From: tuckerjohnson <tuckerajohnsonmusic@gmail.com>
Date: Tue, 22 Nov 2022 02:00:09 +0000 (-0500)
Subject: format for submission
X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=da5fb537e9d16a97bee917a3dd8cfb22c70b0fc7;p=circumnutation.git

format for submission
---

diff --git a/book.ly b/book.ly
index 90ee265..45f3c0a 100644
--- a/book.ly
+++ b/book.ly
@@ -17,12 +17,13 @@
 title = \markup { \fontsize #1 \xtitle }
 subtitle = \markup { \medium \italic \xsub }
 composer = \xcomp
-poet = \markup { "piano" }
+poet = \markup { \xinst }
 piece = \markup { \large { \bold "pappus" } }
 }
 \include "manuscripts/1i.ly"
 }
 
+
 \score {
 \header {
 piece = \markup { \large { \bold "panicle" \number 1 } }
@@ -39,7 +40,7 @@ piece = \markup { \large { \bold "pinnate" \number 1 } }
 
 \score {
 \header {
-piece = \markup { \large { \bold "composite" \number 1 } }
+piece = \markup { \large { \bold "anisomery" \number 1 } }
 }
 \include "manuscripts/4i.ly"
 }
diff --git a/front-matter/front matter.ly b/front-matter/front matter.ly
index 3647bc0..fa7486c 100644
--- a/front-matter/front matter.ly	
+++ b/front-matter/front matter.ly	
@@ -21,17 +21,10 @@ front-matter = \markuplist {
                              \line { \bold "pappus" }
                              \line { \bold "panicle 1" }
                              \line { \bold "pinnate 1" }
-                             \line { \bold "composite 1" }
-                             \line { \bold "panicle 2" }
+                             \line { \bold "anisomery 1" }
                              \line { \bold "cyme 1" }
-                             \line { \bold "pinnate 2" }
-                             \line { \bold "panicle 3" }
-                             \line { \bold "composite 2" }
-                             \line { \bold "panicle 4" }
                              \line { \bold "cyme 2" }
                              \line { \bold "cyme 3" }
-                             \line { \bold "pinnate 3" }
-                             \line { \bold "umbel" }
                              \line { \bold "circumnutation" }
                 }
                 \column { \null }
diff --git a/manuscripts/11i.ly b/manuscripts/11i.ly
index 887dfbe..51742b7 100644
--- a/manuscripts/11i.ly
+++ b/manuscripts/11i.ly
@@ -5,78 +5,78 @@
 \new Staff = "ui6" {
 \accidentalStyle modern
 <<
-\relative { \tmarktfour \numericTimeSignature
-\time 3/4 a''2.~ |
+\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
+\time 3/4 a''2.~^\markup { \smaller \italic "fuggevole; spianato" } |
 \time 2/4 a2 |
 \time 3/4 cis2.(^\p |
 \time 4/4 e2 fis,2~ |
-\time 3/4 fis4~ fis8) e'8~(^\mf e4 |
+\time 3/4 fis4~ fis8) e'8~(->^\mf e4 |
 fis,2.~ |
 \time 2/4 fis2~ |
 \time 4/4 fis8) s8 s2. |
 \time 3/4 a,2.( |
-d8) s8 s2 |
+d8)^\markup { \tiny \parenthesize \dynamic p } s8 s2 |
 \time 4/4 s1 |
-\time 2/4 cis8-- s8 s4 |
+\time 2/4 cis8--^\markup { \tiny \parenthesize \dynamic mf } s8 s4 |
 \time 3/4 s2. |
 \time 4/4 gis'1 |
 \time 1/4 d8( a8 |
 \time 4/4 e'1~ |
 \time 6/4 e4) s4 s2 s2 |
 \time 1/4 a,8( b8 |
-\time 4/4 fis'2) gis2~^\f |
+\time 4/4 fis'2) gis2~^\pp |
 \time 1/4 gis4 |
 \time 3/4 cis,2. |
 e2.~ |
 \time 4/4 e1 |
 \time 2/4 gis2~ |
 \time 4/4 gis1 |
-\time 3/4 a2.(^\mp |
+\time 3/4 a2.(^\mf |
 \time 2/4 fis2 |
-\time 3/4 cis2.) |
+\time 3/4 cis2.)\fermata |
 }
 \\
-\relative { \tmarktfour \numericTimeSignature
+\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
 \override DynamicLineSpanner.staff-padding = \phds
 \time 3/4 g'2.(\mp |
 \time 2/4 c4 f,4~ |
-\time 3/4 f8) s8 s2 |
+\time 3/4 f8)_\markup { \tiny \parenthesize \dynamic mp } s8 s2 |
 \time 4/4 s1 |
-\time 3/4 a4~( a8 d8) s4 |
-b2.~ |
+\time 3/4 a4~( a8 d8)_\markup { \tiny \parenthesize \dynamic p } s4 |
+b2.~\mf\> |
 \time 2/4 b2~ |
 \time 4/4 b8\p s8 s2. |
 \time 3/4 e,2. |
 g4~(\mf g8 c,8~ c4 |
 \time 4/4 f1~ |
 \time 2/4 f8) s8 s4 |
-\time 3/4 c4~ c8 f8~ f4~ |
-\time 4/4 f1 |
+\time 3/4 c4~\< c8 f8~ f4~ |
+\time 4/4 f1\mp |
 \time 1/4 g4~\p |
 \time 4/4 g1~ |
 \time 6/4 g4 s4 s2\mf s2 |
-\time 1/4 e4~ |
-\time 4/4 e2~ e8 s8 s4 |
-\time 1/4 s4 |
-\time 3/4 b'2. |
-d4~(\mp d8 a8~ a4 |
+\time 1/4 e4~\< |
+\time 4/4 e2~\f e8 s8 s4 |
+\time 1/4 s4\< |
+\time 3/4 b'2.\mf |
+d4~(\p\< d8 a8~ a4 |
 \time 4/4 c1~ |
-\time 2/4 c8)\p s8 s4 |
+\time 2/4 c8)\mp\> s8 s4 |
 \time 4/4 s1 |
-\time 3/4 g8 s8 s2 |
-\time 2/4 e2~ |
-\time 3/4 e2. |
+\time 3/4 g8\pp s8 s2 |
+\time 2/4 e2~\f\> |
+\time 3/4 e2.\mp |
 }
 >>
 }
 \new Staff = "di6" { \clef bass
 \accidentalStyle modern
 <<
-\relative { \tmarktfour \numericTimeSignature
+\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
 \override DynamicLineSpanner.staff-padding = \phds
 \time 3/4 d2.~( |
 \time 2/4 d2 |
-\time 3/4 ees8) r8 r8 aes8~ aes4~ |
+\time 3/4 ees8) r8 r8 aes8~_\markup { \tiny \parenthesize \dynamic p } aes4~ |
 \time 4/4 aes1~ |
 \time 3/4 aes2 r4 |
 s2. |
@@ -101,11 +101,11 @@ f8) s8 s2 |
 \time 4/4 c1 |
 \time 3/4 d8) s8 s2 |
 \time 2/4 s2 |
-\time 3/4 ees2. |
+\time 3/4 ees2.\fermata |
 }
 \\
-\relative { \tmarktfour \numericTimeSignature
-\time 3/4 s2. |
+\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
+\time 3/4 s2._\markup { \lower #4 \tiny { "[parenthesized, courtesy dynamics apply to nearest pitches]" } } |
 \time 2/4 bes,2~ |
 \time 3/4 bes8 s8 s2 |
 \time 4/4 b1~ |
@@ -120,8 +120,8 @@ b8 s8 s2 |
 \time 3/4 bes2. |
 \time 4/4 des,1~ |
 \time 1/4 des8 s8 |
-\time 4/4 b'2 fis2~ |
-\time 6/4 fis4 s4 s2 s2 |
+\time 4/4 b'2(\pp fis2~ |
+\time 6/4 fis4) s4 s2 s2 |
 \time 1/4 s4 |
 \time 4/4 cis'2~ cis8 s8 s4 |
 \time 1/4 s4 |
diff --git a/manuscripts/12i.ly b/manuscripts/12i.ly
index 93c18c1..1b4bbc2 100644
--- a/manuscripts/12i.ly
+++ b/manuscripts/12i.ly
@@ -5,17 +5,17 @@
 \new Staff = "ui6" {
 \accidentalStyle modern
 <<
-\relative { \tmarktfour \numericTimeSignature
-\time 2/4 s2 |
-\time 3/4 bes''2.( |
-g8) r8 r8 aes8~( aes4 |
+\relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f
+\time 2/4 s2^\markup { \smaller \italic "fuggevole; piu enfatico" } |
+\time 3/4 bes''2.->( |
+g8)->^\markup { \tiny \parenthesize \dynamic ff } r8 r8 aes8~(^\markup { \tiny \parenthesize \dynamic p } aes4 |
 \time 4/4 des,1~ |
 \time 5/4 des2.) s2 |
 \time 3/4 s2. |
 f2.~ |
 \time 1/4 f8 s8 |
 \time 4/4 c2( f2) |
-aes1( |
+aes1(^\pp |
 \time 2/4 ges2~ |
 ges4~ ges8) s8 |
 \time 3/4 cis4~( cis8 fis,8~ fis4~ |
@@ -36,31 +36,31 @@ ees,2.( |
 \time 2/4 des2)\fermata |
 }
 \\
-\relative { \tmarktfour \numericTimeSignature
+\relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f
 \override DynamicLineSpanner.staff-padding = \phds
-\time 2/4 s2\mf |
-\time 3/4 a'2. |
+\time 2/4 s2\mf\< |
+\time 3/4 a'2.->\ff |
 c2.(\p
 \time 4/4 ges1~ |
 \time 5/4 ges2~ ges8) des8~(\mp des2 |
-\time 3/4 aes'2.~ |
+\time 3/4 aes'2.~\< |
 aes2.) |
-\time 1/4 e4~(\mf |
+\time 1/4 e4~(\mf\< |
 \time 4/4 e1 |
-a8)\p s8 s2. |
-\time 2/4 cis2~ |
-cis4~ cis8\mf s8 |
+a8)--\ff s8 s2. |
+\time 2/4 cis2~_\markup { \lower #4 \tiny \parenthesize \dynamic pp } |
+cis4~ cis8\mf\< s8 |
 \time 3/4 b2.( |
 e,2.) |
 \time 4/4 gis1~(\f |
 \time 2/4 gis2 |
-\time 4/4 cis8) r8 r4 a2~( |
+\time 4/4 cis8)_\markup { \tiny \parenthesize \dynamic f } r8 r4 a2~(_\markup { \tiny \parenthesize \dynamic pp } |
 \time 3/4 a2. |
 \time 4/4 e2) dis2~\p |
-\time 1/4 dis4~ |
+\time 1/4 dis4~\< |
 \time 4/4 dis1~ |
 \time 3/4 dis8\mp s8 s2 |
-\time 1/4 b'8( e,8) |
+\time 1/4 b'8(\< e,8) |
 \time 4/4 dis2(\mf gis2~ |
 gis1~ |
 \time 3/4 gis2) s4 |
@@ -72,10 +72,10 @@ fis2.( |
 \new Staff = "di6" { \clef bass
 \accidentalStyle modern
 <<
-\relative { \tmarktfour \numericTimeSignature
+\relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f
 \override DynamicLineSpanner.staff-padding = \phds
 \time 2/4 g,2( |
-\time 3/4 c2.~ |
+\time 3/4 c2.~-> |
 c8) s8 s2 |
 \time 4/4 e1~ |
 \time 5/4 e2. s2 |
@@ -85,7 +85,7 @@ ges'2.) |
 \time 4/4 d,1~ |
 d8) s8 s2. |
 \time 2/4 e2( |
-b4) g'4~ |
+b4) g'4~-> |
 \time 3/4 g2.~ |
 g2. |
 \time 4/4 c1( |
@@ -98,29 +98,29 @@ g2. |
 \time 3/4 d2.~ |
 \time 1/4 d4~ |
 \time 4/4 d8 s8 s2. |
-g1( |
+g1(^\< |
 \time 3/4 d4~ d8) b'8~(^\f b4 |
 e,2.~ |
 \time 2/4 e2)\fermata |
 }
 \\
-\relative { \tmarktfour \numericTimeSignature
+\relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f
 \time 2/4 d,4( ees~ |
-\time 3/4 ees2. |
+\time 3/4 ees2.~ |
 ees8) s8 s2 |
 \time 4/4 s1 |
-\time 5/4 d2~( d8 a'8) s2 |
+\time 5/4 d2~( d8 a'8)--_\markup { \tiny \parenthesize \dynamic p } s2 |
 \time 3/4 bes,2.( |
 ees2.) |
 \time 1/4 g4~ |
 \time 4/4 g1 |
-bes,1~( |
+bes,1~(\pp |
 \time 2/4 bes2 |
 ees4~ ees8) s8 |
 \time 3/4 s2. |
 d4~( d8 a'8~ a4) |
 \time 4/4 bes,1( |
-\time 2/4 f'2 |
+\time 2/4 f'2~ |
 \time 4/4 f8) s8 s2. |
 \time 3/4 c'2.~ |
 \time 4/4 c2~ c8 s8 s4 |
diff --git a/manuscripts/15i.ly b/manuscripts/15i.ly
index 3456e36..7500cc4 100644
--- a/manuscripts/15i.ly
+++ b/manuscripts/15i.ly
@@ -6,7 +6,7 @@
 \accidentalStyle modern
 <<
 \relative { \tmarksev \dtim \override TextSpanner.bound-details.left.text = "poco rit."
-\time 7/4 s1*7/4 |
+\time 7/4 s1*7/4^\markup { \smaller \italic "semplicemente; sotto voce" } |
 \time 4/4 s1 |
 \time 5/4 s1*5/4 |
 \time 3/4 s2 \ottava 1 d''''4 |
@@ -40,7 +40,7 @@
 \time 4/4 a1 \arpeggio \bar "|."  }
 \\
 \relative { \tmarksev \dtim
-\time 7/4 \stemDown ais''4^(\mp gis fis e dis cis b) |
+\time 7/4 \stemDown ais''4^(\p gis fis e dis cis b) |
 \time 4/4 b2. a4 |
 \time 5/4 s1*5/4 |
 \time 3/4 g2. |
@@ -111,22 +111,22 @@
 \time 2/4 s4 c4 |
 \time 4/4 bes1 \arpeggio \bar "|." }
 \\
-\relative { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 4/4 g1 |
-\time 5/4 \stemNeutral g4( f e d c) |
-\time 3/4 c4_( bes a) |
-\time 5/4 s1*5/4 |
-\time 4/4 s1 |
-\time 6/4 s1*6/4 |
-\time 3/4 s1*3/4 |
-\time 2/4 \stemDown s4 c4 |
-\time 4/4 s4 bes2( a4) |
-\time 3/4 s1*3/4 |
-\time 2/4 a4( g) |
-\time 4/4 s1 |
-\time 2/4 f4_( ees) |
-\time 4/4 d1 \arpeggio \bar "|." }
+\relative { \tmarksev \dtim \set Staff.pedalSustainStyle = #'mixed
+\time 7/4 s1*7/4\sustainOn |
+\time 4/4 g1\sustainOff\sustainOn |
+\time 5/4 \stemNeutral g4(\sustainOff\sustainOn f e d c) |
+\time 3/4 c4_(\sustainOff\sustainOn bes a) |
+\time 5/4 s1*5/4\sustainOff\sustainOn |
+\time 4/4 s1\sustainOff\sustainOn |
+\time 6/4 s1*6/4\sustainOff\sustainOn |
+\time 3/4 s1*3/4\sustainOff\sustainOn |
+\time 2/4 \stemDown s4\sustainOff\sustainOn c4 |
+\time 4/4 s4 bes2(\sustainOff\sustainOn a4) |
+\time 3/4 s1*3/4\sustainOff\sustainOn |
+\time 2/4 a4(\sustainOff\sustainOn g) |
+\time 4/4 s1\sustainOff\sustainOn |
+\time 2/4 f4_(\sustainOff\sustainOn ees) |
+\time 4/4 d1\sustainOff\sustainOn \arpeggio \bar "|." }
 >>
 }
 >>
diff --git a/manuscripts/1i.ly b/manuscripts/1i.ly
index 9562eda..dea45c1 100644
--- a/manuscripts/1i.ly
+++ b/manuscripts/1i.ly
@@ -7,17 +7,17 @@
   \accidentalStyle modern-cautionary
   <<
     \relative { \tmarkione
-    \time 7/16 s16 s16 s16 s16 s16 s16 s16 |
-    s16 s16 s16 s16 s16 s16 s16 |
-    s16 s16 s16 s16 s16 s16 s16 |
-    s16 s16 s16 s16 s16 s16 s16 |
-    s16 s16 s16 s16 s16 s16 s16 |
-    s16 s16 s16 s16 s16 s16 s16 |
-    s16 s16 s16 s16 s16 s16 s16 |
-    s16 s16 s16 s16 s16 s16 s16 |
-    s16 s16 s16 s16 s16 s16 s16 |
+    \time 28/16 s16^\markup { \smaller \italic "volante; non legato" } s16 s16 s16 s16 s16 s16
+    s16 s16 s16 s16 s16 s16 s16
+    s16 s16 s16 s16 s16 s16 s16
     s16 s16 s16 s16 s16 s16 s16 |
+    s16 s16 s16 s16 s16 s16 s16
+    s16 s16 s16 s16 s16 s16 s16
+    s16 s16 s16 s16 s16 s16 s16
     s16 s16 s16 s16 s16 s16 s16 |
+    s16 s16 s16 s16 s16 s16 s16
+    s16 s16 s16 s16 s16 s16 s16
+    s16 s16 s16 s16 s16 s16 s16
     s16 s16 s16 s16 s16 s16 s16 \bar "|."
     }
   >>
@@ -26,17 +26,17 @@
   \accidentalStyle modern-cautionary
   <<
   \relative { \tmarkione
-  \time 7/16 gis,16[\p ais b cis dis e fis] |
-  g16[ a c \change Staff = "ui1" d f ees \change Staff = "di1" bes] |
-  a16[ g fis e d c b] |
+  \time 28/16 gis,16[\p ais b cis dis e fis]
+  g16[ a c \change Staff = "ui1" d f ees \change Staff = "di1" bes]
+  a16[ g fis e d c b]
   aes16[ f des ees g bes c] |
-  cis16[ d e fis gis a b] |
-  \change Staff = "ui1" f'[ g e d c \change Staff = "di1" b a] |
-  bes[ aes ges f ees des ces] |
+  cis16[ d e fis gis a b]
+  \change Staff = "ui1" f'[ g e d c \change Staff = "di1" b a]
+  bes[ aes ges f ees des ces]
   c[ des ees f ges aes bes] |
-  \change Staff = "ui1" d[ e g a bes f c] |
-  \change Staff = "di1" b[ a g fis e d cis] |
-  ees[ aes, g bes c d f] |
+  \change Staff = "ui1" d[ e g a bes f c]
+  \change Staff = "di1" b[ a g fis e d cis]
+  ees[ aes, g bes c d f]
   fis[ gis a b cis \change Staff = "ui1" dis e] \change Staff = "di1" \bar "|."
   }
 >>
diff --git a/manuscripts/2i.ly b/manuscripts/2i.ly
index a45dedd..cfc4d17 100644
--- a/manuscripts/2i.ly
+++ b/manuscripts/2i.ly
@@ -9,7 +9,7 @@
 \omit Staff.BarLine
 \override Staff.BarLine.allow-span-bar = ##f
 \override DynamicLineSpanner.staff-padding = \phds
-\time 7/8 d'8[ e-- \change Staff = "di2" fis,-.-> \change Staff = "ui2" g'( a) \change Staff = "di2" b,-- \change Staff = "ui2" cis']( |
+\time 7/8 d'8[\offset Y-offset 2^\markup { \smaller \italic "bruscamente" } e-- \change Staff = "di2" fis,-.-> \change Staff = "ui2" g'( a) \change Staff = "di2" b,-- \change Staff = "ui2" cis']( |
 ees[ f) \change Staff = "di2" aes,,-- \change Staff = "ui2" bes''( c) \change Staff = "di2" g,,-- d-.->] |
 cis'[-- \change Staff = "ui2" b'' \change Staff = "di2" a,,,-.-> \change Staff = "ui2" gis'''( fis e) dis,]-- |
 c'[ \change Staff = "di2" bes,-- \change Staff = "ui2" f'' \change Staff = "di2" g,,,-.-> \change Staff = "ui2" a''' d,,-- e'] |
diff --git a/manuscripts/3i.ly b/manuscripts/3i.ly
index 1874448..37b3375 100644
--- a/manuscripts/3i.ly
+++ b/manuscripts/3i.ly
@@ -6,7 +6,7 @@
 \accidentalStyle modern
 <<
 \relative { \tmarktwo \numericTimeSignature
-\time 4/4 r8 g''8(\mp a,4~ a8) d16( f16 c4) |
+\time 4/4 r8^\markup { \smaller \italic "giocoso" } g''8(\mp a,4~ a8) d16( f16 c4) |
 bes2( ees2) |
 r8 b'8(\mf cis,)[ e~]( e8. fis16 gis,4) |
 r2 r8 b8( e4) |
@@ -60,6 +60,6 @@ ges( f ees aes, des) |
 \context {
 \Score
 \override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
 }
 }
diff --git a/manuscripts/4i.ly b/manuscripts/4i.ly
index 1fb8500..316d443 100644
--- a/manuscripts/4i.ly
+++ b/manuscripts/4i.ly
@@ -6,12 +6,12 @@
 \accidentalStyle modern
 <<
 \relative { \tmarkfi
-\time 3/8 g'16([ f] \tuplet 3/2 { e8 g f } |
+\time 3/8 g'16([\mp^\markup { \smaller \italic "dolce; espr." } f] \tuplet 3/2 { e8 g f } |
 \time 2/4 des8 bes4.) |
 \time 3/8 b8( \tuplet 3/2 { ees8[ c d] } |
 \time 2/4 fis8 gis4) \override TextSpanner.bound-details.left.text = "molto accel." a8(\startTextSpan |
-\time 4/4 aes16 g bes8) \tuplet 3/2 { r16 a16_( b16 } c8) \stemNeutral f16( ges ees8) cis16( e d8~ |
-\time 2/4 d4)\stopTextSpan \stemUp ees,8(^"a Tempo" c16 d |
+\time 4/4 aes16\< g bes8) \tuplet 3/2 { r16 a16_( b16 } c8)^\markup { \smaller \italic "intenso" } \stemNeutral f16( ges ees8) cis16( e d8~\ff |
+\time 2/4 d4)\stopTextSpan\fermata \stemUp ees,8(^"a Tempo"\mp c16 d |
 \time 3/4 fis8 gis8 a4 f4~ |
 \time 2/4 \tuplet 3/2 { f8) g( e } b8 des8 |
 bes2)\fermata |
@@ -34,16 +34,16 @@ bes2)\fermata |
 \accidentalStyle modern
 <<
 \relative { %\tmarkfi
-\time 3/8 r8 <d, a' c>4 |
+\time 3/8 r8 <d, a' c>4\pp |
 \time 2/4 <ees aes>2 |
 \time 3/8 e'8 <bes, a'>4 |
 \time 2/4 cis'4. <d, e'>8 |
 \arpeggioArrowUp
 \time 4/4 <ees des' f c'>4\arpeggio  ges'16-> <g, e' d'>8.\arpeggio <des' aes' bes>8.\arpeggio c,16-> <g'~ a~ fis'~ b~>4\arpeggio |
-\time 2/4 4\fermata <aes f'>8 g8 |
+\time 2/4 4\fermata <aes f'>8\pp g8 |
 \time 3/4 <dis b' e>2 bes4~ |
 \time 2/4 \tuplet 3/2 { 8 <c' d a'>4 } <ees, aes>4~ |
-2\fermata |
+2\fermata \bar "|."
 }
 >>
 }
diff --git a/manuscripts/6i.ly b/manuscripts/6i.ly
index 0e76666..add1a26 100644
--- a/manuscripts/6i.ly
+++ b/manuscripts/6i.ly
@@ -5,24 +5,24 @@
 \new Staff = "ui6" {
 \accidentalStyle modern
 <<
-\relative { \tmarktfour \numericTimeSignature
-\time 1/4 s4 |
+\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
+\time 1/4 s4^\markup { \smaller \italic "fuggevole; spianato" } |
 \time 4/4 bes''1 |
-\time 5/4 d2~(^\mf d8 g,8~ g2 |
+\time 5/4 d2~(->^\mf d8 g,8~ g2 |
 \time 2/4 c4 f,4~ |
 \time 5/4 f8) s8 s1 |
 \time 2/4 s2 |
 \time 4/4 a1~ |
 \time 1/4 a8 s8 |
-\time 5/4 bes2~ bes2.~ |
-\time 3/4 bes8-- s8 s2 |
+\time 5/4 bes2~-> bes2.~ |
+\time 3/4 bes8^\markup { \tiny \parenthesize \dynamic f } s8 s2 |
 \time 2/4 d2 |
 f,2( |
 \time 4/4 e2 a2 |
 \time 5/4 d2~ d2.) |
 \time 2/4 f,2~ |
 \time 1/4 f4 |
-\time 6/4 g1. |
+\time 6/4 g1.->^\f |
 \time 1/4 s4 |
 \time 4/4 s1 |
 \time 1/4 s4 |
@@ -33,37 +33,37 @@ f,2( |
 \time 4/4 a1 |
 \time 2/4 f2(^\mf |
 \stemDown  \override TupletBracket.direction = #-1 \tuplet 3/2 { e4 a4 c4~ } |
-\time 4/4 c1) \bar "|."
+\time 4/4 c1)\fermata \bar "|."
 }
 \\
-\relative { \tmarktfour \numericTimeSignature
+\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
 \override DynamicLineSpanner.staff-padding = \phds
-\time 1/4 gis'4~\p |
+\time 1/4 gis'4~\p\>|
 \time 4/4 gis1~ |
-\time 5/4 gis8 s8 s1 |
-\time 2/4 s2 |
+\time 5/4 gis8\pp s8 s1 |
+\time 2/4 s2_\markup { \lower #4.5 \tiny \parenthesize \dynamic mf }|
 \time 5/4 ees8-- s8 s1 |
 \time 2/4 s2 |
-\time 4/4 c'1 |
+\time 4/4 c'1_\markup { \lower #3 \tiny \parenthesize \dynamic pp } |
 \time 1/4 \tuplet 3/2 { aes8(\f f des'~ } |
 \time 5/4 des2~ des2. |
 \time 3/4 c8--) s8 s2 |
-\time 2/4 s2 |
+\time 2/4 s2\< |
 aes8-- s8 s4 |
 \time 4/4 c1~ |
-\time 5/4 c2~ c2. |
+\time 5/4 c2~ c2.\mf |
 \time 2/4 des4(\mp aes |
 \time 1/4 bes8 ees,8~ |
 \time 6/4 ees8) s8 s2 s2. |
 \time 1/4 f8(\mf c'8 |
 \time 4/4 bes2 ees,8) s8 s4 |
-\time 1/4 s4 |
-\time 2/4 g2~ |
+\time 1/4 s4\< |
+\time 2/4 g2~\mp |
 \time 5/4 g8 s8 s1 |
 \time 3/4 s2. |
-\time 2/4 c8-- s8 s4 |
+\time 2/4 c8--_\markup { \tiny \parenthesize \dynamic ff }  s8 s4 |
 \time 4/4 s1 |
-\time 2/4 aes8-- s8 s4 |
+\time 2/4 aes8--_\markup { \tiny \parenthesize \dynamic p }  s8 s4 |
 s2 |
 \time 4/4 g1\p \bar "|."
 }
@@ -72,7 +72,7 @@ s2 |
 \new Staff = "di6" { \clef bass
 \accidentalStyle modern
 <<
-\relative { \tmarktfour \numericTimeSignature
+\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
 \override DynamicLineSpanner.staff-padding = \phds
 \time 1/4 e8( cis8 |
 \time 4/4 dis2 fis2~ |
@@ -95,17 +95,17 @@ cis8--) s8 s4 |
 \time 4/4 aes2 s2 |
 \time 1/4 s4 |
 \time 2/4 b2 |
-\time 5/4 ees,4~( \tuplet 3/2 { ees4^\mf^\< ges8~ } ges4~ \tuplet 3/2 { ges8 bes4~ } bes4 |
+\time 5/4 ees,4~(^\mf^\< \tuplet 3/2 { ees4 ges8~ } ges4~ \tuplet 3/2 { ges8 bes4~ } bes4 |
 \time 3/4 aes2.~\ff |
 \time 2/4 aes8) s8 s4 |
 \time 4/4 ees1~ |
 \time 2/4 ees8 s8 s4 |
 s2 |
-\time 4/4 bes'1 \bar "|."
+\time 4/4 bes'1\offset Y-offset 1 \fermata \bar "|."
 }
 \\
-\relative { \tmarktfour \numericTimeSignature
-\time 1/4 s4 |
+\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
+\time 1/4 s4_\markup { \lower #4 \tiny { "[parenthesized, courtesy dynamics apply to nearest pitches]" } }  |
 \time 4/4 s1 |
 \time 5/4 b,8-- s8 s1 |
 \time 2/4 a2 |
@@ -113,7 +113,7 @@ s2 |
 \time 2/4 d4 g4 |
 \time 4/4 e1~ |
 \time 1/4 e8) s8 |
-\time 5/4 g2~ g2. |
+\time 5/4 g2~-> g2. |
 \time 3/4 a2.~ |
 \time 2/4 a2~ |
 a8 s8 s4 |
@@ -121,7 +121,7 @@ a8 s8 s4 |
 \time 5/4 g2~ g2. |
 \time 2/4 s2 |
 \time 1/4 s4 |
-\time 6/4 b8-- r8 r4 r4 d,2. |
+\time 6/4 b8--_\markup { \tiny \parenthesize \dynamic mp }  r8 r4 r4 d,2.->_\f |
 \time 1/4 s4 |
 \time 4/4 s2 fis2(\pp |
 \time 1/4 \tuplet 3/2 { e8 cis8 a'8~ } |
@@ -142,6 +142,6 @@ s2 |
 \context {
 \Score
 \override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
 }
 }
diff --git a/variables/program notes.ly b/variables/program notes.ly
index d40ed7f..4cc6e30 100644
--- a/variables/program notes.ly	
+++ b/variables/program notes.ly	
@@ -3,7 +3,7 @@
 xpnote = \markup { \override #'(line-width . 90) \justify {
 At the start of 2022, I composed a short piece for piano constructed from descending
 diatonic scales and the 15 partitions of the 7-pitch diatonic set. This invention
-would inspire me to write 14 more inventions. These \bold \italic "Fifteen Inventions"
+would inspire me to write more inventions. These \bold \italic "Inventions"
 correspond to one of the 15 partitions and, as such, have between 1 and 7 strands or
 voices. Inventions with the same number of strands or voices share titles and musical
 characters. I borrowed terms from plant morphology I felt describe these musical
diff --git a/variables/variables.ly b/variables/variables.ly
index 7c98f28..6f85b6a 100644
--- a/variables/variables.ly
+++ b/variables/variables.ly
@@ -1,9 +1,9 @@
 %fifteen inventions project
 %texts
-xtitle = \markup { Fifteen Keyboard Inventions }
+xtitle = \markup { Inventions }
 xsub = \markup { \null }
 xcomp = \markup { Tucker Johnson }
-xinst = \markup  { piano }
+xinst = \markup  { keyboard }
 xdur = \markup { 20 minutes }
 xcr = \markup \tiny { Copyright Tucker Johnson MMXXII. All Rights Reserved }
 oddfoot = \markup { \fill-line { \null \center-column { \concat { " - " \fromproperty #'page:page-number-string " - " } \small { \xcomp } } \null } }
@@ -14,6 +14,7 @@ finfoot = \markup { \fill-line { \null \center-column { \concat { " - " \frompro
 tmarkione = \tempo "Vivace" 4 = 136
 tmarksev = \tempo "Poco rubato" 4 = 46-52
 tmarktfour = \tempo "Tempo giusto" 4 = 152
+tmarktfourb = \tempo "Tempo giusto" 4 = 152
 tmarktthree = \tempo "Presto" 4 = 168
 tmarktwo = \tempo "Allegro moderato" 4 = 103
 tmarkfi = \tempo "Largo" 4 = 55