From: tucker johnson Date: Thu, 19 Sep 2024 05:59:57 +0000 (-0400) Subject: half X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=43514a115b2a87ba93ec1026da7e8681c269a9cd;p=choruses.git half --- diff --git a/manuscripts/altoSaxophone.ly b/manuscripts/altoSaxophone.ly index d4652a8..db3704a 100644 --- a/manuscripts/altoSaxophone.ly +++ b/manuscripts/altoSaxophone.ly @@ -219,6 +219,153 @@ } } d8~ 8~ | - 4\mf fis8 + 4\mf fis8~ \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three six)) (lh . ()) (rh . (low-c))) + } + } + 8~\f \after 8 \> 4~ | + \time 3/16 fis8.~\mp | + \time 2/4 4\f \breathe c16-.\mp b-. d-. g'-. | + \time 5/8 r4 g16[-. des'-. ges-. c,]-. r8 | + \time 4/4 r8 r16 e,16(\p\< \tuplet 3/2 { d'4~ \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three five six)) (lh . (ees)) (rh . (low-c))) + } + } + 8~ } \after 8. \mf 4) r8 8 \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three four five)) (lh . (low-bes)) (rh . (c low-c))) + } + } + | + b,16(\pp d g fis b d g fis b) fis'(\mf c b a c, fis b32\< a | + e d fis a) 8\ff \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three five)) (lh . (T)) (rh . (low-c))) + } + } + f,,16(\p bes,16) a'16(\> ges f bes,) a'16( ges f bes,) a'16( ges | + f bes,) a'16( ges f bes,) a'16(\pp^"subtone" ges f bes,) a'16( ges f bes,) a'( ges) | + r16 8.->\mf \offset Y-offset 1 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three five six)) (lh . (cis)) (rh . ())) + } + } + g'16(\pp^"subtone" cis, ais b,) g''(\< cis, ais b,) b'32( g bes \rTT a \lTT g aes des, ees | + b!8-.)\mp r8 r4 r2 | + b16(\p^"subtone" g'\< cis a' b g cis, a) b( g cis a'\mp\> b, g cis, a' | + b g' cis)\p a'\f(\> aes fis g a\mp aes fis g a aes fis) a( cis, | + a ees) g( cis, a ees) des8-. aes''8.-.->\f g16 des'-> des-> des-> b,-- | + des'16-> des16-> ees,-- g,-- r4 \tuplet 3/2 { e!8(\> d a') } cis'16-.\mp a,-. ees'( ges | + c, a' ees' c) ges'(\> aes, ees b\pp ges' aes ees') c-.->\ff r16 a'---> aes ges---> | + ges-- ges-- ges---> ges-- ges---> f-- b,-- ais-- b8-.-> ges16(\mf\> f b, bes ges f | + b, ais\p) b( ais b) cis''8~\mf \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three four five)) (lh . (ees low-bes)) (rh . ())) + } + } + 16~ 4 fis,,4~\f \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three five six)) (lh . (cis)) (rh . (low-c))) + } + } + \tuplet 3/2 { 2~\mp fis4~\f } 4\mp gis''16~\mf \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (two three four five six)) (lh . (b)) (rh . ())) + } + } + 8. | + \time 5/4 r8 g,,16-.\mp e-. a-. c-. r8 g'16~ \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three six)) (lh . ()) (rh . (low-c))) + } + } + 8.~ 2 | + \time 4/4 r8. c,16-. b'-. d-. g-. r16 r4 des,,16(\mf ges c, b' | + des g, c b') fis32(\> a b \rTT c \lTT cis d e fis)\p r8 b,,,16(\pp^"subtone" g' cis a' cis) b32(\< a | + g fis d \rTT des \lTT c b a16\mf b g cis) a'\p( b, g cis, a' b) a(\< gis fis | + g a)\mf\> a32( g ges f d fis gis a gis16\p g'!) g->(\f\< cis, a ees) g( cis a') ees'( | + \time 2/4 g, cis,)\ff r16 ees'16\mp( b, g' des' ees) | + \time 5/8 c8.-.-> b,16(\mf g' des' ees) b8( a16) | + \time 2/4 b32(\> bes g e ees c b! g cis,16\p a' ees' ges | + \time 5/16 aes8) r16 dis,,32[(\pp fis gis a] | + \time 4/4 gis8.) dis'16(\mp\> b4 g'8-.)\pp r16 g16-- b,(\< a gis fis) | + \tuplet 3/2 { e8--->\f d'---> a'-.-> } r16 a,8~\mf a32\> aes32( f ees c bes b16\p d' g, fis) b(\< d + g fis b) fis(\f c' b a) fis\p( c' b a fis) a(\mf\> ges f bes, + \time 5/8 a ges f bes,)\pp r4. | + \time 4/4 \tuplet 3/2 { ees''4\mf ges8~ } ges4 c,8\< geh'8~ \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three five six)) (lh . (cis)) (rh . ())) + } + } + 8. fis,,16~ | + 8 ais,16\f( b g' cis ais b\> g' cis) ais,,16(\mp b g' cis\> ais b | + \time 5/8 g' cis) ais,,\pp(^"subtone" b g' cis ais b g' cis) | + \time 3/4 2~\mp \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three five six)) (lh . (T)) (rh . (high-fis))) + } + } + 16 r8 gis16~\f \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (two three four five six)) (lh . (b)) (rh . ())) + } + } + 2.~ | + 16 r8. g8->-- 8~\mp \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three four five)) (lh . (cis)) (rh . (bes))) + } + } + 4 + \time 5/16 r8 a,8.--\f | + \time 2/4 e'8-- ees---> d,8.\mp fis16--->\f | + \time 5/16 des''8.\mp c,8~ | + \time 2/4 \tuplet 3/2 { c4 b,4->--\f a'8 gis'8 } | + \time 7/16 4~\mf \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three four six)) (lh . ()) (rh . (c low-c))) + } + } + 8. + \time 3/4 r4 8 \offset Y-offset 5 ^\markup { + \center-column { \override \fingeringSize + \woodwind-diagram + #'saxophone + #'((cc . (one two three four five)) (lh . (d)) (rh . (low-c))) + } + } + aes,,8~( 4~\> | + 4 \repeat tremolo 4 { aes32 ees) } g16\p( b,8.-.) + }