From: Tucker Johnson Date: Tue, 7 Oct 2025 02:55:34 +0000 (-0400) Subject: for the Zohn Collective X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=HEAD;p=zohnReading.git for the Zohn Collective --- diff --git a/general/info.ly b/general/info.ly index 4ca850f..58c6fa2 100644 --- a/general/info.ly +++ b/general/info.ly @@ -1,5 +1,5 @@ xtitle = \markup { lABel } -xsub = \markup { for the Zohn Collective } +xsub = \markup { \null } xcomp = \markup { Tucker Johnson } xinst = \markup { guitar, vibraphone, and piano } xdur = \markup { \null } diff --git a/manuscripts/guitar.ly b/manuscripts/guitar.ly index fd7c059..f41dbba 100644 --- a/manuscripts/guitar.ly +++ b/manuscripts/guitar.ly @@ -11,6 +11,7 @@ \relative { \arpeggioArrowUp \clef "treble_8" + \once \override Staff.TimeSignature.stencil = ##f \time 1/4 \partial 4 r4\fermata \bar "||" \time 4/4 @@ -25,15 +26,14 @@ c2\)\mf\> c2 | \timeSpanner "poco rit." c2\startTextSpan \after 4 \stopTextSpan c2\p | \tempo "A tempo" - g''8\f_\5\flageolet\laissezVibrer e,8_\3\flageolet\laissezVibrer r4 \tuplet 3/2 { r4 g'2~\mp\flageolet } | - \timeSpanner "poco rit." \tuplet 3/2 { g4\startTextSpan e,2\p\<_\3\flageolet\laissezVibrer } \after 4. \stopTextSpan \tuplet 3/2 { b'4_\2\flageolet\laissezVibrer e,4_\6\flageolet\laissezVibrer b'4_\2\flageolet\laissezVibrer } | + g''8\f_\3\flageolet\laissezVibrer^"V" e,8_\5\flageolet\laissezVibrer^"VII" r4 \tuplet 3/2 { r4 g'2~_\3\mp\flageolet^"V" } | + \timeSpanner "poco rit." \tuplet 3/2 { g4\startTextSpan e,2\p\<_\5\flageolet\laissezVibrer^"VII" } \after 4. \stopTextSpan \tuplet 3/2 { b'4_\2\flageolet\laissezVibrer^"XII" e,4_\6\flageolet\laissezVibrer^"XII" b'4_\2\flageolet\laissezVibrer^"XII" } | \tempo "A tempo" 1~\f\arpeggio | 2 r2 | - b'2.\mp_\1\flageolet b4~_\1\flageolet | + b'2.\mp_\1\flageolet^"VII" b4~_\1\flageolet^"VII" | b1 | - r8 8~ 2. | - \tuplet 3/2 { r4 r4 fis'4_\2\flageolet\laissezVibrer } \tuplet 3/2 { r4 g2_\3\flageolet\laissezVibrer } | - + r8 8~\f 2. | + \tuplet 3/2 { r4 r4 fis'4\mp_\2\flageolet\laissezVibrer^"VII" } \tuplet 3/2 { r4 g2_\3\p\flageolet\laissezVibrer^"V" } | } diff --git a/manuscripts/percussion.ly b/manuscripts/percussion.ly index db88186..417ee3e 100644 --- a/manuscripts/percussion.ly +++ b/manuscripts/percussion.ly @@ -11,26 +11,29 @@ \relative { \set Staff.pedalSustainStyle = #'bracket \time 1/4 + \once \override Staff.TimeSignature.stencil = ##f \partial 4 r4\fermata \bar "||" \time 4/4 \tempo "Far-off Ringing" 4=48 - \tuplet 3/2 { 4\f\laissezVibrer\sustainOn \xNote { des'8 } } r4 \xNote { f4 } \tuplet 3/2 { r8 \xNote { ees,4 } } | - \tuplet 3/2 { \xNote { ges4 } 8\mp\laissezVibrer\sustainOff\sustainOn } r4 \xNote { c,4 } \tuplet 3/2 { r8 \xNote { a'4 } } | + \tuplet 3/2 { 4\f\laissezVibrer\sustainOn \xNote { des'8^\markup { \tiny \bracket { "mute with mallet" } } } } r4 \xNote { f4 } \tuplet 3/2 { r8 \xNote { ees,4 } } | + \tuplet 3/2 { \xNote { \tag #'part { \timeSpanner "poco rit." ges4\startTextSpan } \tag #'score { ges4 } } 8\mp\laissezVibrer\sustainOff\sustainOn } r4 \xNote { c,4 } \tuplet 3/2 { r8 \xNote { a'4\stopTextSpan } } | \tempo "A tempo" r8\sustainOff\sustainOn 8~\p \tuplet 3/2 { 8 \xNote { 4 } } r2 | - \tuplet 3/2 { aes2\>\laissezVibrer g'4\laissezVibrer } \tuplet 3/2 { r4 bes2\pp\laissezVibrer } | + \tuplet 3/2 { \tag #'part { \timeSpanner "poco rit." aes2\>\laissezVibrer\startTextSpan } \tag #'score { aes2\>\laissezVibrer } g'4\laissezVibrer } \tuplet 3/2 { r4 \after 4 \stopTextSpan bes2\pp\laissezVibrer } | \tempo "A tempo" 8\mp\>\laissezVibrer\sustainOff\sustainOn 8\!\laissezVibrer r4 r4 r4\sustainOff | - \tuplet 3/2 { 2\f\>\sustainOn c4~ } \tuplet 3/2 { c4 c2 } | + \tuplet 3/2 { \tag #'part { \timeSpanner "poco rit." 2\f\>\sustainOn\startTextSpan } \tag #'score { 2\f\>\sustainOn } c4~ } \tuplet 3/2 { c4 \after 4 \stopTextSpan c2 } | + \tempo "A tempo" \tuplet 3/2 { r2 c4~\sustainOff\sustainOn } \tuplet 3/2 { c4 c2\p } | bes'8\mf\laissezVibrer\sustainOff\sustainOn 8\laissezVibrer r4 \tuplet 3/2 { \xNote { 4 } bes'\p\<\laissezVibrer f'4\!\laissezVibrer } | - \tuplet 3/2 { r4 \xNote { 2 } } \tuplet 3/2 { r4 2\mp } | + \tuplet 3/2 { \tag #'part { \timeSpanner "poco rit." r4\startTextSpan } \tag #'score { r4 } \xNote { 2 } } \tuplet 3/2 { r4 \after 4 \stopTextSpan 2\mp } | + \tempo "A tempo" r8\sustainOff\sustainOn 8\f\laissezVibrer r4 2\mf | \xNote { 4 } r4 2~\mp | 2. r4\sustainOff | R1 | - 8\sustainOn 8 r4 \xNote { 4 } r4 | - \tuplet 3/2 { des,4\laissezVibrer ges\laissezVibrer ees'\laissezVibrer } \tuplet 3/2 { r4 r2\sustainOff } | + 8\mf\<\sustainOn 8\! r4 \xNote { 4 } r4 | + \tuplet 3/2 { des,4\>\laissezVibrer ges\laissezVibrer ees'\pp\laissezVibrer } \tuplet 3/2 { r4 r2\sustainOff } | } diff --git a/manuscripts/piano.ly b/manuscripts/piano.ly index f2c18e2..af420e1 100644 --- a/manuscripts/piano.ly +++ b/manuscripts/piano.ly @@ -14,25 +14,35 @@ \relative { \numericTimeSignature \override DynamicLineSpanner.staff-padding = \phds \clef "treble^8" + \once \override Staff.TimeSignature.stencil = ##f \time 1/4 - \partial 4 \override NoteHead.style = #'harmonic-black 4\fermata \revert NoteHead.style \bar "||" + \partial 4 \override NoteHead.style = #'harmonic-black 4\fermata^\markup { \tiny \bracket { "silently depress" } } \revert NoteHead.style \bar "||" \time 4/4 \tempo "Far-off Ringing" 4=48 ges8\p\< 8\! r4 r2 | - r2 \override NoteHead.style = #'harmonic 2 \revert NoteHead.style | + \tag #'part { \timeSpanner "poco rit." r2\startTextSpan } + \tag #'score { r2 } + \override NoteHead.style = #'harmonic + \after 4. \stopTextSpan 2 \revert NoteHead.style | + \tempo "A tempo" 8\mp\< 8\! r4 r2 | - R1 | + \tag #'part { \timeSpanner "poco rit." \after 2. \stopTextSpan R1\startTextSpan } \tag #'score { R1 } | + \tempo "A tempo" r8 g'8~\mp g4 \override NoteHead.style = #'harmonic 2 \revert NoteHead.style | 8\mf\< 8\! r4 r2 | - r2 \override NoteHead.style = #'harmonic 2 \revert NoteHead.style | + \tag #'part { \timeSpanner "poco rit." r2\startTextSpan } + \tag #'score { r2 } + \override NoteHead.style = #'harmonic \after 4. \stopTextSpan 2 \revert NoteHead.style | + \tempo "A tempo" \after 8. \! 2~\mf\< \tuplet 3/2 { \after 4 \p 2 a4~ } | - \tuplet 3/2 { a4~ a8\< } r4 r2\mp | + \tuplet 3/2 { \tag #'part { \timeSpanner "poco rit." a4~\startTextSpan } \tag #'score { a4~ } a8\< } r4 \after 4. \stopTextSpan r2\mp | + \tempo "A tempo" \after 8. \! 1~\< | 4 2 r4 | r2\p b2~ | 1 | - 2 bes,2~ | - bes2 \tuplet 3/2 { r4 2 } | + \after 8. \! 2\mf\< bes,2~\p | + bes2 \tuplet 3/2 { r4 2\pp } | } } @@ -43,6 +53,7 @@ { \set Staff.pedalSustainStyle = #'bracket \relative { \numericTimeSignature + \once \override Staff.TimeSignature.stencil = ##f \time 1/4 \partial 4 \override NoteHead.style = #'harmonic-black 4\fermata\sostenutoOn \revert NoteHead.style \bar "||" \time 4/4 diff --git a/parts.ly b/parts.ly index 4736660..309bbbc 100644 --- a/parts.ly +++ b/parts.ly @@ -46,161 +46,56 @@ } \book { - \bookOutputName "cherryBlossoms" - \bookOutputSuffix "TrumpetI" + \bookOutputName "zohnReading" + \bookOutputSuffix "guitar" \score { \header { title = \markup { \fontsize #1 \xtitle } arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash } subtitle = \markup { \medium \italic \xsub } composer = \xcomp - poet = \markup { Trumpet \bold I in \concat { \bold "B" \tiny \flat } } + poet = \markup { Guitar } } << - \include "manuscripts/trumpetI.ly" + \include "manuscripts/guitar.ly" >> %\midi { } \layout { \context { - \Score - \override RehearsalMark.break-visibility = #begin-of-line-invisible - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) - \override Hairpin.to-barline = ##f - \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() - \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() - \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() - \override BarNumber.font-name = "classico" - \phrasingSlurDashPattern #0.5 #2.0 - \override PhrasingSlur.thickness = 0.00 - \override StaffSymbol.layer = #4 - \override Stem.layer = #4 - \override Beam.layer = #4 - \override Tie.layer = #4 - \override Hairpin.layer = #4 - \override TimeSignature.layer = #2 - \override Tie.layer = #1 - \override TupletBracket.layer = #2 - \override TextSpanner.layer = #3 - \override NoteHead.layer = #4 - \override TimeSignature.whiteout = 2 - \override TextScript.padding = 1 - \numericTimeSignature - \romanStringNumbers - \override StringNumber.padding = 1 - \override StringNumber.font-size = -3 - \override TupletNumber.layer = 4 - \override TupletNumber.font-shape = #'upright - \override TupletBracket.whiteout = 2 - } - \context { - \Staff - \remove Instrument_name_engraver - } - } - } -} - -\book { - \bookOutputName "cherryBlossoms" - \bookOutputSuffix "TrumpetII" - \score { - \header { - title = \markup { \fontsize #1 \xtitle } - arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash } - subtitle = \markup { \medium \italic \xsub } - composer = \xcomp - poet = \markup { Trumpet \bold II in \concat { \bold "B" \tiny \flat } } - } - << - \removeWithTag #'score \include "manuscripts/trumpetII.ly" - >> - %\midi { } - \layout { - \context { - \Score - \override RehearsalMark.break-visibility = #begin-of-line-invisible - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) - \override Hairpin.to-barline = ##f - \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() - \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() - \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() - \override BarNumber.font-name = "classico" - \phrasingSlurDashPattern #0.5 #2.0 - \override PhrasingSlur.thickness = 0.00 - \override StaffSymbol.layer = #4 - \override Stem.layer = #4 - \override Beam.layer = #4 - \override Tie.layer = #4 - \override Hairpin.layer = #4 - \override TimeSignature.layer = #2 - \override Tie.layer = #1 - \override TupletBracket.layer = #2 - \override TextSpanner.layer = #3 - \override NoteHead.layer = #4 - \override TimeSignature.whiteout = 2 - \override TextScript.padding = 1 - \numericTimeSignature - \romanStringNumbers - \override StringNumber.padding = 1 - \override StringNumber.font-size = -3 - \override TupletNumber.layer = 4 - \override TupletNumber.font-shape = #'upright - \override TupletBracket.whiteout = 2 - } - \context { - \Staff - \remove Instrument_name_engraver - } - } - } -} + \Score + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/60) + \override Hairpin.to-barline = ##f + \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() + \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() + \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() + \override BarNumber.font-name = "classico" + \phrasingSlurDashPattern #0.5 #2.0 + \override PhrasingSlur.thickness = 0.00 + \override StaffSymbol.layer = #4 + \override Stem.layer = #4 + \override Beam.layer = #4 + \override Tie.layer = #4 + \override Hairpin.layer = #4 + \override TimeSignature.layer = #2 + \override Tie.layer = #1 + \override TupletBracket.layer = #1 + \override TextSpanner.layer = #3 + \override NoteHead.layer = #4 + \override TimeSignature.whiteout = 2 + \override TextScript.padding = 1 + \override DynamicText.layer = 5 + \numericTimeSignature + \override LedgerLineSpanner.layer = 10 + \override StringNumber.padding = 1 + \override StringNumber.layer = 5 + \override StringNumber.font-size = -3 + \override StringNumber.outside-staff-priority = 200 + \override TupletNumber.layer = 4 + \override TupletNumber.font-shape = #'upright + \override TupletBracket.whiteout = 2 + \override TupletBracket.outside-staff-priority = 100 -\book { - \bookOutputName "cherryBlossoms" - \bookOutputSuffix "Horn" - \score { - \header { - title = \markup { \fontsize #1 \xtitle } - arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash } - subtitle = \markup { \medium \italic \xsub } - composer = \xcomp - poet = \markup { Horn in F } - } - << - \removeWithTag #'score \include "manuscripts/horn.ly" - >> - %\midi { } - \layout { - \context { - \Score - \override RehearsalMark.break-visibility = #begin-of-line-invisible - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) - \override Hairpin.to-barline = ##f - \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() - \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() - \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() - \override BarNumber.font-name = "classico" - \phrasingSlurDashPattern #0.5 #2.0 - \override PhrasingSlur.thickness = 0.00 - \override StaffSymbol.layer = #4 - \override Stem.layer = #4 - \override Beam.layer = #4 - \override Tie.layer = #4 - \override Hairpin.layer = #4 - \override TimeSignature.layer = #2 - \override Tie.layer = #1 - \override TupletBracket.layer = #2 - \override TextSpanner.layer = #3 - \override NoteHead.layer = #4 - \override TimeSignature.whiteout = 2 - \override TextScript.padding = 1 - \numericTimeSignature - \romanStringNumbers - \override StringNumber.padding = 1 - \override StringNumber.font-size = -3 - \override TupletNumber.layer = 4 - \override TupletNumber.font-shape = #'upright - \override TupletBracket.whiteout = 2 } \context { \Staff @@ -211,51 +106,55 @@ } \book { - \bookOutputName "cherryBlossoms" - \bookOutputSuffix "Trombone" + \bookOutputName "zohnReading" + \bookOutputSuffix "vibraphone" \score { \header { title = \markup { \fontsize #1 \xtitle } arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash } subtitle = \markup { \medium \italic \xsub } composer = \xcomp - poet = \markup { Trombone } + poet = \markup { Vibraphone } } << - \removeWithTag #'score \include "manuscripts/trombone.ly" + \removeWithTag #'score \include "manuscripts/percussion.ly" >> %\midi { } \layout { \context { - \Score - \override RehearsalMark.break-visibility = #begin-of-line-invisible - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) - \override Hairpin.to-barline = ##f - \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() - \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() - \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() - \override BarNumber.font-name = "classico" - \phrasingSlurDashPattern #0.5 #2.0 - \override PhrasingSlur.thickness = 0.00 - \override StaffSymbol.layer = #4 - \override Stem.layer = #4 - \override Beam.layer = #4 - \override Tie.layer = #4 - \override Hairpin.layer = #4 - \override TimeSignature.layer = #2 - \override Tie.layer = #1 - \override TupletBracket.layer = #2 - \override TextSpanner.layer = #3 - \override NoteHead.layer = #4 - \override TimeSignature.whiteout = 2 - \override TextScript.padding = 1 - \numericTimeSignature - \romanStringNumbers - \override StringNumber.padding = 1 - \override StringNumber.font-size = -3 - \override TupletNumber.layer = 4 - \override TupletNumber.font-shape = #'upright - \override TupletBracket.whiteout = 2 + \Score + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/40) + \override Hairpin.to-barline = ##f + \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() + \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() + \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() + \override BarNumber.font-name = "classico" + \phrasingSlurDashPattern #0.5 #2.0 + \override PhrasingSlur.thickness = 0.00 + \override StaffSymbol.layer = #4 + \override Stem.layer = #4 + \override Beam.layer = #4 + \override Tie.layer = #4 + \override Hairpin.layer = #4 + \override TimeSignature.layer = #2 + \override Tie.layer = #1 + \override TupletBracket.layer = #1 + \override TextSpanner.layer = #3 + \override NoteHead.layer = #4 + \override TimeSignature.whiteout = 2 + \override TextScript.padding = 1 + \override DynamicText.layer = 5 + \numericTimeSignature + \override LedgerLineSpanner.layer = 10 + \override StringNumber.padding = 1 + \override StringNumber.layer = 5 + \override StringNumber.font-size = -3 + \override StringNumber.outside-staff-priority = 200 + \override TupletNumber.layer = 4 + \override TupletNumber.font-shape = #'upright + \override TupletBracket.whiteout = 2 + \override TupletBracket.outside-staff-priority = 100 } \context { \Staff @@ -266,54 +165,58 @@ } \book { - \bookOutputName "cherryBlossoms" - \bookOutputSuffix "bassTrombone" + \bookOutputName "zohnReading" + \bookOutputSuffix "piano" \score { \header { title = \markup { \fontsize #1 \xtitle } arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash } subtitle = \markup { \medium \italic \xsub } composer = \xcomp - poet = \markup { Bass Trombone } + poet = \markup { Piano } } << - \removeWithTag #'score \include "manuscripts/bassTrombone.ly" + \removeWithTag #'score \include "manuscripts/piano.ly" >> %\midi { } \layout { \context { - \Score - \override RehearsalMark.break-visibility = #begin-of-line-invisible - \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) - \override Hairpin.to-barline = ##f - \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() - \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() - \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() - \override BarNumber.font-name = "classico" - \phrasingSlurDashPattern #0.5 #2.0 - \override PhrasingSlur.thickness = 0.00 - \override StaffSymbol.layer = #4 - \override Stem.layer = #4 - \override Beam.layer = #4 - \override Tie.layer = #4 - \override Hairpin.layer = #4 - \override TimeSignature.layer = #2 - \override Tie.layer = #1 - \override TupletBracket.layer = #2 - \override TextSpanner.layer = #3 - \override NoteHead.layer = #4 - \override TimeSignature.whiteout = 2 - \override TextScript.padding = 1 - \numericTimeSignature - \romanStringNumbers - \override StringNumber.padding = 1 - \override StringNumber.font-size = -3 - \override TupletNumber.layer = 4 - \override TupletNumber.font-shape = #'upright - \override TupletBracket.whiteout = 2 + \Score + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/40) + \override Hairpin.to-barline = ##f + \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'() + \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'() + \overrideTimeSignatureSettings 5/8 1/8 2,3 #'() + \override BarNumber.font-name = "classico" + \phrasingSlurDashPattern #0.5 #2.0 + \override PhrasingSlur.thickness = 0.00 + \override StaffSymbol.layer = #4 + \override Stem.layer = #4 + \override Beam.layer = #4 + \override Tie.layer = #4 + \override Hairpin.layer = #4 + \override TimeSignature.layer = #2 + \override Tie.layer = #1 + \override TupletBracket.layer = #1 + \override TextSpanner.layer = #3 + \override NoteHead.layer = #4 + \override TimeSignature.whiteout = 2 + \override TextScript.padding = 1 + \override DynamicText.layer = 5 + \numericTimeSignature + \override LedgerLineSpanner.layer = 10 + \override StringNumber.padding = 1 + \override StringNumber.layer = 5 + \override StringNumber.font-size = -3 + \override StringNumber.outside-staff-priority = 200 + \override TupletNumber.layer = 4 + \override TupletNumber.font-shape = #'upright + \override TupletBracket.whiteout = 2 + \override TupletBracket.outside-staff-priority = 100 } \context { - \Staff + \PianoStaff \remove Instrument_name_engraver } } diff --git a/zohnReading.ly b/zohnReading.ly index 680abb4..13f9734 100644 --- a/zohnReading.ly +++ b/zohnReading.ly @@ -117,7 +117,7 @@ \fill-line { \left-column { \line { \bold \xtitle " [2025]" } - \line { \xinst " | " 6 minutes } + \line { \xinst " | " 1.2 minutes } \line { \xcomp } \vspace #25 } @@ -135,7 +135,14 @@ \left-column { \override #'(line-width . 90) \justify { - " " + This work, temporarily titled \italic lABel, is a work-in-progress inspired + by bells and their perception in outdoor spaces. It explores a + specific bell-like harmony from the final movement of George + Enescu's 3rd Piano Suite as it undergoes transformation, + reverberation, decay, and reflection. The piece is imagined as + moving between listening points around a set of ringing bells, + shifting vantage points, and experiencing ringing from various + distances and reflecting off different surfaces. } } \vspace #2.5 @@ -150,11 +157,7 @@ \left-column { \override #'(line-width . 90) \line { \hspace #90 } - \justify { \italic 1. \hspace #1 Accidentals carry through each bar – cautionary accidentals are not supplied. } - \justify { \italic 2. \hspace #1 Two fermata notations are used: a \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a \italic long fermata ( \musicglyph "scripts.ufermata" ). } - \override #'(line-width . 90) - \justify { - \italic 3. \hspace #1 Dotted slurs are used to indicate phrasing that may not be clear through dynamics and other notations. } + \justify { \italic 1. \hspace #1 Accidentals carry through each bar } } \vspace #2.5 \line { \char ##x27BF } @@ -188,11 +191,11 @@ } \score { << - \include "manuscripts/guitar.ly" - \include "manuscripts/percussion.ly" - \include "manuscripts/piano.ly" + \removeWithTag #'part \include "manuscripts/guitar.ly" + \removeWithTag #'part \include "manuscripts/percussion.ly" + \removeWithTag #'part \include "manuscripts/piano.ly" >> - \midi { } + %\midi { } \layout { \context { \Score @@ -223,7 +226,7 @@ \override StringNumber.padding = 1 \override StringNumber.layer = 5 \override StringNumber.font-size = -3 - \override StringNumber.outside-staff-priority = 2000 + \override StringNumber.outside-staff-priority = 200 \override TupletNumber.layer = 4 \override TupletNumber.font-shape = #'upright \override TupletBracket.whiteout = 2