+++ /dev/null
-.heading "Education"
-.TS
-tab(|) nospaces;
-rw24|lx.
-T{
-.B "Eastman School of Music"
-T}|T{
-.B "Doctor of Philosophy" ,
-Music Composition (in progress)
-.br
-.B "Master of Arts" ,
-Music Composition (05/2023)
-.br
-.B "Catherine Filene Shouse Arts Leadership Certificate"
-(05/2023)
-.sp 0.2
-T}
-T{
-.B "Pennsylvania State University"
-T}|T{
-.B "Bachelor of Music" ,
-Music Composition (05/2021)
-.sp 0.2
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Roles and Experience"
-.sp 0.2
-.B "Penn State Young Composers Institute"
-[remote]
-\(en Instructor
-.br
-Teach Classes
-.TS
-tab(|) nospaces;
-lW10|lx.
-08/22\(em|T{
-.B "Eastman Graduate Composers' Sinfonietta (GCS)"
-[Rochester, NY]
-\(en Recruiter
-.br
-Recruit performers from the Eastman community;
-Plan rehearsals;
-Assist in the creation of the GCS budget;
-Print and deliver parts
-.sp .25
-T}
-08/21\(em|T{
-.B "Eastman Audio Research Studio (EARS)"
-[Rochester, NY]
-\(en Teaching Assistant
-.br
-Instruct graduate and undergraduate computer music students;
-Provide equipment and services for Eastman concerts (5-7 per semester);
-Maintain EARS website;
-Maintain EARS equipment and facilities
-.sp .25
-T}
-08/22\(en12/22|T{
-.B "Hochstein School of Music and Dance"
-[Rochester, NY]
-\(en Intern
-.br
-Assist in fundraising campaigns;
-Send mail to donors;
-Shadow Hochstein grant-writing;
-Research donors;
-Use Bloomerang donor management systems
-.sp .25
-T}
-08/21\(en07/22|T{
-.B "Contemporary Art Music Project"
-[Tampa, FL]
-\(en Podcast Producer/Host
-.br
-Researched, programed, and wrote monthly podcasts;
-Interviewed guests;
-Recorded and produced monthly podcasts
-.sp .25
-T}
-01/20\(en04/21|T{
-.B "Living Music"
-[State College, PA]
-\(en President
-.br
-Organized and maintain organization rosters;
-Oversaw funding requests;
-Hosted and produced weekly radio show;
-Produced events and concerts (International New Music Festival, Call for Scores, etc.)
-.sp .25
-T}
-01/20\(en04/21|T{
-.B "ROARS Recording Studio at Penn State"
-[State College, PA]
-\(en Audio/Recording Engineer
-.br
-Produced recordings for Penn State students and faculty;
-Assisted in concert production for concerts (3-5 per semester);
-Maintained ROARS studio equipment and facilities
-.sp .25
-T}
-08/17\(en12/19|T{
-.B "New Music Consortium"
-[Tampa, FL]
-\(en Logistics Coordinator/Librarian
-.br
-Organized rehearsals;
-Oversaw music rentals;
-Provided scores and parts to performers
-.sp .25
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Honors and Commissions"
-.TS
-tab(|) nospaces;
-rW5|lx.
-2022|T{
-\(en Scholarship: Warren Benson Scholarship in Composition, ESM
-.sp .25
-T}
-2021|T{
-\(en Commission: Eastman Graduate Composers' Sinfonietta
-.I "(Commonplace Common Tones)"
-.br
-\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023)
-.br
-\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition
-.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)"
-.br
-\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio
-.br
-\(en Commission: Hillsborough Arts Grant, Michael Standard
-.I "(Mutable Subjects)"
-.br
-\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music
-.br
-\(en Selected Composer: Longy Divergent Studio
-.I "(Enter Ghost)"
-.br
-\(en Commission: Bob McCormick and Eunmi Ko
-.I "(Even the Pieces I Can't Remember)"
-.br
-\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU
-.sp .25
-T}
-2020|T{
-\(en Winner: Marjorie Jane Brewster Competition, PSU
-.br
-\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities
-.I "(A Presence Within Reassembly)"
-.br
-\(en Winner: Moreau VanTuinen Duo Call for Miniatures
-.I "(Second-hand Asymmetry)"
-.br
-\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020
-.I "(CO)"
-.sp .25
-T}
-2019|T{
-.br
-\(en Elected Logistics Coordinator: USF New Music Consortium
-.br
-\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea
-.I "(CO)"
-.br
-\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn
-.sp .25
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Festivals, Programs, and Conferences"
-.TS
-tab(|) nospaces;
-rW5|lx.
-2023|T{
-.B "Penn State Internationational New Music Festival"
-[State College, PA]
-\(en Selected Composer
-.br
-performed work:
-.I "Settle the Score"
-.sp .25
-T}
-2022|T{
-.B "Vibraphone Century"
-[State College, PA]
-\(en composer
-.br
-performed work:
-.I "Injunctions of Bruckner "
-(John McGovern - vibraphone)
-.sp .25
-T}
-2021|T{
-.B "Penn State International New Music Festival"
-[State College, PA (online)]
-\(en planning, hosting
-.br
-performed work:
-.I "Wears and Tears "
-(Amber Lucas - clarinet)
-.sp .25
-T}
-2019|T{
-.B "Nick Cave and Bob Faust Workshop"
-[Tampa, FL]
-\(en Collaborator
-.br
-collaborative multidisciplinary installation:
-.I "Mobillity, on beauty"
-.br
-.B "Composing in the Wilderness"
-[Prince William Sound, AK]
-\(en Selected Composer
-.br
-commissioned work:
-.I "Or Maybe While Crossing"
-.br
-.B "soundSCAPE"
-[Cesena, Italy]
-\(en Selected Composer
-.br
-commissioned work:
-.I "WRITE/TAKE "
-(Dieter Hennings, John Rivera Pico - guitars)
-.br
-.B "Dot-the-Line"
-[Seoul, South Korea]
-\(en Call-for-Scores Winner
-.br
-performed work:
-.I "CO "
-(Changhoon Lee - alto saxophone, Jieun Shin - piano)
-.sp .25
-T}
-2018|T{
-.B "SHASTRA Tabla and Hindustani Rhythm Workshop"
-[Wayne, NJ]
-\(en Selected Composer
-.br
-commissioned work:
-.I "...for the discernment of vocations with... "
-(Shawn Matevetsky - tabla, New Jersey Percussion Ensemble, Payton Macdonald - conductor)
-.sp .25
-.B "USF International New Music Festival"
-[Tampa, FL]
-\(en planning, hosting
-.sp .5
-T}
-.TE
-\# --------------------------------------------------------
-.heading "Software/Programming Proficiency"
-Finale,
-Sibelius,
-Lilypond,
-Logic Pro,
-Reaper,
-Da Vinci Resolve,
-OBS,
-Max/MSP,
-Supercollider,
-PureData,
-HUGO,
-Lua,
-Latex,
-GNUtroff,
-Arch/Artix Linux,
-Linux Pro Audio,
-Octave/MATLAB
-.sp .5
-\# --------------------------------------------------------
-.heading "Complete List of Replicable Work (through performance and playback)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW50|lw10|lx.
-[year]|[title]|[duration]|[forces]
-2023|T{
-.B "Circumnutation"
-.I "(fifteen inventions)"
-T}|11 minutes|T{
-keyboard instruments
-.sp .75
-T}
- |T{
-.B "...for me, the cowbell..."
-T}|8 minutes|T{
-percussion
-T}
- |T{
-.I "commissioned by John McGovern"
-.sp .75
-T}| |T{
-.sp .75
-T}
-2022|T{
-.B "Settle the Score"
-.I "in one or five parts"
-T}|1-5 minutes|T{
-english horn, trumpet, electric guitar, violin, computer
-.sp .75
-T}
- |T{
-.B "Mutable Subjects"
-T}|1-14 minutes|T{
-marimba, computer
-T}
- |T{
-.I "commissioned by Michael Standard"
-.sp .75
-T}| |T{
-.sp .75
-T}
-2021|T{
-.B "Commonplace Common Tones"
-T}|7 minutes|T{
-sinfonietta
-T}
- |T{
-.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Even the Pieces I can't Remember"
-T}|14 minutes|T{
-percussion, piano
-T}
- |T{
-.I "commissioned by Eunmi Ko and Bob McCormick"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Enter Ghost"
-T}|5 minutes|T{
-voice, trumpet, bass clarinet, trombone
-.sp .75
-T}
- |T{
-.B "The Melody of Practice"
-T}|3 minutes|T{
-oboe
-.sp .75
-T}
- |T{
-.B "Wears and Tears"
-T}|5 minutes|T{
-clarinet, computer
-.sp .75
-T}
- |T{
-.B "Injunctions of Bruckner: Aequale no. 1 & 2"
-T}|2 minutes|T{
-vibraphone, live-processing
-.sp .75
-T}
- |T{
-.B "Is Breathing"
-T}|8 minutes|T{
-alto saxophone
-.sp .75
-T}
-2020|T{
-.B "Falling Paths, Coloring Grounds"
-T}|10 minutes|T{
-cello, computer
-.sp .75
-T}
- |T{
-.B "Moment/Time \(enPractice"
-T}|variable|T{
-open
-.sp .75
-T}
- |T{
-.B "The Ecstasy of Communication"
-T}|10-25 minutes|T{
-snare drum, triggered media
-T}
- |T{
-.I "commissioned by John McGovern"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "A Presence Within Reassembly"
-T}|5 minutes|T{
-quadrophonic fixed media
-.sp .75
-T}
-2019|T{
-.B "------------"
-T}|22 minutes|T{
-fixed media
-.sp .75
-T}
- |T{
-.B "Or Maybe While Crossing"
-.sp 0
-.I "commissioned by Corvus and Composing in the Wilderness
-T}|6 1/2 minutes|T{
-flute, saxophone, violin, cello, percussion
-.sp .75
-T}
- |T{
-.B "I AM COVERED IN STARCH"
-T}|6 minutes|T{
-fixed media
-.sp .75
-T}
- |T{
-.B "We Cannot Post in Summer"
-T}|10 minutes|T{
-sinfonietta
-.sp .75
-T}
- |T{
-.B "WRITE/TAKE"
-.sp 0
-.I "for soundSCAPE"
-.sp .75
-T}|6 minutes|T{
-guitar duo
-T}
- |T{
-.B "CO"
-T}|6 minutes|T{
-alto saxophone, piano
-.sp .75
-T}
-2018|T{
-.B "All of My Life's Work Up Until This Point"
-T}|5 minutes|T{
-cello
-.sp .75
-T}
- |T{
-.B "JetFuel"
-T}|4 minutes|T{
-orchestra
-T}
- |T{
-.I "commissioned by the Tampa Metropolitan Youth Orchestra"
-.sp .75 T}| |T{
-T}
- |T{
-.B "...for the discernment of vocations with..."
-.sp 0
-.I "for SHASTRA"
-.sp .75
-T}|8 minutes|T{
-tabla, mallet quartet
-.sp .75
-T}
-2017|T{
-.B "Grater Brute"
-T}|3 minutes|T{
-flute, marimba
-.sp .75
-T}
- |T{
-.B "r9-13\\\I TERDI..."
-T}|8 minutes|T{
-multi-percussion
-.sp .75
-T}
- |T{
-.B "Transportation in Metropolitan Detroit"
-T}|7 minutes|T{
-piano
-.sp .75
-T}
- |T{
-.B "In the Shape of the Sky"
-T}|6 minutes|T{
-2 trumpets, 2 trombones, vibraphone, percussion
-.sp .75
-T}
- |T{
-.B "Designations"
-T}|12 minutes|T{
-tenor saxophone
-.sp .75
-T}
-.TE
-.sp -1
-\D'l 7.25i 0'
-.sp 0.2
-.heading "Complete List of Non-replicable Work"
-.heading "(installations)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW30|lw27|lx.
-[date]|[title/duration]|[forces]|[venue]|
-11/10/22|T{
-.B "Ossia Sound Bath"
-.sp -0.2
-.I "90 minutes"
-.sp 0.73
-T}|T{
-computer, double bass, saxophone, resonant objects
-.sp .75
-T}|T{
-NY, Rochester: ESM Ray Wright Room
-T}
-10/9/19|T{
-.B "Mobility, on beauty"
-.sp -0.2
-.I "unspecified"
-.sp 0.73
-T}|T{
-multimedia installation
-T}|T{
-FL, Tampa: USF Theatre 2
-.sp .75
-T}
-2/22/19|T{
-.B "A Different City*The Cold Part"
-.sp -0.2
-.I "30 minutes"
-.sp 0.73
-T}|T{
-multimedia installation
-.sp .75
-T}|T{
-FL, Tampa: Contemporary Art Museum at USF
-T}
-.TE
-.sp -1
-\D'l 7.25i 0'
-.sp 0.2
-.heading "(recordings)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW28|lw37|lx.
-[year]|[title/duration]|[credits]|[tracks]
-2020|T{
-.B "spank; + Logan Barrett"
-.sp -0.2
-.I "73 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp 0
-Logan Barrett, electronics
-.sp 0
-Joshua Mallard & Han Hitchen, recording
-T}|T{
-1) <s}p/a[n)k;
-.br
-2) /hum]
-.br
-3) <bounce}
-.br
-4) [crawl)
-.br
-5) /shimmer>
-.br
-6) (frog}
-.br
-7) [sour>
-.br
-8) {wring/
-.br
-9) <swell)
-.br
-10) {cave]
-.sp .75
-T}
- |T{
-.B "FOR NATE"
-.sp -0.2
-.I "10 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp 0
-Joshua Mallard & Han Hitchen, recording
-.sp .75
-T}|T{
-1) FOR NATE
-T}
- |T{
-.B "What They Bury Themselves For"
-.sp -0.2
-.I "8 minutes"
-T}|T{
-Tucker Johnson, computer
-.sp 0
-John McGovern, guitar
-T}|T{
-1) What They Bury Themselves For
-.sp .75
-T}
-2019|T{
-.B "Maritime Chaparral"
-.sp -0.2
-.I "17 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp .75
-T}|T{
-1) three quarter
-.br
-2) no. please do.
-T}
-.TE
-.sp -1
-\D'l 7.25i 0'
-.sp 0.2
-\#
-\# --------------------------------------------------------
-.heading "List of Performances"
-.ps 10.25
-.TS
-tab(|) nospaces;
-rW5|lW30|lw27|lx.
-[date]|[title]|[performer(s)]|[venue]|
-6/14/23|T{
-.B "CO"
-.sp -0.2
-.I "[saxophone, piano]"
-.sp 0.73
-T}|T{
-Katherine Weintraub, Eunmi Ko
-.sp 0.75
-T}|T{
-FL, St. Petersburg: The Palladium
-T}
-3/26/23|T{
-.B "Improvisation"
-.sp -0.2
-.I "[Johnson/Van der Veken]"
-.sp 0.73
-T}|T{
-Tucker Johnson, Floris Van Der Veken
-.sp .75
-T}|T{
-NY, Rochester: Klibourn Hall
-T}
-3/24/23|T{
-.B "Settle the Score"
-.sp -0.2
-.I "[mixed quartet, computer]"
-.sp 0.73
-T}|T{
-Katie Eaton, Nathan McKinstry, Austin White, Artur Korotin, Amber Lucas
-.sp .75
-T}|T{
-PA, State College: Esber Hall
-T}
-3/3/23|T{
-.B "...for me, the cowbell..."
-.sp -0.2
-.I "[percussion]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-MD, University Park: Gildenhorn Recital Hall
-.sp .75
-T}
-2/1/23|T{
-.B "Fifteen Keyboard Inventions"
-.I "selections"
-.sp -0.2
-.I "[keyboard]"
-.sp 0.73
-T}|T{
-Ko Muramatsu
-T}|T{
-NY, Rochester: Kilbourn Hall
-.sp .75
-T}
-T{
-.BI "2022"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/17/22|T{
-.B "Fifteen Keyboard Inventions"
-.I "selections"
-.sp -0.2
-.I "[keyboard]"
-.sp 0.73
-T}|T{
-Zihan Wu
-T}|T{
-NY, Rochester: Hatch Recital Hall
-.sp .75
-T}
-11/14/22|T{
-.B "I AM COVERED IN STARCH"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-9/10/22|T{
-.B "Ossia Fluxus Improvisation"
-.sp -0.2
-.I "[installation]"
-.sp 0.73
-T}|T{
-Tucker Johnson, Zoe Markle, Floris Van Der Veken
-.sp .75
-T}|T{
-NY, Rochester: ESM Ray Wright Room
-T}
-9/28/22|T{
-.B "Improvisation"
-.sp -0.2
-.I "[Johnson/Van der Veken]"
-.sp 0.73
-T}|T{
-Tucker Johnson, Floris Van Der Veken
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-9/19/22|T{
-.B "Fifteen Keyboard Inventions"
-.I "selections"
-.sp -0.2
-.I "[keyboard]"
-.sp 0.73
-T}|T{
-Xingyi Chen
-T}|T{
-NY, Rochester: Hatch Recital Hall
-.sp .75
-T}
-4/7/22|T{
-.B "Settle the Score"
-.sp -0.2
-.I "[mixed quartet, computer]"
-.sp 0.73
-T}|T{
-Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-2/12/22|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: New Recital Hall
-.sp .75
-T}
-2/2/22|T{
-.B "Settle the Score"
-.sp -0.2
-.I "[computer]"
-.sp 0.73
-T}|T{
-computer: quadrophonic playback
-T}|T{
-NY, Rochester: Kilbourn Hall
-.sp 1.75
-T}
-T{
-.BI "2021"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/10/21|T{
-.B "Commonplace Common Tones"
-.sp -0.2
-.I "[sinfonietta]"
-.sp 0.73
-T}|T{
-Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
-.sp .75
-T}|T{
-NY, Rochester: Kilbourn Hall
-T}
-5/4/21|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-MD, University Park: Gildenhorn Recital Hall
-.sp .75
-T}
-4/25/21|T{
-.B "Falling Paths, Coloring Grounds"
-.sp -0.2
-.I "[cello, computer]"
-.sp 0.73
-T}|T{
-Hudson Webber
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "The Ecstasy of Communication"
-.sp -0.2
-.I "[snare drum, triggered media]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "A Presence Within Reassembly"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-quadrophonic playback
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Falling Paths, Coloring Grounds"
-.sp -0.2
-.I "[cello, computer]"
-.sp 0.73
-T}|T{
-Hudson Webber
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/16/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-3/30/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-Online Event - Penn State International New Music Festival
-.sp .75
-T}
-T{
-.BI "2020"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/20/20|T{
-.B "The Ecstasy of Communication"
-.sp -0.2
-.I "[snare drum, triggered media]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-MD, University Park: Gildenhorn Recital Hall
-.sp .75
-T}
-10/23/20|T{
-.B "A Presence Within Reassembly"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-quadrophonic playback
-T}|T{
-PA, State College: Water Tower Plaza
-.sp .75
-T}
-7/5/20|T{
-.B "All of my Life's Work Until This Point"
-.sp -0.2
-.I "[cello]"
-.sp 0.73
-T}|T{
-Eduard Teregulov
-T}|T{
-Online Event - (recorded in Dade City, FL)
-.sp .75
-T}
-T{
-.BI "2019"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-12/2/19|T{
-.B "-------"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-T}|T{
-FL, Tampa: Barness Recital Hall
-.sp .75
-T}
-11/22/19|T{
-.B "Or Maybe While Crossing"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Corvus Ensemble
-T}|T{
-NY, NYC: Federal Hall Memorial
-.sp .75
-T}
-11/7/19|T{
-.B "WE CANNOT POST IN SUMMER"
-.sp -0.2
-.I "[sinfonietta]"
-.sp 0.73
-T}|T{
-USF Student Sinfonietta
-T}|T{
-FL, Tampa: Contemporary Art Museum at USF
-.sp .75
-T}
-10/12/19|T{
-.B "CO"
-.sp -0.2
-.I "[saxophone, piano]"
-.sp 0.73
-T}|T{
-Doug O'Connor, Eunmi Ko
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-10/9/19|T{
-.B "Mobility, on beauty"
-.sp -0.2
-.I "[installation]"
-.sp 0.73
-T}|T{
-collaborative installation
-T}|T{
-FL, Tampa: USF Theatre 2
-.sp .75
-T}
-10/7/19|T{
-.B "I AM COVERED IN STARCH"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-T}|T{
-FL, Tampa: Barness Recital Hall
-.sp .75
-T}
-8/10/19|T{
-.B "References to the Antichrist in eccleciastical writings"
-.sp -0.2
-.I "[violin]"
-.sp 0.73
-T}|T{
-Bennett Astrove
-T}|T{
-FL, Dade City: Heritage and Cultural Museum
-.sp .75
-T}
-7/12/19|T{
-.B "WRITE/TAKE"
-.sp -0.2
-.I "[guitar duo]"
-.sp 0.73
-T}|T{
-Dieter Hennings, John Rivera Pico
-T}|T{
-Italy, Cesena: Conservatorio Bruno Maderna
-.sp .75
-T}
-5/31/19|T{
-.B "CO"
-.sp -0.2
-.I "[saxophone, piano]"
-.sp 0.73
-T}|T{
-Changhoon Lee, Jieun Shin
-.sp .75
-T}|T{
-South Korea, Jeonju: Sori Arts Center
-T}
-5/11/19|T{
-.B "JetFuel"
-.sp -0.2
-.I "[orchestra]"
-.sp 0.73
-T}|T{
-Tampa Metropolitan Youth Orchestra, William Weidrich
-.sp .75
-T}|T{
-FL, Tampa: Concert Hall at USF
-T}
-4/22/19|T{
-.B "All of My Life's Work Until This Point"
-.sp -0.2
-.I "[cello]"
-.sp 0.73
-T}|T{
-Sydney Andersen
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-2/22/19|T{
-.B "A Different City*The Cold Part"
-.sp -0.2
-.I "[installation]"
-.sp 0.73
-T}|T{
-RAMP GROUP
-.sp .75
-T}|T{
-FL, Tampa: Contemporary Art Museum at USF
-T}
-2/8/19|T{
-.B "Four Weeks Now"
-.sp -0.2
-.I "[string quartet]"
-.sp 0.73
-T}|T{
-Luz Vasquez, KaleyAnna Raabe, Daphne Waggener, Sydney Andersen
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-T{
-.BI "2018"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/26/18|T{
-.B "The Identity of Policing"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "Space Flight Participant"
-.sp -0.2
-.I "[double bass]"
-.sp 0.73
-T}|T{
-Keon Sahbkar
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "Would Also Feel the Need to Enjoy"
-.sp -0.2
-.I "[prepared midi keyboard]"
-.sp 0.73
-T}|T{
-Sohyun Lim
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "This First Semester is Dedicated"
-.sp -0.2
-.I "[trumpet, bassoon]"
-.sp 0.73
-T}|T{
-Bradley Mikesel II, Tucker Johnson
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "There's almost never a point in time when there's no one walking in the hallways"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "References to the Antichrist in eccleciastical writings"
-.sp -0.2
-.I "[violin]"
-.sp 0.73
-T}|T{
-Bennett Astrove
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "Time in North Dakota"
-.sp -0.2
-.I "[viola]"
-.sp 0.73
-T}|T{
-Daphne Waggener
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/16/18|T{
-.B "Space Flight Participant"
-.sp -0.2
-.I "[double bass]"
-.sp 0.73
-T}|T{
-Keon Sahbkar
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-9/29/18|T{
-.B "Time in North Dakota"
-.sp -0.2
-.I "[viola]"
-.sp 0.73
-T}|T{
-Daphne Waggener
-T}|T{
-FL, Saint Petersburg: Studio 620
-T}
-9/27/18|T{
-.B "Time in North Dakota"
-.sp -0.2
-.I "[viola]"
-.sp 0.73
-T}|T{
-Daphne Waggener
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-9/27/18|T{
-.B "References to the Antichrist in eccleciastical writings"
-.sp -0.2
-.I "[violin]"
-.sp 0.73
-T}|T{
-Bennett Astrove
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-9/2/18|T{
-.B "There's almost never a point in time when there's no one walking in the hallways"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-8/12/18|T{
-.B "...for the discernment of vocations with..."
-.sp -0.2
-.I "[tabla, mallet quartet]"
-.sp 0.73
-T}|T{
-Shawn Mativetsky, New Jersey Percussion Ensemble
-.sp .75
-T}|T{
-NJ, Wayne: William Patterson University
-T}
-4/16/18|T{
-.B "Numlock"
-.sp -0.2
-.I "[woodwind quintet]"
-.sp 0.73
-T}|T{
-Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-4/13/18|T{
-.B "Numlock"
-.sp -0.2
-.I "[woodwind quintet]"
-.sp 0.73
-T}|T{
-Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
-.sp .75
-T}|T{
-FL, Tampa: USF Instrumental Rehearsal Hall
-T}
-3/5/18|T{
-.B "Grater Brute"
-.sp -0.2
-.I "[flute, marimba]"
-.sp 0.73
-T}|T{
-Kevin Baylen, Lionel Martinez
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-3/2/18|T{
-.B "Transportation in Metropolitan Detroit"
-.sp -0.2
-.I "[piano]"
-.sp 0.73
-T}|T{
-Logan Barrett
-.sp .75
-T}|T{
-FL, Tampa: USF Choral Rehearsal Hall
-T}
-3/2/18|T{
-.B "Grater Brute"
-.sp -0.2
-.I "[flute, marimba]"
-.sp 0.73
-T}|T{
-Kevin Baylen, Lionel Martinez
-.sp .75
-T}|T{
-FL, Tampa: USF Choral Rehearsal Hall
-T}
-T{
-.BI "2017"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/17/17|T{
-.B "r9-13\\\I TERDI..."
-.sp -0.2
-.I "[multi-percussion]"
-.sp 0.73
-T}|T{
-Kaycie Howell
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-10/20/17|T{
-.B "Transportation in Metropolitan Detroit"
-.sp -0.2
-.I "[piano]"
-.sp 0.73
-T}|T{
-Logan Barrett
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-7/8/17|T{
-.B "In the Shape of the Sky"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Kinhaven Student Ensemble
-.sp .75
-T}|T{
-VT, Weston: Kinhaven School of Music
-T}
-5/8/17|T{
-.B "Walkin' With Billy"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Pinellas County Center for the Arts Student Ensemble
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-5/8/17|T{
-.B "Designations"
-.sp -0.2
-.I "[saxophone]"
-.sp 0.73
-T}|T{
-Kendric McAllister
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-T{
-.BI "2016"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-12/7/16|T{
-.B "Walkin' With Billy"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Pinellas County Center for the Arts Student Ensemble
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-7/29/16|T{
-.B "Morning Chase"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Kinhaven Student Ensemble
-.sp .75
-T}|T{
-VT, Weston: Kinhaven School of Music
-T}
-7/29/16|T{
-.B "Letters Unwritten"
-.sp -0.2
-.I "[brass quintet]"
-.sp 0.73
-T}|T{
-Kinhaven Student Ensemble
-.sp .75
-T}|T{
-VT, Weston: Kinhaven School of Music
-T}
-5/24/16|T{
-.B "Ephemeral Sketches"
-.sp -0.2
-.I "[saxophone, cello]"
-.sp 0.73
-T}|T{
-Britney Waggott, Miranda Godfrey
-.sp .75
-T}|T{
-FL, Saint Petersburg: Pinellas County Center for the Arts
-T}
-5/24/16|T{
-.B "Letters Unwritten"
-.sp -0.2
-.I "[brass quintet]"
-.sp 0.73
-T}|T{
-Pinellas County Center for the Arts Student Ensemble
-.sp .75
-T}|T{
-FL, Saint Petersburg: Pinellas County Center for the Arts
-T}
-.TE
-.sp -1
-\D'l 7.25i 0'
-.sp 0.2
-.sp 1
-.heading "References Available Upon Request"