\include "manuscripts/6i.ly"
}
+\score {
+\header {
+piece = \markup { \large { \bold "panicle" \number 3 } }
+}
+\include "manuscripts/8i.ly"
+}
+
\score {
\header {
piece = \markup { \large { \bold "cyme" \number 2 } }
\line { \null }
\center-column {
\vspace #1
- %\line { \hbracket \bold \concat { "about " \xcomp } }
+ \line { \hbracket \bold \concat { "about " \xcomp } }
\vspace #1
- %\xbio
+ \xbio
\vspace #1.3
- %\line { ================================= }
+ \line { ================================= }
\vspace #1.3
\override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(strftime "%m-%d-%Y" (localtime (current-time))), using LilyPond version 2.22.2. If you would like to view the most recent version of the input documents that generated it, visit \sans \bold https://github.com/tuckerjohnson/fifteen-inventions.}
}
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "ui1" {
- \accidentalStyle modern-cautionary
+ \accidentalStyle modern
<<
\relative { \tmarkione
+ \omit Staff.BarLine
+ \override Staff.BarLine.allow-span-bar = ##f
\time 28/16 s16^\markup { \smaller \italic "volante; non legato" } s16 s16 s16 s16 s16 s16
s16 s16 s16 s16 s16 s16 s16
s16 s16 s16 s16 s16 s16 s16
s16 s16 s16 s16 s16 s16 s16
s16 s16 s16 s16 s16 s16 s16
s16 s16 s16 s16 s16 s16 s16
- s16 s16 s16 s16 s16 s16 s16 \bar "|."
+ s16 s16 s16 s16 s16 s16 s16
+ \override Staff.BarLine.allow-span-bar = ##t \bar "|." \revert Staff.BarLine.stencil
}
>>
}
\new Staff = "di1" { \clef bass
- \accidentalStyle modern-cautionary
+ \accidentalStyle modern
<<
\relative { \tmarkione
+ \omit Staff.BarLine
+ \override Staff.BarLine.allow-span-bar = ##f
\time 28/16 gis,16[\p ais b cis dis e fis]
g16[ a c \change Staff = "ui1" d f ees \change Staff = "di1" bes]
a16[ g fis e d c b]
\change Staff = "ui1" d[ e g a bes f c]
\change Staff = "di1" b[ a g fis e d cis]
ees[ aes, g bes c d f]
- fis[ gis a b cis \change Staff = "ui1" dis e] \change Staff = "di1" \bar "|."
+ fis[ gis a b cis \change Staff = "ui1" dis e] \change Staff = "di1"
+ \override Staff.BarLine.allow-span-bar = ##t \bar "|." \revert Staff.BarLine.stencil
}
>>
}
\accidentalStyle modern
<<
\relative { \override Score.MetronomeMark.padding = #2.2 \tmarktthree
-\omit Staff.BarLine
-\override Staff.BarLine.allow-span-bar = ##f
\override DynamicLineSpanner.staff-padding = \phds
\time 7/8 d'8[\offset Y-offset 2^\markup { \smaller \italic "bruscamente" } e-- \change Staff = "di2" fis,-.-> \change Staff = "ui2" g'( a) \change Staff = "di2" b,-- \change Staff = "ui2" cis']( |
ees[ f) \change Staff = "di2" aes,,-- \change Staff = "ui2" bes''( c) \change Staff = "di2" g,,-- d-.->] |
\change Staff = "ui2" g'[ \change Staff = "di2" a,,,-.-> \change Staff = "ui2" b''' \change Staff = "di2" c,,-- \change Staff = "ui2" d'' \change Staff = "di2" e,,-- \change Staff = "ui2" fis''] |
\change Staff = "di2" des,,,-.->[ aes''( g) \change Staff = "ui2" f''(^"poco rit." ees c bes] |
\stemUp a[ gis) \change Staff = "di2" fis,,-.-> \change Staff = "ui2" e'' \change Staff = "di2" d,-- cis' b,]-- \change Staff = "ui2"
-\override Staff.BarLine.allow-span-bar = ##t \bar "|." \revert Staff.BarLine.stencil }
+\bar "|." }
>>
}
\new Staff = "di2" { \clef bass
\accidentalStyle modern
<<
-\relative { \tmarktthree \set tieWaitForNote = ##t \override TimeSignature.stencil = ##f \override Staff.BarLine.stencil = ##f
+\relative { \tmarktthree \set tieWaitForNote = ##t
\override DynamicLineSpanner.staff-padding = #7
\time 7/8 s8\fff\> s8 s8 s8 s8 s8 s8 |
s8 s8 s8 s8 s8\mf s8 s8 |
s8 s8 s8\< s8 s8 s8 s8 |
s8 s8\mf\> s8 s8 s8 s8 s8 |
s8 s8 s8 s8 s8 s8 s8\pp |
-\revert Staff.BarLine.stencil }
+}
>>
}
>>
\Score
\override BarNumber.break-visibility = ##(#f #f #f)
\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
}
}
+++ /dev/null
-%fifteen inventions project
-\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "u" {
-\accidentalStyle modern
-<<
-\relative { \override Score.MetronomeMark.padding = #2.2 \tmarktthree
-\omit Staff.BarLine
-\override Staff.BarLine.allow-span-bar = ##f
-\override DynamicLineSpanner.staff-padding = \phds
-\time 7/8 r8 c''4.( d8[ b8]) r8 |
-cis4( dis ais8) s4 |
-s4 s4 s4. |
-s4 s4 s4. |
-\override Staff.BarLine.allow-span-bar = ##t \bar "|." \revert Staff.BarLine.stencil }
-\\
-\relative { \override Score.MetronomeMark.padding = #2.2 \tmarktthree
-\omit Staff.BarLine
-\override Staff.BarLine.allow-span-bar = ##f
-\override DynamicLineSpanner.staff-padding = \phds
-\time 7/8 \stemNeutral \change Staff = "d" a,8[ \change Staff = "u" c''\offset Y-offset 2^\markup { \smaller \italic "bruscamente" } \change Staff = "d" e,,, g \change Staff = "u" d''' b \change Staff = "d" f,]-.-> \change Staff = "u" |
-cis''8[ \change Staff = "d" aes,,8 \change Staff = "u" dis'' \change Staff = "d" ges,,, \change Staff = "u" ais'' c,^.^> \change Staff = "d" f,,] \change Staff = "u" |
-\change Staff = "d" a'8[-.-> \change Staff = "u" e''^. \change Staff = "d" cis,,-. \change Staff = "u" gis'''^. \change Staff = "d" d,,-. \change Staff = "u" fis''^. \change Staff = "d" b,,,]-. \change Staff = "u" |
-\change Staff = "d" ees8[^. \change Staff = "u" g''^. \change Staff = "d" bes,,,^. \change Staff = "u" d'^.^> \change Staff = "d" c,^. \change Staff = "u" a'''^. f]^. |
-\override Staff.BarLine.allow-span-bar = ##t \bar "|." \revert Staff.BarLine.stencil }
->>
-}
-\new Staff = "d" { \clef bass
-\accidentalStyle modern
-<<
-\relative { \tmarktthree \set tieWaitForNote = ##t \override TimeSignature.stencil = ##f \override Staff.BarLine.stencil = ##f
-\override DynamicLineSpanner.staff-padding = #7
-\time 7/8 \stemDown a,4_(\p e8[ g]) r4 s8 |
-r8 aes4_( ges4. f8) |
-s4 s4 s4. |
-s4 s4 s4. |
-\revert Staff.BarLine.stencil }
->>
-}
->>
-%\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.break-visibility = ##(#f #f #f)
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
-}
--- /dev/null
+%fifteen inventions project
+\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
+\set PianoStaff.connectArpeggios = ##t
+\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+\new Staff = "u" {
+\accidentalStyle modern
+<<
+\relative { \override Score.MetronomeMark.padding = #2.2 \tmarktthree
+\override DynamicLineSpanner.staff-padding = \phds
+\time 7/8 \stemUp r4 r4 r4 f''8-.-> |
+r4 r4 r8 c8-.-> r8 |
+a'8-.-> r8 r4 r4. |
+s8 r8 r8 d,-.-> s4. |
+s2 r8 e8-.-> r8 |
+r8 g-.-> r4 r4. |
+r4 r4 r8 cis-.-> r8 |
+\bar "|."
+}
+>>
+}
+\new Staff = "d" { \clef bass
+\accidentalStyle modern
+<<
+\relative { \override Score.MetronomeMark.padding = #2.2 \tmarktthree
+\override DynamicLineSpanner.staff-padding = \phds
+\time 7/8 \stemUp a4^( e8[ g8)] s4. |
+r8 aes4( ges4. f8)-. |
+s4 s4 s4. |
+s4 s8 s8 \stemDown \change Staff = "u" c'4. |
+dis2^( \change Staff = "d" gis,4 fis8) |
+g4( e8[) f-.] s4. |
+\bar "|."
+}
+\\
+\relative { \tmarktthree \set tieWaitForNote = ##t \override TimeSignature.stencil = ##f
+\override DynamicLineSpanner.staff-padding = #7
+\time 7/8 \stemDown r8 c,4._( d8[ b'8]) r8 |
+des,4( ees4 bes8) s4 |
+r8 \stemNeutral e8[^. cis''^. gis,^. d''^. fis,,^. b'^.] |
+\change Staff = "u" ees8[^. \change Staff = "d" g,,-. bes'-.] \stemDown r4 a,8([ f]) |
+r8 ais8[_( b cis,]) s4. |
+s4 s4 bes'8[^. c,^. d^.] |
+}
+>>
+}
+>>
+%\midi { }
+\layout {
+\context {
+\Score
+\override BarNumber.break-visibility = ##(#f #f #f)
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+}
+}
xbio = \markup { \center-column { \override #'(line-width . 75) \justify \tiny { Currently based in Rochester, New York, Tucker Johnson's musical practice includes works for soloists, ensembles, and electronic media. }
\vspace #0.8
- \override #'(line-width . 75) \justify \tiny { His music has been programmed and honored at festivals and events, including the inaugural Dot-The- Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound, NYC), Shastra Rhythm Workshop, 2018 MCS Elements showcase, and the National Young Composers' Challenge. In addition, Tucker received two awards for Outstanding Undergraduate Research at Penn State: the Peter T. Luckie Award in the spring of 2020 (a presence within reassembly) and the First Place Oral Presentation in 2021 (Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears). Interested in interdisciplinary practice, He served as a collaborative creator in a workshop with artist Nick Cave and the "Music for the Visible Turn" concert at the University of South Florida Contemporary Art Museum in 2019. }
+ \override #'(line-width . 75) \justify \tiny { His music has been programmed and honored at festivals and events, including the inaugural Dot-The-Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New Jersey), and the National Young Composers’ Challenge (Orlando). In 2021, he was awarded the Marjorie Jane Brewster Memorial Music Scholarship; a scholarship awarded each year to one graduating Penn State student to pay for graduate studies at another institution. Additionally, Tucker received two awards for Outstanding Undergraduate Research at Penn State: the Peter T. Luckie Award in the spring of 2020 (a presence within reassembly) and First Place Oral Presentation in 2021 (Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears). Interested in interdisciplinary practice, He served as a collaborative creator in a workshop with artist Nick Cave and the “Music for the Visible Turn” concert at the University of South Florida Contemporary Art Museum in 2019. }
\vspace #0.8
\override #'(line-width . 75) \justify \tiny { He seeks to draw connections between philosophy, mathematics, and design through his work. These ideas are often synthesized through a blend of experimentation and highly organized systems. Recent explorations in Tucker's music have included prescriptive applications of mathematical relationships/number sequences, the reorganization of improvised materials, and 12-tone structures. Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside interests in visual art, open-source software, and teaching. }
\vspace #0.8