "Fifteen Keyboard Inventions*" +T}|20 minutes|T{ +piano +.sp .75 +T} + |T{ +.B "Settle the Score" +.I "in one or five parts" +T}|1-5 minutes|T{ +english horn, trumpet, electric guitar, violin, computer +.sp .75 +T} + |T{ +.B "Mutable Subjects" +T}|1-14 minutes|T{ +marimba, computer +T} + |T{ +.I "commissioned by Michael Standard" +.sp .75 +T}| |T{ +.sp .75 +T} +2021|T{ +.B "Commonplace Common Tones" +T}|7 minutes|T{ +sinfonietta +T} + |T{ +.I "commissioned by the Eastman Graduate Composers' Sinfonietta" +.sp .75 +T}| |T{ +.sp .75 +T} + |T{ +.B "Even the Pieces I can't Remember" +T}|14 minutes|T{ +percussion, piano +T} + |T{ +.I "commissioned by Eunmi Ko and Bob McCormick" +.sp .75 +T}| |T{ +.sp .75 +T} + |T{ +.B "Enter Ghost" +T}|5 minutes|T{ +voice, trumpet, bass clarinet, trombone +.sp .75 +T} + |T{ +.B "The Melody of Practice" +T}|3 minutes|T{ +oboe +.sp .75 +T} + |T{ +.B "Wears and Tears" +T}|5 minutes|T{ +clarinet, computer +.sp .75 +T} + |T{ +.B "Injunctions of Bruckner: Aequale no. 1 & 2" +T}|2 minutes|T{ +vibraphone, live-processing +.sp .75 +T} + |T{ +.B "Is Breathing" +T}|8 minutes|T{ +alto saxophone +.sp .75 +T} +2020|T{ +.B "Falling Paths, Coloring Grounds" +T}|10 minutes|T{ +cello, computer +.sp .75 +T} + |T{ +.B "Moment/Time \(enPractice" +T}|variable|T{ +open +.sp .75 +T} + |T{ +.B "The Ecstasy of Communication" +T}|10-25 minutes|T{ +snare drum, triggered media +T} + |T{ +.I "commissioned by John McGovern" +.sp .75 +T}| |T{ +.sp .75 +T} + |T{ +.B "A Presence Within Reassembly" +T}|5 minutes|T{ +quadrophonic fixed media +.sp .75 +T} + |T{ +.B "Somewhat Like the Obelisk" +T}|14 minutes|T{ +saxophone quartet +.sp .75 +T} +2019|T{ +.B "------------" +T}|22 minutes|T{ +fixed media +.sp .75 +T} + |T{ +.B "Or Maybe While Crossing" +.sp 0 +.I "commissioned by Corvus and Composing in the Wilderness +T}|6 1/2 minutes|T{ +flute, saxophone, violin, cello, percussion +.sp .75 +T} + |T{ +.B "I AM COVERED IN STARCH" +T}|6 minutes|T{ +fixed media +.sp .75 +T} + |T{ +.B "We Cannot Post in Summer" +T}|10 minutes|T{ +sinfonietta +.sp .75 +T} + |T{ +.B "WRITE/TAKE" +.sp 0 +.I "for soundSCAPE" +T}|6 minutes|T{ +guitar duo +.sp .75 +T} + |T{ +.B "CO" +T}|6 minutes|T{ +alto saxophone, piano +.sp .75 +T} +2018|T{ +.B "The Identity of Policing" +T}|4 minutes|T{ +fixed media +.sp .75 +T} + |T{ +.B "Four Weeks Now" +T}|5 minutes|T{ +string quartet +.sp .75 +T} + |T{ +.B "There's almost never a point in time when there's no one walking in the hallways" +.sp .75 +T}|5 minutes|T{ +fixed media +.sp .75 +T} + |T{ +.B "Space Flight Participant" +T}|4 minutes|T{ +double bass +.sp .75 +T} + |T{ +.B "All of My Life's Work Up Until This Point" +T}|5 minutes|T{ +cello +.sp .75 +T} + |T{ +.B "Time in North Dakota" +T}|3 minutes|T{ +viola +.sp .75 +T} + |T{ +.B "References to the Antichrist in Ecclesiastical Writings" +T}|3 minutes|T{ +violin +.sp .75 +T} + |T{ +.B "JetFuel" +T}|4 minutes|T{ +orchestra +T} + |T{ +.I "commissioned by the Tampa Metropolitan Youth Orchestra" +.sp .75 T}| |T{ +T} + |T{ +.B "...for the discernment of vocations with..." +.sp 0 +.I "for SHASTRA" +.sp .75 +T}|8 minutes|T{ +tabla, mallet quartet +.sp .75 +T} + |T{ +.B "Numlock" +T}|6 minutes|T{ +woodwind quintet +.sp .75 +T} +2017|T{ +.B "Grater Brute" +T}|3 minutes|T{ +flute, marimba +.sp .75 +T} + |T{ +.B "r9-13\\\I TERDI..." +T}|8 minutes|T{ +multi-percussion +.sp .75 +T} + |T{ +.B "Transportation in Metropolitan Detroit" +T}|7 minutes|T{ +piano +.sp .75 +T} + |T{ +.B "In the Shape of the Sky" +T}|6 minutes|T{ +2 trumpets, 2 trombones, vibraphone, percussion +.sp .75 +T} + |T{ +.B "Designations" +T}|12 minutes|T{ +tenor saxophone +.sp .75 +T} + |T{ +.B "Transmissions in a vacuum" +T}| variable |T{ +open +.sp .75 +T} +2016|T{ +.B "Walkin' With Billy" +T}|10 minutes|T{ +flute, alto saxophone, tenor saxophone, trumpet, glockenspiel (all amplified) +.sp .75 +T} + |T{ +.B "Morning Chase" +T}|5 minutes|T{ +flute, bassoon, 2 violins, viola, cello, bass, percussion +.sp .75 +T} + |T{ +.B "Letters Unwritten" +T}|5 minutes|T{ +Brass Quintet +.sp .75 +T} +.TE +.heading "Complete List of Non-replicable Work" +.heading "(installations/improvisations)" +.ps 10 +.TS +tab(|) nospaces; +rW5|lW30|lw27|lx. +[date]|[title/duration]|[forces]|[venue]| +11/10/22|T{ +.B "Ossia Sound Bath" +.sp -0.2 +.I "90 minutes" +.sp 0.73 +T}|T{ +computer, double bass, saxophone, resonant objects +.sp .75 +T}|T{ +NY, Rochester: ESM Ray Wright Room +T} +9/28/22|T{ +.B "spigot 1" +.sp -0.2 +.I "8 minutes" +.sp 0.73 +T}|T{ +saxophone, computer +.sp .75 +T}|T{ +NY, Rochester: Hatch Recital Hall +T} +10/9/19|T{ +.B "Mobility, on beauty" +.sp -0.2 +.I "unspecified" +.sp 0.73 +T}|T{ +multimedia installation +T}|T{ +FL, Tampa: USF Theatre 2 +.sp .75 +T} +2/22/19|T{ +.B "A Different City*The Cold Part" +.sp -0.2 +.I "30 minutes" +.sp 0.73 +T}|T{ +multimedia installation +.sp .75 +T}|T{ +FL, Tampa: Contemporary Art Museum at USF +T} +.TE +.heading "(recorded)" +.ps 10 +.TS +tab(|) nospaces; +rW5|lW28|lw37|lx. +[year]|[title/duration]|[credits]|[tracks] +2020|T{ +.B "spank; + Logan Barrett" +.sp -0.2 +.I "73 minutes" +T}|T{ +Tucker Johnson, bassoon +.sp 0 +Lionel Martinez, percussion +.sp 0 +Logan Barrett, electronics +.sp 0 +Joshua Mallard & Han Hitchen, recording +T}|T{ +1) +.br +6) (frog} +.br +7) [sour> +.br +8) {wring/ +.br +9) -.br -6) (frog} -.br -7) [sour> -.br -8) {wring/ -.br -9)