From: tuckerajohnsonmusic@gmail.com <tuckerajohnsonmusic@gmail.com>
Date: Sat, 19 Nov 2022 22:10:25 +0000 (-0500)
Subject: lists fixed
X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=d48c0c8ae5a0218a8b406123f9e53934431f3d07;p=documents.git

lists fixed
---

diff --git a/bios.ms b/bios.ms
index 7b0ef72..4cf74c9 100644
--- a/bios.ms
+++ b/bios.ms
@@ -30,8 +30,7 @@
 .ps 18
 .B "Tucker Johnson"
 .ps 10
-.I musician,
-.I technologist
+.I "composer, improviser, technologist"
 (bios | updated \n(mo-\ny)
 .TS
 tab(|) nospaces;
@@ -125,7 +124,7 @@ assistant for the Eastman Audio Research Studio. There he
 studies with Robert Morris, David Liptak, and Matt Barber.
 
 .BP
-.heading "shrorter bio"
+.heading "shorter bio"
 .sp .5
 Currently based in Rochester, New York, Tucker Johnson's
 musical practice includes works for soloists, ensembles,
diff --git a/cv.ms b/cv.ms
index ae481d8..7a8b811 100644
--- a/cv.ms
+++ b/cv.ms
@@ -8,7 +8,7 @@
 .nr VS 15p
 .nr DD 0.5v
 .nr y 1900+\n(yr
-.as LF [% of 6] Tucker Johnson \(em CV \D'l 5i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0'
+.as LF [% of 10] Tucker Johnson \(em CV \D'l 5i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0'
 .ds CH \" empty
 
 .de heading
@@ -40,8 +40,7 @@
 .ps 18
 .B "Tucker Johnson"
 .ps 10
-.I composer,
-.I technologist,
+.I "composer, improviser, technologist"
 (CV | updated \n(mo-\ny)
 .br
 .line
@@ -366,8 +365,6 @@ Supercollider,
 PureData,
 HUGO,
 Lua,
-Common Lisp,
-Python,
 Latex,
 GNUtroff,
 Arch/Artix Linux,
@@ -375,25 +372,13 @@ Linux Pro Audio,
 Octave/MATLAB
 .bp
 \# --------------------------------------------------------
-.heading "List of Replicable Works (performance/playback)"
+.heading "Complete List of Replicable Work (through performance or playback)"
 .ps 10
 .TS
 tab(|) nospaces;
 rW5|lW50|lw10|lx.
+[year]|[title]|[duration]|[forces]
 2022|T{
-.B "Large Orchestra Work*"
-T}|12-15 minutes|T{
-Orchestra
-.sp .75
-T}
- |T{
-.B "Anagram*:"
-.I "Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
-T}|22 minutes|T{
-oboe, clarinet, horn, bassoon, piano
-.sp .75
-T}
- |T{
 .B "Fifteen Keyboard Inventions*"
 T}|20 minutes|T{
 piano
@@ -402,7 +387,7 @@ T}
  |T{
 .B "Settle the Score"
 .I "in one or five parts"
-T}|1-4 1/2 minutes|T{
+T}|1-5 minutes|T{
 english horn, trumpet, electric guitar, violin, computer
 .sp .75
 T}
@@ -444,6 +429,12 @@ T}
 T}|5 minutes|T{
 voice, trumpet, bass clarinet, trombone
 .sp .75
+T}
+ |T{
+.B "The Melody of Practice"
+T}|3 minutes|T{
+oboe
+.sp .75
 T}
  |T{
 .B "Wears and Tears"
@@ -479,22 +470,35 @@ T}
 .B "The Ecstasy of Communication"
 T}|10-25 minutes|T{
 snare drum, triggered media
+T}
+ |T{
+.I "commissioned by John McGovern"
+.sp .75
+T}| |T{
 .sp .75
 T}
  |T{
 .B "A Presence Within Reassembly"
-T}|7 minutes|T{
-quadrophonic playback
+T}|5 minutes|T{
+quadrophonic fixed media
+.sp .75
+T}
+ |T{
+.B "Somewhat Like the Obelisk"
+T}|14 minutes|T{
+saxophone quartet
 .sp .75
 T}
 2019|T{
 .B "------------"
 T}|22 minutes|T{
-stereo playback
+fixed media
 .sp .75
 T}
  |T{
 .B "Or Maybe While Crossing"
+.sp 0
+.I "commissioned by Corvus and Composing in the Wilderness
 T}|6 1/2 minutes|T{
 flute, saxophone, violin, cello, percussion
 .sp .75
@@ -502,11 +506,19 @@ T}
  |T{
 .B "I AM COVERED IN STARCH"
 T}|6 minutes|T{
-stereo playback
+fixed media
+.sp .75
+T}
+ |T{
+.B "We Cannot Post in Summer"
+T}|10 minutes|T{
+sinfonietta
 .sp .75
 T}
  |T{
 .B "WRITE/TAKE"
+.sp 0
+.I "for soundSCAPE"
 T}|6 minutes|T{
 guitar duo
 .sp .75
@@ -518,10 +530,47 @@ alto saxophone, piano
 .sp .75
 T}
 2018|T{
+.B "The Identity of Policing"
+T}|4 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "Four Weeks Now"
+T}|5 minutes|T{
+string quartet
+.sp .75
+T}
+ |T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp .75
+T}|5 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "Space Flight Participant"
+T}|4 minutes|T{
+double bass
+.sp .75
+T}
+ |T{
 .B "All of My Life's Work Up Until This Point"
 T}|5 minutes|T{
 cello
 .sp .75
+T}
+ |T{
+.B "Time in North Dakota"
+T}|3 minutes|T{
+viola
+.sp .75
+T}
+ |T{
+.B "References to the Antichrist in Ecclesiastical Writings"
+T}|3 minutes|T{
+violin
+.sp .75
 T}
  |T{
 .B "JetFuel"
@@ -534,30 +583,267 @@ T}
 T}
  |T{
 .B "...for the discernment of vocations with..."
+.sp 0
+.I "for SHASTRA"
+.sp .75
 T}|8 minutes|T{
 tabla, mallet quartet
 .sp .75
+T}
+ |T{
+.B "Numlock"
+T}|6 minutes|T{
+woodwind quintet
+.sp .75
+T}
+2017|T{
+.B "Grater Brute"
+T}|3 minutes|T{
+flute, marimba
+.sp .75
+T}
+ |T{
+.B "r9-13\\\I TERDI..."
+T}|8 minutes|T{
+multi-percussion
+.sp .75
+T}
+ |T{
+.B "Transportation in Metropolitan Detroit"
+T}|7 minutes|T{
+piano
+.sp .75
+T}
+ |T{
+.B "In the Shape of the Sky"
+T}|6 minutes|T{
+2 trumpets, 2 trombones, vibraphone, percussion
+.sp .75
+T}
+ |T{
+.B "Designations"
+T}|12 minutes|T{
+tenor saxophone
+.sp .75
+T}
+ |T{
+.B "Transmissions in a vacuum"
+T}| variable |T{
+open
+.sp .75
+T}
+2016|T{
+.B "Walkin' With Billy"
+T}|10 minutes|T{
+flute, alto saxophone, tenor saxophone, trumpet, glockenspiel (all amplified)
+.sp .75
+T}
+ |T{
+.B "Morning Chase"
+T}|5 minutes|T{
+flute, bassoon, 2 violins, viola, cello, bass, percussion
+.sp .75
+T}
+ |T{
+.B "Letters Unwritten"
+T}|5 minutes|T{
+Brass Quintet
+.sp .75
+T}
+.TE
+.heading "Complete List of Non-replicable Work"
+.heading "(installations/improvisations)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW30|lw27|lx.
+[date]|[title/duration]|[forces]|[venue]|
+11/10/22|T{
+.B "Ossia Sound Bath"
+.sp -0.2
+.I "90 minutes"
+.sp 0.73
+T}|T{
+computer, double bass, saxophone, resonant objects
+.sp .75
+T}|T{
+NY, Rochester: ESM Ray Wright Room
+T}
+9/28/22|T{
+.B "spigot 1"
+.sp -0.2
+.I "8 minutes"
+.sp 0.73
+T}|T{
+saxophone, computer
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+10/9/19|T{
+.B "Mobility, on beauty"
+.sp -0.2
+.I "unspecified"
+.sp 0.73
+T}|T{
+multimedia installation
+T}|T{
+FL, Tampa: USF Theatre 2
+.sp .75
+T}
+2/22/19|T{
+.B "A Different City*The Cold Part"
+.sp -0.2
+.I "30 minutes"
+.sp 0.73
+T}|T{
+multimedia installation
+.sp .75
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+T}
+.TE
+.heading "(recorded)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW28|lw37|lx.
+[year]|[title/duration]|[credits]|[tracks]
+2020|T{
+.B "spank; + Logan Barrett"
+.sp -0.2
+.I "73 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp 0
+Logan Barrett, electronics
+.sp 0
+Joshua Mallard & Han Hitchen, recording
+T}|T{
+1) <s}p/a[n)k;
+.br
+2) /hum]
+.br
+3) <bounce}
+.br
+4) [crawl)
+.br
+5) /shimmer>
+.br
+6) (frog}
+.br
+7) [sour>
+.br
+8) {wring/
+.br
+9) <swell)
+.br
+10) {cave]
+.sp .75
+T}
+ |T{
+.B "FOR NATE"
+.sp -0.2
+.I "10 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp 0
+Joshua Mallard & Han Hitchen, recording
+.sp .75
+T}|T{
+1) FOR NATE
+T}
+ |T{
+.B "What They Bury Themselves For"
+.sp -0.2
+.I "8 minutes"
+T}|T{
+Tucker Johnson, computer
+.sp 0
+John McGovern, guitar
+T}|T{
+1) What They Bury Themselves For
+.sp .75
+T}
+2019|T{
+.B "Maritime Chaparral"
+.sp -0.2
+.I "17 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp .75
+T}|T{
+1) three quarter
+.br
+2) no. please do.
 T}
 .TE
 \#
 \# --------------------------------------------------------
+.bp
 .heading "List of Performances"
-.ps 9
+.ps 10.25
 .TS
 tab(|) nospaces;
 rW5|lW30|lw27|lx.
-9/19/22|T{
+date|title|performer(s)|venue|
+11/17/22|T{
 .B "Fifteen Keyboard Inventions"
 .I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
 T}|T{
 Zihan Wu
 T}|T{
-NY, Rochester: Kilbourn Hall
+NY, Rochester: Hatch Recital Hall
+.sp .75
+T}
+11/14/22|T{
+.B "I AM COVERED IN STARCH"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+9/10/22|T{
+.B "Ossia Fluxus Improvisation"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Zoe Markle, Floris Van Der Veken
+.sp .75
+T}|T{
+NY, Rochester: ESM Ray Wright Room
+T}
+9/28/22|T{
+.B "spigot 1"
+.sp -0.2
+.I "[spigot duo performance]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Floris Van Der Veken
 .sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
 T}
 9/19/22|T{
 .B "Fifteen Keyboard Inventions"
 .I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
 T}|T{
 Xingyi Chen
 T}|T{
@@ -566,7 +852,9 @@ NY, Rochester: Hatch Recital Hall
 T}
 4/7/22|T{
 .B "Settle the Score"
-.I "(version for 5 voices)"
+.sp -0.2
+.I "[mixed quartet, computer]"
+.sp 0.73
 T}|T{
 Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
 .sp .75
@@ -575,139 +863,637 @@ NY, Rochester: Hatch Recital Hall
 T}
 2/12/22|T{
 .B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
 PA, State College: New Recital Hall
-.sp .25
+.sp .75
 T}
 2/2/22|T{
 .B "Settle the Score"
-.I "(version for solo computer)"
+.sp -0.2
+.I "[computer]"
+.sp 0.73
 T}|T{
 computer: quadrophonic playback
 T}|T{
 NY, Rochester: Kilbourn Hall
-.sp .25
+.sp 1.75
 T}
 T{
 .BI "2021"
-T}
- | | | |
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
 11/10/21|T{
 .B "Commonplace Common Tones"
+.sp -0.2
+.I "[sinfonietta]"
+.sp 0.73
 T}|T{
 Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
+.sp .75
 T}|T{
 NY, Rochester: Kilbourn Hall
-.sp .25
 T}
 5/4/21|T{
 .B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
 MD, University Park: Gildenhorn Recital Hall
-.sp .25
+.sp .75
 T}
 4/25/21|T{
 .B "Falling Paths, Coloring Grounds"
+.sp -0.2
+.I "[cello, computer]"
+.sp 0.73
 T}|T{
 Hudson Webber
 T}|T{
 PA, State College: Esber Recital Hall
-.sp .25
+.sp .75
 T}
 4/24/21|T{
 .B "The Ecstasy of Communication"
+.sp -0.2
+.I "[snare drum, triggered media]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
 PA, State College: Esber Recital Hall
-.sp .25
+.sp .75
 T}
 4/24/21|T{
 .B "A Presence Within Reassembly"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
 T}|T{
 quadrophonic playback
 T}|T{
 PA, State College: Esber Recital Hall
-.sp .25
+.sp .75
 T}
 4/24/21|T{
 .B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
 T}|T{
 Amber Lucas
 T}|T{
 PA, State College: Esber Recital Hall
-.sp .25
+.sp .75
 T}
 4/24/21|T{
 .B "Falling Paths, Coloring Grounds"
+.sp -0.2
+.I "[cello, computer]"
+.sp 0.73
 T}|T{
 Hudson Webber
 T}|T{
 PA, State College: Esber Recital Hall
-.sp .25
+.sp .75
 T}
 4/24/21|T{
 .B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
 PA, State College: Esber Recital Hall
-.sp .25
+.sp .75
 T}
 4/16/21|T{
 .B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
 T}|T{
 Amber Lucas
 T}|T{
 PA, State College: Esber Recital Hall
-.sp .25
+.sp .75
 T}
 3/30/21|T{
 .B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
 T}|T{
 Amber Lucas
 T}|T{
 Online Event - Penn State International New Music Festival
-.sp .25
+.sp .75
 T}
 T{
 .BI "2020"
-T}
- | | | |
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
 11/20/20|T{
 .B "The Ecstasy of Communication"
+.sp -0.2
+.I "[snare drum, triggered media]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
 MD, University Park: Gildenhorn Recital Hall
-.sp .25
+.sp .75
 T}
 10/23/20|T{
 .B "A Presence Within Reassembly"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
 T}|T{
 quadrophonic playback
 T}|T{
 PA, State College: Water Tower Plaza
-.sp .25
+.sp .75
 T}
 7/5/20|T{
 .B "All of my Life's Work Until This Point"
+.sp -0.2
+.I "[cello]"
+.sp 0.73
 T}|T{
 Eduard Teregulov
 T}|T{
 Online Event - (recorded in Dade City, FL)
-.sp .25
+.sp .75
 T}
-5/10/20|T{
-.B "Second-hand Asymmetry"
+T{
+.BI "2019"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+12/2/19|T{
+.B "-------"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
 T}|T{
-Moreau VanTuinen Duo
+stereo playback
 T}|T{
-Online Event
-.sp .25
+FL, Tampa: Barness Recital Hall
+.sp .75
+T}
+11/22/19|T{
+.B "Or Maybe While Crossing"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Corvus Ensemble
+T}|T{
+NY, NYC: Federal Hall Memorial
+.sp .75
+T}
+11/7/19|T{
+.B "WE CANNOT POST IN SUMMER"
+.sp -0.2
+.I "[sinfonietta]"
+.sp 0.73
+T}|T{
+USF Student Sinfonietta
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+.sp .75
+T}
+10/12/19|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Doug O'Connor, Eunmi Ko
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+10/9/19|T{
+.B "Mobility, on beauty"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+collaborative installation
+T}|T{
+FL, Tampa: USF Theatre 2
+.sp .75
+T}
+10/7/19|T{
+.B "I AM COVERED IN STARCH"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+T}|T{
+FL, Tampa: Barness Recital Hall
+.sp .75
+T}
+8/10/19|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Dade City: Heritage and Cultural Museum
+.sp .75
+T}
+7/12/19|T{
+.B "WRITE/TAKE"
+.sp -0.2
+.I "[guitar duo]"
+.sp 0.73
+T}|T{
+Dieter Hennings, John Rivera Pico
+T}|T{
+Italy, Cesena: Conservatorio Bruno Maderna
+.sp .75
+T}
+5/31/19|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Changhoon Lee, Jieun Shin
+.sp .75
+T}|T{
+South Korea, Jeonju: Sori Arts Center
+T}
+5/11/19|T{
+.B "JetFuel"
+.sp -0.2
+.I "[orchestra]"
+.sp 0.73
+T}|T{
+Tampa Metropolitan Youth Orchestra, William Weidrich
+.sp .75
+T}|T{
+FL, Tampa: Concert Hall at USF
+T}
+4/22/19|T{
+.B "All of My Life's Work Until This Point"
+.sp -0.2
+.I "[cello]"
+.sp 0.73
+T}|T{
+Sydney Andersen
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+2/22/19|T{
+.B "A Different City*The Cold Part"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+RAMP GROUP
+.sp .75
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+T}
+2/8/19|T{
+.B "Four Weeks Now"
+.sp -0.2
+.I "[string quartet]"
+.sp 0.73
+T}|T{
+Luz Vasquez, KaleyAnna Raabe, Daphne Waggener, Sydney Andersen
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+T{
+.BI "2018"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/26/18|T{
+.B "The Identity of Policing"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Space Flight Participant"
+.sp -0.2
+.I "[double bass]"
+.sp 0.73
+T}|T{
+Keon Sahbkar
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Would Also Feel the Need to Enjoy"
+.sp -0.2
+.I "[prepared midi keyboard]"
+.sp 0.73
+T}|T{
+Sohyun Lim
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "This First Semester is Dedicated"
+.sp -0.2
+.I "[trumpet, bassoon]"
+.sp 0.73
+T}|T{
+Bradley Mikesel II, Tucker Johnson
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/16/18|T{
+.B "Space Flight Participant"
+.sp -0.2
+.I "[double bass]"
+.sp 0.73
+T}|T{
+Keon Sahbkar
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/29/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Saint Petersburg: Studio 620
+T}
+9/27/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/27/18|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/2/18|T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+8/12/18|T{
+.B "...for the discernment of vocations with..."
+.sp -0.2
+.I "[tabla, mallet quartet]"
+.sp 0.73
+T}|T{
+Shawn Mativetsky, New Jersey Percussion Ensemble
+.sp .75
+T}|T{
+NJ, Wayne: William Patterson University
+T}
+4/16/18|T{
+.B "Numlock"
+.sp -0.2
+.I "[woodwind quintet]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+4/13/18|T{
+.B "Numlock"
+.sp -0.2
+.I "[woodwind quintet]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
+.sp .75
+T}|T{
+FL, Tampa: USF Instrumental Rehearsal Hall
+T}
+3/5/18|T{
+.B "Grater Brute"
+.sp -0.2
+.I "[flute, marimba]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Lionel Martinez
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+3/2/18|T{
+.B "Transportation in Metropolitan Detroit"
+.sp -0.2
+.I "[piano]"
+.sp 0.73
+T}|T{
+Logan Barrett
+.sp .75
+T}|T{
+FL, Tampa: USF Choral Rehearsal Hall
+T}
+3/2/18|T{
+.B "Grater Brute"
+.sp -0.2
+.I "[flute, marimba]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Lionel Martinez
+.sp .75
+T}|T{
+FL, Tampa: USF Choral Rehearsal Hall
+T}
+T{
+.BI "2017"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/17/17|T{
+.B "r9-13\\\I TERDI..."
+.sp -0.2
+.I "[multi-percussion]"
+.sp 0.73
+T}|T{
+Kaycie Howell
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+10/20/17|T{
+.B "Transportation in Metropolitan Detroit"
+.sp -0.2
+.I "[piano]"
+.sp 0.73
+T}|T{
+Logan Barrett
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+7/8/17|T{
+.B "In the Shape of the Sky"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+5/8/17|T{
+.B "Walkin' With Billy"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+5/8/17|T{
+.B "Designations"
+.sp -0.2
+.I "[saxophone]"
+.sp 0.73
+T}|T{
+Kendric McAllister
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+T{
+.BI "2016"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+12/7/16|T{
+.B "Walkin' With Billy"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+7/29/16|T{
+.B "Morning Chase"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+7/29/16|T{
+.B "Letters Unwritten"
+.sp -0.2
+.I "[brass quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+5/24/16|T{
+.B "Ephemeral Sketches"
+.sp -0.2
+.I "[saxophone, cello]"
+.sp 0.73
+T}|T{
+Britney Waggott, Miranda Godfrey
+.sp .75
+T}|T{
+FL, Saint Petersburg: Pinellas County Center for the Arts
+T}
+5/24/16|T{
+.B "Letters Unwritten"
+.sp -0.2
+.I "[brass quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Saint Petersburg: Pinellas County Center for the Arts
 T}
 .TE
diff --git a/lists/list of performances.ms b/lists/list of performances.ms
index a654d91..594aae0 100644
--- a/lists/list of performances.ms	
+++ b/lists/list of performances.ms	
@@ -8,7 +8,7 @@
 .nr VS 15p
 .nr y 1900+\n(yr
 .ds CH
-.as LF [% of 2] Tucker Johnson \(em list of performances \D'l 4.2i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0'
+.as LF [% of 5] Tucker Johnson \(em list of performances \D'l 4.2i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0'
 .ds CH \" empty
 
 .de heading
@@ -39,7 +39,7 @@
 .ps 18
 .B "Tucker Johnson"
 .ps 10
-.I composer
+.I "composer, improviser, technologist"
 (updated \n(mo-\ny)
 .br
 .line
@@ -59,22 +59,62 @@ T}
 \#
 \# --------------------------------------------------------
 .heading "List of Performances"
-.ps 10
+.ps 10.25
 .TS
 tab(|) nospaces;
 rW5|lW30|lw27|lx.
+date|title|performer(s)|venue|
 11/17/22|T{
 .B "Fifteen Keyboard Inventions"
 .I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
 T}|T{
 Zihan Wu
 T}|T{
 NY, Rochester: Hatch Recital Hall
 .sp .75
 T}
+11/14/22|T{
+.B "I AM COVERED IN STARCH"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+9/10/22|T{
+.B "Ossia Fluxus Improvisation"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Zoe Markle, Floris Van Der Veken
+.sp .75
+T}|T{
+NY, Rochester: ESM Ray Wright Room
+T}
+9/28/22|T{
+.B "spigot 1"
+.sp -0.2
+.I "[spigot duo performance]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Floris Van Der Veken
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
 9/19/22|T{
 .B "Fifteen Keyboard Inventions"
 .I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
 T}|T{
 Xingyi Chen
 T}|T{
@@ -83,15 +123,20 @@ NY, Rochester: Hatch Recital Hall
 T}
 4/7/22|T{
 .B "Settle the Score"
-.I "(version for 5 voices)"
+.sp -0.2
+.I "[mixed quartet, computer]"
+.sp 0.73
 T}|T{
 Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
+.sp .75
 T}|T{
 NY, Rochester: Hatch Recital Hall
-.sp .75
 T}
 2/12/22|T{
 .B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
@@ -100,7 +145,9 @@ PA, State College: New Recital Hall
 T}
 2/2/22|T{
 .B "Settle the Score"
-.I "(version for solo computer)"
+.sp -0.2
+.I "[computer]"
+.sp 0.73
 T}|T{
 computer: quadrophonic playback
 T}|T{
@@ -109,18 +156,24 @@ NY, Rochester: Kilbourn Hall
 T}
 T{
 .BI "2021"
-T}|\(em |\(em |\(em
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
  |
 11/10/21|T{
 .B "Commonplace Common Tones"
+.sp -0.2
+.I "[sinfonietta]"
+.sp 0.73
 T}|T{
 Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
+.sp .75
 T}|T{
 NY, Rochester: Kilbourn Hall
-.sp .75
 T}
 5/4/21|T{
 .B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
@@ -129,6 +182,9 @@ MD, University Park: Gildenhorn Recital Hall
 T}
 4/25/21|T{
 .B "Falling Paths, Coloring Grounds"
+.sp -0.2
+.I "[cello, computer]"
+.sp 0.73
 T}|T{
 Hudson Webber
 T}|T{
@@ -137,6 +193,9 @@ PA, State College: Esber Recital Hall
 T}
 4/24/21|T{
 .B "The Ecstasy of Communication"
+.sp -0.2
+.I "[snare drum, triggered media]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
@@ -145,6 +204,9 @@ PA, State College: Esber Recital Hall
 T}
 4/24/21|T{
 .B "A Presence Within Reassembly"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
 T}|T{
 quadrophonic playback
 T}|T{
@@ -153,6 +215,9 @@ PA, State College: Esber Recital Hall
 T}
 4/24/21|T{
 .B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
 T}|T{
 Amber Lucas
 T}|T{
@@ -161,6 +226,9 @@ PA, State College: Esber Recital Hall
 T}
 4/24/21|T{
 .B "Falling Paths, Coloring Grounds"
+.sp -0.2
+.I "[cello, computer]"
+.sp 0.73
 T}|T{
 Hudson Webber
 T}|T{
@@ -169,6 +237,9 @@ PA, State College: Esber Recital Hall
 T}
 4/24/21|T{
 .B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
@@ -177,6 +248,9 @@ PA, State College: Esber Recital Hall
 T}
 4/16/21|T{
 .B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
 T}|T{
 Amber Lucas
 T}|T{
@@ -185,6 +259,9 @@ PA, State College: Esber Recital Hall
 T}
 3/30/21|T{
 .B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
 T}|T{
 Amber Lucas
 T}|T{
@@ -193,10 +270,13 @@ Online Event - Penn State International New Music Festival
 T}
 T{
 .BI "2020"
-T}|\(em |\(em |\(em
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
  |
 11/20/20|T{
 .B "The Ecstasy of Communication"
+.sp -0.2
+.I "[snare drum, triggered media]"
+.sp 0.73
 T}|T{
 John McGovern
 T}|T{
@@ -205,6 +285,9 @@ MD, University Park: Gildenhorn Recital Hall
 T}
 10/23/20|T{
 .B "A Presence Within Reassembly"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
 T}|T{
 quadrophonic playback
 T}|T{
@@ -213,18 +296,475 @@ PA, State College: Water Tower Plaza
 T}
 7/5/20|T{
 .B "All of my Life's Work Until This Point"
+.sp -0.2
+.I "[cello]"
+.sp 0.73
 T}|T{
 Eduard Teregulov
 T}|T{
 Online Event - (recorded in Dade City, FL)
 .sp .75
 T}
-5/10/20|T{
-.B "Second-hand Asymmetry"
+T{
+.BI "2019"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+12/2/19|T{
+.B "-------"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+T}|T{
+FL, Tampa: Barness Recital Hall
+.sp .75
+T}
+11/22/19|T{
+.B "Or Maybe While Crossing"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Corvus Ensemble
+T}|T{
+NY, NYC: Federal Hall Memorial
+.sp .75
+T}
+11/7/19|T{
+.B "WE CANNOT POST IN SUMMER"
+.sp -0.2
+.I "[sinfonietta]"
+.sp 0.73
+T}|T{
+USF Student Sinfonietta
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+.sp .75
+T}
+10/12/19|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Doug O'Connor, Eunmi Ko
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+10/9/19|T{
+.B "Mobility, on beauty"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+collaborative installation
+T}|T{
+FL, Tampa: USF Theatre 2
+.sp .75
+T}
+10/7/19|T{
+.B "I AM COVERED IN STARCH"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+T}|T{
+FL, Tampa: Barness Recital Hall
+.sp .75
+T}
+8/10/19|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Dade City: Heritage and Cultural Museum
+.sp .75
+T}
+7/12/19|T{
+.B "WRITE/TAKE"
+.sp -0.2
+.I "[guitar duo]"
+.sp 0.73
+T}|T{
+Dieter Hennings, John Rivera Pico
+T}|T{
+Italy, Cesena: Conservatorio Bruno Maderna
+.sp .75
+T}
+5/31/19|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Changhoon Lee, Jieun Shin
+.sp .75
+T}|T{
+South Korea, Jeonju: Sori Arts Center
+T}
+5/11/19|T{
+.B "JetFuel"
+.sp -0.2
+.I "[orchestra]"
+.sp 0.73
+T}|T{
+Tampa Metropolitan Youth Orchestra, William Weidrich
+.sp .75
+T}|T{
+FL, Tampa: Concert Hall at USF
+T}
+4/22/19|T{
+.B "All of My Life's Work Until This Point"
+.sp -0.2
+.I "[cello]"
+.sp 0.73
+T}|T{
+Sydney Andersen
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+2/22/19|T{
+.B "A Different City*The Cold Part"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+RAMP GROUP
+.sp .75
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+T}
+2/8/19|T{
+.B "Four Weeks Now"
+.sp -0.2
+.I "[string quartet]"
+.sp 0.73
+T}|T{
+Luz Vasquez, KaleyAnna Raabe, Daphne Waggener, Sydney Andersen
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+T{
+.BI "2018"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/26/18|T{
+.B "The Identity of Policing"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Space Flight Participant"
+.sp -0.2
+.I "[double bass]"
+.sp 0.73
+T}|T{
+Keon Sahbkar
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Would Also Feel the Need to Enjoy"
+.sp -0.2
+.I "[prepared midi keyboard]"
+.sp 0.73
+T}|T{
+Sohyun Lim
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "This First Semester is Dedicated"
+.sp -0.2
+.I "[trumpet, bassoon]"
+.sp 0.73
+T}|T{
+Bradley Mikesel II, Tucker Johnson
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/16/18|T{
+.B "Space Flight Participant"
+.sp -0.2
+.I "[double bass]"
+.sp 0.73
+T}|T{
+Keon Sahbkar
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/29/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Saint Petersburg: Studio 620
+T}
+9/27/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/27/18|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/2/18|T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+8/12/18|T{
+.B "...for the discernment of vocations with..."
+.sp -0.2
+.I "[tabla, mallet quartet]"
+.sp 0.73
+T}|T{
+Shawn Mativetsky, New Jersey Percussion Ensemble
+.sp .75
+T}|T{
+NJ, Wayne: William Patterson University
+T}
+4/16/18|T{
+.B "Numlock"
+.sp -0.2
+.I "[woodwind quintet]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+4/13/18|T{
+.B "Numlock"
+.sp -0.2
+.I "[woodwind quintet]"
+.sp 0.73
 T}|T{
-Moreau VanTuinen Duo
+Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
+.sp .75
+T}|T{
+FL, Tampa: USF Instrumental Rehearsal Hall
+T}
+3/5/18|T{
+.B "Grater Brute"
+.sp -0.2
+.I "[flute, marimba]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Lionel Martinez
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+3/2/18|T{
+.B "Transportation in Metropolitan Detroit"
+.sp -0.2
+.I "[piano]"
+.sp 0.73
+T}|T{
+Logan Barrett
+.sp .75
+T}|T{
+FL, Tampa: USF Choral Rehearsal Hall
+T}
+3/2/18|T{
+.B "Grater Brute"
+.sp -0.2
+.I "[flute, marimba]"
+.sp 0.73
 T}|T{
-Online Event
+Kevin Baylen, Lionel Martinez
 .sp .75
+T}|T{
+FL, Tampa: USF Choral Rehearsal Hall
+T}
+T{
+.BI "2017"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/17/17|T{
+.B "r9-13\\\I TERDI..."
+.sp -0.2
+.I "[multi-percussion]"
+.sp 0.73
+T}|T{
+Kaycie Howell
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+10/20/17|T{
+.B "Transportation in Metropolitan Detroit"
+.sp -0.2
+.I "[piano]"
+.sp 0.73
+T}|T{
+Logan Barrett
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+7/8/17|T{
+.B "In the Shape of the Sky"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+5/8/17|T{
+.B "Walkin' With Billy"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+5/8/17|T{
+.B "Designations"
+.sp -0.2
+.I "[saxophone]"
+.sp 0.73
+T}|T{
+Kendric McAllister
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+T{
+.BI "2016"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+12/7/16|T{
+.B "Walkin' With Billy"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+7/29/16|T{
+.B "Morning Chase"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+7/29/16|T{
+.B "Letters Unwritten"
+.sp -0.2
+.I "[brass quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+5/24/16|T{
+.B "Ephemeral Sketches"
+.sp -0.2
+.I "[saxophone, cello]"
+.sp 0.73
+T}|T{
+Britney Waggott, Miranda Godfrey
+.sp .75
+T}|T{
+FL, Saint Petersburg: Pinellas County Center for the Arts
+T}
+5/24/16|T{
+.B "Letters Unwritten"
+.sp -0.2
+.I "[brass quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Saint Petersburg: Pinellas County Center for the Arts
 T}
 .TE
diff --git a/lists/list of works.ms b/lists/list of works.ms
index d0cb0d1..e550f4e 100644
--- a/lists/list of works.ms	
+++ b/lists/list of works.ms	
@@ -8,6 +8,8 @@
 .nr VS 15p
 .nr y 1900+\n(yr
 .ds CH
+.as LF [% of 3] Tucker Johnson \(em list of works \D'l 4.2i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0'
+.ds CH \" empty
 
 .de heading
 .   nf
@@ -24,15 +26,23 @@
 .  el \!.BP \\$1
 ..
 
+.de newpage                         \" define macro
+. bp                                 \" begin page
+..
+
+.de line
+\D'l 4.9i 0 '\D'P -0.6m 0 0 -0.6m 0.6m 0'
+..
 
 \# -----------------------TOP------------------------------
 .ce 0
 .ps 18
 .B "Tucker Johnson"
 .ps 10
-.I musician,
-.I technologist
+.I "composer, improviser, technologist"
 (updated \n(mo-\ny)
+.br
+.line
 .TS
 tab(|) nospaces;
 l rx.
@@ -48,19 +58,14 @@ T}
 .TE
 \#
 \# --------------------------------------------------------
-.heading "List of Replicable Works (performance/playback)"
+.heading "Complete List of Replicable Work (through performance or playback)"
+.ps 10
 .TS
 tab(|) nospaces;
 rW5|lW50|lw10|lx.
+[year]|[title]|[duration]|[forces]
 2022|T{
-.B "Anagram*:"
-.I "Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
-T}|12 minutes|T{
-oboe, clarinet, horn, bassoon, piano
-.sp .75
-T}
- |T{
-.B "Twenty-One Inventions*"
+.B "Fifteen Keyboard Inventions*"
 T}|20 minutes|T{
 piano
 .sp .75
@@ -68,7 +73,7 @@ T}
  |T{
 .B "Settle the Score"
 .I "in one or five parts"
-T}|1-4 1/2 minutes|T{
+T}|1-5 minutes|T{
 english horn, trumpet, electric guitar, violin, computer
 .sp .75
 T}
@@ -110,6 +115,12 @@ T}
 T}|5 minutes|T{
 voice, trumpet, bass clarinet, trombone
 .sp .75
+T}
+ |T{
+.B "The Melody of Practice"
+T}|3 minutes|T{
+oboe
+.sp .75
 T}
  |T{
 .B "Wears and Tears"
@@ -145,28 +156,35 @@ T}
 .B "The Ecstasy of Communication"
 T}|10-25 minutes|T{
 snare drum, triggered media
+T}
+ |T{
+.I "commissioned by John McGovern"
+.sp .75
+T}| |T{
 .sp .75
 T}
  |T{
 .B "A Presence Within Reassembly"
-T}|7 minutes|T{
-quadrophonic playback
+T}|5 minutes|T{
+quadrophonic fixed media
 .sp .75
 T}
  |T{
-.B "WE CANNOT POST IN SUMMER"
-T}|11 minutes|T{
-sinfonietta
+.B "Somewhat Like the Obelisk"
+T}|14 minutes|T{
+saxophone quartet
 .sp .75
 T}
 2019|T{
 .B "------------"
 T}|22 minutes|T{
-stereo playback
+fixed media
 .sp .75
 T}
  |T{
 .B "Or Maybe While Crossing"
+.sp 0
+.I "commissioned by Corvus and Composing in the Wilderness
 T}|6 1/2 minutes|T{
 flute, saxophone, violin, cello, percussion
 .sp .75
@@ -174,11 +192,19 @@ T}
  |T{
 .B "I AM COVERED IN STARCH"
 T}|6 minutes|T{
-stereo playback
+fixed media
+.sp .75
+T}
+ |T{
+.B "We Cannot Post in Summer"
+T}|10 minutes|T{
+sinfonietta
 .sp .75
 T}
  |T{
 .B "WRITE/TAKE"
+.sp 0
+.I "for soundSCAPE"
 T}|6 minutes|T{
 guitar duo
 .sp .75
@@ -190,10 +216,47 @@ alto saxophone, piano
 .sp .75
 T}
 2018|T{
+.B "The Identity of Policing"
+T}|4 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "Four Weeks Now"
+T}|5 minutes|T{
+string quartet
+.sp .75
+T}
+ |T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp .75
+T}|5 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "Space Flight Participant"
+T}|4 minutes|T{
+double bass
+.sp .75
+T}
+ |T{
 .B "All of My Life's Work Up Until This Point"
 T}|5 minutes|T{
 cello
 .sp .75
+T}
+ |T{
+.B "Time in North Dakota"
+T}|3 minutes|T{
+viola
+.sp .75
+T}
+ |T{
+.B "References to the Antichrist in Ecclesiastical Writings"
+T}|3 minutes|T{
+violin
+.sp .75
 T}
  |T{
 .B "JetFuel"
@@ -206,8 +269,205 @@ T}
 T}
  |T{
 .B "...for the discernment of vocations with..."
+.sp 0
+.I "for SHASTRA"
+.sp .75
 T}|8 minutes|T{
 tabla, mallet quartet
 .sp .75
+T}
+ |T{
+.B "Numlock"
+T}|6 minutes|T{
+woodwind quintet
+.sp .75
+T}
+2017|T{
+.B "Grater Brute"
+T}|3 minutes|T{
+flute, marimba
+.sp .75
+T}
+ |T{
+.B "r9-13\\\I TERDI..."
+T}|8 minutes|T{
+multi-percussion
+.sp .75
+T}
+ |T{
+.B "Transportation in Metropolitan Detroit"
+T}|7 minutes|T{
+piano
+.sp .75
+T}
+ |T{
+.B "In the Shape of the Sky"
+T}|6 minutes|T{
+2 trumpets, 2 trombones, vibraphone, percussion
+.sp .75
+T}
+ |T{
+.B "Designations"
+T}|12 minutes|T{
+tenor saxophone
+.sp .75
+T}
+ |T{
+.B "Transmissions in a vacuum"
+T}| variable |T{
+open
+.sp .75
+T}
+2016|T{
+.B "Walkin' With Billy"
+T}|10 minutes|T{
+flute, alto saxophone, tenor saxophone, trumpet, glockenspiel (all amplified)
+.sp .75
+T}
+ |T{
+.B "Morning Chase"
+T}|5 minutes|T{
+flute, bassoon, 2 violins, viola, cello, bass, percussion
+.sp .75
+T}
+ |T{
+.B "Letters Unwritten"
+T}|5 minutes|T{
+Brass Quintet
+.sp .75
+T}
+.TE
+.bp
+.heading "Complete List of Non-replicable Work"
+.heading "(installations/improvisations)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW30|lw27|lx.
+[date]|[title/duration]|[forces]|[venue]|
+11/10/22|T{
+.B "Ossia Sound Bath"
+.sp -0.2
+.I "90 minutes"
+.sp 0.73
+T}|T{
+computer, double bass, saxophone, resonant objects
+.sp .75
+T}|T{
+NY, Rochester: ESM Ray Wright Room
+T}
+9/28/22|T{
+.B "spigot 1"
+.sp -0.2
+.I "8 minutes"
+.sp 0.73
+T}|T{
+saxophone, computer
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+10/9/19|T{
+.B "Mobility, on beauty"
+.sp -0.2
+.I "unspecified"
+.sp 0.73
+T}|T{
+multimedia installation
+T}|T{
+FL, Tampa: USF Theatre 2
+.sp .75
+T}
+2/22/19|T{
+.B "A Different City*The Cold Part"
+.sp -0.2
+.I "30 minutes"
+.sp 0.73
+T}|T{
+multimedia installation
+.sp .75
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+T}
+.TE
+.heading "(recorded)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW28|lw37|lx.
+[year]|[title/duration]|[credits]|[tracks]
+2020|T{
+.B "spank; + Logan Barrett"
+.sp -0.2
+.I "73 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp 0
+Logan Barrett, electronics
+.sp 0
+Joshua Mallard & Han Hitchen, recording
+T}|T{
+1) <s}p/a[n)k;
+.br
+2) /hum]
+.br
+3) <bounce}
+.br
+4) [crawl)
+.br
+5) /shimmer>
+.br
+6) (frog}
+.br
+7) [sour>
+.br
+8) {wring/
+.br
+9) <swell)
+.br
+10) {cave]
+.sp .75
+T}
+ |T{
+.B "FOR NATE"
+.sp -0.2
+.I "10 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp 0
+Joshua Mallard & Han Hitchen, recording
+.sp .75
+T}|T{
+1) FOR NATE
+T}
+ |T{
+.B "What They Bury Themselves For"
+.sp -0.2
+.I "8 minutes"
+T}|T{
+Tucker Johnson, computer
+.sp 0
+John McGovern, guitar
+T}|T{
+1) What They Bury Themselves For
+.sp .75
+T}
+2019|T{
+.B "Maritime Chaparral"
+.sp -0.2
+.I "17 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp .75
+T}|T{
+1) three quarter
+.br
+2) no. please do.
 T}
 .TE
diff --git a/presentations/fifteen.sent b/presentations/fifteen.sent
deleted file mode 100644
index 710c99e..0000000
--- a/presentations/fifteen.sent
+++ /dev/null
@@ -1,53 +0,0 @@
-Fifteen Inventions
-
-@img/15i-pres.png
-
-7 = 1 + 1 + 1 + 1 + 1 + 1 + 1
-7 = 2 + 1 + 1 + 1 + 1 + 1
-7 = 3 + 1 + 1 + 1 + 1
-7 = 2 + 2 + 1 + 1 + 1
-7 = 4 + 1 + 1 + 1
-7 = 3 + 2 + 1 + 1
-7 = 2 + 2 + 2 + 1
-7 = 5 + 1 + 1
-7 = 4 + 2 + 1
-7 = 3 + 3 + 1
-7 = 3 + 2 + 2
-7 = 6 + 1
-7 = 5 + 2
-7 = 3 + 4
-7 = 7
-
-Pappus   7 = 7
-Panicle  7 = 4 + 2 + 1
-Pinnate  7 = 5 + 2
-
-Pappus
-
-@img/pappus.png
-
-@img/1i-pres.png
-
-Panicle 1
-
-@img/pannicle.png
-
-@img/2i-pres.png
-
-Pinnate 1
-
-@img/pinnate.png
-
-@img/3i-pres.png
-
-@img/1i-pres-draw.png
-
-@img/2i-pres-draw.png
-
-@img/3i-pres-draw.png
-
-@img/composite.jpg
-
-@img/cyme.jpg
-
-@img/umbel.jpg
diff --git a/presentations/img/15i-pres.png b/presentations/img/15i-pres.png
deleted file mode 100644
index 30ace33..0000000
Binary files a/presentations/img/15i-pres.png and /dev/null differ
diff --git a/presentations/img/1i-pres-draw.png b/presentations/img/1i-pres-draw.png
deleted file mode 100644
index 37e063d..0000000
Binary files a/presentations/img/1i-pres-draw.png and /dev/null differ
diff --git a/presentations/img/1i-pres.png b/presentations/img/1i-pres.png
deleted file mode 100644
index 8616579..0000000
Binary files a/presentations/img/1i-pres.png and /dev/null differ
diff --git a/presentations/img/2i-pres-draw.png b/presentations/img/2i-pres-draw.png
deleted file mode 100644
index 5d34971..0000000
Binary files a/presentations/img/2i-pres-draw.png and /dev/null differ
diff --git a/presentations/img/2i-pres.png b/presentations/img/2i-pres.png
deleted file mode 100644
index 5371703..0000000
Binary files a/presentations/img/2i-pres.png and /dev/null differ
diff --git a/presentations/img/3i-pres-draw.png b/presentations/img/3i-pres-draw.png
deleted file mode 100644
index ec4406c..0000000
Binary files a/presentations/img/3i-pres-draw.png and /dev/null differ
diff --git a/presentations/img/3i-pres.png b/presentations/img/3i-pres.png
deleted file mode 100644
index 9aced5b..0000000
Binary files a/presentations/img/3i-pres.png and /dev/null differ
diff --git a/resume.ms b/resume.ms
index 9af3c85..8f98835 100644
--- a/resume.ms
+++ b/resume.ms
@@ -366,8 +366,6 @@ Supercollider,
 PureData,
 HUGO,
 Lua,
-Common Lisp,
-Python,
 Latex,
 GNUtroff,
 Arch/Artix Linux,