R1*26 | %017-042
R1*3/4*14 | %043-56
R1*3/4*2 | %057-58
- R1*5/4
- R1*2/4 | %059
+ \cueDuring "flute" #UP {
+ \tag #'part { <>^\markup \tiny { "fl" } }
+ R1*5/4
+ R1*2/4 | %059
+ }
c'1~\niente\<\fermata | %060
c2.~\p c8 c8~->\mf\> | %061
c2.~ c8\pp r8 | %062
r4 f2.~(\< | %063
f1 | %064
g1~\mf g8\< fis8 ees8)\! r8 | %065
- R1 | %066
- r8 aes8~\mp\< aes2.~ | %067
+ \cueDuringWithClef "bassClarinet" #UP bass {
+ \tag #'part { <>^\markup \tiny { "b cl/bsn/vc/cb" } }
+ R1 | %066
+ r8
+ }
+ aes8~\mp\< aes2.~ | %067
\after 2 \! aes2.\mf\> | %068
r4 r8 d8~\p\< d2~ | %069
d2\mf r4 e4~ | %070
f8-.->\f r8 f8-.-> des8-.-> r4 des4~\> | %081
\after 2 \mp des2. r4 r2 | %082
r2 r2\fermata | %083
+ \tag #'part { \pageTurn }
r8 ces'8~->\f ces2~ ces8 bes8-. | %084
a8-. b8-. c2. | %085
ges8-. aes8-. f1~\> | %086
f4 g8-. e8~\mp e4 f4->\f | %087
d2~\> d8 cis8~ cis4~ | %088
\after 2. \p cis1 | %089
- r2 r4 r8 c'8(\mp | %090
+ \cueDuring "flute" #UP {
+ \tag #'part { <>^\markup \tiny { "fl" } }
+ r2 r4 r8
+ }
+ c'8(\mp | %090
d8 bes8 aes8 ges8~ ges4) r8 e'8( | %091
g8 f4) ees8~(\< ees8 cis8 b'8 a8~ | %092
a4) d4~->\f d8 f,8~ f4 | %093
c2.)\f | %129
r4. a4.~(\> a8 cis4~ \after 4. \p cis2.) | %130
R1*2/4\fermata | %131
- r8 ges,8( ees8) r8 r4 r8 g8(\< | %132
- e8) r8 r8 r8 c'8( | %133
+ \tag #'part { \pageTurn }
+ r8 ges,8( ees8) r8
+ \cueDuring "violin1" #UP {
+ \tag #'part { <>^\markup \tiny { "ob/vn I" } }
+ r4
+ }
+ r8 g8(\< | %132
+ e8) r8
+ \cueDuring "violin1" #UP {
+ r8 r8
+ }
+ c'8( | %133
a4) r8 cis8( gis4) r4 | %134
r4 r8 bes8( f8-.) r8 r8 b8( | %135
d,8-.) des''8-- r8 c,8( aes8-.) g''8-. aes8(\f d,8) | %136
\tag #'cadenza {
\cadenzaOn
d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f
- \footnote \markup † #'(-3 . -1) \markup \tiny \left-column {
- \line { † "Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4
- \line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4
- \line { "break, while rests are longer." }
- }
bes'4(\mp ces8)
ces1 \breathe
+ \tag #'part { \allowBreak }
\override Beam.grow-direction = #RIGHT \featherDurations 1/2 { ces'16([ des,\< aes') ees'( ces fes) ees( ges ces)] }
- \allowBreak
+ \tag #'score { \allowBreak }
\once \override Staff.Stem.stencil = ##f fes4(\f\> \once \override Staff.Stem.stencil = ##f \after 8 \! des) e,8
\after 4 \> f,1( \once \override Staff.Stem.stencil = ##f
c'4)\! a,8-.\sf
d'1\p r4\shortfermata
- bes,8-- 8-> \once \override Staff.Stem.stencil = ##f g''4(\< d8-.)
+ bes,8[-- 8]-> \once \override Staff.Stem.stencil = ##f g''4(\< d8-.)
\override Beam.grow-direction = #'()
d'16([\mf\> c bes a g f e])
e,,1(\p \once \override Hairpin.circled-tip = ##t \after 2.. \! d)\>\fermata \breathe
- \allowBreak
+ \tag #'score { \allowBreak }
+ \tag #'part { \allowBreak }
ces'16([\pp aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d\< f aes])
ces[( des ges bes ges bes des])
\override Beam.grow-direction = #LEFT \featherDurations 2/1 { bes[(\f des ges) bes,( des ges)] } g8--\sf \breathe
- \allowBreak
+ \tag #'part { \allowBreak }
+ \tag #'score { \allowBreak }
\override Beam.grow-direction = #'()
ees16([\> c a g a c ees g ees\pp c a g a c ees g ees c a g a c ees g ees c a g a c ees g ees c a g a c\< ees g])
+ \tag #'part { \allowBreak }
+ \tag #'part { \pseudoIndents 0 40 }
\override Beam.grow-direction = #LEFT \featherDurations 2/1 { ees[( c a g e! b] }
\override Beam.grow-direction = #'()
\once \override Staff.Stem.stencil = ##f fis4)\ff e''16([\> b' fis')]
- \allowBreak
+ \tag #'score { \allowBreak }
g1 aes,1\mf\fermata(
g16[\> f ees des c bes)]\pp
+ \tag #'part { \allowBreak }
+ \tag #'part { \pageBreak }
r4\shortfermata c8[\< bes]( \once \override Staff.Stem.stencil = ##f a'4)\mp d,,,8-.
f'1 c'8([\> g ees' f] bes1)\fermata
ees,,,8-.\! s8 \breathe
cis'16([\< b fis' e' d gis a-.])\mp
fes,([\p\< ees beses' aes' ges c des-.])\mf
+ \tag #'part { \allowBreak }
d!([\< f, b, g bes, aes ees-.])
- \allowBreak
- fis'([ e b' a' g cis d-.])\f \breathe
+ \tag #'score { \allowBreak }
+ fis'([ e b' a' g cis d-.])\f
s16 c16([ f bes--])
r4\shortfermata
\once \override Staff.Stem.stencil = ##f a,4(\> \once \override Staff.Stem.stencil = ##f fis, \once \override Staff.Stem.stencil = ##f ees' \once \override Staff.Stem.stencil = ##f des2)\mp
- c8([ d] \once \override Staff.Stem.stencil = ##f e4) f,,8(\pp aes \once \override Staff.Stem.stencil = ##f g2)
+ c8([ d] \once \override Staff.Stem.stencil = ##f e4) f,,8[(\pp aes] \once \override Staff.Stem.stencil = ##f g2)
\once \override Staff.Stem.stencil = ##f ces''4(\mf\> \once \override Staff.Stem.stencil = ##f \after 8 \! bes,4) r4\shortfermata
+ \tag #'part { \allowBreak }
\once \override Staff.Stem.stencil = ##f bes,4(\mp ces8)
ces1 |
ees,8 \once \override Staff.Stem.stencil = ##f des'4(\>
\after 4. \! fes1)
- \allowBreak
+ \tag #'score { \allowBreak }
bes,8[-.\sf aes'8(] ges1) \breathe
- \allowBreak
+ \tag #'score { \allowBreak }
g8([\< d'8) c( g'] \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { bes16--)[ a(\f\> d) c( bes a g f] }
\after 4. \p e1\fermata
e'8[-.) 8]-- \breathe
+ \tag #'part { \allowBreak }
\once \override Staff.Stem.stencil = ##f d,,,4(\pp
\override Beam.grow-direction = #'()
f16[ aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f aes ces aes f d f\< aes ces]
- \allowBreak
d[ des bes]
\once \override Staff.Stem.stencil = ##f ges4)\f \once \override Staff.Stem.stencil = ##f 4\sf \once \override Staff.Stem.stencil = ##f
+ \tag #'part { \allowBreak }
\cadenzaOff
}
2\fermata r4\shortfermata
8.) e16(\mf\> fis' a, b8~ b2~
b2.)\p r4 |
R1*3/4
- r2 gis'2\mp\<
+ <<
+ {
+ \voiceOne
+ r2
+ }
+ \tag #'part { \new CueVoice
+ \relative {
+ \voiceTwo
+ \tag #'part { <>^\markup \tiny { "hn" } }
+ fis'2
+ }
+ }
+ >>
+ \oneVoice
+ gis'2\mp\<
cis2 \tuplet 3/2 { d4(\f g, c,~ }
c2 f,)
f2~\fermata f2 |
--- /dev/null
+\version "2.24.4"
+
+\include "../general/info.ly"
+\include "../lib/load.ly"
+
+\paper {
+ line-width = 120
+ #(include-special-characters)
+ footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
+ print-page-number = ##f
+ #(set-paper-size "arch a")
+ print-all-headers = ##f
+ top-margin = 0.5\in
+ bottom-margin = 0.5\in
+ left-margin = 0.625\in
+ right-margin = 0.625\in
+ indent = 0.75\in
+ short-indent = 0\cm
+ ragged-last = ##t
+ #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "sans"))
+ max-systems-per-page = #8
+ min-systems-per-page = #2
+ markup-system-spacing = #'((basic-distance . 2) (minimum-distance . 1) (padding . 2))
+ system-system-spacing = #'((basic-distance . 5) (minimum-distance . 3) (padding . 8))
+ score-markup-spacing = #'((basic-distance . 4) (minimum-distance . 3) (padding . 4))
+ score-system-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0))
+ last-bottom-spacing = #'((basic-distance . 4) (minimum-distance . 2) (padding . 5))
+ tocTitleMarkup = \markup { }
+ tocItemMarkup = \markup \fill-line {
+ \fill-with-pattern #1.5 #CENTER .
+ \line {
+ \fromproperty #'toc:indent \fromproperty #'toc:text
+ }
+ \sans \fromproperty #'toc:page
+ }
+
+ oddHeaderMarkup = \markup {
+ \concat { \if \on-page #3 \oddhead }
+ \concat { \if \on-page #5 \oddhead }
+ \concat { \if \on-page #7 \oddhead }
+ \concat { \if \on-page #9 \oddhead }
+ \concat { \if \on-page #11 \oddhead }
+ \concat { \if \on-page #13 \oddhead }
+ \concat { \if \on-page #15 \oddhead }
+ \concat { \if \on-page #19 \oddhead }
+ \concat { \if \on-page #21 \oddhead }
+ \concat { \if \on-page #23 \oddhead }
+ \concat { \if \on-page #25 \oddhead }
+ \concat { \if \on-page #27 \oddhead }
+ \concat { \if \on-page #29 \oddhead }
+ \concat { \if \on-page #31 \oddhead }
+ \concat { \if \on-page #33 \oddhead }
+ \concat { \if \on-page #35 \oddhead }
+ \concat { \if \on-page #37 \oddhead }
+ \concat { \if \on-page #39 \oddhead }
+
+ }
+ evenHeaderMarkup = \markup {
+ \concat { \if \on-page #2 \evhead }
+ \concat { \if \on-page #4 \evhead }
+ \concat { \if \on-page #6 \evhead }
+ \concat { \if \on-page #8 \evhead }
+ \concat { \if \on-page #10 \evhead }
+ \concat { \if \on-page #12 \evhead }
+ \concat { \if \on-page #14 \evhead }
+ \concat { \if \on-page #16 \evhead }
+ \concat { \if \on-page #18 \evhead }
+ \concat { \if \on-page #20 \evhead }
+ \concat { \if \on-page #22 \evhead }
+ \concat { \if \on-page #24 \evhead }
+ \concat { \if \on-page #26 \evhead }
+ \concat { \if \on-page #28 \evhead }
+ \concat { \if \on-page #30 \evhead }
+ \concat { \if \on-page #32 \evhead }
+ \concat { \if \on-page #34 \evhead }
+ \concat { \if \on-page #36 \evhead }
+ \concat { \if \on-page #38 \evhead }
+ }
+ oddFooterMarkup = \markup {
+ \concat { \if \on-page #1 \fill-line { \null \xcr \null } }
+ \concat { \if \on-page #3 \oddfoot }
+ \concat { \if \on-page #5 \oddfoot }
+ \concat { \if \on-page #7 \oddfoot }
+ \concat { \if \on-page #9 \oddfoot }
+ \concat { \if \on-page #11 \oddfoot }
+ \concat { \if \on-page #13 \oddfoot }
+ \concat { \if \on-page #15 \oddfoot }
+ \concat { \if \on-page #19 \oddfoot }
+ \concat { \if \on-page #21 \oddfoot }
+ \concat { \if \on-page #23 \oddfoot }
+ \concat { \if \on-page #25 \oddfoot }
+ \concat { \if \on-page #27 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } }
+ \concat { \if \on-page #29 \oddfoot }
+ \concat { \if \on-page #31 \oddfoot }
+ \concat { \if \on-page #33 \oddfoot }
+ \concat { \if \on-page #35 \oddfoot }
+ \concat { \if \on-page #37 \oddfoot }
+ \concat { \if \on-page #39 \oddfoot }
+ }
+ evenFooterMarkup = \markup {
+ \concat { \if \on-page #2 \evfoot }
+ \concat { \if \on-page #4 \evfoot }
+ \concat { \if \on-page #6 \evfoot }
+ \concat { \if \on-page #8 \evfoot }
+ \concat { \if \on-page #10 \evfoot }
+ \concat { \if \on-page #12 \evfoot }
+ \concat { \if \on-page #14 \evfoot }
+ \concat { \if \on-page #16 \evfoot }
+ \concat { \if \on-page #18 \evfoot }
+ \concat { \if \on-page #20 \evfoot }
+ \concat { \if \on-page #22 \evfoot }
+ \concat { \if \on-page #24 \evfoot }
+ \concat { \if \on-page #26 \evfoot }
+ \concat { \if \on-page #28 \evfoot }
+ \concat { \if \on-page #30 \evfoot }
+ \concat { \if \on-page #32 \evfoot }
+ \concat { \if \on-page #34 \evfoot }
+ \concat { \if \on-page #36 \evfoot }
+ \concat { \if \on-page #38 \evfoot }
+ }
+}
+
+
+\include "../manuscripts/tempoMap.ly"
+\include "../manuscripts/scorePages.ly"
+\include "../manuscripts/clarinetSolo.ly"
+\include "../manuscripts/flute.ly"
+\include "../manuscripts/oboe.ly"
+\include "../manuscripts/bassClarinet.ly"
+\include "../manuscripts/bassoon.ly"
+\include "../manuscripts/horn.ly"
+\include "../manuscripts/trumpet.ly"
+\include "../manuscripts/trombone.ly"
+\include "../manuscripts/perc1.ly"
+\include "../manuscripts/perc2.ly"
+\include "../manuscripts/pianoUp.ly"
+\include "../manuscripts/pianoDown.ly"
+\include "../manuscripts/violin1.ly"
+\include "../manuscripts/violin2.ly"
+\include "../manuscripts/viola.ly"
+\include "../manuscripts/cello.ly"
+\include "../manuscripts/bass.ly"
+
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { \concat { "clarinet in B" \flat } }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \clarinetStaff \compressMMRests << \removeWithTag #'part \tempoMap \removeWithTag #'score \clarinetMusic >>
+ >>
+ \layout {
+ \context {
+ \Score
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+ \override InstrumentName.self-alignment-X = 1
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override Hairpin.to-barline = ##f
+ \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
+ \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+ \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
+ \override BarNumber.font-name = "classico"
+ \phrasingSlurDashPattern #0.5 #2.0
+ \override PhrasingSlur.thickness = 0.5
+ \override StaffSymbol.layer = #4
+ \override Stem.layer = #4
+ \override Beam.layer = #4
+ \override Hairpin.layer = #4
+ \override TimeSignature.layer = #2
+ \override Tie.layer = #1
+ \override TupletBracket.layer = #2
+ \override StringNumber.layer = #2
+ \override TextSpanner.layer = #3
+ \override NoteHead.layer = #4
+ \override Accidental.layer = #4
+ \override TimeSignature.whiteout = 2
+ \override Fermata.outside-staff-priority = 200
+ \numericTimeSignature
+ \romanStringNumbers
+ \override TupletNumber.layer = 4
+ \override TupletNumber.font-shape = #'upright
+ rehearsalMarkFormatter = #rounded-measure-number-mark
+ \remove Text_mark_engraver
+ \remove Mark_engraver
+ \remove Metronome_mark_engraver
+ \remove Instrument_name_engraver
+ \override MultiMeasureRest.expand-limit = 1
+ \override RehearsalMark.break-visibility = #(vector #f #t #t)
+ quotedCueEventTypes = #'(note-event rest-event tie-event beam-event tuplet-span-event)
+ }
+ \context {
+ \Staff
+ \consists Metronome_mark_engraver
+ \remove Instrument_name_engraver
+ \consists Text_mark_engraver
+ pedalSustainStyle = #'bracket
+ }
+ \context {
+ \Voice
+ \remove Instrument_name_engraver
+ }
+ }
+ }
+ }
+}