}
#})
+#(define (toc-part-markuplist)
+ #{
+ \markuplist {
+ \left-column {
+ \override #'(line-width . 50)
+ \line { \hspace #50 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "contents" }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 45)
+ \table-of-contents
+ }
+ \vspace #2.5
+ }
+ #})
+
+
+
#(define (program-notes-markuplist notes-markup)
#{
\markuplist {
\clef bass
r4 g1\harmonic\p\2 | %001
r4 <b, e\harmonic>2. |
- fis'4. cis'8~ cis2. |
+ fis'4.\mp\> cis'8~ cis2.\p |
r8 bes4.~ bes2. |
r4 r8 g8~\harmonic\2 g2.\harmonic |
r4 <b, e\harmonic>2. |
- fis'2. |
- r8 bes4.~ bes2 |
- r4 g2\harmonic\2 |
- a4~ 8 r2 |
- b2. |
- bes4.~ bes2 |
- d,2 c2 |
- des2 ees2 |
- r2 \tuplet 3/2 { r8 a4~ } a4 |
+ fis'2.\< |
+ r8\! bes4.~\mp bes2 |
+ r2 g2\harmonic\2\> |
+ a4~\p 8 r2 |
+ b2.\< |
+ bes4.~ bes2\mp |
+ d,2\p\< c2 |
+ des2 \after 4\! ees2 |
+ r2 \tuplet 3/2 { r8 a4~->\mf\> } a4\! |
R1*4 |
- r4 d,2.~ |
+ r4 d,2.~\mf |
d1 |
R1*3/4 |
- r4 g2\harmonic\2 |
+ r4 g2\harmonic\2\mf |
ees2.
R1*3/4 |
+ a1 |
+ g2. r4 |
+ R1*2 |
+ e2.~\fp e8 e8~\fp e2. |
+ d2~\fp d8 d8~\fp d1~ |
+ d8 ees8~\fp ees2. ees2.~\fp |
+ ees8 des8~\fp des2~ des8 8~\fp\> \after 2 \! 2. |
+ b4~\< b16 g'8. c4. cis8\ff |
+ \time 3/4 R1*3/4 |
+ \tuplet 5/4 { dis8->\f fis,8-> b,4.~-> } 2 |
+ e2 d2 |
+ d2~ d4.\> des8~\mf |
+ des4 c2.\> |
+ a1\mp\> |
+ \after 2. \! ges'1\p\> |
+ \after 2. \! ees1\p\> |
+ g2\p r2 |
}
R1*5/4*3 |
R1
R1*3/4 |
- R1 |
- R1*3/4 |
+ R1*2 |
R1*7/8 |
- r4 r4 r8 g'8( |
- a4.) fis,8[( c'8]~ c4) |
- \tuplet 3/2 { r8 b,4~ } \tuplet 3/2 { b8 b4 } \tuplet 3/2 { r8 a4~ } \tuplet 3/2 { a8 a4 }
+ r4 r4 r8 g'8(\p\< |
+ a4.) fis,8[( c'8]~\mp c4) |
+ \tuplet 3/2 { r8 b,4~\p\< } 4 \tuplet 3/2 { r8 a4~ } 4
\tuplet 3/2 { r8 aes4~ } \tuplet 3/2 { aes8 aes4 } \tuplet 3/2 { r8 bes4~ } \tuplet 3/2 { bes8 bes4 }
- b,2~ b8 r8 r4 |
- bes1~ |
- bes1 |
+ b,2~\mf\> b8\p r8 r4 |
+ bes!1~\mp\> |
+ \after 2 \! bes2. r4 |
R1*3 |
- r4 b'2. |
- b,2. |
- c'2.( |
- ees,2. |
- aes4~ aes8) r8 r4 |
-
+ r4 b'2.(\mp |
+ \after 2 \! b,2.)\< |
+ c'2.\mf |
+ R1*3/4 |
+ aes4~ aes8 r8 r4 |
+ R1 |
+ r2 r8 c'8~ c4 |
+ R1*2 |
+ e,,2.~\fp e8 e8~\fp e2. |
+ d2~\fp d8 d8~\fp d1~ |
+ d8 ees8~\fp ees2. ees2.~\fp |
+ ees8 des8~\fp des2~ des8 8~\fp\> \after 2 \! 2. |
+ r4 r8 aes'8(\< c) bes16( d \tuplet 3/2 { f8 a8) cis,8( } |
+ gis2~\ff gis8) r8
+ \tuplet 5/4 { dis'8->\f fis,-> b,4.~-> } b2 |
+ e2 d2 |
+ \after 2 \! a'2.\> r4 |
+ r4 c,2.\mp |
+ e1\> |
+ \after 2 \! ges2.\p\> r4 |
+ \after 2 \! ees2.\p\> r4 |
+ R1 |
}
bassClarinetMusicFOUR =
R1*5/4*3 |
R1
R1*3/4 |
- R1 |
- R1*3/4 |
+ R1*2 |
R1*7/8 |
R1*3/4 |
R1*7/8 |
- \tuplet 3/2 { r8 g4~ } \tuplet 3/2 { g8 g4 } \tuplet 3/2 { r8 e4~ } \tuplet 3/2 { e8 e4 }
+ \tuplet 3/2 { r8 g4~\p\< } 4 \tuplet 3/2 { r8 e4~ } 4
\tuplet 3/2 { r8 f4~ } \tuplet 3/2 { f8 f4 } \tuplet 3/2 { r8 ges4~ } \tuplet 3/2 { ges8 ges4 }
- b,2~ b8 r8 r4 |
- f'1~ |
- f1 |
- R1*3 |
+ b,,2~\mf\> b8\p r8 r4 |
+ f'1~\mp\> |
+ \after 4 \! f2 r2 |
+ R1*4 |
+ r8 e'8~\mp\< \after 4. \! e2 |
+ R1*3/4*3 |
+ R1*4 |
+ R1*3/4 R1 |
+ R1*3/4 \clef tenor r2 \tuplet 3/2 { r8 f'4~\mf\< } f4 |
+ \after 2 \! b2.\f\> R1 |
+ \after 4. \! c2\mf\> r4 R1 \clef bass
+ b,,,8.(\mp\< fis'16~ \tuplet 3/2 { fis8 g aes) } ees'16( c8 bes16 d f e cis |
+ gis2~\ff gis8) r8 |
+ \tuplet 5/4 { dis'8->\f fis,-> b,4.~-> } b2 |
+ e'2 \tuplet 3/2 { d,8-> bes'4~-> } bes4 |
+ d,2~\> d4. des8~\mp |
+ des4 g2. |
+ b1\> |
+ r8\! des4.~\p\> des4\! r4 |
+ r8 bes4.~\p\> bes4\! r4 |
+ R1 |
}
bassoonMusicFOUR =
r2 gis'2. |
ees,2~ 2. |
c'8~\flageolet <c g'\flageolet>4.~ 2. |
- a8~ <a e'>4.~ 2 |
- r4 a'8~ <a e>8~ 4 |
- ees,1 |
- c'8~\flageolet <c g'~\flageolet>8 <g' d'\flageolet>2 |
- r8 r8 fis8~ fis2 |
- b,2. |
- bes8~ <bes ees>4~ 2 |
+ a8~\mp\> <a e'>4.~ 2\p |
+ r4 a'8~\< <a e>8~ 4 |
+ ees,1\mp |
+ r4 c'8~\flageolet\> <c g'~\flageolet>8 <g' d'\flageolet>2 |
+ r8\! r8 fis8~\p fis2 |
+ b,2.\< |
+ bes8~ <bes ees>4~ 2\mp |
+ r8 f'8(\< fis cis'8~ cis8)\mf r8 r4 |
+ des,,2\mp\< \after 4 \! ees2 |
+ r2 \tuplet 3/2 { r8 a4~->\mf\> } a4\! |
+ R1*2 |
+ r2 <c, g'>2~\pp |
+ 2~\< 2~\mp\> |
+ 8\p r8 r4 r2 |
+ R1 |
+ R1*3/4 |
+ c'8~\flageolet\mf <c g'\flageolet>8~ <c g'>2 |
+ r8 bes,8~ bes2 |
+ r4 des'2 |
+ a8~ <a d>4.~ 2 |
+ g8~ <g e'>4.~ 4 r4 |
+ R1*2 |
+ a'2.~\f\> a1\< |
+ r8 b,8~\f\> b2~ b1\< |
+ r8 aes8~\f\> aes2~ aes1\<
+ r8 bes8~\f\> bes2~ \after 4 \! bes2 r2 |
+ r8 fis8~\< \tuplet 5/4 { fis8. gis8~ } gis8. bes16( \tuplet 5/4 { d16\ff f) e( a cis) }
+ \time 3/4 R1*3/4 |
+ \tuplet 5/4 { dis,8->\f fis,2~-> } 2 |
+ e'2 bes2 |
+ a2~ a4.\> des,8~\mf |
+ des4 r4 r2 |
+ e1\mp |
+ r8 des'4.~\p \after 4. \! des2\> |
+ r8 bes4.~\p \after 4. \! bes2\> |
+ g2\p r2 |
}
celloMusicFOUR =
R1*5/4*3 |
R1
R1*3/4 |
- d'4( c2.~ |
- c8) r8 r4 r8 dis8~ |
- dis4. b4( e |
- cis'2) r8 g8( |
- a4. fis,2) |
+ d'4(\pp\< c2.~ |
+ c4~ c8)\mp r8 r4 r8 dis8~-> |
+ dis4. b4(\< e |
+ cis'2)\! r8 g8(\< |
+ a4. fis,2)\mp |
+ r8 f4.~\p\< 8 ges8_( aes'4~ | %013
+ aes8) r8 c,4~-> c8 b8~->\f \tuplet 3/2 { 8 d8_(\> g8 } %014
+ fis'2~\mf 8) r8 r8 des8(\> | %015
+ ees,1 | %016
+ aes2.)\mp r8. f'16~(\mf | %017
+ 1\> | %018
+ bes,1)\p | %019
+ r2 a'2~(\mp | %020
+ a4 e,2.) | %021
+ gis,4.(\< fis'8 cis'4)\f %022
+ r8 f,,4(\p ees8 bes'4~\< | %023
+ 8) a4( d8 g,[ c8~]\mf | %024
+ 8) r8 r8 b8( e,4~ | %025
+ e4) fis4.(\f cis'8~\> 8.[ ees16] | %026
+ bes2)\mf aes4(\mp f4~ | %027
+ 2) r4 d'4~ | %028
+ 4 e,8[(\< g] a[ b] c4~\f %029
+ 2.~ 4) r4 r2 | %030
+ R1*3/4 R1 |
+ R1*3/4 R1 |
+ R1*3/4 R1 |
+ r2 r4 \tuplet 5/4 { r8. ees'16(\< aes) } |
+ f'2.\f |
+ bes,1 |
+ r2 r4 \tuplet 3/2 { r8 r8 fis'8~\f } |
+ fis2. r4 | %038
+ R1 | %039
+ cis2.--\mf r4 | %040
+ b8(\mp e,~ 2\< g4~ |
+ 4) \tuplet 3/2 { c4( a d~\f\> } 4) | %042
+ fis,2\! r2 |
}
clarinetMusicFOUR =
R1*5/4*3 |
R1
R1*3/4 |
- d'1 |
- r8 f8~ f2 |
- r4. b,4( e |
- cis'4. d,4.) |
+ d'1~\mp |
+ d4 r8 f8~-> f2 |
+ r4. b,4(\p\< e~ |
+ e4.\mp d4.) |
R1*7/8 |
+ R1 |
+ r2 r4 \tuplet 3/2 { r8 a'8(\< e' }
+ fis2~\mf\> fis8)\p r8 r4 |
+ R1*6 |
+ r4 \after 4.\! a,2\mp\< |
+ R1*3/4*2 |
+ r4 des,2\mf |
+ r4 b2. |
+ R1*3 |
+ R1*3/4 |
+ \tuplet 3/2 { r4 f''4~\mf\< f8 ais,8( } \tuplet 3/2 { dis4)\f\> gis,( cis) }
+ fis,2.~\mf\> \after 4 \! fis2 r2 |
+ R1*3/4 r2 \tuplet 3/2 { r4 e'4(\< d4 } |
+ c2~\mf \tuplet 3/2 { c4)\> a8( } |
+ \after 2 \! g2.) r4 |
+ r2 r16 d'16(\< e fis \tuplet 5/4 { g b c ees) aes,( }
+ f'2~\ff 8) r8 |
+ ais,2.\f g8 d'8 |
+ a'4. cis,8 gis'4 \tuplet 3/2 { dis8\< e fis8~\ff } |
+ \after 2 \! fis2.\> r4 |
+ r4 f,2~\mf f8 aes8( |
+ des2.\> bes4)\! |
+ R1*3 |
}
fluteMusicFOUR =
R1*5/4*3 |
R1
R1*3/4 |
- R1 |
- R1*3/4 |
+ R1*2 |
R1*7/8 |
R1*3/4 |
R1*7/8 |
+ R1*3 |
+ g1~\mp\> |
+ g4\pp r4 r2 |
+ R1*2 |
+ r4 cis2.~\mf\> |
+ cis4\pp r4 r2 |
+ R1*3/4*4 |
+ R1*4 |
+ R1*3/4 R1 |
+ R1*3/4 R1 |
+ R1*3/4 R1 |
+ R1*3/4 r2 r4 g'4->\mf\> |
+ \after 4 \! f2 r2
+ \time 3/4 R1*3/4 |
+ \after 2. \! b,1\mf\> |
+ r2 \tuplet 3/2 { r8 f8->\f bes~-> } bes4 |
+ R1 |
+ r4 g2.\mp |
+ R1*4
}
hornMusicFOUR =
% root = ../tiny-cartel.ly
oboeMusicTHREE =
\relative {
+ \tag #'part { \compressEmptyMeasures }
R1*5/4
R1 |
R1*5/4*3 |
R1
R1*3/4 |
- R1 |
- R1*3/4 |
+ R1*2 |
R1*7/8 |
R1*3/4 |
R1*7/8 |
+ R1*9 |
+ R1*3/4*4 |
+ R1*4 |
+ R1*3/4 |
+ \tuplet 3/2 { r4 f''4~\f\< f8 ais,8( } \tuplet 3/2 { dis4)\> gis,( cis) }
+ fis,2.~\f\> fis4\! r4 r2 |
+ R1*3/4 r2 \tuplet 3/2 { r4 e'4(\< d4 } |
+ c2~\f \tuplet 3/2 { c4)\> a8( } |
+ \after 2 \! g2.) r4 |
+ r2 \tuplet 3/2 { d'8(\< fis b) } \tuplet 3/2 { c,8( ees aes) } |
+ f'2~\ff f8 r8
+ ais,,2.\f g8 d'8 |
+ a'4. cis,8 gis'4 \tuplet 3/2 { dis8\< e fis8~\ff } |
+ \after 2 \! fis2.\> r4 |
+ r4 f2~\mf f8 aes8( |
+ des2.\> bes4)\! |
+ R1*3 |
}
oboeMusicFOUR =
}
\relative {
\set Staff.pedalSustainStyle = #'bracket
- R1*5/4 | %001
- R1 |
- R1*5/4*3 |
- R1
- R1*3/4 |
- R1 |
- R1*3/4 |
- R1*7/8 |
- R1*3/4 |
+ <>^\markup { \bold \box "vibraphone" } r4 d'1\pp | %001
+ r4 b2. |
+ R1*5/4 |
+ r4 r8 f8\sustainOn <a c>2. |
+ r8\sustainOff g4\sustainOn d'8~ d2. |
+ r4\sustainOff b2. |
+ r4 <gis a>8\sustainOn b8~ b4 |
+ r4\sustainOff f2. |
+ r4 r8 g8\sustainOn <bes d>2 |
+ r8\sustainOff r8 fis8~ fis2 |
+ r8 gis8~ gis2 |
R1*7/8 |
+ r8 f8\sustainOn fis cis'8 r8 bes8\sustainOff\sustainOn aes' ees~ |
+ ees2 r2\sustainOff |
+ <>^"take bow" R1 |
+ g,8~\<\arco g4.\mf\laissezVibrer r2 |
+ <>^"take mallets" R1*3 |
+ r4 <fis cis' gis'>2.~\arpeggio\mf |
+ 1 |
+ r4 a2\pp |
+ R1*3/4*3 |
+ R1*2 |
+ \tuplet 3/2 { ees'8\laissezVibrer\sustainOn\p bes\laissezVibrer ges\laissezVibrer } r4 r2 |
+ \tuplet 3/2 { des'8\laissezVibrer\sustainOff\sustainOn aes\laissezVibrer f\laissezVibrer } r4 r2 |
+ a4\mp\>\sustainOff\sustainOn 4 4 4\< 4 4 4 |
+ g4\mp\>\sustainOff\sustainOn 4 4 4\< 4 4 4 |
+ ges4\mp\>\sustainOff\sustainOn 4 4 4\< 4 4 4 |
+ f4\mp\>\sustainOff\sustainOn 4 4 4 2.\! |
+ r4\sustainOff \tuplet 3/2 { a'8\< cis d } \tuplet 3/2 { e fis g } b16\ff c, e aes |
+ \time 3/4 R1*3/4 |
+ <b,, fis' dis' ais'>1\arpeggio\f |
+ r2 r4 \tuplet 3/2 { dis'8\< e fis~\ff } |
+ fis2. r4 |
+ R1 |
+ <ges des'>2.\mp <ees bes'>4 |
+ R1*3 |
}
}
}
\relative {
\set Staff.pedalSustainStyle = #'bracket
- R1*5/4 | %001
+ \clef bass
+ <>^\markup { \bold \box "marimba" } R1*5/4 | %001
R1 |
- R1*5/4*3 |
- R1
- R1*3/4 |
- R1 |
- R1*3/4 |
- R1*7/8 |
+ r4 a8\p\> <cis, e>8 gis'2.\! |
+ r8 bes,4.\pp r2. |
+ r4 f'1 |
+ r8 e4. r2 |
+ r8 cis8 a'8 e4. |
+ R1*2 |
+ a,4. r2 |
R1*3/4 |
R1*7/8 |
+ \tuplet 3/2 { r8 <g' b,>4~\p\< } \tuplet 3/2 { 8 4 } \tuplet 3/2 { r8 <e a,>4~ } \tuplet 3/2 { 8 4 } |
+ \tuplet 3/2 { r8 <f aes>4~ } \tuplet 3/2 { 8 4 } \tuplet 3/2 { r8 <ges bes,>4~ } \tuplet 3/2 { 8 4\! }
+ R1 |
+ r8 <d g>4.->\mp r2 |
+ R1*2 |
+ r2 des2\pp |
+ R1*2 |
+ R1*3/4*4 |
+ R1*4 |
+ a'8\mf\> c, a' c, a' c,\!\< a' c, a' c, a' c, a' c, |
+ g'8\mf\> b, g' b, g'\!\< b, g' b, g' b, g' b, g' b, |
+ ges'\f\> aes, ges' aes, ges' aes, ges' aes, ges'\!\< aes, ges' aes, ges' aes, |
+ f'\f\> bes, f' bes, f' bes, f' bes, f' bes,\mp r2 |
+ r4 \tuplet 3/2 { r8 r8 ees8\< } \tuplet 3/2 { c bes d } f16\ff e a cis, |
+ \time 3/4 R1*3/4 \clef treble |
+ <ais'' ais'>2.\mf <g g'>8\arpeggio\f <d' d'>\arpeggio |
+ <a' a'>4.\arpeggio <cis, cis'>8\arpeggio <gis' gis'>4\arpeggio \tuplet 3/2 { <dis dis'>8\< <e e'> <fis fis'>8~\ff } |
+ <fis fis'>2. r4
+ R1*5 |
}
}
\relative {
\tag #'part { \compressEmptyMeasures }
\clef bass
- R1*5/4
+ \ottava #-1 <c,, \parenthesize c''\harmonic>2~^\pp <c \parenthesize c''\harmonic>2. | %001
R1 |
- R1*5/4*3 |
- R1
+ r4 r8 <cis \parenthesize cis''\harmonic>8~ <cis \parenthesize cis''\harmonic>2. |
+ R1*5/4 |
+ <c \parenthesize c''\harmonic>2~ <c \parenthesize c''\harmonic>2.
+ <a \parenthesize a''\harmonic>1
R1*3/4 |
- R1 |
- R1*3/4 |
- R1*7/8 |
- R1*3/4 |
- R1*7/8 |
+ r8 <bes \parenthesize bes''\harmonic>8~ <bes \parenthesize bes''\harmonic>2. |
+ r4 <c \parenthesize c''\harmonic>2. |
+ r8 <cis \parenthesize cis''\harmonic>4~ <cis \parenthesize cis''\harmonic>2 |
+ <b \parenthesize b''\harmonic>2. |
+ <bes \parenthesize bes''\harmonic>4.~ <bes \parenthesize bes''\harmonic>2 \ottava #0 |
+ <d' d'>2^\p^\< <c c'>2 |
+ <des des'>2 <ees ees'>2^\! |
+ b2~^\f b8 r8 r4 |
+ bes16~ <bes f'>8.~ 2.~ |
+ 1 |
+ r2 \tuplet 3/2 { c16~ <c g'>8~^\mf } 4.~ |
+ 1~ |
+ 4 \ottava #-1 d,2.~ |
+ d1 \ottava #0 |
+ b'2. |
+ R1*3/4*3 |
+ R1*2 |
+ \tuplet 3/2 { r8^\pp^\<\sustainOn bes''8 ges } \tuplet 3/2 { bes ges bes }
+ \tuplet 3/2 { ges^\!^\> bes ges } \tuplet 3/2 { bes ges bes } |
+ \tuplet 3/2 { r8^\p\sustainOff\sustainOn aes8 f } \tuplet 3/2 { aes f aes }
+ \tuplet 3/2 { f aes f } \tuplet 3/2 { aes f aes } |
+ e,2.~->\sustainOff\sustainOn e8 e8~-> e2. |
+ d2~->\sustainOff\sustainOn d8 d8~-> d1~ |
+ d8\sustainOff\sustainOn ees8~-> ees2. ees2.~-> |
+ ees8\sustainOff\sustainOn des8->~ des2~ des8 8->~ 2. |
+ \tuplet 3/2 { b8( fis'4~\sustainOff } 16) g( aes ees' c8) bes16( d \tuplet 5/4 { f8) e16( a cis,) } |
+ gis2. |
+ \tuplet 5/4 { dis'8~ <dis fis,>~ <dis fis, b,>4.~ } 2 |
+ <c, e'>2\arpeggio \tuplet 3/2 { d8~ <d bes'>~ <d bes' f'>~ } 4 |
+ <d a'>2.^\mf r4 |
+ r4 <c g' d'>2.\arpeggio^\mp |
+ <a e' b'>1\arpeggio |
+ \ottava #-1 fis1^\p |
+ ees1 |
+ g2 r2
}
-
pianoDownMusicFOUR =
\new Voice
\relative {
\relative {
\tag #'part { \compressEmptyMeasures }
\clef treble
- R1*5/4 | %001
+ s1*5/4
R1 |
R1*5/4*3 |
R1
R1*3/4 |
- R1 |
- R1*3/4 |
+ R1*2 |
R1*7/8 |
R1*3/4 |
- R1*7/8 |
+ R1*7/8 \clef bass |
+ \tuplet 3/2 { r8 <g b,>4~ } \tuplet 3/2 { 8 4 } \tuplet 3/2 { r8 <e a,>4~ } \tuplet 3/2 { 8 4 } |
+ \tuplet 3/2 { r8 <f aes,>4~ } \tuplet 3/2 { 8 4 } \tuplet 3/2 { r8 <ges bes,>4~ } \tuplet 3/2 { 8 \clef treble a8(\< e')\! }
+ R1 \clef bass |
+ r8\mf d,16~ <d g>16~ 2.~ |
+ 1 |
+ R1*2 \clef treble |
+ r4 <fis cis' gis'>2.~\mp\arpeggio |
+ 1 \clef bass |
+ r8\p e8~ e2 |
+ R1*3/4*3 |
+ R1*2 \clef treble |
+ ees'1 |
+ \after 4 \< des1 \clef bass |
+ a8\mf\> c, a' c, a' c,\!\< a' c, a' c, a' c, a' c, |
+ g'8\mf\> b, g' b, g'\!\< b, g' b, g' b, g' b, g' b, |
+ ges'\f\> aes, ges' aes, ges' aes, ges' aes, ges'\!\< aes, ges' aes, ges' aes, |
+ f'\f\> bes, f' bes, f' bes, f' bes, f' bes, f'\mp r8 r4 \clef treble |
+ \tuplet 3/2 { f'8_(\mf bes4~ } 16) a(\< cis d e8) fis16( g \tuplet 5/4 { b8)\ff c,16( ees aes) }
+ f'2. |
+ ais,2.--\f <g, g'>8\arpeggio <d' d'>\arpeggio |
+ <a' a'>4.\arpeggio <cis, cis'>8\arpeggio <gis' gis'>4\arpeggio \tuplet 3/2 { <dis dis'>8\< <e e'> <fis fis'>8~\ff } |
+ <fis fis'>2. r4 |
+ R1*2 |
+ r8 \clef bass <des,, aes'>8~\arpeggio 2. |
+ r8 <bes f'>8~\arpeggio 2. |
+ R1 |
}
\time 5/4 s1*5/4*3 |
\time 4/4 s1 |
\time 3/4 s1*3/4 |
- \time 4/4 s1 |
- \time 3/4 s1*3/4 |
+ \mark \default
+ \time 4/4 s1*2 |
\time 7/8 <>\textMark \markup { \tiny \sans "3+2+2" } s1*7/8 |
\time 3/4 s1*3/4 |
\time 7/8 <>\textMark \markup { \tiny \sans "3+2+2" } s1*7/8 |
\time 4/4 \timeSpanner "poco accel." s1\startTextSpan s2 s4 s8 s8\stopTextSpan \bar "||"
+ \mark \default
\tempo "Piu mosso" 4=65
s1*7 |
\time 3/4 \timeSpanner "rit." s2\startTextSpan s8 s8\stopTextSpan \bar "||"
+ \mark \default
\tempo "A tempo" 4=50
s1*3/4*3 |
+ \time 4/4 s1*4 \bar "||"
+ \mark \default
+ \tweak self-alignment-X #CENTER \textEndMark \markup { \concat { \rhythm { \tuplet 3/2 { 8 } } " = " \rhythm { { 8 } } } }
+ \tempo " " 4 = 75
+ \time 3/4 s1*3/4 |
+ \time 4/4 s1 |
+ \time 3/4 s1*3/4 |
+ \time 4/4 s1 |
+ \time 3/4 s1*3/4 |
+ \time 4/4 s1 |
+ \time 3/4 s1*3/4 |
+ \time 4/4 s1*2 |
+ \time 3/4 s1*3/4 |
+ \mark \default
+ \time 4/4 s1*8 \bar "|."
}
tempoMapFOUR =
R1*5/4*3 |
R1
R1*3/4 |
- R1 |
- R1*3/4 |
+ R1*2 |
R1*7/8 |
R1*3/4 |
R1*7/8 |
+ R1 |
+ des2\p ees2 |
+ r2 r4 r8 e8->(\mf\> |
+ d2.~ d8)\pp r8
+ R1*3 |
+ r4 fis2.~\mf\> |
+ fis2\pp r2 |
+ r8 e8~\pp e2 |
+ R1*3/4*3
+ R1*4 |
+ R1*3/4 R1 |
+ R1*3/4 R1 |
+ R1*3/4 R1 |
+ R1*3/4 R1 |
+ r2 c8.(\< d16 \tuplet 3/2 { f8 a4) } |
+ gis,2.\f
+ \after 2. \! dis'1\mf\> |
+ r2 \tuplet 3/2 { d8->\f bes8-> f'8~-> } f4 |
+ R1 |
+ r4 d2.\mp |
+ \after 2. \! b1\> |
+ R1*3 |
}
tromboneMusicFOUR =
R1*5/4*3 |
R1
R1*3/4 |
- R1 |
- R1*3/4 |
+ R1*2 |
R1*7/8 |
R1*3/4 |
R1*7/8 |
+ R1*7 |
+ r4 \after 2 \pp gis'2.\mf\> |
+ R1 |
+ r4 a2\pp |
+ <>^"take harmon mute" R1*3/4*3 |
+ R1*4 |
+ R1*3/4 R1 |
+ R1*3/4 r2 \tuplet 3/2 { r8 f4~\mp\< } f4 |
+ \after 2 \! b2.\mf\> R1 |
+ c2~\mp c8 r8 <>^"open" R1 |
+ R1
+ \time 3/4 R1*3/4 |
+ \after 2. \! fis,1\mf\> |
+ r2 r4 \tuplet 3/2 { dis'8->\f\< e8-> fis8~->\> }
+ \after 2 \! fis2. r4 |
+ r4 f!2~\mf f8 aes8( |
+ ges2.\> ees4)\! |
+ R1*3 |
}
trumpetMusicFOUR =
\relative {
\tag #'part { \compressEmptyMeasures }
\clef alto
- r8 f4.~\p f2. | %001
+ r8 f4.~->\mp f2. | %001
fis1 |
- r4 b8( e,8~ 2.) |
- r4 r8 f8~ f2. |
- r4 f4~ f2~ f8 cis'8( |
- fis,4 dis'2.) |
- r8 cis,8~ 2 |
- r4 f2. |
- c4~ <c bes'>2 |
- r8 cis4~ cis2 |
- r8 gis'8~ gis2 |
- r8 ees4~ ees2 |
+ r4 b8(\mf\> e,8~ 2.)\mp |
+ r4 r8 f8~\p f2. |
+ r4 f4~->\mp f2~ f8 cis'8(\mf\> |
+ fis,4 dis'2.)\mp |
+ r8 cis,8~\< 2 |
+ r4\! f2.\mp |
+ r4 c4~\> <c bes'>2 |
+ r8\! cis4~\p cis2 |
+ r8 gis'8~\< gis2 |
+ r8 ees4~ ees2\mp |
+ r8 f8(\< fis4~ fis8) ais4.\mf |
+ \tuplet 3/2 { r8 f4~ } \tuplet 3/2 { f8 f4 } \tuplet 3/2 { r8 ges4~ } \tuplet 3/2 { ges8 ges4 }
+ r2 \tuplet 3/2 { r8 c'4~->\mf\> } c4\! |
+ R1*3 |
+ r2 ees,,2~\mp\> |
+ ees8\p r8 r4 r2 |
+ R1 |
+ R1*3/4 |
+ c8~\mf <c g'~>8 <g' d'>2 |
+ r4 f2 |
+ r8 ges8~ ges2 |
+ r4 b2. |
+ R1 |
+ r2 ges2\mp\>\pont |
+ r2 \after 4 \! f2\mf\< |
+ r8 c8~\f\>\ord c2~ c1\< |
+ g'2.~\f\> g1\< |
+ ges2.~\f\> ges1\< |
+ f2.~\f\> \after 2 \! f2. r4 |
+ r4 \tuplet 3/2 { r8 r8 a'8~\< } a4 r16 c8(\ff ees16) |
+ \time 3/4 R1*3/4 |
+ b,1\f |
+ e2 f,2 |
+ d2 r4 b''8 c,8~ |
+ c4 r4 r2 |
+ R1 |
+ r8 aes4.~\p \after 4. \! aes2\> |
+ r8 f4.~\p \after 4. \! f2\> |
+ R1 |
}
violaMusicFOUR =
\tag #'part { \compressEmptyMeasures }
\clef treble
R1*5/4 | %001
- r2 r4 <ais dis>4~\mp |
+ r2 r4 dis'4~->\mp |
4~ 8 r8 r2. |
- r4 <g d'>4( c2.) |
- r2 r4 r4 r8 cis8( gis1) |
- r4 a8( b8~ b4) |
- d4( g2.) |
- r4 r4 r8 dis8( |
- gis4.~ gis2) |
- r4 e2 |
- a4~ <a f>8~ 2 |
+ r4 g,4( c2.) |
+ r2 r4 r4 r8 cis8(\mf\>
+ \after 4 \mp gis1) |
+ r4 a8(\p\< b8~ b4) |
+ d4(\mp\> g2.) |
+ r2\! r4 r8 dis8(\mp\> |
+ gis4.~ gis2)\p |
+ cis4( e,2)\< |
+ a4~ <a f>8~ 2\mp |
+ r2 r8 bes,8(\< aes'8 ees~\mf
+ ees4) r4 r2 |
+ r2 \tuplet 3/2 { r8 c'4~->\mf\> } c4\! |
+ R1*6 |
+ R1*3/4 |
+ r4 b,2\mp |
+ R1*3/4*2
+ R1*2 |
+ ees2~\pp\<\pont 2\> |
+ \after 2. \! des1\p\< |
+ R1*3/4 R1 |
+ fis2.~\mf\>\ord fis4\! r4 \tuplet 3/2 { r8 f4~\mf\< } f4
+ b2.~\f\> b4\! r4 r2 |
+ R1*3/4 |
+ \after 2 \! g2.\mf\>\flageolet r4
+ \tuplet 3/2 { f4\< bes4 a } e'8( fis b16)\ff c,( ees aes) |
+ \time 3/4 R1*3/4 |
+ ais2.\f g8 d'8 |
+ a'4. cis,8 gis'4 \tuplet 3/2 { dis8\< e fis8~\ff } |
+ \after 2 \! fis2.\> b,8\f c,8~ |
+ c4 r4 r2 |
+ R1*4 |
}
violinOneMusicFOUR =
\tag #'part { \compressEmptyMeasures }
\clef treble
r2 r4 r4 r8 gis8(\mp | %001
- cis2.) <ais dis>4~ |
+ cis2.) ais4~-> |
4~ 8 r8 r2. |
- r4 <g d'>4( a2.) |
- r8 g4~ <g d'>8~ 2. |
+ r4 d4( a2.) |
+ r8 g4~\p <g d'>8~ 2. |
r4 b2. |
- r4 gis2 |
- d'4( c2.) |
- r8 g8~ g2 |
+ r4 gis2\< |
+ d'4(\mp\> c2.) |
+ r4\! r8 g8~\p g2 |
r4. b2 |
- r4 r8 d8~ d4 |
- r8 r8 f8~ f2 |
+ r4 r8 d8~\< d4 |
+ r8 r8 f8~ f2\mp |
+ r2 r8 bes,8(\< aes'8 ees)\mf
+ R1 |
+ r2 \tuplet 3/2 { r8 c'4~->\mf\> } c4\! |
+ R1*6 |
+ R1*3/4*4 |
+ R1*2 |
+ r4 bes4~\p\<\pont 2\> |
+ r4\! \after 2\! aes2.\mp\< |
+ R1*3/4 R1 |
+ \after 2 \! fis2.\mf\>\ord r2 \tuplet 3/2 { r8 f4~\mf\< } f4
+ \after 2 \! b2.\f\> R1 |
+ R1*3/4 |
+ \after 2 \! g2.\mf\>\flageolet r4
+ f4 a8 cis8\< \tuplet 3/2 { r8 fis8( g8 } \tuplet 3/2 { b8)\ff ees,( aes) }
+ \time 3/4 R1*3/4 |
+ ais,2.\f g'8 d'8 |
+ a'4. cis,8 gis'4 \tuplet 3/2 { dis8\< e fis8~\ff } |
+ \after 2 \! fis2.\> b,8\f c,8~ |
+ c4 r4 r2 |
+ R1*4 |
}
\include "../general/partLayout.ly"
\include "../manuscripts/tempoMap.ly"
-\include "../manuscripts/scorePages.ly"
\include "../manuscripts/clarinetSolo.ly"
\include "../manuscripts/flute.ly"
\include "../manuscripts/oboe.ly"
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { "flute/piccolo" }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \fluteStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \fluteMusic >>
+ \fluteStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \fluteMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \fluteStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \fluteMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { oboe }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \oboeStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \oboeMusic >>
+ \oboeStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \oboeMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \oboeStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \oboeMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { bass clarinet }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \bassClarinetStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassClarinetMusic >>
+ \bassClarinetStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \bassClarinetMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \bassClarinetStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \bassClarinetMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { bassoon }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \bassoonStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassoonMusic >>
+ \bassoonStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \bassoonMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \bassoonStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \bassoonMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { Horn in F }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \hornStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \hornMusic >>
+ \hornStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \hornMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \hornStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \hornMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { trumpet in C }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \trumpetStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \trumpetMusic >>
+ \trumpetStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \trumpetMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \trumpetStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \trumpetMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { trombone }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \tromboneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \tromboneMusic >>
+ \tromboneStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \tromboneMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \tromboneStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \tromboneMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { percussion I }
+ piece = \markup { \large \bold III. }
meter = \percOneSetup
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \percOneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \percOneMusic >>
+ \percOneStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \percOneMusicTHREE >>
+ >>
+ \layout {
+ \context {
+ \Score
+ \remove Clef_engraver
+ }
+ \context {
+ \Staff
+ \remove Clef_engraver
+ }
+ }
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \percOneStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \percOneMusicFOUR >>
>>
\layout {
\context {
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { percussion II }
+ piece = \markup { \large \bold III. }
meter = \percTwoSetup
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \percTwoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \percTwoMusic >>
+ \percTwoStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \percTwoMusicTHREE >>
+ >>
+ \layout {
+ \context {
+ \Score
+ \remove Clef_engraver
+ }
+ \context {
+ \Staff
+ \remove Clef_engraver
+ }
+ }
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \percTwoStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \percTwoMusicFOUR >>
>>
\layout {
\context {
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { piano }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \pianoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \pianoUpMusic >> \compressMMRests { \removeWithTag #'score \pianoDownMusic }
+ \pianoStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \pianoUpMusicTHREE >> \compressMMRests { \removeWithTag #'score \pianoDownMusicTHREE }
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \pianoStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \pianoUpMusicFOUR >> \compressMMRests { \removeWithTag #'score \pianoDownMusicFOUR }
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { "violin I" }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \violinOneStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violinOneMusic >>
+ \violinOneStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \violinOneMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \violinOneStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \violinOneMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { "violin II" }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \violinTwoStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violinTwoMusic >>
+ \violinTwoStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \violinTwoMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \violinTwoStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \violinTwoMusicFOUR >>
>>
}
}
title = \markup { \fontsize #1 \xtitle }
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
+ piece = \markup { \large \bold III. }
poet = \markup { "viola" }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \violaStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \violaMusic >>
+ \violaStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \violaMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \violaStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \violaMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { "cello" }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \celloStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \celloMusic >>
+ \celloStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \celloMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \celloStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \celloMusicFOUR >>
>>
}
}
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { "bass" }
+ piece = \markup { \large \bold III. }
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
<<
- \bassStaff \compressMMRests << \removeWithTag #'score \tempoMap \removeWithTag #'score \bassMusic >>
+ \bassStaff \compressMMRests << \removeWithTag #'score \tempoMapTHREE \removeWithTag #'score \bassMusicTHREE >>
+ >>
+ }
+ }
+ \bookpart {
+ \header {
+ piece = \markup { \large \bold IV. }
+ }
+ \score {
+ <<
+ \bassStaff \compressMMRests << \removeWithTag #'score \tempoMapFOUR \removeWithTag #'score \bassMusicFOUR >>
>>
}
}
#(info-matter-markuplist)
\center-column {
\vspace #5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "forces" }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 90)
+ \hspace #90
+ \vspace #-1
+ \line { flutes }
+ \line { oboes }
+ \line { bass clarinet }
+ \line { bassoon }
+ \line { horn }
+ \line { trumpet }
+ \line { trombone }
+ \line { percussion }
+ \line { \hspace #4 "I: kick drum, toms(3), caxixi, vibraphone" }
+ \line { \hspace #4 "II: snare drum, tambourine, ride cymbal, hi-hat, marimba, tubular bells" }
+ \line { piano }
+ \line { clarinet in Bb }
+ \line { violins (2) }
+ \line { viola }
+ \line { cello }
+ \line { bass }
+ }
+ \vspace #2.5
#(toc-markuplist)
#(program-notes-markuplist #{ \programNotes #})
#(performance-notes-markuplist #{ \performanceNotes #})
projects / tiny-cartel.git / commitdiff