From: tucker johnson Date: Tue, 17 Sep 2024 03:08:54 +0000 (-0400) Subject: ~ four pages X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=ea5204a595765d2956cb9490a6702aa0aad70741;p=choruses.git ~ four pages --- diff --git a/choruses.ly b/choruses.ly index 2e7ee3f..fc66b4e 100644 --- a/choruses.ly +++ b/choruses.ly @@ -176,20 +176,19 @@ fingeringSize = #'(size . 0.6) \center-column { \override #'(line-width . 100) \justify { - Underlying \bold "Choruses" is a cyclic harmonic structure who's + Underlying \bold "Choruses" is a cyclic harmonic structure whose features and intervals influence its ever-changing, improvisation-like surface. The musical surface recasts this - underlying structure during the 29 repetitions that make up the - work \char #8211 29 "\"choruses\"" that present many allusions to - Jazz and Free Jazz. The initial version of \bold "Choruses" was - completed during one of the latter covid lock-downs as a work for - unaccompanied alto saxophone. This new version, created for - Floris Van der Veken, incorporates an ambisonic, electroacoustic - component: a geometric, resonant expression of the work's - structure that transforms and interacts with the soloist. I want - to dedicate this work to Tampa Bay saxophonist David Pate, who's - tremendous impact on my early musical life resonates far beyond - then. + underlying structure during 29 repetitions \char #8211 29 + "\"choruses\"" that present many allusions to Jazz and Free Jazz. + The initial version of \bold "Choruses" was completed during one + of the latter COVID lockdowns as a work for unaccompanied alto + saxophone. This new version, created for Floris Van der Veken, + incorporates an ambisonic, electroacoustic component: a geometric + resonant expression of the work's structure that transforms and + interacts with the soloist. I want to dedicate this work to Tampa + Bay saxophonist David Pate, whose tremendous impact on my early + musical life resonates far beyond then. } } \vspace #3 @@ -224,7 +223,7 @@ fingeringSize = #'(size . 0.6) << \include "manuscripts/altoSaxophone.ly" >> - %\midi { } + \midi { } \layout { \context { \Score diff --git a/manuscripts/altoSaxophone.ly b/manuscripts/altoSaxophone.ly index 6f231fe..087309e 100644 --- a/manuscripts/altoSaxophone.ly +++ b/manuscripts/altoSaxophone.ly @@ -20,18 +20,18 @@ a''32(\f\> fis e \rTT ees \lTT d c a16 d, e fis) e(\mp\< g fis' gis e g) gis32( \rTT a \lTT b c e fis g gis)\ff r8. r4 r4 r16 ees,16-.\p fis,-. c'-. b,-. r8. 8 \offset Y-offset 5 ^\markup { - \center-column { \override #'(graphical . #f) \override \fingeringSize + \center-column { \override \fingeringSize \woodwind-diagram #'saxophone - #'((cc . (two three five)) (lh . ()) (rh . (c))) + #'((cc . (two three five)) (lh . ()) (rh . (low-c))) } } b,16-. g''-. des,-. ges'-. r8 r8 fis16-. g,-. f'-. d'-. 8 \offset Y-offset 5 ^\markup { - \center-column { \override #'(graphical . #f) \override \fingeringSize + \center-column { \override \fingeringSize \woodwind-diagram #'saxophone - #'((cc . (two three five)) (lh . (f)) (rh . ())) + #'((cc . (two three five)) (lh . (d)) (rh . ())) } } r4 r4 r8 des,,16-. g'-. | @@ -50,22 +50,22 @@ \time 3/16 r16 ges,,8\mp | \time 4/4 aes'8 ges c,4 \breathe g''4~(\< g8 \tuplet 3/2 { cis,16 a dis,-.)\f } | r8 8 \offset Y-offset 5 ^\markup { - \center-column { \override #'(graphical . #f) \override \fingeringSize + \center-column { \override \fingeringSize \woodwind-diagram #'saxophone #'((cc . (two three five)) (lh . ()) (rh . (c))) } } b4~\mp b8 g8~ g16 8.~ \offset Y-offset 5 ^\markup { - \center-column { \override #'(graphical . #f) \override \fingeringSize + \center-column { \override \fingeringSize \woodwind-diagram #'saxophone - #'((cc . (one two three four five six)) (lh . (b)) (rh . (c ees))) + #'((cc . (one two three four five six)) (lh . (b)) (rh . (low-c ees))) } } \time 2/4 16 r16 cis4 \tuplet 3/2 { cis'16(\< a' f' } \time 3/8 ges16)-.\f 8. \offset Y-offset 5 ^\markup { - \center-column { \override #'(graphical . #f) \override \fingeringSize + \center-column { \override \fingeringSize \woodwind-diagram #'saxophone #'((cc . (two three five six)) (lh . (low-bes)) (rh . ())) @@ -73,10 +73,10 @@ } r8 | \time 4/4 \tuplet 3/2 { fis,,4 gis'8( } \tuplet 3/2 { dis4) b'8( } 8) \offset Y-offset 5 ^\markup { - \center-column { \override #'(graphical . #f) \override \fingeringSize + \center-column { \override \fingeringSize \woodwind-diagram #'saxophone - #'((cc . (one two three four five)) (lh . (low-bes)) (rh . (c))) + #'((cc . (one two three four five)) (lh . (low-bes)) (rh . (c low-c))) } } @@ -90,4 +90,57 @@ \time 3/16 e16[-. d''-. a,]-. | \time 4/4 fis'16 r8 \once \override TupletNumber.text = #tuplet-number::calc-fraction-text \tuplet 4/5 { b,,16(\f g' cis a') } fis,-. c''-. cis,,-. d'-. r4 | + \time 3/8 r4. | + \time 2/4 \tuplet 3/2 { a'8\ff( gis fis } g16)\> e'-. a,,-. fis''-. | + \time 3/16 f,,!-.\p r8 | + \time 4/4 g8. cis,16~ 8 a''8 ees'8. ees,,16~(\mp ees b' g cis) | + 4 \offset Y-offset 5 ^\markup { + \center-column { + \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three four five six)) (lh . (b)) (rh . (low-c ees))) + } + } + r4 r8 f16-. bes'-. b,,!-. g''-. d'8(\mf | + \time 7/8 a'8.)[ ees16]( fis)[ g,,-.\< fis'-. gis,]-. dis''[-. b,-- 8]\f \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three four five)) (lh . (low-bes)) (rh . (c low-c))) + } + } + r8 + \time 2/4 b8( \tuplet 3/2 { a16 g fis) } 4 \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three five six)) (lh . (T)) (rh . (high-fis))) + } + } + \time 3/16 f!8[\mp g16]( | + \time 2/4 f8) bes16( b,! d') fis,,-. c''-. b,-. | + \time 3/4 \tuplet 5/4 { r8 fis8([\mf g' d' g]) } fis4( | + \time 5/16 a16[) c,,8 b']( | + \time 4/4 a2.) r4 | + \tuplet 3/2 { ges,8(\f f bes) } aes16-.\> ges'-. g,!-. ees'-.\mp r4 bes,4(~\pp | + \tuplet 3/2 { bes2 b! g'4 cis,) } | + r4 e'16\mp d,-. a''-. fis,-. r4 r8. f!16-. | + c''-. b,-. d'-. r16 r4 r2 | + 8\f \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (two three four five six)) (lh . (b)) (rh . ())) + } + } + d'16-.\> a,-. ges'-. f,-.\mp r8 r8 8~\p \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three four five six)) (lh . ()) (rh . (bes))) + } + } + 4 + }