From: Tucker Johnson Date: Tue, 28 Jan 2025 03:33:38 +0000 (-0500) Subject: stuff X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=76cd481c43335c6f965c471d9e61582819843211;p=net-clarity.git stuff --- 76cd481c43335c6f965c471d9e61582819843211 diff --cc manuscripts/II-clarinet.ly index 27f6ef2,7eec95b..21125fe --- a/manuscripts/II-clarinet.ly +++ b/manuscripts/II-clarinet.ly @@@ -8,100 -8,236 +8,331 @@@ \override StaffSymbol.staff-space = \clarinetMagstep \consists Text_mark_engraver \consists Mark_engraver + \RemoveEmptyStaves } - %\transpose bes c' + \transpose bes c' \relative { ++<<<<<<< HEAD + \numericTimeSignature + \tempo "Vivace" 4=168 + \time 5/8 ces'4\f ees8[ bes']-. r8 | %001 + \time 4/4 \grace { s8 } c,4 d'\> a'8( cis4.)\mp | %002 + \time 5/8 \grace { s8 } e,,,8[ g']-. r8 aes,4 | %003 + \time 6/8 f''4 ges8-. a,,4->\f bes8( | %004 + f' d8)-. r8 c'4 e'8-. | %005 + fis,,,4(\mp cis') ees'8-. r8 | %006 + \time 5/8 g8-. r8 b4( aes8-.) | %007 + \time 4/4 c,,4->\f des' bes'8-. r8 a,4 |%008 + \time 3/8 e d''8-. | %009 + \time 3/4 aes,4\p ges'4 f'8-. r8 | %010 + \time 4/4 ees,,,8( g4)\< b'8 f,4->\f ges' | %011 + \time 5/8 g''8 bes,,,4 a' | %012 + \time 4/4 aes'8[ d,,,8]\mp e''4 c'8-.\< r8 cis,,4 | %013 + \grace { s8 } b'8 ees'8--\f r4 \once \override Hairpin.circled-tip = ##t f,,2\<\fermata | %014 + + \sectionLabel \markup { \box \number 15 } + + \time 7/8 f4\fp des( aes4) d8 + \time 4/4 c'4 b'4 bes,,8 a''4. + \time 7/8 ees4 ges,,4 g''8 e'4 \breathe + \time 4/4 d,4( f8) cis' c,,4 bes'4 + fis'4 aes,,8 g'8~ 8 a'4 b,,8( + e,4) \breathe ees'8 d,8~ d8 b''4 c'8 + bes,,4 des4~ des8 g'4 ges,,8 + aes'4 ees''4 \breathe f,,,8\< a4 e''8~\mp + \time 6/8 e4. ees,,8\< b' fis'' + e,,8 cis'' a gis,4.\f + \time 2/4 r8 f'4\> bes8-. + \time 4/4 \after 4 \< d2~\p d8\f r8 aes'4(\mp + \time 6/8 b2. + e,4.) \breathe d,,8-.\mf fis-. a-. + r8 bes(\< des f4 fis8)\f + ees'2.\p + \time 4/4 f,,8-.-> c''8~\< 4~\f\> 2 + \time 4/4 d,8(\!\< bes)-. a'4\f des,8-.-> ees( g) aes,-. + c'2~\p\< c8\f r8 r4 | + r2 r8 e,,8-.-> a''4(\p | + \time 9/8 fis8[) b,,-.-> d''-- g,,,]-.-> b''4 dis,,,8-.-> ais'''( cis) + \time 4/4 gis,8\f( e b'4) r2 | + f'2~\p\< f8\mf r8 c,-.-> r8 + \time 7/8 b'8-> e4 bes8[->\f\< des,-.-> ges,-.->\! c8]-.-> | + \time 4/4 ees'4(\p f2.~ | + \time 3/4 4~ 8) r8 a,8(\f\< e) | + \time 6/8 aes,-.->\! r8 r8 b''4.\p | + ees,,8\f\< g,-.-> d-.->\! bes'''4.(~\p | + \time 3/4 bes4. a8) f,-> r8 + a2.~\pp\<( | + a2.~ | + a4.\mf\< bes,8-.)\! r4 | + ees4 8-. r8 b'-. e,~( | + e4 f,8-.) r8 r4 | + R1*3/4 + R1*3/4 + R1*3/4 + bes''8-.\mf bes8~\p bes2 | + ees,2->\mf( des'8-.) r8 + r8 des8-.\p r8 b8-.\mf b4~\p | + b4 fis'2~->\mf( | + fis2~ fis8 a,8-.)| + r8 a8-.\p r4 ees8-.\mf r8 | + ees8-. r8 r4 r4 | + r8 c'8~ c4. c8( | + f,8-.) bes8-. r8 aes'8~( 8 des,-.) | + r8 g,,8-- g8-. r8 r4 | + g8-. r8 d4---> b''8-. d,,8( | + e'8-.) r8 fis'8->( a,-.) r4 | + a8-. r8 \override Hairpin.circled-tip = ##t a,4.\< c'8-.->\f | + a,2\< e'8-.->\f \override Hairpin.circled-tip = ##f a,8(~\mp\< | + a8 cis4 f8~ f4)\f | + aes,8-.-> r8 r4 r4 | + r8 b'8( dis,)[ e,,(] c'[) d'8]-.-> | + d2.\pp | + g8-.-> d8~ d2 | + aes,8--\mf d'-.\< fis-. bes-.\! b,,8-- c'-- | + r4 ees,,8---> des''-. f-.-> g,,---> | + e''8-.-> f8~\pp\< f2~ | + f8\mf gis8-. a2~\> | + a4\!\< a8( b,8)\f d8-. des,---> | + b'4. f8-- ees'8-- fis-.-> ees4-- a,8( g'8~ g4~\> | + g4~ 8\fermata bes,8-.)\mp r4 | + \time 4/4 + bes8-.\mf\< b( des ees)\f c8-.\p r8 r4 | + c8-. c(\< d e)\mp r4 r8 e8-. | + \time 3/4 + r8 e8-. f(\mf g) g( a~ | + a) \grace { e16( } b'8--)\mp \grace { ees,16^( } c8-.\ff d8-.) r8 d8-.-> | + r8 \grace + + + ++======= + \tempo "Vivace" 4=168 \time 2/4 ces'4.\f ees8 | %001 + \time 6/8 bes'8-. r8 r8 c,4. | %002 + \time 3,2,2 7/8 d'4.\> a'8( cis8~\mp 4~ | %003 + \time 4/4 cis8) e,,,8 g'8-. r8 r8 aes,8~ aes4 | %004 + f''4. ges8 a,,4.\f bes8( | %005 + \time 6/8 f'8 d8-.) r8 c'4 e'8-. | %006 + \time 9/8 \grace s8 fis,,,4.(\p cis'4.) ees'8-. r8 r8 | %007 + \time 3/4 g-. r8 b4( aes8-.) c,,->~\f | %008 + \time 4/4 c8 des'8~ des4 bes'8-. r8 r8 a,~ | %009 + a8 e4 d''8-. aes,4\p ges' |%010 + \time 3,2 5/8 f'8-. r8 r8 ees,,,8(\< g8~ | %011 + \time 3/4 g8) b'8 f,4->\f ges'4 | %012 + g''8 bes,,,4 a'4 aes'8-. | %013 + \time 4/4 d,,,8\mp e''4 c'8-. r8 cis,,4\< b'8 | %014 + ees'8--\f r8 f,,2\niente\< f4->\ff | %015 + + \sectionLabel \markup { \box \number 16 } + \omit Score.BarNumber + \time 3/4 des4(\psempre aes4) d8 c'8~ | \undo \omit Score.BarNumber %016 + c8 b'4 bes,,8 a''4~ | %017 + a8 ees4 ges,,4 g''8 | %018 + e'4 \breathe d,4( f8) des'8 | %019 + c,,4 bes'4 ges'4 | %020 + aes,,8 g'4 a'4 b,,8( | %021 + e,4) \breathe ees'8 d,4 b''8~ | %022 + b8 c'8 bes,,4 des4~ | %023 + des8 f'4 \breathe ges,,8 aes'4 | %024 + ees''4 f,,,8 a4 e''8~ | %025 + e4. ees,,8\< b'8 fis''8 | %026 + e,,8 cis''8 a8 gis,4.\f | %027 + r8 f'8 r8 bes8( d4~ | %028 + d4~ d8) r8 r8 aes'8~\mp | %029 + + \sectionLabel \markup { \box \number 30 } + \omit Score.BarNumber + aes2. | \undo \omit Score.BarNumber %030 + e8( g8-.) r8 d,8--\f fis,8-.\mp\< a8-. | %031 + d8( des f)\f bes,8-. fis'8->-- b'8(\p | %032 + ees,2.) | %033 + f,,8-. c''8~\< c2~\f\> | %034 + c4 d,8-.\mp\< bes8( a4) | %035 + des8-.->\f g8-.-> des''8 ees,,,8( c'8) aes'-.-> | %036 + R1*3/4 | %037 + r4 r4 r8 e8-.-> | %038 + a'4(\p fis8) b,,8~(\< b8 g8~ | %039 + g4) ees'8-.->\mf cis''8-- e,,,8(\< gis8) | %040 + b'8-.->\f r8 r4 r4 | %041 + + \sectionLabel \markup { \box \number 42 } + \omit Score.BarNumber + d'8(\> f,8~ f2~\pp\< | \undo \omit Score.BarNumber %042 + f8)\f c,8~\p\< c8 b'8-.->\mf e4 | %043 + bes8-.->\f\< des,8-.-> ges,8-.-> c8-.->\! ees'4(\p | %044 + f2.~ | %045 + f4~ f8) r8 a,8(\f\< e8) | %046 + aes,8-.->\! r8 r8 b''4.\p | %047 + ees,,8\f\< g,8-.-> d8-.->\! bes'''4.~(\p | %048 + bes4. a8) f,8-> r8 | %049 + a2.~(\pp\< | %050 + a2.~ | %051 + a4.\mf bes,8-.) r4 | %052 + ees4 ees8-. r8 b'8-. e,8~( | %053 + e4 f,8-.) r8 r4 | %054 + R1*3/4 | %055 + R1*3/4 | %056 + + \sectionLabel \markup { \box \number 57 } + \omit Score.BarNumber + R1*3/4 | \undo \omit Score.BarNumber %057 + bes''8-.\mf bes8~\p bes2 | %058 + ees,->(\mf des'8-.) r8 | %059 + r8 des8-.\p r8 b8-.\mf b4~\p | %060 + b4 fis'2~->( | %061 + fis2~ fis8 a,8-.)\> | %062 + r8 a8-. r4 ees8-. r8 | %063 + ees8-.\p r8 r4 r4 | %064 + r8 c'8~\< c4~ c8 c8( | %065 + f,8-.)\f bes8-.\mp r8 aes'4(\f des,8-.) | %066 + r8 g,,8--\p g8-. r8 r4 | %067 + g8-. r8 d4->--\< b''8-. d,,( | %068 + e'8-.) r8 fis'8(\f a,8-.) r4 | %069 + + \sectionLabel \markup { \box \number 70 } + \omit Score.BarNumber + a8-.-> r8 a,4~\niente\< a8 c'8-.->\f | \undo \omit Score.BarNumber %070 + a,2\niente\< e'8-.->\f a,~(\mp\< | %071 + a8 cis4 f4.)\f | %072 + aes,8-.-> r8 r4 r4 | %073 + r8 b'8( dis,8) e,,8( c') d'8-.-> | %074 + d2.\pp | %075 + g8-.-> d8~ d4~ d8 d8-. | %076 + aes,8--\mf\< d'8-. fis-. bes-.\f b,,8-- c'-- | %077 + r4 ees,,8->-- des''8-. f8-.-> g,,8---> | %078 + e''8-.-> f8~\pp\< f4~ f8 f8-. | %079 + f8-.\mf gis8-. a2\> | %080 + a8-.\p\< a8-. a8( b,8-.)\f d8-. des,8---> | %081 + b'4 b8-. f8 ees'8-- fis8-.-> | %082 + ees8-. ees8-. a,8( f'4\> bes,8-.)\mp | %083 + + \sectionLabel \markup { \box \number 84 } + \omit Score.BarNumber + \time 4/4 bes8-.\mf\< ces8( des ees)\f c8-.\p r8 r4 | \undo \omit Score.BarNumber %084 + c8-. c8(\< d8 e8)\mf r4 r8 e8-. | %085 + \time 3/4 r8 e8-. f8( g8) g8( a~) | %086 + a8 \grace e8^( b'8)--\mp \grace ees,8^( c8\f d8-.) r8 d8-.-> | %087 + r8 \grace ces'8^( des,8\p ees8-.) ees8-. \grace d8^( e4->)\f | %088 + \grace a8^( fis8)\p\< fis8-. fis( gis8) gis8( ais8~ | %089 + ais4) r8 ais8(\f b8-.) r8 | %090 + b8( cis8~ cis4)\> r8 des( | %091 + ees8) ees8-.\mf \grace e,8^( f'4.)\ff f8-.\> | %092 + f8-. f8-. f8-. ges8--\mf\< ges8-. ges( | %093 + \time 3 3/8 aes8) \grace f8^( g8\ff a,8~ | %094 + \time 3/4 \pocAce a8)\startTextSpan \grace aes'8^( bes,8~ bes4.) bes8-.\> | %095 + bes8-. bes8-. bes8-. bes8-. bes8-.\mp \grace ees8^( c8\f | %096 + d8-.) r8 d8-. d8-. d8( e8-.) | %097 + \grace bes8( f8)\mf f'8-. f8( g8-.) g8-.\< g8( | %098 + \time 3 3/8 a8-.) a8-. a8-.\stopTextSpan \tempo 4=174 | %099 + \time 3/4 \grace a,8^( ges'8\ff aes8-.) aes8-. aes8( bes-.) r8 | %100 + + \sectionLabel \markup { \box \number 101 } + \omit Score.BarNumber + \tempo \markup { \rhythm { \tuplet 3/2 { 8[ 8 8] } } "=" \rhythm { { 8[ 8] 8 } } "Prestissimo" } 4=232 + \time 4/4 R1*6 | \undo \omit Score.BarNumber + \rit \after 4. \startTextSpan R1 + r2 r4 r8 f,,,8~\niente\<\stopTextSpan | %108 + + \sectionLabel \markup { \box \number 109 } + \omit Score.BarNumber + \tempo 4=200 + \time 3/4 f2~ f8 des'8->~\f | \undo \omit Score.BarNumber %109 + des4 bes2->~ | %110 + bes2\> d,4~\mp | %111 + 2.~\> | %112 + \after 4 \< 2.\niente | %113 + c'2.->~\f | %114 + \rit c4.\startTextSpan b4.->\> | %115 + ees,2.~\p\< | %116 + 2 f4~\f | %117 + \after 2 \stopTextSpan f2. \tempo "Tempo primo" 4=168 | %118 + fis4-> a2->~ | %119 + 4. g4.~-> | %120 + g4 aes4->~ aes8 e8~-> | %121 + 2.~\>\startTextSpan | %122 + 4\p r4 \after 8 \stopTextSpan r4 | %123 + + \sectionLabel \markup { \box \number 124 } + \omit Score.BarNumber + \tempo "Meno mosso" 4=152 + R1*3/4 | \undo \omit Score.BarNumber %124 + r8 a'4(\mp\> fis) bes8~-> | %125 + bes8 f4-> des4->\f \grace fis8( d8~\p | %126 + d2\< fis4~\mp | %127 + fis4) \breathe des'4->\f bes8-> \grace f8( d'8~\> | %128 + d8 a8~ \after 4. \mp a2) | %129 + \grace b8( f8->)\startTextSpan ees'8~ ees4~\< ees8 \grace f,8( b8~->\f\> | %130 + b8) c8~ \after 8 \p c4 \grace b8( \after 8 \stopTextSpan e4~->\f \tempo "Poco rubato" 4=144 | %131 + e8) aes8-> g,2~\> | %132 + 8\mp \breathe g8~( g4~ g8 b,8~ | %133 + b8) \grace gis''8( dis4)\mf e,8( gis,4~ | %134 + gis4) \grace e''8( g,2~\> | %135 + g2)\startTextSpan c4~ | %136 + c4 r8 \after 4 \stopTextSpan g4.\p \tempo 4=132 | %137 + + \sectionLabel \markup { \box \number 138 } + \omit Score.BarNumber + fis8 d4 f( c'8~ | \undo \omit Score.BarNumber %138 + c2) r4 | %139 + r8 a,8~(\mf a2 | %140 + gis4.) e''4.\p | %141 + ees,,4.\mf b''4\p bes8~( | %142 + bes2) des,4-> | %143 + a'2 bes'8(\< c,8~ | %144 + c2)\mf r8 b,8~ | %145 + \ace b8\startTextSpan d4 f'8 e,,4( | %146 + fis4) ees'4( aes8 g~ | %147 + g4) c,8\p\< des'4 ces'8-. | %148 + r8 bes,,8 fes''2~( | %149 + fes8 ges8-.) \after 4. \stopTextSpan f,,2\f | %150 + + \sectionLabel \markup { \box \number 151 } + \omit Score.BarNumber + \tempo 4=144 + r4 r4 r8 g8\> | \undo \omit Score.BarNumber %151 + d'8 cis'8-.\mp r8 ges,4\f\> fes'8 | %152 + ees'-.\mp r8 f,4\mf c'4~\< | %153 + c8\startTextSpan a,8\f r8 f8 g'4~\mf | %154 + g8 r8 e,8\f\> fis'4 \after 16 \stopTextSpan gis'8\mp \tempo "Tempo primo" 4=168 | %155 + d,,4.\f d8-. r8 a''8~\mp | %156 + a8 b'4(\< bes8-.) ees,4~ | %157 + ees4 ces,8-.\f r8 r4 | %158 + bes8\> c'8-.\p r4 r8 aes,8\mf\> | %159 + des'8-. e'4(\p f d8-.) | %160 + r8 ees,,,8(\f\> c'4 b'8-.)\p r8 | %161 + r4 bes4 g'8-. r8 | %162 + r4 aes,8 ges'8-. r8 a8~\< | %163 + a4 cis,,8-.\mf r8 r8 a'8~\> | %164 + + \sectionLabel \markup { \box \number 165 } + \omit Score.BarNumber + a8 c'8-.\p r8 b,,\mf\> aes''4~\> | \undo \omit Score.BarNumber %165 + aes8 f8-.\p r4 r8 cis8-.\mf | %166 + e8-. r8 r4 ees,,8(\f g8-.) | %167 + f8\> g'8( ees'8-.)\mp aes,,8(\f\> c8) bes''8~ | %168 + bes2\mp r8 cis,,8(\mf | %169 + a'2) a8-- a8-- | %170 + b8-. e,,8\f\> fis''8( d'-.)\p g,,,8\f c'8--\mp\< | %171 + c8-- bes,8-. ees,8\f f''8\p des'8-.\< ces,,8 | %172 + ges8\f aes'4~\mf aes8--\< aes-- aes8-. | %173 + d,8\f\> e'8 a8-.\mp r8 r8 a-- | %174 + a8-- a8-- c,,8\f\> bes' g'8-.\mp f,8-- | %175 + f8--\< f8-- f8-- des\mf ees'8-. e,(\> | %176 + gis8) fis'8-.\mp a,,8\mf b'8-- 8--\< 8-- | %177 + + \sectionLabel \markup { \box \number 178 } + \omit Score.BarNumber + d,8-.\f r8 c8(\mf bes) bes( aes) | \undo \omit Score.BarNumber %178 + aes-- g( f)\> f( ees8) ees-- | %179 + \ritPoc ees--\startTextSpan ees-- ees-- ees-- ees-- d(\mp | %180 + e fis) a( b cis) g( | %181 + bes\< c) des( ees f) ges( | %182 + aes) aes-- aes-- aes-- aes( fes')\mf | %183 + d-- d-- d-- d(\< b a) | %184 + g( c f)\f f-- dis(\> cis | %185 + ais) gis( fis e)\p b'8--\mp b-- | %186 + b( d, a') g(\> f \after 16 \stopTextSpan ees) \tempo 4=104 | %187 + c8( bes aes)\p \molRit cis(\>\startTextSpan b a) | %188 + fis( \after 16 \stopTextSpan e d2)\pp\fermata \bar "|." %189 ++>>>>>>> working } diff --cc manuscripts/II-piano.ly index b5d795a,e7a841b..ed3d634 --- a/manuscripts/II-piano.ly +++ b/manuscripts/II-piano.ly @@@ -12,262 -12,674 +12,928 @@@ \override PianoStaff.Arpeggio.arpeggio-direction = #UP \new Staff = "u" \with { \consists "Merge_rests_engraver" ++<<<<<<< HEAD + } + { + << + \relative { + \tempo "Vivace" 4=168 + \override DynamicLineSpanner.staff-padding = \phds + \time 5/8 r4\f ees'8[ bes']-.-> r8 | %001 + \time 4/4 \grace { s8 } r4 d\> a'8( cis4.)\mp | %002 + \time 5/8 \grace { s8 } s4 r8 r4 | %003 + \time 6/8 f,4 \grace { des'8^( } ges,8-.) r4.\f r4. c,4 e'8->-. | %004-005 + r4.\mp r8 ees,4( | %006 + \time 5/8 g8-.) r8 b4( aes8-.) | %007 + \time 4/4 r4\f des,~ 8-.-> r8 r4 | %008 + \time 3/8 r8 r8 d'8-.-> | %009 + \time 3/4 r4\p \D \grace { a,8( } \U ges'4) f'8-. r8 | %010 + \time 4/4 r4\< r8 b,,8 r2\f | %011 + \time 5/8 g''8 r8 r8 a,,4 | %012 + \time 4/4 aes'8-. r8 e4 c'8-.->\< r8 r4 | %013 + r8 ees8--->\f r4 r2 | %014 + \time 7/8 \after 4 \p f,,2~-> f4 r8 | + \time 4/4 c'4 b'8 r8 r8 a4. | + \time 7/8 ees4 \D \once \showStaffSwitch \grace { gis,,8( } fis4) \once \showStaffSwitch \U \grace { ees''8( } g8) e'8-. r8 | + \time 4/4 d,4 f8 cis'-. r4 \grace { f,8( } bes,4) | + \grace { cis'8( } fis,8-.) r8 \D aes,,8 \U g'8~-> g2~ | + g4 ees2.~-> | + 4 r4 r8 f'8-. r4 | + aes,4 ees''8 r8 r4 r8 e,8~\mf | + \time 6/8 e4.\< \D \once \showStaffSwitch ees,,8 \once \showStaffSwitch \U r8 fis''8 | + r8 cis8 a r4.\f | + c,4\> g4 | + \after 2. \p R1\! | + \time 6/8 R1*6/8 + \after 4. \mp \after 2 \< R1*6/8 + r8 bes8-.-> des-.-> f-.-> r8 fis-.->\f | + R1*6/8 + \time 4/4 R1 | + d8-.->\mf\< bes a'-.-> r8 des,8 ees-.-> g-.->\f aes, | + c'8-.-> r8 r4 r2 | + R1 | + \time 9/8 R1*9/8 | + \time 4/4 gis8-.-> e-.-> b'-.-> r8 r2 | + R1 | + << + \relative { + \voiceOne + g''8-. r8 r8 g8-. r8 g8[-. aes]~ | + aes1~ | + 4~ 8 r8 d8( des8-.) | + r8 r8 des8-. ges,4. | + ges4 ges8-. r4. | + r4 c8-. r8 c,8-. r8 | + } + \new Voice + \relative { + \voiceTwo + \time 7/8 b'8-. r8 r8 bes8-. r8 bes[-. bes]~ + \time 4/4 bes1~ | + \time 3/4 4~ 8 r8 a8( e8-.) | + \time 6/8 r8 r8 e8-. e4. | + ees4 ees8-. r4. + \time 3/4 r4 ees8-. r8 f8-. r8 | + } + >> + \oneVoice + r4 r4 r8 c'8~ | + c4 c8( d,8~ d4~ | + d8 cis'-.) r4 r4 | + R1*3/4 | + << + \relative { + \voiceOne + r4 g'''4. g8~( | + g4 aes,2~ | + aes2 fis'8-.) r8 | + } + \new Voice + \relative { + \voiceTwo + r4 c''8-. c8~( c4~ + c2 d,4~ | + d4 cis'8-.) r8 r4 | + } + >> + \oneVoice + r4 r4 r8 b,8-. | + r8 f''8-. r4 r8 ees,8~->( | + ees4 c'8-.) r8 c8-. r8 + r8 c8-. r4 cis,8-. r8 | + r4 + << + \relative { + \voiceOne + r4 r8 e'''8-. | + } + \new Voice + \relative { + \voiceTwo + r8 gis''8~( gis4 | + ais,8-.) + } + >> + \oneVoice + r8 bes8-. r8 r4 + r8 g'8~->( g8 d'-.) r4 | + g,,8-. r8 r4 r4 d'4.( e,8-.) r4 | + r8 bes''8-. r8 aes'8~( aes des,8-.) | + R1*3/4 + r4 r4 b8-. r8 | + r4 fis'8( a,8-.) r4 | + a8-. r8 r4 r8 c8-. | + r4 \after 8 \p r4 e,8-. r8 | + R1*3/4 | + aes,8-. r8 r4 r4 | + R1*3/4 | + R1*3/4 | + R1*3/4 | + R1*3/4 | + R1*3/4 | + R1*3/4 | + R1*3/4 | + R1*3/4 | + R1*3/4 | + e8-. gis8-. r4 r4 | + r4 r8\fermata 8-.\pp r4 | +<<<<<<< HEAD + R1*3/4 | + R1*3/4 | + R1*3/4 | + 8-.-> 8-.-> r8 -.-> r4 | + R1*3/4 | + r4 r4 \ottava #1 8-.-> r8 | + 8-.-> r8 8-.-> r8 r4 | + 8-.-> 8-.-> r8 8-.-> r4 | + r8 8-.-> r4 r4 | + R1*3/4 | + r8 e4( b'8) 8( cis) | + 8( dis) r8 8-.-> 8-.-> 8-.-> | + r8 8-.-> \ottava #0 r4 r4 | + \ottava #1 \tuplet 3/2 { f'8\p\< \D \U } \tuplet 3/2 { \D ges, \U ges' \D } \tuplet 3/2 { \U \D \! \U } \bar "||" | \clef "bass" + \tempo "A tempo" 4=168 + \ottava #0 s4\f s4 s4\mp | + +======= +>>>>>>> e692014 (start) ++======= + \override DynamicLineSpanner.staff-padding = \phds + } + { + \set Staff.ottavationMarkups = #ottavation-ordinals + \relative { + \tempo "Vivace" 4=168 + \time 2/4 r4\f r8 ees'8 | %001 + \time 6/8 bes'8-.-> r8 r8 r4. | %002 + \time 3,2,2 7/8 d4.\> a'8-. cis8~\mp cis4~ | %003 + \time 4/4 cis8 r8 g,8-. r8 r2 | %004 + f'4. \grace des'8( ges,8) r2\f | %005 + \time 6/8 f,8-> d8-.-> r8 c'4 e'8-.-> | %006 + \time 9/8 \grace s8 r4.\mp r4. ees,4.( | %007 + \time 3/4 g8-.) r8 b4( aes8-.) r8\f | %008 + \time 4/4 r8 des,8~ des4~ 8->-. r8 r4 | %009 + r4 r8 d'8-.-> r4\p \D \grace a,8( \U ges'4) | %010 + \time 5/8 f'8-. r8 r8 r4\< | %011 + \time 3/4 r8 b,,8 r4\f r4 | %012 + g''8 r8 r8 a,,4 aes'8-. | %013 + \time 4/4 r8\mp\< e4 c'8-.-> r2 | %014 + ees8--\f r8 r4 r4 f,,4~-> | %015 + \sectionLabel \markup { \box \number 16 } + \omit Score.BarNumber + \time 3/4 f2\psempre r8 c'8~ | \undo \omit Score.BarNumber %016 + c8 b'8-. r4 a4~ | %017 + a8 ees4 r8 r8 \grace ees8( g8) | %018 + e'8-. r8 d,4 f8 cis'8 | %019 + r4 bes,4 \grace des'8( ges,8-.) r8 | %020 + r4 r8 a8-. r8 \clef bass \grace gis,,8( b8) | %021 + e,4 r8 d8~ 8 r8 \clef treble | %022 + r8 c'''8-. r4 r4 | %023 + r8 f,8-. r4 aes,4 | %024 + ees''8-. r8 r4 r8 e,8~\mf | %025 + e4~ e8 r8 r8\< fis8 | %026 + r8 cis8 a8 r8\f r4 | %027 + c,8 r8 g8 r8 r4 | %028 + \after 2 \p R1*3/4 | %029 ++>>>>>>> working + \sectionLabel \markup { \box \number 30 } + \omit Score.BarNumber + R1*3/4 | \undo \omit Score.BarNumber %030 + r4 r8 d'8-.->\f r4\mp\< | %031 + r8 des8-.-> f-.-> r8 fis8-.->\f r8 | %032 + R1*3/4 | %033 + R1*3/4\p | %034 + << + { + \voiceOne + r4 d4~\< d8 r8 | %035 + } + \new Voice { + \voiceTwo + r4 r8 bes8-.-> a-.-> r8 | %(035) + } + >> + \oneVoice + des8~ 8~ \after 8 \f 4 c8-.-> aes'8~ | %036 + aes2 \after 8 \pp r4 | %037 + R1*3/4 | %038 + r4 r8 b,8-.->\< r8 g8-.-> | %039 + r4 r4 e8-.-> gis8-.-> | %040 + R1*3/4\f | %041 - } - >> + \sectionLabel \markup { \box \number 42 } + \omit Score.BarNumber + \after 8 \p R1*3/4 | \undo \omit Score.BarNumber %042 + r4 r8 g''8-.\mf r4 | %043 + g8-. r8 g8-.-> aes4.~ | %044 + aes2.~ | %045 + aes4~ aes8 r8 d8->( cis8-.) | %046 + r4 cis8-.-> fis,4.\mp\< | %047 + fis4 fis8-.->\f r8 r4 | %048 + r4 c'8-.\mp r8 c,8-.-> r8 | %049 + r4 r4\f r8 c'8~ | %040 + c4 c8( d,4.~ | %051 + d8 cis'8-.) r4 r4 | %052 + R1*3/4 | %053 + r4 g'4.\> g8~( | %054 + g4 aes,2~ | %055 + \voiceOne aes2 fis'8-.)\p r8 | %056 + + \sectionLabel \markup { \box \number 57 } + \omit Score.BarNumber + \oneVoice + r4 r4 r8 b,,8-. | \undo \omit Score.BarNumber %057 + r8 f''8-. r4 r8 ees,8->~ | %058 + ees4 c'8-. r8 c8-. r8 | %059 + r8 c8-. r4 cis,8-. r8 | %060 + << + { + \voiceTwo r4 r8 gis'8~(\f gis4 | %061 + } + \new Voice { + \voiceOne r4 r4 r8 e'8-. | %(061) + } + >> + \oneVoice ais,,8-.) r8 bes8-. r8 r4 | %062 + r8 g'4(-> d'8-.) r4 | %063 + g,,8-.\p r8 r4 r4\< | %064 + d'4.( e,8-.)\mf r4 | %065 + r8 bes''8-.\mp r8 aes'4(\f des,8-.) | %066 + \after 4 \p R1*3/4 | %067 + r4 r4 b8-. r8 | %068 + r4 fis'8(\f a,8-.) r4 | %069 + + \sectionLabel \markup { \box \number 70 } + \omit Score.BarNumber + a8-.-> r8 r4 r8\psempre c8-. | \undo \omit Score.BarNumber %070 + r4 r4 e,8-. r8 | %071 + R1*3/4 | %072 + aes,8-. r8 r4 r4 | %073 + R1*3/4 | %074 + R1*3/4 | %075 + R1*3/4 | %076 + R1*3/4 | %077 + R1*3/4 | %078 + R1*3/4 | %079 + R1*3/4 | %080 + R1*3/4 | %081 + R1*3/4 | %082 + e8-. gis8-. r4 r8 8-. | %083 + + \sectionLabel \markup { \box \number 84 } + \omit Score.BarNumber + \time 4/4 8-. r8 r4 8-. r8 r4 | \undo \omit Score.BarNumber %084 + 8-. r8 8-. r8 r8 ges8(\mp\< aes8) aes8( | %085 + \time 3/4 bes8)\! r8 r4 r4 | %086 + r4 r8 bes8-.->\f r8 f'8~ | %087 + f2.~ | %088 + f2 f4\mp | %089 + f8(\< g8 a2~\ff | %090 + a8) a4 a8( c8) r8 | %091 + \ottava #1 c4\mf\< c8( d8) d8-. d8( | %092 + e4)\f e8-. e8-. \stemDown + \tuplet 3/2 { \D 8 \U 8 \D 8 } | %093 + \time 3/8 \U 8-. r8 r8 | %094 + \time 3/4 \pocAce e4->\startTextSpan b8-.\mp\< b8-. b8( cis~ | %095 + cis8) cis8( dis8)\f\< dis8-. dis8-. 8-. | %096 + -. ees8-.\ff d8-.\mf\< d8-. d8-. e8-.\f | %097 + r4 \tuplet 3/2 { r8 r8 d8 } \tuplet 3/2 { \D 8 \U 8 \D } | %098 + \time 3/8 \U 8-. r8 r8\stopTextSpan \tempo 4=174 | %099 + \time 3/4 \grace s8 \tuplet 3/2 { r8 \D ges,8 \U 8 } + \override NoteColumn.ignore-collision = ##t + << + { + \tuplet 3/2 { \D 8 \U 8 + \D } \U 8-. + } + \new Voice { + \override ClusterSpanner.style = #'centered-stairs + \tuplet 3/2 { s8 \U \makeClusters { 32 32 32 } \D s8 } \U s + } + \new Voice { + \override ClusterSpanner.style = #'centered-stairs + \tuplet 3/2 { s8 \U s8 \D \makeClusters { 32 g32 g32 32 } } \U s8 + } + \new Voice { + \override ClusterSpanner.style = #'centered-stairs + \tuplet 3/2 { s8 \U s8 \D s } \U \makeClusters { 32 32 } s32 + } + >> + \override NoteColumn.ignore-collision = ##f + \oneVoice \ottava #0 r8 \clef bass | %100 + + \sectionLabel \markup { \box \number 101 } + \omit Score.BarNumber + \tempo \markup { \rhythm { \tuplet 3/2 { 8[ 8 8] } } "=" \rhythm { { 8[ 8] 8 } } "Prestissimo" } 4=232 + \time 4/4 \stemNeutral g,,,,,8-.\ff r8 ees8( c8) r8 a'8( f'8-.) r8 | \undo \omit Score.BarNumber %101 + b,,8-- gis'8-. e8-. fis'8 r8 a,,8-. d8( des8 | %102 + bes8) r8 aes''8 r8 f,8 ges8-. r4 | %103 + g'8( e8) r4 r4 c,8-. r8 | %104 + d'8 r8 r4 aes8 bes8( des8) r8 | %105 + e,8 dis8-. b8-. r8 r2 | %106 + r4 r8 \rit g'8(\startTextSpan fis8) b8 cis,8-. d8-. | %107 + a8-.\> r8 c'8 r8 bes,8-. r8 ees'8 8--\stopTextSpan\f | %108 + + \sectionLabel \markup { \box \number 109 } + \omit Score.BarNumber + \tempo 4=200 + \time 3/4 r4 r4 r8 8-- | \undo \omit Score.BarNumber %109 + r8 e8 4 r4 | %110 + r4 g'8 r8 4 | %111 + r4 gis8 r8 fis,8-. f'8 | %112 + R1*3/4 | %113 + 4 r4 r4 | %114 + fis8-.\startTextSpan r8 a,8 8-- r4 | %115 + 8-- aes,8-. c8 r8 bes8-. r8 | %116 + r4 r4 4 | %117 + r4 r8 b8\> dis8 r8\stopTextSpan \tempo "Tempo primo" 4=168 | %118 + 8--\mf cis8-. 4 r4 | %119 + r4 r8 8-- 8-. r8 | %120 + f'4.---> a~---> | %121 + << + { + \voiceOne a2\startTextSpan\> r4 | %122 + } + \new Voice { + \voiceTwo r4 des,8( bes4) 8-. | %(122) + } + >> + \oneVoice + r8 d8--\mp 8-- r8 \after 8 \stopTextSpan r4 \clef treble | %123 + + \sectionLabel \markup { \box \number 124 } + \omit Score.BarNumber + \tempo "Meno mosso" 4=152 + 4--\mp r4 r4 | \undo \omit Score.BarNumber %124 + c'8-. 4( ) bes8-.-> | %125 + r8 f-.-> r8 des8-.-> r8 8~ | %126 + 2 fis8( e'8-.) | %127 + << + { + \voiceTwo r4 des8-.-> r8 bes8-.-> d8~ | %128 + d8 a8~ a2 | %129 + } + \new Voice { + \voiceOne r4 s8 r8 r8 b'8-. | %(128) + r8 aes8-. s2 | %(129) + } + >> + \oneVoice f,8-.->\startTextSpan ees'8~ 4~ 8 b8-. | %130 + << + { + \voiceTwo r8 c8~ c4 + } + \new Voice { + \voiceOne r4 des'8-. r8 + } + >> + \oneVoice 8-. r8\stopTextSpan \tempo "Poco rubato" 4=144 | %131 + r8 f8( g,2) | %132 + bes'8( g,8~ g4~ g8 b~ | %133 + b8) d'8-. r8 e,,8( gis,4~ | %134 + gis2) fis''4~ | %135 + fis2\startTextSpan r8 a8~ | %136 + a4 r8 \after 4 \stopTextSpan aes4. | %137 + + \sectionLabel \markup { \box \number 138 } + \omit Score.BarNumber + \tempo 4=132 + r8 d,,8~ d4. ees'8~ | \undo \omit Score.BarNumber %138 + ees2 r8 des8~\mp | %139 + << + { + \voiceOne des2. | %140 + } + \new Voice { + \voiceTwo r8 a,8~ a2 | %(140) + } + >> + \oneVoice aes2~\p aes8 g''8~\mf | %141 + g4.~\> 4.~ | %142 + << + { + \voiceOne 8~ 8~\p 2 | %143 + } + \new Voice { + \voiceTwo r4 r4 4-> | %(143) + } + >> + \oneVoice r4\p\< r4 bes''8( 8~\mf | %144 + 2.~ | %145 + \ace 4.)\startTextSpan 4.~ | %146 + 2. | %147 + r4\p\< r4 r8 8~ | %148 + 4 4 4\f | %149 + r8 8~ \after 4. \stopTextSpan 2 | %150 + + \sectionLabel \markup { \box \number 151 } + \tempo 4=144 + \omit Score.BarNumber + R1*3/4 | \undo \omit Score.BarNumber %151 + r8 8~\p 2 | %152 + 2 4~ | %153 + 8\startTextSpan r8 r4 r4 | %154 + r4 r4 r8 \after 16 \stopTextSpan 8-.\pp \tempo "Tempo primo" 4=168 | %155 + R1*3/4 | %156 + R1*3/4 | %157 + R1*3/4 | %158 + R1*3/4 | %159 + R1*3/4 | %160 + R1*3/4 | %161 + R1*3/4 | %162 + R1*3/4 | %163 + R1*3/4 | %164 + + \sectionLabel \markup { \box \number 165 } + \omit Score.BarNumber + R1*3/4 | \undo \omit Score.BarNumber %165 + R1*3/4 | %166 + R1*3/4 | %167 + R1*3/4 | %168 + R1*3/4 | %169 + R1*3/4 | %170 + R1*3/4 | %171 + R1*3/4 | %172 + R1*3/4 | %173 + R1*3/4 | %174 + r4 r4 r8 f8~\mp | %175 + 4. 4.~\mf | %176 + 4 2\mp | %177 + + \sectionLabel \markup { \box \number 178 } + \omit Score.BarNumber + 8-.\mf r8 r4 r4 | \undo \omit Score.BarNumber %178 + R1*3/4 | %179 + \ritPoc R1*3/4\startTextSpan | %180 + R1*3/4 | %181 + R1*3/4 | %182 + R1*3/4 | %183 + R1*3/4 | %184 + R1*3/4 | %185 + R1*3/4 | %186 + << + { + s4 s4 s8 s16 s16\stopTextSpan \tempo 4=104 %187 + s4. \molRit s8\startTextSpan s4 %188 + \after 8. \stopTextSpan s2. + } + \new Voice { + R1*3/4 % s4\stopTextSpan \tempo 4=104 %187 + R1*3/4 % \molRit s8\startTextSpan s4. %188 + r4 r2\fermata \bar "|." %189 + } + >> + + } } \new Staff = "d" { \clef bass ++<<<<<<< HEAD + \set Staff.pedalSustainStyle = #'bracket + << + \relative { + \tempo "Vivace" 4=168 + \override Staff.Hairpin.stencil = ##f + \override Staff.DynamicText.stencil = ##f + b4\f r8 r4 | %001 + \time 4/4 \grace { ees8( } c4) r4 r2 | %002 + \time 5/8 \grace { b8(\mp } e,8) \U g' \D r8 aes,4 | %003 + r4. a4\f bes8 | %004 + f'-> d8-.-> r8 r4. | %005 + \grace { a8(\mp } fis4) cis' r4 | %006 + R1*5/8 | %007 + c2~\f 8 r8 a'4~-> | %008 + ~ 8 | %009 + aes4\p r4 r4 | %010 + ees,8 g4\< r8 f4\f ges'4 | %011 + r8 bes,4 r4 | %012 + r8 d,8 r4 r4\< \grace { a''8( } cis,4) | %013 + \time 4/4 \U \grace { e'8( } \D b8) r8\f r4 r2 | %014 + r4 des,4\p aes d8~-> | + d2 bes2~-> | + bes~ bes4.~ | + bes2 c2~-> | + c4. r8 r8 \clef treble a''8 r8 \clef bass \grace { gis,,8( } b8) | + e,4 r8 d8~ d8 \clef treble b''4 c'8 | + r4 \clef bass des,,4~-> des4. ges,8~-> | + ges2~ 8 a4.~-> | + \time 6/8 a2 b4-> | + e,4.-> gis~-> | + gis2~ gis8 r8 r4 r4 ees,4~\p | + \time 6/8 ees2. | + g8( c,8-.) r8 d'~\mp\< ~ ~ | + 8 r8 r8\f r8 b,8-. r8 | + r8 gis'4~( gis4. | + f'8-.) r8 r4 r2 | + r4 e,8-. r8 r4 bes4~ | + bes8 r8 r4 r4 r8 f'8~(-> | + f2~ f8 des8-.) r4 | + R1*9/8 | + r4 fis4~( fis4. d8 | + a8) r8 r4 r2 | + s1*7/8 + s1 + s1*3/4 + s1*6/8 + s1*6/8 + s1*3/4 + r4 e''4(\mf\> f,8-.)\! r8 | + r8 b8-. r4 r8 \clef treble g''8~ | + g4 g4( fis'4~ | + fis8) fis8( aes,8-.) r8 r4 \clef bass | + ees,8-. r8 r4 r4 | + r8 bes8~( bes2~ | + bes8 a'-.) r4 r4 | + e,8-. d'4->( g,8-.) r4 | + r4 r8 \clef treble ges''8~( ges4~ | + ges2.~ | + ges8 a'-.) r4 r4 \clef bass | + dis,,,8-. r8 r4 r4 | + r4 c'8->( f,8-.) r4 | + R1*3/4 | + b,8-. r8 b8-. r8 a'4~ | + 4 8( fis8-.) r4 | + 8-. r8 r4 r4 | + r4 ees8-. r8 c'4~ | + c8 des,8-. des8-. r8 r4 | + aes'2~ aes8 ->( | + 8-.) r8 r4 d8-.^\p\sustainOn r8 | + r4 r8 g8-. r4 | + r4 r4 r8 fis8-.\sustainOff\sustainOn | + r4 bes8-. r8 ees,8-. b-. | + des,8-.\sustainOff\sustainOn r8 r4 r4 | + r4 r4 r8 f8-. | + a8-. r8 r4 r4 | + R1*3/4 | + r8 d8-.\sustainOff\sustainOn r4 r8 fis8-. | + R1*3/4 | + bes8-. r8 r4 r4 | + r4 c8-.\sustainOff\sustainOn r8 r4 | + R1*3/4 | + R1*3/4 | + R1*3/4\sustainOff | +<<<<<<< HEAD + R1*3/4 | + R1*3/4 | \clef treble + r8 ges'8( aes) aes( bes) r8 | + R1*3/4 | + r8 bes8-. r8 f'8~ 4 | + f2.~ | + f8 f4 f8( g a8~ | + a2) a8( c8-.) | + r8 c8-. r8 c8( d8) d8( | + e2.) | + R1*3/4 | + R1*3/4 | + R1*3/4 | + R1*3/4 | \clef "bass_8" + \stemUp d,,,,,8[(^\f g] \U ees'-.)[ \D bes,]-. + } +======= + } +>>>>>>> e692014 (start) + >> ++======= + \set Staff.ottavationMarkups = #ottavation-ordinals + \set Staff.pedalSustainStyle = #'bracket + \override DynamicLineSpanner.staff-padding = \phds + \relative { + \tempo "Vivace" 4=168 + \omit Staff.DynamicText \omit Staff.Hairpin + \time 2/4 b4~\f b8 r8 | %b001 + \time 6/8 r4. \grace ees8( c4.) | %b002 + \time 3,2,2 7/8 R1*7/8 | %b003 + \time 4/4 r8 \grace b8( e,8)\mp r4 r8 aes8~ aes4 | %b004 + r2 a4.\f bes8 | %b005 + \time 6/8 R1*6/8 | %b006 + \time 9/8 \grace a8( fis4.)\mp cis'4. r4. | %b007 + \time 3/4 r4 r4 r8 c8~\f | %b008 + \time 4/4 c2~ c8 r8 r8 a'8~ | %b009 + a8~ 8~ 4 aes4\p r4 | %b010 + \time 3,2 5/8 r4. ees,8\< g8~ | %b011 + \time 3/4 g8 r8 f4\f ges'4 | %b012 + r8 bes,4 r8 r4 | %b013 + \time 4/4 d,8\mp\< r8 r4 r8 cis'4 \U \grace e'8( \D b8) | %b014 + R1\f | %b015 + + \time 3/4 des,4\p aes4 d4->~ | %b016 + d4. bes4.->~ | %b017 + << + { + \voiceOne + bes2.~ | %b018 + } + \new Voice { + \voiceTwo + r4 r8 \grace aes8( ges8~ ges8) r8 | %(b018) + } + >> + \oneVoice + bes2. | %b019 + c2.->~ | %b020 + << + { + \voiceOne + c8 g'8~ + } + \new Voice { + \voiceTwo + aes,8 r8 + } + >> + \oneVoice + g'2~ | %b021 + g4 + << + { + \voiceTwo + ees2->~ | %(b022) + ees2 des4->^~ | %(b023) + } + \new Voice { + \voiceOne + r4 r8 b'8~ | %b022 + b8 r8 bes,4 s4 | %b023 + } + >> + \oneVoice + des4. ges,4.->~ | %b024 + << + { + \voiceOne + ges4. a4.->~\mf | %b025 + a2 b4->\< | %b026 + } + \new Voice { + \voiceTwo + r4 f8 r8 r4 | %(b025) + r4 r8 ees8 r4 | %(b026) + } + >> + \oneVoice + e4.-> gis4.->~\f | %b027 + gis2~ gis8 r8 | %b028 + r4 r4 ees,4\p( | %b029 + + b2. | %b030 + c4~ c8) r8 fis'8~\mp\< 8~ | %b031 + 4~ 8~ -. r4\f | %b032 + r8 aes,8->~( aes2 | %b033 + f'8-.)\p r8 r4 r4 | %b034 + r4 r8 g,8(\< e8-.) r8 | %b035 + r4 r8 ees'8-. r8 f,8->~ | %b036 + f2~ f8 f8-.\pp | %b037 + r4 r4 r8 des8-. | %b038 + r4 r4\< d4~ | %b039 + d4 bes2-> | %b040 + fis'2.->\f | %b041 + + r8 a,8~\p a2~ | %b042 + a8 r8 r8 b'''8-.\mf r4 | %b043 + bes8-. r8 bes8-.-> bes4.~ | %b044 + bes2.~ | %b045 + bes4~ bes8 r8 a8->( e-.) | %b046 + r4 e8-.-> e4.\mp\< | %b047 + ees4 ees8-. \f r8 r4 | %b048 + r4 ees8-.\mp r8 f8-.-> r8 | %b049 + r4 e,4(\f f,8-.) r8 | %b050 + r8 b-. r4 r8 \clef treble g''8~ | %b051 + g4 g4( fis'4~ | %b052 + fis8) fis8( aes,8-.) r8 r4 \clef bass | %b053 + ees,8-. r8 b''8-.\> b4.~( | %b054 + << + { + \voiceOne + b2 d,4~ | %b055 + \showStaffSwitch d4\p \U \voiceTwo cis'8_.) r8 r4 \hideStaffSwitch \D | %b056 + } + \new Voice { + \voiceTwo + r8 bes,,8~( bes2~ | %(b055) + bes8 a'8-.) \oneVoice r4 r4 | %(b056) + } + >> + \oneVoice + + e,8-.\mf d'4->( g,8-.) r4 | %b057 + r4 r8 \clef treble ges''4.~(\p | %b058 + ges2.~ | %b059 + ges8 a'8-.) r4 r4 \clef bass | %b060 + dis,,,8-. r8 r4 r4 | %b061 + r4 c'8->(\f f,8-.) r4 | %b062 + R1*3/4 | %b063 + b,8-.\p r8 b8-. r8 a'4~\< | %b064 + a4 a8( fis-.)\mf r4 | %b065 + 8-. r8 r4 r4 | %b066 + r4 ees8-. r8 c'4~ | %b067 + c8 des,8-. des-. r8 r4 | %b068 + aes'2~ + << + { + \voiceTwo aes8 aes8( | %b069 + f8-.->) + } + \new Voice { + \voiceOne r8 c'8( | %(b069) + bes8-.->) + } + >> + + \oneVoice r8 r4 d,8-.\sustainOn\p r8 | %b070 + r4 r8 g8-. r4 | %b071 + r4 r4 r8 fis8-.\sustainOff\sustainOn | %b072 + r4 bes8-. r8 ees,8-. b-. | %b073 + des,8-.\sustainOff\sustainOn r8 r4 r4 | %b074 + r4 r4 r8 f8-. | %b075 + a8-. r8 r4 r4 | %b076 + R1*3/4 | %b077 + r8 d8-.\sustainOff\sustainOn r4 r8 fis8-. | %b078 + R1*3/4 | %b079 + bes8-. r8 r4 r4 | %b080 + r4 c8-.\sustainOff\sustainOn r8 r4 | %b081 + R1*3/4 | %b082 + \after 2 \sustainOff R1*3/4 | %b083 + + \time 4/4 R1 | %b084 + R1 | %b085 + \undo \omit Staff.DynamicText \undo \omit Staff.Hairpin + \time 3/4 r4 \clef treble 8-.^\mp 8-. r8 8-. | %b086 + R1*3/4 | %b087 + R1*3/4 | %b088 + 8-. r8 r8 8-. r8 8-.-> | %b089 + r4 r8 8-.-> 8-. r8 | %b090 + r8 8-.-> r4 r4 | %b091 + 8-.-> r8 r4 r4 | %b092 + r4 r4 s4^\p^\< | %b093 + \time 3/8 R1*3/8^\f | %b094 + \time 3/4 R1*3/4 | %b095 + r4 r4 r8 8-.^\f | %b096 + 8-. r8 8-. 8-. 8-. 8-. | %b097 + r4 r4*1/2 s8^\mp^\< s4 | %b098 + \time 3/8 R1*3/8^\f | %b099 + \time 3/4 \grace s8 s16 s8.^\mf^\< s4 r4^\ff \clef bass | %b100 + \omit Staff.Hairpin \omit Staff.DynamicText + + \time 4/4 \ottava #-1 g,,,,8-.^\mf d8---> ees8( c8) bes---> a8( f'8-.) r8 | %b101 + b,8-- gis'8-. e-. fis cis8---> a-. d( des | %b102 + bes) c---> aes' ees---> f-. ges-. r4 | %b103 + g8( e) r4 r8 b8---> c-. f---> | %b104 + d a4.---> aes'8 bes,( des) fis---> | %b105 + e8 dis-. b-. r8 r2 | %b106 + r4 r8 g'8( fis) b, cis-. d-. | %b107 + a\> e'---> c8 aes'---> bes,-. g'--->\mp ees r8 | %b108 + + R1*3/4 | %b109 + 8-. e-. r4 r4 | %b110 + r4 g8 c,4---> 8-. | %b111 + r8 dis8---> gis b,---> fis'-. f | %b112 + bes,---> des~---> des2 | %b113 + R1*3/4 | %b114 + fis8 d---> a r8 8-. 8-. | %b115 + r8 8 c, g'8---> bes-. r8 | %b116 + r4 r4 r8 8-. | %b117 + r4 r8 b,8\> dis e~ | %b118 + e8\p cis'8-. r8 gis4.->~ | %b119 + 8 fis'->~ fis2 \ottava #0 | %b120 + r4 4 r8 | %b121 + r8 \ottava #-1 des,8( bes4) r8 | %b122 + r8 d8 \ottava #0 r4 e'4~\mf | %123 + + << + { + \voiceTwo e4~ ~ 4~ | %b124 + 2~ 8 r8 | %b125 + r8 f'4~ 8~ 4 | %b126 + ees,2.~ | %b127 + ees4 + } + \new Voice { + \voiceOne r4 r4 gis'8~ ~\sostenutoOn | %(b124) + 2~ 8\sostenutoOff bes8~ | %(b125) + bes2. | %(b126) + r4 g2~ | %(b127) + 4 + } + >> + \oneVoice + des'4~ 4~ | %b128 + 4. des8~ 4~ | %b129 + << + { + \voiceOne 4. + } + \new Voice { + \voiceTwo f,4. + } + >> + \oneVoice + d,4.~ | %b130 + d2. | %b131 + << + { + \voiceTwo d4~ 4~ ~ | %b132 + 4~ 8 4\arpeggio r8 | %b133 + r4 r4 gis4 | %134 + } + \new Voice { + \voiceOne + r4 r4 fis'4~ | %(b132) + fis4~ 8 fis4\arpeggio b8~ | %(b133) + b4.~ 4. | %(b134) + } + >> + \oneVoice + f,2~ f8 f8->~ | %b135 + << + { + \voiceTwo 2.~ | %b136 + 4. b4.\p | %b137 + + r8\sostenutoOn d8~ d4. \after 16 \sostenutoOff 8~ | %b138 + 2.\sustainOn | %b139 + } + \new Voice { + \voiceOne r4 des4.~ 8~ | %(b136) + 4. 4. | %(b137) + + g2. | %(b138) + g4~ 2 | %(b139) + } + >> + \oneVoice r8 a,8( 2) | %b140 + 2~\sustainOff\sustainOn\p 8 8(\sustainOff\sustainOn\mf | %b141 + 4~ 8) r8\sustainOff r4 | %b142 + r4 r4\sustainOn\p 4-> | %b143 + 4(\<\sustainOff\sustainOn 4 4~\sustainOff\sustainOn | %b144 + 2)\mf r4\sustainOff | %b145 + R1*3/4 | %b146 + R1*3/4 | %b147 + 2\p r4 | %b148 + r8\sustainOn 8~\mf 2 | %b149 + \after 8 \sustainOff r4 2\f | %b150 + + gis'8( b4 ais8-.) r4 | %b151 + R1*3/4\sustainOn | %b152 + R1*3/4 | %b153 + \undo \omit Staff.Hairpin \undo \omit Staff.DynamicText + r4\sustainOff r8 ees'4.^\mf | %b154 + ees8-. r8 r4 r4 | %b155 + c4(^\f des) r4 | %b156 + R1*3/4 | %b157 + g,4~^\mf g8 r8 a4~ | %b158 + a4 r8 fis4.~^\mp | %b159 + fis8 r8 r4 r4 | %b160 + R1*3/4 | %b161 + r8 f8~^\p f4~ f8 r8 | %b162 + e2 r4 | %b163 + d4~ d8 r8 bes'4~^\mf | %b164 + + bes4 r4 r4 | %b165 + r4 r8 4.~ | %b166 + 8 r8 4.^\f 8-. | %b167 + r4 r8 aes'8^\mf^\>\sustainOn 4~\! | %b168 + 2.~ | %b169 + 2.~ | %b170 + 8 4 8-.^\p\sustainOff g4~^\f^\>\sustainOn | %b171 + 4 4. 8~ | %b172 + 8 8-.^\p\sustainOff r4 r4 | %b173 + R1*3/4 | %b174 + << + { + s4 s4 s8 s8\sustainOn | + s2. s2. | + } + \new Voice { + R1*3/4 | %b175 + R1*3/4 | %b176 + R1*3/4 | %b177 + } + >> + + \oneVoice + r4\sustainOff c'8(\sustainOn bes4 aes8~ | %b178 + aes2.) | %b179 + R1*3/4 | %b180 + R1*3/4 | %b181 + R1*3/4 | %b182 + R1*3/4 | %b183 + R1*3/4 | %b184 + R1*3/4 | %b185 + R1*3/4 | %b186 + R1*3/4 | %b187 + R1*3/4 | %b188 + r4\sustainOff r2\fermata \bar "|." %b189 + + } ++>>>>>>> working } >> diff --cc net-clarity.ly index 0977dac,cee2368..01043ec --- a/net-clarity.ly +++ b/net-clarity.ly @@@ -242,43 -247,17 +247,44 @@@ clarinetMagstep = #(magstep -2 % } % } ++<<<<<<< HEAD +% \bookpart { +% \tocItem \markup { "II. " \bold "Vivace" } +% \score { +% \header { +% title = \markup { \fontsize #1 \xtitle } +% subtitle = \markup { \medium \italic \xsub } +% composer = \xcomp +% poet = \markup { \xinst } +% piece = \markup { \large \bold "II. " } +% } +% << +% \removeWithTag #'part \include "manuscripts/II-clarinet.ly" +% \removeWithTag #'part \include "manuscripts/II-piano.ly" +% >> +% %\midi { } +% \layout { +% \context { +% \Score +% \override RehearsalMark.break-visibility = #begin-of-line-invisible +% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) +% \override Hairpin.to-barline = ##f +% } +% } +% } +% } - ++======= \bookpart { - \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" } + \tocItem \markup { "II. " \bold "Vivace" } \score { \header { - piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" } + piece = \markup { \large \bold "II. " } } << - \removeWithTag #'part \include "manuscripts/III-clarinet.ly" - \removeWithTag #'part \include "manuscripts/III-piano.ly" + \removeWithTag #'part \include "manuscripts/II-clarinet.ly" + \removeWithTag #'part \include "manuscripts/II-piano.ly" >> - %\midi { } + %\midi { } \layout { \context { \Score @@@ -295,41 -277,69 +304,107 @@@ } } } ++>>>>>>> working + % \bookpart { + % \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" } + % \score { + % \header { + % piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" } + % } + % << + % \removeWithTag #'part \include "manuscripts/III-clarinet.ly" + % \removeWithTag #'part \include "manuscripts/III-piano.ly" + % >> + % %\midi { } + % \layout { + % \context { + % \Score + % \remove Mark_engraver + % \remove Text_mark_engraver + % \override RehearsalMark.break-visibility = #begin-of-line-invisible + % \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) + % \override Hairpin.to-barline = ##f + % } + % \context { + % \Staff + % \RemoveEmptyStaves + % } + % } + % } + % } + ++<<<<<<< HEAD + \bookpart { + \tocItem \markup { "IV. " \bold "Allegro energico" } + \score { + \header { + title = ##f + subtitle = ##f + composer = ##f + poet = ##f + piece = \markup { \large \bold "IV." } + } + << + \removeWithTag #'part \include "manuscripts/IV-clarinet.ly" + \include "manuscripts/IV-piano.ly" + >> + \midi { } + \layout { + \context { + \Score + \remove Text_mark_engraver + \remove Mark_engraver + \override TextSpanner.bound-details.left-broken.text = " " + \override RehearsalMark.break-visibility = #begin-of-line-invisible + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) + \override Hairpin.to-barline = ##f + \override Stem.stemlet-length = #0.75 + } + \context { + \Staff + \RemoveEmptyStaves + \consists Mark_engraver + } + } + } + } ++======= + % \bookpart { + % \tocItem \markup { "IV. " \bold "Allegro energico" } + % \score { + % \header { + % title = ##f + % subtitle = ##f + % composer = ##f + % poet = ##f + % piece = \markup { \large \bold "IV." } + % } + % << + % \removeWithTag #'part \include "manuscripts/IV-clarinet.ly" + % \include "manuscripts/IV-piano.ly" + % >> + % %\midi { } + % \layout { + % \context { + % \Score + % \remove Text_mark_engraver + % \remove Mark_engraver + % \override TextSpanner.bound-details.left-broken.text = " " + % \override RehearsalMark.break-visibility = #begin-of-line-invisible + % \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) + % \override Hairpin.to-barline = ##f + % \override Stem.stemlet-length = #0.75 + % } + % \context { + % \Staff + % \RemoveEmptyStaves + % \consists Mark_engraver + % } + % } + % } + % } ++>>>>>>> working \pageBreak \markup { \null }