+++ /dev/null
-This is free and unencumbered software released into the public domain.
-
-Anyone is free to copy, modify, publish, use, compile, sell, or
-distribute this software, either in source code form or as a compiled
-binary, for any purpose, commercial or non-commercial, and by any
-means.
-
-In jurisdictions that recognize copyright laws, the author or authors
-of this software dedicate any and all copyright interest in the
-software to the public domain. We make this dedication for the benefit
-of the public at large and to the detriment of our heirs and
-successors. We intend this dedication to be an overt act of
-relinquishment in perpetuity of all present and future rights to this
-software under copyright law.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
-EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF
-MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.
-IN NO EVENT SHALL THE AUTHORS BE LIABLE FOR ANY CLAIM, DAMAGES OR
-OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE,
-ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR
-OTHER DEALINGS IN THE SOFTWARE.
-
-For more information, please refer to <https://unlicense.org>
+++ /dev/null
-Usage
-
-Required Fonts:
-
-- haydn (https://github.com/OpenLilyPondFonts/haydn)
-- Junicode
-- Syne
-
-The content of this project (music and logos) is protected under copyright, and the underlying source code used to format that content licensed under the Unlicense.
-(Copyright © 2023 Tucker Johnson)
\center-column {
\override #'(line-width . 100)
\justify {
- I was first struck by the idea to write a work for clarinet and
- piano after hearing a performance of Reger's first clarinet
- sonata by my partner Amber Lucas. The harmonic and contrapuntal
- complexities of Reger's music in addition to his unusual phrasal
- structures seemed nicely compatible with the contrapuntal
- language I had been developing in my own work. At the time of
- Amber's performance I was working on \italic Circumnutation, a
- cycle of inventions for keyboard that exlpored the structural
- potentialities of the diatonic set (equivalent to the major
- scale) and its relationship to the aggregate (the collection of
- all 12 pitch classes). \italic "Net Clarity" proceeds from the
- romantic clarinet sonata as a primary model, but other sounds and
- allusions abound: ranging from Bach and Schoenberg to Bebop and
- Babbit.
+ " "
}
}
\vspace #3
\override Hairpin.to-barline = ##f
\overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
\overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+ \override BarNumber.font-name = "Times"
\numericTimeSignature
\romanStringNumbers
\override StringNumber.padding = 1
\override StringNumber.font-size = -3
- \override TupletNumber.font-shape = #'bold
+ \override TupletNumber.font-shape = #'upright
+ \override StaffGrouper.staff-staff-spacing =
+ #'((basic-distance . 18)
+ (minimum-distance . 14)
+ (padding . 3)
+ (stretchability . 1))
}
}
}
\time 2/2 \harm a4 gis2.~\mf\> | %004
\time 3/4 gis8\p\stopTextSpan
\timeSpanner "rit." r8\startTextSpan r4 r4 | %005
- \time 2/2 <b,^\2 e,\3>2->\f\pont r8 <des^\3 f\2>8~\p\ord 4\stopTextSpan\fermata \twoWayFermata \bar "." | %006
+ \time 2/2 <b,^\2 e,\3>2->\f\pont r8 <des^\3 f\2>8~\p\ord 4\stopTextSpan\fermata \caesura \bar "." | %006
\tempo "a tempo"
r8 d8~\tasto d2. | %007
\time 5/4 r8 \stringNumberSpanner "II" fis8(\mf\ord\startTextSpan dis-.)\stopTextSpan
\stringNumberSpanner "III" ais8\pizz\glissando\startTextSpan
\glissandoSkipOn b4 \glissandoSkipOff \tuplet 3/2 { e4\>\arco cis4 gis4~\p } | %008
- \time 2/2 gis2 \tuplet 3/2 { g2\glissando\pizz b4\<\arco } | %009
- \set glissandoMap = #'((1 . 1))
- fis4. d8\stopTextSpan <d~\3 ees^\4>4\glissando <d f>4\mf | %010
<<
{
+ \time 2/2 gis2 \tuplet 3/2 { g2\glissando\pizz b4\<\arco } | %009
+ \set glissandoMap = #'((1 . 1))
+ fis4. d8\stopTextSpan <d~\3 ees^\4>4\glissando <d f>4\mf | %010
\stringNumberSpanner "III" g8(\>\startTextSpan bes) <a e\4>4\p\< \tuplet 3/2 { c4\stopTextSpan cis,4( b4) } | %011
- aes4\mf g2.\p\ord-\tweak outside-staff-priority 100 \fermata \twoWayFermata \bar "." | %012
+ aes4\mf g2.\p\ord-\tweak outside-staff-priority 100 \fermata \caesura \bar "." | %012
}
\new Voice {
- s4 \markSpanner "" "sul pont" s4\startTextSpan s4 s4 | s4\stopTextSpan
+ s1 |
+ s1 |
+ s4 \markSpanner "" "sul pont" s4\startTextSpan s4 s4 |
+ s4\stopTextSpan
}
->>
+ \new Voice {
+ s2. \timeSpanner "accel." s4\startTextSpan |
+ s1 |
+ s4 s8 s8\stopTextSpan \timeSpanner "rit." s2\startTextSpan |
+ s4 s4\stopTextSpan
+ }
+ >>
+ \tempo "a tempo"
+ \set glissandoMap = #'((0 . 0))
+ <bes g'>2~\tasto \tuplet 3/2 { 8 des4\glissando } <c e>4~ | %013
+ \time 5/4 8 r8 d4(\glissando a2) \tuplet 3/2 { r8 fis'8 ees'8 } | %014
+
+
}
\tempo Rubato 2=32
\time 5/4
R1*5/4 | %001
- \tuplet 3/2 { r4 <cis''\3 e^\2>2~\p } 4~ 8 r8 r4 | %002
+ \tuplet 3/2 { r4 <cis''\2 e^\1>2~\p } 4~ 8 r8 r4 | %002
r4 \stringNumberSpanner "II" aes'8\mf\startTextSpan g f4(\glissando b,8) bes4\> d8(\p\< | %003
\time 2/2 \tuplet 3/2 { fis4)\stopTextSpan \stringNumberSpanner "I" b(\startTextSpan f4~\mf } f8)\stopTextSpan
\stringNumberSpanner "II" e8(\>\startTextSpan ees c | %004
\time 3/4 a)\p\<\stopTextSpan \markSpanner "" "sul pont" <a g'>\startTextSpan <a bes'> <a cis'> d'4~\f\stopTextSpan | %005
\time 2/2 \tuplet 3/2 { d2 g,4\glissando\pizz }
- \glissandoSkipOn e4 \glissandoSkipOff bes4\mp\fermata \twoWayFermata \bar "." %006
+ \glissandoSkipOn e4 \glissandoSkipOff bes4\mp\fermata \caesura \bar "." %006
\tempo "a tempo"
r8 fis'8\p\arco\tasto gis8 a8 c8\< dis8\glissando b4\mf | %007
\time 5/4 a,4.\3(\glissando\>\ord c8~ c2~ c8)\p r8 | %008
d'2. \tuplet 3/2 { r8 \stringNumberSpanner "II" e,8\<\startTextSpan cis } | %009
a4 <a gis\3>4~ <a gis>8 c8~\mf c4\stopTextSpan | %010
r4 \markSpanner "" "sul pont" ges4\p\<\startTextSpan ees'4 f,4 | %011
- <d^\3 bes'\2>4\mf\stopTextSpan 2.\p\ord-\tweak outside-staff-priority 100 \fermata \twoWayFermata \bar "." %012
+ <d^\3 bes'\2>4\mf\stopTextSpan 2.\p\ord-\tweak outside-staff-priority 100 \fermata \caesura \bar "." %012
+ \tempo "a tempo"
+ r8 dis8~\tasto dis2 r8 fis'8\2 | %012
+ \time 5/4 <gis, b,>2~ \tuplet 3/2 { 4 f8~ } f2 | %013
}