--- /dev/null
+\version "2.24.3"
+
+\include "general/info.ly"
+\include "general/aliases.ly"
+\include "general/scripts.ly"
+\include "general/umbel.ly"
+
+fingeringSize = #'(size . 0.6)
+
+\paper {
+ line-width = 120
+ first-page-number = -1
+ footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
+ print-page-number = ##f
+ #(set-paper-size "arch a")
+ print-all-headers = ##f
+ top-margin = 0.5\in
+ bottom-margin = 0.5\in
+ left-margin = 0.9\in
+ right-margin = 0.9\in
+ indent = 0.75\in
+ short-indent = 0\cm
+ #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "syne"))
+ max-systems-per-page = #10
+ system-system-spacing = #'((basic-distance . 10) (minimum-distance . 8) (padding . 9))
+ score-system-spacing = #'((basic-distance . 2) (minimum-distance . 1) (padding . 0))
+ last-bottom-spacing = #'((basic-distance . 5) (minimum-distance . 5) (padding . 0))
+ tocTitleMarkup = \markup { \hbracket \sans \bold " contents " }
+
+ tocItemMarkup = \markup \fill-line {
+ \fill-with-pattern #1.5 #CENTER .
+ \line {
+ \fromproperty #'toc:indent \fromproperty #'toc:text
+ }
+ \tiny \number \fromproperty #'toc:page
+ }
+
+ oddHeaderMarkup = \markup {
+ \concat { \if \on-page #5 \oddhead }
+ \concat { \if \on-page #7 \oddhead }
+ \concat { \if \on-page #9 \oddhead }
+ \concat { \if \on-page #11 \oddhead }
+ \concat { \if \on-page #13 \oddhead }
+ \concat { \if \on-page #15 \oddhead }
+ \concat { \if \on-page #17 \oddhead }
+ \concat { \if \on-page #19 \oddhead }
+ \concat { \if \on-page #21 \oddhead }
+ \concat { \if \on-page #23 \oddhead }
+ \concat { \if \on-page #25 \oddhead }
+
+ }
+ evenHeaderMarkup = \markup {
+ \concat { \if \on-page #4 \evhead }
+ \concat { \if \on-page #6 \evhead }
+ \concat { \if \on-page #8 \evhead }
+ \concat { \if \on-page #10 \evhead }
+ \concat { \if \on-page #12 \evhead }
+ \concat { \if \on-page #14 \evhead }
+ \concat { \if \on-page #16 \evhead }
+ \concat { \if \on-page #18 \evhead }
+ \concat { \if \on-page #20 \evhead }
+ \concat { \if \on-page #22 \evhead }
+ \concat { \if \on-page #24 \evhead }
+ \concat { \if \on-page #26 \evhead }
+ }
+ oddFooterMarkup = \markup {
+ \concat { \if \on-page #3 \fill-line { \null \xcr \null } }
+ \concat { \if \on-page #5 \oddfoot }
+ \concat { \if \on-page #7 \oddfoot }
+ \concat { \if \on-page #9 \oddfoot }
+ \concat { \if \on-page #11 \oddfoot }
+ \concat { \if \on-page #13 \oddfoot }
+ \concat { \if \on-page #15 \oddfoot }
+ \concat { \if \on-page #17 \oddfoot }
+ \concat { \if \on-page #19 \oddfoot }
+ \concat { \if \on-page #21 \oddfoot }
+ \concat { \if \on-page #23 \oddfoot }
+ \concat { \if \on-page #25 \oddfoot }
+ }
+ evenFooterMarkup = \markup {
+ \concat { \if \on-page #2 \evfoot }
+ \concat { \if \on-page #4 \evfoot }
+ \concat { \if \on-page #6 \evfoot }
+ \concat { \if \on-page #8 \evfoot }
+ \concat { \if \on-page #10 \evfoot }
+ \concat { \if \on-page #12 \evfoot }
+ \concat { \if \on-page #14 \evfoot }
+ \concat { \if \on-page #16 \evfoot }
+ \concat { \if \on-page #18 \evfoot }
+ \concat { \if \on-page #20 \evfoot }
+ \concat { \if \on-page #22 \evfoot }
+ \concat { \if \on-page #24 \evfoot }
+ \concat { \if \on-page #26 \fill-line { \null \tiny \typewriter \longHash \null } }
+ }
+
+}
+
+\book {
+
+ \markuplist { %Outside Cover
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \line { \with-url #"https://newer.systems" \fontsize #1 \hbracket \sans \bold " https://newer.systems " }
+ }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ }
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \line { \null }
+ }
+ \right-column {
+ \vspace #15
+ \line { \fontsize #8 \bold \underline \xtitle }
+ \vspace #-0.1
+ \line { \fontsize #3 \sans \xcomp }
+ \vspace #3
+ \line { \fontsize #2 \sans \concat { "for " \xinst } }
+ }
+ }
+ \vspace #26.25
+ \fill-line {
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \center-column {
+ \xumbel
+ \vspace #0.3
+ \line { \fontsize #1 \hbracket \sans \bold " umbel press " }
+ }
+ \line { \null }
+ }
+ }
+
+ \pageBreak
+ \markup { \vspace #5 }
+
+ \pageBreak
+ \markuplist { %Inside Cover
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #10
+ \line { \hbracket \fontsize #10 \number 2019/24 }
+ \vspace #4
+ \line { \xcomp }
+ \vspace #1
+ \line { \fontsize #5 \bold \xtitle }
+ \line { \italic \xsub }
+ \vspace #4
+ }
+ \right-column {
+ \line { \null }
+ }
+ }
+ }
+
+ \pageBreak
+ \markuplist { %Front Matter
+ \fill-line {
+ \left-column {
+ \line { \bold \xtitle " [2019/24]" }
+ \line { \xinst " | " 10 minutes }
+ \line { \xcomp }
+ \vspace #25
+ }
+ \center-column {
+ \vspace #5
+ \line { \hbracket \bold \sans " program notes "}
+ \vspace #0.2
+ \center-column {
+ \override #'(line-width . 100)
+ \justify {
+ Underlying \bold "Choruses" is a cyclic harmonic structure who's
+ features and intervals influence its ever-changing,
+ improvisation-like surface. The musical surface recasts this
+ underlying structure during the 29 repetitions that make up the
+ work \char #8211 29 "\"choruses\"" that present many allusions to
+ Jazz and Free Jazz. The initial version of \bold "Choruses" was
+ completed during one of the latter covid lock-downs as a work for
+ unaccompanied alto saxophone. This new version, created for
+ Floris Van der Veken, incorporates an ambisonic, electroacoustic
+ component: a geometric, resonant expression of the work's
+ structure that transforms and interacts with the soloist. I want
+ to dedicate this work to Tampa Bay saxophonist David Pate, who's
+ tremendous impact on my early musical life resonates far beyond
+ then.
+ }
+ }
+ \vspace #3
+ \override #'(thickness . 5)
+ \draw-squiggle-line #0.5 #'(20 . 0) ##t
+ }
+
+ \right-column {
+ \vspace #-0.5
+ \right-column \fontsize #-1 {
+ \line { \fontsize #-2 \typewriter { \shortHash - \subject } }
+ \vspace #-0.4
+ \line { \fontsize #-2 \typewriter { \commitDate } }
+ \vspace #-0.4
+ \line { \fontsize #-2 \typewriter { \branchName } }
+ }
+ \vspace #2
+ }
+ }
+ }
+
+ \pageBreak
+
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { \xinst }
+ }
+ \score {
+ <<
+ \include "manuscripts/altoSaxophone.ly"
+ >>
+ %\midi { }
+ \layout {
+ \context {
+ \Score
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
+ \override Hairpin.to-barline = ##f
+ }
+ }
+ }
+ }
+
+ \pageBreak
+ \markup { \null }
+}
sU = \stemUp
sN = \stemNeutral
+rTT = \set stemRightBeamCount = 2
+lTT = \set stemLeftBeamCount = 2
+
ffsempre =
#(make-dynamic-script (markup #:combine #:transparent "f" "ff" #:combine
#:transparent "f" #:normal-text #:italic "sempre" ) )
-% root = ../net-clarity.ly
+% root = ../choruses.ly
\new Staff \with {
- instrumentName = \markup { clarinet in \concat { \bold "B" \tiny \flat " " } }
- shortInstrumentName = \markup { cl }
+ instrumentName = \markup {
+ \right-column {
+ \line { "alto saxophone " }
+ \line { in \concat { \bold "E" \tiny \flat " " } }
+ }
+ }
\override DynamicLineSpanner.staff-padding = \sods
- fontSize = \clarinetFont
- \override StaffSymbol.staff-space = \clarinetMagstep
\consists Text_mark_engraver
}
-\transpose bes c'
\relative {
\compressEmptyMeasures
\numericTimeSignature
\clef treble
- \tempo "Allegro energico" 4=104
- \time 5/4 R1*5/4 | %001
- \time 4/4 R1*5
- \time 5/4 R1*5/4 |
- \time 4/4 R1*13 |
+ \tempo "Poco rubato" 4=100
+ \time 4/4
+ a''32(\f\> fis e \rTT ees \lTT d c a16 d, e fis) e(\mp\< g fis' gis e g) gis32( \rTT a \lTT b c e fis
+ g gis)\ff r8. r4 r4 r16 ees,16-.\p fis,-. c'-.
+ b,-. r8. <ceh' eeh cis' gis'>8 \offset Y-offset 5 ^\markup {
+ \center-column { \override #'(graphical . #f) \override \fingeringSize
+ \woodwind-diagram
+ #'saxophone
+ #'((cc . (two three five)) (lh . ()) (rh . (c)))
+ }
+ }
+ b,16-. g''-. des,-. ges'-. r8 r8 fis16-. g,-.
+ f'-. d'-. <d a' cisih,,>8 \offset Y-offset 5 ^\markup {
+ \center-column { \override #'(graphical . #f) \override \fingeringSize
+ \woodwind-diagram
+ #'saxophone
+ #'((cc . (two three five)) (lh . (f)) (rh . ()))
+ }
+ }
+ r4 r4 r8 des,,16-. g'-. |
+ \time 3/4 ges-. aes,-. r8 r4 r8 aes''16-. fis,-. |
+ g-. e'-. r8 r4 r4 |
+ \time 4/4 r16 c,16(\f\> b d g, c b d g,)\p g'(\f\> des fis, c g'' des fis, |
+ c g'')\p e,-.\mf d-. a''-. fis-. des(\p\< fis, c g'' des fis, c)\f fis-.\mf c''-. b,-. |
+ d'8-- r8 \tuplet 3/2 { g8(\mp fis4) } fis,8.( c'16) b8( a) |
+ \time 3/16 d,,16[-. a''-. ges,]-. |
+ \time 3/4 f'2~ f8 r8
+ \time 4/4 r16 bes8.~\pp bes4~ bes8 r8 r8. f16-.\mp |
+ bes,,-. b''! g8~( \tuplet 3/2 { g4 cis8 } cis8) g16-. ges,-. aes'-. ees,-. r8 |
+ \time 3/8 des'4. |
+ \time 4/4 \tuplet 3/2 { ges4\< c,4 b' } \tuplet 3/2 { b g' cis,~\f } |
+ \time 5/8 cis4 a'4. |
+ \time 3/16 r16 ges,,8\mp |
+ \time 4/4 aes'8 ges c,4 \breathe g''4~(\< g8 \tuplet 3/2 { cis,16 a dis,-.)\f } |
+ r8 <ceh eeh cis' gis'>8 \offset Y-offset 5 ^\markup {
+ \center-column { \override #'(graphical . #f) \override \fingeringSize
+ \woodwind-diagram
+ #'saxophone
+ #'((cc . (two three five)) (lh . ()) (rh . (c)))
+ }
+ }
+ b4~\mp b8 g8~ g16 <d d' e beh' gih'>8.~ \offset Y-offset 5 ^\markup {
+ \center-column { \override #'(graphical . #f) \override \fingeringSize
+ \woodwind-diagram
+ #'saxophone
+ #'((cc . (one two three four five six)) (lh . (b)) (rh . (c ees)))
+ }
+ }
+ \time 2/4 16 r16 cis4 \tuplet 3/2 { cis'16(\< a' f' }
+ \time 3/8 ges16)-.\f <gih c, ceh,>8. \offset Y-offset 5 ^\markup {
+ \center-column { \override #'(graphical . #f) \override \fingeringSize
+ \woodwind-diagram
+ #'saxophone
+ #'((cc . (two three five six)) (lh . (low-bes)) (rh . ()))
+ }
+ }
+ r8 |
+ \time 4/4 \tuplet 3/2 { fis,,4 gis'8( } \tuplet 3/2 { dis4) b'8( } <b, c' geh'>8) \offset Y-offset 5 ^\markup {
+ \center-column { \override #'(graphical . #f) \override \fingeringSize
+ \woodwind-diagram
+ #'saxophone
+ #'((cc . (one two three four five)) (lh . (low-bes)) (rh . (c)))
+ }
+ }
+ a'4( aes16 ges ges, f8. bes,2~\> bes8)\mp r8 |
+ \time 3/4 b16-. g''-. cis,,-. fis'-. r4 fis16-. g,-. e'-. d'-. |
+ R1*3/4 |
+ d,,16-. g'-. fis-. e,-. r8 g16(\pp fis c' des g, fis) |
+ a'-.\mp fis,-. g'-. e,-. c(\pp^"subtone" des g fis c' des g fis |
+ c' des g) c,( b d, g\< c, b fis g c,)\mp |
+ \time 2/4 des4 \tuplet 3/2 { ges8( c, b) } |
+ \time 3/16 e16[-. d''-. a,]-. |
+ \time 4/4 fis'16 r8 \once \override TupletNumber.text = #tuplet-number::calc-fraction-text \tuplet 4/5 { b,,16(\f g' cis a') }
+ fis,-. c''-. cis,,-. d'-. r4 |
}
+++ /dev/null
-\version "2.24.3"
-
-\include "general/info.ly"
-\include "general/aliases.ly"
-\include "general/scripts.ly"
-\include "general/umbel.ly"
-
-clarinetFont = #-2
-clarinetMagstep = #(magstep -2)
-
-\paper {
- line-width = 120
- first-page-number = -1
- footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
- print-page-number = ##f
- #(set-paper-size "arch a")
- print-all-headers = ##f
- top-margin = 0.5\in
- bottom-margin = 0.5\in
- left-margin = 0.9\in
- right-margin = 0.9\in
- indent = 0.75\in
- short-indent = 0\cm
- #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "syne"))
- max-systems-per-page = #10
- system-system-spacing = #'((basic-distance . 10) (minimum-distance . 8) (padding . 12))
- score-system-spacing = #'((basic-distance . 2) (minimum-distance . 1) (padding . 0))
- last-bottom-spacing = #'((basic-distance . 5) (minimum-distance . 5) (padding . 0))
- tocTitleMarkup = \markup { \hbracket \sans \bold " contents " }
-
- tocItemMarkup = \markup \fill-line {
- \fill-with-pattern #1.5 #CENTER .
- \line {
- \fromproperty #'toc:indent \fromproperty #'toc:text
- }
- \tiny \number \fromproperty #'toc:page
- }
-
- oddHeaderMarkup = \markup {
- \concat { \if \on-page #5 \oddhead }
- \concat { \if \on-page #7 \oddhead }
- \concat { \if \on-page #9 \oddhead }
- \concat { \if \on-page #11 \oddhead }
- \concat { \if \on-page #13 \oddhead }
- \concat { \if \on-page #15 \oddhead }
- \concat { \if \on-page #17 \oddhead }
- \concat { \if \on-page #19 \oddhead }
- \concat { \if \on-page #21 \oddhead }
- \concat { \if \on-page #23 \oddhead }
- \concat { \if \on-page #25 \oddhead }
-
- }
- evenHeaderMarkup = \markup {
- \concat { \if \on-page #4 \evhead }
- \concat { \if \on-page #6 \evhead }
- \concat { \if \on-page #8 \evhead }
- \concat { \if \on-page #10 \evhead }
- \concat { \if \on-page #12 \evhead }
- \concat { \if \on-page #14 \evhead }
- \concat { \if \on-page #16 \evhead }
- \concat { \if \on-page #18 \evhead }
- \concat { \if \on-page #20 \evhead }
- \concat { \if \on-page #22 \evhead }
- \concat { \if \on-page #24 \evhead }
- \concat { \if \on-page #26 \evhead }
- }
- oddFooterMarkup = \markup {
- \concat { \if \on-page #3 \fill-line { \null \xcr \null } }
- \concat { \if \on-page #5 \oddfoot }
- \concat { \if \on-page #7 \oddfoot }
- \concat { \if \on-page #9 \oddfoot }
- \concat { \if \on-page #11 \oddfoot }
- \concat { \if \on-page #13 \oddfoot }
- \concat { \if \on-page #15 \oddfoot }
- \concat { \if \on-page #17 \oddfoot }
- \concat { \if \on-page #19 \oddfoot }
- \concat { \if \on-page #21 \oddfoot }
- \concat { \if \on-page #23 \oddfoot }
- \concat { \if \on-page #25 \oddfoot }
- }
- evenFooterMarkup = \markup {
- \concat { \if \on-page #2 \evfoot }
- \concat { \if \on-page #4 \evfoot }
- \concat { \if \on-page #6 \evfoot }
- \concat { \if \on-page #8 \evfoot }
- \concat { \if \on-page #10 \evfoot }
- \concat { \if \on-page #12 \evfoot }
- \concat { \if \on-page #14 \evfoot }
- \concat { \if \on-page #16 \evfoot }
- \concat { \if \on-page #18 \evfoot }
- \concat { \if \on-page #20 \evfoot }
- \concat { \if \on-page #22 \evfoot }
- \concat { \if \on-page #24 \evfoot }
- \concat { \if \on-page #26 \fill-line { \null \tiny \typewriter \longHash \null } }
- }
-
-}
-
-\book {
-
- \markuplist { %Outside Cover
- \fill-line {
- \line { \null }
- \center-column {
- \line { \with-url #"https://newer.systems" \fontsize #1 \hbracket \sans \bold " https://newer.systems " }
- }
- \line { \null }
- \line { \null }
- \line { \null }
- \line { \null }
- }
- \fill-line {
- \line { \null }
- \center-column {
- \line { \null }
- }
- \right-column {
- \vspace #15
- \line { \fontsize #8 \bold \underline \xtitle }
- \vspace #-0.1
- \line { \fontsize #3 \sans \xcomp }
- \vspace #3
- \line { \fontsize #2 \sans \concat { "for " \xinst } }
- }
- }
- \vspace #26.25
- \fill-line {
- \line { \null }
- \line { \null }
- \line { \null }
- \line { \null }
- \center-column {
- \xumbel
- \vspace #0.3
- \line { \fontsize #1 \hbracket \sans \bold " umbel press " }
- }
- \line { \null }
- }
- }
-
- \pageBreak
- \markup { \vspace #5 }
-
- \pageBreak
- \markuplist { %Inside Cover
- \fill-line {
- \line { \null }
- \center-column {
- \vspace #10
- \line { \hbracket \fontsize #10 \number 2019/24 }
- \vspace #4
- \line { \xcomp }
- \vspace #1
- \line { \fontsize #5 \bold \xtitle }
- \line { \italic \xsub }
- \vspace #4
- }
- \right-column {
- \line { \null }
- }
- }
- }
-
- \pageBreak
- \markuplist { %Front Matter
- \fill-line {
- \left-column {
- \line { \bold \xtitle " [2019/24]" }
- \line { \xinst " | " 10 minutes }
- \line { \xcomp }
- \vspace #25
- }
- \center-column {
- \vspace #5
- \line { \hbracket \bold \sans " program notes "}
- \vspace #0.2
- \center-column {
- \override #'(line-width . 100)
- \justify {
- I was struck by the idea of writing \bold "Net Clarity" while listening
- to my partner, Amber Lucas, practice one of the Reger clarinet sonatas.
- The work extends a technical approach I employed to compose short
- keyboard inventions in my recent piece Circumnutation and explores
- further the structural potentialities of the diatonic set (equivalent to
- the major scale) and its relationship to the aggregate (the collection of
- all 12 notes). These (my) technical proclivities notwithstanding, \bold
- "Net Clarity" also indulges in the diatonic set as a referential
- collection \char #8211 hinting at other music, without necessarily
- quoting. Because of its design, the work creates the sensation of a hazy
- memory \char #8211 remembering music with varying levels of clarity.
- }
- }
- \vspace #3
- \override #'(thickness . 5)
- \draw-squiggle-line #0.5 #'(20 . 0) ##t
- }
-
- \right-column {
- \vspace #-0.5
- \right-column \fontsize #-1 {
- \line { \fontsize #-2 \typewriter { \shortHash - \subject } }
- \vspace #-0.4
- \line { \fontsize #-2 \typewriter { \commitDate } }
- \vspace #-0.4
- \line { \fontsize #-2 \typewriter { \branchName } }
- }
- \vspace #2
- }
- }
- }
-
- \pageBreak
- \header {
- tagline = "test"
- }
-
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { \xinst }
- }
- \score {
- <<
- \include "manuscripts/altoSaxophone.ly"
- >>
- %\midi { }
- \layout {
- \context {
- \Score
- \override RehearsalMark.break-visibility = #begin-of-line-invisible
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8)
- \override Hairpin.to-barline = ##f
- }
- }
- }
- }
-
- \pageBreak
- \markup { \null }
-}