--- /dev/null
+\layout {
+ \context {
+ \Score
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
+ \override InstrumentName.self-alignment-X = 1
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override Hairpin.to-barline = ##f
+ \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
+ \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+ \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
+ \override CenteredBarNumber.font-name = "classico"
+ \phrasingSlurDashPattern #0.5 #2.0
+ \override PhrasingSlur.thickness = 0.5
+ \override StaffSymbol.layer = #4
+ \override Stem.layer = #4
+ \override Beam.layer = #4
+ \override Hairpin.layer = #4
+ \override TimeSignature.layer = #2
+ \override Tie.layer = #1
+ \override TupletBracket.layer = #2
+ \override StringNumber.layer = #2
+ \override TextSpanner.layer = #3
+ \override NoteHead.layer = #4
+ \override Accidental.layer = #4
+ \override TimeSignature.whiteout = 2
+ \override TextScript.padding = 1
+ \override TextScript.layer = #4
+ \override TextScript.whiteout = 2
+ \override Fermata.outside-staff-priority = 200
+ \numericTimeSignature
+ \romanStringNumbers
+ \override TupletNumber.layer = 4
+ \override TupletNumber.font-shape = #'upright
+ rehearsalMarkFormatter = #rounded-measure-number-mark
+ \remove Text_mark_engraver
+ \remove Mark_engraver
+ \remove Metronome_mark_engraver
+ \remove Instrument_name_engraver
+ \override MultiMeasureRest.expand-limit = 1
+ \override RehearsalMark.break-visibility = #(vector #f #t #t)
+
+ %\override PaperColumn.show-horizontal-skylines = ##t
+ %\override NonMusicalPaperColumn.show-horizontal-skylines = ##t
+ %\override VerticalAxisGroup.show-vertical-skylines = ##t
+ %\override System.show-vertical-skylines = ##t
+ %\override PaperColumn.show-horizontal-skylines = ##t
+ %\override VerticalAlignment.show-vertical-skylines = ##t
+
+ }
+ \context {
+ \Staff
+ \consists Metronome_mark_engraver
+ \remove Instrument_name_engraver
+ \consists Text_mark_engraver
+ \remove Clef_engraver
+ pedalSustainStyle = #'bracket
+ }
+ \context {
+ \OneStaff
+ \remove Instrument_name_engraver
+ \consists Time_signature_engraver
+ }
+ \context {
+ \GrandStaff
+ \remove Instrument_name_engraver
+ \override StaffGrouper.staff-staff-spacing = #'(
+ (basic-distance . 2)
+ (padding . 2))
+ }
+ \context {
+ \Voice
+ \remove Instrument_name_engraver
+ \consists Clef_engraver
+ }
+}
\concat { \if \on-page #38 \evfoot }
}
}
-
-
-\layout {
- \context {
- \Score
- \override InstrumentName.self-alignment-X = 1
- \override RehearsalMark.break-visibility = #begin-of-line-invisible
- \override Hairpin.to-barline = ##f
- \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
- \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
- \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
- \override BarNumber.font-name = "classico"
- \phrasingSlurDashPattern #0.5 #2.0
- \override PhrasingSlur.thickness = 0.5
- \override StaffSymbol.layer = #4
- \override Stem.layer = #4
- \override Beam.layer = #4
- \override Hairpin.layer = #4
- \override TimeSignature.layer = #2
- \override Tie.layer = #1
- \override TupletBracket.layer = #2
- \override StringNumber.layer = #2
- \override TextSpanner.layer = #3
- \override NoteHead.layer = #4
- \override Accidental.layer = #4
- \override TimeSignature.whiteout = 2
- \override TextScript.padding = 1
- \override TextScript.layer = #4
- \numericTimeSignature
- \override TupletNumber.layer = 4
- \override TupletNumber.font-shape = #'upright
- }
- \context {
- \Staff
- \remove Instrument_name_engraver
- \override MultiMeasureRest.expand-limit = 1
- }
- \context {
- \GrandStaff
- \remove Instrument_name_engraver
- }
-}
\override TextScript.padding = 1
\override TextScript.layer = #4
\override TextScript.whiteout = 2
+ \override Fermata.outside-staff-priority = 200
\numericTimeSignature
+ \romanStringNumbers
\override TupletNumber.layer = 4
\override TupletNumber.font-shape = #'upright
centerBarNumbers = ##t
barNumberVisibility = #all-bar-numbers-visible
rehearsalMarkFormatter = #rounded-measure-number-mark
+ \override RehearsalMark.break-visibility = #(vector #f #t #t)
\override CenteredBarNumber.stencil = #(make-stencil-boxer 0.1 0.25 ly:text-interface::print)
\override CenteredBarNumberLineSpanner.direction = #DOWN
\remove Text_mark_engraver
r2 r4 bes2\mf | %058
f4->\ff\>^\markup { "arco" } d'4-> | %059
g,1\mf\fermata | %060
- b4^\markup { "pizz" } r4 r8 d8 g4 | %061
+ b4\mp^\markup { "pizz" } r4 r8 d8 g4 | %061
e8 f8 r4 r8 ees8 r4 | %062
r2 g8 bes,4 des8 | %063
R1 | %064
r2 r8 c8-. r4 | %067
R1*3/4 | %068
R1*4 | %069-72
- r2 r4 d,4 | %073
- e2. f4 | %074
- fis2. r2 | %075
- g4. c,8~-> c2 | %076
- ees4. d8~-> d2 | %077
+ r2 r4 d,4\p | %073
+ e2 r4 f4\< | %074
+ fis2\mp r4 r2 | %075
+ g4.\mf c,8~-> c2 | %076
+ ees4.\f d8~-> d2 | %077
R1 | %078
R1*5/4 | %079
- r2 r4 a'4 | %080
- r8 a4.->^\markup { "arco" } gis4( b4~ | %081
- b2~ b4) f8( d8~ d8 c4.) | %082
- bes2 a2\fermata | %083
+ r2 r4 a'4\mp | %080
+ r8 a4.->\mf^\markup { "arco" } gis4( b4~ | %081
+ b2~ b4) f8(\> d8~ d8 c4.) | %082
+ bes2\p a2\3\fermata | %083
R1 | %084
- r2 r4 ees'4~ | %085
- ees2.~ ees8 des8~ des4~ | %086
- \tuplet 3/2 { des2 b4~ } b4 fis'4~ | %087
- fis8 g'8-. c,8-. f8-. bes,4( a4 | %088
- gis2) <gis e'>2 | %089
- R1
+ r2 r4 ees'4~\pp\< | %085
+ ees2.~ ees8 des8~\mf des4~ | %086
+ \tuplet 3/2 { des2\> b4~\mp } b4 fis'4~ | %087
+ fis8 g'8-^\f c,8-^ f8-^ bes,4(\> a4 | %088
+ gis2)\mp <gis e'>2 | %089
+ R1*6 | %90-95
+ R1*3/4*2 | %096-97
+ R1 | %098
+ R1*7/8 | %099
+ r8 r8 ees8-.\p r4 bes8-. r8 | %100
+ r4 e8-.\< e8-. r8 f8-. fis8-.-> r8 | %101
+ b,8-.->\mf r8 r4 r2 | %102
+ R1 | %103
+ R1*3/4 | %104
+ R1 | %105
+ r2 r8 b8-.\f^\markup { "pizz" } r4 | %106
+ R1 | %107
+ r4 ges'8-.\mp^\markup { "arco" } ges8( f4~ | %108
+ f4) r4 r8 des8~\mf | %109
+ des4~ des8 r8 | %110
+ r4 g8-. g8-. aes4~ | %111
+ aes4~ aes8 r8 r8 c,8~\f | %112
+ c2. | %113
+ b2\mf bes2 | %114
+ R1*2 | %115-116
+ r4.\shortfermata r4. | %117
+
}
bassStaff =
c8(\mf ees8~ ees2) bes2 | %058
f'4->\ff\> d4-> | %059
g1\mf\fermata | %060
- r8 f'8~ f2.~ | %061
+ r8 f'8~\p f2.~ | %061
f4 ges2 bes8( des,8 | %062
- c2.) b'4~( | %063
+ c2.) b'4~(\< | %063
b8 gis8~ gis4 e4.) ees8( | %064
- d8-.) r8 r4 r4 c,2.( | %065
- bes8-.) r8 e'8( d8 cis8 b8 a8 gis8) | %066
- g'1-> | %067
+ d8-.)\mf r8 r4 r4 c,2.(\mp\< | %065
+ bes8-.)\mf r8 e'8(\p d8 cis8 b8 a8 gis8) | %066
+ <<
+ {
+ g'1-> | %067
+ }
+ {
+ s4\mp\> s4 s4 s4\!
+ }
+ >>
R1*3/4 | %068
- r2 r4 r8 f8-. | %069
- ees8( aes8) g8( c8) fis2~ | %070
- fis1 | %071
+ r2 r4 r8 f8-.\p | %069
+ ees8(\< aes8) g8( c8) fis2~\mf\> | %070
+ fis1\mp | %071
R1*3 | %072-74
- fis,,2.~ fis2 | %075
- g4. c,8~-> c2 | %076
- ees8( ges8 bes8) d8~ \tuplet 3/2 { d2 cis,4( } | %077
- e2.) g4~ | %078
+ fis,,2.~\mp fis2 | %075
+ g4.\< c,8~->\mf c2 | %076
+ ees8( ges8 bes8) d8~-> \tuplet 3/2 { d2\> cis,4( } | %077
+ e2.)\mp g4~ | %078
g2.~ g2 | %079
R1 | %080
- r2 d''4-- \tuplet 3/2 { d8-.-> bes8-.-> ges8-.-> } | %081
- R1*6/4 | %082
+ r2 d''4--\f \tuplet 3/2 { d8-.-> bes8-.-> ges8-.-> } | %081
+ r8 aes8-.-> r4 r2 r2 | %082
r2 r2\fermata | %083
- r4 cis,,8 dis8 e8 fis8 gis4 | %084
- g4. d8~-> d4 ees4~-> | %085
- ees2. r2 | %086
+ r4 cis,,8\mf dis8 e8 fis8 gis4 | %084
+ g4.\< d8~->\f d4 ees4~-> | %085
+ \after 2 \! ees2.\> r2 | %086
R1*2 | %087-88
- \tuplet 3/2 { b''2( dis4~ } dis2) | %089
- R1 | %090
+ \tuplet 3/2 { b''2(\mp\> dis4~ } \after 4 \p dis2) | %089
+ R1*2 | %090-91
+ r2 r4 ges,4~\mp | %092
+ ges8 ees8~\mf ees2~ ees8 des8~ | %093
+ des2. r4 | %094
+ R1 | %095
+ aes2.( | %096
+ f'4\> a,4 c,4)\mp | %097
+ R1 | %098
+ r8 d''4->\f\> fis4( cis4)\mf | %099
+ des,8[(\p\< c8 e8] a,8[ d8 b8 f'8] | %100
+ ees8 aes8 g8 ges8 bes,8)\mf c8(\p\< des8 ees8 | %101
+ d8 e8 f8 g8~ g8)\mf r8 r4 | %102
+ R1 | %103
+ R1*3/4 | %104
+ R1*2 | %105-106
+ r8 ges'8-.\mf r8 a,,8( g8-.) r8 r4 | %107
+ R1*3/4*2 | %108-109
+ R1*2/4 | %110
+ R1*3/4*2 | %111-112
+ r4 r4 r8 fis''8(\f | %113
+ cis8 d a4~ a8) c8(\> f8) fis( | %114
+ cis4.) dis,8~\mf\> dis4. g8 | %115
+ fis4 gis2 d4~\p | %116
+ d4.~\shortfermata d4. | %117
}
bassClarinetStaff =
f'4->\ff\> d4-> | %059
g1\mf\fermata | %060
R1*4 | %061-064
- r2. c,2.( | %065
- bes8-.) r8 r4 r2 | %066
+ r2. c,2.(\mp\< | %065
+ bes8-.)\mf r8 r4 r2 | %066
R1 | %067
R1*3/4 | %068
- r2 r4 r8 f''8-. | %069
- ees8( aes8) g8( c8) \clef tenor fis8( b8~ b4~ | %070
- b1) | %071
+ r2 r4 r8 f''8-.\p | %069
+ ees8(\< aes8) g8( c8) \clef tenor fis8( b8~\mf\> b4~ | %070
+ b1)\mp | %071
R1*3 | %072-74
R1*5/4 \clef bass | %075
- g,,4. c8->~ c2 | %076
- ees8( ges,8 bes8) d,8~ \tuplet 3/2 { d2 cis4( } | %077
- e2.) r4 | %078
+ g,,4.\< c8->~\mf c2 | %076
+ ees8( ges,8 bes8) d,8~-> \tuplet 3/2 { d2\> cis4( } | %077
+ e2.)\mp r4 | %078
R1*5/4 | %079
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
- r4 cis8 dis8 e8 fis8 gis4 | %084
- g4. d8~-> d4 ees4~ | %085
- ees2. r2 | %086
+ r4 cis8\mf dis8 e8 fis8 gis4 | %084
+ g4.\< d8~->\f d4 ees4~ | %085
+ \after 2 \! ees2.\> r2 | %086
R1*2 \clef tenor | %087-88
- b''1( | %089
- b'1) | %090
+ b''1(\mp\> | %089
+ b'1)\p | %090
+ R1 | %091
+ c2\mp r2 | %092
+ R1*3 \clef bass | %093-95
+ aes,,4.(\mf d4. | %096
+ f4\> a,4 c,4)\mp | %097
+ R1 \clef tenor | %098
+ r8 b'''4->\f\> gis4( dis4)\mf \clef bass | %099
+ r8 r8 ees,,8-.\p r4 bes8-. r8 | %100
+ r4 e8-.\< e8-. r8 f8-. fis8-.-> r8 | %101
+ b,8-.->\mf r8 r4 r8 des'8-.-> r4 | %102
+ R1 | %103
+ R1*3/4 | %104
+ R1 | %105
+ r2 r8 b,8-.\f\> r4 | %106
+ f'''8-. r8 r8 a,,8( g8-.)\mf r8 r4 | %107
+ R1*3/4*2 | %108-109
+ R1*2/4 | %110
+ R1*3/4*3 | %111-113
+ b,2\mf bes2 | %114
+ e'4. dis8~\> dis4. g8 | %115
+ fis4 a,4 a4 d4~\p | %116
+ d4.~\shortfermata d4. | %117
+
}
bassoonStaff =
-#(define-music-function (music) (ly:music?) #{ \new Staff = "bassoon" \with { instrumentName = \markup { "bassoon " } shortInstrumentName = \markup { "bsn " } \override DynamicLineSpanner.staff-padding = \sods } << $music >> #})
+#(define-music-function (music) (ly:music?)
+ #{
+ \new Staff = "bassoon" \with {
+ instrumentName = \markup { "bassoon " }
+ shortInstrumentName = \markup { "bsn " }
+ \override DynamicLineSpanner.staff-padding = \sods
+ }
+ << $music >>
+ #})
c,8(\mf^\markup { "arco" } ees8~ ees2) bes'2 | %058
f4->\ff\> d4-> | %059
g1\mf\fermata | %060
- r8 f'8~^\markup { "pizz" } f2. | %061
+ r8 f'4.\p^\markup { "pizz" } r2 | %061
r4 ges2 bes8 des,8 | %062
- c2. b'4~ | %063
+ c2 r4 b'4~\< | %063
b8 gis8~ gis4 e4. ees8(^\markup { "arco" } | %064
- d8-.) r8 r4 r4 r2. | %065
- r8 f8^\markup { "pizz" } e8 d8 cis8 b8 a8 gis8 | %066
+ d8-.)\mf r8 r4 r4 r2. | %065
+ r8 f8^\markup { "pizz" } e8\mp d8 cis8 b8 a8 gis8 | %066
R1 | %067
- ees'8-.^\markup { "arco" } f8-. fis8( g8) e8-. d8-. | %068
- cis1 | %069
+ \markSpanner "msp" "ord" ees'8-.\<\startTextSpan^\markup { "arco" } f8-. fis8( g8)\mf\> e8-. d8-. | %068
+ cis1\mp\stopTextSpan | %069
R1*2 | %070-071
- r2 gis'2~ | %072
- gis2. d,4 | %073
- e2. f4 | %074
- fis2.~ fis2 | %075
- g4. c,8~ c2 | %076
- ees8( ges8 bes8) d,8~ d4 r4 | %077
+ r2 gis'2~\mf^\markup { \italic "sul tasto" } | %072
+ gis2. d,4\p^\markup { \italic "ord" } | %073
+ \after 2 \< e2. f4 | %074
+ fis2.~\mp fis2 | %075
+ g4.\< c,8~->\mf c2 | %076
+ ees8(\< ges8 bes8) d,8~->\f d4 r4 | %077
R1 | %078
R1*5/4 | %079
- r2 r4 a'4^\markup { "pizz" } | %080
- r8 a4.->^\markup { "arco" } gis4( b4~ | %081
- b2~ b4) f8( d'8~ d8 c4.) | %082
- bes2 a'2\fermata | %083
+ r2 r4 a'4\mp^\markup { "pizz" } | %080
+ r8 a4.->\mf^\markup { "arco" } gis4( b4~ | %081
+ b2~ b4) f8(\> d'8~ d8 c4.) | %082
+ bes2\p a'2\1\fermata | %083
R1 | %084
- r2 r4 ees4~ | %085
- ees2.~ ees8 des,8~ des4~ | %086
- \tuplet 3/2 { des2 b'4~ } b4 fis4~ | %087
- fis8 g'8-. c,8-. f8-. bes,4( a4 | %088
- gis2) <gis e'>2 | %089
- R1
+ r2 r4 ees4~\pp\< | %085
+ ees2.~ ees8 des,8~\mf des4~ | %086
+ \tuplet 3/2 { des2\> b'4~\mp } b4 fis4~ | %087
+ fis8 g'8-^\f c,8-^ f8-^ bes,4(\> a4 | %088
+ gis2)\mp <gis e'>2-- | %089
+ R1*2 | %090-91
+ \override NoteHead.style = #'harmonic-black
+ r2 r4 e''4\1\mf | %092
+ \revert NoteHead.style
+ r8 ees,8~ ees2~ ees8 des8~ | %093
+ des2. r4 | %094
+ R1 | %095
+ R1*3/4*2 | %096-97
+ a'4\mf e'2.^\markup { \italic "sul pont." } | %098
+ R1*7/8 | %099
+ r8 r8 fis,8-.\p^\markup { \italic "ord" } r4 g8-. r8 | %100
+ r4 e,8-.\< e8-. r8 f8-. fis8-.-> r8 | %101
+ b8-.->\mf r8 r4 r2 | %102
+ R1 | %103
+ R1*3/4 | %104
+ \override NoteHead.style = #'harmonic-mixed
+ r4 c4\4\f c2\4 | %105
+ \revert NoteHead.style
+ r4 aes8-.^\markup { "pizz" } r8 r2 | %106
+ R1 | %107
+ r4 ges8-.\mp^\markup { "arco" } ges8( f4~ | %108
+ f4) r4 r8 des8~\mf | %109
+ des4~ des8 r8 | %110
+ r4 g8-. g8-. aes4~ | %111
+ aes4~ aes8 r8 r8 c,8~\f | %112
+ c2. | %113
+ g''2\mf r2 | %114
+ R1*2 | %115-116
+ r4.\shortfermata r4. | %117
}
celloStaff =
c2.~ c8\pp r8 | %062
r4 f2.~(\< | %063
f1 | %064
- g1~\mf g8 fis8 ees8) r8 | %065
+ g1~\mf g8\< fis8 ees8)\! r8 | %065
R1 | %066
- r8 aes8~ aes2.~ | %067
- aes2. | %068
- r4 r8 d8~ d2~ | %069
- d2 r4 e4~ | %070
- e1~ | %071
- e4 cis,2.~ | %072
- \tuplet 5/4 { cis2 a'8~ } a2~ | %073
- a1 | %074
- r4 bes1~( | %075
- bes4 b2.) | %076
- r2 c8-. g8-. a4~ | %077
- a4. d,8~( d4 bes4) | %078
- bes1 aes'8( ges8 | %079
+ r8 aes8~\mp\< aes2.~ | %067
+ \after 2 \! aes2.\mf\> | %068
+ r4 r8 d8~\p\< d2~ | %069
+ d2\mf r4 e4~ | %070
+ e1~\> | %071
+ e4 cis,2.~\mp | %072
+ \tuplet 5/4 { cis2\< a'8~\mf } a2~ | %073
+ \after 2.. \p a1\> | %074
+ r4 \after 4 \< bes1~( | %075
+ bes4 b2.)\mf | %076
+ r2 c8-.\f g8-. a4~ | %077
+ a4. d,8~(\> d4 aes4) | %078
+ bes1\mp\> aes'8(\pp ges8 | %079
ees2.) r4 | %080
- f8-.-> r8 f8-.-> des8-.-> r4 des4~ | %081
- des2. r2. | %082
+ f8-.->\f r8 f8-.-> des8-.-> r4 des4~\> | %081
+ \after 2 \mp des2. r4 r2 | %082
r2 r2\fermata | %083
- r8 ces'8~ ces2~ ces8 bes8-. | %084
+ r8 ces'8~->\f ces2~ ces8 bes8-. | %084
a8-. b8-. c2. | %085
- ges8-. aes8-. f1~ | %086
- f4 g8-. e8~ e4 f4-> | %087
- d2~ d8 cis8~ cis4~ | %088
- cis1 | %089
+ ges8-. aes8-. f1~\> | %086
+ f4 g8-. e8~\mp e4 f4->\f | %087
+ d2~\> d8 cis8~ cis4~ | %088
+ \after 2. \p cis1 | %089
+ r2 r4 r8 c'8(\mp | %090
+ d8 bes8 aes8 ges8~ ges4) r8 e'8( | %091
+ g8 f4) ees8~(\< ees8 cis8 b'8 a8~ | %092
+ a4) d4~->\f d8 f,8~ f4 | %093
+ \tuplet 3/2 { fis4(\> b,4 a'4 } \tuplet 3/2 { bes,4 aes'4 c,4 } | %094
+ g'2.)\mp r8 des8( | %095
+ fes,2.\< | %096
+ \after 2 \p ees2.) | %097
+ g8(\mf\< d'8 ces8 ges'8 bes8 des4) c8( | %098
+ e4\f a,8) ees8[(\> f8] aes,4) | %099
+ des,8[(\mp\< c8 e8] a,8[ d8 b8 f'8] | %100
+ ees8 aes8 g8 ges8 bes,8)\f c8(\mf\< des8 ees8 | %101
+ d8 e8 f8 g8~ g8) r8 aes8-. ges8-. | %102
+ ces8(\f bes8 a8)-. r8 \tuplet 3/2 { g4(\< c4 e4) } | %103
+ aes16( bes16 ces16 des16 ees16 f16 ges8~ ges8.) a,16( | %0104
+ ees'2)\ff r8 e8( fis8 b,8) | %105
+ g8(\> f8 ees8 bes'8~ bes8) a8( aes4 | %106
+ des4-.)\f r8 d8(\> c4-.) r8 e8(\mf | %107
+ d8 b8 a8-.) c,,8(\< ees,8-.->)\ff des'''8(^\mf | %108
+ bes8 c8 g8-.) bes,,8-.->\ff aes''8(^\mf^\< ges8 | %109
+ f8 ees4)^\f d8(^\mf | %110
+ e8 a cis8-.) f,,,8(\< a8-.->)\ff ees''8(^\< | %111
+ ges8 b8 c8-.)^\f d,,,8-.->\ff aes'''8(^\< bes8 | %112
+ f'8 g8~^\ff g2) | %113
+ fes,,,4.\mf aes''8(\f\> d, ees a,4)\! | %114
+ des,4.\mf bes'8(\f\< f' c' b8-.)\! g,,8-- | %115
+ fis4\> gis2 b4~\p | %116
+ b4.\shortfermata cis''8(\mf e,8) fis,8( | %117
+ gis1.) | %118
}
clarinetStaff =
fluteMusic =
\relative {
\clef treble
- R1 | %001
+ <>^\markup { \bold \box "flute" } R1 | %001
R1*3/4*2 | %002-3
r8 bes'8~->\mf\> bes2.~ | %004
\after 2 \! bes2. f'4~->\mf\> | %005
R1*2 |%066-067
R1*3/4 | %068
R1 | %069
- r2 r4 \tuplet 3/2 { r8 r8 a,8~^\markup { \bold \box "piccolo" } } | %070
+ r2 r4 \tuplet 3/2 { r8 r8 a,8~\mf^\markup { \bold \box "piccolo" } } | %070
a1 | %071
R1*2 | %072-073
- r4 r8 c8-. g8-. bes8-. r4 | %074
- r8 b8-. r4 r8 ees,8-. r2 | %075
- R1*3^\markup { "take flute" } | %076-78
+ r4 r8 c8-^\mp g8-^ bes8-^ r4 | %074
+ r8 b8-^\mf r4 r8 ees,8-^ r2 | %075
+ <>^\markup { "take flute" } R1*3 | %076-78
R1*5/4 | %079
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
R1 | %084
- r2 e8-.->^\markup { \bold \box "flute" } f8-.-> r4 | %085
- ges8-.-> aes8-.-> f1 | %086
+ r2 e8-^\mf^\markup { \bold \box "flute" } f8-^ r4 | %085
+ ges8-^ aes8-^ \after 2. \! f1\> | %086
R1*2 | %087-88
- \tuplet 3/2 { b,2( dis4~ } \tuplet 3/2 { dis4 fis2 } | %089
- \tuplet 3/2 { b2 dis4~ } \tuplet 3/2 { dis4 fis2) } | %090
+ \tuplet 3/2 { b,2(\mp\> dis4~ } \tuplet 3/2 { dis4 fis2 } | %089
+ \tuplet 3/2 { b2 dis4~ } \tuplet 3/2 { dis4 fis2)\p } | %090
+ r8 des'8(\mp f,4) des'2 | %091
+ d2 r2 | %092
+ r4 b,8(->\mf c8 aes'2) | %093
+ R1*2 | %094-95
+ fis2.(\mf | %096
+ \after 2 \p b,,2.)\> | %097
+ r2 r4 r8 c''8(\f | %098
+ e4.)\> bes,4( c4)\mf | %099
+ R1*7/8 | %0100
+ r2 r4 gis8-.-> r8 | %101
+ a8-.-> r8 r4 r8 e'8-.->\f r4 | %102
+ r4 d8-.-> r8 r2 | %103
+ R1*3/4 | %104
+ R1 | %105
+ r2 c'8-.\f\> r8 r4 | %106
+ r8 bes8-. r4 ees,8-.\mf r8 r4 | %107
+ R1*3/4*2 | %108-109
+ R1*2/4 | %110
+ R1*3/4*2 | %111-112
+ r4 r4 r8 fis8(\f | %113
+ cis8 d8 a4~ a8) r8 r8 fis8( | %114
+ b4.)\> gis8 \tuplet 3/2 { a4( d,4 e4)\mp } | %115
+ r2 r4 b4~\p | %116
+ b4.~\shortfermata b4. | %117
}
fluteStaff =
R1*6 | %069-74
R1*5/4 | %075
R1*2 | %076-77
- e,,2. r4 | %078
- r8 ees'8( des2~ des2) | %079
+ e,,2.\mf r4 | %078
+ r8 ees'8( des2~\> des2)\mp | %079
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
R1*2 | %084-85
R1*5/4 | %086
- R1*4
+ R1*9 | %087-95
+ R1*3/4 | %096
+ f,2.-+\mf | %097
+ R1 | %098
+ R1*7/8 | %099
+ r8 r8 aes8-.\p r4 g8-. r8 | %100
+ r4 cis8-.\< d8-.\! r2 | %101
+ r2 bes8(\< ees8-.->)\f r4 | %102
+ r4 f8-.-> r8 r2 | %103
+ R1*3/4 | %104
+ R1 | %105
+ r2 r4 r8 e8(\f | %106
+ f8-.) ges8-. r4 r2 | %107
+ r4 r8 c,8(\p bes4~ | %108
+ bes4) r8 bes8~\mp bes4~ | %109
+ bes4~ bes8 r8 | %110
+ r4 r8 bes8-.\mf e4~ | %111
+ e4~ e8 r8 ees4~\f | %112
+ ees2. | %113
+ R1*3 | %114-116
+ r4.\shortfermata r4. | %117
+
}
hornStaff =
R1*2 |%066-067
R1*3/4 | %068
R1*5 | %069-73
- r4 r8 c8-. g8-. bes8-. r4 | %074
- r8 b8-. r4 r8 ees,8-. des8-. f8-. aes8-. r8 | %075
- r2 e8-. a,8-. fis8-. d8-. | %076
+ r4 r8 c8-^\mp g8-^ bes8-^ r4 | %074
+ r8 b8-^\mf r4 r8 ees,8-^ des8-^ f8-^ aes8-^ r8 | %075
+ r2 e8-^\> a,8-^ fis8-^ d8-^\! | %076
R1*2 | %077-78
R1*5/4 | %079
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
R1 | %084
- r2 e8-.-> f8-.-> r4 | %085
- ges8-.-> aes8-.-> f1 | %086
+ r2 e8-^\mf f8-^ r4 | %085
+ ges8-^ aes8-^ \after 2. \! f1\> | %086
R1*3 | %087-89
- \tuplet 3/2 { b2( dis4~ } dis2) | %090
+ \tuplet 3/2 { b2(\p dis4~ } dis2) | %090
+ r4 f4\mp f2 | %091
+ a2 r2 | %092
+ r4 b,8(-> c8~ c2) | %093
+ R1*2 | %094-95
+ fis4(\mf a,4 b,~ | %096
+ b4.\> \after 8 \p bes4.) | %097
+ r2 r4 r8 f''8(\f | %098
+ g4.)\> bes,4( c4)\mf | %099
+ R1*7/8 | %0100
+ r2 r4 gis8-.-> r8 | %101
+ a8-.-> r8 r4 r8 ees8-.->\f r4 | %102
+ r4 d'8-.-> r8 r2 | %103
+ R1*3/4 | %104
+ R1*2 | %104-105
+ b'8-.\f r8 r4 ees,8-.\mf r8 r4 | %106
+ R1*3/4*2 | %107-108
+ R1*2/4 | %109
+ R1*3/4*3 | %110-112
+ r2 r8 c,8(\f f8) fis8( | %113
+ b4.)\> gis8 \tuplet 3/2 { a4( d,4 e4)\mp } | %114
+ R1 | %115
+ r4.\shortfermata r4. | %116
}
oboeStaff =
midiDrumPitches.cxl = e
midiDrumPitches.cxh = f
-percOnePitchedMusic =
+percOneMusic =
{
\new Staff \with {
\remove Time_signature_engraver
drumPitchTable = #(alist->hash-table midiDrumPitches)
}
\drummode {
- <>^\markup { \bold \box "low tom" } tml1:32\fermata | %060
- <>^\markup { \bold \box "kick drum" } kdr4 r4 r8 kdr8 r4 | %061
+ <>^\markup { \bold \box "low tom" } tml1:32\mp\fermata | %060
+ <>^\markup { \bold \box "kick drum" } kdr4\pp r4 r8 kdr8 r4 | %061
kdr4 r4 r8 kdr8 r4 | %062
kdr4 r4 r8 kdr8 r4 | %063
r8 kdr8 r4 kdr4 r8 kdr8 | %064
R1*6/4 | %065
R1 | %066
- r2 r8 tml8-+ r4 | %067
+ r2 r8 tml8-+\p r4 | %067
R1*3/4 | %068
R1*2 | %069-070
- <>^\markup { \bold \box "caxixi" } <cxl cxh>1:32~^\markup { "swirl" } | %071
- <cxl cxh>4:32~ 8:32 r8 r2 | %072
+ <>^\markup { \bold \box "caxixi" } <cxl cxh>1:32~\p^\markup { "swirl" } | %071
+ <cxl cxh>4:32~\> 8:32\! r8 r2 | %072
R1 | %073
- kdr4 r4 r8 kdr8 r4 | %074
+ kdr4\p r4 r8 kdr8 r4 | %074
kdr4 r4 r8 kdr8 r2 | %075
- kdr4 r8 kdr8 r4 tmm4 | %076
- kdr4 r8 kdr8 r2 | %077
+ kdr4\< r8 kdr8 r4 tmm4 | %076
+ kdr4\mf r8 kdr8 r2 | %077
R1 | %078
R1*5/4 | %079
- r2 r4 kdr4 | %080
+ r2 r4 kdr4\p | %080
r8 kdr8 r4 r2 | %081
R1*6/4 | %082
r2 r2\fermata | %083
R1 | %084
- kdr4 r8 kdr8 r4 kdr4 | %085
- r8 tml8 r4 r4 r2 | %086
- R1*4
+ kdr4\mp\< r8 kdr8 r4 kdr4\mf | %085
+ r8 tml8\mp r4 r4 r2 | %086
+ R1*4 | %087-90
+ r2 cxh8\p cxl8 cxh4 | %091
+ r4 cxl4\< cxh4 r4 | %092
+ cxl8 cxh8 r8 cxh8 cxl4\mf cxh4 | %093
+ R1*2 | %094-95
+ R1*3/4*2 | %96-97
+ r4 cxl4\< r4 cxh8 cxl8 | %98
+ r8 cxh8\f\> r8 cxl8[ cxh8] r8 cxl8\mf | %99
+ R1*7/8 | %100
+ r4 r8 kdr8\mp\< r4 kdr4 | %101
+ kdr4\mf r4 tmh8\< kdr8\f r4 | %102
+ r4 <kdr tml>4-> r2 | %103
+ R1*3/4 | %104
+ R1 | %105
+ kdr4\f\> tmm4 tml8 kdr4 tmh8 | %106
+ kdr8 tmm4 tml8 kdr4\mf r4 | %107
+ kdr4\mp tmm4 kdr4 | %109
+ kdr4\< tml8 kdr4 tml8 | %110
+ kdr4\mf r4 | %111
+ kdr8\mp\< tmm8 tml4 kdr4 | %112
+ kdr4 tmh8 kdr8 tml8 kdr8\f | %113
+ r4 r8 kdr4 tmm8\> | %114
+ r4 r8 tmh8 r4 r8 tml8 | %115
+ r4 r8 tmm8 r4 r8 kdr8 | %116
+ r4 r8 tml8\p r2 | %117
+ r4.\shortfermata r4. | %117
}
}
a,8 e8 r4 b8\mp r8 r4 r4 | %057
R1*5/4 | %058
R1*2/4 \clef treble | %059
- <>^\markup { \bold \box "tubular bells" } <c' g'>1\fermata | %60
+ <>^\markup { \bold \box "tubular bells" } <c' g'>1\f\fermata | %60
\override Voice.Clef.stencil = ##f
}
\new DrumStaff \with {
}
\drummode {
R1 | %061
- r2 r4 r8 <>^\markup { \bold \box "hi-hat" } htc8 \parenthesize -+ | %062
+ r2 r4 r8 <>^\markup { \bold \box "hi-hat" } htc8\pp \parenthesize -+ | %062
r4 htc4 r2 | %063
- htc4 htc8 htc8 r8 htc8 htc8 hth8 | %064
- <>^\markup { \bold \box "snare drum" } <htp sds>8 r8 r4 r4 r4 <>^\markup { \bold \box "ride cymbal" } rcy4\laissezVibrer r4 | %065
- r2 r4 htc8 hth8 | %066
+ htc4 htc8 htc8 r8 htc8\< htc8 hth8 | %064
+ <>^\markup { \bold \box "snare drum" } <htp sds>8\mp r8 r4 r4 r4 <>^\markup { \bold \box "ride cymbal" } rcy4\pp\laissezVibrer r4 | %065
+ r2 r4 htc8\mp hth8 | %066
<htp rcy^\laissezVibrer>8 r8 r4 r2 | %067
R1*3/4 | %068
R1 | %069
\remove Time_signature_engraver
}
\relative {
- r2 r4 <>^\markup { \bold \box "marimba" } e''4:32~ | %070
+ r2 r4 <>^\markup { \bold \box "marimba" } e''4:32~\niente\< | %070
e1:32~ | %071
- e4:32 cis,2.:32 | %072
+ e4:32\mp\> \after 2 \niente cis,2.:32 | %072
R1 | %073
\override Voice.Clef.stencil = ##f
}
drumPitchTable = #(alist->hash-table midiDrumPitches)
}
\drummode {
- r2 r4 htc8 htc8 | %074
+ r2 r4 htc8\p htc8 | %074
r4 r8 sds8 rcy4\laissezVibrer r4 rcy8\laissezVibrer sds8 | %075
- r8 htc8 hth8 htp8 r8 htc8 r8 sds8 | %076
- sds4 htc8 sds8 rcy4\laissezVibrer r4 | %077
+ r8 htc8\< hth8 htp8 r8 htc8 r8 sds8 | %076
+ sds4\mf htc8 sds8 rcy4\laissezVibrer r4 | %077
R1 | %078
R1*5/4 | %079
- r2 r4 r8 hhc8 | %080
- r4 r8 rcy8\laissezVibrer r4 <sds rcy\laissezVibrer>4 | %081
+ r2 r4 r8 htc8\p | %080
+ r4 r8 rcy8\<\laissezVibrer r4 <sds rcy\laissezVibrer>4\mf | %081
R1*6/4 | %082
r2 r2\fermata | %083
- r2 r4 r8 htc8 | %084
- r4 htc4 htc8 sds8 r8 htc8 | %085
+ r2 r4 r8 htc8\mp\< | %084
+ r4 htc4 htc8 sds8\mf r8 htc8 | %085
sds4 sds8 rcy8\laissezVibrer r4 r2 | %086
- R1*4
+ R1*4 | %087-90
+ r2 tbr4\p tbr4 | %091
+ tbr4\< r4 r4 tbr4 | %092
+ r8 tbr8\mf r4 r2 | %093
+ R1*2 | %094-95
+ R1*3/4*2 | %096-97
+ R1 | %098
+ R1*7/8 | %099
+ r8 r8 sdr8\p\< htc8[ htc8] sdr4 | %100
+ r8 htc8 sdr8 sdr8 htc4 htc8 hth8 | %101
+ <htp sdr>4\mf r4 r2 | %102
+ R1 | %103
+ R1*3/4 | %104
+ \override Voice.Clef.stencil = ##f
+ }
+ \new Staff \with {
+ \remove Time_signature_engraver
+ }
+ \relative {
+ <>^\markup { \bold \box "tubular bells" } r4 <c' g'>4\f 2 | %105
+ R1*2 | %106-107
+ \override Voice.Clef.stencil = ##f
+ }
+ \new DrumStaff \with {
+ \remove Time_signature_engraver
+ drumStyleTable = #(alist->hash-table perc2-drum-style)
+ drumPitchTable = #(alist->hash-table midiDrumPitches)
+ }
+ \drummode {
+ r4 r8 <sdr hth>8\mp\< htp8 sdr8 | %108
+ r8 htc8 htc4 htc8 sdr8\mf | %109
+ r8 rcy8\laissezVibrer htc4 | %110
+ r8 rcy8\laissezVibrer\mp\< sdr8 hth8 htp8 htc8 | %111
+ r8 sdr8 htc4 htc8 sdr8\f | %112
+ r8 htc8 htc8 rcy8\laissezVibrer r4 | %113
+ R1 | %114
+ <sdr htc>4\> htc8 sdr8 r8 htc8 sdr4 | %115
+ htc8 htc8 sdr8 rcy8\pp\laissezVibrer r2 | %116
+ r4.\shortfermata r4. | %117
}
}
c8( ees8~ ees4) \clef treble g''8( d'8 fis8 e8 cis'8) r8 \clef bass | %058
<f,,, f,>4 <d d,>4 | %059
<g, g,>1\fermata | %060
- b,8-. r8 r4 r8 d8-. g8-. r8 | %061
+ b,8-.^\p r8 r4 r8 d8-. g8-. r8 | %061
e8-. f8-. r4 r8 ees8-. r4 | %062
r2 g8-. bes,8-. r8 des8-. | %063
R1 | %064
s2 s2\sustainOff |
}
>>
- r2 r4 d,4 | %073
+ r2 r4 d,4^\p | %073
e2. f4 | %074
fis2.~ fis2 | %075
R1*3 | %076-78
r2 r2\fermata | %083
R1*2 | %084-85
R1*5/4 | %086
- R1*4
-
+ R1*4 | %087-90
+ <>\sustainOn R1 \clef treble | %091
+ c'''2\sustainOff\sustainOn aes4\sustainOff\sustainOn aes4 | %092
+ \after 8 \sustainOff bes4 r4 r2 | %093
+ R1*2 | %094-95
+ R1*3/4*2 | %096-97
+ r4 <e, dis'>2.\arpeggio | %098
+ R1*7/8 \clef bass | %099
+ r8 r8 ees,,8-. r4 bes8-. r8 | %100
+ r4 e8-. e8-. r8 f8-. fis8-.-> r8 | %101
+ b,8-.-> r8 r4 bes''8( des,8-.->) r4 | %102
+ R1 | %103
+ R1*3/4 | %104
+ r4 c4 c2 | %105
+ r2 r8 b,8-. r4 | %106
+ r4 r8 a'8( g8-.) r8 r4 | %107
+ R1*3/4*2 | %108-109
+ R1*2/4 | %110-111
+ R1*3/4*3 | %112-114
+ R1*3 | %115-117
+ r4.\shortfermata r4. | %118
}
\tuplet 3/2 { <ees ees,>4\ff\> <aes, aes,>4 <b b,>4 } | %059
<c c,>1\mf\fermata | %060
R1*4 \clef bass | %061-64
- d,,,8-. r8 r4 r4 r2. | %065
+ d,,,8-.\mf r8 r4 r4 r2. | %065
R1 \clef treble | %066
- r8 aes''8~ aes2.~ | %067
+ r8 aes''8~\p aes2.~ | %067
aes2. | %068
r4 r8 d8~ d2~ | %069
d2 r2 | %070
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
- r2 r4 r8 bes8-+ | %084
+ r2 r4 r8 bes8-+\mf | %084
a8-+ b8-+ c8-+ r8 e,8-+ f8-+ r4 | %085
- ges8-+ aes8-+ f8-+ des8-+ r4 r4 r8 d'8-+ | %086
+ ges8-+ aes8-+ f8-+ des8-+ r4 r4 r8 d'8-+\mp | %086
r4 g,8-+ r8 r2 | %087
- R1*3
+ R1*3 | %086-90
+ r8 des''8\mp f,4 <f des'>2 | %091
+ <a d!>2 r4\< e,4 | %092
+ g4\mf r4 r2 | %093
+ R1*2 | %094-95
+ R1*3/4*2 | %096-97
+ r4 <gis' dis' e>2.\arpeggio\mf | %098
+ R1*7/8 \clef bass | %099
+ r8 r8 <aes,, ges>8-.\p r4 g8-. r8 \clef treble | %100
+ r4 <a cis>8-.\< <b d>8-. r4 gis'8-.-> r8 | %101
+ <a c,>8-.->\mf r8 r4 r8\< <dis, e'>8-.->\f r4 | %102
+ R1 | %103
+ R1*3/4 | %104
+ r4 g4\f g2 | %105
+ r2 c'8-.\> r8 r4 | %106
+ r2 ees,8-.\mf r8 r4 | %107
+ R1*3/4*2 | %108-109
+ R1*2/4 | %110-111
+ R1*3/4*3 | %112-114
+ R1*3 | %115-117
+ r4.\shortfermata r4. | %118
}
pianoStaff =
\tempo "A tempo" 2=96
s1*2 | %84-85
\time 5/4 s1*5/4 | %086
- \time 2/2 s1*9 | %087
+ \time 2/2 s1*9 | %087-095
+ \time 3/4 s4 \timeSpanner "poco rit." s2\startTextSpan | %096
+ s4 s4 s8. s16\stopTextSpan \bar "||" | %097
+ \mark \default
+ \tempo "A Tempo" 2=96
+ \time 2/2 s1 | %098
+ \time 7/8 \textMark \markup { \tiny \sans "3+2+2" } s1*7/8*2 | %099-100
+ \time 2/2 s1*3 | %101-103
+ \time 3/4 s1*3/4 | %104
+ \time 2/2 s1*3 | %105-107
+ \time 3/4 s1*3/4*2 | %108-109
+ \time 2/4 s1*2/4 | %110
+ \time 3/4 s1*3/4*3 | %111-113
+ \time 2/2 s1*2 | %114-115
+ \timeSpanner "molto rit." s1\startTextSpan | %116
+ \time 6/8 s2 s8. s16\stopTextSpan \bar "||" | %117
+ \mark \default
+ \tempo "Andante" 4.=64
+ \time 12/8 s1*12/8 | %118
+ \time 6/8 s1*6/8 | %119
}
R1*4 | %061-064
R1*6/4 | %065
R1 | %066
- r2 r8 c8-. r4 | %067
+ r2 r8 c8-.\mp r4 | %067
R1*3/4 | %068
R1*6 | %069-74
R1*5/4 | %075
- g4. c8->~ c2 | %076
- ees8( ges,8 bes8) d8~ \tuplet 3/2 { d2 cis4( } | %077
- e4 b2) g4( | %078
- c8 f8~ f2~ f2) | %079
+ g4.\< c8->~\mf c2 | %076
+ ees8( ges,8 bes8) d8~-> \tuplet 3/2 { d2 cis4( } | %077
+ e4 b2) g4(\> | %078
+ c8 f8~\mp f2~ f2) | %079
R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
R1 | %084
- g,4. d'8~-> d4 ees4~-> | %085
- ees2. r2 | %086
- R1*4
+ g,4.\mp\< d'8~->\mf d4 ees4~-> | %085
+ \after 2 \! ees2.\> r2 | %086
+ <>^\markup { "take harmon mute" } R1*9 | %087-95
+ r4 r4 b'4->\mf | %096
+ f4-> a,2-> | %097
+ <>^\markup { "open" } R1 | %098
+ R1*7/8 | %099
+ r8 r8 fis'8-.\p r4 g8-. r8 | %100
+ r4 a8-.\< b8-.\! r2 | %101
+ c8-.->\mf r8 r4 r8 des,8-.->\f r4 | %102
+ r4 f'8-.-> r8 r2 | %103
+ R1*3/4 | %104
+ R1 | %105
+ r4 aes,,8-.\f r8 r2 | %106
+ r2 g8-.\mf r8 r4 | %107
+ r4 r8 g'8(\p ees4~ | %108
+ ees4) r8 b'8~\mp b4~ | %109
+ b4~ b8 r8 | %110
+ r4 r8 f8-.\mf a4~ | %111
+ a4~ a8 r8 r8 c,8~\f | %112
+ c2. | %113
+ R1*2 | %114-115
+ \tuplet 3/2 { des'4(\mf\> ees4 c4) } \tuplet 3/2 { f,4( bes,4 g4~\p } | %116
+ g4.~\shortfermata g4.) | %117
}
tromboneStaff =
R1*2 |%066-067
R1*3/4 | %068
R1*6 | %069-74
- r2 r4 des8-. f8-. aes8-. r8 | %075
- r2 e8-. a,8-. fis8-. d8-. | %076
+ r2 r4 des8-.\mf f8-. aes8-. r8 | %075
+ r2 e8-.\f\> a,8-. fis8-. d8-.\! | %076
R1 | %077
- r8 f8-. gis,8-. a8~ a2 | %078
- c2.~ c2 | %079
- R1*2 | %080-81
+ r8 f8-.\mf gis,8-. a8~ a2\> | %078
+ c2.~\mp c2 | %079
+ <><>^\markup { "take harmon mute" } R1*2 | %080-81
R1*6/4 | %082
r2 r2\fermata | %083
R1*2 | %084-85
R1*5/4 | %086
- R1*4
+ R1*9 | %087-95
+ fis'4->\mf a,2-> | %096
+ <>^\markup { "open" } R1*3/4 | %097
+ R1 | %098
+ R1*7/8*2 | %099-100
+ R1 | %101
+ r2 r8 e'8-.->\f r4 | %102
+ r4 d8-.-> r8 r2 | %103
+ R1*3/4 | %104
+ R1*2 | %105-106
+ r2 ees8-.\mf r8 r4 | %107
+ R1*3/4*2 | %108-109
+ R1*2/4 | %110
+ R1*3/4 | %111
+ r4 r4 ees,4~\f | %112
+ ees2. | %113
+ R1 | %114
+ r4 r8 gis8\> \tuplet 3/2 { a4( d,4 e4 } | %115
+ \tuplet 3/2 { cis4)\mp r4 r4 } r4 b4~\p | %116
+ b4.~\shortfermata b4. | %117
}
trumpetStaff =
c8(\mf ees8~ ees2) bes'2 | %058
f4->\ff\> d4-> | %059
g1\mf\fermata | %060
- r8 f8~ f2.~ | %061
+ r8 f8~\mp^\markup { \italic "sul pont." } f2.~ | %061
f4 ges2 aes8( des,8 | %062
- c2.) b'4~ | %063
+ c2.) b'4~\< | %063
b8 gis8~ gis4 e4. ees8( | %064
- d8-.) r8 r4 r4 r2. | %065
- r8 f8~ f2. | %066
+ d8-.)\f r8 r4 r4 r2. | %065
+ r8 f8~\mp^\markup { \italic "ord" } f2. | %066
R1 | %067
- ees8-. f8-. fis8( g8) e8-. d8-. | %068
- cis1 | %069
+ \markSpanner "msp" "ord" ees8-.\<\startTextSpan f8-. fis8( g8)\mf\> e8-. d8-. | %068
+ cis1\mp\stopTextSpan | %069
R1*2 | %070-71
- r2 r4 \tuplet 3/2 { r8 dis4~ } | %072
+ r2 r4 \tuplet 3/2 { r8 dis4~\mf^\markup { \italic "sul tasto" } } | %072
dis2. r4 | %073
R1 | %074
R1*5/4 | %075
R1*3 | %076-78
R1*5/4 | %079
R1*2 | %080-81
- r8 ges8^\markup { "pizz" } r4 e2~ \tuplet 3/2 { e2 g4~ } | %082
- g2 g2\fermata | %083
+ r8 ges8-.->\mf^\markup { "pizz" } r4 e2~ \tuplet 3/2 { e2\> g4~ } | %082
+ g2\p g2\3\fermata | %083
R1*2 | %084-85
- r4 r8 des'8-. bes'4(\glissando c4.) d8-. | %086
- a2.~ a8 aes8~-> | %087
- aes2. r4 | %088
- r2 e,2 | %089
- g2 <g e'>2 | %90
+ r4 r8 des'8-.\f\> bes'4(\glissando c4.) d8-. | %086
+ a2.~\mp a8 aes8~-> | %087
+ \after 2 \! aes2.\> r4 | %088
+ r2 e,2--\mp | %089
+ g2-- <g e'>2-- | %90
+ R1*2 | %091-92
+ \override NoteHead.style = #'harmonic-black
+ c4\3\mf r4 r2 | %093
+ \revert NoteHead.style
+ \tuplet 3/2 { e8 e8 e8~ } e4 \tuplet 3/2 { ees8\mp ees8 ees8~ } ees4 | %094
+ R1 | %095
+ R1*3/4*2 | %096-97
+ a,4\mf gis'2.^\markup { \italic "sul pont." } | %098
+ R1*7/8 | %099
+ des8[(\p^\markup { \italic "msp" } c8 e8] a,8[) d8( b8 f'8] | %100
+ ees8) aes8( g8 ges8\< bes,8) r8 aes8-.->^\markup { \italic "ord" } r8 | %101
+ c8-.->\mf r8 r4 bes8(\< des8-.->)\f r4 | %102
+ R1 | %103
+ R1*3/4 | %104
+ \override NoteHead.style = #'harmonic-mixed
+ r4 g4\3\f g2\3 | %105
+ \revert NoteHead.style
+ r4 des8-.^\markup { "pizz" } r8 r2 | %106
+ f8-. r8 r4 r2 | %107
+ r4 r8 g,8(\mp^\markup { "arco" } ees4~ | %108
+ ees4) r4 r8 des8~\mf | %109
+ des4~ des8 r8 | %110
+ r4 r8 f8-. a4~ | %111
+ a4~ a8 r8 r8 c,8~\f | %112
+ c2. | %113
+ R1*3 | %114-116
+ r4.\shortfermata r4. | %117
}
violaStaff =
R1*4 | %061-064
R1*6/4 | %065
R1 | %066
- g,,1-> | %067
- bes8-. des8-. b4( a4~ | %068
- a1) | %069
+ <<
+ {
+ g,,1-> | %067
+ }
+ {
+ s4\mf\> s4 s4 s4\!
+ }
+ >>
+ \markSpanner "msp" "ord" bes8-.\<\startTextSpan des8-. b4(\mf\> a4~ | %068
+ a1)\mp\stopTextSpan | %069
R1*5 | %070-74
R1*5/4 | %075
R1*3 | %076-78
- r2. r4 b'4~ | %079
- \tuplet 3/2 { b2 g4( } c2~ | %080
+ r2. r4 b'4~\p | %079
+ \tuplet 3/2 { b2\< g4( } c2~\mp | %080
c8) r8 r4 r2 | %081
R1*3/2 | %082
r2 r2\fermata | %083
- r8 b8~ b2~ b8 bes8-. | %084
+ r8 b8~->\mf b2~ b8 bes8-. | %084
a8-. b8-. c2. | %085
- r4 r8 des,8-. bes'4(\glissando c4.) d8-. | %086
- a2.~ a8 aes8~-> | %087
- aes2. r4 | %088
+ r4 r8 des,8-.\f\> bes'4(\glissando c4.) d8-. | %086
+ a2.~\mp a8 aes8~-> | %087
+ \after 2 \! aes2.\> r4 | %088
R1 | %089
- g,2 <g e'>2 | %90
+ g,2--\p <g e'>2-- | %90
+ r2 b2--\mp^\markup { \italic "sul pont." } | %091
+ bes2-- gis'4--\< e'4-- | %092
+ g4-- d'4~\mf^\markup { \italic "ord" } d8 f,8~ f4 | %93
+ \tuplet 3/2 { g8 g8 g8~ } g4 \tuplet 3/2 { f8\mp f8 f8~ } f4 | %094
+ R1 | %095
+ R1*3/4*2 | %096-97
+ a,,4\mf dis'2.^\markup { \italic "sul pont." } | %098
+ R1*7/8 | %099
+ r8 r8 aes,8-.\p^\markup { \italic "ord" } r4 g8-. r8 | %100
+ r4 cis8-.\< d8-. r4 gis8-.-> r8 | %101
+ a8-.->\mf r8 r4 r8 e'8-.->\f gis8-. fis8-. | %102
+ b8( bes8 a8-.->) r8 r2 | %103
+ R1*3/4 | %104
+ R1 | %105
+ r2 c8-.\f^\markup { "pizz" } r8 r4 | %106
+ r8 bes8-. r4 r2 | %107
+ r4 r8 c,,8(\mp^\markup { "arco" } bes4~ | %108
+ bes4) r8 b8~\mf b4~ | %109
+ b4~ b8 r8 | %110
+ r4 r8 bes8-. e4~ | %111
+ e4~ e8 r8 ees4~\f | %112
+ ees2. | %113
+ g,2\mf r2 | %114
+ R1*2 | %115-116
+ r4.\shortfermata r4. | %117
}
violinOneStaff =
R1*4 | %061-064
R1*6/4 | %065
R1 | %066
- g,1-> | %067
- bes8-. des8-. b4( a4~ | %068
- a1) | %069
+ <<
+ {
+ g,1-> | %067
+ }
+ {
+ s4\mf\> s4 s4 s4\!
+ }
+ >>
+ \markSpanner "msp" "ord" bes8-.\<\startTextSpan des8-. b4(\mf\> a4~ | %068
+ a1)\mp\stopTextSpan | %069
R1*5 | %070-74
R1*5/4 | %075
R1*3 | %076-78
- r2. r4 b'4~ | %079
- \tuplet 3/2 { b2 g4~ } g2~ | %080
+ r2. r4 b'4~\p | %079
+ \tuplet 3/2 { b2\< g4~ } g2~\mp | %080
g8 r8 r4 r2 | %081
- r2 r2 r4 \tuplet 3/2 { r8 g,4~ } | %082
+ r2 r2 r4 \tuplet 3/2 { r8 g,4~\p } | %082
g2 g2\fermata | %083
R1*2 | %084-85
- r4 r8 des'8-. bes'4(\glissando c4.) d8-. | %086
- a2.~ a8 aes8~-> | %087
- aes2. r4 | %088
+ r4 r8 des'8-.\f\> bes'4(\glissando c4.) d8-. | %086
+ a2.~\mp a8 aes8~-> | %087
+ \after 2 \! aes2.\> r4 | %088
R1 | %089
- g,2 <g e'>2 | %90
+ g,2--\p <g e'>2-- | %90
+ r2 b4--\mp^\markup { \italic "sul pont." } bes4-- | %091
+ bes2-- aes'4--\< aes4-- | %092
+ bes4-- d'4~\mf^\markup { \italic "ord" } d8 f,8~ f4 | %93
+ \tuplet 3/2 { b,8 b8 b8~ } b4 \tuplet 3/2 { cis8\mp cis8 cis8~ } cis4 | %094
+ R1 | %095
+ R1*3/4*2 | %096-97
+ a,4\mf gis'2.^\markup { \italic "sul pont." } | %098
+ R1*7/8 | %099
+ r8 r8 aes,8-.\p r4 g8-. r8 | %100
+ r4 a8-.\< b8-. r8 c8(^\markup { \italic "msp" } des8 ees8 | %101
+ d8) e8( f8 g8~\mf g8) r8 r4 | %102
+ R1 | %103
+ R1*3/4 | %104
+ R1*2 | %105-106
+ r8 ges8-.\f^\markup { \italic "ord" }^\markup { "pizz" } r4 r2 | %107
+ r4 r8 g,8(\mp^\markup { "arco" } bes4~ | %108
+ bes4) r8 bes8~\mf bes4~ | %109
+ bes4~ bes8 r8 | %110
+ r4 r8 bes8-. a4~ | %111
+ a4~ a8 r8 ees'4~\f | %112
+ ees2. | %113
+ R1*3 | %114-116
+ r4.\shortfermata r4. | %117
}
violinTwoStaff =
+++ /dev/null
-\version "2.24.4"
-
-\include "../general/info.ly"
-\include "../general/aliases.ly"
-\include "../general/scripts.ly"
-\include "../general/umbel.ly"
-\include "../general/partPaper.ly"
-
-\include "../manuscripts/tempoMap.ly"
-\include "../manuscripts/clarinetSolo.ly"
-\include "../manuscripts/flute.ly"
-\include "../manuscripts/oboe.ly"
-\include "../manuscripts/bassClarinet.ly"
-\include "../manuscripts/bassoon.ly"
-\include "../manuscripts/horn.ly"
-\include "../manuscripts/trumpet.ly"
-\include "../manuscripts/trombone.ly"
-\include "../manuscripts/perc1.ly"
-\include "../manuscripts/perc2.ly"
-\include "../manuscripts/pianoUp.ly"
-\include "../manuscripts/pianoDown.ly"
-\include "../manuscripts/violin1.ly"
-\include "../manuscripts/violin2.ly"
-\include "../manuscripts/viola.ly"
-\include "../manuscripts/cello.ly"
-\include "../manuscripts/bass.ly"
-
-\book {
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { Horn in F }
- }
- \score {
- <<
- \hornStaff \compressMMRests << \tempoMap \hornMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { trumpet in C }
- }
- \score {
- <<
- \trumpetStaff \compressMMRests << \tempoMap \trumpetMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { trombone }
- }
- \score {
- <<
- \tromboneStaff \compressMMRests << \tempoMap \tromboneMusic >>
- >>
- }
- }
-}
--- /dev/null
+\version "2.24.4"
+
+\include "../general/info.ly"
+\include "../lib/load.ly"
+\include "../general/partPaper.ly"
+\include "../general/partLayout.ly"
+
+\include "../manuscripts/tempoMap.ly"
+\include "../manuscripts/scorePages.ly"
+\include "../manuscripts/clarinetSolo.ly"
+\include "../manuscripts/flute.ly"
+\include "../manuscripts/oboe.ly"
+\include "../manuscripts/bassClarinet.ly"
+\include "../manuscripts/bassoon.ly"
+\include "../manuscripts/horn.ly"
+\include "../manuscripts/trumpet.ly"
+\include "../manuscripts/trombone.ly"
+\include "../manuscripts/perc1.ly"
+\include "../manuscripts/perc2.ly"
+\include "../manuscripts/pianoUp.ly"
+\include "../manuscripts/pianoDown.ly"
+\include "../manuscripts/violin1.ly"
+\include "../manuscripts/violin2.ly"
+\include "../manuscripts/viola.ly"
+\include "../manuscripts/cello.ly"
+\include "../manuscripts/bass.ly"
+
+#(define output-suffix "flute_picc")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { "flute/piccolo" }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \fluteStaff \compressMMRests << \tempoMap \fluteMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "oboe")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { oboe }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \oboeStaff \compressMMRests << \tempoMap \oboeMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "bass clarinet")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { bass clarinet }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \bassClarinetStaff \compressMMRests << \tempoMap \bassClarinetMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "bassoon")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { bassoon }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \bassoonStaff \compressMMRests << \tempoMap \bassoonMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "horn")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { Horn in F }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \hornStaff \compressMMRests << \tempoMap \hornMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "trumpet")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { trumpet in C }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \trumpetStaff \compressMMRests << \tempoMap \trumpetMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "trombone")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { trombone }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \tromboneStaff \compressMMRests << \tempoMap \tromboneMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "percussionI")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { percussion I }
+ meter = \markup { \italic "(vibraphone, 3 toms, kick drum, caxixi)" }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \percOneStaff \compressMMRests << \tempoMap \percOneMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "percussionII")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { percussion II }
+ meter = \markup { \italic "(marimba, tubular bells, hi-hat, snare drum, tambourine)" }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \percTwoStaff \compressMMRests << \tempoMap \percTwoMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "piano")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { piano }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \pianoStaff \compressMMRests << \tempoMap \pianoUpMusic >> \compressMMRests \pianoDownMusic
+ >>
+ }
+ }
+}
+
+#(define output-suffix "violinI")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { "violin I" }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \violinOneStaff \compressMMRests << \tempoMap \violinOneMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "violinII")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { "violin II" }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \violinTwoStaff \compressMMRests << \tempoMap \violinTwoMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "viola")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { "viola" }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \violaStaff \compressMMRests << \tempoMap \violaMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "cello")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { "cello" }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \celloStaff \compressMMRests << \tempoMap \celloMusic >>
+ >>
+ }
+ }
+}
+
+#(define output-suffix "bass")
+\book {
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { "bass" }
+ arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
+ }
+ \score {
+ <<
+ \bassStaff \compressMMRests << \tempoMap \bassMusic >>
+ >>
+ }
+ }
+}
+++ /dev/null
-\version "2.24.4"
-
-\include "../general/info.ly"
-\include "../general/aliases.ly"
-\include "../general/scripts.ly"
-\include "../general/umbel.ly"
-\include "../general/partPaper.ly"
-
-\include "../manuscripts/tempoMap.ly"
-\include "../manuscripts/clarinetSolo.ly"
-\include "../manuscripts/flute.ly"
-\include "../manuscripts/oboe.ly"
-\include "../manuscripts/bassClarinet.ly"
-\include "../manuscripts/bassoon.ly"
-\include "../manuscripts/horn.ly"
-\include "../manuscripts/trumpet.ly"
-\include "../manuscripts/trombone.ly"
-\include "../manuscripts/perc1.ly"
-\include "../manuscripts/perc2.ly"
-\include "../manuscripts/pianoUp.ly"
-\include "../manuscripts/pianoDown.ly"
-\include "../manuscripts/violin1.ly"
-\include "../manuscripts/violin2.ly"
-\include "../manuscripts/viola.ly"
-\include "../manuscripts/cello.ly"
-\include "../manuscripts/bass.ly"
-
-\book {
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { percussion I }
- }
- \score {
- <<
- \percOneStaff \compressMMRests << \tempoMap \percOneMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { percussion II }
- }
- \score {
- <<
- \percTwoStaff \compressMMRests << \tempoMap \percTwoMusic >>
- >>
- }
- }
-}
+++ /dev/null
-\version "2.24.4"
-
-\include "../general/info.ly"
-\include "../general/aliases.ly"
-\include "../general/scripts.ly"
-\include "../general/umbel.ly"
-\include "../general/partPaper.ly"
-
-\include "../manuscripts/tempoMap.ly"
-\include "../manuscripts/clarinetSolo.ly"
-\include "../manuscripts/flute.ly"
-\include "../manuscripts/oboe.ly"
-\include "../manuscripts/bassClarinet.ly"
-\include "../manuscripts/bassoon.ly"
-\include "../manuscripts/horn.ly"
-\include "../manuscripts/trumpet.ly"
-\include "../manuscripts/trombone.ly"
-\include "../manuscripts/perc1.ly"
-\include "../manuscripts/perc2.ly"
-\include "../manuscripts/pianoUp.ly"
-\include "../manuscripts/pianoDown.ly"
-\include "../manuscripts/violin1.ly"
-\include "../manuscripts/violin2.ly"
-\include "../manuscripts/viola.ly"
-\include "../manuscripts/cello.ly"
-\include "../manuscripts/bass.ly"
-
-\book {
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { piano }
- }
- \score {
- <<
- \pianoStaff \compressMMRests << \tempoMap \pianoUpMusic >> \compressMMRests \pianoDownMusic
- >>
- }
- }
-}
+++ /dev/null
-\version "2.24.4"
-
-\include "../general/info.ly"
-\include "../general/aliases.ly"
-\include "../general/scripts.ly"
-\include "../general/umbel.ly"
-\include "../general/partPaper.ly"
-
-\include "../manuscripts/tempoMap.ly"
-\include "../manuscripts/clarinetSolo.ly"
-\include "../manuscripts/flute.ly"
-\include "../manuscripts/oboe.ly"
-\include "../manuscripts/bassClarinet.ly"
-\include "../manuscripts/bassoon.ly"
-\include "../manuscripts/horn.ly"
-\include "../manuscripts/trumpet.ly"
-\include "../manuscripts/trombone.ly"
-\include "../manuscripts/perc1.ly"
-\include "../manuscripts/perc2.ly"
-\include "../manuscripts/pianoUp.ly"
-\include "../manuscripts/pianoDown.ly"
-\include "../manuscripts/violin1.ly"
-\include "../manuscripts/violin2.ly"
-\include "../manuscripts/viola.ly"
-\include "../manuscripts/cello.ly"
-\include "../manuscripts/bass.ly"
-
-\book {
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { violin I }
- }
- \score {
- <<
- \violinOneStaff \compressMMRests << \tempoMap \violinOneMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { violin II }
- }
- \score {
- <<
- \violinTwoStaff \compressMMRests << \tempoMap \violinTwoMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { viola }
- }
- \score {
- <<
- \violaStaff \compressMMRests << \tempoMap \violaMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { cello }
- }
- \score {
- <<
- \celloStaff \compressMMRests << \tempoMap \celloMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { bass }
- }
- \score {
- <<
- \bassStaff \compressMMRests << \tempoMap \bassMusic >>
- >>
- }
- }
-}
+++ /dev/null
-\version "2.24.4"
-
-\include "../general/info.ly"
-\include "../general/aliases.ly"
-\include "../general/scripts.ly"
-\include "../general/umbel.ly"
-\include "../general/partPaper.ly"
-
-\include "../manuscripts/tempoMap.ly"
-\include "../manuscripts/clarinetSolo.ly"
-\include "../manuscripts/flute.ly"
-\include "../manuscripts/oboe.ly"
-\include "../manuscripts/bassClarinet.ly"
-\include "../manuscripts/bassoon.ly"
-\include "../manuscripts/horn.ly"
-\include "../manuscripts/trumpet.ly"
-\include "../manuscripts/trombone.ly"
-\include "../manuscripts/perc1.ly"
-\include "../manuscripts/perc2.ly"
-\include "../manuscripts/pianoUp.ly"
-\include "../manuscripts/pianoDown.ly"
-\include "../manuscripts/violin1.ly"
-\include "../manuscripts/violin2.ly"
-\include "../manuscripts/viola.ly"
-\include "../manuscripts/cello.ly"
-\include "../manuscripts/bass.ly"
-
-\book {
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { flute }
- }
- \score {
- <<
- \fluteStaff \compressMMRests << \tempoMap \fluteMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { oboe }
- }
- \score {
- <<
- \oboeStaff \compressMMRests << \tempoMap \oboeMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { bass clarinet }
- }
- \score {
- <<
- \bassClarinetStaff \compressMMRests << \tempoMap \bassClarinetMusic >>
- >>
- }
- }
- \bookpart {
- \header {
- title = \markup { \fontsize #1 \xtitle }
- subtitle = \markup { \medium \italic \xsub }
- composer = \xcomp
- poet = \markup { bassoon }
- }
- \score {
- <<
- \bassoonStaff \compressMMRests << \tempoMap \bassoonMusic >>
- >>
- }
- }
-}
>>
\new StaffGroup
<<
- \percOneStaff << \tempoMap \percOnePitchedMusic >>
+ \percOneStaff << \tempoMap \percOneMusic >>
\percTwoStaff \percTwoMusic
>>
\pianoStaff << \tempoMap \pianoUpMusic >> \pianoDownMusic
projects / tiny-cartel.git / commitdiff