From: Tucker Johnson Date: Thu, 19 Mar 2026 20:00:57 +0000 (-0400) Subject: update X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=23dc9fef83d26ff1036899cec524b4c3327b3503;p=blood-meridian.git update --- diff --git a/evenings-in-the-west.ly b/evenings-in-the-west.ly index 028bf10..9e1a084 100644 --- a/evenings-in-the-west.ly +++ b/evenings-in-the-west.ly @@ -46,8 +46,32 @@ #(info-matter-markuplist) \center-column { \vspace #5 + \left-column { + \override #'(line-width . 100) + \line { \hspace #100 } + \vspace #-1 + \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "forces" } + } + \vspace #0.5 + \left-column { + \override #'(line-width . 90) + \hspace #90 + \vspace #-1 + \line { flutes (2) } + \line { oboes (2) } + \line { clarinets (2) } + \line { bassoons (2) } + \line { horns (4) } + \line { trumpets (3) } + \line { trombones (2) } + \line { tuba } + \line { percussion "(1: vibraphone; 2: crotales, suspended cymbal, marimba)" } + \line { timpani } + \line { baritone voice } + \line { strings } + } + \vspace #2.5 #(toc-markuplist) - #(program-notes-markuplist #{ \programNotes #}) #(performance-notes-markuplist #{ \performanceNotes #}) \line { \char ##x2042 } } diff --git a/general/info.ly b/general/info.ly index 2c36e56..3df58d6 100644 --- a/general/info.ly +++ b/general/info.ly @@ -1,7 +1,8 @@ +% root = ../evenings-in-the-west.ly xtitle = \markup { Evenings in the West } xsub = \markup { } xcomp = \markup { Tucker Johnson } -xinst = \markup { Baritone & Orchestra } +xinst = \markup { [2.2.2.2 - 4.3.2.1 - perc(2).timp - strings] } xdur = \markup { \sans "~2 minutes" } xyear = \markup { 2026 } xcr = \markup \tiny { Copyright Umbel Press \concat { \sans \xyear "." } All Rights Reserved (ASCAP) } @@ -19,16 +20,15 @@ percOneSetup = \relative { \omit Score.TimeSignature \omit Score.Stem \omit Score.Beam \time 20/4 \clef percussion \omit Score.Flag - g4\offset X-offset -0.7 _\markup \rotate #-45 { "kick drum" } - b4\offset X-offset -0.7 _\markup \rotate #-45 { "low tom" } - d4\offset X-offset -0.7 _\markup \rotate #-45 { "med tom" } - f4\offset X-offset -0.7 _\markup \rotate #-45 { "high tom" } - e8(\offset X-offset -0.7 _\markup \rotate #-45 { "caxixi" } - g8) \clef treble s4\offset X-offset -0.7 _\markup \rotate #-45 { "vibraphone" } } } +\fontsize #-4 \left-column { + \line { \teeny \bold beaters: } + \line { \teeny mallets } + \line { \teeny bow } + } } percTwoSetup = @@ -38,18 +38,19 @@ percTwoSetup = \relative { \omit Score.TimeSignature \omit Score.Stem \omit Score.Beam \time 20/4 \clef percussion \omit Score.Flag \omit Score.Dots - d'4\offset X-offset -0.7 _\markup \rotate #-45 { "snare drum" } - e4\offset X-offset -0.7 _\markup \rotate #-45 { "tambourine" } \xNotesOn - g4.\offset X-offset -0.7 _\markup \rotate #-45 { "ride cymbal" } - a8(\offset X-offset -0.7 _\markup \rotate #-45 { "hi-hat" } - e,4) + b'4\offset X-offset -0.7 _\markup \rotate #-45 { "suspended cymbal" } \xNotesOff \clef treble - s4.\offset X-offset -0.7 _\markup \rotate #-45 { "marimba" } - s4\offset X-offset -0.7 _\markup \rotate #-45 { "tubular bells" } + s2\offset X-offset -0.7 _\markup \rotate #-45 { "crotales" } + s4\offset X-offset -0.7 _\markup \rotate #-45 { "marimba" } } } + \fontsize #-4 \left-column { + \line { \teeny \bold beaters: } + \line { \teeny mallets } + \line { \teeny bow } + } } performanceNotes = @@ -66,28 +67,6 @@ performanceNotes = \sans \italic 1. \hspace #1 Accidentals carry through each bar – cautionary accidentals added for clarification. } - \override #'(line-width . 90) - \justify { - \sans \italic 2. \hspace #1 Two fermata notations are used: a - \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a - \italic long fermata ( \musicglyph "scripts.ufermata" ). - } - \override #'(line-width . 90) - \justify { - \sans \italic 3. \hspace #1 Dotted slurs are used to indicate phrasing that may not be clear through dynamics and other notations. - } - \override #'(line-width . 90) - \justify { - \sans \italic 4. \hspace #1 Clusters should contain all of the - chromatic notes between the upper and lower limit of the - cluster-span. - } - \override #'(line-width . 90) - \justify { - \sans \italic 5. \hspace #1 Cadenza notation should be interpreted - freely, though music should be continuous between breath marks and - rests. Breath marks indicate a short break, while rests are longer. - } } \left-column { \override #'(line-width . 100) diff --git a/lib/matter.ly b/lib/matter.ly index 3e32105..61d5e32 100644 --- a/lib/matter.ly +++ b/lib/matter.ly @@ -56,7 +56,7 @@ xumbel = \vspace #-0.1 \line { \fontsize #3 \sans \xcomp } \vspace #3 - \line { \fontsize #2 \sans \concat { "for " \xinst } } + \line { \fontsize #2 \sans \concat { "for Baritone & Orchestra" } } } } \vspace #bottom-space diff --git a/manuscripts/clarinet1.ly b/manuscripts/clarinet1.ly index 40cadc5..e44f827 100644 --- a/manuscripts/clarinet1.ly +++ b/manuscripts/clarinet1.ly @@ -8,7 +8,7 @@ clarinetONEMusic = a2.~ a8 e8) | a2. | \tuplet 3/2 { fis4\pp\< e d\p } | - ees4--\> e4~\ppp e2\fermata | + ees4--\> e4~\pp e2\fermata | R1*4 | r2 r2\fermata | R1 | diff --git a/manuscripts/clarinet2.ly b/manuscripts/clarinet2.ly index b78fc7c..cc535e0 100644 --- a/manuscripts/clarinet2.ly +++ b/manuscripts/clarinet2.ly @@ -9,7 +9,7 @@ clarinetTWOMusic = fis2.~ fis8 e8) | a2 bes,4\pp | \tuplet 3/2 { b4\< c b\p } | - ees4--\> cis4~\ppp cis2\fermata | + ees4--\> cis4~\pp cis2\fermata | R1*4 | r2 r2\fermata | R1 | diff --git a/manuscripts/flute1.ly b/manuscripts/flute1.ly index 057cc91..cda3808 100644 --- a/manuscripts/flute1.ly +++ b/manuscripts/flute1.ly @@ -11,8 +11,8 @@ fluteONEMusic = R1*2/4 | g4--\< e,4~\mf e2\fermata | R1*3 | - r4 r8 \pitchedTrill c''8~\startTrillSpan d c2~ | - c8\stopTrillSpan \pitchedTrill des8~\startTrillSpan ees des4\stopTrillSpan \pitchedTrill b2~\fermata\startTrillSpan c | + r4 r8 \pitchedTrill c''8_~\startTrillSpan d c2~ | + c8\stopTrillSpan \pitchedTrill des8_~\startTrillSpan ees des4\stopTrillSpan \pitchedTrill b2_~\fermata\startTrillSpan c | b8\stopTrillSpan r8 r4 r2 | gis,2~\mp \after 2 \! 2.\> | R1*2/4 | diff --git a/manuscripts/flute2.ly b/manuscripts/flute2.ly index 42fc7a2..b74cc00 100644 --- a/manuscripts/flute2.ly +++ b/manuscripts/flute2.ly @@ -11,8 +11,8 @@ fluteTWOMusic = \tuplet 3/2 { r4 r4 cis4\p } | d4--\< cis,4~\mf cis2\fermata | R1*3 | - r4 r8 \pitchedTrill a''8~\p\startTrillSpan c a2~ | - a8\stopTrillSpan \pitchedTrill a8~\startTrillSpan bes a4\stopTrillSpan \pitchedTrill a2~\fermata\startTrillSpan bes | + r4 r8 \pitchedTrill a''8_~\p\startTrillSpan c a2~ | + a8\stopTrillSpan \pitchedTrill a8_~\startTrillSpan bes a4\stopTrillSpan \pitchedTrill a2_~\fermata\startTrillSpan bes | a8\stopTrillSpan r8 r4 r2 | e,2~\mp \after 2 \! 2.\> | R1*2/4 | diff --git a/manuscripts/horn1.ly b/manuscripts/horn1.ly index 597bd12..6cb8ad8 100644 --- a/manuscripts/horn1.ly +++ b/manuscripts/horn1.ly @@ -9,15 +9,16 @@ hornONEMusic = R1 | R1*3/4 | R1*2/4 | - \footnote \markup † #'(-0.5 . 0.5) \markup \tiny { † "Maintain 16th note length for staccato notes." } - dis4\<\halfopen\glissando - e4~\mp\open e2\fermata | + \tag #'part { + \footnote \markup \tiny \number 1 #'(-1 . -1) \markup \tiny { \number 1 \italic \bold "Broken Glissando:" "Create a glissando gesture by gradually removing hand" } Voice.NoteHead + } + dis4(\mf\>\stopped\glissando e4~\p\open e2)\fermata | R1*4 | r2 r2\fermata | R1 | R1*5/4 | R1*2/4 | - dis4\<\halfopen\glissando e4~\mp\open e2\fermata | + dis4(\mf\>\stopped e4~\p\open e2)\fermata | R1*3 | R1*2/4 | R1 | diff --git a/manuscripts/horn2.ly b/manuscripts/horn2.ly index d7407c4..2ad2551 100644 --- a/manuscripts/horn2.ly +++ b/manuscripts/horn2.ly @@ -9,13 +9,13 @@ hornTWOMusic = R1 | R1*3/4 | R1*2/4 | - r4 cis'4~\mp cis2\fermata | + r4 cis'4~\p cis2\fermata | R1*4 | r2 r2\fermata | R1 | R1*5/4 | R1*2/4 | - r4 cis4~\mp cis2\fermata | + r4 cis4~\p cis2\fermata | R1*3 | R1*2/4 | R1 | diff --git a/manuscripts/horn3.ly b/manuscripts/horn3.ly index 7f8b46a..1f07f12 100644 --- a/manuscripts/horn3.ly +++ b/manuscripts/horn3.ly @@ -2,20 +2,21 @@ hornTHREEMusic = \relative { \clef treble - R1 | - r2 f'2~-+\mp\> | - f16\niente r8. r4 r2 | + R1*3 | R1*3/4 | R1 | R1*3/4 | R1*2/4 | - f,4\<\halfopen\glissando fis4~\mp\open fis2\fermata | + \tag #'part { + \footnote \markup \tiny \number 1 #'(-1 . -1) \markup \tiny { \number 1 \italic \bold "Broken Glissando:" "Create a glissando gesture by gradually removing hand" } Voice.NoteHead + } + f4(\mf\>\stopped\glissando fis4~\p\open fis2)\fermata | R1*4 | r2 r2\fermata | R1 | R1*5/4 | R1*2/4 | - f4\<\halfopen\glissando fis4~\mp\open fis2\fermata | + f4(\mf\>\stopped\glissando fis4~\p\open fis2)\fermata | R1*3 | R1*2/4 | R1 | diff --git a/manuscripts/horn4.ly b/manuscripts/horn4.ly index 162347f..6a987eb 100644 --- a/manuscripts/horn4.ly +++ b/manuscripts/horn4.ly @@ -7,14 +7,15 @@ hornFOURMusic = R1 | R1*3/4 | R1*2/4 | - r4 fis,4~\mp fis2\fermata | + \tag #'part { \clef bass } + r4 fis,4~\p fis2\fermata | r8 a8~\p\> a4~ a2\pp | R1*3 | r2 r2\fermata | R1 | R1*5/4 | R1*2/4 | - r4 fis4~\mp fis2\fermata | + r4 fis4~\p fis2\fermata | R1*3 | R1*2/4 | R1 | diff --git a/parts/parts_evenings-in-the-west.ly b/parts/parts_evenings-in-the-west.ly index 57feb6f..001c6fd 100644 --- a/parts/parts_evenings-in-the-west.ly +++ b/parts/parts_evenings-in-the-west.ly @@ -367,6 +367,7 @@ subtitle = \markup { \medium \italic \xsub } composer = \xcomp poet = \markup { "percussion I" } + meter = \percOneSetup arranger = \markup { \tiny \typewriter { \shortHash - \branchName } } } \score { @@ -385,6 +386,7 @@ subtitle = \markup { \medium \italic \xsub } composer = \xcomp poet = \markup { "percussion II" } + meter = \percTwoSetup arranger = \markup { \tiny \typewriter { \shortHash - \branchName } } } \score {