}
\transpose bes c'
\relative {
-<<<<<<< HEAD
- \numericTimeSignature
- \tempo "Vivace" 4=168
- \time 5/8 ces'4\f ees8[ bes']-. r8 | %001
- \time 4/4 \grace { s8 } c,4 d'\> a'8( cis4.)\mp | %002
- \time 5/8 \grace { s8 } e,,,8[ g']-. r8 aes,4 | %003
- \time 6/8 f''4 ges8-. a,,4->\f bes8( | %004
- f' d8)-. r8 c'4 e'8-. | %005
- fis,,,4(\mp cis') ees'8-. r8 | %006
- \time 5/8 g8-. r8 b4( aes8-.) | %007
- \time 4/4 c,,4->\f des' bes'8-. r8 a,4 |%008
- \time 3/8 e d''8-. | %009
- \time 3/4 aes,4\p ges'4 f'8-. r8 | %010
- \time 4/4 ees,,,8( g4)\< b'8 f,4->\f ges' | %011
- \time 5/8 g''8 bes,,,4 a' | %012
- \time 4/4 aes'8[ d,,,8]\mp e''4 c'8-.\< r8 cis,,4 | %013
- \grace { s8 } b'8 ees'8--\f r4 \once \override Hairpin.circled-tip = ##t f,,2\<\fermata | %014
-
- \sectionLabel \markup { \box \number 15 }
-
- \time 7/8 f4\fp des( aes4) d8
- \time 4/4 c'4 b'4 bes,,8 a''4.
- \time 7/8 ees4 ges,,4 g''8 e'4 \breathe
- \time 4/4 d,4( f8) cis' c,,4 bes'4
- fis'4 aes,,8 g'8~ 8 a'4 b,,8(
- e,4) \breathe ees'8 d,8~ d8 b''4 c'8
- bes,,4 des4~ des8 g'4 ges,,8
- aes'4 ees''4 \breathe f,,,8\< a4 e''8~\mp
- \time 6/8 e4. ees,,8\< b' fis''
- e,,8 cis'' a gis,4.\f
- \time 2/4 r8 f'4\> bes8-.
- \time 4/4 \after 4 \< d2~\p d8\f r8 aes'4(\mp
- \time 6/8 b2.
- e,4.) \breathe d,,8-.\mf fis-. a-.
- r8 bes(\< des f4 fis8)\f
- ees'2.\p
- \time 4/4 f,,8-.-> c''8~\< 4~\f\> 2
- \time 4/4 d,8(\!\< bes)-. a'4\f des,8-.-> ees( g) aes,-.
- c'2~\p\< c8\f r8 r4 |
- r2 r8 e,,8-.-> a''4(\p |
- \time 9/8 fis8[) b,,-.-> d''-- g,,,]-.-> b''4 dis,,,8-.-> ais'''( cis)
- \time 4/4 gis,8\f( e b'4) r2 |
- f'2~\p\< f8\mf r8 c,-.-> r8
- \time 7/8 b'8-> e4 bes8[->\f\< des,-.-> ges,-.->\! c8]-.-> |
- \time 4/4 ees'4(\p f2.~ |
- \time 3/4 4~ 8) r8 a,8(\f\< e) |
- \time 6/8 aes,-.->\! r8 r8 b''4.\p |
- ees,,8\f\< g,-.-> d-.->\! bes'''4.(~\p |
- \time 3/4 bes4. a8) f,-> r8
- a2.~\pp\<( |
- a2.~ |
- a4.\mf\< bes,8-.)\! r4 |
- ees4 8-. r8 b'-. e,~( |
- e4 f,8-.) r8 r4 |
- R1*3/4
- R1*3/4
- R1*3/4
- bes''8-.\mf bes8~\p bes2 |
- ees,2->\mf( des'8-.) r8
- r8 des8-.\p r8 b8-.\mf b4~\p |
- b4 fis'2~->\mf( |
- fis2~ fis8 a,8-.)|
- r8 a8-.\p r4 ees8-.\mf r8 |
- ees8-. r8 r4 r4 |
- r8 c'8~ c4. c8( |
- f,8-.) bes8-. r8 aes'8~( 8 des,-.) |
- r8 g,,8-- g8-. r8 r4 |
- g8-. r8 d4---> b''8-. d,,8( |
- e'8-.) r8 fis'8->( a,-.) r4 |
- a8-. r8 \override Hairpin.circled-tip = ##t a,4.\< c'8-.->\f |
- a,2\< e'8-.->\f \override Hairpin.circled-tip = ##f a,8(~\mp\< |
- a8 cis4 f8~ f4)\f |
- aes,8-.-> r8 r4 r4 |
- r8 b'8( dis,)[ e,,(] c'[) d'8]-.-> |
- d2.\pp |
- g8-.-> d8~ d2 |
- aes,8--\mf d'-.\< fis-. bes-.\! b,,8-- c'-- |
- r4 ees,,8---> des''-. f-.-> g,,---> |
- e''8-.-> f8~\pp\< f2~ |
- f8\mf gis8-. a2~\> |
- a4\!\< a8( b,8)\f d8-. des,---> |
- b'4. f8-- ees'8-- fis-.-> ees4-- a,8( g'8~ g4~\> |
- g4~ 8\fermata bes,8-.)\mp r4 |
- \time 4/4
- bes8-.\mf\< b( des ees)\f c8-.\p r8 r4 |
- c8-. c(\< d e)\mp r4 r8 e8-. |
- \time 3/4
- r8 e8-. f(\mf g) g( a~ |
- a) \grace { e16( } b'8--)\mp \grace { ees,16^( } c8-.\ff d8-.) r8 d8-.-> |
- r8 \grace
-
-
-
-=======
\tempo "Vivace" 4=168 \time 2/4 ces'4.\f ees8 | %001
\time 6/8 bes'8-. r8 r8 c,4. | %002
\time 3,2,2 7/8 d'4.\> a'8( cis8~\mp 4~ | %003
b( d, a') g(\> f \after 16 \stopTextSpan ees) \tempo 4=104 | %187
c8( bes aes)\p \molRit cis(\>\startTextSpan b a) | %188
fis( \after 16 \stopTextSpan e d2)\pp\fermata \bar "|." %189
->>>>>>> working
}
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "u" \with {
\consists "Merge_rests_engraver"
-<<<<<<< HEAD
- }
- {
- <<
- \relative {
- \tempo "Vivace" 4=168
- \override DynamicLineSpanner.staff-padding = \phds
- \time 5/8 r4\f ees'8[ bes']-.-> r8 | %001
- \time 4/4 \grace { s8 } r4 d\> a'8( cis4.)\mp | %002
- \time 5/8 \grace { s8 } s4 r8 r4 | %003
- \time 6/8 f,4 \grace { des'8^( } ges,8-.) r4.\f r4. c,4 e'8->-. | %004-005
- r4.\mp r8 ees,4( | %006
- \time 5/8 g8-.) r8 b4( aes8-.) | %007
- \time 4/4 r4\f des,~ <des bes'>8-.-> r8 r4 | %008
- \time 3/8 r8 r8 d'8-.-> | %009
- \time 3/4 r4\p \D \grace { a,8( } \U ges'4) f'8-. r8 | %010
- \time 4/4 r4\< r8 b,,8 r2\f | %011
- \time 5/8 g''8 r8 r8 a,,4 | %012
- \time 4/4 aes'8-. r8 e4 c'8-.->\< r8 r4 | %013
- r8 ees8--->\f r4 r2 | %014
- \time 7/8 \after 4 \p f,,2~-> f4 r8 |
- \time 4/4 c'4 b'8 r8 r8 a4. |
- \time 7/8 ees4 \D \once \showStaffSwitch \grace { gis,,8( } fis4) \once \showStaffSwitch \U \grace { ees''8( } g8) e'8-. r8 |
- \time 4/4 d,4 f8 cis'-. r4 \grace { f,8( } bes,4) |
- \grace { cis'8( } fis,8-.) r8 \D aes,,8 \U g'8~-> g2~ |
- g4 ees2.~-> |
- <ees bes>4 r4 r8 f'8-. r4 |
- aes,4 ees''8 r8 r4 r8 e,8~\mf |
- \time 6/8 e4.\< \D \once \showStaffSwitch ees,,8 \once \showStaffSwitch \U r8 fis''8 |
- r8 cis8 a r4.\f |
- c,4\> g4 |
- \after 2. \p R1\! |
- \time 6/8 R1*6/8
- \after 4. \mp \after 2 \< R1*6/8
- r8 bes8-.-> des-.-> f-.-> r8 fis-.->\f |
- R1*6/8
- \time 4/4 R1 |
- d8-.->\mf\< bes a'-.-> r8 des,8 ees-.-> g-.->\f aes, |
- c'8-.-> r8 r4 r2 |
- R1 |
- \time 9/8 R1*9/8 |
- \time 4/4 gis8-.-> e-.-> b'-.-> r8 r2 |
- R1 |
- <<
- \relative {
- \voiceOne
- g''8-. r8 r8 g8-. r8 g8[-. aes]~ |
- aes1~ |
- 4~ 8 r8 d8( des8-.) |
- r8 r8 des8-. ges,4. |
- ges4 ges8-. r4. |
- r4 c8-. r8 c,8-. r8 |
- }
- \new Voice
- \relative {
- \voiceTwo
- \time 7/8 b'8-. r8 r8 bes8-. r8 bes[-. bes]~
- \time 4/4 bes1~ |
- \time 3/4 4~ 8 r8 a8( e8-.) |
- \time 6/8 r8 r8 e8-. e4. |
- ees4 ees8-. r4.
- \time 3/4 r4 ees8-. r8 f8-. r8 |
- }
- >>
- \oneVoice
- r4 r4 r8 c'8~ |
- c4 c8( d,8~ d4~ |
- d8 cis'-.) r4 r4 |
- R1*3/4 |
- <<
- \relative {
- \voiceOne
- r4 g'''4. g8~( |
- g4 aes,2~ |
- aes2 fis'8-.) r8 |
- }
- \new Voice
- \relative {
- \voiceTwo
- r4 c''8-. c8~( c4~
- c2 d,4~ |
- d4 cis'8-.) r8 r4 |
- }
- >>
- \oneVoice
- r4 r4 r8 b,8-. |
- r8 f''8-. r4 r8 ees,8~->( |
- ees4 c'8-.) r8 c8-. r8
- r8 c8-. r4 cis,8-. r8 |
- r4
- <<
- \relative {
- \voiceOne
- r4 r8 e'''8-. |
- }
- \new Voice
- \relative {
- \voiceTwo
- r8 gis''8~( gis4 |
- ais,8-.)
- }
- >>
- \oneVoice
- r8 bes8-. r8 r4
- r8 g'8~->( g8 d'-.) r4 |
- g,,8-. r8 r4 r4 d'4.( e,8-.) r4 |
- r8 bes''8-. r8 aes'8~( aes des,8-.) |
- R1*3/4
- r4 r4 b8-. r8 |
- r4 fis'8( a,8-.) r4 |
- a8-. r8 r4 r8 c8-. |
- r4 \after 8 \p r4 e,8-. r8 |
- R1*3/4 |
- aes,8-. r8 r4 r4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- e8-. gis8-. r4 r4 |
- r4 r8\fermata <bes bes,>8-.\pp r4 |
-<<<<<<< HEAD
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- <f' f'>8-.-> <g g'>8-.-> r8 <a a'>-.-> r4 |
- R1*3/4 |
- r4 r4 \ottava #1 <fis' fis'>8-.-> r8 |
- <gis gis'>8-.-> r8 <ais ais'>8-.-> r8 r4 |
- 8-.-> <b, b'>8-.-> r8 <cis cis'>8-.-> r4 |
- r8 <ees ees'>8-.-> r4 r4 |
- R1*3/4 |
- r8 e4( b'8) 8( cis) |
- 8( dis) r8 <c, c'>8-.-> <d d'>8-.-> 8-.-> |
- r8 <e e'>8-.-> \ottava #0 r4 r4 |
- \ottava #1 \tuplet 3/2 { f'8\p\< \D <f, g> \U <f' g a> } \tuplet 3/2 { \D ges, \U ges' \D <ges, aes> } \tuplet 3/2 { \U <ges' aes> \D <ges, aes bes>\! \U <ges' aes bes> } \bar "||" | \clef "bass"
- \tempo "A tempo" 4=168
- \ottava #0 s4\f s4 s4\mp |
-
-=======
->>>>>>> e692014 (start)
-=======
\override DynamicLineSpanner.staff-padding = \phds
}
{
r8 cis8 a8 r8\f r4 | %027
c,8 r8 g8 r8 r4 | %028
\after 2 \p R1*3/4 | %029
->>>>>>> working
\sectionLabel \markup { \box \number 30 }
\omit Score.BarNumber
\new Staff = "d"
{
\clef bass
-<<<<<<< HEAD
- \set Staff.pedalSustainStyle = #'bracket
- <<
- \relative {
- \tempo "Vivace" 4=168
- \override Staff.Hairpin.stencil = ##f
- \override Staff.DynamicText.stencil = ##f
- b4\f r8 r4 | %001
- \time 4/4 \grace { ees8( } c4) r4 r2 | %002
- \time 5/8 \grace { b8(\mp } e,8) \U g' \D r8 aes,4 | %003
- r4. a4\f bes8 | %004
- f'-> d8-.-> r8 r4. | %005
- \grace { a8(\mp } fis4) cis' r4 | %006
- R1*5/8 | %007
- c2~\f 8 r8 a'4~-> | %008
- <a e>~ 8 | %009
- aes4\p r4 r4 | %010
- ees,8 g4\< r8 f4\f ges'4 | %011
- r8 bes,4 r4 | %012
- r8 d,8 r4 r4\< \grace { a''8( } cis,4) | %013
- \time 4/4 \U \grace { e'8( } \D b8) r8\f r4 r2 | %014
- r4 des,4\p aes d8~-> |
- d2 bes2~-> |
- bes~ bes4.~ |
- bes2 c2~-> |
- c4. r8 r8 \clef treble a''8 r8 \clef bass \grace { gis,,8( } b8) |
- e,4 r8 d8~ d8 \clef treble b''4 c'8 |
- r4 \clef bass des,,4~-> des4. ges,8~-> |
- ges2~ <ges f>8 a4.~-> |
- \time 6/8 a2 b4-> |
- e,4.-> gis~-> |
- gis2~ gis8 r8 r4 r4 ees,4~\p |
- \time 6/8 ees2. |
- g8( c,8-.) r8 d'~\mp\< <d fis>~ <d fis a>~ |
- 8 r8 r8\f r8 b,8-. r8 |
- r8 gis'4~( gis4. |
- f'8-.) r8 r4 r2 |
- r4 e,8-. r8 r4 bes4~ |
- bes8 r8 r4 r4 r8 f'8~(-> |
- f2~ f8 des8-.) r4 |
- R1*9/8 |
- r4 fis4~( fis4. d8 |
- a8) r8 r4 r2 |
- s1*7/8
- s1
- s1*3/4
- s1*6/8
- s1*6/8
- s1*3/4
- r4 e''4(\mf\> f,8-.)\! r8 |
- r8 b8-. r4 r8 \clef treble g''8~ |
- g4 g4( fis'4~ |
- fis8) fis8( aes,8-.) r8 r4 \clef bass |
- ees,8-. r8 r4 r4 |
- r8 bes8~( bes2~ |
- bes8 a'-.) r4 r4 |
- e,8-. d'4->( g,8-.) r4 |
- r4 r8 \clef treble ges''8~( ges4~ |
- ges2.~ |
- ges8 a'-.) r4 r4 \clef bass |
- dis,,,8-. r8 r4 r4 |
- r4 c'8->( f,8-.) r4 |
- R1*3/4 |
- b,8-. r8 b8-. r8 a'4~ |
- 4 8( fis8-.) r4 |
- <fis e'>8-. r8 r4 r4 |
- r4 ees8-. r8 c'4~ |
- c8 des,8-. des8-. r8 r4 |
- aes'2~ aes8 <aes c>->( |
- <f bes>8-.) r8 r4 d8-.^\p\sustainOn r8 |
- r4 r8 g8-. r4 |
- r4 r4 r8 fis8-.\sustainOff\sustainOn |
- r4 bes8-. r8 ees,8-. b-. |
- des,8-.\sustainOff\sustainOn r8 r4 r4 |
- r4 r4 r8 f8-. |
- a8-. r8 r4 r4 |
- R1*3/4 |
- r8 d8-.\sustainOff\sustainOn r4 r8 fis8-. |
- R1*3/4 |
- bes8-. r8 r4 r4 |
- r4 c8-.\sustainOff\sustainOn r8 r4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4\sustainOff |
-<<<<<<< HEAD
- R1*3/4 |
- R1*3/4 | \clef treble
- r8 ges'8( aes) aes( bes) r8 |
- R1*3/4 |
- r8 bes8-. r8 f'8~ 4 |
- f2.~ |
- f8 f4 f8( g a8~ |
- a2) a8( c8-.) |
- r8 c8-. r8 c8( d8) d8( |
- e2.) |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 |
- R1*3/4 | \clef "bass_8"
- \stemUp d,,,,,8[(^\f g] \U ees'-.)[ \D bes,]-.
- }
-=======
- }
->>>>>>> e692014 (start)
- >>
-=======
\set Staff.ottavationMarkups = #ottavation-ordinals
\set Staff.pedalSustainStyle = #'bracket
\override DynamicLineSpanner.staff-padding = \phds
r4\sustainOff r2\fermata \bar "|." %b189
}
->>>>>>> working
}
>>
\omit Score.BarNumber
\override Score.TimeSignature.stencil = ##f
\time 7/8 d,-.\! r8 r4\shortfermata \once \override Staff.Stem.stencil = ##f
- \footnote \markup \huge "*" #'(-3 . -1) \markup \tiny \left-column {
- \line { "* Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4
+ \footnote \markup † #'(-3 . -1) \markup \tiny \left-column {
+ \line { † "Cadenza notation should be interpreted freely, though music should be" } \vspace #-0.4
\line { "continuous between breath marks and rests. Breath marks indicate a short" } \vspace #-0.4
\line { "break, while rests are longer." }
}
\concat { \if \on-page #21 \oddhead }
\concat { \if \on-page #23 \oddhead }
\concat { \if \on-page #25 \oddhead }
+ \concat { \if \on-page #27 \oddhead }
+ \concat { \if \on-page #29 \oddhead }
+ \concat { \if \on-page #31 \oddhead }
+ \concat { \if \on-page #33 \oddhead }
+ \concat { \if \on-page #35 \oddhead }
+ \concat { \if \on-page #37 \oddhead }
}
evenHeaderMarkup = \markup {
\concat { \if \on-page #22 \evhead }
\concat { \if \on-page #24 \evhead }
\concat { \if \on-page #26 \evhead }
+ \concat { \if \on-page #28 \evhead }
+ \concat { \if \on-page #30 \evhead }
+ \concat { \if \on-page #32 \evhead }
+ \concat { \if \on-page #34 \evhead }
+ \concat { \if \on-page #36 \evhead }
+ \concat { \if \on-page #38 \evhead }
}
oddFooterMarkup = \markup {
\concat { \if \on-page #3 \fill-line { \null \xcr \null } }
\concat { \if \on-page #21 \oddfoot }
\concat { \if \on-page #23 \oddfoot }
\concat { \if \on-page #25 \oddfoot }
+ \concat { \if \on-page #27 \oddfoot }
+ \concat { \if \on-page #29 \oddfoot }
+ \concat { \if \on-page #31 \oddfoot }
+ \concat { \if \on-page #33 \oddfoot }
+ \concat { \if \on-page #35 \oddfoot }
+ \concat { \if \on-page #37 \oddfoot }
}
evenFooterMarkup = \markup {
\concat { \if \on-page #2 \evfoot }
\concat { \if \on-page #20 \evfoot }
\concat { \if \on-page #22 \evfoot }
\concat { \if \on-page #24 \evfoot }
- \concat { \if \on-page #26 \fill-line { \null \tiny \typewriter \longHash \null } }
+ \concat { \if \on-page #26 \evfoot }
+ \concat { \if \on-page #28 \evfoot }
+ \concat { \if \on-page #30 \evfoot }
+ \concat { \if \on-page #32 \evfoot }
+ \concat { \if \on-page #34 \evfoot }
+ \concat { \if \on-page #36 \evfoot }
+ \concat { \if \on-page #38 \evfoot }
+ \concat { \if \on-page #40 \fill-line { \null \tiny \typewriter \longHash \null } }
}
}
% }
% }
-<<<<<<< HEAD
-% \bookpart {
-% \tocItem \markup { "II. " \bold "Vivace" }
-% \score {
-% \header {
-% title = \markup { \fontsize #1 \xtitle }
-% subtitle = \markup { \medium \italic \xsub }
-% composer = \xcomp
-% poet = \markup { \xinst }
-% piece = \markup { \large \bold "II. " }
-% }
-% <<
-% \removeWithTag #'part \include "manuscripts/II-clarinet.ly"
-% \removeWithTag #'part \include "manuscripts/II-piano.ly"
-% >>
-% %\midi { }
-% \layout {
-% \context {
-% \Score
-% \override RehearsalMark.break-visibility = #begin-of-line-invisible
-% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-% \override Hairpin.to-barline = ##f
-% }
-% }
-% }
-% }
-=======
\bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { \xinst }
+ }
\tocItem \markup { "II. " \bold "Vivace" }
\score {
\header {
}
}
}
->>>>>>> working
-% \bookpart {
-% \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" }
-% \score {
-% \header {
-% piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" }
-% }
-% <<
-% \removeWithTag #'part \include "manuscripts/III-clarinet.ly"
-% \removeWithTag #'part \include "manuscripts/III-piano.ly"
-% >>
-% %\midi { }
-% \layout {
-% \context {
-% \Score
-% \remove Mark_engraver
-% \remove Text_mark_engraver
-% \override RehearsalMark.break-visibility = #begin-of-line-invisible
-% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-% \override Hairpin.to-barline = ##f
-% }
-% \context {
-% \Staff
-% \RemoveEmptyStaves
-% }
-% }
-% }
-% }
+ \bookpart {
+ \tocItem \markup { "III." \bold "Lento, poco rubato" \parenthesize \italic "to Amber Lucas" }
+ \score {
+ \header {
+ piece = \markup { \large \bold "III. " \parenthesize \italic "to Amber Lucas" }
+ }
+ <<
+ \removeWithTag #'part \include "manuscripts/III-clarinet.ly"
+ \removeWithTag #'part \include "manuscripts/III-piano.ly"
+ >>
+ %\midi { }
+ \layout {
+ \context {
+ \Score
+ \remove Mark_engraver
+ \remove Text_mark_engraver
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+ \override Hairpin.to-barline = ##f
+ }
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ }
+ }
+ }
+ }
-<<<<<<< HEAD
\bookpart {
\tocItem \markup { "IV. " \bold "Allegro energico" }
\score {
\header {
- title = ##f
- subtitle = ##f
- composer = ##f
- poet = ##f
piece = \markup { \large \bold "IV." }
}
<<
\removeWithTag #'part \include "manuscripts/IV-clarinet.ly"
\include "manuscripts/IV-piano.ly"
>>
- \midi { }
+ %\midi { }
\layout {
\context {
\Score
}
}
}
-=======
-% \bookpart {
-% \tocItem \markup { "IV. " \bold "Allegro energico" }
-% \score {
-% \header {
-% title = ##f
-% subtitle = ##f
-% composer = ##f
-% poet = ##f
-% piece = \markup { \large \bold "IV." }
-% }
-% <<
-% \removeWithTag #'part \include "manuscripts/IV-clarinet.ly"
-% \include "manuscripts/IV-piano.ly"
-% >>
-% %\midi { }
-% \layout {
-% \context {
-% \Score
-% \remove Text_mark_engraver
-% \remove Mark_engraver
-% \override TextSpanner.bound-details.left-broken.text = " "
-% \override RehearsalMark.break-visibility = #begin-of-line-invisible
-% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
-% \override Hairpin.to-barline = ##f
-% \override Stem.stemlet-length = #0.75
-% }
-% \context {
-% \Staff
-% \RemoveEmptyStaves
-% \consists Mark_engraver
-% }
-% }
-% }
-% }
->>>>>>> working
\pageBreak
\markup { \null }
+ \pageBreak
+ \markup { \null }
}