\line { \fontsize #5 \bold \xtitle }
\line { \italic \xsub }
\vspace #5
- \line { Submitted in Partial Fulfillment }
- \line { of the }
- \line { Requirements for the Degree }
- \line { Master of Arts }
- \vspace #1
- \line { Supervised by }
- \line { Dr. Matthew Barber }
- \vspace #1
- \line { Department of Composition }
- \line { Eastman School of Music }
- \vspace #1
- \line { University of Rochester }
- \line { Rochester, New York }
+% \line { Submitted in Partial Fulfillment }
+% \line { of the }
+% \line { Requirements for the Degree }
+% \line { Master of Arts }
+% \vspace #1
+% \line { Supervised by }
+% \line { Dr. Matthew Barber }
+% \vspace #1
+% \line { Department of Composition }
+% \line { Eastman School of Music }
+% \vspace #1
+% \line { University of Rochester }
+% \line { Rochester, New York }
}
\right-column {
\line { \null }
cis16[ d e fis gis a b]
\change Staff = "ui1" f'[ g e d c \change Staff = "di1" b a]
bes[ aes ges f ees des ces]
- c[ des ees f ges aes bes] |
+ c![ des ees f ges aes bes] |
\change Staff = "ui1" d[ e g a bes f c]
\change Staff = "di1" b[ a g fis e d cis]
ees[ aes, g bes c d f]
\tempo Andante 4 = 66
\time 7/8
r4^\markup { \tiny \italic "rubato" } d''8([\p\< c bes a g])\! |
- r2
+ r4 r4
<<
\relative {
\voiceOne
}
\new Voice \relative {
\voiceTwo
- r8 dis'8~\fermata dis8 |
- r8 c8~\fermata c4~ c4.|
+ r8 dis'8~\shortfermata dis8 |
+ r8 c8~\shortfermata c4~ c4.|
}
>>
\oneVoice
des'8([\> aes] ges4. f8[ ees])\p |
- r2 r4 d8\fermata |
+ r4 r4 r4 d8\shortfermata |
g2~ g4. |
f8([\< g aes bes] c4.)\! |
- r2
+ r4 r4
<<
\relative {
\voiceOne
}
\new Voice \relative {
\voiceTwo
- r8 r8 aes'8\fermata |
- r4 r8 e8~\fermata e4. |
+ r8 r8 aes'8\shortfermata |
+ r4 r8 e8~\shortfermata e4. |
}
>>
\oneVoice
gis'8([\> ais b cis] dis4.)\p |
\ottava #1 e4.(\< c8[ d f g])\! |
- r2 r8 r8 a8\fermata |
+ r4 r4 r8 r8 a8\shortfermata |
}
}
\new Staff = "d" \with { \consists "Merge_rests_engraver" }
{
\voiceOne
\once \override Staff.TextScript.outside-staff-priority = #1500
- r8\sustainOn_\markup { \lower #10 \tiny { "[slight ritard into fermatas, which should be short]" } } f8~\fermata f4~ f4. |
+ r8\sustainOn_\markup { \lower #10 \tiny { "[slight rit. into fermatas]" } } f8~\shortfermata f4~ f4. |
}
\new Voice {
\voiceTwo
\relative {
\voiceOne
c'4~\mf c4 |
- s2 r8 a4^\mf |
+ s4 r4 r8 a4^\mf |
r4 b8([^\> cis d e fis])^\p|
- r2 r8 r8 des8\fermata\sustainOn
+ r4 r4 r8 r8 des8\shortfermata\sustainOn
}
\new Voice \relative {
\voiceTwo
- r8 bes8~\fermata\sustainOn bes4 |
+ r8 bes8~\shortfermata\sustainOn bes4 |
e8([\p\< cis b gis] fis4.)\! |
- r8 a8~\fermata\sustainOff a4~ 4. |
- r2 r8 ees4\mf |
+ r8 a8~\shortfermata\sustainOff a4~ 4. |
+ r4 r4 r8 ees4\mf |
}
>>
\oneVoice
d,8[(\> c bes g] f4.)\p |
b8[(\< a8~] a4 g8[\sustainOff c d])\! |
- r2 r8
+ r4 r4 r8
<<
\relative {
\voiceOne
- r8 fis'8\fermata \clef treble |
+ r8 fis'8\shortfermata \clef treble |
r8 a4~ a2 |
- s2 r8 b4 \bar "|."
+ s4 r4 r8 b4 \bar "|."
}
\new Voice \relative {
\voiceTwo
f4\mf \clef treble |
- r8 r8 bes8~\fermata\sustainOn 2 |
+ r8 r8 bes8~\shortfermata\sustainOn 2 |
cis8([\> dis e fis] gis4.)\p
\once \override Staff.BarLine.stencil =
#(lambda (grob)
%fifteen inventions project
\new PianoStaff \with {
instrumentName = \markup { \large "№" \number 8 }
- \consists "Merge_rests_engraver" } <<
+ } <<
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "u" {
\bar "||"
\tempo "Poco meno mosso" 4=144
f8^.^> r8 r4 r4. |
-r4 r4 r4 c8(^> |
+r4 r4 r8 r8 c8(^> |
a'8^>^.) r8 r4 r4. |
-r4 r4 r4 d,8^.^> |
+r4 r4 r8 r8 d,8^.^> |
e8^.^> r8 r4 r4. |
r8 g^.^> r4 r4. |
r4 r4 r8 cis^.^> r8 |
r4 r4 r8 r8 ees8^.^> |
\tempo "Meno mosso" 4=72
ges^.^> r8 r4 r4. |
-r4 r4 r4 ces8^.^> |
+r4 r4 r8 r8 ces8^.^> |
\bar "|."
}
>>
}
-\new Staff = "d" { \clef bass
+\new Staff = "d" \with { \consists "Merge_rests_engraver" } { \clef bass
\accidentalStyle piano
<<
\relative { \override Score.MetronomeMark.padding = #2.2
\override DynamicLineSpanner.staff-padding = \phds
-\time 7/8 \stemUp a4^( e8[ g8)] s4. |
+\time 7/8 \stemUp a4^( e8[ g8)] s4 r8 |
r8 aes4( ges4. f8)-. |
-s8 s8_\< s4 s4. |
-s4 s8_\f s8 c'4. |
+r8 s8^\< s4 s4. |
+s4 s8^\f r8 c'4. |
dis2^( gis,4 fis8) |
-g4( e8[) f-.] s4. |
-\stemUp s4 s4 s4 cis,8_. |
-\stemDown c''4(\mf d2 a8) |
+g4( e8[) f_.] s4. |
+\stemUp s4 s4 s8 r8 cis,8_. |
+\stemDown c''4(^\mf d2 a8) |
\stemUp r4 fis4( e8-.) s4 |
f8[_.^\> c,_. aes''_. d,,_. g'_. bes,_.] r8 |
-\stemDown b'8-.^\p \stemUp s8 s8 c4_( d8) s8 |
-s8 s8 s8 des8_( bes4 ees8)\fermata |
-s8 \stemDown a,,[^.^\ff c'^. e,,^. b''^. g,^. d'']^. |
-des[^. aes,^. ees''^. ges,,^. bes'^. f,]^. s8 |
-s8 r8^\mp \stemUp e'4( gis fis8) |
-r8 g4( f8-.) s4. |
-s8 s8^\pp s4 s4. |
-s8 r8 a8([\mf c] d4.) |
+\stemDown b'8-.^\p \stemUp r8 r8 c4_( d8) s8 |
+r4 r8 des8_( bes4 ees8)\fermata |
+r8 \stemDown a,,[^.^\ff c'^. e,,^. b''^. g,^. d'']^. |
+des[^. aes,^. ees''^. ges,,^. bes'^. f,]^. r8 |
+r4 \stemUp e'4( gis fis8) |
+r8 g4( f8-.) s4 r8 |
+r8 s8^\pp s4 s4. |
+s8 r8 a8([^\mf c] d4.) |
b8([ ais]~ ais2 cis8-. ) |
-s4 s4 s4. |
-s4 s4 s8 cis4-- |
-s4 c8_( d4 bes4) |
-s4 e,8-. s8 s4. |
-r8^\> f4( ges aes)\p |
+s8 r8 s4 s4. |
+r8 s8 s4 r8 cis4_- |
+r4 c8_( d4 bes4) |
+r4 e,8[_. c,8_. g''_. d,_. a'']_. |
+r8^\> f4( ges aes)^\p |
\bar "|."
}
\\
\relative { \set tieWaitForNote = ##t \override TimeSignature.stencil = ##f
\override DynamicLineSpanner.staff-padding = \phds
-\time 7/8 \stemDown r8 c,4._( d8[ b'8]) r8 |
+\time 7/8 \stemDown r8 c,8~_( c4 d8[ b'8]) r8 |
des,4( ees4 bes8) s4 |
r8 \stemNeutral e8[^. cis''^. gis,^. d''^. fis,,^. b'^.] |
ees8[^. g,,^. bes'^.] \stemDown r4 a,8([ f]) |
-r8_\> ais8[_( b cis,]) s4. |
-s4 s8 s8_\pp bes'8[^. c,^. d^.] |
+r8^\> ais8[_( b cis,]) s4. |
+s4 s8 s8^\pp bes'8[^. c,^. d^.] |
fis'8^.[ b,^. dis'^. ais,^. gis']^. r8 s8 |
-r4 r8 f,8([ g e)] r8 |
+r4 r8 f,8( g[ e)] r8 |
r8 dis4( b'4 cis,8-.[) a''8^.] |
-s4 s4 s4. |
+s4 s4 s8 s8 r8 |
s8 r8 e,4^( a g8) |
-r8 aes8^( f4. ges8) s8 |
+r8 aes8^( f4~ f8[ ges8)] s8 |
r8 s8 s4 s4. |
-s4 s4 s4. |
-r8 cis,4( d b') |
+s4 s4 s4 r8 |
+r8 cis,4(^\mp d b') |
ees,4( bes' c,8)[-. a''^.] r8 |
r8 dis,,8[^. cis''^. gis,^. ais'^. fis,^. b'^.] |
-g,8^. s8 s4 r8 f8[( e)] |
-s4 fis8([ gis] dis4.) |
+g,8^. r8 r4 r8 f8[( e)] |
+r4 fis8([ gis] dis4.) |
\stemNeutral c8_. r8 d8[^.^\p f''^. g^. e^. a,,]^. |
-r8 dis'8[^. fis,,^. b']-. \stemDown e,,4(\< a8) |
-f8( aes4. g4.)\mf |
-r8 b4^\f c,8[^. g''^. d,^. a'']^. |
-des,,4( bes' ees,4.)
+r8 dis'8[^. fis,,^. b']^. \stemDown e,,4(^\< a8) |
+f8( aes4. g4.)^\mf |
+r8 b4^\f s8 s4. |
+des,4( bes' ees,4.)
\once \override Staff.BarLine.stencil =
#(lambda (grob)
(ly:stencil-combine-at-edge
xbio = \markup {
\center-column {
- \override #'(line-width . 75) \justify \tiny { \bold "Tucker Johnson" is a composer, performer, and educator pursuing the Ph.D. in Music Composition at the Eastman School of Music in Rochester, NY. His musical practice includes works for soloists, ensembles, and electronic media, including pieces designed for indoor and outdoor installation. He seeks to create highly organized systems to build connections between philosophy, design, and personal experience. Many of his works commune with music from other times and places, establishing links and references to histories of musical culture. Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside a passion for open-source software and teaching. }
+ \override #'(line-width . 75) \justify \tiny {
+ \bold "Tucker Johnson" is a composer, performer, and educator pursuing
+ the Ph.D. in Music Composition at the Eastman School of Music in
+ Rochester, NY. His musical practice includes works for soloists,
+ ensembles, and electronic media, including pieces designed for indoor and
+ outdoor installation. He seeks to create highly organized systems to
+ build connections between philosophy, design, and personal experience.
+ Many of his works commune with music from other times and places,
+ establishing links and references to histories of musical culture.
+ Experiences reading, hiking, and amateur botanizing can be found
+ intertwined in his work, alongside a passion for open-source software and
+ teaching.
+ }
\vspace #0.8
- \override #'(line-width . 75) \justify \tiny { Tucker's music has been concertized and honored at festivals and events, including the Dot-The-Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New Jersey), and the Penn State New Music Festival (State College). In 2021, he was awarded the Marjorie Jane Brewster Memorial Music Scholarship, given to one graduating Penn State student each year to pay for graduate studies at another institution. Additional honors include the Belle S. Gitelman Prize, Peter T. Luckie Award, and Warren Benson Scholarship. }
+ \override #'(line-width . 75) \justify \tiny {
+ Tucker's music has been concertized and honored at festivals and events,
+ including the Dot-The-Line new music festival (Seoul), Longy Divergent
+ Studio (Boston), soundSCAPE Festival (Cesena), Composing in the
+ Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New
+ Jersey), and the Penn State New Music Festival (State College). In 2021,
+ he was awarded the Marjorie Jane Brewster Memorial Music Scholarship,
+ given to one graduating Penn State student each year to pay for graduate
+ studies at another institution. Additional honors include the Belle S.
+ Gitelman Prize and the Peter T. Luckie Award.
+ }
\vspace #0.8
- \override #'(line-width . 75) \justify \tiny { A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts and served various music organizations throughout his academic career. Currently, he serves as technical director of OSSIA New Music, a student-run organization at the Eastman School of Music committed to performing the works of contemporary composers. He has also worked with the Hochstein School, WXXI Classical, Penn State's Living Music, and the New Music Consortium. Additionally, Tucker serves as a sound engineer, technician, and teaching assistant with the Electronic Music Studios at Eastman (EMuSE) and has produced and performed dozens of electroacoustic works in this position with artists such as Alan Pierson, percussionist Dan Druckman, and soprano Jamie Jordan. }
+ \override #'(line-width . 75) \justify \tiny {
+ A consistent supporter of new music, Tucker has helped organize many
+ events, festivals, and concerts and served various music organizations
+ throughout his academic career. Currently, he serves as technical
+ director of OSSIA New Music, a student-run organization at the Eastman
+ School of Music committed to performing the works of contemporary
+ composers. He has also worked with the Hochstein School, WXXI Classical,
+ Penn State's Living Music, and the New Music Consortium. Additionally,
+ Tucker serves as a sound engineer, technician, and teaching assistant
+ with the Electroacoustic Music Studios at Eastman (EMuSE) and has
+ produced and performed dozens of electroacoustic works in this position
+ with artists such as Alan Pierson, Joao Pedro Oliviera, John Chowning,
+ Jamie Jordan and more.
+ }
\vspace #0.8
- \override #'(line-width . 75) \justify \tiny { In his research, he has worked to develop approaches to music composition and collaborative improvisation using mathematics, networked computer instruments, machine listening, ambisonics, and other computer-assisted methods, with a tendency to favor recycled and reclaimed computer hardware. Listeners can hear this work in improvised performances with Belgian saxophonist Floris Van Der Veken, recordings with percussionist/guitarist John McGovern, and performances with Ossia New Music. }
+ \override #'(line-width . 75) \justify \tiny {
+ In his research, he has worked to develop approaches to music composition
+ and collaborative improvisation using mathematics, networked computer
+ instruments, machine listening, ambisonics, and other computer-assisted
+ methods, with a tendency to favor recycled and reclaimed computer
+ hardware. Listeners can hear this work in improvised performances with
+ Belgian saxophonist Floris Van Der Veken, recordings with
+ percussionist/guitarist John McGovern, and performances with Ossia New
+ Music.
+ }
\vspace #0.8
- \override #'(line-width . 75) \justify \tiny { He holds the MA and Catherine Filene Shouse Arts Leadership Certificate from the Eastman School of Music and the BM from Penn State University. He also studied at the University of South Florida. He has studied with Robert Morris, Matthew Barber, David Liptak, Baljinder Sekhon, Sarah Genevieve Burghart Rice, and Susanna Hancock. Tucker serves as instructor of the Penn State Young Composers Institute, a virtual program for high school students running in the fall and spring. }
+ \override #'(line-width . 75) \justify \tiny {
+ He holds the MA and Catherine Filene Shouse Arts Leadership Certificate
+ from the Eastman School of Music and the BM from Penn State University.
+ He also studied at the University of South Florida. He has studied with
+ Robert Morris, Matthew Barber, David Liptak, Baljinder Sekhon, Sarah
+ Genevieve Burghart Rice, and Susanna Hancock. Tucker serves as instructor
+ of the Penn State Young Composers Institute, a virtual program for high
+ school students running in the fall and spring.
+ }
\vspace #0.8
}
}