From: Tucker Johnson <tucker@newer.systems>
Date: Wed, 1 Apr 2026 02:21:21 +0000 (-0400)
Subject: reading initial commit
X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=de4ce2d9772cf793c2f52223367a8e051cbdca03;p=tiny-cartel.git

reading initial commit
---

diff --git a/lib/matter.ly b/lib/matter.ly
index 3e32105..02ae9b0 100644
--- a/lib/matter.ly
+++ b/lib/matter.ly
@@ -153,6 +153,26 @@ xumbel =
     }
   #})
 
+#(define (toc-part-markuplist)
+  #{
+    \markuplist {
+      \left-column {
+        \override #'(line-width . 50)
+        \line { \hspace #50 }
+        \vspace #-1
+        \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "contents" }
+      }
+      \vspace #0.5
+      \left-column {
+        \override #'(line-width . 45)
+        \table-of-contents
+      }
+      \vspace #2.5
+    }
+  #})
+
+
+
 #(define (program-notes-markuplist notes-markup)
   #{
     \markuplist {
diff --git a/manuscripts/bass.ly b/manuscripts/bass.ly
index 4753402..ce071cf 100644
--- a/manuscripts/bass.ly
+++ b/manuscripts/bass.ly
@@ -5,26 +5,43 @@ bassMusicTHREE =
   \clef bass
   r4 g1\harmonic\p\2 | %001
   r4 <b, e\harmonic>2. |
-  fis'4. cis'8~ cis2. |
+  fis'4.\mp\> cis'8~ cis2.\p |
   r8 bes4.~ bes2. |
   r4 r8 g8~\harmonic\2 g2.\harmonic |
   r4 <b, e\harmonic>2. |
-  fis'2. |
-  r8 bes4.~ bes2 |
-  r4 g2\harmonic\2 |
-  a4~ 8 r2 |
-  b2. |
-  bes4.~ bes2 |
-  d,2 c2 |
-  des2 ees2 |
-  r2 \tuplet 3/2 { r8 a4~ } a4 |
+  fis'2.\< |
+  r8\! bes4.~\mp bes2 |
+  r2 g2\harmonic\2\> |
+  a4~\p 8 r2 |
+  b2.\< |
+  bes4.~ bes2\mp |
+  d,2\p\< c2 |
+  des2 \after 4\! ees2 |
+  r2 \tuplet 3/2 { r8 a4~->\mf\> } a4\! |
   R1*4 |
-  r4 d,2.~ |
+  r4 d,2.~\mf |
   d1 |
   R1*3/4 |
-  r4 g2\harmonic\2 |
+  r4 g2\harmonic\2\mf |
   ees2.
   R1*3/4 |
+  a1 |
+  g2. r4 |
+  R1*2 |
+  e2.~\fp e8 e8~\fp e2. |
+  d2~\fp d8 d8~\fp d1~ |
+  d8 ees8~\fp ees2. ees2.~\fp |
+  ees8 des8~\fp des2~ des8 8~\fp\> \after 2 \! 2. |
+  b4~\< b16 g'8. c4. cis8\ff |
+  \time 3/4 R1*3/4 |
+  \tuplet 5/4 { dis8->\f fis,8-> b,4.~-> } 2 |
+  e2 d2 |
+  d2~ d4.\> des8~\mf |
+  des4 c2.\> |
+  a1\mp\> |
+  \after 2. \! ges'1\p\> |
+  \after 2. \! ees1\p\> |
+  g2\p r2 |
 
 }
 
diff --git a/manuscripts/bassClarinet.ly b/manuscripts/bassClarinet.ly
index 6fdbb6b..f2c26ab 100644
--- a/manuscripts/bassClarinet.ly
+++ b/manuscripts/bassClarinet.ly
@@ -8,23 +8,38 @@ bassClarinetMusicTHREE =
   R1*5/4*3 |
   R1
   R1*3/4 |
-  R1 |
-  R1*3/4 |
+  R1*2 |
   R1*7/8 |
-  r4 r4 r8 g'8( |
-  a4.) fis,8[( c'8]~ c4) |
-  \tuplet 3/2 { r8 b,4~ } \tuplet 3/2 { b8  b4 } \tuplet 3/2 { r8 a4~ } \tuplet 3/2 { a8  a4 }
+  r4 r4 r8 g'8(\p\< |
+  a4.) fis,8[( c'8]~\mp c4) |
+  \tuplet 3/2 { r8 b,4~\p\< } 4 \tuplet 3/2 { r8 a4~ } 4
   \tuplet 3/2 { r8 aes4~ } \tuplet 3/2 { aes8  aes4 } \tuplet 3/2 { r8 bes4~ } \tuplet 3/2 { bes8  bes4 }
-  b,2~ b8 r8 r4 |
-  bes1~ |
-  bes1 |
+  b,2~\mf\> b8\p r8 r4 |
+  bes!1~\mp\> |
+  \after 2 \! bes2. r4 |
   R1*3 |
-  r4 b'2. |
-  b,2. |
-  c'2.( |
-  ees,2. |
-  aes4~ aes8) r8 r4 |
-
+  r4 b'2.(\mp |
+  \after 2 \! b,2.)\< |
+  c'2.\mf |
+  R1*3/4 |
+  aes4~ aes8 r8 r4 |
+  R1 |
+  r2 r8 c'8~ c4 |
+  R1*2 |
+  e,,2.~\fp e8 e8~\fp e2. |
+  d2~\fp d8 d8~\fp d1~ |
+  d8 ees8~\fp ees2. ees2.~\fp |
+  ees8 des8~\fp des2~ des8 8~\fp\> \after 2 \! 2. |
+  r4 r8 aes'8(\< c) bes16( d \tuplet 3/2 { f8 a8) cis,8( } |
+  gis2~\ff gis8) r8
+  \tuplet 5/4 { dis'8->\f fis,-> b,4.~-> } b2 |
+  e2 d2 |
+  \after 2 \! a'2.\> r4 |
+  r4 c,2.\mp |
+  e1\> |
+  \after 2 \! ges2.\p\> r4 |
+  \after 2 \! ees2.\p\> r4 |
+  R1 |
 }
 
 bassClarinetMusicFOUR =
diff --git a/manuscripts/bassoon.ly b/manuscripts/bassoon.ly
index c148b56..4baa3f6 100644
--- a/manuscripts/bassoon.ly
+++ b/manuscripts/bassoon.ly
@@ -8,17 +8,33 @@ bassoonMusicTHREE =
   R1*5/4*3 |
   R1
   R1*3/4 |
-  R1 |
-  R1*3/4 |
+  R1*2 |
   R1*7/8 |
   R1*3/4 |
   R1*7/8 |
-  \tuplet 3/2 { r8 g4~ } \tuplet 3/2 { g8  g4 } \tuplet 3/2 { r8 e4~ } \tuplet 3/2 { e8  e4 }
+  \tuplet 3/2 { r8 g4~\p\< } 4 \tuplet 3/2 { r8 e4~ } 4
   \tuplet 3/2 { r8 f4~ } \tuplet 3/2 { f8  f4 } \tuplet 3/2 { r8 ges4~ } \tuplet 3/2 { ges8  ges4 }
-  b,2~ b8 r8 r4 |
-  f'1~ |
-  f1 |
-  R1*3 |
+  b,,2~\mf\> b8\p r8 r4 |
+  f'1~\mp\> |
+  \after 4 \! f2 r2 |
+  R1*4 |
+  r8 e'8~\mp\< \after 4. \! e2 |
+  R1*3/4*3 |
+  R1*4 |
+  R1*3/4 R1 |
+  R1*3/4 \clef tenor r2 \tuplet 3/2 { r8 f'4~\mf\< } f4 |
+  \after 2 \! b2.\f\> R1 |
+  \after 4. \! c2\mf\> r4 R1 \clef bass
+  b,,,8.(\mp\< fis'16~ \tuplet 3/2 { fis8 g aes) } ees'16( c8 bes16 d f e cis |
+  gis2~\ff gis8) r8 |
+  \tuplet 5/4 { dis'8->\f fis,-> b,4.~-> } b2 |
+  e'2 \tuplet 3/2 { d,8-> bes'4~-> } bes4 |
+  d,2~\> d4. des8~\mp |
+  des4 g2. |
+  b1\> |
+  r8\! des4.~\p\> des4\! r4 |
+  r8 bes4.~\p\> bes4\! r4 |
+  R1 |
 }
 
 bassoonMusicFOUR =
diff --git a/manuscripts/cello.ly b/manuscripts/cello.ly
index 573c1fd..dda395b 100644
--- a/manuscripts/cello.ly
+++ b/manuscripts/cello.ly
@@ -8,13 +8,42 @@ celloMusicTHREE =
   r2 gis'2. |
   ees,2~ 2. |
   c'8~\flageolet <c g'\flageolet>4.~ 2. |
-  a8~ <a e'>4.~ 2 |
-  r4 a'8~ <a e>8~ 4 |
-  ees,1 |
-  c'8~\flageolet <c g'~\flageolet>8 <g' d'\flageolet>2 |
-  r8 r8 fis8~ fis2 |
-  b,2. |
-  bes8~ <bes ees>4~ 2 |
+  a8~\mp\> <a e'>4.~ 2\p |
+  r4 a'8~\< <a e>8~ 4 |
+  ees,1\mp |
+  r4 c'8~\flageolet\> <c g'~\flageolet>8 <g' d'\flageolet>2 |
+  r8\! r8 fis8~\p fis2 |
+  b,2.\< |
+  bes8~ <bes ees>4~ 2\mp |
+  r8 f'8(\< fis cis'8~ cis8)\mf r8 r4 |
+  des,,2\mp\< \after 4 \! ees2 |
+  r2 \tuplet 3/2 { r8 a4~->\mf\> } a4\! |
+  R1*2 |
+  r2 <c, g'>2~\pp |
+  2~\< 2~\mp\> |
+  8\p r8 r4 r2 |
+  R1 |
+  R1*3/4 |
+  c'8~\flageolet\mf <c g'\flageolet>8~ <c g'>2 |
+  r8 bes,8~ bes2 |
+  r4 des'2 |
+  a8~ <a d>4.~ 2 |
+  g8~ <g e'>4.~ 4 r4 |
+  R1*2 |
+  a'2.~\f\> a1\< |
+  r8 b,8~\f\> b2~ b1\< |
+  r8 aes8~\f\> aes2~ aes1\<
+  r8 bes8~\f\> bes2~ \after 4 \! bes2 r2 |
+  r8 fis8~\< \tuplet 5/4 { fis8. gis8~ } gis8. bes16( \tuplet 5/4 { d16\ff f) e( a cis) }
+  \time 3/4 R1*3/4 |
+  \tuplet 5/4 { dis,8->\f fis,2~-> } 2 |
+  e'2 bes2 |
+  a2~ a4.\> des,8~\mf |
+  des4 r4 r2 |
+  e1\mp |
+  r8 des'4.~\p \after 4. \! des2\> |
+  r8 bes4.~\p \after 4. \! bes2\> |
+  g2\p r2 |
 }
 
 celloMusicFOUR =
diff --git a/manuscripts/clarinetSolo.ly b/manuscripts/clarinetSolo.ly
index 12492b9..074edcf 100644
--- a/manuscripts/clarinetSolo.ly
+++ b/manuscripts/clarinetSolo.ly
@@ -8,11 +8,42 @@ clarinetMusicTHREE =
   R1*5/4*3 |
   R1
   R1*3/4 |
-  d'4( c2.~ |
-  c8) r8 r4 r8 dis8~ |
-  dis4. b4( e |
-  cis'2) r8 g8( |
-  a4. fis,2) |
+  d'4(\pp\< c2.~ |
+  c4~ c8)\mp r8 r4 r8 dis8~-> |
+  dis4. b4(\< e |
+  cis'2)\! r8 g8(\< |
+  a4. fis,2)\mp |
+  r8 f4.~\p\< 8 ges8_( aes'4~ | %013
+  aes8) r8 c,4~-> c8 b8~->\f \tuplet 3/2 { 8 d8_(\> g8 } %014
+  fis'2~\mf 8) r8 r8 des8(\> | %015
+  ees,1 | %016
+  aes2.)\mp r8. f'16~(\mf | %017
+  1\> | %018
+  bes,1)\p | %019
+  r2 a'2~(\mp | %020
+  a4 e,2.) | %021
+  gis,4.(\< fis'8 cis'4)\f %022
+  r8 f,,4(\p ees8 bes'4~\< | %023
+  8) a4( d8 g,[ c8~]\mf | %024
+  8) r8 r8 b8( e,4~ | %025
+  e4) fis4.(\f cis'8~\> 8.[ ees16] | %026
+  bes2)\mf aes4(\mp f4~ | %027
+  2) r4 d'4~ | %028
+  4 e,8[(\< g] a[ b] c4~\f %029
+  2.~ 4) r4 r2 | %030
+  R1*3/4 R1 |
+  R1*3/4 R1 |
+  R1*3/4 R1 |
+  r2 r4 \tuplet 5/4 { r8. ees'16(\< aes) } |
+  f'2.\f |
+  bes,1 |
+  r2 r4 \tuplet 3/2 { r8 r8 fis'8~\f } |
+  fis2. r4 | %038
+  R1 | %039
+  cis2.--\mf r4 | %040
+  b8(\mp e,~ 2\< g4~ |
+  4) \tuplet 3/2 { c4( a d~\f\> } 4) | %042
+  fis,2\! r2 |
 }
 
 clarinetMusicFOUR =
diff --git a/manuscripts/flute.ly b/manuscripts/flute.ly
index f75b4e6..4eabbaa 100644
--- a/manuscripts/flute.ly
+++ b/manuscripts/flute.ly
@@ -8,11 +8,34 @@ fluteMusicTHREE =
   R1*5/4*3 |
   R1
   R1*3/4 |
-  d'1 |
-  r8 f8~ f2 |
-  r4. b,4( e |
-  cis'4. d,4.) |
+  d'1~\mp |
+  d4 r8 f8~-> f2 |
+  r4. b,4(\p\< e~ |
+  e4.\mp d4.) |
   R1*7/8 |
+  R1 |
+  r2 r4 \tuplet 3/2 { r8 a'8(\< e' }
+  fis2~\mf\> fis8)\p r8 r4 |
+  R1*6 |
+  r4 \after 4.\! a,2\mp\< |
+  R1*3/4*2 |
+  r4 des,2\mf |
+  r4 b2. |
+  R1*3 |
+  R1*3/4 |
+  \tuplet 3/2 { r4 f''4~\mf\< f8 ais,8( } \tuplet 3/2 { dis4)\f\> gis,( cis) }
+  fis,2.~\mf\> \after 4 \! fis2 r2 |
+  R1*3/4 r2 \tuplet 3/2 { r4 e'4(\< d4 } |
+  c2~\mf \tuplet 3/2 { c4)\> a8( } |
+  \after 2 \! g2.) r4 |
+  r2 r16 d'16(\< e fis \tuplet 5/4 { g b c ees) aes,( }
+  f'2~\ff 8) r8 |
+  ais,2.\f g8 d'8 |
+  a'4. cis,8 gis'4 \tuplet 3/2 { dis8\< e fis8~\ff } |
+  \after 2 \! fis2.\> r4 |
+  r4 f,2~\mf f8 aes8( |
+  des2.\> bes4)\! |
+  R1*3 |
 }
 
 fluteMusicFOUR =
diff --git a/manuscripts/horn.ly b/manuscripts/horn.ly
index ce16f19..dfbf417 100644
--- a/manuscripts/horn.ly
+++ b/manuscripts/horn.ly
@@ -7,11 +7,29 @@ hornMusicTHREE =
   R1*5/4*3 |
   R1
   R1*3/4 |
-  R1 |
-  R1*3/4 |
+  R1*2 |
   R1*7/8 |
   R1*3/4 |
   R1*7/8 |
+  R1*3 |
+  g1~\mp\> |
+  g4\pp r4 r2 |
+  R1*2 |
+  r4 cis2.~\mf\> |
+  cis4\pp r4 r2 |
+  R1*3/4*4 |
+  R1*4 |
+  R1*3/4 R1 |
+  R1*3/4 R1 |
+  R1*3/4 R1 |
+  R1*3/4 r2 r4 g'4->\mf\> |
+  \after 4 \! f2 r2
+  \time 3/4 R1*3/4 |
+  \after 2. \! b,1\mf\> |
+  r2 \tuplet 3/2 { r8 f8->\f bes~-> } bes4 |
+  R1 |
+  r4 g2.\mp |
+  R1*4
 }
 
 hornMusicFOUR =
diff --git a/manuscripts/oboe.ly b/manuscripts/oboe.ly
index c8c30ef..8351b0f 100644
--- a/manuscripts/oboe.ly
+++ b/manuscripts/oboe.ly
@@ -1,16 +1,33 @@
 % root = ../tiny-cartel.ly
 oboeMusicTHREE =
 \relative {
+  \tag #'part { \compressEmptyMeasures }
   R1*5/4
   R1 |
   R1*5/4*3 |
   R1
   R1*3/4 |
-  R1 |
-  R1*3/4 |
+  R1*2 |
   R1*7/8 |
   R1*3/4 |
   R1*7/8 |
+  R1*9 |
+  R1*3/4*4 |
+  R1*4 |
+  R1*3/4 |
+  \tuplet 3/2 { r4 f''4~\f\< f8 ais,8( } \tuplet 3/2 { dis4)\> gis,( cis) }
+  fis,2.~\f\> fis4\! r4 r2 |
+  R1*3/4 r2 \tuplet 3/2 { r4 e'4(\< d4 } |
+  c2~\f \tuplet 3/2 { c4)\> a8( } |
+  \after 2 \! g2.) r4 |
+  r2 \tuplet 3/2 { d'8(\< fis b) } \tuplet 3/2 { c,8( ees aes) } |
+  f'2~\ff f8 r8
+  ais,,2.\f g8 d'8 |
+  a'4. cis,8 gis'4 \tuplet 3/2 { dis8\< e fis8~\ff } |
+  \after 2 \! fis2.\> r4 |
+  r4 f2~\mf f8 aes8( |
+  des2.\> bes4)\! |
+  R1*3 |
 }
 
 oboeMusicFOUR =
diff --git a/manuscripts/perc1.ly b/manuscripts/perc1.ly
index 46df415..a7dca6c 100644
--- a/manuscripts/perc1.ly
+++ b/manuscripts/perc1.ly
@@ -32,16 +32,42 @@ percOneMusicTHREE =
   }
   \relative {
     \set Staff.pedalSustainStyle = #'bracket
-    R1*5/4 | %001
-    R1 |
-    R1*5/4*3 |
-    R1
-    R1*3/4 |
-    R1 |
-    R1*3/4 |
-    R1*7/8 |
-    R1*3/4 |
+    <>^\markup { \bold \box "vibraphone" } r4 d'1\pp | %001
+    r4 b2. |
+    R1*5/4 |
+    r4 r8 f8\sustainOn <a c>2. |
+    r8\sustainOff g4\sustainOn d'8~ d2. |
+    r4\sustainOff b2. |
+    r4 <gis a>8\sustainOn b8~ b4 |
+    r4\sustainOff f2. |
+    r4 r8 g8\sustainOn <bes d>2 |
+    r8\sustainOff r8 fis8~ fis2 |
+    r8 gis8~ gis2 |
     R1*7/8 |
+    r8 f8\sustainOn fis cis'8 r8 bes8\sustainOff\sustainOn aes' ees~ |
+    ees2 r2\sustainOff |
+    <>^"take bow" R1 |
+    g,8~\<\arco g4.\mf\laissezVibrer r2 |
+    <>^"take mallets" R1*3 |
+    r4 <fis cis' gis'>2.~\arpeggio\mf |
+    1 |
+    r4 a2\pp |
+    R1*3/4*3 |
+    R1*2 |
+    \tuplet 3/2 { ees'8\laissezVibrer\sustainOn\p bes\laissezVibrer ges\laissezVibrer } r4 r2 |
+    \tuplet 3/2 { des'8\laissezVibrer\sustainOff\sustainOn aes\laissezVibrer f\laissezVibrer } r4 r2 |
+    a4\mp\>\sustainOff\sustainOn 4 4 4\< 4 4 4 |
+    g4\mp\>\sustainOff\sustainOn 4 4 4\< 4 4 4 |
+    ges4\mp\>\sustainOff\sustainOn 4 4 4\< 4 4 4 |
+    f4\mp\>\sustainOff\sustainOn 4 4 4 2.\!  |
+    r4\sustainOff \tuplet 3/2 { a'8\< cis d } \tuplet 3/2 { e fis g } b16\ff c, e aes |
+    \time 3/4 R1*3/4 |
+    <b,, fis' dis' ais'>1\arpeggio\f |
+    r2 r4 \tuplet 3/2 { dis'8\< e fis~\ff } |
+    fis2. r4 |
+    R1 |
+    <ges des'>2.\mp <ees bes'>4 |
+    R1*3 |
   }
 }
 
diff --git a/manuscripts/perc2.ly b/manuscripts/perc2.ly
index b93de5b..e814788 100644
--- a/manuscripts/perc2.ly
+++ b/manuscripts/perc2.ly
@@ -38,16 +38,37 @@ percTwoMusicTHREE =
   }
   \relative {
     \set Staff.pedalSustainStyle = #'bracket
-    R1*5/4 | %001
+    \clef bass
+    <>^\markup { \bold \box "marimba" } R1*5/4 | %001
     R1 |
-    R1*5/4*3 |
-    R1
-    R1*3/4 |
-    R1 |
-    R1*3/4 |
-    R1*7/8 |
+    r4 a8\p\> <cis, e>8 gis'2.\! |
+    r8 bes,4.\pp r2. |
+    r4 f'1 |
+    r8 e4. r2 |
+    r8 cis8 a'8 e4. |
+    R1*2 |
+    a,4. r2 |
     R1*3/4 |
     R1*7/8 |
+    \tuplet 3/2 { r8 <g' b,>4~\p\< } \tuplet 3/2 { 8 4 } \tuplet 3/2 { r8 <e a,>4~ } \tuplet 3/2 { 8 4 } |
+    \tuplet 3/2 { r8 <f aes>4~ } \tuplet 3/2 { 8 4 } \tuplet 3/2 { r8 <ges bes,>4~ } \tuplet 3/2 { 8 4\! }
+    R1 |
+    r8 <d g>4.->\mp r2 |
+    R1*2 |
+    r2 des2\pp |
+    R1*2 |
+    R1*3/4*4 |
+    R1*4 |
+    a'8\mf\> c, a' c, a' c,\!\< a' c, a' c, a' c, a' c, |
+    g'8\mf\> b, g' b, g'\!\< b, g' b, g' b, g' b, g' b, |
+    ges'\f\> aes, ges' aes, ges' aes, ges' aes, ges'\!\< aes, ges' aes, ges' aes, |
+    f'\f\> bes, f' bes, f' bes, f' bes, f' bes,\mp r2 |
+    r4 \tuplet 3/2 { r8 r8 ees8\< } \tuplet 3/2 { c bes d } f16\ff e a cis, |
+    \time 3/4 R1*3/4 \clef treble |
+    <ais'' ais'>2.\mf <g g'>8\arpeggio\f <d' d'>\arpeggio |
+    <a' a'>4.\arpeggio <cis, cis'>8\arpeggio <gis' gis'>4\arpeggio \tuplet 3/2 { <dis dis'>8\< <e e'> <fis fis'>8~\ff } |
+    <fis fis'>2. r4
+    R1*5 |
   }
 }
 
diff --git a/manuscripts/pianoDown.ly b/manuscripts/pianoDown.ly
index 79c0654..3447f15 100644
--- a/manuscripts/pianoDown.ly
+++ b/manuscripts/pianoDown.ly
@@ -4,19 +4,50 @@ pianoDownMusicTHREE =
 \relative {
   \tag #'part { \compressEmptyMeasures }
   \clef bass
-  R1*5/4
+  \ottava #-1 <c,, \parenthesize c''\harmonic>2~^\pp <c \parenthesize c''\harmonic>2. | %001
   R1 |
-  R1*5/4*3 |
-  R1
+  r4 r8 <cis \parenthesize cis''\harmonic>8~ <cis \parenthesize cis''\harmonic>2. |
+  R1*5/4 |
+  <c \parenthesize c''\harmonic>2~ <c \parenthesize c''\harmonic>2.
+  <a \parenthesize a''\harmonic>1
   R1*3/4 |
-  R1 |
-  R1*3/4 |
-  R1*7/8 |
-  R1*3/4 |
-  R1*7/8 |
+  r8 <bes \parenthesize bes''\harmonic>8~ <bes \parenthesize bes''\harmonic>2. |
+  r4 <c \parenthesize c''\harmonic>2. |
+  r8 <cis \parenthesize cis''\harmonic>4~ <cis \parenthesize cis''\harmonic>2 |
+  <b \parenthesize b''\harmonic>2. |
+  <bes \parenthesize bes''\harmonic>4.~ <bes \parenthesize bes''\harmonic>2 \ottava #0 |
+  <d' d'>2^\p^\< <c c'>2 |
+  <des des'>2 <ees ees'>2^\! |
+  b2~^\f b8 r8 r4 |
+  bes16~ <bes f'>8.~ 2.~ |
+  1 |
+  r2 \tuplet 3/2 { c16~ <c g'>8~^\mf } 4.~ |
+  1~ |
+  4 \ottava #-1 d,2.~ |
+  d1 \ottava #0 |
+  b'2. |
+  R1*3/4*3 |
+  R1*2 |
+  \tuplet 3/2 { r8^\pp^\<\sustainOn bes''8 ges } \tuplet 3/2 { bes ges bes }
+  \tuplet 3/2 { ges^\!^\> bes ges } \tuplet 3/2 { bes ges bes } |
+  \tuplet 3/2 { r8^\p\sustainOff\sustainOn aes8 f } \tuplet 3/2 { aes f aes }
+  \tuplet 3/2 { f aes f } \tuplet 3/2 { aes f aes } |
+  e,2.~->\sustainOff\sustainOn e8 e8~-> e2. |
+  d2~->\sustainOff\sustainOn d8 d8~-> d1~ |
+  d8\sustainOff\sustainOn ees8~-> ees2. ees2.~-> |
+  ees8\sustainOff\sustainOn des8->~ des2~ des8 8->~ 2. |
+  \tuplet 3/2 { b8( fis'4~\sustainOff } 16) g( aes ees' c8) bes16( d \tuplet 5/4 { f8) e16( a cis,) } |
+  gis2. |
+  \tuplet 5/4 { dis'8~ <dis fis,>~ <dis fis, b,>4.~ } 2 |
+  <c, e'>2\arpeggio \tuplet 3/2 { d8~ <d bes'>~ <d bes' f'>~ } 4 |
+  <d a'>2.^\mf r4 |
+  r4 <c g' d'>2.\arpeggio^\mp |
+  <a e' b'>1\arpeggio |
+  \ottava #-1 fis1^\p |
+  ees1 |
+  g2 r2
 }
 
-
 pianoDownMusicFOUR =
 \new Voice
 \relative {
diff --git a/manuscripts/pianoUp.ly b/manuscripts/pianoUp.ly
index 67ab9ee..5145011 100644
--- a/manuscripts/pianoUp.ly
+++ b/manuscripts/pianoUp.ly
@@ -3,16 +3,41 @@ pianoUpMusicTHREE =
 \relative {
   \tag #'part { \compressEmptyMeasures }
   \clef treble
-  R1*5/4 | %001
+  s1*5/4
   R1 |
   R1*5/4*3 |
   R1
   R1*3/4 |
-  R1 |
-  R1*3/4 |
+  R1*2 |
   R1*7/8 |
   R1*3/4 |
-  R1*7/8 |
+  R1*7/8 \clef bass |
+  \tuplet 3/2 { r8 <g b,>4~ } \tuplet 3/2 { 8 4 } \tuplet 3/2 { r8 <e a,>4~ } \tuplet 3/2 { 8 4 } |
+  \tuplet 3/2 { r8 <f aes,>4~ } \tuplet 3/2 { 8 4 } \tuplet 3/2 { r8 <ges bes,>4~ } \tuplet 3/2 { 8 \clef treble a8(\< e')\! }
+  R1 \clef bass |
+  r8\mf d,16~ <d g>16~ 2.~ |
+  1 |
+  R1*2 \clef treble |
+  r4 <fis cis' gis'>2.~\mp\arpeggio |
+  1 \clef bass |
+  r8\p e8~ e2 |
+  R1*3/4*3 |
+  R1*2 \clef treble |
+  ees'1 |
+  \after 4 \< des1 \clef bass |
+  a8\mf\> c, a' c, a' c,\!\< a' c, a' c, a' c, a' c, |
+  g'8\mf\> b, g' b, g'\!\< b, g' b, g' b, g' b, g' b, |
+  ges'\f\> aes, ges' aes, ges' aes, ges' aes, ges'\!\< aes, ges' aes, ges' aes, |
+  f'\f\> bes, f' bes, f' bes, f' bes, f' bes, f'\mp r8 r4 \clef treble |
+  \tuplet 3/2 { f'8_(\mf bes4~ } 16) a(\< cis d e8) fis16( g \tuplet 5/4 { b8)\ff c,16( ees aes) }
+  f'2. |
+  ais,2.--\f <g, g'>8\arpeggio <d' d'>\arpeggio |
+  <a' a'>4.\arpeggio <cis, cis'>8\arpeggio <gis' gis'>4\arpeggio \tuplet 3/2 { <dis dis'>8\< <e e'> <fis fis'>8~\ff } |
+  <fis fis'>2. r4 |
+  R1*2 |
+  r8 \clef bass <des,, aes'>8~\arpeggio 2. |
+  r8 <bes f'>8~\arpeggio 2. |
+  R1 |
 }
 
 
diff --git a/manuscripts/tempoMap.ly b/manuscripts/tempoMap.ly
index 8e10d60..0ffa2f4 100644
--- a/manuscripts/tempoMap.ly
+++ b/manuscripts/tempoMap.ly
@@ -11,17 +11,34 @@ tempoMapTHREE =
   \time 5/4 s1*5/4*3 |
   \time 4/4 s1 |
   \time 3/4 s1*3/4 |
-  \time 4/4 s1 |
-  \time 3/4 s1*3/4 |
+  \mark \default
+  \time 4/4 s1*2 |
   \time 7/8 <>\textMark \markup { \tiny \sans "3+2+2" } s1*7/8 |
   \time 3/4 s1*3/4 |
   \time 7/8 <>\textMark \markup { \tiny \sans "3+2+2" } s1*7/8 |
   \time 4/4 \timeSpanner "poco accel." s1\startTextSpan s2 s4 s8 s8\stopTextSpan \bar "||"
+  \mark \default
   \tempo "Piu mosso" 4=65
   s1*7 |
   \time 3/4 \timeSpanner "rit." s2\startTextSpan s8 s8\stopTextSpan \bar "||"
+  \mark \default
   \tempo "A tempo" 4=50
   s1*3/4*3 |
+  \time 4/4 s1*4 \bar "||"
+  \mark \default
+  \tweak self-alignment-X #CENTER \textEndMark \markup { \concat { \rhythm { \tuplet 3/2 { 8 } } " = " \rhythm { { 8 } } } }
+  \tempo "   " 4 = 75
+  \time 3/4 s1*3/4 |
+  \time 4/4 s1 |
+  \time 3/4 s1*3/4 |
+  \time 4/4 s1 |
+  \time 3/4 s1*3/4 |
+  \time 4/4 s1 |
+  \time 3/4 s1*3/4 |
+  \time 4/4 s1*2 |
+  \time 3/4 s1*3/4 |
+  \mark \default
+  \time 4/4 s1*8 \bar "|."
 
 }
 tempoMapFOUR =
diff --git a/manuscripts/trombone.ly b/manuscripts/trombone.ly
index 371aac6..0ab2a6b 100644
--- a/manuscripts/trombone.ly
+++ b/manuscripts/trombone.ly
@@ -8,11 +8,32 @@ tromboneMusicTHREE =
   R1*5/4*3 |
   R1
   R1*3/4 |
-  R1 |
-  R1*3/4 |
+  R1*2 |
   R1*7/8 |
   R1*3/4 |
   R1*7/8 |
+  R1 |
+  des2\p ees2 |
+  r2 r4 r8 e8->(\mf\> |
+  d2.~ d8)\pp r8
+  R1*3 |
+  r4 fis2.~\mf\> |
+  fis2\pp r2 |
+  r8 e8~\pp e2 |
+  R1*3/4*3
+  R1*4 |
+  R1*3/4 R1 |
+  R1*3/4 R1 |
+  R1*3/4 R1 |
+  R1*3/4 R1 |
+  r2 c8.(\< d16 \tuplet 3/2 { f8 a4) } |
+  gis,2.\f
+  \after 2. \! dis'1\mf\> |
+  r2 \tuplet 3/2 { d8->\f bes8-> f'8~-> } f4 |
+  R1 |
+  r4 d2.\mp |
+  \after 2. \! b1\> |
+  R1*3 |
 }
 
 tromboneMusicFOUR =
diff --git a/manuscripts/trumpet.ly b/manuscripts/trumpet.ly
index 2379d06..ee2ba98 100644
--- a/manuscripts/trumpet.ly
+++ b/manuscripts/trumpet.ly
@@ -8,11 +8,28 @@ trumpetMusicTHREE =
   R1*5/4*3 |
   R1
   R1*3/4 |
-  R1 |
-  R1*3/4 |
+  R1*2 |
   R1*7/8 |
   R1*3/4 |
   R1*7/8 |
+  R1*7 |
+  r4 \after 2 \pp gis'2.\mf\> |
+  R1 |
+  r4 a2\pp |
+  <>^"take harmon mute" R1*3/4*3 |
+  R1*4 |
+  R1*3/4 R1 |
+  R1*3/4 r2 \tuplet 3/2 { r8 f4~\mp\< } f4 |
+  \after 2 \! b2.\mf\> R1 |
+  c2~\mp c8 r8 <>^"open" R1  |
+  R1
+  \time 3/4 R1*3/4 |
+  \after 2. \! fis,1\mf\> |
+  r2 r4 \tuplet 3/2 { dis'8->\f\< e8-> fis8~->\> }
+  \after 2 \! fis2. r4 |
+  r4 f!2~\mf f8 aes8( |
+  ges2.\> ees4)\! |
+  R1*3 |
 }
 
 trumpetMusicFOUR =
diff --git a/manuscripts/viola.ly b/manuscripts/viola.ly
index 693064a..8cab257 100644
--- a/manuscripts/viola.ly
+++ b/manuscripts/viola.ly
@@ -3,18 +3,47 @@ violaMusicTHREE =
 \relative {
   \tag #'part { \compressEmptyMeasures }
   \clef alto
-  r8 f4.~\p f2. | %001
+  r8 f4.~->\mp f2. | %001
   fis1 |
-  r4 b8( e,8~ 2.) |
-  r4 r8 f8~ f2. |
-  r4 f4~ f2~ f8 cis'8( |
-  fis,4 dis'2.) |
-  r8 cis,8~ 2 |
-  r4 f2. |
-  c4~ <c bes'>2 |
-  r8 cis4~ cis2 |
-  r8 gis'8~ gis2 |
-  r8 ees4~ ees2 |
+  r4 b8(\mf\> e,8~ 2.)\mp |
+  r4 r8 f8~\p f2. |
+  r4 f4~->\mp f2~ f8 cis'8(\mf\> |
+  fis,4 dis'2.)\mp |
+  r8 cis,8~\< 2 |
+  r4\! f2.\mp |
+  r4 c4~\> <c bes'>2 |
+  r8\! cis4~\p cis2 |
+  r8 gis'8~\< gis2 |
+  r8 ees4~ ees2\mp |
+  r8 f8(\< fis4~ fis8) ais4.\mf |
+  \tuplet 3/2 { r8 f4~ } \tuplet 3/2 { f8  f4 } \tuplet 3/2 { r8 ges4~ } \tuplet 3/2 { ges8  ges4 }
+  r2 \tuplet 3/2 { r8 c'4~->\mf\> } c4\! |
+  R1*3 |
+  r2 ees,,2~\mp\> |
+  ees8\p r8 r4 r2 |
+  R1 |
+  R1*3/4 |
+  c8~\mf <c g'~>8 <g' d'>2 |
+  r4 f2 |
+  r8 ges8~ ges2 |
+  r4 b2. |
+  R1 |
+  r2 ges2\mp\>\pont |
+  r2 \after 4 \! f2\mf\< |
+  r8 c8~\f\>\ord c2~ c1\< |
+  g'2.~\f\> g1\< |
+  ges2.~\f\> ges1\< |
+  f2.~\f\> \after 2 \! f2. r4 |
+  r4 \tuplet 3/2 { r8 r8 a'8~\< } a4 r16 c8(\ff ees16) |
+  \time 3/4 R1*3/4 |
+  b,1\f |
+  e2 f,2 |
+  d2 r4 b''8 c,8~ |
+  c4 r4 r2 |
+  R1 |
+  r8 aes4.~\p \after 4. \! aes2\> |
+  r8 f4.~\p \after 4. \! f2\> |
+  R1 |
 }
 
 violaMusicFOUR =
diff --git a/manuscripts/violin1.ly b/manuscripts/violin1.ly
index 3e51808..fed6fef 100644
--- a/manuscripts/violin1.ly
+++ b/manuscripts/violin1.ly
@@ -4,16 +4,39 @@ violinOneMusicTHREE =
   \tag #'part { \compressEmptyMeasures }
   \clef treble
   R1*5/4 | %001
-  r2 r4 <ais dis>4~\mp |
+  r2 r4 dis'4~->\mp |
   4~ 8 r8 r2. |
-  r4 <g d'>4( c2.) |
-  r2 r4 r4 r8 cis8( gis1) |
-  r4 a8( b8~ b4) |
-  d4( g2.) |
-  r4 r4 r8 dis8( |
-  gis4.~ gis2) |
-  r4 e2 |
-  a4~ <a f>8~ 2 |
+  r4 g,4( c2.) |
+  r2 r4 r4 r8 cis8(\mf\>
+  \after 4 \mp gis1) |
+  r4 a8(\p\< b8~ b4) |
+  d4(\mp\> g2.) |
+  r2\! r4 r8 dis8(\mp\> |
+  gis4.~ gis2)\p |
+  cis4( e,2)\< |
+  a4~ <a f>8~ 2\mp |
+  r2 r8 bes,8(\< aes'8 ees~\mf
+  ees4) r4 r2 |
+  r2 \tuplet 3/2 { r8 c'4~->\mf\> } c4\! |
+  R1*6 |
+  R1*3/4 |
+  r4 b,2\mp |
+  R1*3/4*2
+  R1*2 |
+  ees2~\pp\<\pont 2\> |
+  \after 2. \! des1\p\< |
+  R1*3/4 R1 |
+  fis2.~\mf\>\ord fis4\! r4 \tuplet 3/2 { r8 f4~\mf\< } f4
+  b2.~\f\> b4\! r4 r2 |
+  R1*3/4 |
+  \after 2 \! g2.\mf\>\flageolet r4
+  \tuplet 3/2 { f4\< bes4 a } e'8( fis b16)\ff c,( ees aes) |
+  \time 3/4 R1*3/4 |
+  ais2.\f g8 d'8 |
+  a'4. cis,8 gis'4 \tuplet 3/2 { dis8\< e fis8~\ff } |
+  \after 2 \! fis2.\> b,8\f c,8~ |
+  c4 r4 r2 |
+  R1*4 |
 }
 
 violinOneMusicFOUR =
diff --git a/manuscripts/violin2.ly b/manuscripts/violin2.ly
index 9219b9c..0ff9afb 100644
--- a/manuscripts/violin2.ly
+++ b/manuscripts/violin2.ly
@@ -4,17 +4,37 @@ violinTwoMusicTHREE =
   \tag #'part { \compressEmptyMeasures }
   \clef treble
   r2 r4 r4 r8 gis8(\mp | %001
-  cis2.) <ais dis>4~ |
+  cis2.) ais4~-> |
   4~ 8 r8 r2. |
-  r4 <g d'>4( a2.) |
-  r8 g4~ <g d'>8~ 2. |
+  r4 d4( a2.) |
+  r8 g4~\p <g d'>8~ 2. |
   r4 b2. |
-  r4 gis2 |
-  d'4( c2.) |
-  r8 g8~ g2 |
+  r4 gis2\< |
+  d'4(\mp\> c2.) |
+  r4\! r8 g8~\p g2 |
   r4. b2 |
-  r4 r8 d8~ d4 |
-  r8 r8 f8~ f2 |
+  r4 r8 d8~\< d4 |
+  r8 r8 f8~ f2\mp |
+  r2 r8 bes,8(\< aes'8 ees)\mf
+  R1 |
+  r2 \tuplet 3/2 { r8 c'4~->\mf\> } c4\! |
+  R1*6 |
+  R1*3/4*4 |
+  R1*2 |
+  r4 bes4~\p\<\pont 2\> |
+  r4\! \after 2\! aes2.\mp\< |
+  R1*3/4 R1 |
+  \after 2 \! fis2.\mf\>\ord r2 \tuplet 3/2 { r8 f4~\mf\< } f4
+  \after 2 \! b2.\f\> R1 |
+  R1*3/4 |
+  \after 2 \! g2.\mf\>\flageolet r4
+  f4 a8 cis8\< \tuplet 3/2 { r8 fis8( g8 } \tuplet 3/2 { b8)\ff ees,( aes) }
+  \time 3/4 R1*3/4 |
+  ais,2.\f g'8 d'8 |
+  a'4. cis,8 gis'4 \tuplet 3/2 { dis8\< e fis8~\ff } |
+  \after 2 \! fis2.\> b,8\f c,8~ |
+  c4 r4 r2 |
+  R1*4 |
 }
 
 
diff --git a/parts/parts_tiny-cartel.ly b/parts/parts_tiny-cartel.ly
index dc910f2..2bb76ba 100644
--- a/parts/parts_tiny-cartel.ly
+++ b/parts/parts_tiny-cartel.ly
@@ -6,7 +6,6 @@
 \include "../general/partLayout.ly"
 
 \include "../manuscripts/tempoMap.ly"
-\include "../manuscripts/scorePages.ly"
 \include "../manuscripts/clarinetSolo.ly"
 \include "../manuscripts/flute.ly"
 \include "../manuscripts/oboe.ly"
@@ -33,11 +32,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { "flute/piccolo" }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \fluteStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \fluteMusic >>
+        \fluteStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \fluteMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \fluteStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \fluteMusicFOUR >>
       >>
     }
   }
@@ -51,11 +61,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { oboe }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \oboeStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \oboeMusic >>
+        \oboeStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \oboeMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \oboeStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \oboeMusicFOUR >>
       >>
     }
   }
@@ -69,11 +90,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { bass clarinet }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \bassClarinetStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassClarinetMusic >>
+        \bassClarinetStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \bassClarinetMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \bassClarinetStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \bassClarinetMusicFOUR >>
       >>
     }
   }
@@ -87,11 +119,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { bassoon }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \bassoonStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassoonMusic >>
+        \bassoonStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \bassoonMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \bassoonStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \bassoonMusicFOUR >>
       >>
     }
   }
@@ -105,11 +148,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { Horn in F }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \hornStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \hornMusic >>
+        \hornStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \hornMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \hornStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \hornMusicFOUR >>
       >>
     }
   }
@@ -123,11 +177,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { trumpet in C }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \trumpetStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \trumpetMusic >>
+        \trumpetStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \trumpetMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \trumpetStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \trumpetMusicFOUR >>
       >>
     }
   }
@@ -141,11 +206,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { trombone }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \tromboneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \tromboneMusic >>
+        \tromboneStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \tromboneMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \tromboneStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \tromboneMusicFOUR >>
       >>
     }
   }
@@ -159,12 +235,33 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { percussion I }
+      piece = \markup { \large \bold III. }
       meter = \percOneSetup
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \percOneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \percOneMusic >>
+        \percOneStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \percOneMusicTHREE >>
+      >>
+      \layout {
+        \context {
+          \Score
+          \remove Clef_engraver
+        }
+        \context {
+          \Staff
+          \remove Clef_engraver
+        }
+      }
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \percOneStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \percOneMusicFOUR >>
       >>
       \layout {
         \context {
@@ -188,12 +285,33 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { percussion II }
+      piece = \markup { \large \bold III. }
       meter = \percTwoSetup
      arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \percTwoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \percTwoMusic >>
+        \percTwoStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \percTwoMusicTHREE >>
+      >>
+      \layout {
+        \context {
+          \Score
+          \remove Clef_engraver
+        }
+        \context {
+          \Staff
+          \remove Clef_engraver
+        }
+      }
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \percTwoStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \percTwoMusicFOUR >>
       >>
       \layout {
         \context {
@@ -217,11 +335,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { piano }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \pianoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \pianoUpMusic >> \compressMMRests { \removeWithTag #'score \pianoDownMusic }
+        \pianoStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \pianoUpMusicTHREE >> \compressMMRests { \removeWithTag #'score \pianoDownMusicTHREE }
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \pianoStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \pianoUpMusicFOUR >> \compressMMRests { \removeWithTag #'score \pianoDownMusicFOUR }
       >>
     }
   }
@@ -235,11 +364,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { "violin I" }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \violinOneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violinOneMusic >>
+        \violinOneStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \violinOneMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \violinOneStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \violinOneMusicFOUR >>
       >>
     }
   }
@@ -253,11 +393,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { "violin II" }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \violinTwoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violinTwoMusic >>
+        \violinTwoStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \violinTwoMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \violinTwoStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \violinTwoMusicFOUR >>
       >>
     }
   }
@@ -270,12 +421,23 @@
       title = \markup { \fontsize #1 \xtitle }
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
+      piece = \markup { \large \bold III. }
       poet = \markup { "viola" }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \violaStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violaMusic >>
+        \violaStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \violaMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \violaStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \violaMusicFOUR >>
       >>
     }
   }
@@ -289,11 +451,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { "cello" }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \celloStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \celloMusic >>
+        \celloStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \celloMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \celloStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \celloMusicFOUR >>
       >>
     }
   }
@@ -307,11 +480,22 @@
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
       poet = \markup { "bass" }
+      piece = \markup { \large \bold III. }
       arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
     }
     \score {
       <<
-        \bassStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassMusic >>
+        \bassStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \bassMusicTHREE >>
+      >>
+    }
+  }
+  \bookpart {
+    \header {
+      piece = \markup { \large \bold IV. }
+    }
+    \score {
+      <<
+        \bassStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \bassMusicFOUR >>
       >>
     }
   }
diff --git a/tiny-cartel.ly b/tiny-cartel.ly
index 97a226d..77429a1 100644
--- a/tiny-cartel.ly
+++ b/tiny-cartel.ly
@@ -36,6 +36,35 @@
       #(info-matter-markuplist)
       \center-column {
         \vspace #5
+          \left-column {
+            \override #'(line-width . 100)
+            \line { \hspace #100 }
+            \vspace #-1
+            \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "forces" }
+          }
+          \vspace #0.5
+          \left-column {
+            \override #'(line-width . 90)
+            \hspace #90
+            \vspace #-1
+            \line { flutes }
+            \line { oboes }
+            \line { bass clarinet }
+            \line { bassoon }
+            \line { horn }
+            \line { trumpet }
+            \line { trombone }
+            \line { percussion }
+            \line { \hspace #4 "I: kick drum, toms(3), caxixi, vibraphone" }
+            \line { \hspace #4 "II: snare drum, tambourine, ride cymbal, hi-hat, marimba, tubular bells" }
+            \line { piano }
+            \line { clarinet in Bb }
+            \line { violins (2) }
+            \line { viola }
+            \line { cello }
+            \line { bass }
+          }
+          \vspace #2.5
         #(toc-markuplist)
         #(program-notes-markuplist #{ \programNotes #})
         #(performance-notes-markuplist #{ \performanceNotes  #})