--- /dev/null
+.nr HM 0.5i
+.nr PO 0.5i
+.nr LL 7.25i
+.nr LT 7.5i
+.nr FM 0.25i
+.nr PS 10p
+.nr VS 15p
+.nr DD 0.5v
+.nr y 1900+\n(yr
+.as LF [% of 10] Tucker Johnson \(em CV \D'l 5i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0'
+.ds CH \" empty
+
+.de heading
+. nf
+. ps 13
+. B "\\$1"
+\h’0n’\v’-1.2n’
+. ps 11
+. sp -1
+. fi
+..
+
+.de BP
+. ie '\\n(.z'' .bp \\$1
+. el \!.BP \\$1
+..
+
+.de line
+\D'l 5.2i 0 '\D'P -0.6m 0 0 -0.6m 0.6m 0'
+..
+
+
+\# -----------------------TOP------------------------------
+.ce 0
+.ps 18
+.B "Tucker Johnson"
+.ps 10
+.I "composer, improviser, technologist "
+(CV | updated \n(mo-\ny)
+.br
+.line
+.sp -1
+.TS
+tab(|) nospaces;
+l rx.
+169 spring tree ln|T{
+.I "tucker [@] newer.systems"
+T}
+Rochester, NY|T{
+.I "(727) 483-3689"
+T}
+14612|T{
+.I "https://newer.systems"
+T}
+.TE
+\# --------------------------------------------------------
+.heading "Education"
+.TS
+tab(|) nospaces;
+lW10|lx.
+08/21 \(en 05/23|T{
+.B "Eastman School of Music"
+[Rochester, NY]
+\(en
+.B "Master of Arts" ,
+Music Composition
+.br
+.B "Institute for Music Leadership:"
+Arts Leadership Certificate
+.br
+Primary Teachers: Robert Morris, Mathew Barber, David Liptak
+.br
+.sp .25
+T}
+01/20 \(en 05/21|T{
+.B "Pennsylvania State University"
+[State College, PA]
+\(en Bachelor of Music, Music Composition
+.br
+Primary Teachers: Baljinder Sekhon, Sarah Genevieve Burghart Rice
+.sp .25
+T}
+08/17 \(en 12/19|T{
+.B "University of South Florida"
+[Tampa, FL]
+\(en Bachelor of Music, Music Composition
+.br
+Primary Teachers: Paul Reller, Susanna Hancock, Benjamin Whiting
+.br
+(transfered after fall 2019 semester)
+.sp 0.25
+T}
+.TE
+\# --------------------------------------------------------
+.heading "Roles and Experience"
+.TS
+tab(|) nospaces;
+lW10|lx.
+08/22\(em|T{
+.B "Eastman Graduate Composers' Sinfonietta (GCS)"
+[Rochester, NY]
+\(en Recruiter
+.br
+Recruit performers from the Eastman community;
+Plan rehearsals;
+Assist in the creation of the GCS budget;
+Print and deliver parts
+.sp .25
+T}
+08/21\(em|T{
+.B "Eastman Audio Research Studio (EARS)"
+[Rochester, NY]
+\(en Teaching Assistant
+.br
+Instruct graduate and undergraduate computer music students;
+Provide equipment and services for Eastman concerts (5-7 per semester);
+Maintain EARS website;
+Maintain EARS equipment and facilities
+.sp .25
+T}
+08/22\(en12/22|T{
+.B "Hochstein School of Music and Dance"
+[Rochester, NY]
+\(en Intern
+.br
+Assist in fundraising campaigns;
+Send mail to donors;
+Shadow Hochstein grant-writing;
+Research donors;
+Use Bloomerang donor management systems
+.sp .25
+T}
+08/21\(en07/22|T{
+.B "Contemporary Art Music Project"
+[Tampa, FL]
+\(en Podcast Producer/Host
+.br
+Researched, programed, and wrote monthly podcasts;
+Interviewed guests;
+Recorded and produced monthly podcasts
+.sp .25
+T}
+01/20\(en04/21|T{
+.B "Living Music"
+[State College, PA]
+\(en President
+.br
+Organized and maintain organization rosters;
+Oversaw funding requests;
+Hosted and produced weekly radio show;
+Produced events and concerts (International New Music Festival, Call for Scores, etc.)
+.sp .25
+T}
+01/20\(en04/21|T{
+.B "ROARS Recording Studio at Penn State"
+[State College, PA]
+\(en Audio/Recording Engineer
+.br
+Produced recordings for Penn State students and faculty;
+Assisted in concert production for concerts (3-5 per semester);
+Maintained ROARS studio equipment and facilities
+.sp .25
+T}
+08/17\(en12/19|T{
+.B "New Music Consortium"
+[Tampa, FL]
+\(en Logistics Coordinator/Librarian
+.br
+Organized rehearsals;
+Oversaw music rentals;
+Provided scores and parts to performers
+.sp .25
+T}
+.TE
+\# --------------------------------------------------------
+.heading "Honors and Commissions"
+.TS
+tab(|) nospaces;
+rW5|lx.
+2022|T{
+\(en Scholarship: Warren Benson Scholarship in Composition, ESM
+.sp .25
+T}
+2021|T{
+\(en Commission: Eastman Graduate Composers' Sinfonietta
+.I "(Commonplace Common Tones)"
+.br
+\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023)
+.br
+\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition
+.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)"
+.br
+\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio
+.br
+\(en Commission: Hillsborough Arts Grant, Michael Standard
+.I "(Mutable Subjects)"
+.br
+\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music
+.br
+\(en Selected Composer: Longy Divergent Studio
+.I "(Enter Ghost)"
+.br
+\(en Commission: Bob McCormick and Eunmi Ko
+.I "(Even the Pieces I Can't Remember)"
+.br
+\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU
+.sp .25
+T}
+2020|T{
+\(en Winner: Marjorie Jane Brewster Competition, PSU
+.br
+\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities
+.I "(A Presence Within Reassembly)"
+.br
+\(en Winner: Moreau VanTuinen Duo Call for Miniatures
+.I "(Second-hand Asymmetry)"
+.br
+\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020
+.I "(CO)"
+.sp .25
+T}
+2019|T{
+.br
+\(en Elected Logistics Coordinator: USF New Music Consortium
+.br
+\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea
+.I "(CO)"
+.br
+\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn
+.sp .25
+T}
+.TE
+\# --------------------------------------------------------
+.heading "Festivals, Programs, and Conferences"
+.TS
+tab(|) nospaces;
+rW5|lx.
+2023|T{
+.B "Penn State Internationational New Music Festival"
+[State College, PA]
+\(en Selected Composer
+.br
+performed work:
+.I "Settle the Score"
+.sp .25
+T}
+2022|T{
+.B "Vibraphone Century"
+[State College, PA]
+\(en composer
+.br
+performed work:
+.I "Injunctions of Bruckner "
+(John McGovern - vibraphone)
+.sp .25
+T}
+2021|T{
+.B "Penn State International New Music Festival"
+[State College, PA (online)]
+\(en planning, hosting
+.br
+performed work:
+.I "Wears and Tears "
+(Amber Lucas - clarinet)
+.sp .25
+T}
+2019|T{
+.B "Nick Cave and Bob Faust Workshop"
+[Tampa, FL]
+\(en Collaborator
+.br
+collaborative multidisciplinary installation:
+.I "Mobillity, on beauty"
+.br
+.B "Composing in the Wilderness"
+[Prince William Sound, AK]
+\(en Selected Composer
+.br
+commissioned work:
+.I "Or Maybe While Crossing"
+.br
+.B "soundSCAPE"
+[Cesena, Italy]
+\(en Selected Composer
+.br
+commissioned work:
+.I "WRITE/TAKE "
+(Dieter Hennings, John Rivera Pico - guitars)
+.br
+.B "Dot-the-Line"
+[Seoul, South Korea]
+\(en Call-for-Scores Winner
+.br
+performed work:
+.I "CO "
+(Changhoon Lee - alto saxophone, Jieun Shin - piano)
+.sp .25
+T}
+2018|T{
+.B "SHASTRA Tabla and Hindustani Rhythm Workshop"
+[Wayne, NJ]
+\(en Selected Composer
+.br
+commissioned work:
+.I "...for the discernment of vocations with... "
+(Shawn Matevetsky - tabla, New Jersey Percussion Ensemble, Payton Macdonald - conductor)
+.sp .25
+.B "USF International New Music Festival"
+[Tampa, FL]
+\(en planning, hosting
+.sp .5
+T}
+.TE
+\# --------------------------------------------------------
+.heading "Software/Programming Proficiency"
+Finale,
+Sibelius,
+Lilypond,
+Logic Pro,
+Reaper,
+Da Vinci Resolve,
+OBS,
+Max/MSP,
+Supercollider,
+PureData,
+HUGO,
+Lua,
+Latex,
+GNUtroff,
+Arch/Artix Linux,
+Linux Pro Audio,
+Octave/MATLAB
+.sp .5
+\# --------------------------------------------------------
+.heading "Complete List of Replicable Work (through performance or playback)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW50|lw10|lx.
+[year]|[title]|[duration]|[forces]
+2022|T{
+.B "Fifteen Keyboard Inventions*"
+T}|20 minutes|T{
+piano
+.sp .75
+T}
+ |T{
+.B "Settle the Score"
+.I "in one or five parts"
+T}|1-5 minutes|T{
+english horn, trumpet, electric guitar, violin, computer
+.sp .75
+T}
+ |T{
+.B "Mutable Subjects"
+T}|1-14 minutes|T{
+marimba, computer
+T}
+ |T{
+.I "commissioned by Michael Standard"
+.sp .75
+T}| |T{
+.sp .75
+T}
+2021|T{
+.B "Commonplace Common Tones"
+T}|7 minutes|T{
+sinfonietta
+T}
+ |T{
+.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "Even the Pieces I can't Remember"
+T}|14 minutes|T{
+percussion, piano
+T}
+ |T{
+.I "commissioned by Eunmi Ko and Bob McCormick"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "Enter Ghost"
+T}|5 minutes|T{
+voice, trumpet, bass clarinet, trombone
+.sp .75
+T}
+ |T{
+.B "The Melody of Practice"
+T}|3 minutes|T{
+oboe
+.sp .75
+T}
+ |T{
+.B "Wears and Tears"
+T}|5 minutes|T{
+clarinet, computer
+.sp .75
+T}
+ |T{
+.B "Injunctions of Bruckner: Aequale no. 1 & 2"
+T}|2 minutes|T{
+vibraphone, live-processing
+.sp .75
+T}
+ |T{
+.B "Is Breathing"
+T}|8 minutes|T{
+alto saxophone
+.sp .75
+T}
+2020|T{
+.B "Falling Paths, Coloring Grounds"
+T}|10 minutes|T{
+cello, computer
+.sp .75
+T}
+ |T{
+.B "Moment/Time \(enPractice"
+T}|variable|T{
+open
+.sp .75
+T}
+ |T{
+.B "The Ecstasy of Communication"
+T}|10-25 minutes|T{
+snare drum, triggered media
+T}
+ |T{
+.I "commissioned by John McGovern"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "A Presence Within Reassembly"
+T}|5 minutes|T{
+quadrophonic fixed media
+.sp .75
+T}
+ |T{
+.B "Somewhat Like the Obelisk"
+T}|14 minutes|T{
+saxophone quartet
+.sp .75
+T}
+2019|T{
+.B "------------"
+T}|22 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "Or Maybe While Crossing"
+.sp 0
+.I "commissioned by Corvus and Composing in the Wilderness
+T}|6 1/2 minutes|T{
+flute, saxophone, violin, cello, percussion
+.sp .75
+T}
+ |T{
+.B "I AM COVERED IN STARCH"
+T}|6 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "We Cannot Post in Summer"
+T}|10 minutes|T{
+sinfonietta
+.sp .75
+T}
+ |T{
+.B "WRITE/TAKE"
+.sp 0
+.I "for soundSCAPE"
+T}|6 minutes|T{
+guitar duo
+.sp .75
+T}
+ |T{
+.B "CO"
+T}|6 minutes|T{
+alto saxophone, piano
+.sp .75
+T}
+2018|T{
+.B "The Identity of Policing"
+T}|4 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "Four Weeks Now"
+T}|5 minutes|T{
+string quartet
+.sp .75
+T}
+ |T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp .75
+T}|5 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "Space Flight Participant"
+T}|4 minutes|T{
+double bass
+.sp .75
+T}
+ |T{
+.B "All of My Life's Work Up Until This Point"
+T}|5 minutes|T{
+cello
+.sp .75
+T}
+ |T{
+.B "Time in North Dakota"
+T}|3 minutes|T{
+viola
+.sp .75
+T}
+ |T{
+.B "References to the Antichrist in Ecclesiastical Writings"
+T}|3 minutes|T{
+violin
+.sp .75
+T}
+ |T{
+.B "JetFuel"
+T}|4 minutes|T{
+orchestra
+T}
+ |T{
+.I "commissioned by the Tampa Metropolitan Youth Orchestra"
+.sp .75 T}| |T{
+T}
+ |T{
+.B "...for the discernment of vocations with..."
+.sp 0
+.I "for SHASTRA"
+.sp .75
+T}|8 minutes|T{
+tabla, mallet quartet
+.sp .75
+T}
+ |T{
+.B "Numlock"
+T}|6 minutes|T{
+woodwind quintet
+.sp .75
+T}
+2017|T{
+.B "Grater Brute"
+T}|3 minutes|T{
+flute, marimba
+.sp .75
+T}
+ |T{
+.B "r9-13\\\I TERDI..."
+T}|8 minutes|T{
+multi-percussion
+.sp .75
+T}
+ |T{
+.B "Transportation in Metropolitan Detroit"
+T}|7 minutes|T{
+piano
+.sp .75
+T}
+ |T{
+.B "In the Shape of the Sky"
+T}|6 minutes|T{
+2 trumpets, 2 trombones, vibraphone, percussion
+.sp .75
+T}
+ |T{
+.B "Designations"
+T}|12 minutes|T{
+tenor saxophone
+.sp .75
+T}
+ |T{
+.B "Transmissions in a vacuum"
+T}| variable |T{
+open
+.sp .75
+T}
+2016|T{
+.B "Walkin' With Billy"
+T}|10 minutes|T{
+flute, alto saxophone, tenor saxophone, trumpet, glockenspiel (all amplified)
+.sp .75
+T}
+ |T{
+.B "Morning Chase"
+T}|5 minutes|T{
+flute, bassoon, 2 violins, viola, cello, bass, percussion
+.sp .75
+T}
+ |T{
+.B "Letters Unwritten"
+T}|5 minutes|T{
+Brass Quintet
+.sp .75
+T}
+.TE
+.heading "Complete List of Non-replicable Work"
+.heading "(installations/improvisations)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW30|lw27|lx.
+[date]|[title/duration]|[forces]|[venue]|
+11/10/22|T{
+.B "Ossia Sound Bath"
+.sp -0.2
+.I "90 minutes"
+.sp 0.73
+T}|T{
+computer, double bass, saxophone, resonant objects
+.sp .75
+T}|T{
+NY, Rochester: ESM Ray Wright Room
+T}
+9/28/22|T{
+.B "spigot 1"
+.sp -0.2
+.I "8 minutes"
+.sp 0.73
+T}|T{
+saxophone, computer
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+10/9/19|T{
+.B "Mobility, on beauty"
+.sp -0.2
+.I "unspecified"
+.sp 0.73
+T}|T{
+multimedia installation
+T}|T{
+FL, Tampa: USF Theatre 2
+.sp .75
+T}
+2/22/19|T{
+.B "A Different City*The Cold Part"
+.sp -0.2
+.I "30 minutes"
+.sp 0.73
+T}|T{
+multimedia installation
+.sp .75
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+T}
+.TE
+.heading "(recorded)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW28|lw37|lx.
+[year]|[title/duration]|[credits]|[tracks]
+2020|T{
+.B "spank; + Logan Barrett"
+.sp -0.2
+.I "73 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp 0
+Logan Barrett, electronics
+.sp 0
+Joshua Mallard & Han Hitchen, recording
+T}|T{
+1) <s}p/a[n)k;
+.br
+2) /hum]
+.br
+3) <bounce}
+.br
+4) [crawl)
+.br
+5) /shimmer>
+.br
+6) (frog}
+.br
+7) [sour>
+.br
+8) {wring/
+.br
+9) <swell)
+.br
+10) {cave]
+.sp .75
+T}
+ |T{
+.B "FOR NATE"
+.sp -0.2
+.I "10 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp 0
+Joshua Mallard & Han Hitchen, recording
+.sp .75
+T}|T{
+1) FOR NATE
+T}
+ |T{
+.B "What They Bury Themselves For"
+.sp -0.2
+.I "8 minutes"
+T}|T{
+Tucker Johnson, computer
+.sp 0
+John McGovern, guitar
+T}|T{
+1) What They Bury Themselves For
+.sp .75
+T}
+2019|T{
+.B "Maritime Chaparral"
+.sp -0.2
+.I "17 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp .75
+T}|T{
+1) three quarter
+.br
+2) no. please do.
+T}
+.TE
+\#
+\# --------------------------------------------------------
+.bp
+.heading "List of Performances"
+.ps 10.25
+.TS
+tab(|) nospaces;
+rW5|lW30|lw27|lx.
+date|title|performer(s)|venue|
+11/17/22|T{
+.B "Fifteen Keyboard Inventions"
+.I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
+T}|T{
+Zihan Wu
+T}|T{
+NY, Rochester: Hatch Recital Hall
+.sp .75
+T}
+11/14/22|T{
+.B "I AM COVERED IN STARCH"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+9/10/22|T{
+.B "Ossia Fluxus Improvisation"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Zoe Markle, Floris Van Der Veken
+.sp .75
+T}|T{
+NY, Rochester: ESM Ray Wright Room
+T}
+9/28/22|T{
+.B "spigot 1"
+.sp -0.2
+.I "[spigot duo performance]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Floris Van Der Veken
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+9/19/22|T{
+.B "Fifteen Keyboard Inventions"
+.I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
+T}|T{
+Xingyi Chen
+T}|T{
+NY, Rochester: Hatch Recital Hall
+.sp .75
+T}
+4/7/22|T{
+.B "Settle the Score"
+.sp -0.2
+.I "[mixed quartet, computer]"
+.sp 0.73
+T}|T{
+Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+2/12/22|T{
+.B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+PA, State College: New Recital Hall
+.sp .75
+T}
+2/2/22|T{
+.B "Settle the Score"
+.sp -0.2
+.I "[computer]"
+.sp 0.73
+T}|T{
+computer: quadrophonic playback
+T}|T{
+NY, Rochester: Kilbourn Hall
+.sp 1.75
+T}
+T{
+.BI "2021"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/10/21|T{
+.B "Commonplace Common Tones"
+.sp -0.2
+.I "[sinfonietta]"
+.sp 0.73
+T}|T{
+Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
+.sp .75
+T}|T{
+NY, Rochester: Kilbourn Hall
+T}
+5/4/21|T{
+.B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+4/25/21|T{
+.B "Falling Paths, Coloring Grounds"
+.sp -0.2
+.I "[cello, computer]"
+.sp 0.73
+T}|T{
+Hudson Webber
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "The Ecstasy of Communication"
+.sp -0.2
+.I "[snare drum, triggered media]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "A Presence Within Reassembly"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+quadrophonic playback
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
+T}|T{
+Amber Lucas
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Falling Paths, Coloring Grounds"
+.sp -0.2
+.I "[cello, computer]"
+.sp 0.73
+T}|T{
+Hudson Webber
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/16/21|T{
+.B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
+T}|T{
+Amber Lucas
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+3/30/21|T{
+.B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
+T}|T{
+Amber Lucas
+T}|T{
+Online Event - Penn State International New Music Festival
+.sp .75
+T}
+T{
+.BI "2020"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/20/20|T{
+.B "The Ecstasy of Communication"
+.sp -0.2
+.I "[snare drum, triggered media]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+10/23/20|T{
+.B "A Presence Within Reassembly"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+quadrophonic playback
+T}|T{
+PA, State College: Water Tower Plaza
+.sp .75
+T}
+7/5/20|T{
+.B "All of my Life's Work Until This Point"
+.sp -0.2
+.I "[cello]"
+.sp 0.73
+T}|T{
+Eduard Teregulov
+T}|T{
+Online Event - (recorded in Dade City, FL)
+.sp .75
+T}
+T{
+.BI "2019"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+12/2/19|T{
+.B "-------"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+T}|T{
+FL, Tampa: Barness Recital Hall
+.sp .75
+T}
+11/22/19|T{
+.B "Or Maybe While Crossing"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Corvus Ensemble
+T}|T{
+NY, NYC: Federal Hall Memorial
+.sp .75
+T}
+11/7/19|T{
+.B "WE CANNOT POST IN SUMMER"
+.sp -0.2
+.I "[sinfonietta]"
+.sp 0.73
+T}|T{
+USF Student Sinfonietta
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+.sp .75
+T}
+10/12/19|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Doug O'Connor, Eunmi Ko
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+10/9/19|T{
+.B "Mobility, on beauty"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+collaborative installation
+T}|T{
+FL, Tampa: USF Theatre 2
+.sp .75
+T}
+10/7/19|T{
+.B "I AM COVERED IN STARCH"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+T}|T{
+FL, Tampa: Barness Recital Hall
+.sp .75
+T}
+8/10/19|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Dade City: Heritage and Cultural Museum
+.sp .75
+T}
+7/12/19|T{
+.B "WRITE/TAKE"
+.sp -0.2
+.I "[guitar duo]"
+.sp 0.73
+T}|T{
+Dieter Hennings, John Rivera Pico
+T}|T{
+Italy, Cesena: Conservatorio Bruno Maderna
+.sp .75
+T}
+5/31/19|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Changhoon Lee, Jieun Shin
+.sp .75
+T}|T{
+South Korea, Jeonju: Sori Arts Center
+T}
+5/11/19|T{
+.B "JetFuel"
+.sp -0.2
+.I "[orchestra]"
+.sp 0.73
+T}|T{
+Tampa Metropolitan Youth Orchestra, William Weidrich
+.sp .75
+T}|T{
+FL, Tampa: Concert Hall at USF
+T}
+4/22/19|T{
+.B "All of My Life's Work Until This Point"
+.sp -0.2
+.I "[cello]"
+.sp 0.73
+T}|T{
+Sydney Andersen
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+2/22/19|T{
+.B "A Different City*The Cold Part"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+RAMP GROUP
+.sp .75
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+T}
+2/8/19|T{
+.B "Four Weeks Now"
+.sp -0.2
+.I "[string quartet]"
+.sp 0.73
+T}|T{
+Luz Vasquez, KaleyAnna Raabe, Daphne Waggener, Sydney Andersen
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+T{
+.BI "2018"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/26/18|T{
+.B "The Identity of Policing"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Space Flight Participant"
+.sp -0.2
+.I "[double bass]"
+.sp 0.73
+T}|T{
+Keon Sahbkar
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Would Also Feel the Need to Enjoy"
+.sp -0.2
+.I "[prepared midi keyboard]"
+.sp 0.73
+T}|T{
+Sohyun Lim
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "This First Semester is Dedicated"
+.sp -0.2
+.I "[trumpet, bassoon]"
+.sp 0.73
+T}|T{
+Bradley Mikesel II, Tucker Johnson
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/16/18|T{
+.B "Space Flight Participant"
+.sp -0.2
+.I "[double bass]"
+.sp 0.73
+T}|T{
+Keon Sahbkar
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/29/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Saint Petersburg: Studio 620
+T}
+9/27/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/27/18|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/2/18|T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+8/12/18|T{
+.B "...for the discernment of vocations with..."
+.sp -0.2
+.I "[tabla, mallet quartet]"
+.sp 0.73
+T}|T{
+Shawn Mativetsky, New Jersey Percussion Ensemble
+.sp .75
+T}|T{
+NJ, Wayne: William Patterson University
+T}
+4/16/18|T{
+.B "Numlock"
+.sp -0.2
+.I "[woodwind quintet]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+4/13/18|T{
+.B "Numlock"
+.sp -0.2
+.I "[woodwind quintet]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
+.sp .75
+T}|T{
+FL, Tampa: USF Instrumental Rehearsal Hall
+T}
+3/5/18|T{
+.B "Grater Brute"
+.sp -0.2
+.I "[flute, marimba]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Lionel Martinez
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+3/2/18|T{
+.B "Transportation in Metropolitan Detroit"
+.sp -0.2
+.I "[piano]"
+.sp 0.73
+T}|T{
+Logan Barrett
+.sp .75
+T}|T{
+FL, Tampa: USF Choral Rehearsal Hall
+T}
+3/2/18|T{
+.B "Grater Brute"
+.sp -0.2
+.I "[flute, marimba]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Lionel Martinez
+.sp .75
+T}|T{
+FL, Tampa: USF Choral Rehearsal Hall
+T}
+T{
+.BI "2017"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/17/17|T{
+.B "r9-13\\\I TERDI..."
+.sp -0.2
+.I "[multi-percussion]"
+.sp 0.73
+T}|T{
+Kaycie Howell
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+10/20/17|T{
+.B "Transportation in Metropolitan Detroit"
+.sp -0.2
+.I "[piano]"
+.sp 0.73
+T}|T{
+Logan Barrett
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+7/8/17|T{
+.B "In the Shape of the Sky"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+5/8/17|T{
+.B "Walkin' With Billy"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+5/8/17|T{
+.B "Designations"
+.sp -0.2
+.I "[saxophone]"
+.sp 0.73
+T}|T{
+Kendric McAllister
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+T{
+.BI "2016"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+12/7/16|T{
+.B "Walkin' With Billy"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+7/29/16|T{
+.B "Morning Chase"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+7/29/16|T{
+.B "Letters Unwritten"
+.sp -0.2
+.I "[brass quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+5/24/16|T{
+.B "Ephemeral Sketches"
+.sp -0.2
+.I "[saxophone, cello]"
+.sp 0.73
+T}|T{
+Britney Waggott, Miranda Godfrey
+.sp .75
+T}|T{
+FL, Saint Petersburg: Pinellas County Center for the Arts
+T}
+5/24/16|T{
+.B "Letters Unwritten"
+.sp -0.2
+.I "[brass quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Saint Petersburg: Pinellas County Center for the Arts
+T}
+.TE
+.sp 1
+.heading "References Available Upon Request"
--- /dev/null
+.nr HM 0.5i
+.nr PO 0.5i
+.nr LL 7.25i
+.nr LT 7.5i
+.nr FM 0.25i
+.nr PS 10p
+.nr VS 15p
+.nr DD 0.5v
+.nr y 1900+\n(yr
+.as LF [% of 2] Tucker Johnson \(em resume \D'l 4.8i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0'
+.ds CH \" empty
+
+.de heading
+. nf
+. ps 13
+. B "\\$1"
+\h’0n’\v’-1.2n’
+. ps 11
+. sp -1
+. fi
+..
+
+.de BP
+. ie '\\n(.z'' .bp \\$1
+. el \!.BP \\$1
+..
+
+.de newpage \" define macro
+. bp \" begin page
+..
+
+.de line
+\D'l 4.9i 0 '\D'P -0.6m 0 0 -0.6m 0.6m 0'
+..
+
+
+\# -----------------------TOP------------------------------
+.ce 0
+.ps 18
+.B "Tucker Johnson"
+.ps 10
+.I "composer, improviser, technologist"
+(resume | updated \n(mo-\ny)
+.br
+.line
+.sp -1
+.TS
+tab(|) nospaces;
+l rx.
+169 spring tree ln|T{
+.I "tucker [@] newer.systems"
+T}
+Rochester, NY|T{
+.I "(727) 483-3689"
+T}
+14612|T{
+.I "www.newer.systems"
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Education"
+.TS
+tab(|) nospaces;
+lW10|lx.
+08/21\(em|T{
+.B "Eastman School of Music"
+[Rochester, NY]
+\(en Master of Arts, Music Composition
+.br
+Primary Teachers: Robert Morris, Mathew Barber, David Liptak
+.br
+.B "Institute for Music Leadership:"
+Arts Leadership Certificate
+.sp .25
+T}
+01/20\(en05/21|T{
+.B "Pennsylvania State University"
+[State College, PA]
+\(en Bachelor of Music, Music Composition
+.br
+Primary Teachers: Baljinder Sekhon, Steven Rice
+.sp .25
+T}
+08/17\(en12/19|T{
+.B "University of South Florida"
+[Tampa, FL]
+\(en Bachelor of Music, Music Composition
+.br
+Primary Teachers: Paul Reller, Susanna Hancock, Benjamin Whiting
+.br
+(transfered after fall 2019 semester)
+.sp 0.25
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Roles and Experience"
+.TS
+tab(|) nospaces;
+lW10|lx.
+08/22\(em|T{
+.B "Eastman Graduate Composers' Sinfonietta (GCS)"
+[Rochester, NY]
+\(en Recruiter
+.br
+Recruit performers from the Eastman community;
+Plan rehearsals;
+Assist in the creation of the GCS budget;
+Print and deliver parts
+.sp .25
+T}
+08/21\(em|T{
+.B "Eastman Audio Research Studio (EARS)"
+[Rochester, NY]
+\(en Teaching Assistant
+.br
+Instruct graduate and undergraduate computer music students;
+Provide equipment and services for Eastman concerts (5-7 per semester);
+Maintain EARS website;
+Maintain EARS equipment and facilities
+.sp .25
+T}
+08/22\(en12/22|T{
+.B "Hochstein School of Music and Dance"
+[Rochester, NY]
+\(en Intern
+.br
+Assist in fundraising campaigns;
+Send mail to donors;
+Shadow Hochstein grant-writing;
+Research donors;
+Use Bloomerang donor management systems
+.sp .25
+T}
+08/21\(en07/22|T{
+.B "Contemporary Art Music Project"
+[Tampa, FL]
+\(en Podcast Producer/Host
+.br
+Researched, programed, and wrote monthly podcasts;
+Interviewed guests;
+Recorded and produced monthly podcasts
+.sp .25
+T}
+01/20\(en04/21|T{
+.B "Living Music"
+[State College, PA]
+\(en President
+.br
+Organized and maintain organization rosters;
+Oversaw funding requests;
+Hosted and produced weekly radio show;
+Produced events and concerts (International New Music Festival, Call for Scores, etc.)
+.sp .25
+T}
+01/20\(en04/21|T{
+.B "ROARS Recording Studio at Penn State"
+[State College, PA]
+\(en Audio/Recording Engineer
+.br
+Produced recordings for Penn State students and faculty;
+Assisted in concert production for concerts (3-5 per semester);
+Maintained ROARS studio equipment and facilities
+.sp .25
+T}
+08/17\(en12/19|T{
+.B "New Music Consortium"
+[Tampa, FL]
+\(en Logistics Coordinator/Librarian
+.br
+Organized rehearsals;
+Oversaw music rentals;
+Provided scores and parts to performers
+.sp .25
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Current and Ongoing Projects"
+.sp .25
+\#
+.BI "Untitled Orchestral Piece"
+[composition]
+.br
+A work for moderately sized orchestra. A large scale contrapuntal piece
+focused on the composing out of embedded and overlapping pitch structures.
+I initially explored these structures in my
+.I "Fifteen Keyboard Inventions."
+.sp .25
+\#
+.BI "Anagram: Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
+[composition]
+.br
+A work for piano, oboe, clarinet, horn, and bassoon inspired by Mozart's
+.I "Quintet in Eb major".
+Each of the three movements serves as a reorganization of the musical events in Mozart's work.
+.sp .25
+\#
+.B "spigot DUO"
+[performance]
+.br
+Duo project with saxophonist Floris Van der Veken. Creating improvised music for saxophone and computers.
+(anticipated independent release Spring 2023)
+.sp .25
+\#
+.B VISCS
+(vi-like sound corpus sequencer) [technology]
+.br
+Built using Supercollider and the Fluid Corpus Manipulation tools,
+.I "VISCIS"
+is an instrument for composition and improvisation that sequences large sound corpora from parametric input.
+.sp .25
+\#
+\#
+\# --------------------------------------------------------
+.heading "Honors and Commissions"
+.TS
+tab(|) nospaces;
+rW5|lx.
+2022|T{
+\(en Scholarship: Warren Benson Scholarship in Composition, ESM
+.sp .25
+T}
+2021|T{
+\(en Commission: Eastman Graduate Composers' Sinfonietta
+.I "(Commonplace Common Tones)"
+.br
+\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023)
+.br
+\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition
+.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)"
+.br
+\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio
+.br
+\(en Commission: Hillsborough Arts Grant, Michael Standard
+.I "(Mutable Subjects)"
+.br
+\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music
+.br
+\(en Selected Composer: Longy Divergent Studio
+.I "(Enter Ghost)"
+.br
+\(en Commission: Bob McCormick and Eunmi Ko
+.I "(Even the Pieces I Can't Remember)"
+.br
+\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU
+.sp .25
+T}
+2020|T{
+\(en Winner: Marjorie Jane Brewster Competition, PSU
+.br
+\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities
+.I "(A Presence Within Reassembly)"
+.br
+\(en Winner: Moreau VanTuinen Duo Call for Miniatures
+.I "(Second-hand Asymmetry)"
+.br
+\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020
+.I "(CO)"
+.sp .25
+T}
+2019|T{
+.br
+\(en Elected Logistics Coordinator: USF New Music Consortium
+.br
+\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea
+.I "(CO)"
+.br
+\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn
+.sp .25
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Festivals, Programs, and Conferences"
+.TS
+tab(|) nospaces;
+rW5|lx.
+2022|T{
+.B "Vibraphone Century"
+[State College, PA]
+\(en composer
+.br
+performed work:
+.I "Injunctions of Bruckner "
+(John McGovern - vibraphone)
+.sp .25
+T}
+2021|T{
+.B "Penn State International New Music Festival"
+[State College, PA (online)]
+\(en planning, hosting
+.br
+performed work:
+.I "Wears and Tears "
+(Amber Lucas - clarinet)
+.sp .25
+T}
+2019|T{
+.B "Nick Cave and Bob Faust Workshop"
+[Tampa, FL]
+\(en Collaborator
+.br
+collaborative multidisciplinary installation:
+.I "Mobillity, on beauty"
+.br
+.B "Composing in the Wilderness"
+[Prince William Sound, AK]
+\(en Selected Composer
+.br
+commissioned work:
+.I "Or Maybe While Crossing"
+.br
+.B "soundSCAPE"
+[Cesena, Italy]
+\(en Selected Composer
+.br
+commissioned work:
+.I "WRITE/TAKE "
+(Dieter Hennings, John Rivera Pico - guitars)
+.br
+.B "Dot-the-Line"
+[Seoul, South Korea]
+\(en Call-for-Scores Winner
+.br
+performed work:
+.I "CO "
+(Changhoon Lee - alto saxophone, Jieun Shin - piano)
+.sp .25
+T}
+2018|T{
+.B "SHASTRA Tabla and Hindustani Rhythm Workshop"
+[Wayne, NJ]
+\(en Selected Composer
+.br
+commissioned work:
+.I "...for the discernment of vocations with... "
+(Shawn Matevetsky - tabla, New Jersey Percussion Ensemble, Payton Macdonald - conductor)
+.sp .25
+.B "USF International New Music Festival"
+[Tampa, FL]
+\(en planning, hosting
+.sp .5
+T}
+.TE
+\#
+\#
+\# --------------------------------------------------------
+.heading "Software/Programming Proficiency"
+Finale,
+Sibelius,
+Lilypond,
+Logic Pro,
+Reaper,
+Da Vinci Resolve,
+OBS,
+Max/MSP,
+Supercollider,
+PureData,
+HUGO,
+Lua,
+Latex,
+GNUtroff,
+Arch/Artix Linux,
+Linux Pro Audio,
+Octave/MATLAB
+++ /dev/null
-.nr HM 0.5i
-.nr PO 0.5i
-.nr LL 7.25i
-.nr LT 7.5i
-.nr FM 0.25i
-.nr PS 10p
-.nr VS 15p
-.nr DD 0.5v
-.nr y 1900+\n(yr
-.as LF [% of 10] Tucker Johnson \(em CV \D'l 5i 0 '\D'P 0.6m 0 0 0.6m -0.6m 0'
-.ds CH \" empty
-
-.de heading
-. nf
-. ps 13
-. B "\\$1"
-\h’0n’\v’-1.2n’
-. ps 11
-. sp -1
-. fi
-..
-
-.de BP
-. ie '\\n(.z'' .bp \\$1
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-..
-
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-\D'l 5.2i 0 '\D'P -0.6m 0 0 -0.6m 0.6m 0'
-..
-
-
-\# -----------------------TOP------------------------------
-.ce 0
-.ps 18
-.B "Tucker Johnson"
-.ps 10
-.I "composer, improviser, technologist "
-(CV | updated \n(mo-\ny)
-.br
-.line
-.sp -1
-.TS
-tab(|) nospaces;
-l rx.
-169 spring tree ln|T{
-.I "tucker [@] newer.systems"
-T}
-Rochester, NY|T{
-.I "(727) 483-3689"
-T}
-14612|T{
-.I "https://newer.systems"
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Education"
-.TS
-tab(|) nospaces;
-lW10|lx.
-08/21 \(en 05/23|T{
-.B "Eastman School of Music"
-[Rochester, NY]
-\(en
-.B "Master of Arts" ,
-Music Composition
-.br
-.B "Institute for Music Leadership:"
-Arts Leadership Certificate
-.br
-Primary Teachers: Robert Morris, Mathew Barber, David Liptak
-.br
-.sp .25
-T}
-01/20 \(en 05/21|T{
-.B "Pennsylvania State University"
-[State College, PA]
-\(en Bachelor of Music, Music Composition
-.br
-Primary Teachers: Baljinder Sekhon, Sarah Genevieve Burghart Rice
-.sp .25
-T}
-08/17 \(en 12/19|T{
-.B "University of South Florida"
-[Tampa, FL]
-\(en Bachelor of Music, Music Composition
-.br
-Primary Teachers: Paul Reller, Susanna Hancock, Benjamin Whiting
-.br
-(transfered after fall 2019 semester)
-.sp 0.25
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Roles and Experience"
-.TS
-tab(|) nospaces;
-lW10|lx.
-08/22\(em|T{
-.B "Eastman Graduate Composers' Sinfonietta (GCS)"
-[Rochester, NY]
-\(en Recruiter
-.br
-Recruit performers from the Eastman community;
-Plan rehearsals;
-Assist in the creation of the GCS budget;
-Print and deliver parts
-.sp .25
-T}
-08/21\(em|T{
-.B "Eastman Audio Research Studio (EARS)"
-[Rochester, NY]
-\(en Teaching Assistant
-.br
-Instruct graduate and undergraduate computer music students;
-Provide equipment and services for Eastman concerts (5-7 per semester);
-Maintain EARS website;
-Maintain EARS equipment and facilities
-.sp .25
-T}
-08/22\(en12/22|T{
-.B "Hochstein School of Music and Dance"
-[Rochester, NY]
-\(en Intern
-.br
-Assist in fundraising campaigns;
-Send mail to donors;
-Shadow Hochstein grant-writing;
-Research donors;
-Use Bloomerang donor management systems
-.sp .25
-T}
-08/21\(en07/22|T{
-.B "Contemporary Art Music Project"
-[Tampa, FL]
-\(en Podcast Producer/Host
-.br
-Researched, programed, and wrote monthly podcasts;
-Interviewed guests;
-Recorded and produced monthly podcasts
-.sp .25
-T}
-01/20\(en04/21|T{
-.B "Living Music"
-[State College, PA]
-\(en President
-.br
-Organized and maintain organization rosters;
-Oversaw funding requests;
-Hosted and produced weekly radio show;
-Produced events and concerts (International New Music Festival, Call for Scores, etc.)
-.sp .25
-T}
-01/20\(en04/21|T{
-.B "ROARS Recording Studio at Penn State"
-[State College, PA]
-\(en Audio/Recording Engineer
-.br
-Produced recordings for Penn State students and faculty;
-Assisted in concert production for concerts (3-5 per semester);
-Maintained ROARS studio equipment and facilities
-.sp .25
-T}
-08/17\(en12/19|T{
-.B "New Music Consortium"
-[Tampa, FL]
-\(en Logistics Coordinator/Librarian
-.br
-Organized rehearsals;
-Oversaw music rentals;
-Provided scores and parts to performers
-.sp .25
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Honors and Commissions"
-.TS
-tab(|) nospaces;
-rW5|lx.
-2022|T{
-\(en Scholarship: Warren Benson Scholarship in Composition, ESM
-.sp .25
-T}
-2021|T{
-\(en Commission: Eastman Graduate Composers' Sinfonietta
-.I "(Commonplace Common Tones)"
-.br
-\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023)
-.br
-\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition
-.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)"
-.br
-\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio
-.br
-\(en Commission: Hillsborough Arts Grant, Michael Standard
-.I "(Mutable Subjects)"
-.br
-\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music
-.br
-\(en Selected Composer: Longy Divergent Studio
-.I "(Enter Ghost)"
-.br
-\(en Commission: Bob McCormick and Eunmi Ko
-.I "(Even the Pieces I Can't Remember)"
-.br
-\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU
-.sp .25
-T}
-2020|T{
-\(en Winner: Marjorie Jane Brewster Competition, PSU
-.br
-\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities
-.I "(A Presence Within Reassembly)"
-.br
-\(en Winner: Moreau VanTuinen Duo Call for Miniatures
-.I "(Second-hand Asymmetry)"
-.br
-\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020
-.I "(CO)"
-.sp .25
-T}
-2019|T{
-.br
-\(en Elected Logistics Coordinator: USF New Music Consortium
-.br
-\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea
-.I "(CO)"
-.br
-\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn
-.sp .25
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Festivals, Programs, and Conferences"
-.TS
-tab(|) nospaces;
-rW5|lx.
-2023|T{
-.B "Penn State Internationational New Music Festival"
-[State College, PA]
-\(en Selected Composer
-.br
-performed work:
-.I "Settle the Score"
-.sp .25
-T}
-2022|T{
-.B "Vibraphone Century"
-[State College, PA]
-\(en composer
-.br
-performed work:
-.I "Injunctions of Bruckner "
-(John McGovern - vibraphone)
-.sp .25
-T}
-2021|T{
-.B "Penn State International New Music Festival"
-[State College, PA (online)]
-\(en planning, hosting
-.br
-performed work:
-.I "Wears and Tears "
-(Amber Lucas - clarinet)
-.sp .25
-T}
-2019|T{
-.B "Nick Cave and Bob Faust Workshop"
-[Tampa, FL]
-\(en Collaborator
-.br
-collaborative multidisciplinary installation:
-.I "Mobillity, on beauty"
-.br
-.B "Composing in the Wilderness"
-[Prince William Sound, AK]
-\(en Selected Composer
-.br
-commissioned work:
-.I "Or Maybe While Crossing"
-.br
-.B "soundSCAPE"
-[Cesena, Italy]
-\(en Selected Composer
-.br
-commissioned work:
-.I "WRITE/TAKE "
-(Dieter Hennings, John Rivera Pico - guitars)
-.br
-.B "Dot-the-Line"
-[Seoul, South Korea]
-\(en Call-for-Scores Winner
-.br
-performed work:
-.I "CO "
-(Changhoon Lee - alto saxophone, Jieun Shin - piano)
-.sp .25
-T}
-2018|T{
-.B "SHASTRA Tabla and Hindustani Rhythm Workshop"
-[Wayne, NJ]
-\(en Selected Composer
-.br
-commissioned work:
-.I "...for the discernment of vocations with... "
-(Shawn Matevetsky - tabla, New Jersey Percussion Ensemble, Payton Macdonald - conductor)
-.sp .25
-.B "USF International New Music Festival"
-[Tampa, FL]
-\(en planning, hosting
-.sp .5
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Software/Programming Proficiency"
-Finale,
-Sibelius,
-Lilypond,
-Logic Pro,
-Reaper,
-Da Vinci Resolve,
-OBS,
-Max/MSP,
-Supercollider,
-PureData,
-HUGO,
-Lua,
-Latex,
-GNUtroff,
-Arch/Artix Linux,
-Linux Pro Audio,
-Octave/MATLAB
-.sp .5
-\# --------------------------------------------------------
-.heading "Complete List of Replicable Work (through performance or playback)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW50|lw10|lx.
-[year]|[title]|[duration]|[forces]
-2022|T{
-.B "Fifteen Keyboard Inventions*"
-T}|20 minutes|T{
-piano
-.sp .75
-T}
- |T{
-.B "Settle the Score"
-.I "in one or five parts"
-T}|1-5 minutes|T{
-english horn, trumpet, electric guitar, violin, computer
-.sp .75
-T}
- |T{
-.B "Mutable Subjects"
-T}|1-14 minutes|T{
-marimba, computer
-T}
- |T{
-.I "commissioned by Michael Standard"
-.sp .75
-T}| |T{
-.sp .75
-T}
-2021|T{
-.B "Commonplace Common Tones"
-T}|7 minutes|T{
-sinfonietta
-T}
- |T{
-.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Even the Pieces I can't Remember"
-T}|14 minutes|T{
-percussion, piano
-T}
- |T{
-.I "commissioned by Eunmi Ko and Bob McCormick"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Enter Ghost"
-T}|5 minutes|T{
-voice, trumpet, bass clarinet, trombone
-.sp .75
-T}
- |T{
-.B "The Melody of Practice"
-T}|3 minutes|T{
-oboe
-.sp .75
-T}
- |T{
-.B "Wears and Tears"
-T}|5 minutes|T{
-clarinet, computer
-.sp .75
-T}
- |T{
-.B "Injunctions of Bruckner: Aequale no. 1 & 2"
-T}|2 minutes|T{
-vibraphone, live-processing
-.sp .75
-T}
- |T{
-.B "Is Breathing"
-T}|8 minutes|T{
-alto saxophone
-.sp .75
-T}
-2020|T{
-.B "Falling Paths, Coloring Grounds"
-T}|10 minutes|T{
-cello, computer
-.sp .75
-T}
- |T{
-.B "Moment/Time \(enPractice"
-T}|variable|T{
-open
-.sp .75
-T}
- |T{
-.B "The Ecstasy of Communication"
-T}|10-25 minutes|T{
-snare drum, triggered media
-T}
- |T{
-.I "commissioned by John McGovern"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "A Presence Within Reassembly"
-T}|5 minutes|T{
-quadrophonic fixed media
-.sp .75
-T}
- |T{
-.B "Somewhat Like the Obelisk"
-T}|14 minutes|T{
-saxophone quartet
-.sp .75
-T}
-2019|T{
-.B "------------"
-T}|22 minutes|T{
-fixed media
-.sp .75
-T}
- |T{
-.B "Or Maybe While Crossing"
-.sp 0
-.I "commissioned by Corvus and Composing in the Wilderness
-T}|6 1/2 minutes|T{
-flute, saxophone, violin, cello, percussion
-.sp .75
-T}
- |T{
-.B "I AM COVERED IN STARCH"
-T}|6 minutes|T{
-fixed media
-.sp .75
-T}
- |T{
-.B "We Cannot Post in Summer"
-T}|10 minutes|T{
-sinfonietta
-.sp .75
-T}
- |T{
-.B "WRITE/TAKE"
-.sp 0
-.I "for soundSCAPE"
-T}|6 minutes|T{
-guitar duo
-.sp .75
-T}
- |T{
-.B "CO"
-T}|6 minutes|T{
-alto saxophone, piano
-.sp .75
-T}
-2018|T{
-.B "The Identity of Policing"
-T}|4 minutes|T{
-fixed media
-.sp .75
-T}
- |T{
-.B "Four Weeks Now"
-T}|5 minutes|T{
-string quartet
-.sp .75
-T}
- |T{
-.B "There's almost never a point in time when there's no one walking in the hallways"
-.sp .75
-T}|5 minutes|T{
-fixed media
-.sp .75
-T}
- |T{
-.B "Space Flight Participant"
-T}|4 minutes|T{
-double bass
-.sp .75
-T}
- |T{
-.B "All of My Life's Work Up Until This Point"
-T}|5 minutes|T{
-cello
-.sp .75
-T}
- |T{
-.B "Time in North Dakota"
-T}|3 minutes|T{
-viola
-.sp .75
-T}
- |T{
-.B "References to the Antichrist in Ecclesiastical Writings"
-T}|3 minutes|T{
-violin
-.sp .75
-T}
- |T{
-.B "JetFuel"
-T}|4 minutes|T{
-orchestra
-T}
- |T{
-.I "commissioned by the Tampa Metropolitan Youth Orchestra"
-.sp .75 T}| |T{
-T}
- |T{
-.B "...for the discernment of vocations with..."
-.sp 0
-.I "for SHASTRA"
-.sp .75
-T}|8 minutes|T{
-tabla, mallet quartet
-.sp .75
-T}
- |T{
-.B "Numlock"
-T}|6 minutes|T{
-woodwind quintet
-.sp .75
-T}
-2017|T{
-.B "Grater Brute"
-T}|3 minutes|T{
-flute, marimba
-.sp .75
-T}
- |T{
-.B "r9-13\\\I TERDI..."
-T}|8 minutes|T{
-multi-percussion
-.sp .75
-T}
- |T{
-.B "Transportation in Metropolitan Detroit"
-T}|7 minutes|T{
-piano
-.sp .75
-T}
- |T{
-.B "In the Shape of the Sky"
-T}|6 minutes|T{
-2 trumpets, 2 trombones, vibraphone, percussion
-.sp .75
-T}
- |T{
-.B "Designations"
-T}|12 minutes|T{
-tenor saxophone
-.sp .75
-T}
- |T{
-.B "Transmissions in a vacuum"
-T}| variable |T{
-open
-.sp .75
-T}
-2016|T{
-.B "Walkin' With Billy"
-T}|10 minutes|T{
-flute, alto saxophone, tenor saxophone, trumpet, glockenspiel (all amplified)
-.sp .75
-T}
- |T{
-.B "Morning Chase"
-T}|5 minutes|T{
-flute, bassoon, 2 violins, viola, cello, bass, percussion
-.sp .75
-T}
- |T{
-.B "Letters Unwritten"
-T}|5 minutes|T{
-Brass Quintet
-.sp .75
-T}
-.TE
-.heading "Complete List of Non-replicable Work"
-.heading "(installations/improvisations)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW30|lw27|lx.
-[date]|[title/duration]|[forces]|[venue]|
-11/10/22|T{
-.B "Ossia Sound Bath"
-.sp -0.2
-.I "90 minutes"
-.sp 0.73
-T}|T{
-computer, double bass, saxophone, resonant objects
-.sp .75
-T}|T{
-NY, Rochester: ESM Ray Wright Room
-T}
-9/28/22|T{
-.B "spigot 1"
-.sp -0.2
-.I "8 minutes"
-.sp 0.73
-T}|T{
-saxophone, computer
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-10/9/19|T{
-.B "Mobility, on beauty"
-.sp -0.2
-.I "unspecified"
-.sp 0.73
-T}|T{
-multimedia installation
-T}|T{
-FL, Tampa: USF Theatre 2
-.sp .75
-T}
-2/22/19|T{
-.B "A Different City*The Cold Part"
-.sp -0.2
-.I "30 minutes"
-.sp 0.73
-T}|T{
-multimedia installation
-.sp .75
-T}|T{
-FL, Tampa: Contemporary Art Museum at USF
-T}
-.TE
-.heading "(recorded)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW28|lw37|lx.
-[year]|[title/duration]|[credits]|[tracks]
-2020|T{
-.B "spank; + Logan Barrett"
-.sp -0.2
-.I "73 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp 0
-Logan Barrett, electronics
-.sp 0
-Joshua Mallard & Han Hitchen, recording
-T}|T{
-1) <s}p/a[n)k;
-.br
-2) /hum]
-.br
-3) <bounce}
-.br
-4) [crawl)
-.br
-5) /shimmer>
-.br
-6) (frog}
-.br
-7) [sour>
-.br
-8) {wring/
-.br
-9) <swell)
-.br
-10) {cave]
-.sp .75
-T}
- |T{
-.B "FOR NATE"
-.sp -0.2
-.I "10 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp 0
-Joshua Mallard & Han Hitchen, recording
-.sp .75
-T}|T{
-1) FOR NATE
-T}
- |T{
-.B "What They Bury Themselves For"
-.sp -0.2
-.I "8 minutes"
-T}|T{
-Tucker Johnson, computer
-.sp 0
-John McGovern, guitar
-T}|T{
-1) What They Bury Themselves For
-.sp .75
-T}
-2019|T{
-.B "Maritime Chaparral"
-.sp -0.2
-.I "17 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp .75
-T}|T{
-1) three quarter
-.br
-2) no. please do.
-T}
-.TE
-\#
-\# --------------------------------------------------------
-.bp
-.heading "List of Performances"
-.ps 10.25
-.TS
-tab(|) nospaces;
-rW5|lW30|lw27|lx.
-date|title|performer(s)|venue|
-11/17/22|T{
-.B "Fifteen Keyboard Inventions"
-.I "selections"
-.sp -0.2
-.I "[keyboard]"
-.sp 0.73
-T}|T{
-Zihan Wu
-T}|T{
-NY, Rochester: Hatch Recital Hall
-.sp .75
-T}
-11/14/22|T{
-.B "I AM COVERED IN STARCH"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-9/10/22|T{
-.B "Ossia Fluxus Improvisation"
-.sp -0.2
-.I "[installation]"
-.sp 0.73
-T}|T{
-Tucker Johnson, Zoe Markle, Floris Van Der Veken
-.sp .75
-T}|T{
-NY, Rochester: ESM Ray Wright Room
-T}
-9/28/22|T{
-.B "spigot 1"
-.sp -0.2
-.I "[spigot duo performance]"
-.sp 0.73
-T}|T{
-Tucker Johnson, Floris Van Der Veken
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-9/19/22|T{
-.B "Fifteen Keyboard Inventions"
-.I "selections"
-.sp -0.2
-.I "[keyboard]"
-.sp 0.73
-T}|T{
-Xingyi Chen
-T}|T{
-NY, Rochester: Hatch Recital Hall
-.sp .75
-T}
-4/7/22|T{
-.B "Settle the Score"
-.sp -0.2
-.I "[mixed quartet, computer]"
-.sp 0.73
-T}|T{
-Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-2/12/22|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: New Recital Hall
-.sp .75
-T}
-2/2/22|T{
-.B "Settle the Score"
-.sp -0.2
-.I "[computer]"
-.sp 0.73
-T}|T{
-computer: quadrophonic playback
-T}|T{
-NY, Rochester: Kilbourn Hall
-.sp 1.75
-T}
-T{
-.BI "2021"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/10/21|T{
-.B "Commonplace Common Tones"
-.sp -0.2
-.I "[sinfonietta]"
-.sp 0.73
-T}|T{
-Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
-.sp .75
-T}|T{
-NY, Rochester: Kilbourn Hall
-T}
-5/4/21|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-MD, University Park: Gildenhorn Recital Hall
-.sp .75
-T}
-4/25/21|T{
-.B "Falling Paths, Coloring Grounds"
-.sp -0.2
-.I "[cello, computer]"
-.sp 0.73
-T}|T{
-Hudson Webber
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "The Ecstasy of Communication"
-.sp -0.2
-.I "[snare drum, triggered media]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "A Presence Within Reassembly"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-quadrophonic playback
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Falling Paths, Coloring Grounds"
-.sp -0.2
-.I "[cello, computer]"
-.sp 0.73
-T}|T{
-Hudson Webber
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/16/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-3/30/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-Online Event - Penn State International New Music Festival
-.sp .75
-T}
-T{
-.BI "2020"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/20/20|T{
-.B "The Ecstasy of Communication"
-.sp -0.2
-.I "[snare drum, triggered media]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-MD, University Park: Gildenhorn Recital Hall
-.sp .75
-T}
-10/23/20|T{
-.B "A Presence Within Reassembly"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-quadrophonic playback
-T}|T{
-PA, State College: Water Tower Plaza
-.sp .75
-T}
-7/5/20|T{
-.B "All of my Life's Work Until This Point"
-.sp -0.2
-.I "[cello]"
-.sp 0.73
-T}|T{
-Eduard Teregulov
-T}|T{
-Online Event - (recorded in Dade City, FL)
-.sp .75
-T}
-T{
-.BI "2019"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-12/2/19|T{
-.B "-------"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-T}|T{
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-.B "Or Maybe While Crossing"
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-.B "WE CANNOT POST IN SUMMER"
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-.B "I AM COVERED IN STARCH"
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-T}|T{
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-.B "References to the Antichrist in eccleciastical writings"
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-.B "WRITE/TAKE"
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-Changhoon Lee, Jieun Shin
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-T}|T{
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-5/11/19|T{
-.B "JetFuel"
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-Tampa Metropolitan Youth Orchestra, William Weidrich
-.sp .75
-T}|T{
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-4/22/19|T{
-.B "All of My Life's Work Until This Point"
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-Sydney Andersen
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-T}|T{
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-.B "A Different City*The Cold Part"
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-T}|T{
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-.B "Four Weeks Now"
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-Luz Vasquez, KaleyAnna Raabe, Daphne Waggener, Sydney Andersen
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-T}|T{
-FL, Tampa: Barness Recital Hall
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-T{
-.BI "2018"
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-.B "The Identity of Policing"
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-Keon Sahbkar
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-FL, Tampa: Barness Recital Hall
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-.B "Would Also Feel the Need to Enjoy"
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-Sohyun Lim
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-.B "This First Semester is Dedicated"
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-Bradley Mikesel II, Tucker Johnson
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-Bennett Astrove
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-.B "Time in North Dakota"
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-Daphne Waggener
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-.B "Time in North Dakota"
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-Daphne Waggener
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-.B "Time in North Dakota"
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-Daphne Waggener
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-.B "References to the Antichrist in eccleciastical writings"
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-Bennett Astrove
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-.B "There's almost never a point in time when there's no one walking in the hallways"
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-FL, Tampa: Barness Recital Hall
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-.B "...for the discernment of vocations with..."
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-Shawn Mativetsky, New Jersey Percussion Ensemble
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-T}|T{
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-.B "Numlock"
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-.I "[woodwind quintet]"
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-Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
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-T}|T{
-FL, Tampa: Barness Recital Hall
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-4/13/18|T{
-.B "Numlock"
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-Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
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-T}|T{
-FL, Tampa: USF Instrumental Rehearsal Hall
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-3/5/18|T{
-.B "Grater Brute"
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-.I "[flute, marimba]"
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-T}|T{
-Kevin Baylen, Lionel Martinez
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-T}|T{
-FL, Tampa: Barness Recital Hall
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-3/2/18|T{
-.B "Transportation in Metropolitan Detroit"
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-Logan Barrett
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-T}|T{
-FL, Tampa: USF Choral Rehearsal Hall
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-3/2/18|T{
-.B "Grater Brute"
-.sp -0.2
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-Kevin Baylen, Lionel Martinez
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-T}|T{
-FL, Tampa: USF Choral Rehearsal Hall
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-T{
-.BI "2017"
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-11/17/17|T{
-.B "r9-13\\\I TERDI..."
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-T}|T{
-Kaycie Howell
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-T}|T{
-FL, Tampa: Barness Recital Hall
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-10/20/17|T{
-.B "Transportation in Metropolitan Detroit"
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-T}|T{
-Logan Barrett
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-T}|T{
-FL, Tampa: Barness Recital Hall
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-.B "In the Shape of the Sky"
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-Kinhaven Student Ensemble
-.sp .75
-T}|T{
-VT, Weston: Kinhaven School of Music
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-.B "Walkin' With Billy"
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-Pinellas County Center for the Arts Student Ensemble
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-T}|T{
-FL, Tampa: Barness Recital Hall
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-.B "Designations"
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-T}|T{
-Kendric McAllister
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-T}|T{
-FL, Tampa: Barness Recital Hall
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-T{
-.BI "2016"
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-.B "Walkin' With Billy"
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-Pinellas County Center for the Arts Student Ensemble
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-FL, Tampa: Barness Recital Hall
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-.B "Morning Chase"
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-Kinhaven Student Ensemble
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-T}|T{
-VT, Weston: Kinhaven School of Music
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-7/29/16|T{
-.B "Letters Unwritten"
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-Kinhaven Student Ensemble
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-T}|T{
-VT, Weston: Kinhaven School of Music
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-5/24/16|T{
-.B "Ephemeral Sketches"
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-T}|T{
-Britney Waggott, Miranda Godfrey
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-T}|T{
-FL, Saint Petersburg: Pinellas County Center for the Arts
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-.B "Letters Unwritten"
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-Pinellas County Center for the Arts Student Ensemble
-.sp .75
-T}|T{
-FL, Saint Petersburg: Pinellas County Center for the Arts
-T}
-.TE
-.sp 1
-.heading "References Available Upon Request"
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-\# -----------------------TOP------------------------------
-.ce 0
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-.B "Tucker Johnson"
-.ps 10
-.I "composer, improviser, technologist"
-(resume | updated \n(mo-\ny)
-.br
-.line
-.sp -1
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-tab(|) nospaces;
-l rx.
-169 spring tree ln|T{
-.I "tucker [@] newer.systems"
-T}
-Rochester, NY|T{
-.I "(727) 483-3689"
-T}
-14612|T{
-.I "www.newer.systems"
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Education"
-.TS
-tab(|) nospaces;
-lW10|lx.
-08/21\(em|T{
-.B "Eastman School of Music"
-[Rochester, NY]
-\(en Master of Arts, Music Composition
-.br
-Primary Teachers: Robert Morris, Mathew Barber, David Liptak
-.br
-.B "Institute for Music Leadership:"
-Arts Leadership Certificate
-.sp .25
-T}
-01/20\(en05/21|T{
-.B "Pennsylvania State University"
-[State College, PA]
-\(en Bachelor of Music, Music Composition
-.br
-Primary Teachers: Baljinder Sekhon, Steven Rice
-.sp .25
-T}
-08/17\(en12/19|T{
-.B "University of South Florida"
-[Tampa, FL]
-\(en Bachelor of Music, Music Composition
-.br
-Primary Teachers: Paul Reller, Susanna Hancock, Benjamin Whiting
-.br
-(transfered after fall 2019 semester)
-.sp 0.25
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Roles and Experience"
-.TS
-tab(|) nospaces;
-lW10|lx.
-08/22\(em|T{
-.B "Eastman Graduate Composers' Sinfonietta (GCS)"
-[Rochester, NY]
-\(en Recruiter
-.br
-Recruit performers from the Eastman community;
-Plan rehearsals;
-Assist in the creation of the GCS budget;
-Print and deliver parts
-.sp .25
-T}
-08/21\(em|T{
-.B "Eastman Audio Research Studio (EARS)"
-[Rochester, NY]
-\(en Teaching Assistant
-.br
-Instruct graduate and undergraduate computer music students;
-Provide equipment and services for Eastman concerts (5-7 per semester);
-Maintain EARS website;
-Maintain EARS equipment and facilities
-.sp .25
-T}
-08/22\(en12/22|T{
-.B "Hochstein School of Music and Dance"
-[Rochester, NY]
-\(en Intern
-.br
-Assist in fundraising campaigns;
-Send mail to donors;
-Shadow Hochstein grant-writing;
-Research donors;
-Use Bloomerang donor management systems
-.sp .25
-T}
-08/21\(en07/22|T{
-.B "Contemporary Art Music Project"
-[Tampa, FL]
-\(en Podcast Producer/Host
-.br
-Researched, programed, and wrote monthly podcasts;
-Interviewed guests;
-Recorded and produced monthly podcasts
-.sp .25
-T}
-01/20\(en04/21|T{
-.B "Living Music"
-[State College, PA]
-\(en President
-.br
-Organized and maintain organization rosters;
-Oversaw funding requests;
-Hosted and produced weekly radio show;
-Produced events and concerts (International New Music Festival, Call for Scores, etc.)
-.sp .25
-T}
-01/20\(en04/21|T{
-.B "ROARS Recording Studio at Penn State"
-[State College, PA]
-\(en Audio/Recording Engineer
-.br
-Produced recordings for Penn State students and faculty;
-Assisted in concert production for concerts (3-5 per semester);
-Maintained ROARS studio equipment and facilities
-.sp .25
-T}
-08/17\(en12/19|T{
-.B "New Music Consortium"
-[Tampa, FL]
-\(en Logistics Coordinator/Librarian
-.br
-Organized rehearsals;
-Oversaw music rentals;
-Provided scores and parts to performers
-.sp .25
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Current and Ongoing Projects"
-.sp .25
-\#
-.BI "Untitled Orchestral Piece"
-[composition]
-.br
-A work for moderately sized orchestra. A large scale contrapuntal piece
-focused on the composing out of embedded and overlapping pitch structures.
-I initially explored these structures in my
-.I "Fifteen Keyboard Inventions."
-.sp .25
-\#
-.BI "Anagram: Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
-[composition]
-.br
-A work for piano, oboe, clarinet, horn, and bassoon inspired by Mozart's
-.I "Quintet in Eb major".
-Each of the three movements serves as a reorganization of the musical events in Mozart's work.
-.sp .25
-\#
-.B "spigot DUO"
-[performance]
-.br
-Duo project with saxophonist Floris Van der Veken. Creating improvised music for saxophone and computers.
-(anticipated independent release Spring 2023)
-.sp .25
-\#
-.B VISCS
-(vi-like sound corpus sequencer) [technology]
-.br
-Built using Supercollider and the Fluid Corpus Manipulation tools,
-.I "VISCIS"
-is an instrument for composition and improvisation that sequences large sound corpora from parametric input.
-.sp .25
-\#
-\#
-\# --------------------------------------------------------
-.heading "Honors and Commissions"
-.TS
-tab(|) nospaces;
-rW5|lx.
-2022|T{
-\(en Scholarship: Warren Benson Scholarship in Composition, ESM
-.sp .25
-T}
-2021|T{
-\(en Commission: Eastman Graduate Composers' Sinfonietta
-.I "(Commonplace Common Tones)"
-.br
-\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023)
-.br
-\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition
-.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)"
-.br
-\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio
-.br
-\(en Commission: Hillsborough Arts Grant, Michael Standard
-.I "(Mutable Subjects)"
-.br
-\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music
-.br
-\(en Selected Composer: Longy Divergent Studio
-.I "(Enter Ghost)"
-.br
-\(en Commission: Bob McCormick and Eunmi Ko
-.I "(Even the Pieces I Can't Remember)"
-.br
-\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU
-.sp .25
-T}
-2020|T{
-\(en Winner: Marjorie Jane Brewster Competition, PSU
-.br
-\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities
-.I "(A Presence Within Reassembly)"
-.br
-\(en Winner: Moreau VanTuinen Duo Call for Miniatures
-.I "(Second-hand Asymmetry)"
-.br
-\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020
-.I "(CO)"
-.sp .25
-T}
-2019|T{
-.br
-\(en Elected Logistics Coordinator: USF New Music Consortium
-.br
-\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea
-.I "(CO)"
-.br
-\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn
-.sp .25
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Festivals, Programs, and Conferences"
-.TS
-tab(|) nospaces;
-rW5|lx.
-2022|T{
-.B "Vibraphone Century"
-[State College, PA]
-\(en composer
-.br
-performed work:
-.I "Injunctions of Bruckner "
-(John McGovern - vibraphone)
-.sp .25
-T}
-2021|T{
-.B "Penn State International New Music Festival"
-[State College, PA (online)]
-\(en planning, hosting
-.br
-performed work:
-.I "Wears and Tears "
-(Amber Lucas - clarinet)
-.sp .25
-T}
-2019|T{
-.B "Nick Cave and Bob Faust Workshop"
-[Tampa, FL]
-\(en Collaborator
-.br
-collaborative multidisciplinary installation:
-.I "Mobillity, on beauty"
-.br
-.B "Composing in the Wilderness"
-[Prince William Sound, AK]
-\(en Selected Composer
-.br
-commissioned work:
-.I "Or Maybe While Crossing"
-.br
-.B "soundSCAPE"
-[Cesena, Italy]
-\(en Selected Composer
-.br
-commissioned work:
-.I "WRITE/TAKE "
-(Dieter Hennings, John Rivera Pico - guitars)
-.br
-.B "Dot-the-Line"
-[Seoul, South Korea]
-\(en Call-for-Scores Winner
-.br
-performed work:
-.I "CO "
-(Changhoon Lee - alto saxophone, Jieun Shin - piano)
-.sp .25
-T}
-2018|T{
-.B "SHASTRA Tabla and Hindustani Rhythm Workshop"
-[Wayne, NJ]
-\(en Selected Composer
-.br
-commissioned work:
-.I "...for the discernment of vocations with... "
-(Shawn Matevetsky - tabla, New Jersey Percussion Ensemble, Payton Macdonald - conductor)
-.sp .25
-.B "USF International New Music Festival"
-[Tampa, FL]
-\(en planning, hosting
-.sp .5
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Software/Programming Proficiency"
-Finale,
-Sibelius,
-Lilypond,
-Logic Pro,
-Reaper,
-Da Vinci Resolve,
-OBS,
-Max/MSP,
-Supercollider,
-PureData,
-HUGO,
-Lua,
-Latex,
-GNUtroff,
-Arch/Artix Linux,
-Linux Pro Audio,
-Octave/MATLAB