\consists Text_mark_engraver
}
<<
+
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+
\new Staff = "u" \with { \consists "Merge_rests_engraver" }
{
\set PianoStaff.connectArpeggios = ##t
- \override DynamicLineSpanner.staff-padding = \phds
\accidentalStyle piano
- <<
- \relative {
- \numericTimeSignature
- \tempo \markup { "Giusto e giocoso" } 4=104
- \time 5/4 R1*5/4 | %1
- \time 4/4 r16 bes'8.~( 2~ 8 f'8~ | %2
- f2~ 8 ges8~ 4 | %3
- ees4~ 8) 16( aes,16~ 2~ | %4
- 8) r8 r4 r4 r16 cis8.~( | %5
- 1~ | %6
- \time 5/4 4~ 16 c8.~ 16 g'8.~ 2) | %7
- \time 4/4 R1 | %8
- r2 r4 r16 d16( e8 | %9
- b1~ | %10
- 4~ 8) 8~( 8. a16~ 4~ | %11
- 4)
- }
- >>
+ \relative {
+ \numericTimeSignature
+ \tempo \markup { "Giusto e giocoso" } 4=104
+ \time 5/4 R1*5/4 | %001
+ \time 4/4 r16 bes'8.~(^\p^\markup { \tiny \italic "cantabile" } 2~ 8 f'8~ | %002
+ f2~ 8 ges8~ 4 | %003
+ ees4~ 8) 16( aes,16~ 2~ | %004
+ 8) r8 r4 r4 r16 cis8.~(^\< | %005
+ 1~ | %006
+ \time 5/4 4~ 16 c8.~ 16 g'8.~^\mp 2) | %007
+ \time 4/4 R1 | %008
+ r2 r4 r16 d16(^\pp e8 | %009
+ b1~ | %010
+ 4~ 8) 8~(^\mf 8. a16~ 4~ | %011
+ 4) r8. d16(^\> a4~ 8 bes8 | %012
+ c1)^\mp | %013
+ r4 g'2( f8^\< e8~ | %014
+ e8 fis16 dis16 b8 gis'8 cis,2~^\mf | %015
+ cis2) r4 r8 b8(~ | %016
+ b8. cis16 f8 d8~ d8 ees8~ ees4~ | %017
+ ees8) r8 a16(^\f gis8.~ gis4) g8 e8 | %018
+ c4-- r16 bes8.~^\mp bes16 bes16-. r8 r4 | %019
+ r4 r16 ges'8.~^\mf ges4~ ges8 ges8--^\f | %020
+ \override DynamicLineSpanner.staff-padding = \phds
+ \time 3/4 ges8-.\f r8 r4\pp r4 | %021
+ fis,8.-- g16~->\mf\> g8 bes16-. c16-. e,16-. gis8( cis16)-.\p | %022
+ r8 d16(\< a16 b4)\mf b8 dis,8~\> | %023
+ dis4 dis8-- r8 f8[-.\mp r16 f16]-. | %024
+ r8 a8-. r16\< cis16( e,8 b'8. fis16 | %025
+ bes16\f ees8.~ ees8 d8~ d4~ | %026
+ d8) r8 aes4 f'8-. c16-.\> g16-. | %027
+ <<
+ {
+ \time 5/8 R1*5/8 | %028
+ }
+ {
+ \time 5/8 s4 s8. s8.\mp
+ }
+ >>
+ f'16(\< bes,8.) g16[( d'16 fis16 e16 cis'16 a16]) | %029
+ \time 2/8 \tuplet 3/2 { <ees ees'>8->\f\>^\markup { "molto rit." } <aes, aes'>8-> <b b'>8-> } |%030
+ \time 3/4 <c c'>4\mf
+
+ }
+
}
+
\new Staff = "d" \with { \consists "Merge_rests_engraver" }
{
\clef bass
\set Staff.pedalSustainStyle = #'mixed
\accidentalStyle piano
\override Score.SpacingSpanner.strict-grace-spacing = ##t
- \override DynamicLineSpanner.staff-padding = \phds
- \relative {
- \numericTimeSignature
- \tempo \markup { "Giusto e giocoso" } 4=104
- \time 5/4 r16 f'16-. aes,8 r8 fis8-. dis'8[-. r16 cis16]-. r4 r4 | %1
- \time 4/4 b8-. r8 a8-. c,8-. g'8-. e16-. d16-. r8. bes'16-. | %2
- cis16-. gis8-. b16-. r8. a16-. r4 r16 e'16-. r8 | %3
- r16 d16-. g,16-. c16-. r4 bes16-. ees,16 f8-. ges8-. r8 | %4
- b16-. a-. g8-. g8 e'8-. cis[-. r16 d16]-. c8-. r8 | %5
- \clef treble ees16-. f8-. fis16-. gis8-. ais8( b)-. c16( d16~ 16 e a,
- g16~ | %6
- \time 5/4 g8. ges16~ 8 f8~ 2.) | \clef bass %7
- \time 4/4 r8 cis16-. dis16-. r16 ais16-.[ \set stemLeftBeamCount = #1
- \set stemRightBeamCount = #1 r16 gis16]-. r16 a16[-. \set
- stemLeftBeamCount = #1 \set stemRightBeamCount = #1 r16 b16]-. e,-.
- d'8-. des16-. | %8
- fis,16( aes8. g16)-. f-. ees8-. c16-. bes8-. a16-. r4 | %9
- r4 r16 des16-. g-. ges-. bes,8-. ees8( d8. c16~ | %10
- 16 b8.~ 4) r8 gis8-. r8 e'8-. | %11
- r8. f16-. cis8-. fis8-. r16 b8.( e16 ees8.~ | %12
- 16 f8 g16 d8-.) a-. r16 bes,16-. c8-. r16 des16-. ees-. f16-. | %13
- }
+ \relative {
+ \numericTimeSignature
+ \tempo \markup { "Giusto e giocoso" } 4=104
+ \time 5/4 r16 f'16-.^\pp aes,16-. r16 r8 fis16-. r16 dis'16[-. r8 cis16]-. r4 r4 | %001
+ \time 4/4 b8-.^\markup { \tiny \parenthesize \italic "sempre stacatiss." } r8 a8-. c,8-. g'8-. e16-. d16-. r8. bes'16-. | %002
+ cis16-.^\< gis8-. b16-. r8. a16-. r4 r16 e'16-. r8 | %003
+ r16 d16-. g,16-. c16-.^\p r4 bes16-.^\> ees,16-. f8-. ges8-. r8 | %004
+ b16-. a-. g8-.\pp r8 e'8-. cis[-. r16 d16]-. c8-. r8 | %005
+ \clef treble ees16-. f8-. fis16-. gis8-. ais8( b)-. c16(^\< d16~ 16 e a, g16~ | %006
+ \time 5/4 g8. ges16~ 8 f8~\mp 2.) | \clef bass %007
+ \time 4/4 r8 cis16-.^\pp dis16-. r16 ais16-.[ \set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 r16 gis16]-. r16 a16[-. \set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 r16 b16]-. e,-. d'8-. des16-. | %008
+ fis,16(^\mp aes8. g16)-. f-.^\pp^\< ees8-. c16-. bes8-. a16-.^\mp r4 | %009
+ r4 r16 des16-.^\pp g-. ges-. bes,8-. ees8(^\< d8. c16~ | %010
+ 16 b8.~\mp 4) r8 gis8-.^\pp r8 e'8-. | %011
+ r8. f16-. cis8-. fis8-. r16 b8.(^\< e16 ees8.~ | %012
+ 16 f8 g16^\mf d8-.) a-.^\p r16 bes,16-. c8-. r16 des16-. ees-. f16-. | %013
+ ges-. aes-. r8 r8. b16-. e-. c8-. d16-. r16 a16-. r8 | %014
+ r2 r16 bes16-. r8 r16 g16-.^\< aes-. bes-. | %015
+ r16 c,-. des-. f-. ees8-. r8 d-. e-. fis16-. g8.(^\mf | %016
+ a,2) b8.( g'16~ 8) bes,16-.^\p e-. | %017
+ r16 ges[-. \set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 r16 c,]-. r8. des16-. ees,2~^\mf | %018
+ 8. a16(^\> d8 f8~ 16 b16)-.^\p r8 r8. fis,16-.^\< | %019
+ g16-. c16-. d16-. e16-. a16-. bes8.--^\mf r16 ees,16[-.^\< r16 f16]-. aes8[-. r16 ces16]-. | %020
+ \override Staff.Hairpin.stencil = ##f
+ \override Staff.DynamicText.stencil = ##f
+ \time 3/4 des8-.\f r8 a16-.\pp gis16-. f8-. b,16( cis8.) | %021
+ d8.-- <ees ees,>16~->\mf <ees ees,>2 | %022
+ r8 fis16(\mp\< c16 g8~\mf <g e'>8~ <g e'>16) bes8(\> f16 | %023
+ cis8 gis'8 fis16 b,8-.) c16( d8-.)\mp bes16-. e16-. | %024
+ r16 g16[-. \set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 r16 ees16]-. a,4(\< aes4 | %025
+ g16\f c8.~ c8) f16_(~ <f a'>16~ <f bes a'>4~ | %026
+ <f bes a'>16) cis'16( dis8~ <dis e,>8.) fis,16-. d'8-.\> r8 | %027
+ \time 5/8 a'16-. e16-. r8 b16[-. \set stemRightBeamCount = #1 fis16-. \set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 r16 cis16]-.\p r8 | %028
+ c16[(\< ees8.]~ ees8) <bes bes'>4-> | %029
+ \time 2/8 <f f'>8[->\f\> <d' d'>8]-> | %030
+ \time 3/4 <g, g'>4\mf
}
+
+ }
+
>>
+++ /dev/null
-% net-clarity project
-
-\new Staff \with {
- \override DynamicLineSpanner.staff-padding = \sods
- \consists Text_mark_engraver
-}
-\transpose bes c' \relative {
- \compressEmptyMeasures
- \numericTimeSignature
- \clef treble
- \tempo \markup { "Lento, poco rubato" } 4=50
- \time 5/4 R1*5/4 | %1
- \time 4/4 R1 | %2
- \time 5/4 R1*5/4*3
- \time 4/4 R1 | %6
- <<
- { \time 3/4 s4 s4 s4 }
- \new CueVoice { \cueClef "bass" r4 a8( <a e>8~ 4) }
- >>
- \cueClefUnset
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 8 }
-
- \time 4/4 d4(\pp\< c2.~ | %8
- \undo \omit Score.BarNumber
- \time 3/4 c8)\mp r8 r4 r8 ees8~-> | %9
- \time 7/8 4. b4(\> e |
- \time 3/4 cis'2)\p r8 g8(\< |
- \time 7/8 a4. ges,2)\mp |
- \time 4/4 r8^\markup { "poco accel." } f4.~\p\< 8 ges8_( aes'4~ |
- aes8) r8 c,4~-> c8 b8~->\f \tuplet 3/2 { 8 d8_(\> g8 } \bar "||"
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 15 }
-
- \tempo "Piu Mosso" 4=65
- fis'2~\mf 8) r8 r8 des8(\> |
- \undo \omit Score.BarNumber
- ees,1 |
- aes2.)\mp r8. f'16~(\mf |
- 1\> |
- bes,1)\p |
- r2 a'2~(\mp |
- a4 e,2.) |
- \time 3/4 gis,4.(\<^\markup { "rit." } fis'8 cis'4)\f \bar "||"
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 23 }
-
- \tempo "A tempo" 4=50
- r8 f,,4(\p ees8 bes'4~\< |
- \undo \omit Score.BarNumber
- 8) a4( d8 g,[ c8~]\mf |
- 8) r8 r8 b8( e,4~ |
- \time 4/4 e4) fis4.(\f cis'8~\> 8.[ ees16] |
- bes2)\mf aes4(\mp f4~ |
- 2) r4 d'4~ |
- 4 e,8[(\< g] a[ b] c4~\f \bar "||"
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 30 }
-
- \tempo \markup {
- \concat {
- \rhythm { \tuplet 3/2 { 8 } }
- " = "
- \rhythm { { 8 } }
- }
- } 4 = 75
- \time 7/4 1) r2. |
- \undo \omit Score.BarNumber
- R1*7/4*3
- \time 4/4
- <<
- { s2 s4 \tuplet 5/4 { r8. ees'16(\ff\> aes) } }
- \new CueVoice { \tuplet 3/2 { f,8_( bes4~ } 16) a( cis d e8) fis16 g s4 }
- >>
- f'2.~\mf 8 r8 |
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 36 }
-
- bes,1-- |
- \undo \omit Score.BarNumber
- R1 |
- fis'2.--\f r4 |
- R1 |
- cis2.--\mf r4 |
- b8(\mp e,~ 2\< g4~ |
- 4) \tuplet 3/2 { c4( a d~\f\> } 4) |
- fis,2\! r8 f(\p bes,4~ |
- 8)[\< c8]( a' d,~\> 2) |
- g8( ees~\! 2) e4~ |
- e4. cis'8(\f gis8 b8~ 4) |
- fis16( a d,8~ 4) f(^\markup { "rit." } ees8.) fes,16_( \bar "||"
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 48 }
-
- \tempo 4=50
- des'1\> \bar "||"
- \undo \omit Score.BarNumber
- \tempo \markup {
- \concat {
- \rhythm { \tuplet 3/2 { 8 } }
- " = "
- \rhythm { { 8 } }
- }
- } 4 = 75
- aes4\mf bes2.~ |
- bes2~\> 8)\p r8 r4 |
- \time 3/4 r4 r4 r8 c8~\f |
- \time 4/4 c2.\> g4(\mp |
- \time 3/4 b2.~\< |
- \time 4/4 8)\mf r8 r4 r2^\markup { "rit." } \bar "||"
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 55 }
-
- \tempo "A tempo" 4=50
- r8 f,8~(\pp^\markup { \tiny \italic "lontano; sotto voce" } 2. |
- \undo \omit Score.BarNumber
- des'2. ees4~ |
- 8) r8 r4 r2 |
- R1 |
- \time 3/4 r4 bes2( |
- ges4 aes2) |
- R1*3/4
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 62 }
-
- R1*3/4
- \undo \omit Score.BarNumber
- \time 4/4 R1
- \time 3/4 R1*3/4
- \time 4/4 R1
- \time 3/4 R1*3/4
- \time 4/4 R1
- \time 3/4 R1*3/4
- \time 4/4 R1
- \time 3/4 R1*3/4
- \time 4/4 R1 |
- \omit Score.BarNumber
-
- \sectionLabel \markup { \box \number 72 }
-
- \tuplet 3/2 { c8_(\p\<^\markup { \tiny \italic "fioritura" } b' e~ } 4)\mf \tuplet 3/2 { g,8(\> d a~ } 4~\p |
- \undo \omit Score.BarNumber
- 8) fis4( g8~ 4 cis4~ |
- \time 3/4 8)[ r16 cis16(]\< aes'4 c,4 |
- \time 7/8 f bes d4.~\mf |
- \time 3/4 8) r8 b8(\> e, a,4~\! |
- \time 7/8 8)[ r8 aes'8(]\> des,[ ges,8~] 4~\p |
- \time 3/4 8) r8 r4 r4 |
- \time 4/4 r8 d'8(\mf g,2) r4 |
- \time 5/4 r8 a8~ 2 r2 |
- ees'2.\p r2 |
- \time 4/4 r4 r8 bes8~(\mp\> 8 f4.~ |
- \time 5/8 8 c'8~\p 2~ 2) |
- r4 r8 e8(\pp b'4~ b2)\fermata \bar "|."
-}
+++ /dev/null
-% parts
-\book {
- \header {
- tagline = ##f
- }
-% \bookpart {
-% \tocItem \markup { "I. " \bold "Largo; Allegro moderato" }
-% \score {
-% \header {
-% title = \markup { \fontsize #1 \xtitle }
-% subtitle = \markup { \medium \italic \xsub }
-% composer = \xcomp
-% poet = \markup { \xinst }
-% piece = \markup { \large \bold "I. " }
-% }
-% <<
-% \include "manuscripts/I-clarinet.ly"
-% \include "manuscripts/I-piano.ly"
-% >>
-% %\midi { }
-% \layout {
-% \context {
-% \Score
-% \override RehearsalMark.break-visibility = #begin-of-line-invisible
-% \override BarNumber.font-size = #1
-% \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/8)
-% }
-% }
-% }
-% }
- \bookpart {
- \tocItem \markup { "III. " \bold "Chiaro; calma" }
- \score {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { \xinst }
- piece = \markup { \large "III." \bold "Chiaro; calma" }
- }
- <<
- \include "parts/III-clarinet-part.ly"
- >>
- %\midi { }
- \layout {
- \context {
- \Score
- \remove Text_mark_engraver
- \override RehearsalMark.break-visibility = #begin-of-line-invisible
- \override BarNumber.font-size = #1
- \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
- \override Hairpin.to-barline = ##f
- \override Staff.pedalSustainStyle = #'mixed
- }
- \context {
- \Staff
- }
- }
- }
- }
-}