\paper {
system-system-spacing = #'((basic-distance . 10) (minimum-distance . 5) (padding . 11))
score-system-spacing = #'((basic-distance . 4) (minimum-distance . 4) (padding . 7))
+ page-count = #2
}
\tocItem \markup { "1. " \bold "Vivace," \italic "volante; non legato" }
\header {
}
}
- \markuplist {
- \fill-line {
- \line { \null }
- \center-column {
- \vspace #15
- \line { \caps "This page is intentionally left blank" }
- }
- \line { \null}
- }
- }
- \pageBreak
-
\bookpart {
\tocItem \markup { "9. " \bold "Largo," \italic "dolce; espressivo" }
\score {
\include "manuscripts/9i.ly"
}
- }
-
- \bookpart {
\tocItem \markup { "10. " \bold "Presto," \italic "staccatissimo/legato" }
\score {
\include "manuscripts/10i.ly"
\score {
\include "manuscripts/14i.ly"
}
+ }
+
+ \bookpart {
\tocItem \markup { "15. " \bold "Poco rubato," \italic "semplicemente; sotto voce" }
\score {
\include "manuscripts/15i.ly"
}
}
+
\backcover
\pageBreak
- \markup { \null }
+ \markup { \fill-line { \center-column { \vspace #24 \xumbel } } }
}
\line {
\fromproperty #'toc:indent \fromproperty #'toc:text
}
- \fromproperty #'toc:page
+ \tiny \number \fromproperty #'toc:page
}
#(set-paper-size "arch a")
top-margin = 0.5\in
\concat { \if \on-page #5 \oddhead }
\concat { \if \on-page #7 \oddhead }
\concat { \if \on-page #9 \oddhead }
+ \concat { \if \on-page #11 \oddhead }
\concat { \if \on-page #13 \oddhead }
\concat { \if \on-page #15 \oddhead }
\concat { \if \on-page #17 \oddhead }
\concat { \if \on-page #19 \oddhead }
- \concat { \if \on-page #21 \oddhead }
-
}
evenHeaderMarkup = \markup {
\concat { \if \on-page #6 \evhead }
\concat { \if \on-page #16 \evhead }
\concat { \if \on-page #18 \evhead }
\concat { \if \on-page #20 \evhead }
- \concat { \if \on-page #22 \evhead }
}
oddFooterMarkup = \markup {
\concat { \if \on-page #5 \oddfoot }
\concat { \if \on-page #7 \oddfoot }
\concat { \if \on-page #9 \oddfoot }
+ \concat { \if \on-page #11 \oddfoot }
\concat { \if \on-page #13 \oddfoot }
\concat { \if \on-page #15 \oddfoot }
\concat { \if \on-page #17 \oddfoot }
\concat { \if \on-page #19 \oddfoot }
- \concat { \if \on-page #21 \oddfoot }
- \concat { \if \on-page #23 \fill-line { \null \tiny \typewriter \longHash \null } }
+ \concat { \if \on-page #21 \fill-line { \null \tiny \typewriter \longHash \null } }
}
evenFooterMarkup = \markup {
\concat { \if \on-page #2 \evfoot }
- \concat { \if \on-page #4 \fill-line { \null \xcr \null } }
+ \concat { \if \on-page #4 \fill-line { \null \bold \xcr \null } }
\concat { \if \on-page #6 \evfoot }
\concat { \if \on-page #8 \evfoot }
\concat { \if \on-page #10 \evfoot }
\concat { \if \on-page #16 \evfoot }
\concat { \if \on-page #18 \evfoot }
\concat { \if \on-page #20 \evfoot }
- \concat { \if \on-page #22 \evfoot }
}
}
\column {
\override #'(line-width . 90)
\justify {
- · In invention one \italic "(Vivace)" accidentals apply only
- to the note they precede, but in all other inventions accidentals
- carry through the measure.
+ \tiny \number 1 \tiny \number 2 " " ·
+ In Invention \bold 1 \italic "(Vivace)" accidentals apply only
+ to the note they precede, but in all other inventions
+ " " \bold "(2-15)" accidentals carry through the measure.
}
}
\vspace #0.4
+ \column {
+ \override #'(line-width . 90)
+ \justify {
+ \tiny \number 3 \hspace #4 ·
+ In Invention \bold 4 \italic "(Largo)" short fermata marks should be brief and can be preceded by a slight
+ ritard.
+ }
+ }
+ \vspace #0.4
+ \column {
+ \override #'(line-width . 90)
+ \justify {
+ \tiny \number 4 \tiny \number 5 \tiny \number 6 · In Inventions \bold "6, 11, and 12" parenthesized, courtesy dynamics apply to the nearest pitches. " "
+ }
+ }
+ \vspace #0.8
\column {
\override #'(line-width . 90)
\justify {
}
\right-column {
\vspace #-0.5
- \right-column {
- \line { \tiny \typewriter { \shortHash – \subject } }
- \line { \tiny \typewriter { \commitDate } }
+ \right-column \fontsize #-1 {
+ \line { \fontsize #-2 \typewriter { \shortHash – \subject } }
+ \line { \fontsize #-2 \typewriter { \commitDate } }
}
\vspace #2 }
}
\vspace #1
\line { \fontsize #5 \bold \xtitle }
\line { \italic \xsub }
- \vspace #5
-% \line { Submitted in Partial Fulfillment }
-% \line { of the }
-% \line { Requirements for the Degree }
-% \line { Master of Arts }
-% \vspace #1
-% \line { Supervised by }
-% \line { Dr. Matthew Barber }
-% \vspace #1
-% \line { Department of Composition }
-% \line { Eastman School of Music }
-% \vspace #1
-% \line { University of Rochester }
-% \line { Rochester, New York }
+ \vspace #8
}
\right-column {
\line { \null }
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "u" \with { \consists "Merge_rests_engraver" } {
-\accidentalStyle piano
\relative { \tempo Presto 4=154 \numericTimeSignature
\time 7/8
r8 a'8[-.\p^\markup { \tiny \italic "staccatissimo" } f']-. r8 bes,8[-. ees]-. r8 |
}
}
\new Staff = "d" \with { \consists "Merge_rests_engraver" } { \clef bass
-\accidentalStyle piano
\relative { \numericTimeSignature
\time 7/8
-d,4.(\mp^\markup { \tiny \italic "legato" } c4. g'8~ |
+d,4.(\mp^\markup { \tiny \italic "legato" } c4~ c8[ g'8]~ |
g4) cis4( gis4 a8) |
-bes4.( f'8\< ees4.) |
+bes4.( f'8[\< ees8]~ ees4) |
e8([ fis b~]\mf b2) |
r4 b,8( d4 e4~ |
e8)[ a8]( g4. c4) |
\new PianoStaff \with {
instrumentName = \markup { \large "№" \number 11 }
}
- <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui6" \with { \consists "Merge_rests_engraver" } {
-\accidentalStyle piano
<<
-\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
-\time 3/4 a''2.~^\markup { \smaller \italic "spianato" } |
-\time 2/4 a2 |
-\time 3/4 cis2.(^\p |
-\time 4/4 e2 fis,2~ |
-\time 3/4 fis4~ fis8) e'8~(->^\mf e4 |
-fis,2.~ |
-\time 2/4 fis2~ |
-\time 4/4 fis8) r8 r4 r2 |
-\time 3/4 a,2.( |
-d8)^\markup { \tiny \parenthesize \dynamic p } r8 r4 r4 |
-\time 4/4 s1 |
-\time 2/4 cis8--^\markup { \tiny \parenthesize \dynamic mf } r8 r4 |
-\time 3/4 s2. |
-\time 4/4 gis'1 |
-\time 1/4 d8( a8 |
-\time 4/4 e'1~ |
-\time 6/4 e4) r4 r4 r2. |
-\time 1/4 a,8( b8 |
-\time 4/4 fis'2) gis2~^\pp |
-\time 1/4 gis4 |
-\time 3/4 cis,2. |
-e2.~ |
-\time 4/4 e1 |
-\time 2/4 gis2~ |
-\time 4/4 gis1 |
-\time 3/4 a2.(^\mf |
-\time 2/4 fis2 |
-\time 3/4 cis2.)\fermata |
-}
-\\
-\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
-\override DynamicLineSpanner.staff-padding = \phds
-\time 3/4 g'2.(\mp |
-\time 2/4 c4 f,4~ |
-\time 3/4 f8)_\markup { \tiny \parenthesize \dynamic mp } r8 r4 r4 |
-\time 4/4 s1 |
-\time 3/4 a4~( a8 d8)_\markup { \tiny \parenthesize \dynamic p } r4 |
-b2.~\mf\> |
-\time 2/4 b2~ |
-\time 4/4 b8\p r8 r4 r2 |
-\time 3/4 e,2. |
-g4~(\mf g8 c,8~ c4 |
-\time 4/4 f1~ |
-\time 2/4 f8) r8 r4 |
-\time 3/4 c4~\< c8 f8~ f4~ |
-\time 4/4 f1\mp |
-\time 1/4 g4~\p |
-\time 4/4 g1~ |
-\time 6/4 g4 r4 r4\mf r2. |
-\time 1/4 e4~\< |
-\time 4/4 e2~\f e8 r8 r4 |
-\time 1/4 s4\< |
-\time 3/4 b'2.\mf |
-d4~(\p\< d8 a8~ a4 |
-\time 4/4 c1~ |
-\time 2/4 c8)\mp\> r8 r4 |
-\time 4/4 s1 |
-\time 3/4 g8\pp r8 r4 r4 |
-\time 2/4 e2~\f\> |
-\time 3/4 e2.\mp |
-}
->>
-}
-\new Staff = "di6" \with { \consists "Merge_rests_engraver" } { \clef bass
-\accidentalStyle piano
-<<
-\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
-\override DynamicLineSpanner.staff-padding = \phds
-\time 3/4 d2.~( |
-\time 2/4 d2 |
-\time 3/4 ees8) r8 r8 aes8~_\markup { \tiny \parenthesize \dynamic p } aes4~ |
-\time 4/4 aes1~ |
-\time 3/4 aes2 r4 |
-s2. |
-\time 2/4 bes2 |
-\time 4/4 \tuplet 3/2 { c2( g2 f2~ } |
-\time 3/4 f2.~ |
-f8) r8 r4 r4 |
-\time 4/4 ees1( |
-\time 2/4 aes8) r8 r4 |
-\time 3/4 s2. |
-\time 4/4 ees1~ |
-\time 1/4 ees8 r8 |
-\time 4/4 s1 |
-\time 6/4 d4 r4 c2( g'2~ |
-\time 1/4 g4~ |
-\time 4/4 g2~ g8) r8 r4 |
-\time 1/4 \tuplet 3/2 { bes8( ees,8 f8~ } |
-\time 3/4 f2.~ |
-f8) r8 r4 r4 |
-\time 4/4 g1 |
-\time 2/4 ees2( |
-\time 4/4 c1 |
-\time 3/4 d8) r8 r4 r4 |
-\time 2/4 s2 |
-\time 3/4 ees2.\fermata |
-}
-\\
-\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
-\time 3/4 s2._\markup { \lower #4 \tiny { "[parenthesized, courtesy dynamics apply to nearest pitches]" } } |
-\time 2/4 bes,2~ |
-\time 3/4 bes8 r8 r4 r4 |
-\time 4/4 b1~ |
-\time 3/4 b2 r4 |
-cis2.( |
-\time 2/4 gis4 dis4~ |
-\time 4/4 dis8) r8 r4 r2 |
-\time 3/4 b'2.~ |
-b8 r8 r4 r4 |
-\time 4/4 bes1 |
-\time 2/4 ges2\pp |
-\time 3/4 bes2. |
-\time 4/4 des,1~ |
-\time 1/4 des8 s8 |
-\time 4/4 b'2(\pp fis2~ |
-\time 6/4 fis4) r4 r4 r2. |
-\time 1/4 s4 |
-\time 4/4 cis'2~ cis8 r8 r4 |
-\time 1/4 s4 |
-\time 3/4 ges2.~ |
-ges8 r8 r4 r4 |
-\time 4/4 f1( |
-\time 2/4 bes8) r8 r4 |
-\time 4/4 f2( bes2~ |
-\time 3/4 bes8) r8 r4 r4 |
-\time 2/4 b2( |
-\time 3/4 gis2.)
-\once \override Staff.BarLine.stencil =
-#(lambda (grob)
-(ly:stencil-combine-at-edge
- (ly:bar-line::print grob)
- X RIGHT
- (grob-interpret-markup grob eleven-barlineMarkup)
- 0))
-\bar "|."
-}
->>
-}
+ \set PianoStaff.connectArpeggios = ##t
+ \override PianoStaff.Arpeggio.arpeggio-direction = #UP
+ \new Staff = "ui6" \with { \consists "Merge_rests_engraver" } {
+ <<
+ \relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
+ \time 3/4 a''2.~^\markup { \smaller \italic "spianato" } |
+ \time 2/4 a2 |
+ \time 3/4 cis2.( \offset Y-offset 6 ^\p |
+ \time 4/4 e2 fis,2~ |
+ \time 3/4 fis4~ fis8) e'8~(->^\mf e4 |
+ fis,2.~ |
+ \time 2/4 fis2~ |
+ \time 4/4 fis8) r8 r4 r2 |
+ \time 3/4 a,2.( |
+ d8)^\markup { \tiny \parenthesize \dynamic p } r8 r4 r4 |
+ \time 4/4 s1 |
+ \time 2/4 cis8--^\markup { \tiny \parenthesize \dynamic mf } r8 r4 |
+ \time 3/4 s2. |
+ \time 4/4 gis'1 |
+ \time 1/4 d8( a8 |
+ \time 4/4 e'1~ |
+ \time 6/4 e4) r4 r4 r2. |
+ \time 1/4 a,8( b8 |
+ \time 4/4 fis'2) gis2~^\pp |
+ \time 1/4 gis4 |
+ \time 3/4 cis,2. |
+ e2.~ |
+ \time 4/4 e1 |
+ \time 2/4 gis2~ |
+ \time 4/4 gis1 |
+ \time 3/4 a2.(^\mf |
+ \time 2/4 fis2 |
+ \time 3/4 cis2.)\fermata |
+ }
+ \\
+ \relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
+ \override DynamicLineSpanner.staff-padding = \phds
+ \time 3/4 g'2.(\mp |
+ \time 2/4 c4 f,4~ |
+ \time 3/4 f8)
+ \footnote \markup \fontsize #-5 \number " 5" #'(0.5 . -0.5) \markup \small \left-column {
+ \line { \super \number 5 "parenthesized, courtesy dynamics apply to nearest pitches" }
+ }
+ _\markup { \tiny \parenthesize \dynamic mp } r8 r4 r4 |
+ \time 4/4 s1 |
+ \time 3/4 a4~( a8 d8)_\markup { \tiny \parenthesize \dynamic p } r4 |
+ b2.~\mf\> |
+ \time 2/4 b2~ |
+ \time 4/4 b8\p r8 r4 r2 |
+ \time 3/4 e,2. |
+ g4~(\mf g8 c,8~ c4 |
+ \time 4/4 f1~ |
+ \time 2/4 f8) r8 r4 |
+ \time 3/4 c4~\< c8 f8~ f4~ |
+ \time 4/4 f1\mp |
+ \time 1/4 g4~\p |
+ \time 4/4 g1~ |
+ \time 6/4 g4 r4 r4\mf r2. |
+ \time 1/4 e4~\< |
+ \time 4/4 e2~\f e8 r8 r4 |
+ \time 1/4 s4\< |
+ \time 3/4 b'2.\mf |
+ d4~(\p\< d8 a8~ a4 |
+ \time 4/4 c1~ |
+ \time 2/4 c8)\mp\> r8 r4 |
+ \time 4/4 s1 |
+ \time 3/4 g8\pp r8 r4 r4 |
+ \time 2/4 e2~\f\> |
+ \time 3/4 e2.\mp |
+ }
+ >>
+ }
+ \new Staff = "di6" \with { \consists "Merge_rests_engraver" } { \clef bass
+ <<
+ \relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
+ \override DynamicLineSpanner.staff-padding = \phds
+ \time 3/4 d2.~( |
+ \time 2/4 d2 |
+ \time 3/4 ees8) r8 r8 aes8~_\markup { \tiny \parenthesize \dynamic p } aes4~ |
+ \time 4/4 aes1~ |
+ \time 3/4 aes2 r4 |
+ s2. |
+ \time 2/4 bes2 |
+ \time 4/4 \tuplet 3/2 { c2( g2 f2~ } |
+ \time 3/4 f2.~ |
+ f8) r8 r4 r4 |
+ \time 4/4 ees1( |
+ \time 2/4 aes8) r8 r4 |
+ \time 3/4 s2. |
+ \time 4/4 ees1~ |
+ \time 1/4 ees8 r8 |
+ \time 4/4 s1 |
+ \time 6/4 d4 r4 c2( g'2~ |
+ \time 1/4 g4~ |
+ \time 4/4 g2~ g8) r8 r4 |
+ \time 1/4 \tuplet 3/2 { bes8( ees,8 f8~ } |
+ \time 3/4 f2.~ |
+ f8) r8 r4 r4 |
+ \time 4/4 g1 |
+ \time 2/4 ees2( |
+ \time 4/4 c1 |
+ \time 3/4 d8) r8 r4 r4 |
+ \time 2/4 s2 |
+ \time 3/4 ees2.\fermata |
+ }
+ \\
+ \relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
+ \time 3/4 s2. |
+ \time 2/4 bes,2~ |
+ \time 3/4 bes8 r8 r4 r4 |
+ \time 4/4 b1~ |
+ \time 3/4 b2 r4 |
+ cis2.( |
+ \time 2/4 gis4 dis4~ |
+ \time 4/4 dis8) r8 r4 r2 |
+ \time 3/4 b'2.~ |
+ b8 r8 r4 r4 |
+ \time 4/4 bes1 |
+ \time 2/4 ges2\pp |
+ \time 3/4 bes2. |
+ \time 4/4 des,1~ |
+ \time 1/4 des8 s8 |
+ \time 4/4 b'2(\pp fis2~ |
+ \time 6/4 fis4) r4 r4 r2. |
+ \time 1/4 s4 |
+ \time 4/4 cis'2~ cis8 r8 r4 |
+ \time 1/4 s4 |
+ \time 3/4 ges2.~ |
+ ges8 r8 r4 r4 |
+ \time 4/4 f1( |
+ \time 2/4 bes8) r8 r4 |
+ \time 4/4 f2( bes2~ |
+ \time 3/4 bes8) r8 r4 r4 |
+ \time 2/4 b2( |
+ \time 3/4 gis2.)
+ \once \override Staff.BarLine.stencil =
+ #(lambda (grob)
+ (ly:stencil-combine-at-edge
+ (ly:bar-line::print grob)
+ X RIGHT
+ (grob-interpret-markup grob eleven-barlineMarkup) 0
+ )
+ )
+ \bar "|."
+ }
+ >>
+ }
>>
%\midi { }
\layout {
-\context {
-\Score
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-}
+ system-count = #5
+ \context {
+ \Score
+ \override StaffGrouper.staff-staff-spacing =
+ #'((basic-distance . 5) (minimum-distance . 4) (padding . 3) (stretchability . 0))
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/24)
+ }
}
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "ui6" \with { \consists "Merge_rests_engraver" } {
-\accidentalStyle piano
<<
\relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f
\time 2/4 s2^\markup { \smaller \italic "spianato; piu enfatico" } |
\time 3/4 bes''2.->( |
-f8)->^\markup { \tiny \parenthesize \dynamic ff } r8 r8 aes8~(^\markup { \tiny \parenthesize \dynamic p } aes4 |
+f8)->
+ \footnote \markup \fontsize #-5 \number " 6" #'(0.5 . 0.5) \markup \small \left-column {
+ \line { \super \number 6 "parenthesized, courtesy dynamics apply to nearest pitches" }
+ }
+^\markup { \tiny \parenthesize \dynamic ff } r8 r8 aes8~(^\markup { \tiny \parenthesize \dynamic p } aes4 |
\time 4/4 des,1~ |
\time 5/4 des2.) r2 |
\time 3/4 s2. |
>>
}
\new Staff = "di6" \with { \consists "Merge_rests_engraver" } { \clef bass
-\accidentalStyle piano
<<
\relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f
\override DynamicLineSpanner.staff-padding = \phds
}
\\
\relative { \tmarktfourb \numericTimeSignature \override Hairpin.to-barline = ##f
-\time 2/4 d,4(_\markup { \lower #4 \tiny { "[parenthesized, courtesy dynamics apply to nearest pitches]" } } ees~ |
+\time 2/4 d,4( ees~ |
\time 3/4 ees2.~ |
ees8) r8 r4 r4 |
\time 4/4 s1 |
>>
%\midi { }
\layout {
+ system-count = #5
\context {
\Score
\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "u3" \with { \consists "Merge_rests_engraver" } {
-\accidentalStyle piano
<<
\relative { \tempo "Con moto" 4=98 \numericTimeSignature
\override Hairpin.to-barline = ##f
}
\new Staff = "d3" \with { \consists "Merge_rests_engraver" } { \clef bass
\set Staff.pedalSustainStyle = #'mixed
-\accidentalStyle piano
<<
\relative { \numericTimeSignature
\time 4/4
\layout {
\context {
\Score
+ \override StaffGrouper.staff-staff-spacing =
+ #'((basic-distance . 6) (minimum-distance . 4) (padding . 5) (stretchability . 5))
\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/24)
}
}
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\set PianoStaff.connectArpeggios = ##t
\new Staff = "u" \with { \consists "Merge_rests_engraver" } {
- \accidentalStyle piano
<<
\relative {
\tempo "Molto rubato" 4=82 \numericTimeSignature
}
\new Staff = "d" \with { \consists "Merge_rests_engraver" } { \clef bass
\set Staff.pedalSustainStyle = #'mixed
- \accidentalStyle piano
<<
\relative { \numericTimeSignature
<<
>>
%\midi { }
\layout {
+ system-count = 3
\context {
\Score
+ \override StaffGrouper.staff-staff-spacing =
+ #'((basic-distance . 5) (minimum-distance . 4) (padding . 2) (stretchability . 0))
\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
}
}
\new PianoStaff \with {
instrumentName = \markup { \large "№" \number 15 }
}
- <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui7" {
-\accidentalStyle piano
<<
-\relative { \tmarksev \dtim \override TextSpanner.bound-details.left.text = "poco rit."
-\time 7/4 s1*7/4^\markup { \smaller \italic "semplicemente; sotto voce" } |
-\time 4/4 s1 |
-\time 5/4 s1*5/4 |
-\time 3/4 s2 \ottava 1 d''''4 |
-\time 5/4 \stemDown d( c bes a g) \ottava 0 |
-\time 4/4 f1 |
-\time 6/4 s1*6/4 |
-\time 3/4 \stemUp e4 d( cis) |
-\time 2/4 cis2 |
-\time 4/4 s1 |
-\time 3/4 b4( a gis) |
-\time 2/4 s1*2/4 |
-\time 4/4 s1 |
-\time 2/4 s4 fis4 |
-\time 4/4 e1 \offset Y-offset 2 \fermata \arpeggio \bar "|." }
-\\
-\relative { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 4/4 \stemUp fis''4^( e d cis) |
-\time 5/4 \stemDown b1^( a4) |
-\time 3/4 s4 <f' ees>2 |
-\time 5/4 s1*5/4 |
-\time 4/4 \stemDown g1 |
-\time 6/4 \stemNeutral bes,1. |
-\time 3/4 \stemDown s4 a2 |
-\time 2/4 <bes f>4^( <aes ees>) |
-\time 4/4 \stemUp g'2^( f) |
-\time 3/4 \stemDown ees4( des) e |
-\time 2/4 \stemUp d4^( c) |
-\time 4/4 c4( bes aes g) |
-\time 2/4 s4 bes4 |
-\time 4/4 a1 \arpeggio \bar "|." }
-\\
-\relative { \tmarksev \dtim
-\time 7/4 \stemDown ais''4^(\p gis fis e dis cis b) |
-\time 4/4 b2. a4 |
-\time 5/4 s1*5/4 |
-\time 3/4 g2. |
-\time 5/4 s1*5/4 |
-\time 4/4 s1 |
-\time 6/4 s1*6/4 |
-\time 3/4 s1*3/4 |
-\time 2/4 s1*2/4 |
-\time 4/4 s1 |
-\time 3/4 s1*3/4 |
-\time 2/4 f4_( ees) |
-\time 4/4 s1 |
-\time 2/4 \stemDown des2 |
-\time 4/4 s1 \bar "|." }
-\\
-\relative { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 4/4 s1 |
-\time 5/4 s1*5/4 |
-\time 3/4 s1*3/4 |
-\time 5/4 s1*5/4 |
-\time 4/4 s1 |
-\time 6/4 s1*6/4 |
-\time 3/4 s1*3/4 |
-\time 2/4 s1*2/4 |
-\time 4/4 \stemDown ees'4( d c2) |
-\time 3/4 s1*3/4 |
-\time 2/4 s1*2/4 |
-\time 4/4 s1 |
-\time 2/4 s1*2/4 |
-\time 4/4 <c f>1 \arpeggio \bar "|." }
->>
+ \set PianoStaff.connectArpeggios = ##t
+ \override PianoStaff.Arpeggio.arpeggio-direction = #UP
+ \new Staff = "ui7" {
+ <<
+ \relative { \tmarksev \dtim \override TextSpanner.bound-details.left.text = "poco rit."
+ \time 7/4 s1*7/4^\markup { \smaller \italic "semplicemente; sotto voce" } |
+ \time 4/4 s1 |
+ \time 5/4 s1*5/4 |
+ \time 3/4 s2 \ottava 1 d''''4 |
+ \time 5/4 \stemDown d( c bes a g) \ottava 0 |
+ \time 4/4 f1 |
+ \time 6/4 s1*6/4 |
+ \time 3/4 \stemUp e4 d( cis) |
+ \time 2/4 cis2 |
+ \time 4/4 s1 |
+ \time 3/4 b4( a gis) |
+ \time 2/4 s1*2/4 | \break
+ \time 4/4 s1 |
+ \time 2/4 s4 fis4 |
+ \time 4/4 e1 \offset Y-offset 2 \fermata \arpeggio \bar "|."
+ }
+ \\
+ \relative { \tmarksev \dtim
+ \time 7/4 s1*7/4 |
+ \time 4/4 \stemUp fis''4^( e d cis) |
+ \time 5/4 \stemDown b1^( a4) |
+ \time 3/4 s4 <f' ees>2 |
+ \time 5/4 s1*5/4 |
+ \time 4/4 \stemDown g1 |
+ \time 6/4 \stemNeutral bes,1. |
+ \time 3/4 \stemDown s4 a2 |
+ \time 2/4 <bes f>4^( <aes ees>) |
+ \time 4/4 \stemUp g'2^( f) |
+ \time 3/4 \stemDown ees4( des) e |
+ \time 2/4 \stemUp d4^( c) |
+ \time 4/4 c4( bes aes g) |
+ \time 2/4 s4 bes4 |
+ \time 4/4 a1 \arpeggio \bar "|."
+ }
+ \\
+ \relative { \tmarksev \dtim
+ \time 7/4 \stemDown ais''4^(\p gis fis e dis cis b) |
+ \time 4/4 b2. a4 |
+ \time 5/4 s1*5/4 |
+ \time 3/4 g2. |
+ \time 5/4 s1*5/4 |
+ \time 4/4 s1 |
+ \time 6/4 s1*6/4 |
+ \time 3/4 s1*3/4 |
+ \time 2/4 s1*2/4 |
+ \time 4/4 s1 |
+ \time 3/4 s1*3/4 |
+ \time 2/4 f4_( ees) |
+ \time 4/4 s1 |
+ \time 2/4 \stemDown des2 |
+ \time 4/4 s1 \bar "|."
+ }
+ \\
+ \relative { \tmarksev \dtim
+ \time 7/4 s1*7/4 |
+ \time 4/4 s1 |
+ \time 5/4 s1*5/4 |
+ \time 3/4 s1*3/4 |
+ \time 5/4 s1*5/4 |
+ \time 4/4 s1 |
+ \time 6/4 s1*6/4 |
+ \time 3/4 s1*3/4 |
+ \time 2/4 s1*2/4 |
+ \time 4/4 \stemDown ees'4( d c2) |
+ \time 3/4 s1*3/4 |
+ \time 2/4 s1*2/4 |
+ \time 4/4 s1 |
+ \time 2/4 s1*2/4 |
+ \time 4/4 <c f>1 \arpeggio \bar "|."
+ }
+ >>
}
\new Staff = "di7" { \clef bass
-\accidentalStyle piano
<<
\relative { \tmarksev \dtim
\time 7/4 s1*7/4 |
\time 6/4 s1*6/4\sustainOff\sustainOn |
\time 3/4 s1*3/4\sustainOff\sustainOn |
\time 2/4 \stemDown s4\sustainOff\sustainOn c4 |
-\time 4/4 s4 bes2(\sustainOff\sustainOn a4) |
+\time 4/4 s4\sustainOff\sustainOn bes2( a4) |
\time 3/4 s1*3/4\sustainOff\sustainOn |
\time 2/4 a4(\sustainOff\sustainOn g) |
\time 4/4 s1\sustainOff\sustainOn |
>>
%\midi { }
\layout {
+ ragged-last = ##t
\context {
\Score
\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
\relative { \tmarkione
\omit Staff.BarLine
\override Staff.BarLine.allow-span-bar = ##f
- \time 28/16 gis,16[\p ais b cis dis e fis]
+ \time 28/16
+ \footnote \markup \fontsize #-5 \number "1 " #'(-0.5 . -0.75) \markup \small \left-column {
+ \line { \super \number 1 "Accidentals apply only to the note they precede" }
+ } Accidental
+ gis,16[\p ais b cis dis e fis]
g16[ a c \change Staff = "ui1" d f ees \change Staff = "di1" bes]
a16[ g fis e d c b]
aes16[ f des ees g bes c] |
\layout {
\context {
\Score
-\override NonMusicalPaperColumn.line-break-system-details = #'((extra-offset . (0 . -10)))
+\override NonMusicalPaperColumn.line-break-system-details = #'((extra-offset . (0 . -1)))
\override StaffGrouper.staff-staff-spacing = #'((basic-distance . 5) (minimum-distance . 4) (padding . 2) (stretchability . 0))
\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
\override TimeSignature.stencil = ##f
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "ui2" {
- \accidentalStyle piano
<<
\relative {
\override Score.MetronomeMark.padding = #2.2 \tempo Presto 4=168
\override DynamicLineSpanner.staff-padding = \phds
- \time 7/8 d'8[\offset Y-offset 2^\markup { \smaller \italic "bruscamente" } e-- \change Staff = "di2" fis,-.-> \change Staff = "ui2" g'( a) \change Staff = "di2" b,-- \change Staff = "ui2" cis']( |
+ \time 7/8 d'8[\offset Y-offset 2^\markup { \smaller \italic "bruscamente" } e-- \change Staff = "di2"
+ \footnote \markup \fontsize #-5 \number "2 " #'(-0.5 . -2) \markup \small \left-column {
+ \line { \super \number 2 "Accidentals carry through until the barline" \italic "(for Invenions 2-15)" }
+ } Accidental
+ fis,-.-> \change Staff = "ui2" g'( a) \change Staff = "di2" b,-- \change Staff = "ui2" cis']( |
ees[ f) \change Staff = "di2" aes,,-- \change Staff = "ui2" bes''( c) \change Staff = "di2" g,,-- d-.->] |
cis'[-- \change Staff = "ui2" b'' \change Staff = "di2" a,,,-.-> \change Staff = "ui2" gis'''( fis e) dis,]-- |
c'[ \change Staff = "di2" bes,-- \change Staff = "ui2" f'' \change Staff = "di2" g,,,-.-> \change Staff = "ui2" a''' d,,-- e'] | \break
\stemUp cis'[-- gis-.-> fis'( a b) d,-- \change Staff = "ui2" e'] \stemNeutral |
\change Staff = "di2" f,[-- \change Staff = "ui2" g'( aes) \change Staff = "di2" bes,-- c,,-.-> \change Staff = "ui2" des'''( ees)]\fermata |
d[^\markup { \raise #3 \bold "A tempo" } \change Staff = "di2" c,,,-.-> \change Staff = "ui2" bes''' \change Staff = "di2" aes,-- \change Staff = "ui2" g' \change Staff = "di2" f,-- \change Staff = "ui2" ees'] |
-\change Staff = "di2" \stemUp cis,[-- b'( a fis e) g,-.-> d']-- \stemNeutral |
-ees,-.->[ f' ges-- aes bes-- \change Staff = "ui2" c( des] |
-e)[ \change Staff = "di2" a,( b) \change Staff = "ui2" g' \change Staff = "di2" f,,-.-> \change Staff = "ui2" d''( c] |
+ \change Staff = "di2" \stemUp cis,[-- b'( a fis e) g,-.-> d']-- \stemNeutral |
+ ees,-.->[ f' ges-- aes bes-- \change Staff = "ui2" c( des] |
+ e)[ \change Staff = "di2" a,( b) \change Staff = "ui2" g' \change Staff = "di2" f,,-.-> \change Staff = "ui2" d''( c] |
\change Staff = "di2" b)[ ais,,-.-> gis''( fis) e( dis) cis']( |
a[ bes) c,-- d,-.-> \change Staff = "ui2" ees''( f) \change Staff = "di2" g,] |
gis,[-.-> \change Staff = "ui2" a''( b) cis,-- e' fis,-- dis'(] |
>>
}
\new Staff = "di2" { \clef bass
-\accidentalStyle piano
<<
\relative { \tmarktthree \set tieWaitForNote = ##t
\override DynamicLineSpanner.staff-padding = #3
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "u3" {
-\accidentalStyle piano
<<
\relative { \tmarktwo \numericTimeSignature
\time 4/4 r8^\markup { \smaller \italic "giocoso" } g''8(\mp a,4~ a8) d16( f16 c4) |
g(\mf\> f' d c^"rit." a) |
ais(\mp\< fis' dis b cis) |
\time 4/4 g'4--\f\fermata aes,4~\mp^"Meno mosso" aes8 d16( f c4) |
-a2(^"poco rit." e'4~ e4)\fermata |
+a2(^"poco rit." e'4~ e4)\fermata \bar "||"
\tempo "Tempo primo"
r8 dis8-.-> cis4~-> cis8 fis16( g a,4)
\time 3/4 r8\f\> aes8_( d2) |
>>
}
\new Staff = "d3" { \clef bass
-\accidentalStyle piano
<<
\relative { \tmarktwo \numericTimeSignature
\time 4/4 R1 |
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "ui4" {
-\accidentalStyle piano
<<
\relative { \tmarkfi
\time 3/8 g'16([\mp^\markup { \smaller \italic "dolce; espr." } f] \tuplet 3/2 { e8 g f } |
>>
}
\new Staff = "di4" { \clef bass
-\accidentalStyle piano
<<
\relative { %\tmarkfi
\time 3/8 r8 <d, a' c>4\pp |
\new Staff = "u" \with { \consists "Merge_rests_engraver" }
{
\set Staff.pedalSustainStyle = #'mixed
- \accidentalStyle piano
\relative {
\numericTimeSignature
\tempo Andante 4 = 66
\new Staff = "d" \with { \consists "Merge_rests_engraver" }
{
\set Staff.pedalSustainStyle = #'mixed
- \accidentalStyle piano
\relative {
\numericTimeSignature
\clef bass
\voiceOne
\once \override Staff.TextScript.outside-staff-priority = #1500
r8\sustainOn f8~
- \footnote \markup \fontsize #-5 \number "1 " #'(-0.5 . 0.75) \markup \small \left-column {
- \line { \super \number 1 "short fermatas should be very brief, and can be preceded by slight ritardando" }
+ \footnote \markup \fontsize #-5 \number "3 " #'(-0.5 . 0.75) \markup \small \left-column {
+ \line { \super \number 3 "short fermatas should be very brief, and can be preceded by slight ritardando" }
}
\shortfermata f4~ f4. |
}
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "ui6" \with { \consists "Merge_rests_engraver" } {
-\accidentalStyle piano
<<
\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
\time 1/4 s4^\markup { \smaller \italic "spianato" } |
\time 4/4 gis1~ |
\time 5/4 gis8\pp r8 r4 r2. |
\time 2/4 s2
-\footnote \markup \fontsize #-5 \number " 2" #'(0.5 . 0.5) \markup \small \left-column {
- \line { \super \number 2 "parenthesized, courtesy dynamics apply to nearest pitches" }
+\footnote \markup \fontsize #-5 \number " 4" #'(0.5 . 0.5) \markup \small \left-column {
+ \line { \super \number 4 "parenthesized, courtesy dynamics apply to nearest pitches" }
}
_\markup { \lower #4.5 \tiny \parenthesize \dynamic mf }|
\time 5/4 ees8-- r8 r4 r2. |
>>
}
\new Staff = "di6" \with { \consists "Merge_rests_engraver" } { \clef bass
-\accidentalStyle piano
<<
\relative { \tmarktfour \numericTimeSignature \override Hairpin.to-barline = ##f
\override DynamicLineSpanner.staff-padding = \phds
%\midi { }
\layout {
system-count = #5
-\context {
-\Score
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
-}
+ \context {
+ \Score
+ \override StaffGrouper.staff-staff-spacing =
+ #'((basic-distance . 5) (minimum-distance . 4) (padding . 3) (stretchability . 0))
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/10)
+ }
}
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "u3" {
-\accidentalStyle piano
<<
\relative { \tempo "Allegro moderato" 4.=104 \numericTimeSignature
\time 6/8
>>
}
\new Staff = "d3" { \clef bass
-\accidentalStyle piano
<<
\relative { \numericTimeSignature
\time 6/8
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.arpeggio-direction = #UP
\new Staff = "u" {
-\accidentalStyle piano
<<
\relative { \override Score.MetronomeMark.padding = #2.2 \tempo Presto 4=154
\override DynamicLineSpanner.staff-padding = \phds
r4 r4 r8 cis^.^> r8 |
r8 bes8^.^> r4 r4. |
gis8^.^> s8 r4 r4. |
-r4 r4 r8 r8 ees8^.^> |
+r4 r4 r8 r8 ees8^.^> \bar "||"
\tempo "Meno mosso" 4=72
ges^.^> r8 r4 r4. |
r4 r4 r8 r8 ces8^.^> |
>>
}
\new Staff = "d" \with { \consists "Merge_rests_engraver" } { \clef bass
-\accidentalStyle piano
<<
\relative { \override Score.MetronomeMark.padding = #2.2
\override DynamicLineSpanner.staff-padding = \phds
\new PianoStaff \with {
instrumentName = \markup { \large "№" \number 9 }
}
- <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "u" {
-\accidentalStyle piano
<<
-\relative { \tmarkfi \override Hairpin.to-barline = ##f %\tempo Lento 4=40
-\override DynamicLineSpanner.staff-padding = \phds
-\time 6/4
-\stemNeutral <b' e a>2\arpeggio\mf^\markup { \smaller \italic "dolce; espr." } fis'4(~\p \tuplet 3/2 { fis8 <f, c'>4)\<\arpeggio } <cis dis' gis>2\arpeggio |
-<d' g>8[(\f\arpeggio aes,~]\p aes4) <fis' cis' b'>4~\<\arpeggio \tuplet 3/2 { 4 ais8~ } 8[ <dis, e'>8]~\f\arpeggio 4~\fermata |
-8[ <bes' a'>8~]\>_( \tuplet 3/2 { 8 e,4) } <g c f>2\mp\arpeggio d4.\>_( <cis' gis'>8)\arpeggio |
-<a, d' g>4~\pp\arpeggio \tuplet 3/2 { 8 <b' fis'>4\<~(\arpeggio^"molto rit." } 4 c,4) <bes ees f'>4~\mf\arpeggio 4\fermata |
-}
->>
-}
-\new Staff = "d" { \clef bass
-\accidentalStyle piano
-<<
-\relative { %\tmarkfi
-\time 6/4
-<g d>4(_\ppsempre <f c>) <ees bes>( <des aes>) <b fis>( <a e>) |
-bes8( ees,8 <c' f,>4) <d g,>4( <e a,>) <fis b,>( <gis cis,>)\fermata |
-<g d>4( <f c>) <ees bes>( <des aes>) <b fis>( a8[ e8]) |
-<bes' ees,>4( <c f,>4) <d g,>4( <e a,>) <fis b,>( <gis cis,>)\fermata
-\once \override Staff.BarLine.stencil =
-#(lambda (grob)
-(ly:stencil-combine-at-edge
- (ly:bar-line::print grob)
- X RIGHT
- (grob-interpret-markup grob nine-barlineMarkup)
- 0))
-\bar "|."
-}
->>
-}
+ \set PianoStaff.connectArpeggios = ##t
+ \override PianoStaff.Arpeggio.arpeggio-direction = #UP
+ \new Staff = "u" {
+ <<
+ \relative { \tmarkfi \override Hairpin.to-barline = ##f %\tempo Lento 4=40
+ \override DynamicLineSpanner.staff-padding = \phds
+ \time 6/4
+ \stemNeutral <b' e a>2\arpeggio\mf^\markup { \smaller \italic "dolce; espr." } fis'4(~\p \tuplet 3/2 { fis8 <f, c'>4)\<\arpeggio } <cis dis' gis>2\arpeggio |
+ <d' g>8[(\f\arpeggio aes,~]\p aes4) <fis' cis' b'>4~\<\arpeggio \tuplet 3/2 { 4 ais8~ } 8[ <dis, e'>8]~\f\arpeggio 4~\fermata |
+ 8[ <bes' a'>8~]\>_( \tuplet 3/2 { 8 e,4) } <g c f>2\mp\arpeggio d4.\>_( <cis' gis'>8)\arpeggio |
+ <a, d' g>4~\pp\arpeggio \tuplet 3/2 { 8 <b' fis'>4\<~(\arpeggio^"molto rit." } 4 c,4) <bes ees f'>4~\mf\arpeggio 4\fermata |
+ }
+ >>
+ }
+ \new Staff = "d" { \clef bass
+ <<
+ \relative { %\tmarkfi
+ \time 6/4
+ <g d>4(_\ppsempre <f c>) <ees bes>( <des aes>) <b fis>( <a e>) |
+ bes8( ees,8 <c' f,>4) <d g,>4( <e a,>) <fis b,>( <gis cis,>)\fermata |
+ <g d>4( <f c>) <ees bes>( <des aes>) <b fis>( a8[ e8]) |
+ <bes' ees,>4( <c f,>4) <d g,>4( <e a,>) <fis b,>( <gis cis,>)\fermata
+ \once \override Staff.BarLine.stencil =
+ #(lambda (grob)
+ (ly:stencil-combine-at-edge
+ (ly:bar-line::print grob)
+ X RIGHT
+ (grob-interpret-markup grob nine-barlineMarkup) 0
+ )
+ )
+ \bar "|."
+ }
+ >>
+ }
>>
%\midi { }
\layout {
-\context {
-\Score
-\override StaffGrouper.staff-staff-spacing = #'((basic-distance . 5) (minimum-distance . 4) (padding . 5) (stretchability . 0))
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
+ \context {
+ \Score
+ \override StaffGrouper.staff-staff-spacing =
+ #'((basic-distance . 5) (minimum-distance . 4) (padding . 3) (stretchability . 0))
+ \override SpacingSpanner.base-shortest-duration =
+ #(ly:make-moment 1/16)
+ \override TimeSignature.stencil = ##f
+ }
}
xbio = \markup {
\center-column {
- \override #'(line-width . 100) \justify {
+ \override #'(line-width . 90) \justify {
\bold "Tucker Johnson" is a composer, performer, and educator pursuing
the Ph.D. in Music Composition at the Eastman School of Music in
Rochester, NY. His musical practice includes works for soloists,
teaching.
}
\vspace #0.8
- \override #'(line-width . 100) \justify {
+ \override #'(line-width . 90) \justify {
Tucker's music has been concertized and honored at festivals and events,
including the Dot-The-Line new music festival (Seoul), Longy Divergent
Studio (Boston), soundSCAPE Festival (Cesena), Composing in the
Gitelman Prize and the Peter T. Luckie Award.
}
\vspace #0.8
- \override #'(line-width . 100) \justify {
+ \override #'(line-width . 90) \justify {
A consistent supporter of new music, Tucker has helped organize many
events, festivals, and concerts and served various music organizations
throughout his academic career. Currently, he serves as technical
Jamie Jordan and more.
}
\vspace #0.8
- \override #'(line-width . 100) \justify {
+ \override #'(line-width . 90) \justify {
In his research, he has worked to develop approaches to music composition
and collaborative improvisation using mathematics, networked computer
instruments, machine listening, ambisonics, and other computer-assisted
percussionist/guitarist John McGovern.
}
\vspace #0.8
- \override #'(line-width . 100) \justify {
+ \override #'(line-width . 90) \justify {
He holds the MA and Catherine Filene Shouse Arts Leadership Certificate
from the Eastman School of Music and the BM from Penn State University.
He also studied at the University of South Florida. He has studied with
xcomp = \markup { Tucker Johnson }
xinst = \markup { keyboard }
xdur = \markup { "20\" - 12\'" }
-xcr = \markup \tiny { Copyright \char ##x00A9 MMXXIII Umbel Press. }
+xcr = \markup \tiny { Copyright \char ##x00A9 MMXXIII Umbel Press. (ASCAP) }
oddhead = \markup { \fill-line { \null \center-column { \bold { \xcomp } " " } \null } }
evhead = \markup { \fill-line { \null \center-column { \bold { \xtitle } " " } \null } }
oddfoot = \markup { \fill-line { \null \center-column { " " \concat { " - " \fromproperty #'page:page-number-string " - " } } \null } }
%music
tmarkione = \tempo "Vivace" 4 = 136
-tmarksev = \tempo "Poco rubato" 4 = 46-52
+tmarksev = \tempo "Poco rubato" 4 = 46
tmarktfour = \tempo "Tempo giusto" 4 = 152
tmarktfourb = \tempo "Tempo giusto" 4 = 152
tmarktthree = \tempo "Presto" 4 = 168