From: tuckerjohnson <tuckerajohnsonmusic@gmail.com>
Date: Sun, 14 Aug 2022 23:03:04 +0000 (-0400)
Subject: presentations
X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=1cfa4aba22579b4b83243fbb7f4b1440aa7bb3d5;p=documents.git

presentations
---

diff --git a/bios-tj.ms b/bios-tj.ms
deleted file mode 100644
index a0f303c..0000000
--- a/bios-tj.ms
+++ /dev/null
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-\# -----------------------TOP------------------------------
-.ce 0
-.ps 18
-.B "Tucker Johnson"
-.ps 10
-.I musician,
-.I technologist
-(bios | updated \n(mo-\ny)
-.TS
-tab(|) nospaces;
-l rx.
-169 spring tree ln|T{
-.I "tucker [@] newer.systems"
-T}
-Rochester, NY|T{
-.I "(727) 483-3689"
-T}
-14612|T{
-.I "www.newer.systems"
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "full length bio"
-.sp .5
-Currently based in Rochester, New York, Tucker Johnson's
-musical practice includes works for soloists, ensembles,
-and electronic media.
-
-His music has been programmed and honored at festivals
-and events, including the inaugural Dot-The-Line new
-music festival (Seoul) Longy Divergent Studio (Boston),
-soundSCAPE Festival (Cesena), Composing in the Wilderness
-(Prince William Sound & NYC), Shastra Rhythm Workshop
-(New Jersey), and the National Young Composers' Challenge
-(Orlando). In 2021, he was awarded the Marjorie Jane
-Brewster Memorial Music Scholarship; a scholarship awarded
-each year to one graduating Penn State student to pay for
-graduate studies at another institution. Additionally,
-Tucker received two awards for Outstanding Undergraduate
-Research at Penn State: the Peter T. Luckie Award in the
-spring of 2020 (*a presence within reassembly*) and First
-Place Oral Presentation in 2021 (*Listening to Ghosts,
-Imagining Lost Futures: Metaphor and Structure in Wears
-and Tears*). Interested in interdisciplinary practice, He
-served as a collaborative creator in a workshop with
-artist Nick Cave and the "Music for the Visible Turn"
-concert at the University of South Florida Contemporary
-Art Museum in 2019.
-
-He seeks to draw connections between philosophy, mathematics,
-and design through his work. These ideas are often
-synthesized through a blend of experimentation and highly
-organized systems. Recent explorations in Tucker's music
-have included prescriptive applications of mathematical
-relationships/number sequences, the reorganization of
-improvised materials, and serial structures. Experiences
-reading, greener hiking and amateur botanizing can be
-found intertwined in his work, alongside interests in
-open-source software and teaching.
-
-As a performer and improviser on bassoon and electronics,
-Tucker participates in various collaborative and solo projects.
-His duo project with percussionist Lionel Martinez (spank;)
-recently released
-.I "spank; + Logan Barrett", a full-length
-album of improvised music. Tucker has recently performed works
-by Peter Ablinger, Sam Pluta, and Leah Mullen.
-
-A consistent supporter of new music, Tucker has helped
-organize many events, festivals, and concerts. From 2017-2019
-he served as a production team member, librarian, and
-logistics coordinator for the New Music Consortium at the
-University of South Florida, a student organization dedicated
-to the performance and promotion of new music. Tucker helped
-coordinate the 2018 USF New Music Festival, the 2019
-International Call for Scores, and several other events
-during his time with the organization. In 2020 he helped to
-relaunch Penn State's Living Music student organization.
-As president of Living Music, he coordinated several guest
-lectures, a weekly radio show, and the inaugural Penn State
-International New Music Festival. Currently, he works as an
-intern with the Hochstein School in Rochester, and serves as
-personel recruiter for the Eastman Graduate Composers'
-Sinfonietta.
-
-Tucker received the BM in music composition from the
-Pennsylvania State University, where his composition teachers
-were Baljinder Sekhon and Steven Rice. He previously studied
-with Susanna Hancock and Paul Reller at the University of
-South Florida. Tucker is pursuing the MA in music composition
-at the Eastman School of Music, where he serves as a teaching
-assistant for the Eastman Audio Research Studio. There he
-studies with Robert Morris, David Liptak, and Matt Barber.
diff --git a/bios.ms b/bios.ms
new file mode 100644
index 0000000..7b0ef72
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+..
+
+.de BP
+.  ie '\\n(.z'' .bp \\$1
+.  el \!.BP \\$1
+..
+
+
+\# -----------------------TOP------------------------------
+.ce 0
+.ps 18
+.B "Tucker Johnson"
+.ps 10
+.I musician,
+.I technologist
+(bios | updated \n(mo-\ny)
+.TS
+tab(|) nospaces;
+l rx.
+169 spring tree ln|T{
+.I "tucker [@] newer.systems"
+T}
+Rochester, NY|T{
+.I "(727) 483-3689"
+T}
+14612|T{
+.I "www.newer.systems"
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "full length bio"
+.sp .5
+Currently based in Rochester, New York, Tucker Johnson's
+musical practice includes works for soloists, ensembles,
+and electronic media.
+
+His music has been programmed and honored at festivals
+and events, including the inaugural Dot-The-Line new
+music festival (Seoul) Longy Divergent Studio (Boston),
+soundSCAPE Festival (Cesena), Composing in the Wilderness
+(Prince William Sound & NYC), Shastra Rhythm Workshop
+(New Jersey), and the National Young Composers' Challenge
+(Orlando). In 2021, he was awarded the Marjorie Jane
+Brewster Memorial Music Scholarship; a scholarship awarded
+each year to one graduating Penn State student to pay for
+graduate studies at another institution. Additionally,
+Tucker received two awards for Outstanding Undergraduate
+Research at Penn State: the Peter T. Luckie Award in the
+spring of 2020
+.I "(a presence within reassembly)"
+and First
+Place Oral Presentation in 2021
+.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)."
+Interested in interdisciplinary practice, He
+served as a collaborative creator in a workshop with
+artist Nick Cave and the "Music for the Visible Turn"
+concert at the University of South Florida Contemporary
+Art Museum in 2019.
+
+He seeks to draw connections between philosophy, mathematics,
+and design through his work. These ideas are often
+synthesized through a blend of experimentation and highly
+organized systems. Recent explorations in Tucker's music
+have included prescriptive applications of mathematical
+relationships/number sequences, the reorganization of
+improvised materials, and serial structures. Experiences
+reading, hiking and amateur botanizing can be
+found intertwined in his work, alongside interests in
+open-source software and teaching.
+
+As a performer and improviser on bassoon and electronics,
+Tucker participates in various collaborative and solo projects.
+His duo project with percussionist Lionel Martinez (spank;)
+recently released
+.I "spank; + Logan Barrett"
+, a full-length
+album of improvised music. Tucker has recently performed works
+by Peter Ablinger, Sam Pluta, and Leah Mullen.
+
+A consistent supporter of new music, Tucker has helped
+organize many events, festivals, and concerts. From 2017-2019
+he served as a production team member, librarian, and
+logistics coordinator for the New Music Consortium at the
+University of South Florida, a student organization dedicated
+to the performance and promotion of new music. Tucker helped
+coordinate the 2018 USF New Music Festival, the 2019
+International Call for Scores, and several other events
+during his time with the organization. In 2020 he helped to
+relaunch Penn State's Living Music student organization.
+As president of Living Music, he coordinated several guest
+lectures, a weekly radio show, and the inaugural Penn State
+International New Music Festival. Currently, he works as an
+intern with the Hochstein School in Rochester, and serves as
+personel recruiter for the Eastman Graduate Composers'
+Sinfonietta.
+
+Tucker received the BM in music composition from the
+Pennsylvania State University, where his composition teachers
+were Baljinder Sekhon and Steven Rice. He previously studied
+with Susanna Hancock and Paul Reller at the University of
+South Florida. Tucker is pursuing the MA in music composition
+at the Eastman School of Music, where he serves as a teaching
+assistant for the Eastman Audio Research Studio. There he
+studies with Robert Morris, David Liptak, and Matt Barber.
+
+.BP
+.heading "shrorter bio"
+.sp .5
+Currently based in Rochester, New York, Tucker Johnson's
+musical practice includes works for soloists, ensembles,
+and electronic media.
+Tucker seeks to draw connections between philosophy, mathematics,
+and design through his work. These ideas are often
+synthesized through a blend of experimentation and highly
+organized systems. Recent explorations in Tucker's music
+have included prescriptive applications of mathematical
+relationships/number sequences, the reorganization of
+improvised materials, and serial structures. Experiences
+reading, hiking and amateur botanizing can be
+found intertwined in his work, alongside interests in
+open-source software and teaching.
+Tucker received the BM in music composition from the
+Pennsylvania State University, where his composition teachers
+were Baljinder Sekhon and Steven Rice.
+Tucker is pursuing the MA in music composition
+at the Eastman School of Music, where he serves as a teaching
+assistant for the Eastman Audio Research Studio. There he
+studies with Robert Morris, David Liptak, and Matt Barber.
diff --git a/cv-tj.ms b/cv-tj.ms
deleted file mode 100644
index 236636d..0000000
--- a/cv-tj.ms
+++ /dev/null
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-.de heading
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-.   ps 11
-.   sp -1
-.   fi
-..
-
-.de BP
-.  ie '\\n(.z'' .bp \\$1
-.  el \!.BP \\$1
-..
-
-
-\# -----------------------TOP------------------------------
-.ce 0
-.ps 18
-.B "Tucker Johnson"
-.ps 10
-.I musician,
-.I technologist
-(CV | updated \n(mo-\ny)
-.TS
-tab(|) nospaces;
-l rx.
-169 spring tree ln|T{
-.I "tucker [@] newer.systems"
-T}
-Rochester, NY|T{
-.I "(727) 483-3689"
-T}
-14612|T{
-.I "www.newer.systems"
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Education"
-.TS
-tab(|) nospaces;
-rW10|lx.
-2021 - now|T{
-.B "Eastman School of Music"
-[Rochester, NY]
-\(en Master of Arts, Music Composition
-.br
-Primary Teachers: Robert Morris, Mathew Barber, David Liptak
-.sp .5
-T}
-2020 - 2021|T{
-.B "Pennsylvania State University"
-[State College, PA]
-\(en Bachelor of Music, Music Composition
-.br
-Primary Teachers: Baljinder Sekhon, Steven Rice
-.sp .5
-T}
-2017 - 2019|T{
-.B "University of South Florida"
-[Tampa, FL]
-\(en Bachelor of Music, Music Composition
-.br
-Primary Teachers: Paul Reller, Susanna Hancock, Benjamin Whiting
-.br
-(transfered after fall 2019 semester)
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Roles and Experience"
-.TS
-tab(|) nospaces;
-rW10|lx.
-2022 - now|T{
-.B "Hochstein School of Music and Dance"
-[Rochester, NY]
-\(en Intern
-Assist in fundraising campaigns;
-Send mail to donors;
-Shadow Hochstein grant-writing;
-Use Bloomerang Donor Management Systems
-.sp .5
-T}
-2022 - now|T{
-.B "Eastman Graduate Composers' Sinfonietta (GCS)"
-[Rochester, NY]
-\(en Recruiter
-.br
-Recruit performers from the Eastman community for GCS projects from the Eastman community
-.sp .5
-T}
-2021 - now|T{
-.B "Eastman Audio Research Studio (EARS)"
-[Rochester, NY]
-\(en Teaching Assistant
-.br
-Instruct graduate and undergraduate computer music students;
-Provide equipment and services for Eastman concerts (5-7 per semester);
-Maintain EARS website;
-Maintain EARS equipment and facilities
-.sp .5
-T}
-2021 - 2022|T{
-.B "Contemporary Art Music Project"
-[Tampa, FL]
-\(en Podcast Producer/Host
-.br
-Researched, programed, and wrote monthly podcasts;
-Interviewed guests;
-Recorded and produced monthly podcasts
-.sp .5
-T}
-2020 - 2021|T{
-.B "Living Music"
-[State College, PA]
-\(en President
-.br
-Organized and maintain organization rosters;
-Oversaw funding requests;
-Hosted and produced weekly radio show;
-Produced events and concerts (International New Music Festival, Call for Scores, etc.)
-.sp .5
-T}
-2020 - 2021|T{
-.B "ROARS Recording Studio at Penn State"
-[State College, PA]
-\(en Audio/Recording Engineer
-.br
-Produced recordings for Penn State students and faculty;
-Assisted in concert production for concerts (3-5 per semester);
-Maintained ROARS studio equipment and facilities
-.sp .5
-T}
-2017 - 2019|T{
-.B "New Music Consortium"
-[Tampa, FL]
-\(en Logistics Coordinator/Librarian
-.br
-Organized rehearsals;
-Oversaw music rentals;
-Provided scores and parts to performers
-.sp .5
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Current and Ongoing Projects"
-.sp .25
-.BI "Anagram: Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
-.br
-A work for piano, oboe, clarinet, horn, and bassoon inspired by Mozart's
-.I "Quintet in Eb major".
-Each of the three movements serves as a reorganization of the musical events in Mozart's work.
-.sp .25
-\#
-.BI "Twenty-One Inventions"
-.br
-A series of 21 short piano pieces exploring the diatonic scale through the 15 possible partitions of a group of 7.
-.sp .25
-\#
-.B VISCIS
-(vi-like sound corpus input sequencer)
-.br
-Built using Supercollider,
-.I "VISCIS"
-is an instrument for composition and improvisation that sequences large sound corpora from parametric input.
-.sp .25
-\#
-.B "Composition Kit"
-.br
-A growing repository of compositional tools. Written in Common LISP.
-.sp .25
-\#
-.B spank;
-.br
-Duo project with Florida-based percussionist Lionel Martinez.
-Focused on improvised music for bassoon and percussion.(
-.I "spank; + Logan Barrett"
-released independently in September 2020)
-.sp .25
-\#
-.B "Leave Salem"
-.br
-Project with multi-instrumentalist and electronic musician John McGovern focused american primitive guitar and digital signal processing.
-.sp .5
-\#
-\#
-\# --------------------------------------------------------
-.heading "Honors and Commissions"
-.TS
-tab(|) nospaces;
-rW5|lx.
-2021|T{
-\(en Commission: Eastman Graduate Composers' Sinfonietta
-.I "(Commonplace Common Tones)"
-.br
-\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023)
-.br
-\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition
-.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)"
-.br
-\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio
-.br
-\(en Commission: Hillsborough Arts Grant, Michael Standard
-.I "(Mutable Subjects)"
-.br
-\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music
-.br
-\(en Selected Composer: Longy Divergent Studio
-.I "(Enter Ghost)"
-.br
-\(en Commission: Bob McCormick and Eunmi Ko
-.I "(Even the Pieces I Can't Remember)"
-.br
-\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU
-.sp .5
-T}
-2020|T{
-\(en Winner: Marjorie Jane Brewster Competition, PSU
-.br
-\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities
-.I "(A Presence Within Reassembly)"
-.br
-\(en Winner: Moreau VanTuinen Duo Call for Miniatures
-.I "(Second-hand Asymmetry)"
-.br
-\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020
-.I "(CO)"
-.sp .5
-T}
-2019|T{
-.br
-\(en Elected Logistics Coordinator: USF New Music Consortium
-.br
-\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea
-.I "(CO)"
-.br
-\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn
-.sp .5
-T}
-.CW
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Festivals, Programs, and Conferences"
-.TS
-tab(|) nospaces;
-rW5|lx.
-2021|T{
-.B "Penn State International New Music Festival"
-[State College, PA (online)]
-\(en planning, hosting
-.br
-performed work:
-.I "Wears and Tears "
-(Amber Lucas - clarinet)
-.sp .5
-T}
-2019|T{
-.B "Nick Cave and Bob Faust Workshop"
-[Tampa, FL]
-\(en Collaborator
-.br
-collaborative multidisciplinary installation:
-.I "Mobillity, on beauty"
-.sp .25
-.B "Composing in the Wilderness"
-[Prince William Sound, AK]
-\(en Selected Composer
-.br
-commissioned work:
-.I "Or Maybe While Crossing"
-.sp .25
-.B "soundSCAPE"
-[Cesena, Italy]
-\(en Selected Composer
-.br
-commissioned work:
-.I "WRITE/TAKE "
-(Dieter Hennings, John Rivera Pico - guitars)
-.sp .25
-.B "Dot-the-Line"
-[Seoul, South Korea]
-\(en Call-for-Scores Winner
-.br
-performed work:
-.I "CO "
-(Changhoon Lee - alto saxophone, Jieun Shin - piano)
-.sp .5
-T}
-2018|T{
-.B "SHASTRA Tabla and Hindustani Rhythm Workshop"
-[Wayne, NJ]
-\(en Selected Composer
-.br
-commissioned work:
-.I "...for the discernment of vocations with... "
-(Shawn Matevetsky - tabla, New Jersey Percussion Ensemble, Payton Macdonald - conductor)
-.sp .25
-.B "USF International New Music Festival"
-[Tampa, FL]
-\(en planning, hosting
-.sp .5
-T}
-.CW
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Software/Programming Proficiency"
-Finale,
-Sibelius,
-Lilypond,
-Logic Pro,
-Reaper,
-Da Vinci Resolve,
-OBS,
-Max/MSP,
-Supercollider,
-PureData,
-HUGO,
-HTML + CSS + JS,
-Lua,
-Common Lisp,
-Latex,
-Groff,
-Arch/Artix Linux,
-Linux Pro Audio
-\#
-.bp
-\#
-\# --------------------------------------------------------
-.heading "List of Replicable Works (performance/playback)"
-.TS
-tab(|) nospaces;
-rW5|lW50|lw10|lx.
-2022|T{
-.B "Anagram*:"
-.I "Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
-T}|12 minutes|T{
-oboe, clarinet, horn, bassoon, piano
-.sp .75
-T}
- |T{
-.B "Twenty-One Inventions*"
-T}|20 minutes|T{
-piano
-.sp .75
-T}
- |T{
-.B "Settle the Score"
-.I "in one or five parts"
-T}|1-4 1/2 minutes|T{
-english horn, trumpet, electric guitar, violin, computer
-.sp .75
-T}
- |T{
-.B "Mutable Subjects"
-T}|1-14 minutes|T{
-marimba, computer
-T}
- |T{
-.I "commissioned by Michael Standard"
-.sp .75
-T}| |T{
-.sp .75
-T}
-2021|T{
-.B "Commonplace Common Tones"
-T}|7 minutes|T{
-sinfonietta
-T}
- |T{
-.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Even the Pieces I can't Remember"
-T}|14 minutes|T{
-percussion, piano
-T}
- |T{
-.I "commissioned by Eunmi Ko and Bob McCormick"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Enter Ghost"
-T}|5 minutes|T{
-voice, trumpet, bass clarinet, trombone
-.sp .75
-T}
- |T{
-.B "Wears and Tears"
-T}|5 minutes|T{
-clarinet, computer
-.sp .75
-T}
- |T{
-.B "Injunctions of Bruckner: Aequale no. 1 & 2"
-T}|2 minutes|T{
-vibraphone, live-processing
-.sp .75
-T}
- |T{
-.B "Is Breathing"
-T}|8 minutes|T{
-alto saxophone
-.sp .75
-T}
-2020|T{
-.B "Falling Paths, Coloring Grounds"
-T}|10 minutes|T{
-cello, computer
-.sp .75
-T}
- |T{
-.B "Moment/Time \(enPractice"
-T}|variable|T{
-open
-.sp .75
-T}
- |T{
-.B "The Ecstasy of Communication"
-T}|10-25 minutes|T{
-snare drum, triggered media
-.sp .75
-T}
- |T{
-.B "A Presence Within Reassembly"
-T}|7 minutes|T{
-quadrophonic playback
-.sp .75
-T}
- |T{
-.B "WE CANNOT POST IN SUMMER"
-T}|11 minutes|T{
-sinfonietta
-.sp .75
-T}
-2019|T{
-.B "------------"
-T}|22 minutes|T{
-stereo playback
-.sp .75
-T}
- |T{
-.B "Or Maybe While Crossing"
-T}|6 1/2 minutes|T{
-flute, saxophone, violin, cello, percussion
-.sp .75
-T}
- |T{
-.B "I AM COVERED IN STARCH"
-T}|6 minutes|T{
-stereo playback
-.sp .75
-T}
- |T{
-.B "WRITE/TAKE"
-T}|6 minutes|T{
-guitar duo
-.sp .75
-T}
- |T{
-.B "CO"
-T}|6 minutes|T{
-alto saxophone, piano
-.sp .75
-T}
-2018|T{
-.B "All of My Life's Work Up Until This Point"
-T}|5 minutes|T{
-cello
-.sp 2
-T}
- |T{
-.B "JetFuel"
-T}|4 minutes|T{
-orchestra
-T}
- |T{
-.I "commissioned by the Tampa Metropolitan Youth Orchestra"
-.sp .75 T}| |T{
-T}
- |T{
-.B "...for the discernment of vocations with..."
-T}|8 minutes|T{
-tabla, mallet quartet
-.sp .75
-T}
-.TE
diff --git a/cv.ms b/cv.ms
new file mode 100644
index 0000000..1247103
--- /dev/null
+++ b/cv.ms
@@ -0,0 +1,659 @@
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+.nr HM 0.5i
+.nr PO 0.5i
+.nr LL 7.25i
+.nr LT 7i
+.nr FM 0.01i
+.nr PS 10p
+.nr VS 15p
+.nr y 1900+\n(yr
+.ds CH
+
+.de heading
+.   nf
+.   ps 13
+.   B "\\$1"
+\h’0n’\v’-1.2n’
+.   ps 11
+.   sp -1
+.   fi
+..
+
+.de BP
+.  ie '\\n(.z'' .bp \\$1
+.  el \!.BP \\$1
+..
+
+
+\# -----------------------TOP------------------------------
+.ce 0
+.ps 18
+.B "Tucker Johnson"
+.ps 10
+.I musician,
+.I technologist
+(CV | updated \n(mo-\ny)
+.TS
+tab(|) nospaces;
+l rx.
+169 spring tree ln|T{
+.I "tucker [@] newer.systems"
+T}
+Rochester, NY|T{
+.I "(727) 483-3689"
+T}
+14612|T{
+.I "www.newer.systems"
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Education"
+.TS
+tab(|) nospaces;
+rW10|lx.
+2021 - now|T{
+.B "Eastman School of Music"
+[Rochester, NY]
+\(en Master of Arts, Music Composition
+.br
+Primary Teachers: Robert Morris, Mathew Barber, David Liptak
+.sp .5
+T}
+2020 - 2021|T{
+.B "Pennsylvania State University"
+[State College, PA]
+\(en Bachelor of Music, Music Composition
+.br
+Primary Teachers: Baljinder Sekhon, Steven Rice
+.sp .5
+T}
+2017 - 2019|T{
+.B "University of South Florida"
+[Tampa, FL]
+\(en Bachelor of Music, Music Composition
+.br
+Primary Teachers: Paul Reller, Susanna Hancock, Benjamin Whiting
+.br
+(transfered after fall 2019 semester)
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Roles and Experience"
+.TS
+tab(|) nospaces;
+rW10|lx.
+2022 - now|T{
+.B "Hochstein School of Music and Dance"
+[Rochester, NY]
+\(en Intern
+Assist in fundraising campaigns;
+Send mail to donors;
+Shadow Hochstein grant-writing;
+Use Bloomerang Donor Management Systems
+.sp .5
+T}
+2022 - now|T{
+.B "Eastman Graduate Composers' Sinfonietta (GCS)"
+[Rochester, NY]
+\(en Recruiter
+.br
+Recruit performers from the Eastman community for GCS projects from the Eastman community
+.sp .5
+T}
+2021 - now|T{
+.B "Eastman Audio Research Studio (EARS)"
+[Rochester, NY]
+\(en Teaching Assistant
+.br
+Instruct graduate and undergraduate computer music students;
+Provide equipment and services for Eastman concerts (5-7 per semester);
+Maintain EARS website;
+Maintain EARS equipment and facilities
+.sp .5
+T}
+2021 - 2022|T{
+.B "Contemporary Art Music Project"
+[Tampa, FL]
+\(en Podcast Producer/Host
+.br
+Researched, programed, and wrote monthly podcasts;
+Interviewed guests;
+Recorded and produced monthly podcasts
+.sp .5
+T}
+2020 - 2021|T{
+.B "Living Music"
+[State College, PA]
+\(en President
+.br
+Organized and maintain organization rosters;
+Oversaw funding requests;
+Hosted and produced weekly radio show;
+Produced events and concerts (International New Music Festival, Call for Scores, etc.)
+.sp .5
+T}
+2020 - 2021|T{
+.B "ROARS Recording Studio at Penn State"
+[State College, PA]
+\(en Audio/Recording Engineer
+.br
+Produced recordings for Penn State students and faculty;
+Assisted in concert production for concerts (3-5 per semester);
+Maintained ROARS studio equipment and facilities
+.sp .5
+T}
+2017 - 2019|T{
+.B "New Music Consortium"
+[Tampa, FL]
+\(en Logistics Coordinator/Librarian
+.br
+Organized rehearsals;
+Oversaw music rentals;
+Provided scores and parts to performers
+.sp .5
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Current and Ongoing Projects"
+.sp .25
+.BI "Anagram: Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
+.br
+A work for piano, oboe, clarinet, horn, and bassoon inspired by Mozart's
+.I "Quintet in Eb major".
+Each of the three movements serves as a reorganization of the musical events in Mozart's work.
+.sp .25
+\#
+.BI "Twenty-One Inventions"
+.br
+A series of 21 short piano pieces exploring the diatonic scale through the 15 possible partitions of a group of 7.
+.sp .25
+\#
+.B VISCIS
+(vi-like sound corpus input sequencer)
+.br
+Built using Supercollider,
+.I "VISCIS"
+is an instrument for composition and improvisation that sequences large sound corpora from parametric input.
+.sp .25
+\#
+.B "Composition Kit"
+.br
+A growing repository of compositional tools. Written in Common LISP.
+.sp .25
+\#
+.B spank;
+.br
+Duo project with Florida-based percussionist Lionel Martinez.
+Focused on improvised music for bassoon and percussion.(
+.I "spank; + Logan Barrett"
+released independently in September 2020)
+.sp .25
+\#
+.B "Leave Salem"
+.br
+Project with multi-instrumentalist and electronic musician John McGovern focused american primitive guitar and digital signal processing.
+.sp .5
+\#
+\#
+\# --------------------------------------------------------
+.heading "Honors and Commissions"
+.TS
+tab(|) nospaces;
+rW5|lx.
+2021|T{
+\(en Commission: Eastman Graduate Composers' Sinfonietta
+.I "(Commonplace Common Tones)"
+.br
+\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023)
+.br
+\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition
+.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)"
+.br
+\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio
+.br
+\(en Commission: Hillsborough Arts Grant, Michael Standard
+.I "(Mutable Subjects)"
+.br
+\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music
+.br
+\(en Selected Composer: Longy Divergent Studio
+.I "(Enter Ghost)"
+.br
+\(en Commission: Bob McCormick and Eunmi Ko
+.I "(Even the Pieces I Can't Remember)"
+.br
+\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU
+.sp .5
+T}
+2020|T{
+\(en Winner: Marjorie Jane Brewster Competition, PSU
+.br
+\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities
+.I "(A Presence Within Reassembly)"
+.br
+\(en Winner: Moreau VanTuinen Duo Call for Miniatures
+.I "(Second-hand Asymmetry)"
+.br
+\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020
+.I "(CO)"
+.sp .5
+T}
+2019|T{
+.br
+\(en Elected Logistics Coordinator: USF New Music Consortium
+.br
+\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea
+.I "(CO)"
+.br
+\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn
+.sp .5
+T}
+.CW
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Festivals, Programs, and Conferences"
+.TS
+tab(|) nospaces;
+rW5|lx.
+2021|T{
+.B "Penn State International New Music Festival"
+[State College, PA (online)]
+\(en planning, hosting
+.br
+performed work:
+.I "Wears and Tears "
+(Amber Lucas - clarinet)
+.sp .5
+T}
+2019|T{
+.B "Nick Cave and Bob Faust Workshop"
+[Tampa, FL]
+\(en Collaborator
+.br
+collaborative multidisciplinary installation:
+.I "Mobillity, on beauty"
+.sp .25
+.B "Composing in the Wilderness"
+[Prince William Sound, AK]
+\(en Selected Composer
+.br
+commissioned work:
+.I "Or Maybe While Crossing"
+.sp .25
+.B "soundSCAPE"
+[Cesena, Italy]
+\(en Selected Composer
+.br
+commissioned work:
+.I "WRITE/TAKE "
+(Dieter Hennings, John Rivera Pico - guitars)
+.sp .25
+.B "Dot-the-Line"
+[Seoul, South Korea]
+\(en Call-for-Scores Winner
+.br
+performed work:
+.I "CO "
+(Changhoon Lee - alto saxophone, Jieun Shin - piano)
+.sp .5
+T}
+2018|T{
+.B "SHASTRA Tabla and Hindustani Rhythm Workshop"
+[Wayne, NJ]
+\(en Selected Composer
+.br
+commissioned work:
+.I "...for the discernment of vocations with... "
+(Shawn Matevetsky - tabla, New Jersey Percussion Ensemble, Payton Macdonald - conductor)
+.sp .25
+.B "USF International New Music Festival"
+[Tampa, FL]
+\(en planning, hosting
+.sp .5
+T}
+.CW
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Software/Programming Proficiency"
+Finale,
+Sibelius,
+Lilypond,
+Logic Pro,
+Reaper,
+Da Vinci Resolve,
+OBS,
+Max/MSP,
+Supercollider,
+PureData,
+HUGO,
+HTML + CSS + JS,
+Lua,
+Common Lisp,
+Latex,
+Groff,
+Arch/Artix Linux,
+Linux Pro Audio
+\#
+.bp
+\#
+\# --------------------------------------------------------
+.heading "List of Replicable Works (performance/playback)"
+.TS
+tab(|) nospaces;
+rW5|lW50|lw10|lx.
+2022|T{
+.B "Anagram*:"
+.I "Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
+T}|12 minutes|T{
+oboe, clarinet, horn, bassoon, piano
+.sp .75
+T}
+ |T{
+.B "Twenty-One Inventions*"
+T}|20 minutes|T{
+piano
+.sp .75
+T}
+ |T{
+.B "Settle the Score"
+.I "in one or five parts"
+T}|1-4 1/2 minutes|T{
+english horn, trumpet, electric guitar, violin, computer
+.sp .75
+T}
+ |T{
+.B "Mutable Subjects"
+T}|1-14 minutes|T{
+marimba, computer
+T}
+ |T{
+.I "commissioned by Michael Standard"
+.sp .75
+T}| |T{
+.sp .75
+T}
+2021|T{
+.B "Commonplace Common Tones"
+T}|7 minutes|T{
+sinfonietta
+T}
+ |T{
+.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "Even the Pieces I can't Remember"
+T}|14 minutes|T{
+percussion, piano
+T}
+ |T{
+.I "commissioned by Eunmi Ko and Bob McCormick"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "Enter Ghost"
+T}|5 minutes|T{
+voice, trumpet, bass clarinet, trombone
+.sp .75
+T}
+ |T{
+.B "Wears and Tears"
+T}|5 minutes|T{
+clarinet, computer
+.sp .75
+T}
+ |T{
+.B "Injunctions of Bruckner: Aequale no. 1 & 2"
+T}|2 minutes|T{
+vibraphone, live-processing
+.sp .75
+T}
+ |T{
+.B "Is Breathing"
+T}|8 minutes|T{
+alto saxophone
+.sp .75
+T}
+2020|T{
+.B "Falling Paths, Coloring Grounds"
+T}|10 minutes|T{
+cello, computer
+.sp .75
+T}
+ |T{
+.B "Moment/Time \(enPractice"
+T}|variable|T{
+open
+.sp .75
+T}
+ |T{
+.B "The Ecstasy of Communication"
+T}|10-25 minutes|T{
+snare drum, triggered media
+.sp .75
+T}
+ |T{
+.B "A Presence Within Reassembly"
+T}|7 minutes|T{
+quadrophonic playback
+.sp .75
+T}
+2019|T{
+.B "------------"
+T}|22 minutes|T{
+stereo playback
+.sp .75
+T}
+ |T{
+.B "Or Maybe While Crossing"
+T}|6 1/2 minutes|T{
+flute, saxophone, violin, cello, percussion
+.sp .75
+T}
+ |T{
+.B "I AM COVERED IN STARCH"
+T}|6 minutes|T{
+stereo playback
+.sp .75
+T}
+ |T{
+.B "WRITE/TAKE"
+T}|6 minutes|T{
+guitar duo
+.sp .75
+T}
+ |T{
+.B "CO"
+T}|6 minutes|T{
+alto saxophone, piano
+.sp .75
+T}
+2018|T{
+.B "All of My Life's Work Up Until This Point"
+T}|5 minutes|T{
+cello
+.sp 2
+T}
+ |T{
+.B "JetFuel"
+T}|4 minutes|T{
+orchestra
+T}
+ |T{
+.I "commissioned by the Tampa Metropolitan Youth Orchestra"
+.sp .75 T}| |T{
+T}
+ |T{
+.B "...for the discernment of vocations with..."
+T}|8 minutes|T{
+tabla, mallet quartet
+.sp .75
+T}
+.TE
+\#
+\# --------------------------------------------------------
+.heading "List of Performances"
+.TS
+tab(|) nospaces;
+rW5|lW30|lw27|lx.
+4/7/22|T{
+.B "Settle the Score"
+.I "(version for 5 voices)"
+T}|T{
+Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
+T}|T{
+NY, Rochester: Hatch Recital Hall
+.sp .75
+T}
+2/12/22|T{
+.B "Injunctions of Bruckner"
+T}|T{
+John McGovern
+T}|T{
+PA, State College: New Recital Hall
+.sp .75
+T}
+2/2/22|T{
+.B "Settle the Score"
+.I "(version for solo computer)"
+T}|T{
+computer: quadrophonic playback
+T}|T{
+NY, Rochester: Kilbourn Hall
+.sp .75
+T}
+T{
+.BI "2021"
+T}
+ | | | |
+11/10/21|T{
+.B "Commonplace Common Tones"
+T}|T{
+Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
+T}|T{
+NY, Rochester: Kilbourn Hall
+.sp .75
+T}
+5/4/21|T{
+.B "Injunctions of Bruckner"
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+4/25/21|T{
+.B "Falling Paths, Coloring Grounds"
+T}|T{
+Hudson Webber
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "The Ecstasy of Communication"
+T}|T{
+John McGovern
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "A Presence Within Reassembly"
+T}|T{
+quadrophonic playback
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Wears and Tears"
+T}|T{
+Amber Lucas
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Falling Paths, Coloring Grounds"
+T}|T{
+Hudson Webber
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Injunctions of Bruckner"
+T}|T{
+John McGovern
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/16/21|T{
+.B "Wears and Tears"
+T}|T{
+Amber Lucas
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+3/30/21|T{
+.B "Wears and Tears"
+T}|T{
+Amber Lucas
+T}|T{
+Online Event - Penn State International New Music Festival
+.sp .75
+T}
+T{
+.BI "2020"
+T}
+ | | | |
+11/20/20|T{
+.B "The Ecstasy of Communication"
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+10/23/20|T{
+.B "A Presence Within Reassembly"
+T}|T{
+quadrophonic playback
+T}|T{
+PA, State College: Water Tower Plaza
+.sp .75
+T}
+7/5/20|T{
+.B "All of my Life's Work Until This Point"
+T}|T{
+Eduard Teregulov
+T}|T{
+Online Event - (recorded in Dade City, FL)
+.sp .75
+T}
+5/10/20|T{
+.B "Second-hand Asymmetry"
+T}|T{
+Moreau VanTuinen Duo
+T}|T{
+Online Event
+.sp .75
+T}
+.TE
diff --git a/lists/list of performances.ms b/lists/list of performances.ms
new file mode 100644
index 0000000..9fe47b5
--- /dev/null
+++ b/lists/list of performances.ms	
@@ -0,0 +1,200 @@
+.fam Junicode
+.nr HM 0.5i
+.nr PO 0.5i
+.nr LL 7.25i
+.nr LT 7i
+.nr FM 0.01i
+.nr PS 10p
+.nr VS 15p
+.nr y 1900+\n(yr
+.ds CH
+
+.de heading
+.   nf
+.   ps 13
+.   B "\\$1"
+\h’0n’\v’-1.2n’
+.   ps 11
+.   sp -1
+.   fi
+..
+
+.de BP
+.  ie '\\n(.z'' .bp \\$1
+.  el \!.BP \\$1
+..
+
+
+\# -----------------------TOP------------------------------
+.ce 0
+.ps 18
+.B "Tucker Johnson"
+.ps 10
+.I composer
+(updated \n(mo-\ny)
+.TS
+tab(|) nospaces;
+l rx.
+169 spring tree ln|T{
+.I "tucker [@] newer.systems"
+T}
+Rochester, NY|T{
+.I "(727) 483-3689"
+T}
+14612|T{
+.I "www.newer.systems"
+T}
+.TE
+\#
+\# --------------------------------------------------------
+.heading "List of Performances"
+.TS
+tab(|) nospaces;
+rW5|lW30|lw27|lx.
+4/7/22|T{
+.B "Settle the Score"
+.I "(version for 5 voices)"
+T}|T{
+Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
+T}|T{
+NY, Rochester: Hatch Recital Hall
+.sp .75
+T}
+2/12/22|T{
+.B "Injunctions of Bruckner"
+T}|T{
+John McGovern
+T}|T{
+PA, State College: New Recital Hall
+.sp .75
+T}
+2/2/22|T{
+.B "Settle the Score"
+.I "(version for solo computer)"
+T}|T{
+computer: quadrophonic playback
+T}|T{
+NY, Rochester: Kilbourn Hall
+.sp .75
+T}
+T{
+.BI "2021"
+T}
+ | | | |
+11/10/21|T{
+.B "Commonplace Common Tones"
+T}|T{
+Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
+T}|T{
+NY, Rochester: Kilbourn Hall
+.sp .75
+T}
+5/4/21|T{
+.B "Injunctions of Bruckner"
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+4/25/21|T{
+.B "Falling Paths, Coloring Grounds"
+T}|T{
+Hudson Webber
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "The Ecstasy of Communication"
+T}|T{
+John McGovern
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "A Presence Within Reassembly"
+T}|T{
+quadrophonic playback
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Wears and Tears"
+T}|T{
+Amber Lucas
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Falling Paths, Coloring Grounds"
+T}|T{
+Hudson Webber
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Injunctions of Bruckner"
+T}|T{
+John McGovern
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/16/21|T{
+.B "Wears and Tears"
+T}|T{
+Amber Lucas
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+3/30/21|T{
+.B "Wears and Tears"
+T}|T{
+Amber Lucas
+T}|T{
+Online Event - Penn State International New Music Festival
+.sp .75
+T}
+T{
+.BI "2020"
+T}
+ | | | |
+11/20/20|T{
+.B "The Ecstasy of Communication"
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+10/23/20|T{
+.B "A Presence Within Reassembly"
+T}|T{
+quadrophonic playback
+T}|T{
+PA, State College: Water Tower Plaza
+.sp .75
+T}
+7/5/20|T{
+.B "All of my Life's Work Until This Point"
+T}|T{
+Eduard Teregulov
+T}|T{
+Online Event - (recorded in Dade City, FL)
+.sp .75
+T}
+5/10/20|T{
+.B "Second-hand Asymmetry"
+T}|T{
+Moreau VanTuinen Duo
+T}|T{
+Online Event
+.sp .75
+T}
+.TE
diff --git a/lists/list of works.ms b/lists/list of works.ms
new file mode 100644
index 0000000..d0cb0d1
--- /dev/null
+++ b/lists/list of works.ms	
@@ -0,0 +1,213 @@
+.fam Junicode
+.nr HM 0.5i
+.nr PO 0.5i
+.nr LL 7.25i
+.nr LT 7i
+.nr FM 0.01i
+.nr PS 10p
+.nr VS 15p
+.nr y 1900+\n(yr
+.ds CH
+
+.de heading
+.   nf
+.   ps 13
+.   B "\\$1"
+\h’0n’\v’-1.2n’
+.   ps 11
+.   sp -1
+.   fi
+..
+
+.de BP
+.  ie '\\n(.z'' .bp \\$1
+.  el \!.BP \\$1
+..
+
+
+\# -----------------------TOP------------------------------
+.ce 0
+.ps 18
+.B "Tucker Johnson"
+.ps 10
+.I musician,
+.I technologist
+(updated \n(mo-\ny)
+.TS
+tab(|) nospaces;
+l rx.
+169 spring tree ln|T{
+.I "tucker [@] newer.systems"
+T}
+Rochester, NY|T{
+.I "(727) 483-3689"
+T}
+14612|T{
+.I "www.newer.systems"
+T}
+.TE
+\#
+\# --------------------------------------------------------
+.heading "List of Replicable Works (performance/playback)"
+.TS
+tab(|) nospaces;
+rW5|lW50|lw10|lx.
+2022|T{
+.B "Anagram*:"
+.I "Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
+T}|12 minutes|T{
+oboe, clarinet, horn, bassoon, piano
+.sp .75
+T}
+ |T{
+.B "Twenty-One Inventions*"
+T}|20 minutes|T{
+piano
+.sp .75
+T}
+ |T{
+.B "Settle the Score"
+.I "in one or five parts"
+T}|1-4 1/2 minutes|T{
+english horn, trumpet, electric guitar, violin, computer
+.sp .75
+T}
+ |T{
+.B "Mutable Subjects"
+T}|1-14 minutes|T{
+marimba, computer
+T}
+ |T{
+.I "commissioned by Michael Standard"
+.sp .75
+T}| |T{
+.sp .75
+T}
+2021|T{
+.B "Commonplace Common Tones"
+T}|7 minutes|T{
+sinfonietta
+T}
+ |T{
+.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "Even the Pieces I can't Remember"
+T}|14 minutes|T{
+percussion, piano
+T}
+ |T{
+.I "commissioned by Eunmi Ko and Bob McCormick"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "Enter Ghost"
+T}|5 minutes|T{
+voice, trumpet, bass clarinet, trombone
+.sp .75
+T}
+ |T{
+.B "Wears and Tears"
+T}|5 minutes|T{
+clarinet, computer
+.sp .75
+T}
+ |T{
+.B "Injunctions of Bruckner: Aequale no. 1 & 2"
+T}|2 minutes|T{
+vibraphone, live-processing
+.sp .75
+T}
+ |T{
+.B "Is Breathing"
+T}|8 minutes|T{
+alto saxophone
+.sp .75
+T}
+2020|T{
+.B "Falling Paths, Coloring Grounds"
+T}|10 minutes|T{
+cello, computer
+.sp .75
+T}
+ |T{
+.B "Moment/Time \(enPractice"
+T}|variable|T{
+open
+.sp .75
+T}
+ |T{
+.B "The Ecstasy of Communication"
+T}|10-25 minutes|T{
+snare drum, triggered media
+.sp .75
+T}
+ |T{
+.B "A Presence Within Reassembly"
+T}|7 minutes|T{
+quadrophonic playback
+.sp .75
+T}
+ |T{
+.B "WE CANNOT POST IN SUMMER"
+T}|11 minutes|T{
+sinfonietta
+.sp .75
+T}
+2019|T{
+.B "------------"
+T}|22 minutes|T{
+stereo playback
+.sp .75
+T}
+ |T{
+.B "Or Maybe While Crossing"
+T}|6 1/2 minutes|T{
+flute, saxophone, violin, cello, percussion
+.sp .75
+T}
+ |T{
+.B "I AM COVERED IN STARCH"
+T}|6 minutes|T{
+stereo playback
+.sp .75
+T}
+ |T{
+.B "WRITE/TAKE"
+T}|6 minutes|T{
+guitar duo
+.sp .75
+T}
+ |T{
+.B "CO"
+T}|6 minutes|T{
+alto saxophone, piano
+.sp .75
+T}
+2018|T{
+.B "All of My Life's Work Up Until This Point"
+T}|5 minutes|T{
+cello
+.sp .75
+T}
+ |T{
+.B "JetFuel"
+T}|4 minutes|T{
+orchestra
+T}
+ |T{
+.I "commissioned by the Tampa Metropolitan Youth Orchestra"
+.sp .75 T}| |T{
+T}
+ |T{
+.B "...for the discernment of vocations with..."
+T}|8 minutes|T{
+tabla, mallet quartet
+.sp .75
+T}
+.TE
diff --git a/lists/low-tj.ms b/lists/low-tj.ms
deleted file mode 100644
index d0cb0d1..0000000
--- a/lists/low-tj.ms
+++ /dev/null
@@ -1,213 +0,0 @@
-.fam Junicode
-.nr HM 0.5i
-.nr PO 0.5i
-.nr LL 7.25i
-.nr LT 7i
-.nr FM 0.01i
-.nr PS 10p
-.nr VS 15p
-.nr y 1900+\n(yr
-.ds CH
-
-.de heading
-.   nf
-.   ps 13
-.   B "\\$1"
-\h’0n’\v’-1.2n’
-.   ps 11
-.   sp -1
-.   fi
-..
-
-.de BP
-.  ie '\\n(.z'' .bp \\$1
-.  el \!.BP \\$1
-..
-
-
-\# -----------------------TOP------------------------------
-.ce 0
-.ps 18
-.B "Tucker Johnson"
-.ps 10
-.I musician,
-.I technologist
-(updated \n(mo-\ny)
-.TS
-tab(|) nospaces;
-l rx.
-169 spring tree ln|T{
-.I "tucker [@] newer.systems"
-T}
-Rochester, NY|T{
-.I "(727) 483-3689"
-T}
-14612|T{
-.I "www.newer.systems"
-T}
-.TE
-\#
-\# --------------------------------------------------------
-.heading "List of Replicable Works (performance/playback)"
-.TS
-tab(|) nospaces;
-rW5|lW50|lw10|lx.
-2022|T{
-.B "Anagram*:"
-.I "Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
-T}|12 minutes|T{
-oboe, clarinet, horn, bassoon, piano
-.sp .75
-T}
- |T{
-.B "Twenty-One Inventions*"
-T}|20 minutes|T{
-piano
-.sp .75
-T}
- |T{
-.B "Settle the Score"
-.I "in one or five parts"
-T}|1-4 1/2 minutes|T{
-english horn, trumpet, electric guitar, violin, computer
-.sp .75
-T}
- |T{
-.B "Mutable Subjects"
-T}|1-14 minutes|T{
-marimba, computer
-T}
- |T{
-.I "commissioned by Michael Standard"
-.sp .75
-T}| |T{
-.sp .75
-T}
-2021|T{
-.B "Commonplace Common Tones"
-T}|7 minutes|T{
-sinfonietta
-T}
- |T{
-.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Even the Pieces I can't Remember"
-T}|14 minutes|T{
-percussion, piano
-T}
- |T{
-.I "commissioned by Eunmi Ko and Bob McCormick"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Enter Ghost"
-T}|5 minutes|T{
-voice, trumpet, bass clarinet, trombone
-.sp .75
-T}
- |T{
-.B "Wears and Tears"
-T}|5 minutes|T{
-clarinet, computer
-.sp .75
-T}
- |T{
-.B "Injunctions of Bruckner: Aequale no. 1 & 2"
-T}|2 minutes|T{
-vibraphone, live-processing
-.sp .75
-T}
- |T{
-.B "Is Breathing"
-T}|8 minutes|T{
-alto saxophone
-.sp .75
-T}
-2020|T{
-.B "Falling Paths, Coloring Grounds"
-T}|10 minutes|T{
-cello, computer
-.sp .75
-T}
- |T{
-.B "Moment/Time \(enPractice"
-T}|variable|T{
-open
-.sp .75
-T}
- |T{
-.B "The Ecstasy of Communication"
-T}|10-25 minutes|T{
-snare drum, triggered media
-.sp .75
-T}
- |T{
-.B "A Presence Within Reassembly"
-T}|7 minutes|T{
-quadrophonic playback
-.sp .75
-T}
- |T{
-.B "WE CANNOT POST IN SUMMER"
-T}|11 minutes|T{
-sinfonietta
-.sp .75
-T}
-2019|T{
-.B "------------"
-T}|22 minutes|T{
-stereo playback
-.sp .75
-T}
- |T{
-.B "Or Maybe While Crossing"
-T}|6 1/2 minutes|T{
-flute, saxophone, violin, cello, percussion
-.sp .75
-T}
- |T{
-.B "I AM COVERED IN STARCH"
-T}|6 minutes|T{
-stereo playback
-.sp .75
-T}
- |T{
-.B "WRITE/TAKE"
-T}|6 minutes|T{
-guitar duo
-.sp .75
-T}
- |T{
-.B "CO"
-T}|6 minutes|T{
-alto saxophone, piano
-.sp .75
-T}
-2018|T{
-.B "All of My Life's Work Up Until This Point"
-T}|5 minutes|T{
-cello
-.sp .75
-T}
- |T{
-.B "JetFuel"
-T}|4 minutes|T{
-orchestra
-T}
- |T{
-.I "commissioned by the Tampa Metropolitan Youth Orchestra"
-.sp .75 T}| |T{
-T}
- |T{
-.B "...for the discernment of vocations with..."
-T}|8 minutes|T{
-tabla, mallet quartet
-.sp .75
-T}
-.TE
diff --git a/presentations/mypres.sent b/presentations/mypres.sent
new file mode 100644
index 0000000..31e860f
--- /dev/null
+++ b/presentations/mypres.sent
@@ -0,0 +1,32 @@
+Tucker Johnson
+              composer
+
+   improvisor
+   performer
+
+   technologist
+   organizer
+
+   educator
+   collaborator
+
+\
+
+Fifteen Inventions
+              solo piano
+
+7 = 1 + 1 + 1 + 1 + 1 + 1 + 1
+7 = 2 + 1 + 1 + 1 + 1 + 1
+7 = 3 + 1 + 1 + 1 + 1
+7 = 2 + 2 + 1 + 1 + 1
+7 = 4 + 1 + 1 + 1
+7 = 3 + 2 + 1 + 1
+7 = 2 + 2 + 2 + 1
+7 = 5 + 1 + 1
+7 = 4 + 2 + 1
+7 = 3 + 3 + 1
+7 = 3 + 2 + 2
+7 = 6 + 1
+7 = 5 + 2
+7 = 3 + 4
+7 = 7