\Score
\override RehearsalMark.break-visibility = #begin-of-line-invisible
\override BarNumber.font-size = #1
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/1)
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
}
}
}
\relative {
\numericTimeSignature
\clef treble
- \time 4/2
- f'2--\p f-- f-- f-- |
+ \time 2/2
+ f'2--\p f-- |
+ f-- f-- |
\time 3/2
- r2 e4( fis a,~ 16 d,8.~ |
+ r2 \tuplet 3/2 { e4^( fis a,~ } 4 d,4~ |
d1 cis'4) r4 |
+ \time 3/4
+ r4 r4 r4 |
+ \time 5/8
+ r4 r4 r8 |
+ \time 2/2
+ R1 |
}
\accidentalStyle piano
<<
\relative { \numericTimeSignature
- \time 4/2
- <c c'>2\pp <ees c'> <ees g> <d g>
+ \time 2/2
+ R1 | R1
\time 3/2
- <des g>1~ 4 r8. g16 |
- <g c>2 <f c'>4.. ges16 <f c'>2 |
+ R1*3/2 |
+ R1*3/2 |
+ \time 3/4
+ R1*3/4 |
+ \time 5/8
+ R1*5/8 |
+ \time 2/2
+ R1*2/2 |
}
\clef bass
\set Staff.pedalSustainStyle = #'mixed
\accidentalStyle piano
- <<
- \relative { \numericTimeSignature
- \time 4/2
- aes,,2 aes bes bes |
- ces1~ 4 r4 |
- aes'2 aes bes |
- }
- >>
+ \override Score.SpacingSpanner.strict-grace-spacing = ##t
+ \relative { \numericTimeSignature
+ <<
+ \relative {
+ \voiceOne
+ \time 2/2
+ <c c'>2^\pp <ees c'> | <ees g> <d g> |
+ \time 3/2
+ <des g>1~ 4 \afterGrace r4 { g8 } |
+ <g c>2 \afterGrace <f c'> { ges8 } <f c'>2 |
+ \time 3/4
+ \afterGrace 15/16 <ees c'>2. { d8 } |
+ \time 5/8
+ <d b'>2 <e cis'>8
+ \time 2/2
+ <ees g c>2 <d b'>2 |
+ }
+ \new Voice \relative { \numericTimeSignature
+ \voiceTwo
+ \time 2/2
+ aes,,2 aes | bes bes |
+ \time 3/2
+ ces1~ 4 r4 |
+ aes'2 aes bes |
+ \time 3/4
+ bes,2. |
+ \time 5/8
+ fis'2 a8
+ \time 2/2
+ bes2 s2 |
+ }
+ >>
+ }
}
>>