tagline = ##f
}
- \bookpart {
- \tocItem \markup { "I. " }
- \score {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { \xinst }
- piece = \markup { \large \bold "I. " }
- }
- <<
- \include "manuscripts/I-clarinet.ly"
- \include "manuscripts/I-piano.ly"
- >>
- %\midi { }
- \layout {
- \context {
- \Score
- \override RehearsalMark.break-visibility = #begin-of-line-invisible
- \override BarNumber.font-size = #1
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8)
- \override Hairpin.to-barline = ##f
- \override Staff.pedalSustainStyle = #'mixed
- }
- }
- }
- }
+% \bookpart {
+% \tocItem \markup { "I. " }
+% \score {
+% \header {
+% title = \markup { \fontsize #1 \xtitle }
+% subtitle = \markup { \medium \italic \xsub }
+% composer = \xcomp
+% poet = \markup { \xinst }
+% piece = \markup { \large \bold "I. " }
+% }
+% <<
+% \include "manuscripts/I-clarinet.ly"
+% \include "manuscripts/I-piano.ly"
+% >>
+% %\midi { }
+% \layout {
+% \context {
+% \Score
+% \override RehearsalMark.break-visibility = #begin-of-line-invisible
+% \override BarNumber.font-size = #1
+% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8)
+% \override Hairpin.to-barline = ##f
+% \override Staff.pedalSustainStyle = #'mixed
+% }
+% }
+% }
+% }
\bookpart {
\tocItem \markup { "III. " \parenthesize \italic "to Amber Lucas" }
\score {
\header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { \xinst }
piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" }
}
<<
\include "manuscripts/III-clarinet.ly"
\include "manuscripts/III-piano.ly"
>>
- %\midi { }
+ %\midi { }
\layout {
\context {
\Score
\concat { \if \on-page #17 \oddhead }
\concat { \if \on-page #19 \oddhead }
\concat { \if \on-page #21 \oddhead }
- \concat { \if \on-page #23 \oddhead }
}
evenHeaderMarkup = \markup {
\override DynamicLineSpanner.staff-padding = \sods
fontSize = #-2
\override StaffSymbol.staff-space = #(magstep -2)
+ \override Score.Footnote.annotation-line = ##f
\consists Text_mark_engraver
}
a4. d,8~(\> d4 aes) | %049
\time 5/4 bes1\mp\> aes'8(\pp fes8 | %050
\time 2/2 ees2.) r4 | %051
- f8[-.->\f r8 f8-.-> cis8]]-.-> r4 cis4~\> | %052
- \time 3/2 \after 2 \mp cis2. r4 \molRit r2\startTextSpan | %053
+ f8-.->\f r8 f8-.-> des8-.-> r4 des4~\> | %052
+ \time 3/2 \after 2 \mp des2. r4 \molRit r2\startTextSpan | %053
\time 2/2 \after 4. \stopTextSpan r2 r2\fermata | %054
\omit Score.BarNumber
\sectionLabel \markup { \box \number 55 }
- r8 b'8~->\f b2~ b8 bes-. | %055
+ r8 ces'8~->\f ces2~ ces8 bes-. | %055
\undo \omit Score.BarNumber
a8-. b-. c2. | %056
\time 5/4 ges8-. aes-. f1~\> | %057
\after 2 \p cis1 | %060
r2 r4 r8 c'8(\mf | %061
d bes aes ges~ ges4) r8 e'8( | %062
- g8 f4)\< ees8~( ees des8 b' a~ | %063
- a4) d4.->\f f,8~-> f4 | %064
+ g8 f4)\< ees!8~( ees cis8 b' a~ | %063
+ a4) d4~->\f d8 f,4.-> | %064
\tuplet 3/2 { fis4( b, a'\> } \tuplet 3/2 { bes, aes' c, } | %065
- \time 7/8 g'2~\mp 8) r8 cis,8( | %066
+ \time 7/8 g'2~\mp 8) r8 des8( | %066
\pocRit
- \time 3/4 \after 4 \startTextSpan e,2.\> | %067
+ \time 3/4 \after 4 \startTextSpan fes,2.\> | %067
\after 2 \p \after 2 \stopTextSpan ees2.) \bar "||" %068
\omit Score.BarNumber
\sectionLabel \markup { \box \number 69 }
\tempo "a tempo"
- \time 2/2 g8(\mf\< d' b fis' bes des4) c8( | %069
+ \time 2/2 g8(\mf\< d' ces ges' bes des4) c8( | %069
\undo \omit Score.BarNumber
\time 7/8 e4\f a,8) ees([ f]\> aes,4) | %070
des,8([\mp\< c e a,] d[ b f'] | %071
- \time 2/2 ees aes g fis\mf bes,) c(\mp\< des ees! | %072
- d8 e f g8~\mf g) r8 aes8-.\< fis8-. | %073
- b8( bes a-.)\f r8 \tuplet 3/2 { g4( c e) } | %074
- \time 3/4 gis16(\< ais b cis) \tuplet 3/2 { d8( eis fis~ } fis8.) a,16( | %075
- \time 2/2 dis2)\ff r8 e8( fis b,8) | %076
+ \time 2/2 ees aes g ges\mf bes,) c(\mp\< des ees | %072
+ d8 e f g8~\mf g) r8 aes8-.\< ges8-. | %073
+ ces8( bes a-.)\f r8 \tuplet 3/2 { g4( c e) } | %074
+ \time 3/4 aes16(\< bes ces des) \tuplet 3/2 { eeses8( f ges~ } ges8.) a,16( | %075
+ \time 2/2 ees'2)\ff r8 e8( fis b,8) | %076
g( f\> ees bes'~ bes) a8(\f aes4\> | %077
des4) r8 d8( \after 8 \mf c4.) e8( | %078
\time 3/4 d b a-.) c,,(\< ees,-.)\ff des'''(^\mp | %079
bes c g-.) bes,,-.->\ff aes''(^\< ges | %080
- \time 2/4 f8 ees4--)^\f \breathe d8_(^\mp | %081
+ \time 2/4 f8 ees4--)^\f \breathe d8(^\mp | %081
\time 3/4 e a cis-.) f,,,(\< a-.)\ff ees''(^\< | %082
ges b c-.)\mf d,,,-.->_\ff aes'''(^\< bes | %083
f' g4.~\f 4) \breathe | %084
- \time 2/2 e,,,4.--\mp aes''8(\f\> d, ees a,8)\! r8 | %085
- cis,4.--\mp bes'8_(\f\< f' c'\! b-.) g,,-- | %086
+ \time 2/2 fes,,,4.--\mp aes''8(\f\> d, ees a,8)\! r8 | %085
+ des,4.--\mp bes'8(\f\< f' c'\! b-.) g,,_- | %086
\molRit fis4\>\startTextSpan gis2 b4\p \breathe | %087
\time 3/8 cis''8(\mf e,) fis,(\stopTextSpan \bar "||" %088
\time 12/8 g2.~\mf 4.) r8 d4~( | %091
\time 2/4 d8\> fis8 cis4)\p | %092
\time 6/8 R1*6/8 | %093
- \time 12/8 r4 c8~\< c4.~ c4 c4( ees~ | %094
+ \time 12/8 r4 c!8~\< c4.~ c4 c4( ees~ | %094
\time 6/8 ees8) f8( bes,8~\mf 4 a8~ | %095
\time 7/8 \after 4. \! a4.)\> r8 fis'4(\p ees8\< | %096
\time 12/8 \after 2 \> g2.~\mp g8 e4~\pp e4.~ | %097
\time 2/2 fes2)\! r2 | %117
bes''2~(\mf bes8 d,4 g8~ | %118
g4) r4 r2 | %119
- r8 e8-. ees-. g~ g4 ges,,8-. f-. | %120
+ r8 fes8-. ees-. g~ g4 ges,,8-. f-. | %120
d''-. cis-. gis'4~(\< gis8 a4.)\f | %121
- c,8-. f-. r8 e,,-.-> ees-.-> r8 r8 ges''-. | %122
+ c,8-. f-. r8 fes,,-.-> ees-.-> r8 r8 ges''-. | %122
r2 r8 b,-.\< g'-. bes,-. | %123
aes'-. d,,,-.-> r8 cis'-. a'-. r8 r4 | %124
b'8-. r8 c-. r8 des-.->\ff r8 r8 ees-.-> | %125
\phrasingSlurDashed
\omit Score.BarNumber
\override Score.TimeSignature.stencil = ##f
- \time 7/8 d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f bes'4(\mp ces8) |
+ \time 7/8 d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f
+ \footnote \markup \huge "*" #'(0 . 4) \markup \tiny \left-column {
+ \line { "*Cadenza notation should be interpreted freely, though Music should be" } \vspace #-0.4
+ \line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4
+ \line { "break, while rests are longer." }
+ }
+ bes'4(\mp ces8) |
\omit Staff.BarLine
\time 4/4 ces1 \breathe |
\time 9/16 \override Beam.grow-direction = #RIGHT \featherDurations 1/2 { ces'16( des,\< aes') ees'( ces fes) ees( ges ces) } |
{
\set PianoStaff.connectArpeggios = ##t
- \omit Staff.SectionLabel
\relative {
\numericTimeSignature
1~ | %006
\time 5/4 4~ 16 c8.~ 16 g'8.~^\mp 2) | %007
\time 4/4 R1 | %008
- r2 r4 r16 d16(^\pp e8 | %009
+ r2 r4 r16[ d16(^\pp e8] | %009
b1~ | %010
4~ 8) 8~(^\mf 8. a16~ 4~ | %011
- 4) r8. d16(^\> a4~ 8 bes8 | %012
+ 4) r8.[ d16](^\> a4~ 8 bes8 | %012
c1)^\mp | %013
r4 g'2( f8^\< e8~ | %014
e8 fis16 dis16 b8 gis'8 cis,2~^\mf | %015
cis2) r4 r8 b8(~ | %016
b8. cis16 f8 d8~ d8 ees8~ ees4~ | %017
ees8) r8 a16(^\f gis8.~ gis4) g8 e8 | %018
- c4-- r16 bes8.~^\mp bes16 bes16-. r8 r4 | %019
+ c4-- r16 bes8.~^\mp bes16[ bes16-. r8] r4 | %019
r4 r16 ges'8.~^\mf ges4~ ges8 ges8--^\f | %020
\sectionLabel \markup { \box \number 21 }
\omit Score.BarNumber
\override DynamicLineSpanner.staff-padding = \phds
- \time 3/4 ges8-.\f r8 r4\pp r4 | %021
+ \time 3/4 ges8-. r8 r4 r4 | %021
\undo \omit Score.BarNumber
+ \omit Staff.SectionLabel
fis,8.-- g16~->\mf\> g8 bes16-. c16-. e,16-. gis8( cis16)-.\p | %022
- r8 d16(\< a16 b4)\mf b8 dis,8~\> | %023
- dis4 dis8-- r8 f8[-.\mp r16 f16]-. | %024
- r8 a8-. r16\< cis16( e,8 b'8. fis16 | %025
+ r8[ d16(\< a16] b4)\mf b8 ees,8~\> | %023
+ ees4 ees8-- r8 f8[-.\mp r16 f16]-. | %024
+ r8 a8-. r16[\< cis16( e,8] b'8. fis16 | %025
bes16\f ees8.~ ees8 d8~ d4~ | %026
d8) r8 aes4 f'8-. c16-.\> g16-. | %027
\time 5/8 \after 4.. \mp R1*5/8 | %028
\tempo 2=96
\time 2/2 r8\p f,,4.~ f2~ | %032
\undo \omit Score.BarNumber
- f4 fis2 bes8( des, | %033
+ f4 ges2 bes8( des, | %033
c2.) b'4(~\< | %035
b8 gis8~ gis4 e4.) ees8( | %036
\time 3/2 d8-.)\mf r8 r4 r2 r2 | %037
g1->\f \clef treble | %038
\time 3/4 bes8-.\> des-. b4( a4~ | %039
\after 2.. \p a1)\mp | %040
- r2\< fis'8-. b8-. \tuplet 3/2 { r8 r8 a'8~\mf } | %041
+ r2\< fis'8( b8) \tuplet 3/2 { r8 r8 a'8~\mf } | %041
a1 | %042
R1 | %043
R1 | %044
\revert DynamicLineSpanner.staff-padding
- r4 r8 c8-.\mf g-. bes-. r4 | %045
+ r4 r8 c8-.^\mf g-. bes-. r4 | %045
\time 5/4 r8 b8-. r4 r8 ees,8-.\< des-. f-. aes-.\! r8 | %046
r2 e8-.\< a,-. fis-. d-.\! | %047
\override DynamicLineSpanner.staff-padding = \phds
{
\voiceOne
s4 r4 f'4 | %114
- ges2 g2~ | %115
+ fis2 g2~ | %115
\time 7/8 g4 aes8-. r8\mf a4. | %116
- \time 2/2 r8 bes4.
+ \time 2/2 r8 ais4.
}
\new Voice \relative {
\voiceTwo
d'!2. | %114
- \tuplet 3/2 { r4 ees2 } \tuplet 3/2 { r4 e2~ } | %115
+ \tuplet 3/2 { r4 dis2 } \tuplet 3/2 { r4 e2~ } | %115
\time 7/8 e4 f8-. r8 r8 fis4 | %116
g2
}
>>
\oneVoice b2 | %117
- aes,2 a4. c'8 | %118
+ gis,2 a4. c'8 | %118
cis2. r4 | %119
r2 c,4(\mp b8-.) r8 | %120
r2 fis8-. <d g>-.\arpeggio r4 | %121
{
\clef bass
- \set Staff.pedalSustainStyle = #'mixed
+ \set Staff.pedalSustainStyle = #'bracket
\omit Staff.SectionLabel
\omit Staff.RehearsalMark
\override Score.Footnote.annotation-line = ##f
\tempo 4=104
\time 5/4 r16[ f'16-.^\pp aes,16-. r16] r8[ ges16-. r16] ees'16[-. r16 r16 des16]-. r4 r4 | %001
\time 4/4 b8-.
- \footnote \markup \tiny "*" #'(0.01 . 0.01) \markup \tiny "*Maintain 16th note length for staccato notes."
+ \footnote \markup "*" #'(0.01 . 0.01) \markup \tiny "*Maintain 16th note length for staccato notes."
^\markup { \tiny { \italic { "sempre staccatiss." } } }
r8 a8-. c,8-. g'8-. e16-. d16-. r8.[ ais'16]-. | %002
cis16-.^\< gis8-. b16-. r8.[ a16]-. r4 r16[ e'16-. r8] | %003
r16[ ges-. r16 c,]-. r8.[ des16]-. ees,2~^\mf | %018
8. a16(^\> d8 f8~ 16[ b16)-.^\p r8] r8.[ fis,16]-.^\< | %019
g16-. c16-. d16-. e16-. a16-. bes8.--^\mf r16[ ees,16-.^\< r16 f16]-. aes8[-. r16 ces16]-. | %020
+
\override Staff.Hairpin.stencil = ##f
+ \time 3/4 des8-.\f r8 a16-.^\pp gis16-. f8-. b,16( cis8.) | %021
\override Staff.DynamicText.stencil = ##f
- \time 3/4 des8-.\f r8 a16-.\pp gis16-. f8-. b,16( cis8.) | %021
d8.-- <ees ees,>16~->\mf <ees ees,>2 | %022
- r8 fis16(\mp\< c16 g8~\mf <g e'>8~ <g e'>16) bes8(\> f16 | %023
+ r8[ fis16(\mp\< c16] g8~\mf <g e'>8~ <g e'>16) bes8(\> f16 | %023
cis8 gis'8 fis16 b,8-.) c16( d8-.)\mp bes16-. e16-. | %024
r16[ g16-. r16 ees16]-. a,4(\< aes4 | %025
g16\f c8.~ c8) f16_(~ <f a'>16~ <f bes a'>4~ | %026
\revert Staff.Hairpin.stencil
\revert Staff.DynamicText.stencil
r2\sustainOff \tuplet 3/2 { gis2~^\p <dis gis>4~ } | %043
- <dis gis>2. d,4^\mp | %044
+ <dis gis>2. d,!4^\mp | %044
e2. f4^\mf | %045
\time 5/4 fis2.~ fis2 | %046
\time 2/2 g4.-- <c, c'>8~->^\f 2 | %047
\tuplet 3/2 { des2 b4~\mp } b4 fis'4~ | %058
fis8 g'-.\< c,-. f-. bes,4( a | %059
gis2~\sustainOn <gis e'>2) | %060
- g'2~\sustainOff\sustainOn\p <g e'> | %061
+ g'!2~\sustainOff\sustainOn\p <g e'> | %061
r2\sustainOff\sustainOn b4\< bes | %062
bes2\sustainOff\sustainOn r4\sustainOff\sustainOn fis4 | %063
r8\sustainOff ees8~\f 2~ \tuplet 3/2 { 4 des8~\mf } | %064
>>
\oneVoice
g,4(\mp\< <ces' ees>2) e,,4 | %106
- r4 ees8-.\mf r8 r4 r8 b8-. | %107
+ r4 dis8-.\mf r8 r4 r8 b8-. | %107
r4 r8 c-. a8-. r8 r4 | %108
\time 3/4 <des des,>4( <f f,>) r4 %109
\time 5/8 r4 <bes, bes,>4-- r8 | %110
\voiceOne
\time 2/2 r4 r4 cis'4(\f^\markup { \tiny \italic "piu" \dynamic f } fis,8 g) | %117
c( f,!4) d'8~ d8 bes4 bes8~ | %118
- bes a8( b dis8~ dis4 <e gis>4~\arpeggio | %119
+ bes a8( b dis8~ dis4 <e gis>4~ | %119
\stemDown 2)
}
\new Voice \relative {
bes8-. r8 r4 b,8-. r8 r4 |
r4 r8 bes( aes2~ |
aes4 e2.~ |
- e2 e4.) fis8-. |
+ e2~ e4.) fis8-. |
r8 f'4.~ f2 |
r4 r8 a,8-. cis-. r8 r4 |
r4 f8-. ees8~\> ees2~ |