--- /dev/null
+*.pdf
+*.ps
+*.midi
+*.mid
+*.log
+*~
+.DS_Store
--- /dev/null
+\version "2.24.4"
+
+\include "general/info.ly"
+\include "general/aliases.ly"
+\include "general/scripts.ly"
+\include "general/umbel.ly"
+
+\paper {
+ line-width = 120
+ first-page-number = -1
+ #(include-special-characters)
+ footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
+ print-page-number = ##f
+ #(set-paper-size "tabloid")
+ print-all-headers = ##f
+ %ragged-last = ##t
+ top-margin = 0.5\in
+ bottom-margin = 0.5\in
+ left-margin = 0.9\in
+ right-margin = 0.9\in
+ indent = 0.75\in
+ short-indent = 0\cm
+ #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "classico"))
+ max-systems-per-page = #10
+ system-system-spacing = #'((basic-distance . 10) (minimum-distance . 8) (padding . 12))
+ score-system-spacing = #'((basic-distance . 2) (minimum-distance . 1) (padding . 0))
+ last-bottom-spacing = #'((basic-distance . 5) (minimum-distance . 5) (padding . 0))
+ oddHeaderMarkup = \markup {
+ \concat { \if \on-page #5 \oddhead }
+ \concat { \if \on-page #7 \evhead }
+ }
+ evenHeaderMarkup = \markup {
+ \concat { \if \on-page #4 \evhead }
+ \concat { \if \on-page #6 \evhead }
+ }
+ oddFooterMarkup = \markup {
+ \concat { \if \on-page #3 \fill-line { \null \xcr \null } }
+ \concat { \if \on-page #5 \oddfoot }
+ \concat { \if \on-page #7 \oddfoot }
+ }
+ evenFooterMarkup = \markup {
+ \concat { \if \on-page #2 \evfoot }
+ \concat { \if \on-page #4 \evfoot }
+ \concat { \if \on-page #6 \evfoot }
+ \concat { \if \on-page #8 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } }
+ }
+
+}
+
+\book {
+
+ \markuplist { %Outside Cover
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \line { \with-url #"https://newer.systems" \fontsize #1 \hbracket \sans \bold " https://newer.systems " }
+ }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ }
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \line { \null }
+ }
+ \right-column {
+ \vspace #28
+ \line { \fontsize #12 \bold \underline \xtitle }
+ \vspace #0.1
+ \line { \fontsize #5.5 \sans \xcomp }
+ \vspace #3
+ \line { \fontsize #4 \sans \concat { "for " \xinst } }
+ }
+ }
+ \vspace #36
+ \fill-line {
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \center-column {
+ \xumbel
+ \vspace #0.3
+ \line { \fontsize #1 \hbracket \sans \bold " umbel press " }
+ }
+ \line { \null }
+ }
+ }
+
+ \pageBreak
+ \markup { \vspace #5 }
+
+ \pageBreak
+ \markuplist { %Inside Cover
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #20
+ \line { \hbracket \fontsize #15 \number 2025 }
+ \vspace #6
+ \line { \xcomp }
+ \vspace #1
+ \line { \fontsize #5 \bold \xtitle }
+ \line { \italic \xsub }
+ \vspace #4
+ }
+ \right-column {
+ \line { \null }
+ }
+ }
+ }
+
+ \pageBreak
+ \markuplist { %Front Matter
+ \fill-line {
+ \left-column {
+ \line { \bold \xtitle " [2025]" }
+ \line { \xinst " | " \sans 5 minutes }
+ \line { \xcomp }
+ \vspace #25
+ }
+ \center-column {
+ \vspace #5
+ \left-column { }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "program notes" }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 90)
+ \justify {
+ Blood Meridian Sketch
+ }
+ }
+ \vspace #2.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "performance notes" }
+ \vspace #0.5
+ \wordwrap { § \hspace #3.5 \sans \bold \italic "interpreting notations" }
+ }
+ \left-column {
+ \override #'(line-width . 90)
+ \line { \hspace #90 }
+ \justify { \sans \italic 1. \hspace #1 Accidentals carry through each bar – cautionary accidentals are not supplied. }
+ \justify { \sans \italic 2. \hspace #1 Two fermata notations are used: a \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a \italic long fermata ( \musicglyph "scripts.ufermata" ). }
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 3. \hspace #1 Harmonics are notated with diamond noteheads
+ ( \override #'(style . harmonic-mixed) \note-by-number #2 #0 #0.8 /
+ \override #'(style . harmonic-mixed) \note-by-number #1 #0 #0.8 )
+ to indicate the touched node. Artificial harmonics are notated
+ with two noteheads, a normal notehead for the stopped position and
+ a diamond for the node.
+ }
+ \vspace #0.4
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 4. \hspace #1 Dotted slurs are used to indicate phrasing that may not be clear through dynamics and other notations. }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \wordwrap { § \hspace #3.5 \sans \bold \italic "interpreting techniques" }
+ }
+ \left-column {
+ \override #'(line-width . 90)
+ \line { \hspace #90 }
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 1. \hspace #1 Bow position indications such as \italic "sul pont"
+ and \italic "sul tasto" should be interpreted generously – i.e. almost
+ \italic "molto sul pont/tasto."
+ }
+ \vspace #0.3
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 2. \hspace #1 Portamento/glissando notations should be
+ interpreted somewhere between a romantic-style \italic portamento
+ – the sliding motion happening toward the very end of the
+ note – and a more contemporary \italic glissando –
+ sliding over the full duration of the note evenly. The sliding
+ motion should be exponential over the durations of the note –
+ begin at the start of the note, but the bulk of the motion should
+ happen towards the end of the note.
+ }
+ }
+ \vspace #2.5
+ \line { \char ##x2042 }
+ }
+
+ \right-column {
+ \vspace #-0.2
+ \right-column \fontsize #-1 {
+ \line { \fontsize #-2 \typewriter { \shortHash - \subject } }
+ \vspace #-0.4
+ \line { \fontsize #-2 \typewriter { \commitDate } }
+ \vspace #-0.4
+ \line { \fontsize #-2 \typewriter { "branch:" \branchName } }
+ }
+ \vspace #2
+ }
+ }
+ }
+
+ \pageBreak
+ \header {
+ tagline = "test"
+ }
+
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { tranposed score }
+ }
+ \score {
+ <<
+ \new StaffGroup
+ <<
+ \include "manuscripts/percI.ly"
+ \include "manuscripts/percII.ly"
+ \include "manuscripts/timpani.ly"
+ >>
+ \include "manuscripts/baritone.ly"
+ \new StaffGroup
+ <<
+ \include "manuscripts/violinI.ly"
+ \include "manuscripts/violinII.ly"
+ \include "manuscripts/viola.ly"
+ \include "manuscripts/cello.ly"
+ \include "manuscripts/bass.ly"
+ >>
+ >>
+ %\midi { }
+ \layout {
+ \context {
+ \Score
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
+ \override Hairpin.to-barline = ##f
+ \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
+ \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+ \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
+ \override BarNumber.font-name = "classico"
+ \phrasingSlurDashPattern #0.5 #2.0
+ \override PhrasingSlur.thickness = 0.00
+ \override StaffSymbol.layer = #4
+ \override Stem.layer = #4
+ \override Beam.layer = #4
+ \override Tie.layer = #4
+ \override Hairpin.layer = #4
+ \override TimeSignature.layer = #2
+ \override Tie.layer = #1
+ \override TupletBracket.layer = #2
+ \override StringNumber.layer = #2
+ \override TextSpanner.layer = #3
+ \override NoteHead.layer = #4
+ \override Accidental.layer = #4
+ \override TimeSignature.whiteout = 2
+ \override StringNumber.whiteout = 6
+ \override StringNumber.avoid-slur = #'ignore
+ \override TextScript.padding = 1
+ \override TextScript.layer = #4
+ \numericTimeSignature
+ \romanStringNumbers
+ \override StringNumber.padding = 1
+ \override StringNumber.font-size = -3
+ \override TupletNumber.layer = 4
+ \override TupletNumber.font-shape = #'upright
+ }
+ }
+ }
+ }
+
+ \pageBreak
+ \markup {
+ \fill-line {
+ \center-column {
+ \vspace #24 \xumbel
+ \vspace #0.3
+ \line { \with-url #"https://www.jwpepper.com/myscore/umbel-press" \fontsize #-3 \hbracket \sans \bold " https://www.jwpepper.com/myscore/umbel-press " }
+ }
+ }
+ }
+}
--- /dev/null
+U = \change Staff = "u"
+D = \change Staff = "d"
+
+%spacing
+ds = #2.5
+sods = #3.4
+phds = #3.9
+
+%notation marks
+pizz = ^\markup { "pizz" }
+arco = ^\markup { "arco" }
+pont = ^\markup { \italic "sul pont" }
+tasto = ^\markup { \italic "sul tasto" }
+ord = ^\markup { \italic "ord" }
+
+sD = \stemDown
+sU = \stemUp
+sN = \stemNeutral
+
+twoWayFermata = {
+ \once \set Staff.caesuraType = #'((underlying-bar-line . "."))
+ \once \set Staff.caesuraTypeTransform = ##f
+ \caesura ^\shortfermata _\shortfermata
+}
+
+glissandoSkipOn = {
+ \override NoteColumn.glissando-skip = ##t
+ \hide NoteHead
+ \override NoteHead.no-ledgers = ##t
+}
+
+glissandoSkipOff = {
+ \revert NoteColumn.glissando-skip
+ \undo \hide NoteHead
+ \revert NoteHead.no-ledgers
+}
+
+\defineBarLine "|" #'(#t #f " ")
+
+ffsempre =
+ #(make-dynamic-script (markup #:combine #:transparent "f" "ff" #:combine
+#:transparent "f" #:normal-text #:italic "sempre" ) )
+
+psempre =
+#(make-dynamic-script
+ (markup "p" #:normal-text #:italic "sempre" ))
+
+ppsempre =
+ #(make-dynamic-script (markup #:combine #:transparent "f" "pp" #:combine
+#:transparent "f" #:normal-text #:italic "sempre" ) )
+
+ppsubito =
+ #(make-dynamic-script (markup #:combine #:transparent "f" "pp" #:combine
+#:transparent "f" #:normal-text #:italic "subito" ) )
+
+psubito =
+ #(make-dynamic-script (markup #:combine #:transparent "f" "p" #:combine
+#:transparent "f" #:normal-text #:italic "subito" ) )
+
+
+niente = #(make-dynamic-script (markup (#:normal-text #:abs-fontsize 10 #:bold "n")))
+
+harm = \once \override Staff.NoteHead.style = #'harmonic-mixed
--- /dev/null
+xtitle = \markup { Blood Meridian Sketch }
+xsub = \markup { \null }
+xcomp = \markup { Tucker Johnson }
+xinst = \markup { Baritone & Orchestra }
+xdur = \markup { \null }
+xcr = \markup \tiny { Copyright Tucker Johnson 2025. All Rights Reserved (ASCAP) }
+oddhead = \markup { \fill-line { \null \center-column { \bold { \xcomp } " " } \null } }
+evhead = \markup { \fill-line { \null \center-column { \bold { \xtitle } " " } \null } }
+oddfoot = \markup { \fill-line { \null \center-column { " " \concat { \tiny \char ##x1F661 " " \sans \fromproperty #'page:page-number-string " " \tiny \char ##x1F663 } } \null } }
+evfoot = \markup { \fill-line { \null \center-column { " " \concat { \tiny \char ##x1F661 " " \sans \fromproperty #'page:page-number-string " " \tiny \char ##x1F663 } } \null } }
--- /dev/null
+timeSpanner =
+ #(define-music-function (left) (string?)
+ #{
+ \once {
+ \override TextSpanner.staff-padding = 5
+ \override TextSpanner.outside-staff-priority = 1000
+ \override TextSpanner.style = #'dashed-line
+ \override TextSpanner.dash-period = 3
+ \override TextSpanner.dash-fraction = 0.25
+ \override TextSpanner.font-size = #1
+ \override TextSpanner.font-shape = #'upright
+ \override TextSpanner.bound-details.left.text = \markup { \bold \roman $left }
+ \override TextSpanner.bound-details.left-broken.text = ##f
+ \override TextSpanner.bound-details.right-broken.text = ##f
+ \override TextSpanner.bound-details.right.padding = #-1
+ }
+ #})
+
+markSpanner =
+ #(define-music-function (left right) (string? string?)
+ #{
+ \once {
+ \override TextSpanner.style = #'dashed-line
+ \override TextSpanner.outside-staff-priority = 550
+ \override TextSpanner.dash-period = 2
+ \override TextSpanner.dash-fraction = 0.5
+ \override TextSpanner.font-size = #0.25
+ %\override TextSpanner.bound-details.left.stencil-align-dir-y = #CENTER
+ %\override TextSpanner.bound-details.right.stencil-align-dir-y = #CENTER
+ \override TextSpanner.bound-details.left.text =
+ \markup { \general-align #Y #0 { $left \hspace #0.25 } }
+ \override TextSpanner.bound-details.right.text =
+ \markup { \general-align #Y #0 { \arrow-head #X #RIGHT ##f $right } }
+ \override TextSpanner.bound-details.left-broken.text = ##f
+ \override TextSpanner.bound-details.right-broken.text = ##f
+ \override TextSpanner.bound-details.right.padding = #1
+ }
+ #})
+
+stringNumberSpanner =
+ #(define-music-function (StringNumber) (string?)
+ #{
+ \once {
+ \override TextSpanner.style = #'solid
+ \override TextSpanner.outside-staff-priority = 150
+ \override TextSpanner.font-size = #-3
+ \override TextSpanner.bound-details.left.stencil-align-dir-y = #CENTER
+ \override TextSpanner.bound-details.left.text = \markup { $StringNumber \hspace #0.25 }
+ \override TextSpanner.bound-details.right.text = \markup { \draw-line #'(0 . -1) }
+ \override TextSpanner.bound-details.right-broken.text = ##f
+ \override TextSpanner.avoid-slur = #'ignore
+ \override TextSpanner.bound-details.right.padding = #-2
+ }
+ #})
+
+
+
+lsp = \override TextSpanner.bound-details.left.text = \markup { \bold "sul pont" }
+rsp = \override TextSpanner.bound-details.right.text = \markup { \bold "sul pont" }
+lst = \override TextSpanner.bound-details.left.text = \markup { \bold "sul tasto" }
+rst = \override TextSpanner.bound-details.right.text = \markup { \bold "sul tasto" }
+lord = \override TextSpanner.bound-details.left.text = \markup { \bold "ord" }
+rord = \override TextSpanner.bound-details.right.text = \markup { \bold "ord" }
+rit = \override TextSpanner.bound-details.left.text = \markup { \upright "rit. " }
+ritPoc = \override TextSpanner.bound-details.left.text = \markup { \upright "ritardando poco a poco " }
+molRit = \override TextSpanner.bound-details.left.text = \markup { \upright "molto rit. " }
+pocRit = \override TextSpanner.bound-details.left.text = \markup { \upright "poco rit. " }
+ace = \override TextSpanner.bound-details.left.text = \markup { \upright "accel. " }
+pocAce = \override TextSpanner.bound-details.left.text = \markup { \upright "poco accel. " }
+acePoc = \override TextSpanner.bound-details.left.text = \markup { \upright "accelerando poco a poco " }
+molAce = \override TextSpanner.bound-details.left.text = \markup { \upright "molto accel. " }
--- /dev/null
+xumbel = \markup {
+ \center-column {
+ \path #0.1
+ #'((moveto 0 0)
+ (curveto 1 0.3 3.6 3 4.2 1.6)
+ (moveto 0 0)
+ (curveto -1 0.3 -3.6 3 -4.2 1.6)
+ (moveto 0 0)
+ (curveto 0.9 0.3 2.9 3 3.5 1.7)
+ (moveto 0 0)
+ (curveto -0.9 0.3 -2.9 3 -3.5 1.7)
+ (moveto 0 0)
+ (curveto 0.8 0.3 2.2 3 2.8 1.8)
+ (moveto 0 0)
+ (curveto -0.8 0.3 -2.2 3 -2.8 1.8)
+ (moveto 0 0)
+ (curveto 0.6 0.3 1.5 3 2.1 1.9)
+ (moveto 0 0)
+ (curveto -0.6 0.3 -1.5 3 -2.1 1.9)
+ (moveto 0 0)
+ (curveto 0.4 0.3 0.8 3 1.4 2)
+ (moveto 0 0)
+ (curveto -0.4 0.3 -0.8 3 -1.4 2)
+ (moveto 0 0)
+ (curveto 0.2 0.3 0.5 3 0.7 2.1)
+ (moveto 0 0)
+ (curveto -0.2 0.3 -0.5 3 -0.7 2.1)
+ (moveto 0 0)
+ (lineto 0 2.2))
+ \vspace #-0.035
+ \override #'(height . 0.25) \draw-squiggle-line #1 #'(0 . 5) ##f
+ \vspace #-0.275
+ }
+ }
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { baritone }
+ shortInstrumentName = \markup { b }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef bass
+ \tempo Rubato 4=64
+ \time 4/4
+ R1 |
+ R1 |
+ R1 |
+ \time 3/4
+ r4 \tuplet 3/2 { r8 r8 cis8( } \tuplet 3/2 { fis) e a8~ } |
+ \time 4/4
+ a2 r8 bes8 bes16 f8. |
+ \time 3/4
+ c'2. |
+ \time 2/4
+ \tuplet 3/2 { g4 c d } |
+ \time 4/4
+ dis( fis,4~ fis2)\fermata |
+ r2 r4 b4~ |
+ b2~ b8 gis r4 |
+ r8 bes8~( bes4~ \tuplet 3/2 { bes4 g ges) } |
+ f2 r2 |
+ r2 r2\fermata |
+
+
+
+}
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { bass }
+ shortInstrumentName = \markup { "db " }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef bass
+ \tempo Rubato 4=64
+ \time 4/4
+ R1 |
+ R1 |
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 4/4
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 2/4
+ R1*2/4 |
+ \time 4/4
+ r2 r2\fermata |
+ r8 a,8~\pp^"solo" a4~ a2~ |
+ a1~ |
+ a~ |
+ a2 r2 |
+ r2 r2\fermata |
+
+
+}
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { cello }
+ shortInstrumentName = \markup { "vc " }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef bass
+ \tempo Rubato 4=64
+ \time 4/4
+ R1 |
+ R1 |
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 4/4
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 2/4
+ R1*2/4 |
+ \time 4/4
+ r2 r2\fermata |
+ R1 |
+ R1 |
+ R1 |
+ R1 |
+ r2 r2\fermata |
+
+}
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { percussion \bold "I " }
+ shortInstrumentName = \markup { perc \bold "I " }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef treble
+ \tempo Rubato 4=64
+ \time 4/4
+ <des'' ees>1\f\laissezVibrer\arco |
+ r2 <des ees>2\laissezVibrer |
+ r4 r8 ees8~ ees2\laissezVibrer |
+ \time 3/4
+ des2\laissezVibrer r4 |
+ \time 4/4
+ R1^"take mallets" |
+ \time 3/4
+ R1*3/4 |
+ \time 2/4
+ R1*2/4 |
+ \time 4/4
+ <ees, g d'>4\(\arpeggio\mf <e cis fis,>4~\arpeggio\mp 2\)\fermata |
+ R1 |
+ R1 |
+ R1 |
+ r4 r8 <d' a' c>8~\mp 2~ |
+ 8 <cis a' bes ees>8~ 4 r2\fermata |
+
+}
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { percussion \bold "II " }
+ shortInstrumentName = \markup { perc \bold "II " }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef treble
+ \tempo Rubato 4=64
+ \time 4/4
+ R1 |
+ R1 |
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 4/4
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 2/4
+ R1*2/4 |
+ \time 4/4
+ r2 r2\fermata |
+ R1 |
+ R1 |
+ R1 |
+ R1 |
+ R1 |
+
+}
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { timpani }
+ shortInstrumentName = \markup { "timp " }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef bass
+ \tempo Rubato 4=64
+ \time 4/4
+ R1 |
+ R1 |
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 4/4
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 2/4
+ R1*2/4 |
+ \time 4/4
+ r2 r2\fermata |
+ r8 a,8:32~\p a4:32~ a2:32~ |
+ a1:32~ |
+ a:32~ |
+ a4.:32\< a8->\mp r2 |
+ R1 |
+
+
+}
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { viola }
+ shortInstrumentName = \markup { "vla " }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef alto
+ \tempo Rubato 4=64
+ \time 4/4
+ R1 |
+ R1 |
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 4/4
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 2/4
+ R1*2/4 |
+ \time 4/4
+ r2 r2\fermata |
+ R1 |
+ R1 |
+ R1 |
+ r4 r8 d''8~->\p 2~ |
+ 8 cis8~-> cis4 a2->\fermata |
+
+
+
+}
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { violin \bold I }
+ shortInstrumentName = \markup { vn \bold "I " }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef treble
+ \tempo Rubato 4=64
+ \time 4/4
+ R1 |
+ R1 |
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 4/4
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 2/4
+ R1*2/4 |
+ \time 4/4
+ r2 r2\fermata |
+ R1 |
+ R1 |
+ R1 |
+ r4 r8 <c''' c'>8~\p 2~ |
+ 8 <bes bes'>8~ 4 <c c'>2\fermata |
+
+}
--- /dev/null
+% root = ../bloodMeridianSketch.ly
+
+\new Staff \with {
+ instrumentName = \markup { violin \bold II }
+ shortInstrumentName = \markup { vn \bold "II " }
+ \consists Text_mark_engraver
+}
+\relative {
+ \clef treble
+ \tempo Rubato 4=64
+ \time 4/4
+ R1 |
+ R1 |
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 4/4
+ R1 |
+ \time 3/4
+ R1*3/4 |
+ \time 2/4
+ R1*2/4 |
+ \time 4/4
+ r2 r2\fermata |
+ R1 |
+ R1 |
+ R1 |
+ r4 r8 <a'' a'>8~\p 2~ |
+ 8 8~ 4 2\fermata |
+
+}