xsub = \markup { for the Eastman Graduate Composers Sinfonietta }
xcomp = \markup { Tucker Johnson }
xinst = \markup { Bb clarinet & sinfonietta }
-xdur = \markup { \sans "~10" "minutes" }
+xdur = \markup { \sans "~7" "minutes" }
xyear = \markup { 2026 }
xcr = \markup \tiny { Copyright Umbel Press \concat { \sans \xyear "." } All Rights Reserved (ASCAP) }
programNotes =
-\markup {
- test \bold "test"
+\markuplist { \justify {
+ \italic "Tiny Cartel" is a concertino adaptation of my sonata for clarinet
+ and piano titled \italic "Net Clarity." The movement you will hear today
+ serves as a finale for the work. It is constructed out of 15 continuous
+ swatched of music that explore a variety of contrapuntal textures and
+ expressions, at times terse and andular, romantic and lush, or brash and
+ groovy. My hope with this adaptation for a larger ensemble is to offer even
+ more dimensions of listening to this work, clarifying some aspects that may
+ be concealed in the original.
+} }
+
+percOneSetup =
+\markup{
+ \score {
+ \new Staff \with { \magnifyStaff #(magstep -4) }
+ \relative {
+ \omit Score.TimeSignature \omit Score.Stem \omit Score.Beam
+ \time 20/4 \clef percussion \omit Score.Flag
+ g4\offset X-offset -0.7 _\markup \rotate #-45 { "kick drum" }
+ b4\offset X-offset -0.7 _\markup \rotate #-45 { "low tom" }
+ d4\offset X-offset -0.7 _\markup \rotate #-45 { "med tom" }
+ f4\offset X-offset -0.7 _\markup \rotate #-45 { "high tom" }
+ e8(\offset X-offset -0.7 _\markup \rotate #-45 { "caxixi" }
+ g8)
+ \clef treble
+ s4\offset X-offset -0.7 _\markup \rotate #-45 { "vibraphone" }
+ }
+ }
+}
+
+percTwoSetup =
+\markup{
+ \score {
+ \new Staff \with { \magnifyStaff #(magstep -4) }
+ \relative {
+ \omit Score.TimeSignature \omit Score.Stem \omit Score.Beam
+ \time 20/4 \clef percussion \omit Score.Flag \omit Score.Dots
+ d'4\offset X-offset -0.7 _\markup \rotate #-45 { "snare drum" }
+ e4\offset X-offset -0.7 _\markup \rotate #-45 { "tambourine" }
+ \xNotesOn
+ g4.\offset X-offset -0.7 _\markup \rotate #-45 { "ride cymbal" }
+ a8(\offset X-offset -0.7 _\markup \rotate #-45 { "hi-hat" }
+ e,4)
+ \xNotesOff
+ \clef treble
+ s4.\offset X-offset -0.7 _\markup \rotate #-45 { "marimba" }
+ s4\offset X-offset -0.7 _\markup \rotate #-45 { "tubular bells" }
+ }
+ }
}
performanceNotes =
rests. Breath marks indicate a short break, while rests are longer.
}
}
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \wordwrap { § \hspace #3.5 \sans \bold \italic "percussion set-up" }
+ }
+ \vspace #0.25
+ \override #'(line-width . 90)
+ \fill-line { \null \bold { "Percussion I" } \bold { "Percussion II" } \null }
+ \override #'(line-width . 90)
+ \fill-line { \null \percOneSetup \percTwoSetup \null }
\vspace #2.5
}
\layout {
\context {
\Score
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
\override InstrumentName.self-alignment-X = 1
\override RehearsalMark.break-visibility = #begin-of-line-invisible
\override Hairpin.to-barline = ##f
\overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
\overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
\overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
- \override CenteredBarNumber.font-name = "classico"
+ \override BarNumber.font-name = "classico"
\phrasingSlurDashPattern #0.5 #2.0
\override PhrasingSlur.thickness = 0.5
\override StaffSymbol.layer = #4
\override NoteHead.layer = #4
\override Accidental.layer = #4
\override TimeSignature.whiteout = 2
- \override TextScript.padding = 1
- \override TextScript.layer = #4
- \override TextScript.whiteout = 2
\override Fermata.outside-staff-priority = 200
\numericTimeSignature
\romanStringNumbers
\remove Instrument_name_engraver
\override MultiMeasureRest.expand-limit = 1
\override RehearsalMark.break-visibility = #(vector #f #t #t)
+ quotedCueEventTypes = #'(note-event rest-event tie-event beam-event tuplet-span-event)
%\override PaperColumn.show-horizontal-skylines = ##t
%\override NonMusicalPaperColumn.show-horizontal-skylines = ##t
}
\context {
\Staff
+ \consists Page_turn_engraver
+ minimumPageTurnLength = #(ly:make-moment 5/2)
\consists Metronome_mark_engraver
\remove Instrument_name_engraver
\consists Text_mark_engraver
- \remove Clef_engraver
pedalSustainStyle = #'bracket
}
\context {
\OneStaff
\remove Instrument_name_engraver
\consists Time_signature_engraver
+ \remove Clef_engraver
}
\context {
\GrandStaff
\remove Instrument_name_engraver
\override StaffGrouper.staff-staff-spacing = #'(
- (basic-distance . 2)
+ (basic-distance . 3)
(padding . 2))
}
\context {
\Voice
\remove Instrument_name_engraver
- \consists Clef_engraver
}
}
#(include-special-characters)
footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
print-page-number = ##f
+ page-breaking = #ly:page-turn-breaking
#(set-paper-size "arch a")
print-all-headers = ##f
top-margin = 0.5\in
bottom-margin = 0.5\in
- left-margin = 0.9\in
- right-margin = 0.9\in
+ left-margin = 0.625\in
+ right-margin = 0.625\in
indent = 0.75\in
short-indent = 0\cm
+ ragged-last = ##t
#(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "sans"))
max-systems-per-page = #8
- min-systems-per-page = #1
+ min-systems-per-page = #2
markup-system-spacing = #'((basic-distance . 2) (minimum-distance . 1) (padding . 2))
system-system-spacing = #'((basic-distance . 5) (minimum-distance . 3) (padding . 8))
score-markup-spacing = #'((basic-distance . 4) (minimum-distance . 3) (padding . 4))
}
oddHeaderMarkup = \markup {
+ \concat { \if \on-page #3 \oddhead }
\concat { \if \on-page #5 \oddhead }
\concat { \if \on-page #7 \oddhead }
\concat { \if \on-page #9 \oddhead }
}
oddFooterMarkup = \markup {
\concat { \if \on-page #1 \fill-line { \null \xcr \null } }
+ \concat { \if \on-page #3 \oddfoot }
\concat { \if \on-page #5 \oddfoot }
\concat { \if \on-page #7 \oddfoot }
\concat { \if \on-page #9 \oddfoot }
\Staff
\consists Metronome_mark_engraver
\consists Text_mark_engraver
- \remove Clef_engraver
pedalSustainStyle = #'bracket
}
\context {
}
\context {
\Voice
- \consists Clef_engraver
}
}
bottom-margin = 0.5\in
left-margin = 0.9\in
right-margin = 0.9\in
- ragged-last = ##t
+ %ragged-last = ##t
indent = 0.75\in
short-indent = 0\cm
#(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "sans"))
\concat { \if \on-page #41 \oddhead }
\concat { \if \on-page #43 \oddhead }
\concat { \if \on-page #45 \oddhead }
+ \concat { \if \on-page #47 \oddhead }
}
evenHeaderMarkup = \markup {
\concat { \if \on-page #41 \oddfoot }
\concat { \if \on-page #43 \oddfoot }
\concat { \if \on-page #45 \oddfoot }
- \concat { \if \on-page #49 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } }
+ \concat { \if \on-page #47 \oddfoot }
}
evenFooterMarkup = \markup {
\concat { \if \on-page #2 \evfoot }
\concat { \if \on-page #42 \evfoot }
\concat { \if \on-page #44 \evfoot }
\concat { \if \on-page #46 \evfoot }
+ \concat { \if \on-page #48 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } }
}
}
% root = ../tiny-cartel.ly
bassMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef bass
R1 | %001
R1*3/2 | %002-3
r4 dis8\mf\snappizzicato r8 r4 r8 b8\snappizzicato | %136
r2 a8\snappizzicato r8 r4 | %137
des4\f(^\markup { "arco" } f,4) r4 | %138
- r4 bes4-> r4 | %139
+ r4 bes4-> r2 | %139
R1*4
r2 r4 c'4~\mf | %144
c4 r4 r2 | %145
e4.~ e2~ | %161
e1~ e1
R1*2 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 a'8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \tag #'part { \cueClef treble }
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ }
+ \transposedCueDuring "clarinetSolo" #DOWN bes {
+ r2 r4
+ \tag #'part { \cueClefUnset }
+ }
+ r8 a'8-.\f\> |
ees8-.\! r8 r4 r8 b'8--\< |
g8-.\f r8 r4 r2 |
r4 ges2-> r4 |
R1 |
r2 r4 r8 e8~\mf\<^\markup { "arco" } |
e2 d2 |
- c1\f\fermata |
- c4->~\ff c2.\fermata |
+ c2~\f\fermata c2 |
+ c4->\ff c2.\fermata |
}
bassStaff =
bassClarinetMusic =
\transpose bes c''
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef treble
R1 | %001
R1*3/2 | %002-3
fis''8-.\mf r8 ees,,8-. r8 bes'8-. r8 r8 b,8-. | %136
e'8-. r8 r8 c,8-. d'8-. r8 r8 ees8-. | %137
des,4(\f f4) g'8-. r8 | %138
- \tuplet 3/2 { r8 c,8-.\< des8-. } bes,4->\ff r4 | %139
+ \tuplet 3/2 { r8 c,8-.\< des8-. } bes,4->\ff r2 | %139
r4 bes''4~\mf bes8 r8 r4 | %140
r4 r8 aes8-.\mp des8-. d8-. b8-. r8 | %141
R1 | %142
R1*4 | %158
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 g8-.\f\> |
+ \tag #'score { s1*36 }
+ s2 s4 s8
+ \transposedCueDuring "clarinetSolo" #UP c {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ s8 | %167
+ R1*4 | %168-171
+ r2 r4
+ }
+ r8 g8-.\f\> |
bes8-.\! r8 r4 r8 b8(\< |
g8-.)\f r8 r4 r4 c,,4~\mf |
c8 r8 des'2\f r4 |
r4 r8 ees,,8~ ees4 a'4 |
r2 bes2 |
\tuplet 3/2 { ees,4(\< ges4 des4) } fes2 |
- fes1\f\fermata |
- fes4~->\ff fes2.\fermata |
-
+ fes2~\f\fermata fes2 |
+ fes4->\ff fes2.\fermata |
}
bassClarinetStaff =
% root = ../tiny-cartel.ly
bassoonMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef bass
r8 f'8-.\f aes,8-. r8 r4 ges8-. r8 | %001
ees'8-. r8 r8 des8-. r2 r2 | %002
b''8-.\mp r8 dis,,8-. r8 f'8-. r8 r8 b,,8-. | %136
fis''8-. r8 r8 c,8-. d'8-. r8 r8 bes'8-. | %137
des,,4(\f f4) aes8-. r8 | %138
- \tuplet 3/2 { r8 c8-.\< des8-. } bes,4->\ff r4 | %139
+ \tuplet 3/2 { r8 c8-.\< des8-. } bes,4->\ff r2 | %139
r4 bes''8(\mf g,8~ g8) r8 e''8-.\> fis8-. | %140
bes,8-.\mp r8 r4 r2 | %141
g8-. f8-. r4 r2 | %142
R1*4 | %158
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 g,,8-.\f\> |
+ \tag #'score { s1*36 }
+ s2 s4 s8
+ \tag #'part { \clef treble }
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ s8 | %167
+ R1*4 | %168-171
+ r2 r4
+ \tag #'part { \clef bass }
+ }
+ r8 g,,8-.\f\> |
ees8-.\! r8 r4 r8 b'8(\< |
g8-.)\f r8 r4 r4 c4~\mf |
c8 r8 ges2\f r4 |
r4 r8 ees,,8~ ees4 a'4 |
r2 f'2 |
r2 d,,2\< |
- c1\f\fermata |
- c4~->\ff c2.\fermata |
+ c2~\f\fermata c2 |
+ c4->\ff c2.\fermata |
}
+\addQuote "bassoon" { \removeWithTag #'score \bassoonMusic }
bassoonStaff =
#(define-music-function (music) (ly:music?)
% root = ../tiny-cartel.ly
celloMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef bass
R1 | %001
R1*3/2 | %002-3
r2 bes,8\mf\snappizzicato^\markup { "pizz" } r8 r4 |
r4 r8 c,8\snappizzicato r4 r8 bes''8\snappizzicato |
r4 r4 aes,8\snappizzicato r8 |
- R1*3/4
+ R1
r2 r8 b'8\f(^\markup { "arco" } gis,4) | %140
\markSpanner "" "sul pont." gis2:32->\>\startTextSpan a2:32~-> | %140
a2:32\stopTextSpan ais:32->\mp | %141
R1
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 a8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \tag #'part { \cueClef treble }
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ }
+ \transposedCueDuring "clarinetSolo" #DOWN bes {
+ r2 r4
+ \tag #'part { \cueClefUnset }
+ }
+ r8 a8-.\f\> |
ees8-.\! r8 r4 r8 b'8--\< |
g8-.\f r8 r4 r2 |
r4 ges2-> r8 a'8~ |
R1 |
r2 r4 r8 e,8~\mf^\markup { "arco" } |
e2\< g2 |
- g1\f\fermata | g4->~\ff g2.\fermata |
+ g2~\f\fermata g2 | g4->\ff g2.\fermata |
}
+\addQuote "cello" { \removeWithTag #'score \celloMusic }
celloStaff =
#(define-music-function (music) (ly:music?)
clarinetMusic =
\transpose bes c'
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef treble
R1 | %001
R1*3/2 | %002-3
d,8-.) des''8-- r8 c,8( aes8-.) g''8-. aes8(\f d,8) | %136
cis,8( a-.) f''( ees-.) bes,( g-.) bes''( f-.) | %137
b,,[( fis]-.) c''[-- d,,]( e[-.) b'']( | %138
- a-.) r8 r8 ees,( f-.) ges'-.\< | %139
+ a-.) r8 r4 r8 ees,( f-.) ges'-.\< | %139
a-. c-. ees-. f~( 8 des'8--)\ff fes,-.\> ges-. | %140
bes,8-. ges'4-- aes,8-. des-. d-. b-. r8 | %141
g-. f-.\mp r8 fes'(\< aes4 fes8 aes8) | %142
r8 c,8-. f'4--\< bes8-. r8 ees,,,8-. des''~-- | %164
des4\f fis8(\> a, b2) | %165
c,8-.\mf\> r8 r8 g''8-. aes,-. f'-. r8 e,-.\! | %166
- \cadenzaOn
- d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f
- \footnote \markup † #'(-3 . -1) \markup \tiny \left-column {
- \line { † "Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4
- \line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4
- \line { "break, while rests are longer." }
+ \tag #'cadenza {
+ \cadenzaOn
+ d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f
+ \footnote \markup † #'(-3 . -1) \markup \tiny \left-column {
+ \line { † "Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4
+ \line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4
+ \line { "break, while rests are longer." }
+ }
+ bes'4(\mp ces8)
+ ces1 \breathe
+ \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { ces'16([ des,\< aes') ees'( ces fes) ees( ges ces)] }
+ \allowBreak
+ \once \override Staff.Stem.stencil = ##f fes4(\f\> \once \override Staff.Stem.stencil = ##f \after 8 \! des) e,8
+ \after 4 \> f,1( \once \override Staff.Stem.stencil = ##f
+ c'4)\! a,8-.\sf
+ d'1\p r4\shortfermata
+ bes,8-- 8-> \once \override Staff.Stem.stencil = ##f g''4(\< d8-.)
+ \override Beam.grow-direction = #'()
+ d'16([\mf\> c bes a g f e])
+ e,,1(\p \once \override Hairpin.circled-tip = ##t \after 2.. \! d)\>\fermata \breathe
+ \allowBreak
+ ces'16([\pp aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d\< f aes])
+ ces[( des ges bes ges bes des])
+ \override Beam.grow-direction = #LEFT \featherDurations 2/1 { bes[(\f des ges) bes,( des ges)] } g8--\sf \breathe
+ \allowBreak
+ \override Beam.grow-direction = #'()
+ ees16([\> c a g a c ees g ees\pp c a g a c ees g ees c a g a c ees g ees c a g a c ees g ees c a g a c\< ees g])
+ \override Beam.grow-direction = #LEFT \featherDurations 2/1 { ees[( c a g e! b] }
+ \override Beam.grow-direction = #'()
+ \once \override Staff.Stem.stencil = ##f fis4)\ff e''16([\> b' fis')]
+ \allowBreak
+ g1 aes,1\mf\fermata(
+ g16[\> f ees des c bes)]\pp
+ r4\shortfermata c8[\< bes]( \once \override Staff.Stem.stencil = ##f a'4)\mp d,,,8-.
+ f'1 c'8([\> g ees' f] bes1)\fermata
+ ees,,,8-.\! s8 \breathe
+ cis'16([\< b fis' e' d gis a-.])\mp
+ fes,([\p\< ees beses' aes' ges c des-.])\mf
+ d!([\< f, b, g bes, aes ees-.])
+ \allowBreak
+ fis'([ e b' a' g cis d-.])\f \breathe
+ s16 c16([ f bes--])
+ r4\shortfermata
+ \once \override Staff.Stem.stencil = ##f a,4(\> \once \override Staff.Stem.stencil = ##f fis, \once \override Staff.Stem.stencil = ##f ees' \once \override Staff.Stem.stencil = ##f des2)\mp
+ c8([ d] \once \override Staff.Stem.stencil = ##f e4) f,,8(\pp aes \once \override Staff.Stem.stencil = ##f g2)
+ \once \override Staff.Stem.stencil = ##f ces''4(\mf\> \once \override Staff.Stem.stencil = ##f \after 8 \! bes,4) r4\shortfermata
+ \once \override Staff.Stem.stencil = ##f bes,4(\mp ces8)
+ ces1 |
+ ees,8 \once \override Staff.Stem.stencil = ##f des'4(\>
+ \after 4. \! fes1)
+ \allowBreak
+ bes,8[-.\sf aes'8(] ges1) \breathe
+ \allowBreak
+ g8([\< d'8) c( g'] \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { bes16--)[ a(\f\> d) c( bes a g f] }
+ \after 4. \p e1\fermata
+ e'8[-.) 8]-- \breathe
+ \once \override Staff.Stem.stencil = ##f d,,,4(\pp
+ \override Beam.grow-direction = #'()
+ f16[ aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f\< aes ces]
+ \allowBreak
+ d[ des bes]
+ \once \override Staff.Stem.stencil = ##f ges4)\f \once \override Staff.Stem.stencil = ##f 4\sf \once \override Staff.Stem.stencil = ##f
+ \cadenzaOff
}
- bes'4(\mp ces8)
- ces1 \breathe
- \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { ces'16([ des,\< aes') ees'( ces fes) ees( ges ces)] }
- \allowBreak
- \once \override Staff.Stem.stencil = ##f fes4(\f\> \once \override Staff.Stem.stencil = ##f \after 8 \! des) e,8
- \after 4 \> f,1( \once \override Staff.Stem.stencil = ##f
- c'4)\! a,8-.\sf
- d'1\p r4\shortfermata
- bes,8-- 8-> \once \override Staff.Stem.stencil = ##f g''4(\< d8-.)
- \override Beam.grow-direction = #'()
- d'16([\mf\> c bes a g f e])
- e,,1(\p \once \override Hairpin.circled-tip = ##t \after 2.. \! d)\>\fermata \breathe
- \allowBreak
- ces'16([\pp aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d\< f aes])
- ces[( des ges bes ges bes des])
- \override Beam.grow-direction = #LEFT \featherDurations 2/1 { bes[(\f des ges) bes,( des ges)] } g8--\sf \breathe
- \allowBreak
- \override Beam.grow-direction = #'()
- ees16([\> c a g a c ees g ees\pp c a g a c ees g ees c a g a c ees g ees c a g a c ees g ees c a g a c\< ees g])
- \override Beam.grow-direction = #LEFT \featherDurations 2/1 { ees[( c a g e! b] }
- \override Beam.grow-direction = #'()
- \once \override Staff.Stem.stencil = ##f fis4)\ff e''16([\> b' fis')]
- \allowBreak
- g1 aes,1\mf\fermata(
- g16[\> f ees des c bes)]\pp
- r4\shortfermata c8[\< bes]( \once \override Staff.Stem.stencil = ##f a'4)\mp d,,,8-.
- f'1 c'8([\> g ees' f] bes1)\fermata
- ees,,,8-.\! s8 \breathe
- cis'16([\< b fis' e' d gis a-.])\mp
- fes,([\p\< ees beses' aes' ges c des-.])\mf
- d!([\< f, b, g bes, aes ees-.])
- \allowBreak
- fis'([ e b' a' g cis d-.])\f \breathe
- s16 c16([ f bes--])
- r4\shortfermata
- \once \override Staff.Stem.stencil = ##f a,4(\> \once \override Staff.Stem.stencil = ##f fis, \once \override Staff.Stem.stencil = ##f ees' \once \override Staff.Stem.stencil = ##f des2)\mp
- c8([ d] \once \override Staff.Stem.stencil = ##f e4) f,,8(\pp aes \once \override Staff.Stem.stencil = ##f g2)
- \once \override Staff.Stem.stencil = ##f ces''4(\mf\> \once \override Staff.Stem.stencil = ##f \after 8 \! bes,4) r4\shortfermata
- \once \override Staff.Stem.stencil = ##f bes,4(\mp ces8)
- ces1 |
- ees,8 \once \override Staff.Stem.stencil = ##f des'4(\>
- \after 4. \! fes1)
- \allowBreak
- bes,8[-.\sf aes'8(] ges1) \breathe
- \allowBreak
- g8([\< d'8) c( g'] \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { bes16--)[ a(\f\> d) c( bes a g f] }
- \after 4. \p e1\fermata
- e'8[-.) 8]-- \breathe
- \once \override Staff.Stem.stencil = ##f d,,,4(\pp
- \override Beam.grow-direction = #'()
- f16[ aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f\< aes ces]
- \allowBreak
- d[ des bes]
- \once \override Staff.Stem.stencil = ##f ges4)\f \once \override Staff.Stem.stencil = ##f 4\sf \once \override Staff.Stem.stencil = ##f
- \cadenzaOff
2\fermata r4\shortfermata
r8 ees8 | %167
a'( c)\< g,( ges) fes''( ces' bes aes) |
r2 gis'2\mp\<
cis2 \tuplet 3/2 { d4(\f g, c,~ }
c2 f,)
- f1\fermata
- f4~->\ff f2.\fermata |
+ f2~\fermata f2 |
+ r4 r2.\fermata |
}
+\addQuote "clarinetSolo" { \removeWithTag #'score { \removeWithTag #'cadenza \clarinetMusic } }
clarinetStaff =
#(define-music-function (music) (ly:music?)
% root = ../tiny-cartel.ly
fluteMusic =
+\new Voice
\relative {
- \clef treble
- <>^\markup { \bold \box "flute" } R1 | %001
- R1*3/2 | %002-3
- r8 bes'8~->\mf\> bes2.~ | %004
- \after 2 \! bes2. f'4~->\mf\> | %005
- f1~ | %006
- f4\! \after 2 \! ges2.->\mf\> | %007
- \after 2 \! ees2.->\mf\> ees8(->\mf\> aes,8~ | %008
- aes1~ | %009
- aes4)\! r4 r2 | %010
- r2 r8 des8~\mf\> des4~ | %011
+ \tag #'part { \compressEmptyMeasures }
+ \cueDuring "bassoon" #DOWN {
+ \tag #'part { <>^\markup \tiny { "bsn" } }
+ R1 | %001
+ R1*3/2 | %002
+ }
+ <>^\markup { \bold \box "flute" } r8 bes'8~->\mf\> bes2.~ | %003
+ \after 2 \! bes2. f'4~->\mf\> | %004
+ f1~ | %005
+ f4\! \after 2 \! ges2.->\mf\> | %006
+ \after 2 \! ees2.->\mf\> ees8(->\mf\> aes,8~ | %007
+ aes1~ | %008
+ aes4)\! r4 r2 | %009
+ r2 r8 des8~\mf\> des4~ | %010
+ des1~ | %011
des1~ | %012
- des1~ | %013
- des2~\p des8 c8~(\mf c4~ | %014
- c8 g'8~ g4~\> g2~ g4)\p r4 | %016
- R1*3 | %017-19
- r2 r8 d8~(\mf\> d4 | %020
- b1~\pp\< | %021
- b1~ | %022
- b2.) b4~\mp\< | %023
- \after 2 \mf b1~ | %024
- b2 r2^\markup { "take piccolo" } | %025
- R1*3 | %026-27
- r2 g2~(\mf^\markup { \bold \box "piccolo" } | %028
- g2 f4\< e4~ | %029
- e4 fis4-.)\f r2^\markup { "take flute" } | %030
- R1*5 | %031-36
- r2 a'8(\mf^\markup { \bold \box "flute" } gis8~ gis4~ | %037
- gis2) g4--\> e4-- | %038
- c2\mp r8 bes8~\mf bes4~ | %039
- bes8 r8 r4 r2 | %040
- r2 r8 fis'8~\mp fis4~ | %041
- fis2~\< fis4 fis4--\f | %042
- fis8-.->\ff r8 r4 r4 | %043
- R1*3/4*15 | %044-56
+ des2~\p des8 c8~(\mf c4~ | %013
+ c8 g'8~ g4~\> g2~ g4)\p r4 | %014
+ R1*3 | %015-17
+ \cueDuringWithClef "trombone" #DOWN "bass" {
+ \tag #'part { <>^\markup \tiny { "tbn" } }
+ r2
+ }
+ r8 d8~(\mf\> d4 | %018
+ b1~\pp\< | %019
+ b1~ | %020
+ b2.) b4~\mp\< | %021
+ \after 2 \mf b1~ | %022
+ b2 r2^\markup { "take piccolo" } | %023
+ R1*2 | %024-25
+ \cueDuringWithClef "cello" #UP "bass" {
+ \tag #'part { <>^\markup \tiny { "vc" } }
+ R1 | %026
+ r2
+ }
+ g2~(\mf^\markup { \bold \box "piccolo" } | %027
+ g2 f4\< e4~ | %028
+ e4 fis4-.)\f r2^\markup { "take flute" } | %029
+ R1*4 | %030-33
+ \cueDuringWithClef "bassoon" #UP "bass" {
+ \tag #'part { <>^\markup \tiny { "bsn/b cl" } }
+ R1 | %034
+ r2
+ }
+ a'8(\mf^\markup { \bold \box "flute" } gis8~ gis4~ | %035
+ gis2) g4--\> e4-- | %036
+ c2\mp r8 bes8~\mf bes4~ | %037
+ bes8 r8 r4 r2 | %038
+ r2 r8 fis'8~\mp fis4~ | %039
+ fis2~\< fis4 fis4--\f | %040
+ fis8-.->\ff r8 r4 r4 | %041
+ R1*3/4*13 | %042-56
+ \cueDuringWithClef "bassoon" #DOWN "bass" {
+ \tag #'part { <>^\markup \tiny { "bsn" } }
+ R1*3/4*2 |
+ }
f8(\mf bes,8~ bes4) g'8(\< d'8 fis8 e8 cis'8 a) | %058
\tuplet 3/2 { ees4\ff\> aes,4 b4 } | %059
<<
R1*6/4 | %065
R1*2 |%066-067
R1*3/4 | %068
- R1 | %069
- r2 r4 \tuplet 3/2 { r8 r8 a,8~\mf^\markup { \bold \box "piccolo" } } | %070
+ \cueDuring "bassoon" #DOWN {
+ \tag #'part { <>^\markup \tiny { "bsn" } }
+ R1 | %069
+ r2 r4
+ }
+ \tuplet 3/2 { r8 r8 a,8~\mf^\markup { \bold \box "piccolo" } } | %070
a1 | %071
R1*2 | %072-073
r4 r8 c8-^\mp g8-^ bes8-^ r4 | %074
- r8 b8-^\mf r4 r8 ees,8-^ r2 | %075
- <>^\markup { "take flute" } R1*3 | %076-78
+ r8 b8-^\mf r4 r8 ees,8-^ <>^\markup { "take flute" } r2 | %075
+ R1*3 | %076-78
R1*5/4 | %079
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
- R1 | %084
+ \cueDuringWithClef "bassoon" #DOWN "bass" {
+ \tag #'part { <>^\markup \tiny { "bsn" } }
+ R1 | %084
+ }
r2 e8-^\mf^\markup { \bold \box "flute" } f8-^ r4 | %085
ges8-^ aes8-^ \after 2. \! f1\> | %086
R1*2 | %087-88
r8 des'8(\mp f,4) des'2 | %091
d2 r2 | %092
r4 b,8(->\mf c8 aes'2) | %093
- R1*2 | %094-95
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1 | %094-95
+ R1 | %094-95
+ }
fis2.(\mf | %096
\after 2 \p b,,2.)\> | %097
r2 r4 r8 c''8(\f | %098
r2 r4 gis8-.-> r8 | %101
a8-.-> r8 r4 r8 e'8-.->\f r4 | %102
r4 d8-.-> r8 r2 | %103
- R1*3/4 | %104
- R1 | %105
- r2 c'8-.\f\> r8 r4 | %106
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*3/4 | %104
+ R1 | %105
+ r2
+ }
+ c'8-.\f\> r8 r4 | %106
r8 bes8-. r4 ees,8-.\mf r8 r4 | %107
R1*3/4*2 | %108-109
R1*2/4 | %110
- R1*3/4*2 | %111-112
- r4 r4 r8 fis8(\f | %113
+ R1*3/4 | %111-112
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*3/4
+ r4 r4
+ }
+ r8 fis8(\f | %113
cis8 d8 a4~ a8) r8 r8 fis8( | %114
b4.)\> gis8 \tuplet 3/2 { a4( d,4 e4)\mp } | %115
r2 r4 b4~\p | %116
R1*12/8 | %122
R1*6/8 | %123
R1*7/8 | %124
- R1*12/8 | %125
- r4. r4 r8 dis8\mp^\markup { \bold \box "piccolo" } | %126
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*12/8 | %125
+ r4.
+ }
+ r4 r8 dis8\mp^\markup { \bold \box "piccolo" } | %126
e8( a8 e8) a8( e8 a8) e8(\< a8 e8) a8( e8 a8) | %127
R1*3/16 | %128
bes8(\mf g8 bes8) g8( bes8 g8) | %129
R1 | %132
R1*5/8 | %133
R1*4 | %134-137
- R1*3/4*2 | %138-139
- R1 | %140
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*3/4 | %138-139
+ R1*2 | %140
+ }
dis8(\mf gis4.~\> \after 4 \! gis2) | %141
r2 aes4(\< f8 aes8) | %142
ees'4--\mf r4 r2 | %143
R1*3 | %158-160
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 c8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ r2 r4
+ }
+ r8 c8-.\f\> |
d8-.\! r8 r4 r8 f8(\< |
aes8-.)\f r8 r4 r2 | %174
r4 ees8(\mf g8 aes,8 c4.) | %175
r2 \tuplet 3/2 { bes4\< e4 f4 } | %185
ges2\f ees2 | %186
R1 | %187
- R1\fermata | %188
+ r2\fermata r2 | %188
r4 a2.->\ff\fermata | %199
}
hornMusic =
\transpose f c'
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef treble
<>^\markup { "take straight mute" } R1 | %001
R1*3/2 | %002-3
<>^\markup { "open" } R1 | %132
R1*5/8 | %133
R1*4 | %134
- R1*3/4*2 | %138-139
- R1*5 | %140
+ R1*3/4 | %138-139
+ R1*6 | %140
r2 r4 fis4->\fp | %145
g2->\fp cis,4(\mf\< fis,8 g8) | %146
c8( f,!4) d'8~ d8 bes4\f bes8~ | %147
R1*7 | %155
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 c'8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP ees {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ r2 r4
+ }
+ r8 c'8-.\f\> |
d8-.\! r8 r4 r8 f8(\< |
aes8-.)\f r8 r4 r4 c4~\mf |
c8 r8 r4 r2 |
R1*3/4 |
fis2->\f r2 |
R1*2 |
- R1\fermata |
- g,4->~\ff g2.\fermata |
+ r2\fermata r2 |
+ g,4->\ff g2.\fermata |
}
hornStaff =
% root = ../tiny-cartel.ly
oboeMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef treble
R1 | %001
R1*3/2 | %002-3
r8 bes,8( f'!4) r8 ees8( a8-.) r8 | %134
r8 d,8( aes'8-.) r8 r8 cis,8( g'8-.)\mf r8 | %135
R1*2 | %136-137
- R1*3/4*2 | %138-139
+ R1*3/4 | %138-139
+ R1
d2\mf r2 | %140
dis8( e4.~\> \after 4 \! e2) | %141
R1*5 | %142-146
R1*4 | %158-161
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 a,8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ r2 r4
+ }
+ r8 a,8-.\f\> |
d8-.\! r8 r4 r8 b8(\< |
gis8-.)\f r8 r4 r2 |
r4 ees'8(\mf g8 aes,8 c8) \tuplet 3/2 { d8[(\f bes8 g8] } |
r2 \tuplet 3/2 { bes,4\< g'4 f4 } |
aes4.\f a8~-> a2 |
R1 |
- R1\fermata |
+ r2\fermata r2 |
r4 b2.->\ff\fermata |
}
{
\new Staff \with {
\remove Time_signature_engraver
+ \remove Clef_engraver
+ }
+ \new Voice \with {
+ \consists Clef_engraver
}
\relative {
\set Staff.pedalSustainStyle = #'bracket
- \clef treble
<>^\markup { \bold \box "vibraphone" } R1 | %001
<<
{
}
\new DrumStaff \with {
\remove Time_signature_engraver
+ \remove Clef_engraver
drumStyleTable = #(alist->hash-table perc1-drum-style)
drumPitchTable = #(alist->hash-table midiDrumPitches)
}
+ \new DrumVoice \with {
+ \consists Clef_engraver
+ }
\drummode {
<<
{
}
\new Staff \with {
\remove Time_signature_engraver
+ \remove Clef_engraver
+ }
+ \new Voice \with {
+ \consists Clef_engraver
}
\relative {
<>^\markup { \bold \box "vibraphone" } r4 <a b>4~\mp^\markup { "arco" } | %120
\override Voice.Clef.stencil = ##f
}
\new DrumStaff \with {
+ \remove Clef_engraver
\remove Time_signature_engraver
drumStyleTable = #(alist->hash-table perc1-drum-style)
drumPitchTable = #(alist->hash-table midiDrumPitches)
}
+ \new DrumVoice \with {
+ \consists Clef_engraver
+ }
\drummode {
r2 r4 kdr4\mp
r8 kdr4. r8 kdr8 tml4 | %137
kdr4 tml8\< kdr8 r4 | %138
- kdr4 kdr8 tml8\mf r4 | %139
+ kdr4 kdr8 tml8\mf r2 | %139
kdr4 r4 r8 kdr4.\> | %140
kdr4 r4 r4 kdr4\p | %141
kdr4 r4 tml8\< kdr4. | %142
tml8\< kdr8 r4 kdr4 r4 |
r2 kdr4\mp r4 |
kdr4 r4 r2 |
- kdr4 r4 kdr4 r4 |
+ kdr4 r4 kdr4\> r4 |
r4 r8 tml8 kdr4 r4 |
- r2 r8 kdr4. |
+ r2 r8 kdr4.\p |
kdr4 r4 r2 |
+ R1 |
+ \tuplet 3/2 { r4 tmm2:32~\pp\> } \tuplet 3/2 { tmm2:32 tml4:32~ } |
+ \after 2. \niente tml1:32 |
+ R1 |
+ R1*7/8
+ R1*4
+ \override Voice.Clef.stencil = ##f
+ }
+ \new Staff \with {
+ \remove Time_signature_engraver
+ \remove Clef_engraver
+ }
+ \new Voice \with {
+ \consists Clef_engraver
+ }
+ \relative {
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ r2 r4
+ }
+ \override Voice.Clef.stencil = ##f
+ }
+ \new DrumStaff \with {
+ \remove Time_signature_engraver
+ \remove Clef_engraver
+ drumStyleTable = #(alist->hash-table perc1-drum-style)
+ drumPitchTable = #(alist->hash-table midiDrumPitches)
+ }
+ \new DrumVoice \with {
+ \consists Clef_engraver
+ }
+ \drummode {
+ r8 tmm8\f\> |
+ kdr8\! r8 r4 r8 tml8\< |
+ kdr8\f r8 r4 r4 tmh4:32~\mp |
+ tmh8:32 r8 tml2:32\p r4 |
+ R1 |
+ kdr4\f r4 r2 |
+ R1*3 |
+ R1*3/4 |
+ R1*2
+ R1*3/4 |
+ R1*3 |
+ r2\fermata \grace { tmh16[\f\> tmh16 tmh16] tmm16[ tmm16 tmm16] } tml2:32\<
+ tmh8->\ff tmm8->
+ <<
+ {
+ \voiceOne
+ tml2.:32
+ }
+ \new DrumVoice {
+ \voiceTwo
+ kdr4
+ }
+ >>
}
}
instrumentName = \markup { "percussion I " }
shortInstrumentName = \markup { "pc I " }
\override DynamicLineSpanner.staff-padding = \sods
- \remove Clef_engraver
}
<< $music >>
#})
{
\new Staff \with {
\remove Time_signature_engraver
+ \remove Clef_engraver
+ }
+ \new Voice \with {
+ \consists Clef_engraver
}
\relative {
- \clef treble
<>^\markup { \bold \box "marimba" } R1 | %001
ees'8-+\f r8 r8 des8-+ r2 r2 | %002-3
b8-> bes'8:32~\niente\< bes2.:32~ | %004
}
\new Staff \with {
\remove Time_signature_engraver
+ \remove Clef_engraver
+ }
+ \new Voice \with {
+ \consists Clef_engraver
}
\relative {
r2 r4 <>^\markup { \bold \box "marimba" } e''4:32~\niente\< | %070
\new Staff \with {
\remove Time_signature_engraver
}
+ \new Voice \with {
+ \consists Clef_engraver
+ }
\relative {
<>^\markup { \bold \box "tubular bells" } r4 <c' g'>4\f 2 | %105
R1*2 | %106-107
sds4\mp htc4 sds4. htc8 | %136
sds4. sds8 htc4. sds8 | %137
r4 rcy4\<\laissezVibrer sds4 | %138
- r4 htc8 sdr8\mf r4 | %139
+ r4 htc8 sdr8\mf r2 | %139
r8 sdr8 htc8 hth8~ hth8 <sdr htp>8\> htc8 htc8 | %140
r8 hth8 <sdr htp>4 sdr4\p htc4 | %141
r8 htc4 sds8 r4 htc8 sds8 | %142
sds4\mp r4 r4 htc8 sdr8 | %151
r4 r8 sdr8\< sdr4 htc8 rcy8\laissezVibrer\mf | %152
htc8 r8 r8 htc8\> htc8 r8 sdr8\mp sdr8 | %153
+ r2 r8 rcy8\laissezVibrer r4 |
+ r4 htc8 r8 r2 |
+ r4 sds4\p r8 htc8 r4 |
+ r2 r4 rcy4\laissezVibrer |
+ R1*3
+ R1*7/8 |
+ R1*4 |
+ \override Voice.Clef.stencil = ##f
+ }
+ \new Staff \with {
+ \remove Time_signature_engraver
+ \remove Clef_engraver
+ }
+ \new Voice \with {
+ \consists Clef_engraver
+ }
+ \relative {
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ r2 r4
+ }
+ \override Voice.Clef.stencil = ##f
+ }
+ \new DrumStaff \with {
+ \remove Time_signature_engraver
+ \remove Clef_engraver
+ drumStyleTable = #(alist->hash-table perc2-drum-style)
+ drumPitchTable = #(alist->hash-table midiDrumPitches)
+ }
+ \new DrumVoice \with {
+ \consists Clef_engraver
+ }
+ \drummode {
+ r8 htc8\f\> |
+ sdr8\! r8 r4 r8 htc8\< |
+ sdr8\f r8 r4 r2 |
+ R1*6 |
+ R1*3/4 |
+ R1*2
+ R1*3/4 |
+ R1*3 |
+ r2\fermata sdr2:32~\niente\< |
+ sdr8:32\f sdr8 sdr2.:32\fermata |
}
}
+
percTwoStaff =
#(define-music-function (music) (ly:music?)
#{
instrumentName = \markup { "percussion II " }
shortInstrumentName = \markup { "pc II " }
\override DynamicLineSpanner.staff-padding = \sods
- \remove Clef_engraver
}
<< $music >>
#})
% root = ../tiny-cartel.ly
pianoDownMusic =
+\new Voice
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef bass
- R1 | %001
- R1*3/2 | %002-3
+ \cueDuring "bassoon" #UP {
+ \tag #'part { <>^\markup \tiny { "bsn" } }
+ R1 | %001
+ R1*3/2 | %002
+ }
b8-+^\mp^\< r8 r4 r4 c,8-+ r8 | %004
r4 e8-+\f d8-+ r2 | %005
R1*9 | %006-14
R1*5/8 | %133
R1*4 | %134
<des des'>4( <f f'>4) r4 | %135
- r4 <bes, bes'>4-> r4 | %136
+ r4 <bes, bes'>4-> r2 | %136
R1*9 | %137
r2 r4 a'''8-. r8 | %149
ais8-. r8 r4 b8-. r8 r4 | %150
R1*8 | %154
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
+ \tag #'score { s1*37 }
+ \tag #'part {
+ \once \override Staff.MultiMeasureRest.expand-limit = 0
+ R1 |
+ }
R1*4 |
r2 r4 r8 <a' a,>8-.\f\> |
<ees ees,>8-.\! r8 r4 r8 <b' b,>8(\< |
\undo \omit Voice.Clef
r4 des'4 r4 |
R1*3 |
- R1\fermata |
+ r2\fermata r2 |
<c g'>8(\sustainOn <e' c'>8 <c' e g>2.)\fermata |
}
% root = ../tiny-cartel.ly
pianoUpMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef treble
R1 | %001
R1*3/2 | %002-3
r4 g,8-+ r8 r2 | %087
R1*3 | %086-90
r8 des''8\mp f,4 <f des'>2 | %091
- <a d!>2 r4\< e,4 | %092
+ <a d!>2 r4\< e4 | %092
g4\mf r4 r2 | %093
R1*2 | %094-95
R1*3/4*2 | %096-97
- r4 <gis' dis' e>2.\arpeggio\mf | %098
+ r4 <gis dis' e>2.\arpeggio\mf | %098
R1 \clef bass | %099
r4 r8 <aes,, ges>8-.\p r4 g8-. r8 \clef treble | %100
r4 <a cis>8-.\< <b d>8-. r4 gis'8-.-> r8 | %101
R1*5/8 | %133
R1*4 | %134
<>\mf R1*3/4 \clef bass | %138
- \tuplet 3/2 { r8 c,,8-.\< des8-. } r4\f r4 | %139
+ \tuplet 3/2 { r8 c,,8-.\< des8-. } r4\f r2 | %139
R1*9 | %140
r2 r4 \clef treble b''8-.\mp\< r8 | %149
d8-. r8 r4 fis,8-.\mf r8 r4 | %150
R1*8 | %154
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 <c' a c,>8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ r2 r4
+ }
+ r8 <c' a c,>8-.\f\> |
<d d,>8-.\! r8 r4 r8 <f b, f>8(\< |
<aes aes,>8-.)\f
r8 r4 r2 |
s2\p\< r2\mp |
R1*3/4 |
R1*3 |
- R1\fermata |
+ r2\fermata r2 |
f,8(\ff\< <f' g>8 <b a'>2.->)\!\fermata |
}
\mark \default
\tempo "Lento" 2=48
\time 2/2 s1 | %132
- \time 5/8 <>\textMark \markup { \tiny \sans "2+3" } \timeSpanner "accel. poco a poco" s1*5/8\startTextSpan | %133
- \time 2/2 s1*2
+ \time 5/8 <>\textMark \markup { \tiny \sans "2+3" } s1*5/8 | %133
+ \time 2/2 \timeSpanner "accel. poco a poco" s1*2\startTextSpan
s2. s8 s8\stopTextSpan \bar "||" | %134-136
\tempo "Allegro" 2=96
s1 | %137
\time 3/4 s1*3/4 | %138
- \timeSpanner "accel." s2\startTextSpan s8 s8\stopTextSpan \bar "||" | %139
+ \time 2/2 \timeSpanner "accel." s2.\startTextSpan s8 s8\stopTextSpan \bar "||" | %139
\tempo 2=104
- \time 2/2 s1*22 | %140-161
+ s1*22 | %140-161
\time 7/8 <>\textMark \markup { \tiny \sans "3+2+2" } s1*7/8 | %162
\time 2/2 s1*2 | %163-164
s2 \timeSpanner "poco rit." s2\startTextSpan | %165
s2. s8 s8\stopTextSpan \bar "||" | %166
- \sectionLabel \markup { \rounded-box \bold { CADENZA } }
- s1*36 s4 s4 s4 s4 \bar "||" | %167
+ \sectionLabel \markup { \rounded-box \small \bold { CADENZA } }
+ \tag #'score { s1*37 }
+ \tag #'part {
+ \newSpacingSection
+ \override Score.SpacingSpanner.spacing-increment = 3
+ \once \override Staff.MultiMeasureRest.expand-limit = 0
+ R1
+ \newSpacingSection
+ \revert Score.SpacingSpanner.spacing-increment
+ }
+ \bar "||" | %167
\mark \default
\tempo "Ravivando il tempo" 2=72
\time 2/2 \timeSpanner "accel." s1\startTextSpan s2. s8 s8\stopTextSpan \bar "||" |
% root = ../tiny-cartel.ly
tromboneMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef bass
<>^\markup { "take straight mute" } R1 | %001
R1*3/2 | %002-3
<>^\markup { "take harmon mute" } R1*9 | %087-95
r4 r4 b'4->\mf | %096
f4-> a,2-> | %097
- <>^\markup { "open" } R1 | %098
- R1 | %099
+ <>^\markup { "open" } R1*2 | %098
r4 r8 fis'8-.\p r4 g8-. r8 | %100
r4 a8-.\< b8-.\! r2 | %101
c8-.->\mf r8 r4 r8 des,8-.->\f r4 | %102
R1 | %132
R1*5/8 | %133
R1*4 | %134
- R1*3/4*2 | %138-139
- R1*5 | %140
+ R1*3/4 | %138-139
+ R1*6 | %140
r2 cis2->\fp | %145
r4 d4~->\fp d8 r8 r8 ees~\mf\< | %146
ees2 e8( f4.)\f | %147
<>^\markup { "open" } R1*7 | %152
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 g8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \tag #'part { \clef treble }
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ r2 r4
+ \tag #'part { \clef bass }
+ }
+ r8 g8-.\f\> |
ees8-.\! r8 r4 r8 b'8(\< |
g8-.)\f r8 r4 r4 e'4~\mf |
e8 r8 r4 r4 r8 a,8~\f |
R1*3/4 |
r2 des8\mf\< c8 b8 d8\! |
R1*2 |
- R1\fermata |
- c,4~->\ff c2.\fermata |
+ r2\fermata r2 |
+ c,4->\ff c2.\fermata |
}
+\addQuote "trombone" { \removeWithTag #'score \tromboneMusic }
tromboneStaff =
#(define-music-function (music) (ly:music?)
% root = ../tiny-cartel.ly
trumpetMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef treble
<>^\markup { "take straight mute" } R1 | %001
R1*3/2 | %003-4
<>^\markup { "open" } R1 | %132
R1*5/8 | %133
R1*4 | %134
- R1*3/4*2 | %138-139
- R1*5 | %140
+ R1*3/4 | %138-139
+ R1*6 | %140
r2 r8 a'4.->\fp | %141
r8 ais4.->\fp b2->\fp | %142
gis,2(\mf a4.) c'8\< | %143
R1*6
R1*7/8 | %161
R1*4 | %162
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 a,8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ r2 r4
+ }
+ r8 a,8-.\f\> |
d8-.\! r8 r4 r8 b8(\< |
dis8-.)\f r8 r4 r4 e4~\mf |
e8 r8 r4 r4 \tuplet 3/2 { d8(\< bes8 g8 } |
<>^\markup { "open" } R1 |
c4->\f r4 r4 |
R1*3 |
- R1\fermata |
+ r2\fermata r2 |
r4 b'2.->\ff\fermata |
}
% root = ../tiny-cartel.ly
violaMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef alto
R1 | %001
R1*3/2 | %002-3
r4 dis2 r4 | %135
a'8\mf\snappizzicato^\markup { "pizz" } r8 r4 f8\snappizzicato r8 r4 | %136
fis8\snappizzicato r8 r4 d8\snappizzicato r8 r8 ees8\snappizzicato | %137
- R1*3/4*2 | %138
+ R1*3/4 | %138
+ R1
r2 r8 b'8\f(^\markup { "arco" } gis4) | %139
\markSpanner "" "sul pont." gis2:32->\>\startTextSpan a2:32~-> | %140
a2:32\stopTextSpan ais:32->\mp | %141
R1*4
R1*7/8 | %162
R1*4 |
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 a,8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ }
+ \transposedCueDuring "clarinetSolo" #DOWN bes {
+ r2 r4
+ }
+ r8 a,8-.\f\> |
ees8-.\! r8 r4 r8 b'8--\< |
f8-.\f r8 r4 r2 |
r4 des2-> r4 |
R1*3/4 |
R1*2 |
\tuplet 3/2 { dis,4(\mf\<^\markup { \italic "ord" } fis cis4) } e2 |
- e1\fermata | e4->~\ff e2.\fermata |
+ e2~\fermata e2 | e4->\ff e2.\fermata |
}
% root = ../tiny-cartel.ly
violinOneMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef treble
R1 | %001
R1*3/2 | %002-3
r8 d,8( aes'8-.) r8 r8 cis,8( g'8-.)\mf r8 | %135
R1*2 | %136-137
r4 r4 g,,8\snappizzicato^\markup { "pizz" } r8 | %138
- R1*3/4 | %139
+ R1 | %139
r2 r8 b4.~\f^\markup { "arco" } | %140
b8 r8 r4 r2 | %141
\markSpanner "sul pont." "ord" c'2:32->\mp\startTextSpan cis2:32~-> | %142
R1*3 | %159
R1*7/8 | %162
R1*4 |
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 c8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ }
+ \transposedCueDuring "clarinetSolo" #DOWN bes {
+ r2 r4
+ }
+ r8 c8-.\f\> |
<d d,>8-.\! r8 r4 r8 f8--\< |
aes8-.\f r8 r4 r2 |
r4 bes,,2-> r4 |
R1*3/4 |
R1*2 |
ais,,2\mf^\markup { "ord" } r2
- R1\fermata |
+ r2\fermata r2 |
r4 a'''2.\flageolet\ff\fermata |
}
% root = ../tiny-cartel.ly
violinTwoMusic =
\relative {
+ \tag #'part { \compressEmptyMeasures }
\clef treble
R1 | %001
R1*3/2 | %002-3
fis'8\mf\snappizzicato^\markup { "pizz" } r8 r4 r2 | %136
R1 | %137
r4 r4 g,8\snappizzicato r8 | %138
- R1*3/4 | %139
+ R1 | %139
r2 r8 b4.~\f^\markup { "arco" } | %140
b8 r8 r4 r2 | %141
\markSpanner "sul pont." "ord" c2:32->\mp\<\startTextSpan cis2:32~-> | %142
R1*3 | %159
R1*7/8 | %162
R1*4 |
- s1*36 s4 s4 s4 s4 |
- R1*4 |
- r2 r4 r8 a8-.\f\> |
+ \tag #'score { s1*36 }
+ s1
+ \transposedCueDuring "clarinetSolo" #UP bes {
+ \tag #'part { <>^\markup \tiny { clarinet } }
+ R1*4 | %168-171
+ }
+ \transposedCueDuring "clarinetSolo" #DOWN bes {
+ r2 r4
+ }
+ r8 a8-.\f\> |
<d d,>8-.\! r8 r4 r8 <f, b>8--\< |
aes8-.\f r8 r4 r2 |
r4 bes,2-> r4 |
R1*3/4 |
R1*2 |
gis,2\mf^\markup { "ord" } r2 |
- R1\fermata |
+ r2\fermata r2 |
r4 b''2.\ff\fermata |
}
}
\score {
<<
- \fluteStaff \compressMMRests << \tempoMap \fluteMusic >>
+ \fluteStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \fluteMusic >>
>>
}
}
}
\score {
<<
- \oboeStaff \compressMMRests << \tempoMap \oboeMusic >>
+ \oboeStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \oboeMusic >>
>>
}
}
}
\score {
<<
- \bassClarinetStaff \compressMMRests << \tempoMap \bassClarinetMusic >>
+ \bassClarinetStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassClarinetMusic >>
>>
}
}
}
\score {
<<
- \bassoonStaff \compressMMRests << \tempoMap \bassoonMusic >>
+ \bassoonStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassoonMusic >>
>>
}
}
}
\score {
<<
- \hornStaff \compressMMRests << \tempoMap \hornMusic >>
+ \hornStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \hornMusic >>
>>
}
}
}
\score {
<<
- \trumpetStaff \compressMMRests << \tempoMap \trumpetMusic >>
+ \trumpetStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \trumpetMusic >>
>>
}
}
}
\score {
<<
- \tromboneStaff \compressMMRests << \tempoMap \tromboneMusic >>
+ \tromboneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \tromboneMusic >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { percussion I }
- meter = \markup { \italic "(vibraphone, 3 toms, kick drum, caxixi)" }
+ meter = \percOneSetup
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \percOneStaff \compressMMRests << \tempoMap \percOneMusic >>
+ \percOneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \percOneMusic >>
>>
+ \layout {
+ \context {
+ \Score
+ \remove Clef_engraver
+ }
+ \context {
+ \Staff
+ \remove Clef_engraver
+ }
+ }
}
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { percussion II }
- meter = \markup { \italic "(marimba, tubular bells, hi-hat, ride cymbal, snare drum, tambourine)" }
- arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ meter = \percTwoSetup
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \percTwoStaff \compressMMRests << \tempoMap \percTwoMusic >>
+ \percTwoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \percTwoMusic >>
>>
+ \layout {
+ \context {
+ \Score
+ \remove Clef_engraver
+ }
+ \context {
+ \Staff
+ \remove Clef_engraver
+ }
+ }
}
}
}
}
\score {
<<
- \pianoStaff \compressMMRests << \tempoMap \pianoUpMusic >> \compressMMRests \pianoDownMusic
+ \pianoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \pianoUpMusic >> \compressMMRests { \removeWithTag #'score \pianoDownMusic }
>>
}
}
}
\score {
<<
- \violinOneStaff \compressMMRests << \tempoMap \violinOneMusic >>
+ \violinOneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violinOneMusic >>
>>
}
}
}
\score {
<<
- \violinTwoStaff \compressMMRests << \tempoMap \violinTwoMusic >>
+ \violinTwoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violinTwoMusic >>
>>
}
}
}
\score {
<<
- \violaStaff \compressMMRests << \tempoMap \violaMusic >>
+ \violaStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violaMusic >>
>>
}
}
}
\score {
<<
- \celloStaff \compressMMRests << \tempoMap \celloMusic >>
+ \celloStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \celloMusic >>
>>
}
}
}
\score {
<<
- \bassStaff \compressMMRests << \tempoMap \bassMusic >>
+ \bassStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassMusic >>
>>
}
}
<<
\new StaffGroup
<<
- \fluteStaff << \tempoMap \fluteMusic >>
- \oboeStaff \oboeMusic
- \bassClarinetStaff \bassClarinetMusic
- \bassoonStaff \bassoonMusic
+ \fluteStaff <<
+ \removeWithTag #'part \tempoMap
+ \removeWithTag #'part { \killCues \fluteMusic }
+ >>
+ \oboeStaff \removeWithTag #'part { \killCues \oboeMusic }
+ \bassClarinetStaff \removeWithTag #'part { \killCues \bassClarinetMusic }
+ \bassoonStaff \removeWithTag #'part { \killCues \bassoonMusic }
>>
\new StaffGroup
<<
- \hornStaff << \tempoMap \hornMusic >>
- \trumpetStaff \trumpetMusic
- \tromboneStaff \tromboneMusic
+ \hornStaff \removeWithTag #'part { \killCues \hornMusic }
+ \trumpetStaff \removeWithTag #'part { \killCues \trumpetMusic }
+ \tromboneStaff \removeWithTag #'part { \killCues \tromboneMusic }
>>
\new StaffGroup
<<
- \percOneStaff << \tempoMap \percOneMusic >>
- \percTwoStaff \percTwoMusic
+ \percOneStaff \removeWithTag #'part { \killCues \percOneMusic }
+ \percTwoStaff \removeWithTag #'part { \killCues \percTwoMusic }
>>
- \pianoStaff << \tempoMap \pianoUpMusic >> \pianoDownMusic
+ \pianoStaff \removeWithTag #'part { \killCues \pianoUpMusic } \removeWithTag #'part { \killCues \pianoDownMusic }
\new StaffGroup \with {
systemStartDelimiter = #'SystemStartSquare
}
<<
\override StaffGroup.SystemStartSquare.collapse-height = 4
\override Score.SystemStartBar.collapse-height = 4
- \clarinetStaff << \clarinetMusic \tempoMap >>
+ \clarinetStaff <<
+ \removeWithTag #'part { \killCues \clarinetMusic }
+ \removeWithTag #'part { \tempoMap }
+ >>
>>
\new StaffGroup
<<
- \violinOneStaff << \tempoMap \violinOneMusic >>
- \violinTwoStaff \violinTwoMusic
- \violaStaff \violaMusic
- \celloStaff \celloMusic
- \bassStaff \bassMusic
+ \violinOneStaff \removeWithTag #'part { \killCues \violinOneMusic }
+ \violinTwoStaff \removeWithTag #'part { \killCues \violinTwoMusic }
+ \violaStaff \removeWithTag #'part { \killCues \violaMusic }
+ \celloStaff \removeWithTag #'part { \killCues \celloMusic }
+ \bassStaff \removeWithTag #'part { \killCues \bassMusic }
>>
>>
}
}
\pageBreak
- \markup { \vspace #5 }
- \pageBreak
- \markup { \vspace #5 }
- \pageBreak
\markuplist #(rear-cover-markuplist 33)
}
projects / tiny-cartel.git / commitdiff