for the Zohn Collective

diff --git a/general/info.ly b/general/info.ly
index 4ca850f938fcde14be45ab7f5c5867cab01fc375..58c6fa24548724d8aaebafd29472f71a883d7014 100644 (file)
--- a/general/info.ly
+++ b/general/info.ly
@@ -1,5 +1,5 @@
 xtitle = \markup { lABel }
-xsub = \markup { for the Zohn Collective }
+xsub = \markup { \null }
 xcomp = \markup { Tucker Johnson }
 xinst = \markup  { guitar, vibraphone, and piano }
 xdur = \markup { \null }

diff --git a/manuscripts/guitar.ly b/manuscripts/guitar.ly
index fd7c0599b7da699dc07b8aa626b9446d8e1e000a..f41dbba674819f14df9066e9934cec35687808df 100644 (file)
--- a/manuscripts/guitar.ly
+++ b/manuscripts/guitar.ly
@@ -11,6 +11,7 @@
 \relative {
   \arpeggioArrowUp
   \clef "treble_8"
+  \once \override Staff.TimeSignature.stencil = ##f
   \time 1/4
   \partial 4 r4\fermata \bar "||"
   \time 4/4
@@ -25,15 +26,14 @@
   c2\)\mf\> c2 |
   \timeSpanner "poco rit." c2\startTextSpan \after 4 \stopTextSpan c2\p |
   \tempo "A tempo"
-  g''8\f_\5\flageolet\laissezVibrer e,8_\3\flageolet\laissezVibrer r4 \tuplet 3/2 { r4 g'2~\mp\flageolet } |
-  \timeSpanner "poco rit." \tuplet 3/2 { g4\startTextSpan e,2\p\<_\3\flageolet\laissezVibrer } \after 4. \stopTextSpan \tuplet 3/2 { b'4_\2\flageolet\laissezVibrer e,4_\6\flageolet\laissezVibrer b'4_\2\flageolet\laissezVibrer } |
+  g''8\f_\3\flageolet\laissezVibrer^"V" e,8_\5\flageolet\laissezVibrer^"VII" r4 \tuplet 3/2 { r4 g'2~_\3\mp\flageolet^"V" } |
+  \timeSpanner "poco rit." \tuplet 3/2 { g4\startTextSpan e,2\p\<_\5\flageolet\laissezVibrer^"VII" } \after 4. \stopTextSpan \tuplet 3/2 { b'4_\2\flageolet\laissezVibrer^"XII" e,4_\6\flageolet\laissezVibrer^"XII" b'4_\2\flageolet\laissezVibrer^"XII" } |
   \tempo "A tempo"
   <f bes f'>1~\f\arpeggio |
   2 r2 |
-  b'2.\mp_\1\flageolet b4~_\1\flageolet |
+  b'2.\mp_\1\flageolet^"VII" b4~_\1\flageolet^"VII" |
   b1 |
-  r8 <aes, c,>8~ 2. |
-  \tuplet 3/2 { r4 r4 fis'4_\2\flageolet\laissezVibrer } \tuplet 3/2 { r4 g2_\3\flageolet\laissezVibrer } |
-
+  r8 <aes, c,>8~\f 2. |
+  \tuplet 3/2 { r4 r4 fis'4\mp_\2\flageolet\laissezVibrer^"VII" } \tuplet 3/2 { r4 g2_\3\p\flageolet\laissezVibrer^"V" } |
 
 }

diff --git a/manuscripts/percussion.ly b/manuscripts/percussion.ly
index db88186c60e05a287ef31d44c7cce064c6ce3b2c..417ee3ef3e7c08d30429248894658a380b270e77 100644 (file)
--- a/manuscripts/percussion.ly
+++ b/manuscripts/percussion.ly
@@ -11,26 +11,29 @@
 \relative {
   \set Staff.pedalSustainStyle = #'bracket
   \time 1/4
+  \once \override Staff.TimeSignature.stencil = ##f
   \partial 4 r4\fermata \bar "||"
   \time 4/4
   \tempo "Far-off Ringing" 4=48
-  \tuplet 3/2 { <ees'' ges des' f>4\f\laissezVibrer\sustainOn \xNote { des'8 } } r4 \xNote { f4 } \tuplet 3/2 { r8 \xNote { ees,4 } } |
-  \tuplet 3/2 { \xNote { ges4 } <c, a c,>8\mp\laissezVibrer\sustainOff\sustainOn } r4 \xNote { c,4 } \tuplet 3/2 { r8 \xNote { a'4 } } |
+  \tuplet 3/2 { <ees'' ges des' f>4\f\laissezVibrer\sustainOn \xNote { des'8^\markup { \tiny \bracket { "mute with mallet" } } } } r4 \xNote { f4 } \tuplet 3/2 { r8 \xNote { ees,4 } } |
+  \tuplet 3/2 { \xNote { \tag #'part { \timeSpanner "poco rit." ges4\startTextSpan } \tag #'score { ges4 } } <c, a c,>8\mp\laissezVibrer\sustainOff\sustainOn } r4 \xNote { c,4 } \tuplet 3/2 { r8 \xNote { a'4\stopTextSpan } } |
   \tempo "A tempo"
   r8\sustainOff\sustainOn <aes g' bes>8~\p \tuplet 3/2 { 8 \xNote { 4 } } r2 |
-  \tuplet 3/2 { aes2\>\laissezVibrer g'4\laissezVibrer } \tuplet 3/2 { r4 bes2\pp\laissezVibrer } |
+  \tuplet 3/2 { \tag #'part { \timeSpanner "poco rit." aes2\>\laissezVibrer\startTextSpan } \tag #'score { aes2\>\laissezVibrer } g'4\laissezVibrer } \tuplet 3/2 { r4 \after 4 \stopTextSpan bes2\pp\laissezVibrer } |
   \tempo "A tempo"
   <d, a' cis>8\mp\>\laissezVibrer\sustainOff\sustainOn <e gis dis'>8\!\laissezVibrer r4 r4 r4\sustainOff |
-  \tuplet 3/2 { <c, a' d bes'>2\f\>\sustainOn c4~ } \tuplet 3/2 { c4 c2 } |
+  \tuplet 3/2 { \tag #'part { \timeSpanner "poco rit." <c, a' d bes'>2\f\>\sustainOn\startTextSpan } \tag #'score { <c a' d bes'>2\f\>\sustainOn } c4~ } \tuplet 3/2 { c4 \after 4 \stopTextSpan c2 } |
+  \tempo "A tempo"
   \tuplet 3/2 { r2 c4~\sustainOff\sustainOn } \tuplet 3/2 { c4 c2\p } |
   bes'8\mf\laissezVibrer\sustainOff\sustainOn <cis e,>8\laissezVibrer r4 \tuplet 3/2 { \xNote { <cis e,>4 } bes'\p\<\laissezVibrer f'4\!\laissezVibrer } |
-  \tuplet 3/2 { r4 \xNote { <f bes,>2 } } \tuplet 3/2 { r4 <dis b>2\mp } |
+  \tuplet 3/2 { \tag #'part { \timeSpanner "poco rit." r4\startTextSpan } \tag #'score { r4 } \xNote { <f bes,>2 } } \tuplet 3/2 { r4 \after 4 \stopTextSpan <dis b>2\mp } |
+  \tempo "A tempo"
   r8\sustainOff\sustainOn <e, c e,>8\f\laissezVibrer r4 <f bes, f>2\mf |
   \xNote { <e c e,>4 } r4 <e b'>2~\mp |
   2. r4\sustainOff |
   R1 |
-  <ees ges,>8\sustainOn <c g' bes>8 r4 \xNote { <ees ges,>4 } r4 |
-  \tuplet 3/2 { des,4\laissezVibrer ges\laissezVibrer ees'\laissezVibrer } \tuplet 3/2 { r4 r2\sustainOff } |
+  <ees ges,>8\mf\<\sustainOn <c g' bes>8\! r4 \xNote { <ees ges,>4 } r4 |
+  \tuplet 3/2 { des,4\>\laissezVibrer ges\laissezVibrer ees'\pp\laissezVibrer } \tuplet 3/2 { r4 r2\sustainOff } |
 
 
 }

diff --git a/manuscripts/piano.ly b/manuscripts/piano.ly
index f2c18e20ebf40ab354dad3c5d81680673a980d47..af420e171ab8c2fa04f39c34ca3f603496f09cea 100644 (file)
--- a/manuscripts/piano.ly
+++ b/manuscripts/piano.ly
@@ -14,25 +14,35 @@
     \relative { \numericTimeSignature
       \override DynamicLineSpanner.staff-padding = \phds
       \clef "treble^8"
+      \once \override Staff.TimeSignature.stencil = ##f
       \time 1/4
-      \partial 4 \override NoteHead.style = #'harmonic-black <dis'' fis g b>4\fermata \revert NoteHead.style \bar "||"
+      \partial 4 \override NoteHead.style = #'harmonic-black <dis'' fis g b>4\fermata^\markup { \tiny \bracket { "silently depress" } } \revert NoteHead.style \bar "||"
       \time 4/4
       \tempo "Far-off Ringing" 4=48
       ges8\p\< <c, g' b>8\! r4 r2 |
-      r2 \override NoteHead.style = #'harmonic <fis g bes d>2 \revert NoteHead.style |
+      \tag #'part { \timeSpanner "poco rit." r2\startTextSpan }
+      \tag #'score { r2 }
+      \override NoteHead.style = #'harmonic
+      \after 4. \stopTextSpan <fis g bes d>2 \revert NoteHead.style |
+      \tempo "A tempo"
       <fis d'>8\mp\< <g bes>8\! r4 r2 |
-      R1 |
+      \tag #'part { \timeSpanner "poco rit." \after 2. \stopTextSpan R1\startTextSpan } \tag #'score { R1 } |
+      \tempo "A tempo"
       r8 g'8~\mp g4 \override NoteHead.style = #'harmonic <d, bes'>2 \revert NoteHead.style |
       <d bes'>8\mf\< <gis dis' fis>8\! r4 r2 |
-      r2 \override NoteHead.style = #'harmonic <ees' f>2 \revert NoteHead.style |
+      \tag #'part { \timeSpanner "poco rit." r2\startTextSpan }
+      \tag #'score { r2 }
+      \override NoteHead.style = #'harmonic \after 4. \stopTextSpan <ees' f>2 \revert NoteHead.style |
+      \tempo "A tempo"
       \after 8. \! <f a>2~\mf\< \tuplet 3/2 { \after 4 \p <f a>2 a4~ } |
-      \tuplet 3/2 { a4~ a8\< } r4 r2\mp |
+      \tuplet 3/2 { \tag #'part { \timeSpanner "poco rit." a4~\startTextSpan } \tag #'score { a4~ } a8\< } r4 \after 4. \stopTextSpan r2\mp |
+      \tempo "A tempo"
       \after 8. \! <ges aes,>1~\< |
       4 2 r4 |
       r2\p b2~ |
       1 |
-      <f des ges,>2 bes,2~ |
-      bes2 \tuplet 3/2 { r4 <bes g>2 } |
+      \after 8. \! <f des ges,>2\mf\< bes,2~\p |
+      bes2 \tuplet 3/2 { r4 <bes g>2\pp } |
     }
   }
 
@@ -43,6 +53,7 @@
   {
     \set Staff.pedalSustainStyle = #'bracket
     \relative { \numericTimeSignature
+      \once \override Staff.TimeSignature.stencil = ##f
       \time 1/4
       \partial 4 \override NoteHead.style = #'harmonic-black <c' fis a c>4\fermata\sostenutoOn \revert NoteHead.style \bar "||"
       \time 4/4

diff --git a/parts.ly b/parts.ly
index 47366609e03514b9a1f86bc4069f367161b68c51..309bbbc48db49e8643980224caf5a0456a849ab1 100644 (file)
--- a/parts.ly
+++ b/parts.ly
@@ -46,161 +46,56 @@
 }
 
 \book {
-  \bookOutputName "cherryBlossoms"
-  \bookOutputSuffix "TrumpetI"
+  \bookOutputName "zohnReading"
+  \bookOutputSuffix "guitar"
   \score {
     \header {
       title = \markup { \fontsize #1 \xtitle }
       arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash }
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
-      poet = \markup { Trumpet \bold I in \concat { \bold "B" \tiny \flat } }
+      poet = \markup { Guitar }
     }
     <<
-      \include "manuscripts/trumpetI.ly"
+      \include "manuscripts/guitar.ly"
     >>
     %\midi { }
     \layout {
       \context {
-        \Score
-        \override RehearsalMark.break-visibility = #begin-of-line-invisible
-        \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
-        \override Hairpin.to-barline = ##f
-        \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
-        \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
-        \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
-        \override BarNumber.font-name = "classico"
-        \phrasingSlurDashPattern #0.5 #2.0
-        \override PhrasingSlur.thickness = 0.00
-        \override StaffSymbol.layer = #4
-        \override Stem.layer = #4
-        \override Beam.layer = #4
-        \override Tie.layer = #4
-        \override Hairpin.layer = #4
-        \override TimeSignature.layer = #2
-        \override Tie.layer = #1
-        \override TupletBracket.layer = #2
-        \override TextSpanner.layer = #3
-        \override NoteHead.layer = #4
-        \override TimeSignature.whiteout = 2
-        \override TextScript.padding = 1
-        \numericTimeSignature
-        \romanStringNumbers
-        \override StringNumber.padding = 1
-        \override StringNumber.font-size = -3
-        \override TupletNumber.layer = 4
-        \override TupletNumber.font-shape = #'upright
-        \override TupletBracket.whiteout = 2
-      }
-      \context {
-        \Staff
-        \remove Instrument_name_engraver
-      }
-    }
-  }
-}
-
-\book {
-  \bookOutputName "cherryBlossoms"
-  \bookOutputSuffix "TrumpetII"
-  \score {
-    \header {
-      title = \markup { \fontsize #1 \xtitle }
-      arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash }
-      subtitle = \markup { \medium \italic \xsub }
-      composer = \xcomp
-      poet = \markup { Trumpet \bold II in \concat { \bold "B" \tiny \flat } }
-    }
-    <<
-      \removeWithTag #'score \include "manuscripts/trumpetII.ly"
-    >>
-    %\midi { }
-    \layout {
-      \context {
-        \Score
-        \override RehearsalMark.break-visibility = #begin-of-line-invisible
-        \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
-        \override Hairpin.to-barline = ##f
-        \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
-        \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
-        \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
-        \override BarNumber.font-name = "classico"
-        \phrasingSlurDashPattern #0.5 #2.0
-        \override PhrasingSlur.thickness = 0.00
-        \override StaffSymbol.layer = #4
-        \override Stem.layer = #4
-        \override Beam.layer = #4
-        \override Tie.layer = #4
-        \override Hairpin.layer = #4
-        \override TimeSignature.layer = #2
-        \override Tie.layer = #1
-        \override TupletBracket.layer = #2
-        \override TextSpanner.layer = #3
-        \override NoteHead.layer = #4
-        \override TimeSignature.whiteout = 2
-        \override TextScript.padding = 1
-        \numericTimeSignature
-        \romanStringNumbers
-        \override StringNumber.padding = 1
-        \override StringNumber.font-size = -3
-        \override TupletNumber.layer = 4
-        \override TupletNumber.font-shape = #'upright
-        \override TupletBracket.whiteout = 2
-      }
-      \context {
-        \Staff
-        \remove Instrument_name_engraver
-      }
-    }
-  }
-}
+          \Score
+          \override RehearsalMark.break-visibility = #begin-of-line-invisible
+          \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/60)
+          \override Hairpin.to-barline = ##f
+          \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
+          \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+          \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
+          \override BarNumber.font-name = "classico"
+          \phrasingSlurDashPattern #0.5 #2.0
+          \override PhrasingSlur.thickness = 0.00
+          \override StaffSymbol.layer = #4
+          \override Stem.layer = #4
+          \override Beam.layer = #4
+          \override Tie.layer = #4
+          \override Hairpin.layer = #4
+          \override TimeSignature.layer = #2
+          \override Tie.layer = #1
+          \override TupletBracket.layer = #1
+          \override TextSpanner.layer = #3
+          \override NoteHead.layer = #4
+          \override TimeSignature.whiteout = 2
+          \override TextScript.padding = 1
+          \override DynamicText.layer = 5
+          \numericTimeSignature
+          \override LedgerLineSpanner.layer = 10
+          \override StringNumber.padding = 1
+          \override StringNumber.layer = 5
+          \override StringNumber.font-size = -3
+          \override StringNumber.outside-staff-priority = 200
+          \override TupletNumber.layer = 4
+          \override TupletNumber.font-shape = #'upright
+          \override TupletBracket.whiteout = 2
+          \override TupletBracket.outside-staff-priority = 100
 
-\book {
-  \bookOutputName "cherryBlossoms"
-  \bookOutputSuffix "Horn"
-  \score {
-    \header {
-      title = \markup { \fontsize #1 \xtitle }
-      arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash }
-      subtitle = \markup { \medium \italic \xsub }
-      composer = \xcomp
-      poet = \markup { Horn in F }
-    }
-    <<
-      \removeWithTag #'score \include "manuscripts/horn.ly"
-    >>
-    %\midi { }
-    \layout {
-      \context {
-        \Score
-        \override RehearsalMark.break-visibility = #begin-of-line-invisible
-        \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
-        \override Hairpin.to-barline = ##f
-        \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
-        \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
-        \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
-        \override BarNumber.font-name = "classico"
-        \phrasingSlurDashPattern #0.5 #2.0
-        \override PhrasingSlur.thickness = 0.00
-        \override StaffSymbol.layer = #4
-        \override Stem.layer = #4
-        \override Beam.layer = #4
-        \override Tie.layer = #4
-        \override Hairpin.layer = #4
-        \override TimeSignature.layer = #2
-        \override Tie.layer = #1
-        \override TupletBracket.layer = #2
-        \override TextSpanner.layer = #3
-        \override NoteHead.layer = #4
-        \override TimeSignature.whiteout = 2
-        \override TextScript.padding = 1
-        \numericTimeSignature
-        \romanStringNumbers
-        \override StringNumber.padding = 1
-        \override StringNumber.font-size = -3
-        \override TupletNumber.layer = 4
-        \override TupletNumber.font-shape = #'upright
-        \override TupletBracket.whiteout = 2
       }
       \context {
         \Staff
@@ -211,51 +106,55 @@
 }
 
 \book {
-  \bookOutputName "cherryBlossoms"
-  \bookOutputSuffix "Trombone"
+  \bookOutputName "zohnReading"
+  \bookOutputSuffix "vibraphone"
   \score {
     \header {
       title = \markup { \fontsize #1 \xtitle }
       arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash }
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
-      poet = \markup { Trombone }
+      poet = \markup { Vibraphone }
     }
     <<
-      \removeWithTag #'score \include "manuscripts/trombone.ly"
+      \removeWithTag #'score \include "manuscripts/percussion.ly"
     >>
     %\midi { }
     \layout {
       \context {
-        \Score
-        \override RehearsalMark.break-visibility = #begin-of-line-invisible
-        \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
-        \override Hairpin.to-barline = ##f
-        \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
-        \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
-        \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
-        \override BarNumber.font-name = "classico"
-        \phrasingSlurDashPattern #0.5 #2.0
-        \override PhrasingSlur.thickness = 0.00
-        \override StaffSymbol.layer = #4
-        \override Stem.layer = #4
-        \override Beam.layer = #4
-        \override Tie.layer = #4
-        \override Hairpin.layer = #4
-        \override TimeSignature.layer = #2
-        \override Tie.layer = #1
-        \override TupletBracket.layer = #2
-        \override TextSpanner.layer = #3
-        \override NoteHead.layer = #4
-        \override TimeSignature.whiteout = 2
-        \override TextScript.padding = 1
-        \numericTimeSignature
-        \romanStringNumbers
-        \override StringNumber.padding = 1
-        \override StringNumber.font-size = -3
-        \override TupletNumber.layer = 4
-        \override TupletNumber.font-shape = #'upright
-        \override TupletBracket.whiteout = 2
+          \Score
+          \override RehearsalMark.break-visibility = #begin-of-line-invisible
+          \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/40)
+          \override Hairpin.to-barline = ##f
+          \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
+          \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+          \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
+          \override BarNumber.font-name = "classico"
+          \phrasingSlurDashPattern #0.5 #2.0
+          \override PhrasingSlur.thickness = 0.00
+          \override StaffSymbol.layer = #4
+          \override Stem.layer = #4
+          \override Beam.layer = #4
+          \override Tie.layer = #4
+          \override Hairpin.layer = #4
+          \override TimeSignature.layer = #2
+          \override Tie.layer = #1
+          \override TupletBracket.layer = #1
+          \override TextSpanner.layer = #3
+          \override NoteHead.layer = #4
+          \override TimeSignature.whiteout = 2
+          \override TextScript.padding = 1
+          \override DynamicText.layer = 5
+          \numericTimeSignature
+          \override LedgerLineSpanner.layer = 10
+          \override StringNumber.padding = 1
+          \override StringNumber.layer = 5
+          \override StringNumber.font-size = -3
+          \override StringNumber.outside-staff-priority = 200
+          \override TupletNumber.layer = 4
+          \override TupletNumber.font-shape = #'upright
+          \override TupletBracket.whiteout = 2
+          \override TupletBracket.outside-staff-priority = 100
       }
       \context {
         \Staff
@@ -266,54 +165,58 @@
 }
 
 \book {
-  \bookOutputName "cherryBlossoms"
-  \bookOutputSuffix "bassTrombone"
+  \bookOutputName "zohnReading"
+  \bookOutputSuffix "piano"
   \score {
     \header {
       title = \markup { \fontsize #1 \xtitle }
       arranger = \markup \typewriter \medium \fontsize #-4 { \shortHash }
       subtitle = \markup { \medium \italic \xsub }
       composer = \xcomp
-      poet = \markup { Bass Trombone }
+      poet = \markup { Piano }
     }
     <<
-      \removeWithTag #'score \include "manuscripts/bassTrombone.ly"
+      \removeWithTag #'score \include "manuscripts/piano.ly"
     >>
     %\midi { }
     \layout {
       \context {
-        \Score
-        \override RehearsalMark.break-visibility = #begin-of-line-invisible
-        \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
-        \override Hairpin.to-barline = ##f
-        \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
-        \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
-        \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
-        \override BarNumber.font-name = "classico"
-        \phrasingSlurDashPattern #0.5 #2.0
-        \override PhrasingSlur.thickness = 0.00
-        \override StaffSymbol.layer = #4
-        \override Stem.layer = #4
-        \override Beam.layer = #4
-        \override Tie.layer = #4
-        \override Hairpin.layer = #4
-        \override TimeSignature.layer = #2
-        \override Tie.layer = #1
-        \override TupletBracket.layer = #2
-        \override TextSpanner.layer = #3
-        \override NoteHead.layer = #4
-        \override TimeSignature.whiteout = 2
-        \override TextScript.padding = 1
-        \numericTimeSignature
-        \romanStringNumbers
-        \override StringNumber.padding = 1
-        \override StringNumber.font-size = -3
-        \override TupletNumber.layer = 4
-        \override TupletNumber.font-shape = #'upright
-        \override TupletBracket.whiteout = 2
+          \Score
+          \override RehearsalMark.break-visibility = #begin-of-line-invisible
+          \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/40)
+          \override Hairpin.to-barline = ##f
+          \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
+          \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+          \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
+          \override BarNumber.font-name = "classico"
+          \phrasingSlurDashPattern #0.5 #2.0
+          \override PhrasingSlur.thickness = 0.00
+          \override StaffSymbol.layer = #4
+          \override Stem.layer = #4
+          \override Beam.layer = #4
+          \override Tie.layer = #4
+          \override Hairpin.layer = #4
+          \override TimeSignature.layer = #2
+          \override Tie.layer = #1
+          \override TupletBracket.layer = #1
+          \override TextSpanner.layer = #3
+          \override NoteHead.layer = #4
+          \override TimeSignature.whiteout = 2
+          \override TextScript.padding = 1
+          \override DynamicText.layer = 5
+          \numericTimeSignature
+          \override LedgerLineSpanner.layer = 10
+          \override StringNumber.padding = 1
+          \override StringNumber.layer = 5
+          \override StringNumber.font-size = -3
+          \override StringNumber.outside-staff-priority = 200
+          \override TupletNumber.layer = 4
+          \override TupletNumber.font-shape = #'upright
+          \override TupletBracket.whiteout = 2
+          \override TupletBracket.outside-staff-priority = 100
       }
       \context {
-        \Staff
+        \PianoStaff
         \remove Instrument_name_engraver
       }
     }

diff --git a/zohnReading.ly b/zohnReading.ly
index 680abb419ce8bbc43074c0cbf45743bc7950c7c3..13f97340a83e3f0bea3372fc70407d8207eb4aed 100644 (file)
--- a/zohnReading.ly
+++ b/zohnReading.ly
@@ -117,7 +117,7 @@
     \fill-line {
       \left-column {
         \line { \bold \xtitle " [2025]" }
-        \line { \xinst " | " 6 minutes }
+        \line { \xinst " | " 1.2 minutes }
         \line { \xcomp }
         \vspace #25
       }
@@ -135,7 +135,14 @@
         \left-column {
           \override #'(line-width . 90)
           \justify {
-            " "
+            This work, temporarily titled \italic lABel, is a work-in-progress inspired
+            by bells and their perception in outdoor spaces. It explores a
+            specific bell-like harmony from the final movement of George
+            Enescu's 3rd Piano Suite as it undergoes transformation,
+            reverberation, decay, and reflection. The piece is imagined as
+            moving between listening points around a set of ringing bells,
+            shifting vantage points, and experiencing ringing from various
+            distances and reflecting off different surfaces.
           }
         }
         \vspace #2.5
@@ -150,11 +157,7 @@
         \left-column {
           \override #'(line-width . 90)
           \line { \hspace #90 }
-          \justify { \italic 1. \hspace #1 Accidentals carry through each bar – cautionary accidentals are not supplied. }
-          \justify { \italic 2. \hspace #1 Two fermata notations are used: a \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a \italic long fermata ( \musicglyph "scripts.ufermata" ). }
-          \override #'(line-width . 90)
-          \justify {
-            \italic 3. \hspace #1 Dotted slurs are used to indicate phrasing that may not be clear through dynamics and other notations. }
+          \justify { \italic 1. \hspace #1 Accidentals carry through each bar }
         }
         \vspace #2.5
         \line { \char ##x27BF }
@@ -188,11 +191,11 @@
     }
     \score {
       <<
-        \include "manuscripts/guitar.ly"
-        \include "manuscripts/percussion.ly"
-        \include "manuscripts/piano.ly"
+        \removeWithTag #'part \include "manuscripts/guitar.ly"
+        \removeWithTag #'part \include "manuscripts/percussion.ly"
+        \removeWithTag #'part \include "manuscripts/piano.ly"
       >>
-      \midi { }
+      %\midi { }
       \layout {
         \context {
           \Score
@@ -223,7 +226,7 @@
           \override StringNumber.padding = 1
           \override StringNumber.layer = 5
           \override StringNumber.font-size = -3
-          \override StringNumber.outside-staff-priority = 2000
+          \override StringNumber.outside-staff-priority = 200
           \override TupletNumber.layer = 4
           \override TupletNumber.font-shape = #'upright
           \override TupletBracket.whiteout = 2