\Score
\override RehearsalMark.break-visibility = #begin-of-line-invisible
\override BarNumber.font-size = #1
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8)
}
}
}
\vspace #1.3
\line { ================================= }
\vspace #1.3
- \override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(string-append (strftime "%m-%d-%Y" (localtime (current-time))) ",") using LilyPond version #(string-append (lilypond-version) ".") If you would like to view the most recent version of the input documents that generated it, visit \sans \bold https://github.com/tuckerjohnson/river-sonata.}
+ \override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(string-append (strftime "%m-%d-%Y" (localtime (current-time))) ",") using LilyPond version #(string-append (lilypond-version) ".") If you would like to view the most recent version of the input documents that generated it, visit \sans \bold https://github.com/tuckerjohnson/net-clarity.}
}
\line { \null }
}
f'2--\p f-- |
f-- f-- |
\time 3/2
- f-- \tuplet 3/2 { e4^( fis a,~ } 4 d,4~ |
- d1~ 8 cis'8~ 8) r8 |
+ f-- \tuplet 3/2 { e4( fis a,~ } 4 d,4~ |
+ d1) r4 cis''4~ |
\time 3/4
- r8 b''8~ \tuplet 3/2 { b4 b8( } \tuplet 3/2 { c8 g4~ } |
+ 8 b'8~ \tuplet 3/2 { b4 b8( } \tuplet 3/2 { c8 g4~ } |
\time 5/8
g8) aes( ees bes) r8 |
\time 2/2
- f2~ \tuplet 3/2 { f4 (e fis } |
- a,1) |
+ f2~ \tuplet 3/2 { f4 e( fis } |
+ a,1)\fermata |
+ a1 |
+ d1\fermata |
}
-% river project
+% clarity project
\new PianoStaff \with {
instrumentName = \markup { "piano " }
\relative { \numericTimeSignature
\tempo Largo 2=92
\time 2/2
- R1 | R1
+ s1 | s1
\time 3/2
- R1*3/2 |
- R1*3/2 |
+ s2 s2 s2 |
+ s2 s2 s2 |
\time 3/4
\tuplet 3/2 { r8 r8 a''8( } \tuplet 3/2 { e f4~ } f4) |
\time 5/8
- R1*5/8 |
+ s4 s4 s8 |
\time 2/2
- R1*2/2 |
- R1*2/2 |
-
-
+ s1 |
+ s1 |
+ s1 |
+ s1 |
}
>>
}
\time 2/2
<c c'>2^\pp <ees c'> | <ees g> <d g> |
\time 3/2
- <des g>1~ 4 \afterGrace r4 { g8 } |
- <g c>2 \afterGrace <f c'> { ges8 } <f c'>2 |
+ <des g>1~ 4 \afterGrace r4 { g8_( } |
+ <g c>2) \afterGrace <f c'> { ges8_( } <f c'>2) |
\time 3/4
- \afterGrace 15/16 <ees c'>2. { d8 } |
+ \afterGrace 15/16 <ees c'>2. { d8_( } |
\time 5/8
- <d b'>2 <e cis'>8
+ <d b'>2) <e cis'>8
\time 2/2
<ees g c>2 <gis b>2~ |
- 1 |
+ \afterGrace 15/16 1\fermata { ees'8( } |
+ <ees g,>1) |
+ <bes g>1\fermata |
+
}
\new Voice \relative { \numericTimeSignature
\voiceTwo
\time 2/2
bes2 d2~ |
1 |
+ f,1 |
+ e1 |
+
}
>>
}