Saturday Stream

diff --git a/manuscripts/III-clarinet.ly b/manuscripts/III-clarinet.ly
index 004d9ef2b0b7cb991ca07a05de51f07969dd5ca8..5b6358499a607c33984c5f7ba463a0b77ae11934 100644 (file)
--- a/manuscripts/III-clarinet.ly
+++ b/manuscripts/III-clarinet.ly
@@ -77,7 +77,7 @@
       \rhythm { { 8 } }
     }
   } 4 = 75
-  \time 7/4 1) r2. |
+  \time 7/4 1) r4 r2 |
   \undo \omit Score.BarNumber
   R1*7/4*3 | \tag #'part  { \break }
   <<
@@ -161,7 +161,10 @@
     }
     \tag #'part  {
       \new CueVoice \relative {
-        ees,8[\laissezVibrer bes'8]\laissezVibrer f'8[\laissezVibrer c']\laissezVibrer g'8[\laissezVibrer <g\laissezVibrer d'>8]~ |
+        \cueClef "bass"
+        ees,8[\laissezVibrer bes'8]\laissezVibrer f'8[\laissezVibrer c']\laissezVibrer
+        \cueClef "treble"
+        g'8[\laissezVibrer <g\laissezVibrer d'>8]~ |
         \time 4/4 8\fermata f'8~ 2 f8 ees |
         \time 3/4 bes'2. |
         \time 4/4 r8 bes8~ 4 aes4. e8 |

diff --git a/manuscripts/IV-clarinet.ly b/manuscripts/IV-clarinet.ly
index 6a85f54e036a7828ac929f5ab27020c5a57f97f6..d3b58d07e814abe7321a1d84f5857176f1cc8a03 100644 (file)
--- a/manuscripts/IV-clarinet.ly
+++ b/manuscripts/IV-clarinet.ly
@@ -6,14 +6,12 @@
   \override DynamicLineSpanner.staff-padding = \sods
   fontSize = \clarinetFont
   \override StaffSymbol.staff-space = \clarinetMagstep
-  \override Score.Footnote.annotation-line = ##f
   \consists Text_mark_engraver
 }
 
 \transpose bes c'
 \relative {
   \compressEmptyMeasures
-
   \numericTimeSignature
   \clef treble
   \tempo "Allegro energico" 4=104
@@ -104,7 +102,7 @@
   \time 3/4 aes16(\< bes ces des) \tuplet 3/2 { eeses8( f ges~ } ges8.) a,16( | %075
   \time 2/2 ees'2)\ff r8 e8( fis b,8) | %076
   g( f\> ees bes'~ bes) a8(\f aes4\> | %077
-  des4) r8 d8( \after 8 \mf c4.) e8( | %078
+  des4) r8 d8( c4-.)\mf r8 e8( | %078
   \time 3/4 d[ b a]-.) c,,[(\< ees,]-.)\ff des'''(^\mp | %079
   bes[ c g]-.) bes,,-.->\ff aes''[(^\< ges] | %080
   \time 2/4 f8 ees4--)^\f \breathe d8(^\mp | %081
@@ -124,7 +122,7 @@
   \time 12/8 g2.~\mf 4.) r8 d4~( | %091
   \time 2/4 d8\> fis8 cis4)\p | %092
   \time 6/8 R1*6/8 | %093
-  \time 12/8 r4 c!8~\< c4.~ c4 c4( ees~ | %094
+  \time 12/8 r8 r8 c!8~\< c4.~ c4 c4( ees~ | %094
   \time 6/8 ees8) f8( bes,8~\mf 4 a8~ | %095
   \time 7/8 \after 4. \! a4.)\> r8 fis'4(\p ees8\< | %096
   \time 12/8 \after 2 \> g2.~\mp g8 e4~\pp e4.~ | %097
@@ -132,7 +130,7 @@
   \time 12/8 \after 4. \> d2.~\mf 8)\! r8 r8 r8 b4(\mp\< | %099
   \time 3/16 aes8. | %100
   \time 6/8 \after 4 \> \after 2 \! c2.)\f | %101
-  \time 15/8 r4.\startTextSpan a4.~\> a8 cis4~ cis4.~ \after 4 \stopTextSpan cis4.\pp \mark \markup { \smaller \musicglyph "scripts.ufermata" } \bar "||" %102
+  \time 15/8 r4.\startTextSpan a4.~(\> a8 cis4~ cis4.~ \after 4 \stopTextSpan cis4.)\pp \mark \markup { \smaller \musicglyph "scripts.ufermata" } \bar "||" %102
 
   \omit Score.BarNumber
   \sectionLabel \markup { \box \number 103 }
@@ -181,7 +179,7 @@
   \omit Score.BarNumber
   \override Score.TimeSignature.stencil = ##f
   \time 7/8  d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f
-  \footnote \markup \huge "*" #'(0 . 4) \markup \tiny \left-column {
+  \footnote \markup \huge "*" #'(-3 . -1) \markup \tiny \left-column {
     \line { "* Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4
     \line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4
     \line { "break, while rests are longer." }
@@ -238,32 +236,33 @@
   \revert Score.TimeSignature.stencil
   \tempo "Ravvivando il tempo" 2=72
   \set Score.currentBarNumber = #139
-  \time 2/2 ees8--\p \ace a'(\startTextSpan c)\< g,( ges) fes''( ces' bes |
-  aes) ees,,-. g''( f) des,-. c''( a) d,,,-.\stopTextSpan |
+  \time 2/2 ees8--\p \ace a'(\startTextSpan c)\< g,( ges) fes''( ces' bes | %139
+  aes) ees,,-. g''( f) des,-. c''( a) d,,,-.\stopTextSpan | %140
   \tempo "Allegro" 2=96
-  bes'''( g f ees) c'(\f d cis b |
-  a gis fis e) d8( c b a) |
-  ges(\< ees bes) g( e b'4)\ff \breathe f'8( |
-  \time 7/8 g,)[ bes( ges\psubito\< aes)] cis([ d a']) |
-  \time 2/2 ees'([->\mf\< c]) \tuplet 3/2 { fes(-> des bes) } ges'(->\ff\> ces,) d( g |
-  a4)\mf ees8(\f\> g aes, \after 4 \! c4.) |
-  R1 |
-  r4 aes'4(\p\< des ges~\mf\> |
-  ges4 ces,)\! bes8(\< g e) c( a f) d4\f\> \after 4 \! ees2 \bar "||" |
+  bes'''( g f ees) c'(\f d cis b | %141
+  a gis fis e) d8( c b a) | %142
+  ges(\< ees bes) g( e b'4)\ff \breathe f'8( | %143
+  \time 7/8 g,)[ bes( ges\psubito\< aes)] cis([ d a']) | %144
+  \time 2/2 ees'([->\mf\< c]) \tuplet 3/2 { fes(-> des bes) } ges'(->\ff\> ces,) d( g | %145
+  a4)\mf ees8(\f\> g aes, \after 4 \! c4.) | %146
+  R1 | %147
+  r4 aes'4(\p\< des ges~\mf\> | %148
+  ges4 ces,)\! bes8(\< g e) c( | %149
+  a f) d4\f\> \after 4 \! ees2 \bar "||" | %150
   \omit Score.BarNumber
 
   \sectionLabel \markup { \box \number 151 }
-  \undo \omit Score.BarNumber
   \tempo "Tempo rubato" 4 = 104
-  r4 r8 bes8~\mp bes8 bes4->( ees8~ |
-  \time 5/8 ees4~ 4.~ |
-  \time 3/4 8.) e16(\mf\> fis' a, b8~ b4~ |
-  \time 2/2 \rit \after 4 \startTextSpan b2.)\p r4 |
-  \time 3/4 \after 1*11/16 \stopTextSpan R1*3/4 \bar "||"
+  r4 r8 bes8~\mp bes8 bes4->( ees8~ | %151
+  \undo \omit Score.BarNumber
+  \time 5/8 ees4~ 4.~ | %152
+  \time 3/4 8.) e16(\mf\> fis' a, b8~ b4~ | %153
+  \time 2/2 \rit \after 4 \startTextSpan b2.)\p r4 | %154
+  \time 3/4 \after 1*11/16 \stopTextSpan R1*3/4 \bar "||" | %155
   \tempo "Meno mosso"
-  \time 4/4 r2 gis'2\mp\< |
-  \rit cis2\startTextSpan \tuplet 3/2 { d4(\f g, c,~ } |
-  c2 f,) |
-  f1\stopTextSpan\fermata \bar "|." |
+  \time 4/4 r2 gis'2\mp\< | \tag #'part { \break } %156
+  \rit cis2\startTextSpan \tuplet 3/2 { d4(\f g, c,~ } | %157
+  c2 f,) | %158
+  f1\stopTextSpan\fermata \bar "|." | %159
 
 }

diff --git a/manuscripts/IV-piano.ly b/manuscripts/IV-piano.ly
index c9afa6f284fd6e0db70b0a7a18d138e745d84fbb..3b2008aba87f4d117408ae68873ac14e8e4e6cc2 100644 (file)
--- a/manuscripts/IV-piano.ly
+++ b/manuscripts/IV-piano.ly
@@ -136,15 +136,15 @@
       >>
       \oneVoice a8) c8( f) fis( | %085
       <cis b'>4.) gis'8 \tuplet 3/2 { a4(\mf d, e) } \clef bass | %086
-      \molRit \tuplet 3/2 { cis(\>\startTextSpan dis) c_( } \tuplet 3/2 { f,) bes,( g~\pp } | %087
-      \time 3/8 \after 4 \stopTextSpan g4.) \clef treble \bar "||" %088
+      \molRit \tuplet 3/2 { cis(\>\startTextSpan dis) c_( } f,4) <b d,>4~\pp | %087
+      \time 3/8 \after 4 \stopTextSpan 4. \clef treble \bar "||" %088
 
       \sectionLabel \markup { \box \number 89 }
       \tempo \markup { "Andante"
           \concat { \rhythm { { 4 } } " = " \rhythm { { 2 } } }
         } 4. = 64
       \omit Score.BarNumber
-      \time 12/8 b'8(\p dis cis) b( dis cis) b( dis cis) b( dis cis) | %089
+      \time 12/8 b8(\p_\markup { \tiny \italic "quasi-romantic" } dis cis) b( dis cis) b( dis cis) b( dis cis) | %089
       \undo \omit Score.BarNumber
       \time 6/8 f( d f) d( f d) | %090
       \time 12/8 c( bes c) bes( c bes) c( bes c) bes( c bes) | %091
@@ -326,7 +326,6 @@
     \set Staff.pedalSustainStyle = #'bracket
     \omit Staff.SectionLabel
     \omit Staff.RehearsalMark
-    \override Score.Footnote.annotation-line = ##f
     \relative {
 
       \numericTimeSignature
@@ -335,7 +334,7 @@
       \time 5/4 \override Staff.Beam.positions = #'(-3.85 . -3.85) r16[ f'16-.^\pp aes,16-. r16] r8[ ges16-. r16]  ees'16[-. r16 r16 des16]-. r4 r4 | %001
       \revert Staff.Beam.positions
       \time 4/4 b8-.
-      \footnote \markup "*" #'(0.01 . 0.01) \markup \tiny "*Maintain 16th note length for staccato notes."
+      \footnote \markup "*" #'(0.01 . 0.01) \markup \tiny "* Maintain 16th note length for staccato notes."
       ^\markup { \tiny { \italic { "sempre staccatiss." } } }
       r8 a8-. c,8-. g'8-. e16-. d16-. \once \override Staff.Beam.positions = #'(-3 . -2) r8.[ ais'16]-. | %002
       cis16-.^\< gis8-. b16-. \once \override Staff.Beam.positions = #'(-3 . -2) r8.[ a16]-. r4 \once \override Staff.Beam.positions = #'(-3.85 . -3.85) r16[ e'16-. r8] | %003
@@ -435,17 +434,17 @@
       <<
         {
           \voiceOne
-          fis4\> gis2 b4~\\ | %087
-          \time 3/8 4. \bar "||" %088
+          fis4\> gis4~ \tuplet 3/2 { gis4 bes,_( g4_~\pp } | %087
         }
         \new Voice \relative {
           \voiceTwo
-          r4 a,4\> a d4~\pp | %087
-          \time 3/8 d4. \bar "||" %088
+          r4 a,4\> a4 s4\pp | %087
         }
       >>
       \oneVoice
-      \time 12/8 fis,8.(\p\sustainOn e) fis( e) fis( e) fis( bes) | %089
+      \time 3/8 \stemNeutral g4.) \bar "||" %088
+
+      \time 12/8 fis8.(\p\sustainOn e) fis( e) fis( e) fis( bes) | %089
       <<
         {
           \voiceOne

diff --git a/parts.ly b/parts.ly
index 87aec553b7e63bdcd9dbfe8043d56da469386fd1..79944758cbd16076e0487ba606c843c8271fac83 100644 (file)
--- a/parts.ly
+++ b/parts.ly
@@ -180,6 +180,7 @@ clarinetMagstep = #(magstep 0)
       >>
       %\midi { }
       \layout {
+        ragged-last = ##t
         \context {
           \Score
           \remove Text_mark_engraver