\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
- \new Staff = "ut4" {
- \accidentalStyle modern
+ \new Staff = "ui1" {
+ \accidentalStyle forget
<<
\relative \voiceApre
>>
}
- \new Staff = "dt4" { \clef bass
- \accidentalStyle modern
+ \new Staff = "di1" { \clef bass
+ \accidentalStyle forget
<<
\relative \voiceBpre
>>
}
>>
- \layout {
- \context {
- \Score
- \override BarNumber.font-size = #1
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
- }
- }
+ \layout {
+ \context {
+ \Score
+ \override BarNumber.font-size = #1
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/25)
+ \override TimeSignature.stencil = ##f
+ }
+ }
}
>>
}
>>
- \layout {
- \context {
- \Score
- \override BarNumber.font-size = #1
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+ \layout {
+ \context {
+ \Score
+ \override BarNumber.font-size = #1
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+ \override TimeSignature.stencil = ##f
}
}
}
%------paper-block------
\paper {
- first-page-number = -1
+ first-page-number = 1
print-page-number = ##f
oddHeaderMarkup = \markup { \tiny { " " } }
evenHeaderMarkup = \markup { \tiny { " " } }
oddFooterMarkup = \markup {
- \concat { \on-the-fly #(on-page 3) \null }
+ \concat { \on-the-fly #(on-page 3) \fill-line { \null \xcr \null } }
\concat { \on-the-fly #(on-page 5) \oddfoot }
\concat { \on-the-fly #(on-page 7) \oddfoot }
\concat { \on-the-fly #(on-page 9) \oddfoot }
\concat { \on-the-fly #(on-page 11) \oddfoot }
\concat { \on-the-fly #(on-page 13) \oddfoot }
- \concat { \on-the-fly #(on-page 15) \fill-line { \xcr } }
+ \concat { \on-the-fly #(on-page 15) \oddfoot }
\concat { \on-the-fly #(on-page 17) \oddfoot }
\concat { \on-the-fly #(on-page 19) \oddfoot }
\concat { \on-the-fly #(on-page 21) \oddfoot }
}
evenFooterMarkup = \markup {
\concat { \on-the-fly #(on-page 2) \evfoot }
- \concat { \on-the-fly #(on-page 4) \fill-line { \xcr } }
- \concat { \on-the-fly #(on-page 6) \fill-line { \xcr } }
- \concat { \on-the-fly #(on-page 8) \fill-line { \xcr } }
+ \concat { \on-the-fly #(on-page 4) \evfoot }
+ \concat { \on-the-fly #(on-page 6) \evfoot }
+ \concat { \on-the-fly #(on-page 8) \evfoot }
\concat { \on-the-fly #(on-page 10) \evfoot }
- \concat { \on-the-fly #(on-page 12) \fill-line { \xcr } }
- \concat { \on-the-fly #(on-page 14) \null }
+ \concat { \on-the-fly #(on-page 12) \evfoot }
+ \concat { \on-the-fly #(on-page 14) \evfoot }
\concat { \on-the-fly #(on-page 16) \evfoot }
\concat { \on-the-fly #(on-page 18) \evfoot }
\concat { \on-the-fly #(on-page 20) \evfoot }
\concat { \on-the-fly #(on-page 26) \evfoot }
\concat { \on-the-fly #(on-page 28) \evfoot }
}
- #(set-paper-size "letter")
- print-all-headers = ##t
- top-margin = 8
- indent = 2\cm
- short-indent = 0.8\cm
- #(define fonts
- (set-global-fonts
- #:music "haydn"
- #:brace "haydn"
- #:roman "Times"
+ #(set-paper-size "letter")
+ print-all-headers = ##t
+ top-margin = 0.8\cm
+ bottom-margin = 0.8\cm
+ left-margin = 2\cm
+ right-margin = 2\cm
+ indent = 1.3\cm
+ short-indent = 0\cm
+ #(define fonts
+ (set-global-fonts
+ #:music "haydn"
+ #:brace "haydn"
+ #:roman "Times"
))
- max-systems-per-page = #7
- system-system-spacing =
- #'((basic-distance . 5)
- (minimum-distance . 5)
- (padding . 6))
- score-system-spacing =
- #'((basic-distance . 5)
- (minimum-distance . 5)
- (padding . 1))
+ max-systems-per-page = #7
+ system-system-spacing =
+ #'((basic-distance . 5)
+ (minimum-distance . 5)
+ (padding . 6))
+ score-system-spacing =
+ #'((basic-distance . 5)
+ (minimum-distance . 5)
+ (padding . 1))
}
finfoot = \markup { \fill-line { \null \center-column { \concat { " - " \fromproperty #'page:page-number-string " - " } \small \typewriter { "February 1st, 2022 - Rochester, New York" } } \null } }
%music
-tmarksev = \tempo "poco rubato" 4 = 46-52
-tmarktfour = \tempo "tempo giusto" 4 = 60
-tmarktthree = \tempo "secco" 4 = 165
+tmarkione = \tempo "Lento"
+tmarksev = \tempo "poco Rubato" 4 = 46-52
+tmarktfour = \tempo "Tempo giusto" 4 = 60
+tmarktthree = \tempo "Vivace" 4 = 165
bh = \break
ds = #2.5
sods = #3.4
\line { \hbracket \bold "inventions" }
\vspace #0.5
\line { \left-column { \line { \italic "sequence 1" }
- \line { \bold " prelude" }
- \line { \bold " panicle" }
- \line { \bold " circumnutation" }
+ \line { \bold "1 prelude" }
+ \line { \bold "2 panicle" }
+ \line { \bold "3 circumnutation" }
\vspace #0.2
- \line { \italic "sequnce 2" }
- \line { \bold " polar" }
- \line { \bold " panicle" }
- \line { \bold " circumnutation" }
+ \line { \italic "sequence 2" }
+ \line { \bold "4 polar" }
+ \line { \bold "5 panicle" }
+ \line { \bold "6 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 3" }
+ \line { \bold "7 cyme" }
+ \line { \bold "8 polar" }
+ \line { \bold "9 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 4" }
+ \line { \bold "10 panicle" }
+ \line { \bold "11 composite" }
+ \line { \bold "12 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 5" }
+ \line { \bold "13 composite" }
+ \line { \bold "14 polar" }
+ \line { \bold "15 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 6" }
+ \line { \bold "16 cyme" }
+ \line { \bold "17 pappus" }
+ \line { \bold "18 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 7" }
+ \line { \bold "19 panicle" }
+ \line { \bold "20 cyme" }
+ \line { \bold "21 circumnutation" }
}
}
\vspace #1.5
\version "2.20.0"
-xpnote = \markup { \override #'(line-width . 90) \justify { \bold \italic "Settle the Score" is a piece for five instruments: cor anglais, trumpet, electric guitar, violin, and computer. It can either be performed as a chamber work with all five parts, or any one part alone. The piece is designed such that each part has unique content and contour; each solo has different alternations of smooth and jagged music. When played as a chamber work, \bold \italic "Settle the Score" reveals a sequence of forty-seven 12-tone aggregates, partitioned into all the five part aggregates with part sizes from one to twelve. All six versions are different, but they share a light spirit, and are comfortable whether alone or together.}}
+xpnote = \markup { \override #'(line-width . 90) \justify { \bold \italic "21 inventions" for piano }}
-\version "2.20.0" %Cor Anglais Settle the Score manuscript:
+\version "2.20.0" %invention 1 manuscript:
-voiceApre = { \tmarktthree
-\time 7/8 s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 \bar "|." }
+voiceApre = { \tmarkione \override Beam.auto-knee-gap = #6
+\time 15/8 \change Staff = "di1" gis8[\mp\laissezVibrer\stemUp a\laissezVibrer cis\laissezVibrer \change Staff = "ui1" fis\laissezVibrer \change Staff = "di1" b,\laissezVibrer dis,\laissezVibrer e,\laissezVibrer] \change Staff = "ui1" \override NoteHead.transparent = ##t e''1*1/2^~ 1*1/2\fermata \override NoteHead.transparent = ##f |
+\change Staff = "di1" \stemDown bes8[\laissezVibrer a\laissezVibrer \change Staff = "ui1" g'\laissezVibrer d'\laissezVibrer c\laissezVibrer f,\laissezVibrer e'\laissezVibrer] \override NoteHead.transparent = ##t e,1*1/2^~ 1*1/2\fermata \override NoteHead.transparent = ##f |
+\change Staff = "di1" \stemUp d,8[\laissezVibrer b'\laissezVibrer cis,\laissezVibrer fis,\laissezVibrer a\laissezVibrer e\laissezVibrer gis'\laissezVibrer] \change Staff = "ui1" \override NoteHead.transparent = ##t e'1*1/2^~ 1*1/2\fermata \override NoteHead.transparent = ##f |
+s1*15/8 |
+s1*15/8 |
+s1*15/8 |
+\time 7/8 s1*7/8 \bar "|." }
-voiceBpre = { \tmarktthree
-\time 7/8 s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 | }
+voiceBpre = { \tmarkione \override NoteHead #'no-ledgers = ##t
+\time 15/8 \set Staff.pedalSustainStyle = #'bracket \override NoteHead.transparent = ##t s4.\sustainOn s4 s4 a1*1/2_~ 1*1/2 |
+s4.\sustainOff\sustainOn s4 s4 a1*1/2_~ 1*1/2 |
+s4.\sustainOff\sustainOn s4 s4 a1*1/2_~ 1*1/2 |
+s4.\sustainOff\sustainOn s4 s4 a1*1/2_~ 1*1/2 |
+s4.\sustainOff\sustainOn s4 s4 a1*1/2_~ 1*1/2 |
+s4.\sustainOff\sustainOn s4 s4 a1*1/2_~ 1*1/2 |
+\time 7/8 s1*7/8 | }