\layout {
\context {
\Score
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/14)
\override InstrumentName.self-alignment-X = 1
\override RehearsalMark.break-visibility = #begin-of-line-invisible
\override Hairpin.to-barline = ##f
\consists Metronome_mark_engraver
\consists Text_mark_engraver
\remove Clef_engraver
+ pedalSustainStyle = #'bracket
}
\context {
\OneStaff
r8 f''8 e8 d8 cis8 b8 a8 gis8 | %066
r2 r8 c8-. r4 | %067
R1*3/4 | %068
- R1*4
+ R1*4 | %069-72
+ r2 r4 d,4 | %073
+ e2. f4 | %074
+ fis2. r2 | %075
+ g4. c,8~-> c2 | %076
+ ees4. d8~-> d2 | %077
+ R1 | %078
+ R1*5/4 | %079
+ r2 r4 a'4 | %080
+ r8 a4.->^\markup { "arco" } gis4( b4~ | %081
+ b2~ b4) f8( d8~ d8 c4.) | %082
+ bes2 a2\fermata | %083
}
bassStaff =
r2 d''4-- \tuplet 3/2 { d8-.-> bes8-.-> ges8-.-> } | %081
R1*6/4 | %082
r2 r2\fermata | %083
+ r4 cis,,8 dis8 e8 fis8 gis4 | %084
+ g4. d8~-> d4 ees4~-> | %085
+ ees2. r2 | %086
+ R1*2 | %087-88
+ \tuplet 3/2 { b''2( dis4~ } dis2) | %089
+ R1 | %090
}
bassClarinetStaff =
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
+ r4 cis8 dis8 e8 fis8 gis4 | %084
+ g4. d8~-> d4 ees4~ | %085
+ ees2. r2 | %086
+ R1*2 \clef tenor | %087-88
+ b''1( | %089
+ b'1) | %090
}
bassoonStaff =
cis1 | %069
R1*2 | %070-071
r2 gis'2~ | %072
- gis2. r4 | %073
+ gis2. d,4 | %073
+ e2. f4 | %074
+ fis2.~ fis2 | %075
+ g4. c,8~ c2 | %076
+ ees8( ges8 bes8) d,8~ d4 r4 | %077
+ R1 | %078
+ R1*5/4 | %079
+ r2 r4 a'4^\markup { "pizz" } | %080
+ r8 a4.->^\markup { "arco" } gis4( b4~ | %081
+ b2~ b4) f8( d'8~ d8 c4.) | %082
+ bes2 a'2\fermata | %083
+
}
celloStaff =
f8-.-> r8 f8-.-> des8-.-> r4 des4~ | %081
des2. r2. | %082
r2 r2\fermata | %083
+ r8 ces'8~ ces2~ ces8 bes8-. | %084
+ a8-. b8-. c2. | %085
+ ges8-. aes8-. f1~ | %086
+ f4 g8-. e8~ e4 f4-> | %087
+ d2~ d8 cis8~ cis4~ | %088
+ cis1 | %089
}
clarinetStaff =
b1~ | %024
b2 r2^\markup { "take piccolo" } | %025
R1*3 | %026-27
- r2 g2~(^\markup { "piccolo" } | %028
+ r2 g2~(^\markup { \bold \box "piccolo" } | %028
g2 f4 e4~ | %029
e4 fis4-.) r2^\markup { "take flute" } | %030
R1*5 | %031-35
- r2 a'8(^\markup { "flute" } gis8~ gis4~ | %036
+ r2 a'8(^\markup { \bold \box "flute" } gis8~ gis4~ | %036
gis2) g4-- e4-- | %037
c2 r8 bes8~ bes4~ | %038
bes8 r8 r4 r2 | %039
R1*2 |%066-067
R1*3/4 | %068
R1 | %069
- r2 r4 \tuplet 3/2 { r8 r8 a,8~^\markup { "piccolo" } } | %070
+ r2 r4 \tuplet 3/2 { r8 r8 a,8~^\markup { \bold \box "piccolo" } } | %070
a1 | %071
R1*2 | %072-073
r4 r8 c8-. g8-. bes8-. r4 | %074
r8 b8-. r4 r8 ees,8-. r2 | %075
- R1*3 | %076-78
+ R1*3^\markup { "take flute" } | %076-78
R1*5/4 | %079
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
+ R1 | %084
+ r2 e8-.->^\markup { \bold \box "flute" } f8-.-> r4 | %085
+ ges8-.-> aes8-.-> f1 | %086
+ R1*2 | %087-88
+ \tuplet 3/2 { b,2( dis4~ } \tuplet 3/2 { dis4 fis2 } | %089
+ \tuplet 3/2 { b2 dis4~ } \tuplet 3/2 { dis4 fis2) } | %090
}
fluteStaff =
R1*5/4 | %075
R1*2 | %076-77
e,,2. r4 | %078
- r8 ees'8( des2~ des4) r4 | %079
+ r8 ees'8( des2~ des2) | %079
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
+ R1*2 | %084-85
+ R1*5/4 | %086
+ R1*4
}
hornStaff =
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
-
+ R1 | %084
+ r2 e8-.-> f8-.-> r4 | %085
+ ges8-.-> aes8-.-> f1 | %086
+ R1*3 | %087-89
+ \tuplet 3/2 { b2( dis4~ } dis2) | %090
}
oboeStaff =
r8 kdr8 r4 r2 | %081
R1*6/4 | %082
r2 r2\fermata | %083
+ R1 | %084
+ kdr4 r8 kdr8 r4 kdr4 | %085
+ r8 tml8 r4 r4 r2 | %086
+ R1*4
}
}
r4 r8 rcy8\laissezVibrer r4 <sds rcy\laissezVibrer>4 | %081
R1*6/4 | %082
r2 r2\fermata | %083
+ r2 r4 r8 htc8 | %084
+ r4 htc4 htc8 sds8 r8 htc8 | %085
+ sds4 sds8 rcy8 r4 r2 | %086
+ R1*4
}
}
R1*3/4*5 | %043-47
r4 r4 r8 f,8( | %048
cis4 gis'4 fis8 b,8-.) | %049
- R1*3/4 \clef treble | %050
- r4 r4 s4 | %051
- s2. | %052
- s2. | %053
- s2. | %054
- R1*3/4*2 | %055-56
- R1*5/4 \clef bass | %057
+ R1*3/4*7 | %050-56
+ R1*5/4 | %057
c8( ees8~ ees4) \clef treble g''8( d'8 fis8 e8 cis'8) r8 \clef bass | %058
<f,,, f,>4 <d d,>4 | %059
<g, g,>1\fermata | %060
R1 | %064
a8-. r8 r4 r4 r2. | %065
R1 | %066
- r2 r8 c'8-+ r4 | %067
- R1*3/4 | %068
- R1*4 | %069
+ <<
+ {
+ r2 r8 c'8-+ r4 | %067
+ R1*3/4 | %068
+ R1*4 | %069-72
+ }
+ {
+ s1\sustainOn |
+ s2. |
+ s4\sustainOff s8 s8\sustainOn s2 |
+ s2 s2\sustainOff |
+ }
+ >>
+ r2 r4 d,4 | %073
+ e2. f4 | %074
+ fis2.~ fis2 | %075
+ R1*3 | %076-78
+ R1*5/4 | %079
+ R1*2 | %080-81
+ R1*3/2 | %082
+ r2 r2\fermata | %083
}
<c c,>1\fermata | %060
R1*4 \clef bass | %061-64
d,,,8-. r8 r4 r4 r2. | %065
- R1*2 | %066-067
- R1*3/4 | %068
- R1*6 | %069-74
+ R1 \clef treble | %066
+ r8 aes''8~ aes2.~ | %067
+ aes2. | %068
+ r4 r8 d8~ d2~ | %069
+ d2 r2 | %070
+ R1*4 | %071-74
R1*5/4 | %075
R1*3 | %076-78
R1*5/4 | %079
\remove Clef_engraver
}
{
- \tempo "Allegro energico" 4=208
- \time 4/4 s1 | %001
+ \tempo "Allegro energico" 2=104
+ \time 2/2 s1 | %001
\time 3/4 s1*3/4*2 | %002-3
- \time 4/4 s1*11 | %004-14
+ \time 2/2 s1*11 | %004-14
\time 3/4 s1*3/4*2 | %015-16
\mark \default
- \time 4/4 s1*26 | %016-42
+ \time 2/2 s1*26 | %016-42
\mark \default
\time 3/4 s1*3/4*14 | %043-56
\time 5/4 s1*5/4 | %057
s2 \timeSpanner "molto rit." s2.\startTextSpan | %058
\time 2/4 s4.. s16\stopTextSpan | %059
- \time 4/4 s1 \bar "||" | %060
+ \time 2/2 s1 \bar "||" | %060
\mark \default
- \tempo "Poco Meno Mosso" 4=19
- \time 4/4 s1*4 | %061-64
- \time 6/4 s1*6/4 | %065
- \time 4/4 s1*2 | %066-67
+ \tempo "Poco Meno Mosso" 2=96
+ \time 2/2 s1*4 | %061-64
+ \time 3/2 s1*6/4 | %065
+ \time 2/2 s1*2 | %066-67
\time 3/4 s1*3/4 | %068
- \time 4/4 s1*6 | %069-074
+ \time 2/2 s1*6 | %069-074
\time 5/4 s1*5/4 | %075
- \time 4/4 s1*3 | %076-078
+ \time 2/2 s1*3 | %076-078
\time 5/4 s1*5/4 | %079
- \time 4/4 s1*2 | %080-81
- \time 6/4 s2. \timeSpanner "molto rit." s2.\startTextSpan | %082
- \time 4/4 s4.. s16\stopTextSpan s2 \bar "||" | %083
+ \time 2/2 s1*2 | %080-81
+ \time 3/2 s2. \timeSpanner "molto rit." s2.\startTextSpan | %082
+ \time 2/2 s4.. s16\stopTextSpan s2 \bar "||" | %083
+ \mark \default
+ \tempo "A tempo" 2=96
+ s1*2 | %84-85
+ \time 5/4 s1*5/4 | %086
+ \time 2/2 s1*9 | %087
}
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
-
+ R1 | %084
+ g,4. d'8~-> d4 ees4~-> | %085
+ ees2. r2 | %086
+ R1*4
}
tromboneStaff =
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
-
+ R1*2 | %084-85
+ R1*5/4 | %086
+ R1*4
}
trumpetStaff =
\clef alto
R1 | %001
R1*3/4*2 | %002-3
- \time 4/4 R1*6 | %004-9
+ R1*6 | %004-9
r2 r4 e'4-.^\markup { "pizz" } | %010
cis4-. r4 r2 | %011
ees8-. f4-. ges8-. aes4-. r4 | %012
R1 | %067
ees8-. f8-. fis8( g8) e8-. d8-. | %068
cis1 | %069
- R1*2 | %070
- r2 r4 \tuplet 3/2 { r8 dis4~ } | %071
- dis2. r4 |
+ R1*2 | %070-71
+ r2 r4 \tuplet 3/2 { r8 dis4~ } | %072
+ dis2. r4 | %073
+ R1 | %074
+ R1*5/4 | %075
+ R1*3 | %076-78
+ R1*5/4 | %079
+ R1*2 | %080-81
+ r8 ges8^\markup { "pizz" } r4 e2~ \tuplet 3/2 { e2 g4~ } | %082
+ g2 g2\fermata | %083
}
violaStaff =
g,,1-> | %067
bes8-. des8-. b4( a4~ | %068
a1) | %069
- R1*4
+ R1*5 | %070-74
+ R1*5/4 | %075
+ R1*3 | %076-78
+ r2. r4 b'4~ | %079
+ \tuplet 3/2 { b2 g4( } c2~ | %080
+ c8) r8 r4 r2 | %081
+ R1*3/2 | %082
+ r2 r2\fermata | %083
}
violinOneStaff =
g4.) ges8~( ges4 f4~ | %014
f2.~ | %015
f2) r4 | %016
- \time 4/4 r4 cis8-.^\markup { "pizz" } dis8-. r8 ais8-. r8 gis8-. | %017
+ r4 cis8-.^\markup { "pizz" } dis8-. r8 ais8-. r8 gis8-. | %017
r8 a8-. r4 r4 r8 cis8-. | %018
R1*13 | %019-31
r2 r8 g8-.^\markup { "col legno" }^\markup { "arco" } aes8-. bes8-. | %032
g,1-> | %067
bes8-. des8-. b4( a4~ | %068
a1) | %069
- R1*4
+ R1*5 | %070-74
+ R1*5/4 | %075
+ R1*3 | %076-78
+ r2. r4 b'4~ | %079
+ \tuplet 3/2 { b2 g4~ } g2~ | %080
+ g8 r8 r4 r2 | %081
+ r2 r2 r4 \tuplet 3/2 { r8 g,4~ } | %082
+ g2 g2\fermata | %083
}
violinTwoStaff =