From: tuckerjohnson Date: Sun, 14 Aug 2022 23:01:27 +0000 (-0400) Subject: mid-re-structure X-Git-Url: https://git.newer.systems/?a=commitdiff_plain;h=02c64ad63888825db477bf2de6ffac466205b5ee;p=circumnutation.git mid-re-structure --- diff --git a/arrays/13-composite-array.mkd b/arrays/13-composite-array.mkd deleted file mode 100644 index f5a1484..0000000 --- a/arrays/13-composite-array.mkd +++ /dev/null @@ -1,7 +0,0 @@ -| | | | | | | | | -|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:| -| *(0* | *7* | *83* | *t5* | *2)* | *(68* | *4e* | *t* | -| *(42* | *e0* | *96* | *7)* | *(9* | *t* | *0* | *42* | -| *(5* | *4* | *e* | *2* | *70)* | *(34* | *7* | *5* | -| *(79* | *52* | *4* | *0* | *e)* | *(1* | *2* | *79* | -| *(e* | *9* | *1* | *38* | *46)* | *(e* | *69 | *0* | diff --git a/arrays/4-polar.mkd b/arrays/4-polar.mkd deleted file mode 100644 index ae79416..0000000 --- a/arrays/4-polar.mkd +++ /dev/null @@ -1,7 +0,0 @@ -| *2176543* | *2176543* | *2176543* | *2176543* | *2176543* | *2176543* | *2176543* | *2176543* | *1765432* | *1765432* | *1765432* | *1765432* | *1765432* | *1765432* | *1765432* | *1765432* | *7654321* | *7654321* | *7654321* | *7654321* | *7654321* | *7654321* | *7654321* | *7654321* | -|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:| -| | | | | | | | | | | | | | | | | | | | | | | | | -| *2e974* | *16* | *30t85* | *27* | *41e96* | *38* | *520t7* | *49* | *31e86* | *5t* | *42097* | *6e* | *531t8* | *70* | *642e9* | *81* | *7530t* | *92* | *8641e* | *t3* | *97520* | *e4* | *t8631* | *50* | -| *05* | *42e97* | *16* | *530t8* | *27* | *641e9* | *38* | *7520t* | *49* | *631e8* | *5t* | *74209* | *6e* | *8531t* | *70* | *9642e* | *18* | *7530t* | *29* | *8641e* | *3t* | *97520* | *4e* | *t8631* | -| | | | | | | | | | | | | | | | | | | | | | | | | -| *(34)* | *(34)* | *(34)* | *(24)* | *(24)* | *(23)* | *(23)* | *(14)* | *(14)* | *(13)* | *(13)* | *(12)* | *(12)* | *(12)* | *(12)* | *(23)* | *(23)* | *(14)* | *(14)* | *(24)* | *(24)* | *(13)* | *(13)* | *(34)* | diff --git a/arrays/d-sets.mkd b/arrays/d-sets.mkd deleted file mode 100644 index 5212e93..0000000 --- a/arrays/d-sets.mkd +++ /dev/null @@ -1,14 +0,0 @@ -| [1234567] | -|-----------:| -| *024579e* | -| *13568t0* | -| *24679e1* | -| *3578t02* | -| *4689e13* | -| *579t024* | -| *68te135* | -| *79e0246* | -| *8t01357* | -| *9e12468* | -| *t023579* | -| *e13468t* | diff --git a/arrays/i-1.md b/arrays/i-1.md deleted file mode 100644 index e479cbf..0000000 --- a/arrays/i-1.md +++ /dev/null @@ -1,5 +0,0 @@ -### m-1 - -| 3462571 | 4326517 | 4236157 | 4231657 | 2413567 | 2143567 | 1234567 | -|:-------:|:-------:|:-------:|:-------:|:-------:|:-------:|:-------:| -| 8916e34 | t972054 | 2e16948 | 7462e91 | 907e246 | 1e4368t | 024579e | diff --git a/arrays/i-19.md b/arrays/i-19.md deleted file mode 100644 index cc61bc7..0000000 --- a/arrays/i-19.md +++ /dev/null @@ -1,26 +0,0 @@ -### m 19 - - -| *e024579* | *9t02357* | *89e1246* | *78t0135* | *79t0235* | *8te1346* | -|:---------:|:---------:|:---------:|:---------:|:---------:|:---------:| -| {e209- | -9057} | {e146 | 8t3}{5 | 7902 | e1}{36 | -| {05 | t3 | 82 | 7}{1 | t3 | 84 | -| {7 | 2 | 9 | 0 | 5 | t | -| (7123456) | (7123456) | (7123456) | (7123456) | (6712345) | (6712345) | - - -| *3568te1* | *e124679* | *4689e12* | *79e0245* | *468te13* | *024579e* | -|:---------:|:---------:|:---------:|:---------:|:---------:|:---------:| -| 58t1 | e}{467 | 9e12} | {7e90 | 461}{3 | 0279 | -| 6e} | {12 | 68 | 45 | e}{8 | 4e | -| 3} | {9 | 4 | 2 | t | 5 | -| (6712345) | (6712345) | (5671234) | (5671234) | (4567123) | (5671234) | - - -| *t024579* | *679e124* | | -|:---------:|:---------:|:----:| -| t5}{47 | 9e24 | (6) | -| 29 | 61} | | -| 0 | 7} | | -| (4567123) | (3456712) | | - diff --git a/arrays/i-2.md b/arrays/i-2.md deleted file mode 100644 index 1552c63..0000000 --- a/arrays/i-2.md +++ /dev/null @@ -1,34 +0,0 @@ -### m 2 (331) - -| *024579e* | *e024579* | *4579t02* | *023578t* | *4579t02* | -|:---------:|:---------:|:---------:|:---------:|:---------:| -| {079 | e24 | 5}{70- | -038 | 5t2} | -| {24e | 057 | 9}{t2- | -257 | 94{0} | -| {5 | 9 | 4 | t | 7- | -| (1234567) | (7123456) | (7123456) | (6712345) | (7123456) | - - -| *e124679* | *9e02457* | *78t0135* | *t013568* | *68te134* | -|:---------:|:---------:|:---------:|:---------:|:---------:| -| {126 | 9e4 | 8}{35 | 018 | 6t}{e | -| e49 | 257} | {701 | t35 | 8}{14- | -| -7 | 0 | t | 6 | 3- | -| (6712345) | (6712345) | (7123456) | (6712345) | (5671234) | - - -| *134689e* | *9e12467* | *79e0245* | *579t023* | *8t02357* | -|:---------:|:---------:|:---------:|:---------:|:---------:| -| 169- | -947- | -72}{4 | 590- | -027 | -| -48e- | -e26 | 9}{05 | 723 | 8t}{5 | -| -3} | {1 | e | t | 3- | -| (6712345) | (5671234) | (5671234) | (5671234) | (4567123) | - - -| *68te134* | *468te13* | *024679e* | *024679e* | *579e024* | -|:---------:|:---------:|:---------:|:---------:|:---------:| -| e}{14 | 68e | 2{9}e | 024 | 57}(9) | -| 68t- | -t13 | 0}{67- | -79e | 024} | -| -3 | 4- | -4 | 6} | (e) | -| (5671234) | (4567123) | (4567123) | (4567123) | (4567123) | - - diff --git a/arrays/i-20.md b/arrays/i-20.md deleted file mode 100644 index c973fb0..0000000 --- a/arrays/i-20.md +++ /dev/null @@ -1,9 +0,0 @@ -### mov 20 array - -| *1e97642* | *86421e9* | *875310t* | *431et86* | *86531et* | *1et8643* | *86431e9* | | -|:--------- |:--------- |:--------- |:--------- |:--------- |:--------- |:--------- |:---- | -| {(6)42 | 1e9 | 7}{30 | t86 | 51}{3 | et8- | -841 | (6)} | -| {(1)e | 86 | 5t | 3}{1 | 8t | 43 | 6e} | | -| {(9) | 4 | 1 | e | 6 | 1 | 3} | | -| {(7) | 2 | 8 | 4 | e | 6 | 9} | | -| (7654321) | (7654321) | (1765432) | (1765432) | (2176543) | (2176543) | (3217654) | | diff --git a/arrays/i-21.md b/arrays/i-21.md deleted file mode 100644 index 9e0b861..0000000 --- a/arrays/i-21.md +++ /dev/null @@ -1,22 +0,0 @@ - ### "Ionian" Array - -| (15) | (8) | (13) | (6) | (5) | (10) | (9) | (12) | (2) | (3) | (14) | (7) | (4) | (11) | (1) | -|:---- |:--- |:---- |:----- |:----- |:---- |:---- |:---- |:------- |:------ |:----- |:------ |:----- |:----- |:-------- | -| {9 | e12 | | 46 | | 8- | | | | | -8} | | | (6) | | -| {7 | 9 | e | | 024 | | 6}{8 | t | | 01357} | {2- | 2- | | | 24679e1} | -| {5 | | 79 | | | t0 | 24- | | | | -4} | {0 | 24579 | e} | | -| {2 | 467 | | | | | 9e1} | {20 | | t8- | | -8753} | | (7) | | -| {0 | | 24 | | 579e- | | | | | | -e- | | -e} | (9) | | -| {4 | | 6 | 89e1- | | -1 | | 3}{5 | 7 | | 9 | t | 0- | -024} | | -| {t | | 0 | 2 | | 357 | | 9}{7 | 9e0246- | | 6}(1) | | | | | - - -| (15) | (8) | (13) | (6) | -|:---- |:--- |:---- |:----- | -| {t | 024 | | 57 | -| {8 | t | 0 | | -| {6 | | 8t | | -| {3 | 579 | | | -| {1 | | 35 | | -| {5 | | 7 | 9e02- | -| {e | | 1 | 3 | diff --git a/arrays/i-3.md b/arrays/i-3.md deleted file mode 100644 index c8a9955..0000000 --- a/arrays/i-3.md +++ /dev/null @@ -1,12 +0,0 @@ -### Invention 3 - -| 1^7^ | 2^2^1^3^| 3^2^1 | 52 | 43 | 421 | 322 | 21^6^ | 321^2^ | 31^3^ | 2^3^1 | 41^3^ | 51^2^ | 61 | 7 | -|:----:|:-------:|:-----:|:------:|:-----:|:-----:|:----:|:------:|:------:|:-----:|:-----:|:-----:|:-------:|:-------:|:---------:| -| {3 | 46 | | | 8te1} | | | | {0t | 975- | -5 | 3 | | 2} | | -| {8 | 9 | e | | | 13 | 46- | -6} | {754 | 2 | 0t | | | | (9) | -| {5 | | 68t | | | 0 | 13- | -3} | | | | {2 | | 0e9754} | | -| {6 | 7- | | -79e12 | | | | 4} | | | | | | | {3468te1} | -| {0 | | 135 | | | 578t- | | -t}{1 | 2 | 4 | 68 | | 9 | | (e) | -| {t | e1 | | | 356 | | | 8} | {9 | t | | 0- | -02457} | | | -| {1 | 2 | | 46 | | | 89e- | -e} | | 0 | 13 | 578t- | -t} | | | - diff --git a/arrays/i-4.md b/arrays/i-4.md deleted file mode 100644 index c70cf8f..0000000 --- a/arrays/i-4.md +++ /dev/null @@ -1,14 +0,0 @@ -| | | | | | | | | | | | | | | | | -| ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | | | | | | | | | -| :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | | | | | | | | | -| ''31e86'' | ''5t'' | ''42097'' | ''6e'' | ''531t8'' | ''70'' | ''642e9'' | ''81'' | | | | | | | | | -| ''49'' | ''631e8'' | ''5t'' | ''74209'' | ''6e'' | ''8531t'' | ''70'' | ''9642e'' | | | | | | | | | -| | | | | | | | | | | | | | | | | -| ''(14)'' | ''(13)'' | ''(13)'' | ''(12)'' | ''(12)'' | ''(12)'' | ''(12)'' | ''(23)'' | | | | | | | | | -| | | | | | | | | | | | | | | | | -| ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | | | | | | | | | -| :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | | | | | | | | | -| ''7530t'' | ''92'' | ''8641e'' | ''t3'' | ''97520'' | ''e4'' | ''t8631'' | ''50'' | | | | | | | | | -| ''18'' | ''7530t'' | ''29'' | ''8641e'' | ''3t'' | ''97520'' | ''4e'' | ''t8631'' | | | | | | | | | -| | | | | | | | | | | | | | | | | -| ''(23)'' | ''(14)'' | ''(14)'' | ''(24)'' | ''(24)'' | ''(13)'' | ''(13)'' | ''(34)'' | | | | | | | | | diff --git a/arrays/m-order.md b/arrays/m-order.md deleted file mode 100644 index 86e09e1..0000000 --- a/arrays/m-order.md +++ /dev/null @@ -1,9 +0,0 @@ -### sequences order - -2 -3 -5 -1 -4 -6 -0 diff --git a/lilypond-files/eng-files/ms-paper.ly b/lilypond-files/eng-files/ms-paper.ly new file mode 100644 index 0000000..12a6072 --- /dev/null +++ b/lilypond-files/eng-files/ms-paper.ly @@ -0,0 +1,26 @@ +\version "2.22.2" +\paper { + #(set-paper-size "letter") + print-all-headers = ##t + top-margin = 0.8\cm + bottom-margin = 0.8\cm + left-margin = 2\cm + right-margin = 2\cm + indent = 1.3\cm + short-indent = 0\cm + #(define fonts + (set-global-fonts + #:music "haydn" + #:brace "haydn" + #:roman "Junicode" + )) + max-systems-per-page = #7 + system-system-spacing = + #'((basic-distance . 5) + (minimum-distance . 5) + (padding . 8)) + score-system-spacing = + #'((basic-distance . 4) + (minimum-distance . 4) + (padding . 5)) +} diff --git a/lilypond-files/eng-files/pp-paper.ly b/lilypond-files/eng-files/pp-paper.ly index 1e28baf..bc27ba0 100644 --- a/lilypond-files/eng-files/pp-paper.ly +++ b/lilypond-files/eng-files/pp-paper.ly @@ -37,27 +37,5 @@ \concat { \on-the-fly #(on-page 26) \evfoot } \concat { \on-the-fly #(on-page 28) \evfoot } } - #(set-paper-size "letter") - print-all-headers = ##t - top-margin = 0.8\cm - bottom-margin = 0.8\cm - left-margin = 2\cm - right-margin = 2\cm - indent = 1.3\cm - short-indent = 0\cm - #(define fonts - (set-global-fonts - #:music "haydn" - #:brace "haydn" - #:roman "Junicode" - )) - max-systems-per-page = #7 - system-system-spacing = - #'((basic-distance . 5) - (minimum-distance . 5) - (padding . 8)) - score-system-spacing = - #'((basic-distance . 4) - (minimum-distance . 4) - (padding . 5)) + } diff --git a/lilypond-files/fifteen-inventions.ly b/lilypond-files/fifteen-inventions.ly deleted file mode 100644 index 73be912..0000000 --- a/lilypond-files/fifteen-inventions.ly +++ /dev/null @@ -1,20 +0,0 @@ -\version "2.20.0" %commonplace Common Tones engraver file - -%------called files------ -\include "eng-files/pp-variables.ly" -\include "eng-files/pp-paper.ly" -\include "front-matter/pp-p-notes.ly" -\include "front-matter/pp-bio.ly" -\include "front-matter/pp-back-cover.ly" -\include "front-matter/pp-outside-cover.ly" -\include "front-matter/pp-inside-cover.ly" -\include "front-matter/pp-front-matter.ly" -\include "manuscripts/1i.ly" -\include "manuscripts/2i.ly" -\include "manuscripts/3i.ly" -\include "manuscripts/4i.ly" -\include "manuscripts/13i.ly" -\include "manuscripts/pp-i19.ly" -\include "manuscripts/pp-i20.ly" -\include "manuscripts/pp-i21.ly" -\include "eng-files/pp-document-structure.ly" diff --git a/lilypond-files/front-matter/back-cover.ly b/lilypond-files/front-matter/back-cover.ly new file mode 100644 index 0000000..941a6bc --- /dev/null +++ b/lilypond-files/front-matter/back-cover.ly @@ -0,0 +1,17 @@ +\version "2.20.0" %back cover + +backcover = \markuplist { \fill-line { + \line { \null } + \center-column { + \vspace #1 + \line { \hbracket \bold \concat { "about " \xcomp } } + \vspace #1 + \xbio + \vspace #1.3 + \line { ================================= } + \vspace #1.3 + \override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(strftime "%m-%d-%Y" (localtime (current-time))), using LilyPond version 2.20.0. If you would like to view the most recent version of this score and the input documents that generated it, visit the repository at \bold https://github.com/tuckerjohnson/Settle-the-Score.} + } + \line { \null } + } +} diff --git a/lilypond-files/front-matter/bio.ly b/lilypond-files/front-matter/bio.ly new file mode 100644 index 0000000..80ce926 --- /dev/null +++ b/lilypond-files/front-matter/bio.ly @@ -0,0 +1,13 @@ +\version "2.20.0" + +xbio = \markup { \center-column { \override #'(line-width . 75) \justify \tiny { Currently based in Rochester, New York, Tucker Johnson's musical practice includes works for soloists, ensembles, and electronic media. } + \vspace #0.8 + \override #'(line-width . 75) \justify \tiny { His music has been programmed and honored at festivals and events, including the inaugural Dot-The- Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound, NYC), Shastra Rhythm Workshop, 2018 MCS Elements showcase, and the National Young Composers' Challenge. In addition, Tucker received two awards for Outstanding Undergraduate Research at Penn State: the Peter T. Luckie Award in the spring of 2020 (a presence within reassembly) and the First Place Oral Presentation in 2021 (Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears). Interested in interdisciplinary practice, He served as a collaborative creator in a workshop with artist Nick Cave and the "Music for the Visible Turn" concert at the University of South Florida Contemporary Art Museum in 2019. } + \vspace #0.8 + \override #'(line-width . 75) \justify \tiny { He seeks to draw connections between philosophy, mathematics, and design through his work. These ideas are often synthesized through a blend of experimentation and highly organized systems. Recent explorations in Tucker's music have included prescriptive applications of mathematical relationships/number sequences, the reorganization of improvised materials, and 12-tone structures. Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside interests in visual art, open-source software, and teaching. } + \vspace #0.8 + \override #'(line-width . 75) \justify \tiny { A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts. From 2017-2019 he served as a production team member, librarian, and logistics coordinator for the New Music Consortium at the University of South Florida, a student organization dedicated to the performance and promotion of new music. Tucker helped coordinate the 2018 USF New Music Festival, the 2019 International Call for Scores, and several other events during his time with the organization. In 2020 he helped to relaunch Penn State's Living Music student organization. As president of Living Music, he coordinated several guest lectures, a weekly radio show, and the inaugural Penn State International New Music Festival. In Fall of 2021, he began co-hosting and producing the monthly podcast Earshot for Contemporary Art Music Project (CAMP). } + \vspace #0.8 + \override #'(line-width . 75) \justify \tiny { Tucker received the BM in music composition from the Pennsylvania State University, where his composition teachers were Baljinder Sekhon and Steven Rice. He previously studied with Susanna Hancock and Paul Reller at the University of South Florida. Tucker is pursuing the MA in music composition at the Eastman School of Music, where he serves as a teaching assistant for the Eastman Audio Research Studio. There he studies with Robert Morris, David Liptak, and Matt Barber. } +} +} diff --git a/lilypond-files/front-matter/front-matter.ly b/lilypond-files/front-matter/front-matter.ly new file mode 100644 index 0000000..e7785da --- /dev/null +++ b/lilypond-files/front-matter/front-matter.ly @@ -0,0 +1,67 @@ +\version "2.20.0" %front matter + +front-matter = \markuplist { + \fill-line { + \left-column { + \line { \bold \xtitle " [2022]" } + \line { \xinst " | " \xdur } + \line { \xcomp } + \vspace #25 + + } + \center-column { + + \vspace #7 + \line { \hbracket \bold "program notes" } + \vspace #0.2 + \xpnote + \vspace #0.5 + \line { ================================= } + \vspace #0.5 + \fill-line { \column { \null } + \left-column { \line { \italic "sequence 1" } + \line { \bold "1 prelude" } + \line { \bold "2 panicle" } + \line { \bold "3 circumnutation" } + \vspace #0.2 + \line { \italic "sequence 2" } + \line { \bold "4 polar" } + \line { \bold "5 panicle" } + \line { \bold "6 circumnutation" } + \vspace #0.2 + \line { \italic "sequence 3" } + \line { \bold "7 cyme" } + \line { \bold "8 polar" } + \line { \bold "9 circumnutation" } + \vspace #0.2 + \line { \italic "sequence 4" } + \line { \bold "10 panicle" } + \line { \bold "11 composite" } + \line { \bold "12 circumnutation" } + \vspace #0.2 + } + \left-column { + \line { \italic "sequence 5" } + \line { \bold "13 composite" } + \line { \bold "14 polar" } + \line { \bold "15 circumnutation" } + \vspace #0.2 + \line { \italic "sequence 6" } + \line { \bold "16 cyme" } + \line { \bold "17 pappus" } + \line { \bold "18 circumnutation" } + \vspace #0.2 + \line { \italic "sequence 7" } + \line { \bold "19 panicle" } + \line { \bold "20 cyme" } + \line { \bold "21 circumnutation" } + } + \column { \null } + } + \vspace #0.5 + \line { ================================= } + \vspace #1.5 + } + } + \column { \null } + } diff --git a/lilypond-files/front-matter/inside-cover.ly b/lilypond-files/front-matter/inside-cover.ly new file mode 100644 index 0000000..f39ad3f --- /dev/null +++ b/lilypond-files/front-matter/inside-cover.ly @@ -0,0 +1,20 @@ +\version "2.20.0" %inside cover + +cover = \markuplist { + \fill-line { + \line { \null } + \center-column { + \vspace #10 + \line { \hbracket \fontsize #10 \number 2022 } + \vspace #4 + \line { \xcomp } + \vspace #1 + \line { \fontsize #5 \bold \xtitle } + \line { \italic \xsub } + \vspace #4 + } + \right-column { + \line { \null } + } + } + } diff --git a/lilypond-files/front-matter/outside-cover.ly b/lilypond-files/front-matter/outside-cover.ly new file mode 100644 index 0000000..1eede79 --- /dev/null +++ b/lilypond-files/front-matter/outside-cover.ly @@ -0,0 +1,8 @@ +\version "2.20.0" % outside cover + +outcover = \markup { + \center-column { + \vspace #13 + %\general-align #Y #DOWN { \epsfile #X #108.6 #"lilypond-files/front-matter/sts-cover-all.eps"} + } +} diff --git a/lilypond-files/front-matter/p-notes.ly b/lilypond-files/front-matter/p-notes.ly new file mode 100644 index 0000000..6752306 --- /dev/null +++ b/lilypond-files/front-matter/p-notes.ly @@ -0,0 +1,3 @@ +\version "2.20.0" + +xpnote = \markup { \override #'(line-width . 90) \justify { \bold \italic "Fifteen Inventions" is a modular, multi-movement work for piano. The inventions are organized into seven, three-movement groups called sequences. These sequences can be played in any combination. I constructed each of the short inventions from one to seven contrapuntal strands. Inventions which share the same number of these strands are composed out in a similar fashion, and thus share a title. }} diff --git a/lilypond-files/front-matter/pp-back-cover.ly b/lilypond-files/front-matter/pp-back-cover.ly deleted file mode 100644 index 941a6bc..0000000 --- a/lilypond-files/front-matter/pp-back-cover.ly +++ /dev/null @@ -1,17 +0,0 @@ -\version "2.20.0" %back cover - -backcover = \markuplist { \fill-line { - \line { \null } - \center-column { - \vspace #1 - \line { \hbracket \bold \concat { "about " \xcomp } } - \vspace #1 - \xbio - \vspace #1.3 - \line { ================================= } - \vspace #1.3 - \override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(strftime "%m-%d-%Y" (localtime (current-time))), using LilyPond version 2.20.0. If you would like to view the most recent version of this score and the input documents that generated it, visit the repository at \bold https://github.com/tuckerjohnson/Settle-the-Score.} - } - \line { \null } - } -} diff --git a/lilypond-files/front-matter/pp-bio.ly b/lilypond-files/front-matter/pp-bio.ly deleted file mode 100644 index 80ce926..0000000 --- a/lilypond-files/front-matter/pp-bio.ly +++ /dev/null @@ -1,13 +0,0 @@ -\version "2.20.0" - -xbio = \markup { \center-column { \override #'(line-width . 75) \justify \tiny { Currently based in Rochester, New York, Tucker Johnson's musical practice includes works for soloists, ensembles, and electronic media. } - \vspace #0.8 - \override #'(line-width . 75) \justify \tiny { His music has been programmed and honored at festivals and events, including the inaugural Dot-The- Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound, NYC), Shastra Rhythm Workshop, 2018 MCS Elements showcase, and the National Young Composers' Challenge. In addition, Tucker received two awards for Outstanding Undergraduate Research at Penn State: the Peter T. Luckie Award in the spring of 2020 (a presence within reassembly) and the First Place Oral Presentation in 2021 (Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears). Interested in interdisciplinary practice, He served as a collaborative creator in a workshop with artist Nick Cave and the "Music for the Visible Turn" concert at the University of South Florida Contemporary Art Museum in 2019. } - \vspace #0.8 - \override #'(line-width . 75) \justify \tiny { He seeks to draw connections between philosophy, mathematics, and design through his work. These ideas are often synthesized through a blend of experimentation and highly organized systems. Recent explorations in Tucker's music have included prescriptive applications of mathematical relationships/number sequences, the reorganization of improvised materials, and 12-tone structures. Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside interests in visual art, open-source software, and teaching. } - \vspace #0.8 - \override #'(line-width . 75) \justify \tiny { A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts. From 2017-2019 he served as a production team member, librarian, and logistics coordinator for the New Music Consortium at the University of South Florida, a student organization dedicated to the performance and promotion of new music. Tucker helped coordinate the 2018 USF New Music Festival, the 2019 International Call for Scores, and several other events during his time with the organization. In 2020 he helped to relaunch Penn State's Living Music student organization. As president of Living Music, he coordinated several guest lectures, a weekly radio show, and the inaugural Penn State International New Music Festival. In Fall of 2021, he began co-hosting and producing the monthly podcast Earshot for Contemporary Art Music Project (CAMP). } - \vspace #0.8 - \override #'(line-width . 75) \justify \tiny { Tucker received the BM in music composition from the Pennsylvania State University, where his composition teachers were Baljinder Sekhon and Steven Rice. He previously studied with Susanna Hancock and Paul Reller at the University of South Florida. Tucker is pursuing the MA in music composition at the Eastman School of Music, where he serves as a teaching assistant for the Eastman Audio Research Studio. There he studies with Robert Morris, David Liptak, and Matt Barber. } -} -} diff --git a/lilypond-files/front-matter/pp-front-matter.ly b/lilypond-files/front-matter/pp-front-matter.ly deleted file mode 100644 index e7785da..0000000 --- a/lilypond-files/front-matter/pp-front-matter.ly +++ /dev/null @@ -1,67 +0,0 @@ -\version "2.20.0" %front matter - -front-matter = \markuplist { - \fill-line { - \left-column { - \line { \bold \xtitle " [2022]" } - \line { \xinst " | " \xdur } - \line { \xcomp } - \vspace #25 - - } - \center-column { - - \vspace #7 - \line { \hbracket \bold "program notes" } - \vspace #0.2 - \xpnote - \vspace #0.5 - \line { ================================= } - \vspace #0.5 - \fill-line { \column { \null } - \left-column { \line { \italic "sequence 1" } - \line { \bold "1 prelude" } - \line { \bold "2 panicle" } - \line { \bold "3 circumnutation" } - \vspace #0.2 - \line { \italic "sequence 2" } - \line { \bold "4 polar" } - \line { \bold "5 panicle" } - \line { \bold "6 circumnutation" } - \vspace #0.2 - \line { \italic "sequence 3" } - \line { \bold "7 cyme" } - \line { \bold "8 polar" } - \line { \bold "9 circumnutation" } - \vspace #0.2 - \line { \italic "sequence 4" } - \line { \bold "10 panicle" } - \line { \bold "11 composite" } - \line { \bold "12 circumnutation" } - \vspace #0.2 - } - \left-column { - \line { \italic "sequence 5" } - \line { \bold "13 composite" } - \line { \bold "14 polar" } - \line { \bold "15 circumnutation" } - \vspace #0.2 - \line { \italic "sequence 6" } - \line { \bold "16 cyme" } - \line { \bold "17 pappus" } - \line { \bold "18 circumnutation" } - \vspace #0.2 - \line { \italic "sequence 7" } - \line { \bold "19 panicle" } - \line { \bold "20 cyme" } - \line { \bold "21 circumnutation" } - } - \column { \null } - } - \vspace #0.5 - \line { ================================= } - \vspace #1.5 - } - } - \column { \null } - } diff --git a/lilypond-files/front-matter/pp-inside-cover.ly b/lilypond-files/front-matter/pp-inside-cover.ly deleted file mode 100644 index f39ad3f..0000000 --- a/lilypond-files/front-matter/pp-inside-cover.ly +++ /dev/null @@ -1,20 +0,0 @@ -\version "2.20.0" %inside cover - -cover = \markuplist { - \fill-line { - \line { \null } - \center-column { - \vspace #10 - \line { \hbracket \fontsize #10 \number 2022 } - \vspace #4 - \line { \xcomp } - \vspace #1 - \line { \fontsize #5 \bold \xtitle } - \line { \italic \xsub } - \vspace #4 - } - \right-column { - \line { \null } - } - } - } diff --git a/lilypond-files/front-matter/pp-outside-cover.ly b/lilypond-files/front-matter/pp-outside-cover.ly deleted file mode 100644 index 1eede79..0000000 --- a/lilypond-files/front-matter/pp-outside-cover.ly +++ /dev/null @@ -1,8 +0,0 @@ -\version "2.20.0" % outside cover - -outcover = \markup { - \center-column { - \vspace #13 - %\general-align #Y #DOWN { \epsfile #X #108.6 #"lilypond-files/front-matter/sts-cover-all.eps"} - } -} diff --git a/lilypond-files/front-matter/pp-p-notes.ly b/lilypond-files/front-matter/pp-p-notes.ly deleted file mode 100644 index 6752306..0000000 --- a/lilypond-files/front-matter/pp-p-notes.ly +++ /dev/null @@ -1,3 +0,0 @@ -\version "2.20.0" - -xpnote = \markup { \override #'(line-width . 90) \justify { \bold \italic "Fifteen Inventions" is a modular, multi-movement work for piano. The inventions are organized into seven, three-movement groups called sequences. These sequences can be played in any combination. I constructed each of the short inventions from one to seven contrapuntal strands. Inventions which share the same number of these strands are composed out in a similar fashion, and thus share a title. }} diff --git a/lilypond-files/manuscripts/1i.ly b/lilypond-files/manuscripts/1i.ly index a381582..1fefa7f 100644 --- a/lilypond-files/manuscripts/1i.ly +++ b/lilypond-files/manuscripts/1i.ly @@ -1,40 +1,53 @@ -\version "2.20.0" %invention 1 manuscript: +\version "2.22.2" %invention 1 manuscript: -voiceApre = { \tmarkione \override Beam.auto-knee-gap = #6 \override Flag.stroke-style = #"grace" -\time 15/8 \change Staff = "di1" \stemUp d8[\laissezVibrer\sustainOn_\markup { \bold "(" \dynamic pp \bold "-" \dynamic mf \bold ")" } a'\laissezVibrer e\laissezVibrer g\laissezVibrer fis\laissezVibrer b\laissezVibrer c\laissezVibrer] -\change Staff = "ui1" \override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b1*1/2^~ 1*1/2 \offset X-offset #-3.4 ^\markup { \tiny \italic "a piacere" } \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\change Staff = "ui1" \stemDown f'8[\laissezVibrer bes\laissezVibrer ees\laissezVibrer des\laissezVibrer aes'\laissezVibrer ces\laissezVibrer ges\laissezVibrer] -\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b,,1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -f''8[\laissezVibrer g,\laissezVibrer ees\laissezVibrer c\laissezVibrer \change Staff = "di1" bes\laissezVibrer aes\laissezVibrer \change Staff = "ui1" d\laissezVibrer] -\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\stemUp \change Staff = "di1" e,8[\laissezVibrer a,\laissezVibrer cis,\laissezVibrer dis\laissezVibrer fis\laissezVibrer gis\laissezVibrer b\laissezVibrer] -\change Staff = "ui1" \override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b'1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\change Staff = "di1" g,8[\laissezVibrer bes\laissezVibrer f'\laissezVibrer a\laissezVibrer \change Staff = "ui1" e'\laissezVibrer d\laissezVibrer c'\laissezVibrer] -\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b,1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\stemDown des''8[\laissezVibrer f\laissezVibrer g,\laissezVibrer bes,\laissezVibrer ees,\laissezVibrer \change Staff = "di1" c\laissezVibrer aes\laissezVibrer] -\change Staff = "ui1" \override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\stemUp \change Staff = "di1" a8[\laissezVibrer fis\laissezVibrer e\laissezVibrer b\laissezVibrer cis,\laissezVibrer d,\laissezVibrer g\laissezVibrer] \change Staff = "ui1" -\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b''1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\change Staff = "di1" a,,8[\laissezVibrer fis'\laissezVibrer gis\laissezVibrer cis\laissezVibrer e\laissezVibrer \change Staff = "ui1" d'\laissezVibrer b'\laissezVibrer] -\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b,1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\stemDown c'8[\laissezVibrer f\laissezVibrer ees'\laissezVibrer bes'\laissezVibrer ges,\laissezVibrer des\laissezVibrer aes\laissezVibrer] -\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b,1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\stemUp bes'8[\laissezVibrer f\laissezVibrer g\laissezVibrer c,\laissezVibrer \change Staff = "di1" ees,\laissezVibrer a,\laissezVibrer d\laissezVibrer] \change Staff = "ui1" -\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b'1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\change Staff = "di1" \stemUp b,8[\laissezVibrer e,\laissezVibrer cis\laissezVibrer dis\laissezVibrer fis\laissezVibrer gis\laissezVibrer ais\laissezVibrer] \change Staff = "ui1" -\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b'1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f | -\time 7/8 \stemUp \change Staff = "di1" c,8[\laissezVibrer\sustainOff\sustainOn d\laissezVibrer e\laissezVibrer f\laissezVibrer g\laissezVibrer a\laissezVibrer b\laissezVibrer] \bar "|." } - -voiceBpre = { \tmarkione \override NoteHead #'no-ledgers = ##t \override Score.SustainPedalLineSpanner #'padding = #'3 -\time 15/8 \set Staff.pedalSustainStyle = #'bracket \override NoteHead.transparent = ##t s4.\sustainOn s4 s4 d'1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 | -\time 7/8 \change Staff = "ui1" s8^\markup { \italic "poco rit." } s8 s8 s8 s8 s8 s8 \offset X-offset -2 ^\markup { "attacca" } | } +\new PianoStaff \with { \consists "Merge_rests_engraver" } << +\set PianoStaff.connectArpeggios = ##t +\override PianoStaff.Arpeggio.arpeggio-direction = #UP +\new Staff = "ui1" { + \accidentalStyle modern-cautionary + << + \relative { \tempo "Presto" + \time 7/16 s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 | + s16 s16 s16 s16 s16 s16 s16 \bar "|." + } + >> +} +\new Staff = "di1" { \clef bass + \accidentalStyle modern-cautionary + << + \relative { \tempo "Presto" + \time 7/16 e,16[\p fis g a b c d] | + ees16[ f aes bes \change Staff = "ui1" des ces \change Staff = "di1" ges] | + f16[ ees d c bes aes g] | + e16[ cis a b dis fis gis] | + a16[ bes c d e f g] | + \change Staff = "ui1" des'[ ees c \change Staff = "di1" bes aes g f] | + fis[ e d cis b a g] | + gis[ a b cis d e fis] | + bes[ c \change Staff = "ui1" ees f ges des \change Staff = "di1" aes] | + g[ f ees d c bes a] | + b[ e, dis fis gis ais cis] | + d[ e f g a b c] \bar "|." + } +>> +} +>> +\midi { } +\layout { +\context { +\Score +\override BarNumber.font-size = #1 +\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) +\override TimeSignature.stencil = ##f +} +} diff --git a/lilypond-files/manuscripts/2i.ly b/lilypond-files/manuscripts/2i.ly index 409d246..a997c10 100644 --- a/lilypond-files/manuscripts/2i.ly +++ b/lilypond-files/manuscripts/2i.ly @@ -1,11 +1,11 @@ \version "2.20.0" %Invention 2 manuscript: - + utwo = \change Staff = "ui2" dtwo = \change Staff = "di2" -voiceAitwo = { \tmarktthree -\omit Staff.BarLine -\override Staff.BarLine.allow-span-bar = ##f +voiceAitwo = { \tmarktthree +\omit Staff.BarLine +\override Staff.BarLine.allow-span-bar = ##f \override DynamicLineSpanner.staff-padding = \phds \time 7/8 c'8[\offset X-offset #-2.5 \f d-- e f->-. \change Staff = "di2" g,-. a-. b-.] | b8[-. \change Staff = "ui2" c-.\> d-. e-. f-. g-. a->-.] |