--- /dev/null
+\paper {
+ line-width = 120
+ #(include-special-characters)
+ footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
+ print-page-number = ##f
+ #(set-paper-size "arch a")
+ print-all-headers = ##f
+ top-margin = 0.5\in
+ bottom-margin = 0.5\in
+ left-margin = 0.9\in
+ right-margin = 0.9\in
+ indent = 0.75\in
+ short-indent = 0\cm
+ #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "sans"))
+ max-systems-per-page = #10
+ system-system-spacing = #'((basic-distance . 10) (minimum-distance . 8) (padding . 12))
+ score-system-spacing = #'((basic-distance . 2) (minimum-distance . 1) (padding . 0))
+ last-bottom-spacing = #'((basic-distance . 5) (minimum-distance . 5) (padding . 0))
+ tocTitleMarkup = \markup { }
+ tocItemMarkup = \markup \fill-line {
+ \fill-with-pattern #1.5 #CENTER .
+ \line {
+ \fromproperty #'toc:indent \fromproperty #'toc:text
+ }
+ \sans \fromproperty #'toc:page
+ }
+
+ oddHeaderMarkup = \markup {
+ \concat { \if \on-page #5 \oddhead }
+ \concat { \if \on-page #7 \oddhead }
+ \concat { \if \on-page #9 \oddhead }
+ \concat { \if \on-page #11 \oddhead }
+ \concat { \if \on-page #13 \oddhead }
+ \concat { \if \on-page #15 \oddhead }
+ \concat { \if \on-page #17 \oddhead }
+ \concat { \if \on-page #19 \oddhead }
+ \concat { \if \on-page #21 \oddhead }
+ \concat { \if \on-page #23 \oddhead }
+ \concat { \if \on-page #25 \oddhead }
+ \concat { \if \on-page #27 \oddhead }
+ \concat { \if \on-page #29 \oddhead }
+ \concat { \if \on-page #31 \oddhead }
+ \concat { \if \on-page #33 \oddhead }
+ \concat { \if \on-page #35 \oddhead }
+ \concat { \if \on-page #37 \oddhead }
+ \concat { \if \on-page #39 \oddhead }
+
+ }
+ evenHeaderMarkup = \markup {
+ \concat { \if \on-page #4 \evhead }
+ \concat { \if \on-page #6 \evhead }
+ \concat { \if \on-page #8 \evhead }
+ \concat { \if \on-page #10 \evhead }
+ \concat { \if \on-page #12 \evhead }
+ \concat { \if \on-page #14 \evhead }
+ \concat { \if \on-page #16 \evhead }
+ \concat { \if \on-page #18 \evhead }
+ \concat { \if \on-page #20 \evhead }
+ \concat { \if \on-page #22 \evhead }
+ \concat { \if \on-page #24 \evhead }
+ \concat { \if \on-page #26 \evhead }
+ \concat { \if \on-page #28 \evhead }
+ \concat { \if \on-page #30 \evhead }
+ \concat { \if \on-page #32 \evhead }
+ \concat { \if \on-page #34 \evhead }
+ \concat { \if \on-page #36 \evhead }
+ \concat { \if \on-page #38 \evhead }
+ }
+ oddFooterMarkup = \markup {
+ \concat { \if \on-page #3 \fill-line { \null \xcr \null } }
+ \concat { \if \on-page #5 \oddfoot }
+ \concat { \if \on-page #7 \oddfoot }
+ \concat { \if \on-page #9 \oddfoot }
+ \concat { \if \on-page #11 \oddfoot }
+ \concat { \if \on-page #13 \oddfoot }
+ \concat { \if \on-page #15 \oddfoot }
+ \concat { \if \on-page #17 \oddfoot }
+ \concat { \if \on-page #19 \oddfoot }
+ \concat { \if \on-page #21 \oddfoot }
+ \concat { \if \on-page #23 \oddfoot }
+ \concat { \if \on-page #25 \oddfoot }
+ \concat { \if \on-page #27 \oddfoot }
+ \concat { \if \on-page #29 \oddfoot }
+ \concat { \if \on-page #31 \oddfoot }
+ \concat { \if \on-page #33 \oddfoot }
+ \concat { \if \on-page #35 \oddfoot }
+ \concat { \if \on-page #37 \oddfoot }
+ \concat { \if \on-page #39 \oddfoot }
+ }
+ evenFooterMarkup = \markup {
+ \concat { \if \on-page #2 \evfoot }
+ \concat { \if \on-page #4 \evfoot }
+ \concat { \if \on-page #6 \evfoot }
+ \concat { \if \on-page #8 \evfoot }
+ \concat { \if \on-page #10 \evfoot }
+ \concat { \if \on-page #12 \evfoot }
+ \concat { \if \on-page #14 \evfoot }
+ \concat { \if \on-page #16 \evfoot }
+ \concat { \if \on-page #18 \evfoot }
+ \concat { \if \on-page #20 \evfoot }
+ \concat { \if \on-page #22 \evfoot }
+ \concat { \if \on-page #24 \evfoot }
+ \concat { \if \on-page #26 \evfoot }
+ \concat { \if \on-page #28 \evfoot }
+ \concat { \if \on-page #30 \evfoot }
+ \concat { \if \on-page #32 \evfoot }
+ \concat { \if \on-page #34 \evfoot }
+ \concat { \if \on-page #36 \evfoot }
+ \concat { \if \on-page #38 \evfoot }
+ \concat { \if \on-page #40 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } }
+ }
+}
+
+
+\layout {
+ \context {
+ \Score
+ \override InstrumentName.self-alignment-X = 1
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override Hairpin.to-barline = ##f
+ \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
+ \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+ \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
+ \override BarNumber.font-name = "classico"
+ \phrasingSlurDashPattern #0.5 #2.0
+ \override PhrasingSlur.thickness = 0.5
+ \override StaffSymbol.layer = #4
+ \override Stem.layer = #4
+ \override Beam.layer = #4
+ \override Hairpin.layer = #4
+ \override TimeSignature.layer = #2
+ \override Tie.layer = #1
+ \override TupletBracket.layer = #2
+ \override StringNumber.layer = #2
+ \override TextSpanner.layer = #3
+ \override NoteHead.layer = #4
+ \override Accidental.layer = #4
+ \override TimeSignature.whiteout = 2
+ \override TextScript.padding = 1
+ \override TextScript.layer = #4
+ \numericTimeSignature
+ \override TupletNumber.layer = 4
+ \override TupletNumber.font-shape = #'upright
+ }
+}
\relative {
\clef treble
\numericTimeSignature
- \tempo "Grave" 2 = 36
+ \tempo "Grave, molto rubato" 2 = 36
\time 2/2 f'2--\pp f2-- | %001
- f2-- f2-- | %002
- \time 3/2 f2-- \breathe \tuplet 3/2 { e4( fis a,~ } a4 d,4~ | %003
- d1) \breathe d4~ d16 cis''8.~ | %004
- \time 5/4 cis8 b'8~ b4~ b8 b8( c4 g4~ | %005
- g2) \tuplet 3/2 { aes4( ees bes) } r4 | %006
- \time 2/2 r4 f4( e4 fis | %007
- a,1)\shortfermata | %008
+ f2-- f2--\> | %002
+ \time 3/2 f2--\! \breathe \tuplet 3/2 { e4(\< fis a,~ } a4 d,4~\mp | %003
+ d1) \breathe d4~\p\< d16 cis''8.~ | %004
+ \time 5/4 cis8 b'8~\mp b4~ b8 b8(\mf c4 g4~ | %005
+ g2) \tuplet 3/2 { aes4(\> ees bes)\! } r4 | %006
+ \time 2/2 r4 f4(\p\> e4 fis | %007
+ a,1)\pp\shortfermata | %008
a2( d,2~ | %009
d1)\shortfermata | %010
- \time 5/4 \grace s8 r4 cis''4( b'4 bes2) | %011
- \time 2/2 \tuplet 3/2 { r4 c4( g4~ } g2) | %012
- \time 5/4 aes2( ees2.~ | %013
+
+ \sectionLabel \markup { \huge \box \sans \bold 11 }
+ \omit Score.BarNumber
+ \time 5/4 \grace s8 r4 cis''4(\p\< b'4 bes2)\! | \undo \omit Score.BarNumber %011
+ \time 2/2 \tuplet 3/2 { r4 c4(\f\> g4~ } g2) | %012
+ \time 5/4 aes2( ees2.~\p | %013
\time 2/2 ees8) r8 r4 r2 | %014
R1 | %015
R1\fermata | %016
- r2 d2~ | %017
- \time 7/4 d4 e4( fis4 a,2.)\shortfermata r4 | %018
- \time 2/2 \grace s8 des4( ees bes f'4~ | %019
+
+ \sectionLabel \markup { \huge \box \sans \bold 17 }
+ \omit Score.BarNumber
+ r2 d2~\mp | \undo \omit Score.BarNumber %017
+ \time 7/4 d4 e4(\> fis4 a,2.)\p\shortfermata r4 | %018
+ \time 2/2 \grace s8 des4(\< ees bes f'4~\mf | %019
\time 3/2 f2.) r4 r2 | %020
- \time 2/2 r1\shortfermata | %021
- \time 3/2 c2. c4( g'4 f4~ | %022
- \time 2/2 \tuplet 3/2 { f4) e( fis } a,2)\shortfermata | %023
- \time 5/4 g,4( b des bes'2) | %024
- d4( c ees4~ ees2)\fermata \breathe | %025
- d,4( e2 ees4) g8( c, | %026
- \time 2/2 aes'4) ges2( bes4 | %027
- a2) cis4( e) | %028
- \time 3/2 \grace s8 g1. \breathe | %029
- \time 5/4 cis,4( dis fis2) c4( | %030
- \time 2/2 g2.)\shortfermata a4( | %031
- \time 3/2 aes4 bes8) f8( e1) | %032
- \time 2/2 d2-- d2-- | %033
- b1\fermata \bar "|." %034
+ \time 2/2 R1\shortfermata | %021
+ \time 3/2 c2.\pp c4(\< g'4 f4~\mp | %022
+ \time 2/2 \tuplet 3/2 { f4) e(\> fis } a,2)\p\fermata \breathe | %023
+
+ \sectionLabel \markup { \huge \box \sans \bold 24 }
+ \omit Score.BarNumber
+ \time 5/4 g,4(\f\> b des bes'2) | \undo \omit Score.BarNumber %024
+ d4(\mf\> c ees4~\p ees2)\shortfermata \breathe | %025
+ d,4(\pp e2 ees4) g8(\< c, | %026
+ \time 2/2 aes'4)\p ges2(\< bes4 | %027
+ a2)\mp cis4(\< e) | %028
+ \time 3/2 \grace s8 g2~\mf g1\fermata \breathe | %029
+
+ \sectionLabel \markup { \huge \box \sans \bold 30 }
+ \omit Score.BarNumber
+ \time 5/4 cis,4(\< dis fis2)\f c4(\> | \undo \omit Score.BarNumber %030
+ \time 2/2 g2.)\mf\shortfermata \breathe a4(\> | %031
+ \time 3/2 aes4 bes8) f8( e1)\p | %032
+ \time 2/2 d2--\> d2-- | %033
+ b1\pp\fermata \bar "|." %034
}
instrumentName = \markup { "piano " }
shortInstrumentName = \markup { "pno " }
\consists Text_mark_engraver
+ \consists Metronome_mark_engraver
}
<<
R1 | %002
\time 3/2 R1*3/2 | %003
R1*3/2 | %004
- \time 5/4 r4 a''4( e f2) | %005
+ \time 5/4 r4 a''4(\mf e f2) | %005
R1*5/4 | %006
\time 2/2 R1 | %007
r1\shortfermata | %008
R1 | %009
r1\shortfermata | %010
\time 5/4 \grace s8 R1*5/4 | %011
- \time 2/2 <b, fis'>2 r2 | %012
- \time 5/4 des2~ des2.~ | %013
+ \time 2/2 <b, fis'>2->\mf r2 | %012
+ \time 5/4 des2~\mp des2.~ | %013
\time 2/2 des8 r8 r4 r2 | %014
R1 | %015
r1\fermata | %016
\time 2/2 \grace s8 R1 | %019
\time 3/2 R1*3/2 | %020
\time 2/2 r1\shortfermata | %021
- \time 3/2 r2. r4 r4 <bes' des,>4~ | %022
+ \time 3/2 r2. r4 r4 <bes' des,>4~\mp | %022
\time 2/2 2 r2\shortfermata | %023
- \time 5/4 r4 ges,4 <aes f'> ees'2 | %024
- <bes f'>2 <fis b>4 <gis a,>2\fermata | %025
+ \time 5/4 r4 ges,4(\f\> <aes f'> ees'2)\mf | %024
+ <bes f'>2_(\> <fis b>4 <gis a,>2\pp)\shortfermata \breathe | %025
r2.
- <<
- {
- \voiceOne
- r4 des'4 | %026
- }
- \new Voice {
- \voiceTwo
- aes2 | %026(b)
- }
- >>
- \oneVoice
- \time 2/2 r2 \tuplet 3/2 { r4 f4( ees) } | %027
- r4 r4 <fis ais>4( gis) | %028
- \time 3/2 \grace s8 r2 f1 | %029
- \time 5/4 gis1 bes4 | %030
- \time 2/2 R1 | %031
- \time 3/2 r2 \tuplet 3/2 { r4 r4 ges4( } \tuplet 3/2 { ees' des aes) } | %032
+ aes4(\< des4)\! | %026
+ \time 2/2 r2 \tuplet 3/2 { r4 f,4(\mp\< ees)\! } | %027
+ r4 r4 <fis ais>4(\< gis)\! | %028
+ \time 3/2 \grace s8 r2 f1\p\fermata \breathe | %029
+ \time 5/4 gis1\< bes4\! | %030
+ \time 2/2 r2\shortfermata r2 | %031
+ \time 3/2 r2 \tuplet 3/2 { r4 r4 ges4(\mp\> } \tuplet 3/2 { ees' des aes)\! } | %032
\time 2/2 R1 | %033
R1\fermata \bar "|." %034
}
}
- \new Staff = "u" \with { \consists "Merge_rests_engraver" }
+ \new Staff = "u" \with {
+ \consists "Merge_rests_engraver"
+ \override DynamicLineSpanner.staff-padding = \phds
+ }
{
\relative { \numericTimeSignature
\clef bass
- \tempo "Grave" 2=36
+ \tempo "Grave, molto rubato" 2=36
\time 2/2 <c c'>2\(\p <ees c'> | %001
- <ees g> <d g> | %002
- \time 3/2 <des g>1~ 4\) r4 | %003
- \grace g8~ <g c>2\( <f c'> \grace ges8( <f c'>2) | %004
- \time 5/4 <ees c'>2~ 2.\) | %005
- \grace d8~ <d b'>1\( <e cis'>4 | %006
- \time 2/2 <ees g c>2 <gis b>~ | %007
+ <ees g>\> <d g> | %002
+ \time 3/2 <des g>1~ 4\)\pp r4 | %003
+ \grace g8~ <g c>2\(\p\< <f c'> \grace ges8( <f c'>2) | %004
+ \time 5/4 <ees c'>2~\mp 2.\) | %005
+ \grace d8~ <d b'>1\( <e cis'>4\> | %006
+ \time 2/2 <ees g c>2 <gis b>~\p | %007
1\)\shortfermata | %008
- \grace ees'8~ <ees g,>1\( | %009
- <g, bes>1\)\shortfermata | %010
- \time 5/4 \grace c8~ <c aes>2.\( <ees, c'>2~ | %011
- \time 2/2 2 <e c'>~ | %012
+ \grace ees'8~ <ees g,>1\(\pp | %009
+ <g, bes>1\)\shortfermata \breathe | %010
+ \time 5/4 \grace c8~ <c aes>2.\( <ees, c'>2~\< | %011
+ \time 2/2 2 <e c'>~\mf | %012
\time 5/4 4\) r4 r2. | %013
<<
{
\voiceOne
- \time 2/2 c'4(\( bes) aes2 | %014
+ \time 2/2 c'4(\(\> bes) aes2 | %014
}
\new Voice {
\voiceTwo
}
>>
\oneVoice
- <c' ees,>1\)\fermata | %016
- <c ees,>1\( | %017
- \time 7/4 <c ees,>2. <c ees,>2.~\)\shortfermata 4 | %018
+ <c' ees,>1\)\p\fermata \breathe | %016
+ <c ees,>1\(\mp\> | %017
+ \time 7/4 <c ees,>2. <c ees,>2.~\)\p\shortfermata 4 | %018
<<
{
\voiceOne
- \time 2/2 \grace s8 e1\( | %019
+ \time 2/2 \grace s8 e1\(\< | %019
}
\new Voice {
\voiceTwo
- \time 2/2 \grace g,8^~ g4( gis2.) | %019
+ \time 2/2 \grace g,8^~ g4( gis2.) | %019(b)
}
>>
\oneVoice
<<
{
\voiceOne
- \grace d8~ d2 c4
+ \grace d8~ d2\mf\> c4
}
\new Voice{
\voiceTwo
>>
\oneVoice
<e c'>4 | %20
- \time 2/2 <d b' cis>1\)\shortfermata | %021
- \time 3/2 <g ees'>2.\( \grace f8~ <f d'>4 <ees c'>2~ | %022
- \time 2/2 2 <d b'>2~\)\shortfermata | %023
+ \time 2/2 <d b' cis>1\)\mp\shortfermata \breathe | %021
+ \time 3/2 <g ees'>2.\(\pp\< \grace f8~ <f d'>4 <ees c'>2~\mp\> | %022
+ \time 2/2 2 <d b'>2~\)\p\shortfermata | %023
\time 5/4 1 r4 | %024
- r2. r2\fermata | %025
+ r2. r2\shortfermata | %025
<<
{
\voiceOne
- c'2.\( c2~ | %026
+ c'2.\pp\<\( c2~ | %026
\time 2/2 c4 d
}
\new Voice {
>>
\oneVoice
<e cis'>2 | %027
- <d c'>1 | %028
- \time 3/2 \grace e8~ <e c'>2 <d c'>1\) | %029
- \time 5/4 <d b'>2\( <d a'>2 <ees aes>4 | %030
- \time 2/2 <d b'>2.\)\shortfermata <d cis'>4\( | %31
+ <d c'>1\mp | %028
+ \time 3/2 \grace e8~ <e c'>2 <d c'>1\)\pp\fermata \breathe | %029
+ \time 5/4 <d b'>2\(\< <d a'>2\f\> <ees aes>4 | %030
+ \time 2/2 <d b'>2.\)\mf\shortfermata \breathe <d cis'>4\(\> | %31
<<
{
\voiceOne
}
>>
\oneVoice
- \grace g'8~ <g b,>1 | %032
- \time 2/2 <g a,>2 <f a,>2 | %033
- <e g,>1\)\fermata \bar "|." | %034
+ \grace g'8~ <g b,>1\mp | %032
+ \time 2/2 <g a,>2\> <f a,>2 | %033
+ <e g,>1\)\pp\fermata \bar "|." | %034
}
}
\time 2/2 bes2 d~ | %007
d1\)\shortfermata | %008
f,1\( | %009
- e1\)\shortfermata | %010
+ e1\)\shortfermata \breathe | %010
\time 5/4 \grace s8 ges2.\( f2~ | %011
\time 2/2 f2 d2~ | %012
\time 5/4 d4\) r4 r2. | %013
>>
\oneVoice
fis4( e) bes'2~ | %015
- bes1\)\fermata | %016
+ bes1\)\fermata \breathe | %016
bes1~\( | %017
\time 7/4 bes2. des,2.\)(\shortfermata d4) | %018
\time 2/2 \grace s8 b'2\( fis4( a4 | %019
\time 3/2 b2) bes4( ges4 a4) gis4( | %020
- \time 2/2 fis1)\)\shortfermata | %021
+ \time 2/2 fis1)\)\shortfermata \breathe | %021
\time 3/2 bes2.\( \grace a8~ a4 aes2~ | %022
\time 2/2 aes2\) r2\shortfermata | %023
\time 5/4 R1*5/4 | %024
- r2. r2\fermata | %025
- b2\( a4 bes2 | %026
+ r2. r2\shortfermata | %025
+ b2 a4 bes2\( | %026
\time 2/2 b2 a2 | %027
g1 | %028
- \time 3/2 \grace s8 a2 bes1\) | %029\
+ \time 3/2 \grace s8 a2 bes1\)\fermata \breathe | %029\
\time 5/4 fis4\( e2. f4 | %030
- \time 2/2 e2.\)\shortfermata fis4\( | %031
+ \time 2/2 e2.\)\shortfermata \breathe fis4\( | %031
\time 3/2 ees4( d4~ d2.) bes'4 | %032
\time 2/2 bes2 bes2 | %033
c1\)\fermata \bar "|." %034
R1 | %009
R1 | %010
\time 5/4 \grace s8 R1*5/4 | %011
- \time 2/2 a,,2 r2 | %012
+ \time 2/2 a,,2->^\mp r2 | %012
\time 5/4 R1*5/4 | %013
\time 2/2 R1 | %014
R1 | %015
\time 2/2 r1\shortfermata | %021
\time 3/2 R1*3/2 | %022
\time 2/2 R1 | %023
- \time 5/4 c2.~ \tuplet 3/2 { c4 e4 a4 } | %024
- g2. <e cis'>2\fermata | %025
+ \time 5/4 c2.~^\f^\> \tuplet 3/2 { c4 e4( a4 } | %024
+ g2.)^\mp <e cis'>2^\p\shortfermata \breathe | %025
R1*5/4 | %026
\time 2/2 R1 | %027
- r4 b2. | %028
- \time 3/2 \grace s8 R1*3/2 | %029
+ r4 b2.^\mp | %028
+ \time 3/2 \grace s8 r2 r1\fermata | %029
\time 5/4 R1*5/4 | %030
\time 2/2 R1*2/2 | %031
\time 3/2 R1*3/2 | %032
\override StaffSymbol.staff-space = \clarinetMagstep
\consists Text_mark_engraver
\consists Mark_engraver
- \RemoveEmptyStaves
}
\transpose bes c'
\relative {
poet = \markup { \xinst }
piece = \markup { \large \bold "I. " }
}
- \tocItem \markup { "I. " \bold "Grave" }
+ \tocItem \markup { "I. " \bold "Grave, molto rubato" }
\score {
<<
\include "manuscripts/I-clarinet.ly"
\RemoveEmptyStaves
\remove Text_mark_engraver
\remove Mark_engraver
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/35)
\override Hairpin.to-barline = ##f
}
\context {
\override OttavaBracket.outside-staff-priority = 200
$(remove-grace-property 'Voice 'Stem 'direction)
\override VerticalAxisGroup.default-staff-staff-spacing =
- #'((basic-distance . 10)
- (minimum-distance . 9)
+ #'((basic-distance . 6)
+ (minimum-distance . 5)
(padding . 2)
(stretchability . 10))
\override StaffGrouper.staff-staff-spacing =
}
}
- \bookpart {
- \tocItem \markup { "II. " \bold "Vivace" }
- \score {
- \header {
- piece = \markup { \large \bold "II. " }
- }
- <<
- \removeWithTag #'part \include "manuscripts/II-clarinet.ly"
- \removeWithTag #'part \include "manuscripts/II-piano.ly"
- >>
- %\midi { }
- \layout {
- \context {
- \Score
- \remove Text_mark_engraver
- \remove Mark_engraver
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
- }
- \context {
- \Staff
- \override OttavaBracket.outside-staff-priority = 200
- $(remove-grace-property 'Voice 'Stem 'direction)
- \override VerticalAxisGroup.default-staff-staff-spacing =
- #'((basic-distance . 10)
- (minimum-distance . 9)
- (padding . 2)
- (stretchability . 10))
- \override StaffGrouper.staff-staff-spacing =
- #'((basic-distance . 9)
- (minimum-distance . 5)
- (padding . 1)
- (stretchability . 1))
- }
- }
- }
- }
+% \bookpart {
+% \tocItem \markup { "II. " \bold "Vivace" }
+% \score {
+% \header {
+% piece = \markup { \large \bold "II. " }
+% }
+% <<
+% \removeWithTag #'part \include "manuscripts/II-clarinet.ly"
+% \removeWithTag #'part \include "manuscripts/II-piano.ly"
+% >>
+% %\midi { }
+% \layout {
+% \context {
+% \Score
+% \RemoveEmptyStaves
+% \remove Text_mark_engraver
+% \remove Mark_engraver
+% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
+% }
+% \context {
+% \Staff
+% \override OttavaBracket.outside-staff-priority = 200
+% $(remove-grace-property 'Voice 'Stem 'direction)
+% \override VerticalAxisGroup.default-staff-staff-spacing =
+% #'((basic-distance . 10)
+% (minimum-distance . 9)
+% (padding . 2)
+% (stretchability . 10))
+% \override StaffGrouper.staff-staff-spacing =
+% #'((basic-distance . 9)
+% (minimum-distance . 5)
+% (padding . 1)
+% (stretchability . 1))
+% }
+% }
+% }
+% }
- \bookpart {
- \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" }
- \score {
- \header {
- piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" }
- }
- <<
- \removeWithTag #'part \include "manuscripts/III-clarinet.ly"
- \removeWithTag #'part \include "manuscripts/III-piano.ly"
- >>
- %\midi { }
- \layout {
- \context {
- \Score
- \remove Mark_engraver
- \remove Text_mark_engraver
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
- }
- \context {
- \Staff
- \override VerticalAxisGroup.default-staff-staff-spacing =
- #'((basic-distance . 10)
- (minimum-distance . 9)
- (padding . 2)
- (stretchability . 10))
- \override StaffGrouper.staff-staff-spacing =
- #'((basic-distance . 9)
- (minimum-distance . 5)
- (padding . 1)
- (stretchability . 1))
- }
- }
- }
- }
+% \bookpart {
+% \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" }
+% \score {
+% \header {
+% piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" }
+% }
+% <<
+% \removeWithTag #'part \include "manuscripts/III-clarinet.ly"
+% \removeWithTag #'part \include "manuscripts/III-piano.ly"
+% >>
+% %\midi { }
+% \layout {
+% \context {
+% \Score
+% \remove Mark_engraver
+% \remove Text_mark_engraver
+% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+% }
+% \context {
+% \Staff
+% \override VerticalAxisGroup.default-staff-staff-spacing =
+% #'((basic-distance . 10)
+% (minimum-distance . 9)
+% (padding . 2)
+% (stretchability . 10))
+% \override StaffGrouper.staff-staff-spacing =
+% #'((basic-distance . 9)
+% (minimum-distance . 5)
+% (padding . 1)
+% (stretchability . 1))
+% }
+% }
+% }
+% }
- \bookpart {
- \tocItem \markup { "IV. " \bold "Allegro energico" }
- \score {
- \header {
- piece = \markup { \large \bold "IV." }
- }
- <<
- \removeWithTag #'part \include "manuscripts/IV-clarinet.ly"
- \include "manuscripts/IV-piano.ly"
- >>
- %\midi { }
- \layout {
- \context {
- \Score
- \remove Text_mark_engraver
- \remove Mark_engraver
- \override TextSpanner.bound-details.left-broken.text = " "
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
- \override Stem.stemlet-length = #0.75
- }
- \context {
- \Staff
- \RemoveEmptyStaves
- \consists Mark_engraver
- \override VerticalAxisGroup.default-staff-staff-spacing =
- #'((basic-distance . 10)
- (minimum-distance . 9)
- (padding . 2)
- (stretchability . 10))
- \override StaffGrouper.staff-staff-spacing =
- #'((basic-distance . 9)
- (minimum-distance . 5)
- (padding . 1)
- (stretchability . 1))
- }
- }
- }
- }
+% \bookpart {
+% \tocItem \markup { "IV. " \bold "Allegro energico" }
+% \score {
+% \header {
+% piece = \markup { \large \bold "IV." }
+% }
+% <<
+% \removeWithTag #'part \include "manuscripts/IV-clarinet.ly"
+% \include "manuscripts/IV-piano.ly"
+% >>
+% %\midi { }
+% \layout {
+% \context {
+% \Score
+% \remove Text_mark_engraver
+% \remove Mark_engraver
+% \override TextSpanner.bound-details.left-broken.text = " "
+% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
+% \override Stem.stemlet-length = #0.75
+% }
+% \context {
+% \Staff
+% \RemoveEmptyStaves
+% \consists Mark_engraver
+% \override VerticalAxisGroup.default-staff-staff-spacing =
+% #'((basic-distance . 10)
+% (minimum-distance . 9)
+% (padding . 2)
+% (stretchability . 10))
+% \override StaffGrouper.staff-staff-spacing =
+% #'((basic-distance . 9)
+% (minimum-distance . 5)
+% (padding . 1)
+% (stretchability . 1))
+% }
+% }
+% }
+% }
\pageBreak
\markup {
\fill-line {
\include "general/aliases.ly"
\include "general/scripts.ly"
\include "general/umbel.ly"
+\include "general/partPaper.ly"
clarinetFont = #0
clarinetMagstep = #(magstep 0)
-\paper {
- line-width = 120
- footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
- print-all-headers = ##t
- #(set-paper-size "arch a")
- top-margin = 0.5\in
- bottom-margin = 0.5\in
- left-margin = 0.9\in
- right-margin = 0.9\in
- indent = 0.75\in
- short-indent = 0\cm
- #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "syne"))
- max-systems-per-page = #7
- tocTitleMarkup = \markup { \hbracket \sans \bold " contents " }
- tocItemMarkup = \markup \fill-line {
- \fill-with-pattern #1.5 #CENTER .
- \line {
- \fromproperty #'toc:indent \fromproperty #'toc:text
- }
- \tiny \number \fromproperty #'toc:page
- }
-
- oddHeaderMarkup = \markup {
- \concat { \if \on-page #3 \oddhead }
- \concat { \if \on-page #5 \oddhead }
- \concat { \if \on-page #7 \oddhead }
- \concat { \if \on-page #9 \oddhead }
- \concat { \if \on-page #11 \oddhead }
- \concat { \if \on-page #15 \oddhead }
- \concat { \if \on-page #17 \oddhead }
- \concat { \if \on-page #19 \oddhead }
- \concat { \if \on-page #21 \oddhead }
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { \xinst }
+ piece = \markup { \large \bold "I. " }
+ }
+ \tocItem \markup { "I. " }
+ \score {
+ <<
+ \include "manuscripts/I-clarinet.ly"
+ >>
+ %\midi { }
+ \layout {
+ \context {
+ \Score
+ \remove Mark_engraver
+ \remove Text_mark_engraver
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
+ \override Hairpin.to-barline = ##f
+ }
+ \context {
+ \Staff
+ \remove Instrument_name_engraver
+ }
+ }
+ }
}
- evenHeaderMarkup = \markup {
- \concat { \if \on-page #2 \evhead }
- \concat { \if \on-page #4 \evhead }
- \concat { \if \on-page #6 \evhead }
- \concat { \if \on-page #8 \evhead }
- \concat { \if \on-page #10 \evhead }
- \concat { \if \on-page #14 \evhead }
- \concat { \if \on-page #16 \evhead }
- \concat { \if \on-page #18 \evhead }
- \concat { \if \on-page #20 \evhead }
- \concat { \if \on-page #22 \evhead }
+ \bookpart {
+ \header {
+ title = ##f subtitle = ##f composer = ##f poet = ##f
+ piece = \markup { \large \bold "II. " }
+ }
+ \tocItem \markup { "II. " }
+ \score {
+ <<
+ \include "manuscripts/II-clarinet.ly"
+ >>
+ %\midi { }
+ \layout {
+ \context {
+ \Score
+ \remove Mark_engraver
+ \remove Text_mark_engraver
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
+ \override Hairpin.to-barline = ##f
+ }
+ \context {
+ \Staff
+ \remove Instrument_name_engraver
+ }
+ }
+ }
}
- oddFooterMarkup = \markup {
- \concat { \if \on-page #1 \fill-line { \null \xcr \null } }
- \concat { \if \on-page #3 \oddfoot }
- \concat { \if \on-page #5 \oddfoot }
- \concat { \if \on-page #7 \oddfoot }
- \concat { \if \on-page #9 \oddfoot }
- \concat { \if \on-page #13 \oddfoot }
- \concat { \if \on-page #15 \oddfoot }
- \concat { \if \on-page #17 \oddfoot }
- \concat { \if \on-page #19 \oddfoot }
- \concat { \if \on-page #21 \oddfoot }
- \concat { \if \on-page #23 \oddfoot }
- }
- evenFooterMarkup = \markup {
- \concat { \if \on-page #2 \evfoot }
- \concat { \if \on-page #4 \evfoot }
- \concat { \if \on-page #6 \evfoot }
- \concat { \if \on-page #8 \evfoot }
- \concat { \if \on-page #10 \evfoot }
- \concat { \if \on-page #12 \evfoot }
- \concat { \if \on-page #14 \evfoot }
- \concat { \if \on-page #16 \evfoot }
- \concat { \if \on-page #18 \evfoot }
- \concat { \if \on-page #20 \evfoot }
- \concat { \if \on-page #22 \evfoot }
- }
-
-}
-
-\book {
-
-% \bookpart {
-% \header {
-% title = \markup { \fontsize #1 \xtitle }
-% subtitle = \markup { \medium \italic \xsub }
-% composer = \xcomp
-% poet = \markup { \xinst }
-% piece = \markup { \large \bold "I. " }
-% }
-% \tocItem \markup { "I. " }
-% \score {
-% <<
-% \include "manuscripts/I-clarinet.ly"
-% >>
-% %\midi { }
-% \layout {
-% \context {
-% \Score
-% \override RehearsalMark.break-visibility = #begin-of-line-invisible
-% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8)
-% \override Hairpin.to-barline = ##f
-% }
-% }
-% }
-% }
-
-% \bookpart {
-% \header {
-% title = ##f subtitle = ##f composer = ##f poet = ##f
-% piece = \markup { \large \bold "II. " }
-% }
-% \tocItem \markup { "II. " }
-% \score {
-% <<
-% \include "manuscripts/II-clarinet.ly"
-% >>
-% %\midi { }
-% \layout {
-% \context {
-% \Score
-% \override RehearsalMark.break-visibility = #begin-of-line-invisible
-% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-% \override Hairpin.to-barline = ##f
-% }
-% }
-% }
-% }
\bookpart {
\tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" }
\score {
\header {
- title = \markup { \fontsize #1 \xtitle }
- arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { clarinet in \concat { \bold "B" \tiny \flat } }
piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" }
}
<<