From: tuckerajohnsonmusic@gmail.com Date: Fri, 28 Apr 2023 04:36:27 +0000 (-0400) Subject: ups X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=60610e26c1b05f2c9dfa49cbc226ee1ace62ee75;p=circumnutation.git ups --- diff --git a/book.ly b/book.ly index 5621d17..b54821b 100644 --- a/book.ly +++ b/book.ly @@ -1,106 +1,128 @@ %fifteen inventions project \book { -\outcover -\pageBreak -\markup { \vspace #5 } -\pageBreak -\cover -\pageBreak -\front-matter -\pageBreak -\markup { \vspace #5 } -\pageBreak - \header { - tagline = ##f -} - -\tocItem \markup { "1. " \bold "Vivace," \italic "volante; non legato" } -\score { -\header { -title = \markup { \fontsize #1 \xtitle } -subtitle = \markup { \medium \italic \xsub } -composer = \xcomp -} -\include "manuscripts/1i.ly" -} - - -\tocItem \markup { "2. " \bold "Presto," \italic "bruscamente" } -\score { -\include "manuscripts/2i.ly" -} - -\pageBreak - -\tocItem \markup { "3. " \bold "Allegro moderato," \italic "giocoso" } -\score { -\include "manuscripts/3i.ly" -} -\pageBreak - -\tocItem \markup { "4. " \bold "Largo," \italic "dolce; espressivo" } -\score { -\include "manuscripts/4i.ly" -} - - -\tocItem \markup { "5. " \bold "Andante," \italic "rubato" } -\score { -\include "manuscripts/5i.ly" -} - -\tocItem \markup { "6. " \bold "Tempo giusto," \italic "spianato" } -\score { -\include "manuscripts/6i.ly" -} - -\pageBreak - -\tocItem \markup { "7. " \bold "Allegro moderato," \italic "semplice; secco" } -\score { -\include "manuscripts/7i.ly" -} - -\tocItem \markup { "8. " \bold "Presto" } -\score { -\include "manuscripts/8i.ly" -} - - -\tocItem \markup { "9. " \bold "Largo," \italic "dolce; espressivo" } -\score { -\include "manuscripts/9i.ly" -} - -\tocItem \markup { "10. " \bold "Presto," \italic "staccatissimo/legato" } -\score { -\include "manuscripts/10i.ly" -} - -\tocItem \markup { "11. " \bold "Tempo giusto," \italic "spianato" } -\score { -\include "manuscripts/11i.ly" -} - -\tocItem \markup { "12. " \bold "Tempo giusto," \italic "spianato; piu enfatico" } -\score { -\include "manuscripts/12i.ly" -} - -\tocItem \markup { "13. " \bold "Con moto," \italic "feroce" } -\score { -\include "manuscripts/13i.ly" -} - -\tocItem \markup { "14. " \bold "Molto rubato" } -\score { -\include "manuscripts/14i.ly" - } + \outcover + \pageBreak + \markup { \vspace #5 } + \pageBreak + \cover + \pageBreak + \front-matter + \pageBreak + \front-matter-cont + \pageBreak + \header { + tagline = ##f + } + + \bookpart { + \tocItem \markup { "1. " \bold "Vivace," \italic "volante; non legato" } + \header { + title = \markup { \fontsize #1 \xtitle } + subtitle = \markup { \medium \italic \xsub } + composer = \xcomp + } + \score { + \include "manuscripts/1i.ly" + } + \tocItem \markup { "2. " \bold "Presto," \italic "bruscamente" } + \score { + \include "manuscripts/2i.ly" + } + } + + \bookpart { + \tocItem \markup { "3. " \bold "Allegro moderato," \italic "giocoso" } + \score { + \include "manuscripts/3i.ly" + } + \tocItem \markup { "4. " \bold "Largo," \italic "dolce; espressivo" } + \score { + \include "manuscripts/4i.ly" + } + } + + \bookpart { + \tocItem \markup { "5. " \bold "Andante," \italic "rubato" } + \score { + \include "manuscripts/5i.ly" + } + } + + \markuplist { + \fill-line { + \line { \null } + \center-column { + \vspace #15 + \line { \caps "This page intentionally left blank" } + } + \line { \null} + } + } + \pageBreak -\tocItem \markup { "15. " \bold "Poco rubato," \italic "semplicemente; sotto voce" } -\score { -\include "manuscripts/15i.ly" -} + \bookpart { + \tocItem \markup { "6. " \bold "Tempo giusto," \italic "spianato" } + \score { + \include "manuscripts/6i.ly" + } + } + + \bookpart { + \tocItem \markup { "7. " \bold "Allegro moderato," \italic "semplice; secco" } + \score { + \include "manuscripts/7i.ly" + } + } + + \bookpart { + \tocItem \markup { "8. " \bold "Presto" } + \score { + \include "manuscripts/8i.ly" + } + \tocItem \markup { "9. " \bold "Largo," \italic "dolce; espressivo" } + \score { + \include "manuscripts/9i.ly" + } + } + + \bookpart { + \tocItem \markup { "10. " \bold "Presto," \italic "staccatissimo/legato" } + \score { + \include "manuscripts/10i.ly" + } + } + + \bookpart { + \tocItem \markup { "11. " \bold "Tempo giusto," \italic "spianato" } + \score { + \include "manuscripts/11i.ly" + } + } + + \bookpart { + \tocItem \markup { "12. " \bold "Tempo giusto," \italic "spianato; piu enfatico" } + \score { + \include "manuscripts/12i.ly" + } + } + + \bookpart { + \tocItem \markup { "13. " \bold "Con moto," \italic "feroce" } + \score { + \include "manuscripts/13i.ly" + } + } + + \bookpart { + \tocItem \markup { "14. " \bold "Molto rubato" } + \score { + \include "manuscripts/14i.ly" + } + \tocItem \markup { "15. " \bold "Poco rubato," \italic "semplicemente; sotto voce" } + \score { + \include "manuscripts/15i.ly" + } + } \markup { \null } \pageBreak \backcover diff --git a/eng-files/paper.ly b/eng-files/paper.ly index 60e5cff..5c9360e 100644 --- a/eng-files/paper.ly +++ b/eng-files/paper.ly @@ -10,11 +10,14 @@ \concat { \if \on-page #3 \oddfoot } \concat { \if \on-page #5 \oddfoot } \concat { \if \on-page #7 \oddfoot } - \concat { \if \on-page #9 \oddfoot } + \concat { \if \on-page #9 \null } \concat { \if \on-page #11 \oddfoot } \concat { \if \on-page #13 \oddfoot } \concat { \if \on-page #15 \oddfoot } \concat { \if \on-page #17 \oddfoot } + \concat { \if \on-page #19 \oddfoot } + \concat { \if \on-page #21 \oddfoot } + \concat { \if \on-page #23 \oddfoot } } evenFooterMarkup = \markup { \concat { \if \on-page #2 \evfoot } @@ -26,6 +29,9 @@ \concat { \if \on-page #14 \evfoot } \concat { \if \on-page #16 \evfoot } \concat { \if \on-page #18 \evfoot } + \concat { \if \on-page #20 \evfoot } + \concat { \if \on-page #22 \evfoot } + \concat { \if \on-page #24 \evfoot } } tocTitleMarkup = \markup { \null } tocItemMarkup = \markup { \center-column { @@ -36,8 +42,7 @@ } } #(set-paper-size "letter") - print-all-headers = ##t - top-margin = 0.8\cm + top-margin = 1\cm bottom-margin = 0.8\cm left-margin = 2\cm right-margin = 2\cm @@ -52,11 +57,16 @@ )) max-systems-per-page = #8 system-system-spacing = - #'((basic-distance . 5) - (minimum-distance . 5) - (padding . 8)) - score-system-spacing = - #'((basic-distance . 4) - (minimum-distance . 4) - (padding . 8)) + #'((basic-distance . 3) + (minimum-distance . 2) + (padding . 7)) +score-system-spacing = +#'((basic-distance . 4) + (minimum-distance . 4) + (padding . 7)) +top-system-spacing = +#'((basic-distance . 1) + (minimum-distance . 1) + (padding . 1) + (stretchability . 0)) } diff --git a/front-matter/front matter cont.ly b/front-matter/front matter cont.ly new file mode 100644 index 0000000..ec547fd --- /dev/null +++ b/front-matter/front matter cont.ly @@ -0,0 +1,56 @@ +%fifteen inventions project +front-matter-cont = \markuplist { + \fill-line { + \left-column { + \line { " " } + \line { " " } + \line { " " } + } + \center-column { + \vspace #3 + \line { \hbracket \bold "performance notes"} + \vspace #0.2 + \column { \override #'(line-width . 90) + \justify { + · In invention one \italic "(Vivace)" accidentals apply only to the note they precede, + but in all other inventions accidentals carry through the measure. + } + } + \vspace #0.4 + \column { \override #'(line-width . 90) + \justify { + · Inventions can be played in any order and in any combination, but the numbered order + should be followed if all inventions are to be performed. + } + } + \vspace #0.4 + \column { \override #'(line-width . 90) + \justify { + · Not all of the inventions are suitable for any keyboard instrument. + A list of suggestions is provided below, but performers are encouraged to be + creative with instrument choices. Where necessary, music can be played up or + down the octave to fit instruments with less range. + } + } + \vspace #2 + \rounded-box \left-column { + \line \tiny { "1." \bold "Vivace" "; 7." \bold "Allegro moderato" } + \line { \hspace #5 \italic "clavichord, fortepiano, synthesizer, organ, celesta, keyboard percussion, harpsichord" } + \line \tiny { "2." \bold "Presto" "; 3." \bold "Allegro moderato" "; 5." \bold "Andante"} + \line { \hspace #5 \italic "clavichord, fortepiano, synthesizer, organ, keyboard percussion" } + \line \tiny { "4." \bold "Largo" "; 9." \bold "Largo" } + \line { \hspace #5 \italic "clavichord, fortepiano, synthesizer, organ, celesta" } + \line \tiny { "8." \bold "Presto" "; 10." \bold "Presto" } + \line { \hspace #5 \italic "clavichord, fortepiano, synthesizer, organ" } + \line \tiny { "6." \bold "Tempo giusto" "; 11." \bold "Tempo giusto" "; 12." \bold "Tempo giusto" "; 13." \bold "Con moto" "; 14." \bold "Molto rubato" "; 15." \bold "Poco rubato" } + \line { \hspace #5 \italic "fortepiano, synthesizer" } + } + \vspace #3.25 + \override #'(thickness . 5) + \draw-squiggle-line #0.5 #'(20 . 0) ##t + \vspace #3.25 + \line \italic { Thank you to \bold "Xingyi Chen, Zihan Wu," and \bold "Ko Muramatsu" for playing and helping with these pieces as they grew. } + } + \right-column { \vspace #2 } + } + } diff --git a/front-matter/front matter.ly b/front-matter/front matter.ly index f9652ef..3b7dbcd 100644 --- a/front-matter/front matter.ly +++ b/front-matter/front matter.ly @@ -9,35 +9,19 @@ front-matter = \markuplist { } \center-column { \vspace #3 - \table-of-contents - \vspace #2 + \override #'(x-padding . -10) + \rounded-box \center-column { \table-of-contents } + \vspace #2.25 + \override #'(thickness . 5) + \draw-squiggle-line #0.5 #'(20 . 0) ##t + \vspace #2.25 \line { \hbracket \bold "program notes"} \vspace #0.2 \xpnote - \vspace #2 - \line { \hbracket \bold "performance notes"} - \vspace #0.2 - \column { \override #'(line-width . 90) - \justify { - · In invention one \italic "(Vivace)" accidentals apply only to the note they precede, - but in all other inventions accidentals carry through the measure. - } - } - \vspace #0.4 - \column { \override #'(line-width . 90) - \justify { - · Inventions can be played in any order and in any combination, but the numbered order - should be followed if all inventions are to be performed. - } - } - \column { \override #'(line-width . 90) - \justify { - · Keyboard instruments should be selected based on the performer's best judgement, as - not all of the inventions are suitable for any keyboard instrument. A list of suggestions is - provided on the following page. - } - } - } + \vspace #2.25 + \override #'(thickness . 5) + \draw-squiggle-line #0.5 #'(20 . 0) ##t } \right-column { \vspace #2 } + } } diff --git a/front-matter/outside cover.ly b/front-matter/outside cover.ly index f8eafd5..09d35d6 100644 --- a/front-matter/outside cover.ly +++ b/front-matter/outside cover.ly @@ -17,7 +17,7 @@ outcover = \markuplist { \line { \null } } \right-column { - \vspace #15 + \vspace #14 \line { \fontsize #8 \bold \underline \xtitle } \vspace #-0.1 \line { \fontsize #3 \sans \xcomp } diff --git a/manuscripts/11i.ly b/manuscripts/11i.ly index 5a2fb01..1a1e4fa 100644 --- a/manuscripts/11i.ly +++ b/manuscripts/11i.ly @@ -153,6 +153,6 @@ ges8 s8 s2 | \context { \Score \override BarNumber.font-size = #1 -\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) +\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) } } diff --git a/manuscripts/12i.ly b/manuscripts/12i.ly index 9ca2608..616260a 100644 --- a/manuscripts/12i.ly +++ b/manuscripts/12i.ly @@ -153,6 +153,6 @@ s2. | \context { \Score \override BarNumber.font-size = #1 -\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10) +\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) } } diff --git a/manuscripts/14i.ly b/manuscripts/14i.ly index 3150400..ee23be8 100644 --- a/manuscripts/14i.ly +++ b/manuscripts/14i.ly @@ -85,6 +85,6 @@ \context { \Score \override BarNumber.font-size = #1 -\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/64) +\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20) } } diff --git a/variables/program notes.ly b/variables/program notes.ly index feb1509..60e1d5b 100644 --- a/variables/program notes.ly +++ b/variables/program notes.ly @@ -1,19 +1,24 @@ %fifteen inventions project xpnote = \markup \column { \override #'(line-width . 90) \justify { -At the start of 2022, I composed a short piece for piano constructed from descending -diatonic scales and the 15 partitions of the integer 7. This invention -would inspire me to write more inventions. These \bold \italic "Fifteen Inventions" -correspond to each of the 15 partitions and, as such, have between 1 and 7 strands or -voices. Each invention explores ways of permuting and separating the diatonic -collection, creating many types of musical expression within a simple framework. +\caps "At the start" of 2022, I composed a short piece for piano constructed from +descending diatonic scales and the 15 partitions of the integer 7. This +invention would inspire me to write more inventions. These \bold \italic "Fifteen +Inventions" correspond to each of the 15 partitions and, as such, have +between 1 and 7 strands or voices. Each invention explores ways of +permuting and separating the diatonic collection, creating many types of +musical expression within a consistent language. Occasionally, vague +references to tonal idioms arise from the obsessive circulation of +diatonic material. } -\vspace #0.7 +\vspace #0.8 \override #'(line-width . 90) \justify { -I worked on these inventions for over a year and I feel a connection between +I worked on these inventions for over a year, and I feel a connection between the process of design and discovery throughout this period to the cultivation -of a garden. I have titled the collection \bold \italic "Circumnutation," a term most -commonly used in botany to describe the continuous elliptical motion of stems -and tendrils as they grow. +of a garden. Therefore, I have titled the collection \bold \italic "Circumnutation," a term +most commonly used in botany to describe the continuous elliptical motion of +stems and tendrils as they grow. This title also seemed fitting because +pitches and collections cycle throughout the inventions and as the character +of the work reaches out to different styles and textures. } }