--- /dev/null
+*.pdf
+*.ps
+*.midi
+*.mid
+*.log
+*~
+.DS_Store
--- /dev/null
+% Strike-Anywhere project
+
+backcover = \markuplist { \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #1
+ \line { \hbracket \bold \concat { "about " \xcomp } }
+ \vspace #1
+ \xbio
+ \vspace #1.3
+ \line { ================================= }
+ \vspace #1.3
+ \override #'(line-width . 75) \justify \typewriter \tiny {
+ This score was engraved on #(string-append (strftime "%m-%d-%Y"
+ (localtime (current-time))) ",") using LilyPond version
+ #(string-append (lilypond-version) ".") If you would like to view the
+ most recent version of the input documents that generated it, visit
+ \sans \bold https://github.com/tuckerjohnson/quads.
+ }
+ }
+ \line { \null }
+ }
+}
--- /dev/null
+% Strike-Anywhere project
+
+front-matter = \markuplist {
+ \fill-line {
+ \left-column {
+ \line { \bold \xtitle " [2024]" }
+ \line { \xinst " | " \xdur }
+ \line { \xcomp }
+ \vspace #4
+ }
+ \center-column {
+ \vspace #5
+ \vspace #0.5
+ \line { \hbracket \bold "program note" }
+ \vspace #0.2
+ \xpnote
+ \vspace #1
+ \line { ================================= }
+ \vspace #0.5
+ \line { \hbracket \bold "instrumentation and performance note" }
+ \vspace #0.2
+ \fill-line {
+ \column { \null }
+ \left-column {
+ \override #'(line-width . 80) \justify {
+ As a part of \italic "Matchstick Percussion's" commissioning
+ project \concat { \underline "Strike Anywhere" "," } \bold
+ "Quad(s)" is designed to use a minimal instrumentation that can be
+ easily transported:
+ }
+ }
+ \column { \null }
+ }
+ \column { \null }
+ }
+ }
+ \vspace #1
+ \fill-line {
+ \column { \null }
+ \box \column {
+ \line { \number 8 \huge \bold "metal pipes" }
+ \override #'(padding . 4)
+ \table
+ #'(-1 -1 1)
+ {
+ \underline { player pitch frequency }
+ \bold I \concat { "E" \sub { "5" } } \typewriter { 659.25 }
+ \bold I \concat { "C" \super \sharp \sub { "5" } } \typewriter { 554.37 }
+ \bold II \concat { "A" \sub { "4" } } \typewriter { 440.00 }
+ \bold II \concat { "f" \sub { "4" } } \typewriter { 349.23 }
+ \bold III \concat { "G" \sub { "4" } } \typewriter { 392.00 }
+ \bold III \concat { "E" \super \flat \sub { "4" } } \typewriter { 311.13 }
+ \bold IV \concat { "D" \sub { "3" } } \typewriter { 293.66 }
+ \bold IV \concat { "B" \super \flat \sub { "3" } } \typewriter { 233.08 }
+ }
+ }
+ \column {
+ \box \column {
+ \line { \number 4 \huge \bold "wood slats" }
+ \override #'(padding . 4)
+ \table
+ #'(-1 -1 1)
+ {
+ \underline { player pitch frequency }
+ \bold I \concat { "C" \sub { "5" } } \typewriter { 523.25 }
+ \bold II \concat { "G" \super \sharp \sub { "4" } } \typewriter { 415.30 }
+ \bold III \concat { "F" \super \sharp \sub { "4" } } \typewriter { 369.99 }
+ \bold IV \concat { "B" \sub { "4" } } \typewriter { 493.88 }
+ }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 35)
+ \justify {
+ Helpful resources for creating tuned pipes and slats:
+ \with-url #"https://www.lineuponlinepercussion.org/pipe-tuning-method"
+ \underline \italic { "PIPE TUNING METHOD" } by Adam Bedell and
+ \with-url #"https://thirdcoastpercussion.com/colins-corner-wood-slats/"
+ \underline \italic { "WOOD SLATS" } by Colin Campbell.
+ }
+ }
+ }
+ \column { \null }
+ }
+}
--- /dev/null
+% Strike-Anywhere project
+
+cover = \markuplist {
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #10
+ \line { \hbracket \fontsize #10 \number 2024 }
+ \vspace #4
+ \line { \xcomp }
+ \vspace #1
+ \line { \fontsize #5 \bold \xtitle }
+ \line { \italic \xsub }
+ \vspace #4
+ }
+ \right-column {
+ \line { \null }
+ }
+ }
+ }
--- /dev/null
+% Strike-Anywhere project
+
+outcover = \markuplist {
+\fill-line {
+ \line { \null }
+ \center-column {
+ \line { \with-url #"https://newer.systems" \fontsize #1 \hbracket \sans \bold " https://newer.systems " }
+ }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ }
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \line { \null }
+ }
+ \right-column {
+ \vspace #15
+ \line { \fontsize #8 \bold \underline \xtitle }
+ \vspace #-0.1
+ \line { \fontsize #3 \sans \xcomp }
+ \vspace #3
+ \line { \fontsize #2 \sans \concat { "for " \xinst } }
+ }
+ }
+ \vspace #23
+ \fill-line {
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \center-column {
+ \xumbel
+ \vspace #0.3
+ \line { \fontsize #1 \hbracket \sans \bold " umbel press " }
+ }
+ \line { \null }
+ }
+}
--- /dev/null
+U = \change Staff = "u"
+D = \change Staff = "d"
+
+%spacing
+ds = #2.5
+sods = #3.4
+phds = #3.9
+
+%notation marks
+pizz = ^\markup { "pizz" }
+arco = ^\markup { "arco" }
+pont = ^\markup { \italic "sul pont" }
+tasto = ^\markup { \italic "sul tasto" }
+ord = ^\markup { \italic "ord" }
+
+sD = \stemDown
+sU = \stemUp
+sN = \stemNeutral
+
+twoWayFermata = {
+ \once \set Staff.caesuraType = #'((underlying-bar-line . "."))
+ \once \set Staff.caesuraTypeTransform = ##f
+ \caesura ^\shortfermata _\shortfermata
+}
+
+glissandoSkipOn = {
+ \override NoteColumn.glissando-skip = ##t
+ \hide NoteHead
+ \override NoteHead.no-ledgers = ##t
+}
+
+glissandoSkipOff = {
+ \revert NoteColumn.glissando-skip
+ \undo \hide NoteHead
+ \revert NoteHead.no-ledgers
+}
+
+\defineBarLine "|" #'(#t #f " ")
+
+ffsempre =
+ #(make-dynamic-script (markup #:combine #:transparent "f" "ff" #:combine
+#:transparent "f" #:normal-text #:italic "sempre" ) )
+
+psempre =
+#(make-dynamic-script
+ (markup "p" #:normal-text #:italic "sempre" ))
+
+ppsempre =
+ #(make-dynamic-script (markup #:combine #:transparent "f" "pp" #:combine
+#:transparent "f" #:normal-text #:italic "sempre" ) )
+
+ppsubito =
+ #(make-dynamic-script (markup #:combine #:transparent "f" "pp" #:combine
+#:transparent "f" #:normal-text #:italic "subito" ) )
+
+psubito =
+ #(make-dynamic-script (markup #:combine #:transparent "f" "p" #:combine
+#:transparent "f" #:normal-text #:italic "subito" ) )
+
+
+niente = #(make-dynamic-script (markup (#:normal-text #:abs-fontsize 10 #:bold "n")))
+
+harm = \once \override Staff.NoteHead.style = #'harmonic-mixed
--- /dev/null
+xtitle = \markup { "Quads I" }
+xsub = \markup { for Matchstick }
+xcomp = \markup { Tucker Johnson }
+xinst = \markup { percussion quartet }
+xdur = \markup { 5 minutes }
+xcr = \markup \tiny { Copyright Tucker Johnson 2022. All Rights Reserved (ASCAP) }
+oddhead = \markup { \fill-line { \null \center-column { \bold { \xcomp } " " } \null } }
+evhead = \markup { \fill-line { \null \center-column { \bold { \xtitle } " " } \null } }
+oddfoot = \markup { \fill-line { \null \center-column { " " \concat { \tiny \char ##x1F661 " " \sans \fromproperty #'page:page-number-string " " \tiny \char ##x1F663 } } \null } }
+evfoot = \markup { \fill-line { \null \center-column { " " \concat { \tiny \char ##x1F661 " " \sans \fromproperty #'page:page-number-string " " \tiny \char ##x1F663 } } \null } }
--- /dev/null
+timeSpanner =
+ #(define-music-function (left) (string?)
+ #{
+ \once {
+ \override TextSpanner.staff-padding = 5
+ \override TextSpanner.outside-staff-priority = 1000
+ \override TextSpanner.style = #'dashed-line
+ \override TextSpanner.dash-period = 3
+ \override TextSpanner.dash-fraction = 0.25
+ \override TextSpanner.font-size = #1
+ \override TextSpanner.font-shape = #'upright
+ \override TextSpanner.bound-details.left.text = \markup { \bold \roman $left }
+ \override TextSpanner.bound-details.left-broken.text = ##f
+ \override TextSpanner.bound-details.right-broken.text = ##f
+ \override TextSpanner.bound-details.right.padding = #-1
+ }
+ #})
+
+markSpanner =
+ #(define-music-function (left right) (string? string?)
+ #{
+ \once {
+ \override TextSpanner.style = #'dashed-line
+ \override TextSpanner.outside-staff-priority = 550
+ \override TextSpanner.dash-period = 2
+ \override TextSpanner.dash-fraction = 0.5
+ \override TextSpanner.font-size = #0.25
+ %\override TextSpanner.bound-details.left.stencil-align-dir-y = #CENTER
+ %\override TextSpanner.bound-details.right.stencil-align-dir-y = #CENTER
+ \override TextSpanner.bound-details.left.text =
+ \markup { \general-align #Y #0 { $left \hspace #0.25 } }
+ \override TextSpanner.bound-details.right.text =
+ \markup { \general-align #Y #0 { \arrow-head #X #RIGHT ##f $right } }
+ \override TextSpanner.bound-details.left-broken.text = ##f
+ \override TextSpanner.bound-details.right-broken.text = ##f
+ \override TextSpanner.bound-details.right.padding = #1
+ }
+ #})
+
+stringNumberSpanner =
+ #(define-music-function (StringNumber) (string?)
+ #{
+ \once {
+ \override TextSpanner.style = #'solid
+ \override TextSpanner.outside-staff-priority = 150
+ \override TextSpanner.font-size = #-3
+ \override TextSpanner.bound-details.left.stencil-align-dir-y = #CENTER
+ \override TextSpanner.bound-details.left.text = \markup { $StringNumber \hspace #0.25 }
+ \override TextSpanner.bound-details.right.text = \markup { \draw-line #'(0 . -1) }
+ \override TextSpanner.bound-details.right-broken.text = ##f
+ \override TextSpanner.avoid-slur = #'ignore
+ \override TextSpanner.bound-details.right.padding = #-2
+ }
+ #})
+
+
+
+lsp = \override TextSpanner.bound-details.left.text = \markup { \bold "sul pont" }
+rsp = \override TextSpanner.bound-details.right.text = \markup { \bold "sul pont" }
+lst = \override TextSpanner.bound-details.left.text = \markup { \bold "sul tasto" }
+rst = \override TextSpanner.bound-details.right.text = \markup { \bold "sul tasto" }
+lord = \override TextSpanner.bound-details.left.text = \markup { \bold "ord" }
+rord = \override TextSpanner.bound-details.right.text = \markup { \bold "ord" }
+rit = \override TextSpanner.bound-details.left.text = \markup { \upright "rit. " }
+ritPoc = \override TextSpanner.bound-details.left.text = \markup { \upright "ritardando poco a poco " }
+molRit = \override TextSpanner.bound-details.left.text = \markup { \upright "molto rit. " }
+pocRit = \override TextSpanner.bound-details.left.text = \markup { \upright "poco rit. " }
+ace = \override TextSpanner.bound-details.left.text = \markup { \upright "accel. " }
+pocAce = \override TextSpanner.bound-details.left.text = \markup { \upright "poco accel. " }
+acePoc = \override TextSpanner.bound-details.left.text = \markup { \upright "accelerando poco a poco " }
+molAce = \override TextSpanner.bound-details.left.text = \markup { \upright "molto accel. " }
--- /dev/null
+xumbel = \markup {
+ \center-column {
+ \path #0.1
+ #'((moveto 0 0)
+ (curveto 1 0.3 3.6 3 4.2 1.6)
+ (moveto 0 0)
+ (curveto -1 0.3 -3.6 3 -4.2 1.6)
+ (moveto 0 0)
+ (curveto 0.9 0.3 2.9 3 3.5 1.7)
+ (moveto 0 0)
+ (curveto -0.9 0.3 -2.9 3 -3.5 1.7)
+ (moveto 0 0)
+ (curveto 0.8 0.3 2.2 3 2.8 1.8)
+ (moveto 0 0)
+ (curveto -0.8 0.3 -2.2 3 -2.8 1.8)
+ (moveto 0 0)
+ (curveto 0.6 0.3 1.5 3 2.1 1.9)
+ (moveto 0 0)
+ (curveto -0.6 0.3 -1.5 3 -2.1 1.9)
+ (moveto 0 0)
+ (curveto 0.4 0.3 0.8 3 1.4 2)
+ (moveto 0 0)
+ (curveto -0.4 0.3 -0.8 3 -1.4 2)
+ (moveto 0 0)
+ (curveto 0.2 0.3 0.5 3 0.7 2.1)
+ (moveto 0 0)
+ (curveto -0.2 0.3 -0.5 3 -0.7 2.1)
+ (moveto 0 0)
+ (lineto 0 2.2))
+ \vspace #-0.035
+ \override #'(height . 0.25) \draw-squiggle-line #1 #'(0 . 5) ##f
+ \vspace #-0.275
+ }
+ }
--- /dev/null
+% Strike-Anywhere project
+
+\new Staff \with {
+ instrumentName = \markup { \concat { \bold "I " } }
+ shortInstrumentName = \markup { \bold "I " }
+ \override DynamicLineSpanner.staff-padding = \phds
+ \override Beam.concaveness = #1000
+}
+\relative {
+ \numericTimeSignature
+ \override Staff.StaffSymbol.line-positions = #'(1 -1)
+ \override Staff.Stem.stemlet-length = #0.75
+ \override Rest.staff-position = #-1
+ \clef percussion
+ \time 3/1
+ <<
+ {
+ \improvisationOn
+ \once \omit Voice.Stem
+ \once \override DurationLine.dash-period = 6
+ c'4\- ^\markup \tiny \box "wood slat"
+ _\markup \teeny \italic "improvise freely"
+ s4 s4 s4 s4 s8
+ \once \omit Voice.Stem
+ \once \override DurationLine.dash-period = 4
+ c4\- ^\markup \tiny "accel. poco a poco" s8 s4 s4
+ \once \omit Voice.Stem
+ \once \omit Voice.Flag
+ \once \override DurationLine.dash-period = 3
+ c4\-
+ _\markup \teeny \italic "gradually come together"
+ s4 s8 s16
+ \once \omit Voice.Stem
+ \once \omit Voice.Flag
+ s16 \bar "||"
+ \time 3/4
+ \once \omit Voice.Stem
+ c4\-
+ _\markup \teeny \italic "in time"
+ s4
+ \once \omit Voice.Stem
+ s4
+ }
+ >>
+ <<
+ {
+
+ \sectionLabel \markup { \box \number 1 }
+
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\- _\markup \teeny \italic "improv. always in time"
+ \improvisationOff
+ s8 s8 s8
+ s8 s8
+ s8 | s8 s8
+ s8 s8 s8 s8
+ s8 s8 | s8
+ s8 s8 s8 s8
+ s8 s8 s8 |
+ s8 s8 s8 s8
+ s8 s8 s8 s8 | s8
+ s8 s8 s8 s8
+ s8 s8 s8 |
+ s8 s8
+ s8 s8 s8
+ s8 s8
+ s8 | s8 s8
+ s8 s8 s8 s8
+ s8 s8 | s8
+ s8 s8 s8 s8
+ s8 s8 s8 s8 s8
+ s8 s8 s8 s8 s8 s8 |
+ s8 s8 s8 s8 s8 s8 s8
+ s8 | s8 s8 s8 s8 s8
+ s8 s8 s8 | s8 s8
+ s8 s8 s8 s8
+ s8 s8 | s8 s8 s8
+ s8 s8 s8 s8
+ s8 | s8 s8
+ s8 s8 s8 s8
+ s8 s8 | s8
+ s8 s8 s8 s8
+ s8 s8 s8 | s8 s8
+ s8 s8 s8 s8 s8 s8 |
+ s8 s8 s8 s8 s8
+
+ s8 s8 s8 | s8
+ s8 s8 s8 s8 s8
+
+ \sectionLabel \markup { \box \number 2 }
+
+ s8 s8 | s8 s8 s8 s8
+ s8 s8 s8 s8 | s8
+
+ s8 s8 s8 s8
+ s8 s s | s s
+
+ s s s s s s |
+ s s s s s
+
+ s s s | s
+ s s s s s
+
+ s s | s s
+ s s s s s
+
+ s | s s s
+ s s s s s |
+
+ s s s s s s
+ s s | s s s
+
+ \sectionLabel \markup { \box \number 3 }
+
+ s8*4
+ s8*3
+ s8*4
+ s8*3
+ s8*4
+ s8*5
+ s8*4
+ s8*3
+ s8*4
+ s8*3 |
+ s4
+ s8*3
+ s8
+ r4 | b8 ^\markup \tiny \box "metal pipes low->high" r8
+ r4 b8 r8
+ r8 b8 | r4
+ r8 b8 r2
+ | b8 8
+
+ r4 b8 r8
+ r4 | r8 b8 8
+
+ r8 r4 r8 b8 | r2
+ b8 8
+
+ r4 | b8 r8
+ r4 r8 b8 8
+
+ r8 | r8 b8 r4
+ r4 b8 8 |
+
+ r2 b8 r8
+ r4 | r4 r8 b8 r2
+ | r8 b8 r4
+ r4 b8 8 |
+
+ \sectionLabel \markup { \box \number 4 }
+
+ b8 r8 r4 r4
+ b8 8 | 8 8 8
+
+ b8 r2 | r8
+ b8 8 8 8 8
+
+ b8 r8 | r2
+ d8 b8 r4 | r4 r8
+ d8 b8 r8 r4 |
+ r8 d8 b8 r8 r2 |
+ d8 b8 r4 r4
+ d8 b8 | r2 r8
+ d8 b8 r8 | r4 r8
+ d8 b8 r8 r4 | r4
+ d8 b8 r2 | r4
+ d8 b8 r2 | r8
+ d8 b8 r8 r4 r8
+ d8 | <d b>8 8 8 8
+
+ d8 b8 r4 | r4
+ d8 <d b>8 8 8 8
+
+ d8 | b8 r8 r4 r8
+ d8 b8 r8 | r2
+ d8 b8 r4 | r4
+ d8 <d b>8 8 8 8
+
+ d8 | b8 r8 r4 r8
+ d8 <d b>8 8 | 8 8
+
+ d8 b8 r4
+ d8 <d b>8 | 8 8 8
+
+ \sectionLabel \markup { \box \number 5 }
+
+ r8 b8 d8
+ r4 | d8 r8
+ r4 d8 r8
+ r8 d8 |
+ r4 r8 d8
+ r2 | d8 8
+
+ r4 d8 r8
+ r4 | r8 d8 8
+
+ r8 r4 r8 d8 |
+ r2 d8 8
+
+ r4 | d8 r8
+ r4 r8 d8 8
+
+ r8 | r8 d8
+ r4 r4 d8 8 |
+
+ r2 d8 r8
+ r4 | r4 r8 d8
+ r2 | r8 d8
+ r4 r4 d8 8 |
+
+ r2 d8 r8 r4
+ | r8 d8 8
+
+ \sectionLabel \markup { \box \number 6 }
+
+ d8 r2 | r8
+ d8 8 8 8 8
+
+ d8 r8 | r2
+ d8 r8 r4 | r4 r8
+ d8 r2 | r8
+ d8 8 8 8 8
+
+ d8 r8 | r2
+ d8 b8 r4 | r4 r8
+ d8 b8 r8 r4 | r8
+ d8 b8 r8 r2 |
+ d8 b8 r4 r2 |
+ b8 r8 r4 r4 r8
+ b8 | r2 r8
+ b8 8 8 | 8 8
+
+ b8 r8 r2 |
+ b8 r8 r4 r4 r8
+ b8 | r2 r8
+ d8 b8 r8 | r2
+ d8 b8 r4 | r2
+ d8 r8 r4 | r4 r8
+ d8 r2 | r8
+ d8 8 8 8 8
+ d8 b8 | r2
+ b8 8 8 8 | 8
+
+ b8 r4 r4 r8
+ b8 | r2 r4
+ b8 r8 | r2
+ b8 8 8 8 | 8
+
+ b8 r4 r8
+ d8 <d b>8 8 | 8 8
+
+ \sectionLabel \markup { \box \number 7 }
+
+ r4 r8 b8 d8 r8 |
+ r2 b8 d8 r4
+ | r2 b8 d8 r4
+ | r4 r8 b8 d8 r8 r4
+ | r4 d8 r8
+ r2 | r8 d8 r4 r2
+ | r8 d8 r4
+ r4 d8 8 |
+
+ r4 d8 r8
+ r4 r8 d8 | 8
+
+ r8 r4 b8 d8 r4
+ | r4 b8 8
+
+ r4 b8 r8 |
+ r4 b8 <b d>8 8
+
+ r8 r8 d8 | r2
+ b8 8
+
+ r4 | r8 b8 d8 r8
+ r4 r8 b8 | 8
+
+ r8 r4 r8 b8 r4
+ | r4 r8 b8 d8 r8 r4
+ | r4 d8 r8
+ r4 r8 d8 | 8
+
+ \sectionLabel \markup { \box \number 8 }
+
+ d8 r4 r4 r8
+ d8 | r2 r4
+ d8 b8 | r2 r4
+ d8 b8 | r2 r8
+ d8 b8 r8 | r4 r8
+ b8 8 8 8 8 |
+
+ b8 r8 r4 r4
+ b8 r8 | r2 r8
+ b8 r4 | r2 r8
+ d8 b8 r8 | r2 r4
+ d8 r8 | r2 r4
+ d8 r8 | r2 r8
+ d8 b8 r8 | r2 r8
+ b8 r4 | r2
+ b8 r8 r4 | r4
+ b8 8 8 8 8
+
+ b8 | r4 r8
+ d8 <b d>8 8 8 8 |
+
+ d8 b8 r4 r4
+ d8 b8 | r2 r8
+ d8 r4 | r4 r8
+ d8 8 8 8 8 |
+
+ d8 r8 r4
+ d8 8 8 8 | 8
+ d8 b8 r8 r4 r8
+ b8 | 8 8 8 8
+ b8 r8 r4 |
+ d8 <d b>8 8 8 8
+
+ \sectionLabel \markup { \box \number 9 }
+
+ r8 r8 d8 | r4
+ d8 r8
+ r8 b8 d8 r8 |
+ r8 b8 r4
+ r8 b8 r4
+ | r8 b8 <b d>8 8
+
+ r4 d8 r8 |
+ r8 d8 r4
+ b8 d8 r4
+ | b8 r8
+ r4 b8 r8
+ r4 | b8 <b d>8 8
+
+ r8 r8 d8 r4
+ | r4 d8 8
+
+ r4 r8 b8 | d8 r8 r4
+ r8 b8 8
+
+ r8 | r4 r8 b8 r2
+ | r8 b8 d8 r8
+ r2 | d8 r8
+ r4 r8 d8 8
+
+ r8 | r4 b8 d8 r2
+ | b8 8
+
+ r4 b8 r8
+ r4 | b8 <b d>8 8
+
+ \sectionLabel \markup { \box \number 10 }
+
+ d8 r4 r8
+ d8 | 8 8 8 8
+
+ d8 b8 r4 | r4
+ b8 8 8 8 8
+
+ b8 | r4 r8
+ d8 <d b>8 8 8 8 |
+
+ d8 r8 r4
+ d8 8 8 8 | 8
+
+ d8 b8 r8 r4 r8
+ b8 | 8 8 8 8
+
+ b8 r8 r4 |
+ d8 <d b>8 8 8 8
+
+ d8 r4 | r8
+ d8 r4
+ d8 b8 r4 |
+ b8 r8 r8
+ b8 r4 r8
+ d8 | <d b>8 8 8 8
+
+ d8 r8 r4 |
+ d8 r8 r8
+ d8 b8 r8 r8
+ b8 | r4
+ b8 r8
+ d8 b8 r8
+ d8 \bar "||"
+
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-_\markup \teeny \italic "gradually decrescendo and ritardando" s4 s4\longfermata s4 \bar "|."
+ }
+ >>
+
+}
--- /dev/null
+% Strike-Anywhere project
+
+\new Staff \with {
+ instrumentName = \markup { \concat { \bold "II " } }
+ shortInstrumentName = \markup { \bold "II " }
+ \override DynamicLineSpanner.staff-padding = \phds
+ \override Beam.concaveness = #1000
+}
+\relative {
+ \numericTimeSignature
+ \override Staff.StaffSymbol.line-positions = #'(1 -1)
+ \override Staff.Stem.stemlet-length = #0.75
+ \override Rest.staff-position = #-1
+ \clef percussion
+ \time 3/1
+ <<
+ {
+ \improvisationOn
+ \once \omit Voice.Stem
+ \once \override DurationLine.dash-period = 6
+ c'4\- ^\markup \tiny \box "wood slat"
+ _\markup \teeny \italic "improvise freely"
+ s4 s4 s4
+ \once \omit Voice.Stem
+ \once \override DurationLine.dash-period = 4
+ c4\- ^\markup \tiny "accel. poco a poco" s4 s4 s4 s8
+ \once \omit Voice.Stem
+ \once \omit Voice.Flag
+ \once \override DurationLine.dash-period = 3
+ c4\-
+ _\markup \teeny \italic "gradually come together"
+ s8 s4 s8 s16
+ \once \omit Voice.Stem
+ \once \omit Voice.Flag
+ s16 \bar "||"
+ \time 3/4
+ \once \omit Voice.Stem
+ c4\-
+ _\markup \teeny \italic "in time"
+ s4
+ \once \omit Voice.Stem
+ s4
+ }
+ >>
+ <<
+ {
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\- _\markup \teeny \italic "improv. always in time"
+ \improvisationOff
+ s8 s8 s8
+ s8 s8
+ s8 | s8 s8
+ s8 s8 s8 s8
+ s8 s8 | s8
+ s8 s8 s8 s8
+ s8 s8 s8 |
+ s8 s8 s8 s8
+ s8 s8 s8 s8 | s8
+ s8 s8 s8 s8
+ s8 s8 s8 |
+ s8 s8
+ s8 s8 s8 s8 r4
+ | b8 ^\markup \tiny \box "metal pipes low->high" r8
+ r4 b8 r8
+ r8 b | r4
+ r8 b8 r2
+ | b8 b
+ r4 r4 b8 r8 |
+ r2 b8 d r4
+ | r4 b8 d r4
+ r8 b | <b d> <b d>
+ r8 b d r8
+ r4 | b8 <b d> <b d>
+ r8 b8 d8 r4
+ | d8 r8
+ r4 d8 r8
+ r8 d8 | r4
+ r8 d8 r2
+ | d8 d8
+ r4 r4 d8 r8 |
+ r4 r8 d8 8
+
+ r8 r8 d8 | r4
+ r8 b8 <b d>8 8
+
+
+ \sectionLabel \markup { \box \number 2 }
+
+ d8 b8 | r2
+ b8 8 8 8 | 8
+
+ b8 r4 r8
+ b8 8 8 | 8 8
+
+ d8 b8 r2 |
+ d8 8 8 8 8
+
+ d8 r4 | r8
+ d8 <d b>8 8 8 8
+
+ b8 r8 | r4
+ b8 8 8 8 8
+
+ b8 | r4 r8
+ d8 <d b>8 8 8 8 |
+
+ d8 b8 r4 r4
+ d8 8 | 8 8 8
+
+ \sectionLabel \markup { \box \number 3 }
+
+ r8 r8 d8 r4
+ | d8 r8
+ r8 b8 d8 r8
+ r8 b8 | r4
+ r8 b8 r4
+ r8 b8 | <b d>8 8
+
+ r4 d8 r8
+ r8 d8 | r4
+ b8 d8 r4
+ b8 r8 |
+ b8 r8
+ b8 d8 r8
+ d8 r8
+ d8 | r4
+ b8 d8 r4
+ b8 r8 | r4
+ b8 r8 r4
+ b8 <b d>8 | 8 8
+
+ r8 d8 r2
+ | d8 8 8
+
+ r8 r8 b8 d8 r8 | r4
+ r8 b8 8 8
+
+ r8 b8 | r4
+ r8 b8 <b d>8 8 8
+
+ r8 | d8 r8 r4
+ r8 d8 8 8 |
+
+ r4 r8 d8 r2
+ | r8 b8 d8 r8 r4
+ r8 b8 | d8 r8 r4
+ r8 b8 8 8 |
+
+ \sectionLabel \markup { \box \number 4 }
+
+ r8 b8 r4 r4
+ r8 b8 | 8 8 8
+
+ r8 d8 b8 r4 |
+ r4 d8 8 8 8
+
+ r8 d8 | r2
+ r4 d8 r8 | r2
+ r8 d8 r4 |
+ r4 r8 d8 b8 r8 r4 |
+ r4 b8 r8 r2
+ | b8 r8 r4
+ r4 r8 b8 | r2
+ r8 d8 b8 r8 | r2
+ d8 b8 r4 |
+ r2 d8 r8 r4 |
+ r4 r8 d8
+ r2 | r8 d8 8 8
+
+ r4 d8 b8 |
+ r2 b8 8 8
+
+ r8 | r8 b8 r4
+ r4 r8 d8 | b8 r8 r4
+ r4 d8 r8 |
+ r2 d8 8 8
+
+ r8 | r8 d8 b8 r8
+ r4 r8 b8 | 8 8
+
+ r4 b8 r8
+ r4 | d8 <d b>8 8
+
+ \sectionLabel \markup { \box \number 5 }
+
+ d8 r4 r8
+ d8 | r4
+ b8 d8 r4
+ b8 r8 |
+ r4 b8 r8
+ r4 b8 <b d>8 | 8 8
+
+ r8 d8
+ r2 | d8 8 8
+
+ r8 r8 b8 d8 r8 |
+ r4 r8 b8 8 8
+
+ r8 b8 | r4
+ r8 b8 <b d>8 8 8
+
+ r8 | d8 r8
+ r4 r8 d8 8 8 |
+
+ r4 r8 d8 r2
+ | r8 b8 d8 r8
+ r4 r8 b8 | d8 r8
+ r4 r8 b8 8 8 |
+
+ r4 r8 b8 r2
+ | b8 8 8
+
+ \sectionLabel \markup { \box \number 6 }
+
+ r8 d8 b8 r4 |
+ r4 d8 8 8 8
+
+ r8 d8 | r2
+ r8 d8 b8 r8 | r2
+ b8 r8 r4 |
+ r4 b8 8 8 8
+
+ r8 b8 | r2
+ r4 b8 r8 | r2
+ r8 b8 r4 | r4
+ r8 b8 r2 |
+ r4 d8 b8 r2 |
+ r8 d8 b8 r8 r2
+ | b8 r8 r4 r4
+ b8 8 | 8 8
+
+ r8 b8 r2 |
+ r8 d8 b8 r8 r2
+ | d8 b8 r4 r4
+ r8 d8 | b8 r8 r4
+ r4 d8 b8 | r2
+ r8 d8 b8 r8 | r2
+ d8 b8 r4 | r4
+ d8 8 8 8
+
+ r4 | d8 r8 r4
+ r8 d8 8 8 | 8
+
+ r8 d8 r8 r2
+ | d8 r8 r4 r4
+ r8 d8 | r2
+ r8 d8 8 8 | 8
+
+ r8 d8 r8 r4
+ r8 d8 | 8 8
+
+ \sectionLabel \markup { \box \number 7 }
+
+ r4 d8 r8 r4 |
+ r4 r8 d8 r2
+ | r4 r8 d8 r2
+ | r4 d8 r8 r2
+ | r8 d8 r4
+ r2 | d8 r8 r4 r2
+ | d8 r8 r4
+ r8 d8 8 8 |
+
+ r8 d8 r4
+ r4 d8 8 | 8
+
+ r8 r8 d8 r2
+ | r8 d8 8 8
+
+ r8 d8 r4 |
+ r8 d8 8 8 8
+
+ r8 d8 r8 | r4
+ b8 <b d>8 8 8
+
+ r8 b8 | d8 r8 r4
+ r8 b8 <b d>8 8 | 8
+
+ r8 r8 b8 d8 r8 r4
+ | r8 b8 d8 r8 r2
+ | b8 d8 r4
+ r8 b8 <b d>8 8 | 8
+
+ \sectionLabel \markup { \box \number 8 }
+
+ r8 d8 b8 r2
+ | d8 b8 r4 r2
+ | d8 b8 r4 r2
+ | d8 b8 r4 r4
+ r8 d8 | b8 r8 r4
+ d8 <d b>8 8 8 |
+
+ r8 d8 b8 r8 r4
+ r8 d8 | b8 r8 r4 r4
+ r8 d8 | b8 r8 r4 r4
+ r8 d8 | b8 r8 r4 r4
+ r8 d8 | b8 r8 r4 r4
+ r8 b8 | r2 r4
+ r8 b8 | r2 r4
+ b8 r8 | r2
+ r8 b8 r4 | r4
+ r8 b8 8 8 8
+
+ r8 | b8 r8 r4
+ r8 b8 8 8 |
+
+ r4 b8 r8 r2
+ | b8 r8 r4 r4
+ b8 r8 | r2
+ b8 8 8 8 |
+
+ r8 b8 r4
+ r8 b8 8 8 | 8
+
+ r8 r8 b8 r2
+ | b8 8 8 8
+
+ r8 b8 r4 |
+ r4 b8 8 8
+
+ \sectionLabel \markup { \box \number 9 }
+
+ r8 b8 r8 | r4
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s8 s8 s4 |
+ s8 s8 s8
+ s8 s8 s8 s8
+ s8 | s8 s8 s8 s8
+
+ s8 s8 s4 |
+ s8 s8 s8
+ s8 s4 s8
+ s8 | s4
+ s8 s8 s4
+ s8 s8 | s8 s8 s8
+
+ s8 s8 s8 s4
+ | s8 s8 s8 s8
+
+ s4 s8 s8 | s2
+ s8 s8 s8
+
+ s8 | s8 s8 s8 s8 s4
+ s8 s8 | s8 s8 s4
+ s4 s8 s8 | s4
+ s8 s8 s8 s8 s8
+
+ s8 | s8 s8 s4 s4
+ s8 s8 | s8 s8
+
+ s8 s8 s4
+ s8 s8 | s8 s8 s8
+
+ \sectionLabel \markup { \box \number 10 }
+
+ s2
+ s8 | s2
+
+ s2 | s1 | s1 |
+
+ s1 | s1 | s1 |
+ s1 | s1 |
+ s1 | s1 |
+ s1 | s1 \bar "||"
+
+ s4_\markup \teeny \italic "gradually decrescendo and ritardando" s4 s4\longfermata s4 \bar "|."
+
+ }
+ >>
+
+}
--- /dev/null
+% Strike-Anywhere project
+
+\new Staff \with {
+ instrumentName = \markup { \concat { \bold "III " } }
+ shortInstrumentName = \markup { \bold "III " }
+ \override DynamicLineSpanner.staff-padding = \phds
+ \override Beam.concaveness = #1000
+}
+\relative {
+ \numericTimeSignature
+ \override Staff.StaffSymbol.line-positions = #'(1 -1)
+ \override Staff.Stem.stemlet-length = #0.75
+ \override Rest.staff-position = #-1
+ \clef percussion
+ \time 3/1
+ <<
+ {
+ \improvisationOn
+ \once \omit Voice.Stem
+ \once \override DurationLine.dash-period = 6
+ c'4\- ^\markup \tiny \box "wood slat"
+ _\markup \teeny \italic "improvise freely"
+ s4 s4 s4 s8
+ \once \omit Voice.Stem
+ \once \override DurationLine.dash-period = 4
+ c4\- ^\markup \tiny "accel. poco a poco" s8 s4 s4
+ \once \omit Voice.Stem
+ \once \omit Voice.Flag
+ \once \override DurationLine.dash-period = 3
+ c4\-
+ _\markup \teeny \italic "gradually come together"
+ s4 s4 s8 s16
+ \once \omit Voice.Stem
+ \once \omit Voice.Flag
+ s16 \bar "||"
+ \time 3/4
+ \once \omit Voice.Stem
+ c4\-
+ _\markup \teeny \italic "in time"
+ s4
+ \once \omit Voice.Stem
+ s4
+ }
+ >>
+ \oneVoice
+ \once \omit Voice.Stem
+ c4\- _\markup \teeny \italic "improv. always in time"
+ \improvisationOff
+ s8 s s8
+ s r4
+ | b8 ^\markup \tiny \box "metal pipes low->high" r8
+ r8 b d r8
+ r8 d | r4
+ r8 d r4
+ d8 r8 |
+ r8 b8 d r8
+ r4 b8 <b d> <b d>
+ r8 r8 b r4
+ b8 r8 |
+ b r8
+ b d r8
+ d r8
+ d8 | r4
+ b8 d r4
+ b8 r8 | r4
+ b8 r8 r4
+ r8 b8 | b b
+ r4 b8 d r4 |
+ r4 b8 d r2
+ | r8 b r4 r4
+ b8 b | b b
+ b r8 r4
+ b8 <b d> | <b d> <b d> <b d>
+
+ d8 r4 r8
+ d8 | r4
+ b8 d8 r4
+ b8 r8 | r4
+ b8 r8 r4
+ r8 b8 | b8 b8
+
+ r4 b8 d8 r4 |
+ r8 b8 <b d>8 8 8
+
+ r8 d8 r8 | r4
+ d8 8 8 8
+
+ \sectionLabel \markup { \box \number 2 }
+
+ r4 | d8 b8 r4
+ r8 d8 <d b>8 8 | 8
+
+ r8 d8 r8 r4
+ d8 8 | 8 8
+
+ r4 d8 r8 r4 |
+ r8 d8 8 8 8
+
+ r8 d8 r8 | r4 r8 d8 8 8
+
+ r8 d8 | r4
+ r8 d8 <d b>8 8 8
+
+ r8 | b8 r8 r4
+ r8 b8 8 8 |
+
+ r4 d8 b8 r4
+ r8 d8 | <d b>8 8 8
+
+ \sectionLabel \markup { \box \number 3 }
+
+ r8 b8 r8 r4
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s8*4
+ s8*3
+ s8*4
+ s8*5
+ s8*4
+ s8*3
+ s8*4
+ s8*3 |
+ s4
+ s8*3
+ s4
+ s8 | s8 s8
+ s8*4
+ s8*3
+ s8*4
+ s8*5
+ s8*4
+ s8*5
+ s8*5 | s8
+ s8*5
+ s8*4
+ s8*5
+ s8 s4 r4
+ b8 8 8 8 |
+
+ r8 b8 d8 r8 r4
+ r8 b8 | d8 r8 r4 r4
+ b8 r8 | r2
+ b8 8 8 8 |
+
+ r4 d8 b8 r4
+ r4 | d8 8 8
+
+ r8 r4 d8 r8 |
+ r4 r8 d8 8 8
+
+ r4 | d8 r8 r4
+ r4 r8 d8 | r2
+ r4 d8 r8 |
+ r2 r8 d8 r4 |
+ r4 r8 d8 r2
+ | r8 d8 b8 r8
+ r2 | b8 r8
+ r4 r4 r8 b8 | r2
+ r4 d8 b8 |
+ r2 r8 d8 b8 r8 |
+ r2 b8 r8
+ r4 |
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s2.
+ s1*6
+
+ | s8 s8 s8
+
+ \sectionLabel \markup { \box \number 5 }
+
+ s8 s8 s8 s8
+ s8 | s8 s8
+ s8 s8 s8 s8
+ s8 s8 | s8
+ s8 s8 s8 s8
+ s8 s8 s8 | s8 s8
+
+ s8 s8 s4
+ s8 s8 | s8 s8 s8
+
+ s8 s8 s8 s8 s8 | s8
+ s8 s8 s8 s8 s8
+
+ s8 s8 | s8 s8
+ s8 s8 s8 s8 s8
+
+ s8 | r2
+ b8 8 8 8 |
+
+ r8 b8 d8 r8 r4
+ r8 b8 | d8 r8 r4
+ r4 b8 r8 | r2
+ b8 8 8 8 |
+
+ r8 b8 d8 r8 r4
+ r8 d8 | 8 8 8
+
+ \sectionLabel \markup { \box \number 6 }
+
+ r8 r4 d8 r8 |
+ r4 r8 d8 8 8
+
+ r4 | d8 r8 r4
+ r4 r8 d8 | r2
+ r8 d8 r4 |
+ r4 r8 d8 8 8
+
+ r4 | d8 b8 r4
+ r4 r8 d8 | b8 r8 r4
+ r4 d8 r8 | r2
+ d8 r8 r4 |
+ r2 d8 r8 r4 |
+ r4 r8 d8 r2
+ | r8 d8 r4 r4
+ r8 d8 | 8 8
+
+ r4 d8 b8 r4 |
+ r4 r8 d8 b8 r8 r4
+ | r4 d8 r8 r2
+ | r8 d8 r4
+ r2 | d8 b8 r4
+ r4 r8 d8 | b8 r8 r4
+ r4 d8 r8 | r4
+ r8 d8 8 8
+
+ r4 | r8 d8 r4
+ r4 d8 8 | 8
+
+ r8 r8 d8 b8 r8 r4
+ | r8 d8 b8 r8 r2
+ | b8 r8 r4
+ r4 b8 8 | 8
+
+ r8 r8 b8 r2
+ | b8 8
+
+ \sectionLabel \markup { \box \number 7 }
+
+ r8 b8 r2 |
+ r4 b8 r8 r2
+ | r8 b8 d8 r8 r2
+ | b8 d8 r4 r4
+ r8 b8 | d8 r8 r4
+ r4 b8 d8 | r2 r4
+ r8 b8 | r2
+ b8 8 8 8 |
+
+ b8 r8 r4
+ b8 <b d>8 8 8 | 8
+
+ b8 d8 r8 r4 r8
+ b8 | <b d>8 8 8 8
+
+ d8 r8 r4 |
+ d8 8 8 8 8
+
+ d8 r4 | r8
+ d8 8 8 8 8
+
+ d8 r8 | r2
+ d8 8 8 8 | 8
+
+ b8 d8 r8 r4 r8
+ b8 | d8 r8 r4 r4
+ b8 d8 | r2
+ b8 8 8 8 | 8
+
+ \sectionLabel \markup { \box \number 8 }
+
+ r8 r4 b8 r8 r4
+ | r4 b8 r8 r2
+ | r4 b8 r8 r2
+ | r4 b8 r8 r2
+ | r8 b8 r4
+ r4 b8 8 |
+
+ r4 r8 b8 r2
+ | r8 b8 r4 r2
+ | r8 b8 r4 r2
+ | r8 d8 b8 r8 r2
+ | r8 d8 b8 r8 r2
+ | d8 b8 r4 r2
+ | d8 b8 r4 r4 r8
+ d8 | b8 r8 r4
+ r4 b8 r8 | r2
+ b8 8 8
+
+ r8 | r8 b8 r4
+ r4 b8 8 |
+
+ r4 r8 b8 r2
+ | r8 b8 r4 r4
+ r8 b8 | r2
+ r8 b8 8 8 |
+
+ r4 b8 r8
+ r4 d8 <d b>8 | 8
+
+ r8 r4 d8 b8 r4
+ | r8 d8 <d b>8 8
+
+ r4 d8 r8 |
+ r4 r8 d8 8
+
+ \sectionLabel \markup { \box \number 9 }
+
+ d8 r4 | r8
+ d8 r4
+ d8 r8 r4 |
+ d8 r8 r8
+ b8 d8 r8 r8
+ b8 | <b d>8 8 8 8
+
+ b8 d8 r4 |
+ b8 r8 r8
+ b8 r4 r8
+ b8 | r4
+ r8 b8 r4
+ r8 b8 | 8 8 8
+
+ r8 b8 r8 r4
+ | r8 b8 8 8
+
+ r4 b8 r8 | r2
+ b8 8 8
+
+ r8 | r8 b8 d8 r8 r4
+ r8 b8 | d8 r8 r4
+ r4 b8 d8 | r4
+ r8 b8 <b d>8 8 8
+
+ r8 | b8 d8 r4 r4
+ b8 <b d>8 | 8 8
+
+ r8 d8 r4
+ r8 d8 | 8 8 8
+
+ \sectionLabel \markup { \box \number 10 }
+
+ r8 d8 r8 r4
+ | d8 8 8 8
+
+ r4 d8 r8 | r4
+ r8 d8 8 8 8
+
+ r8 | d8 r8 r4
+ r8 d8 8 8 |
+
+ r8 d8 r4
+ r8 d8 <d b>8 8 | 8
+
+ r8 r8 d8 b8 r8
+ r4 | d8 <d b>8 8 8
+
+ r8 d8 r4 |
+ r8 r8 d8 8 8
+
+ r8 b8 r8 |
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+
+ s2. |
+ s1 | s1 |
+ s1 | s1 \bar "||"
+
+ s4_\markup \teeny \italic "gradually decrescendo and ritardando" s4 s4\longfermata s4 \bar "|."
+}
--- /dev/null
+% Strike-Anywhere project
+
+\new Staff \with {
+ instrumentName = \markup { \concat { \bold "IV " } }
+ shortInstrumentName = \markup { \bold "IV " }
+ \override DynamicLineSpanner.staff-padding = \phds
+ \override Beam.concaveness = #1000
+}
+\relative {
+ \numericTimeSignature
+ \override Staff.StaffSymbol.line-positions = #'(1 -1)
+ \override Staff.Stem.stemlet-length = #0.75
+ \override Rest.staff-position = #-1
+ \clef percussion
+ \override Score.TimeSignature.stencil = ##f
+ \time 3/1
+ \tempo \markup { "Ad lib" \small { "(10\" - 120\")" } }
+ <<
+ {
+ \improvisationOn
+ \once \omit Voice.Stem
+ \once \override DurationLine.dash-period = 6
+ c'4\- ^\markup \tiny \box "wood slat"
+ _\markup \teeny \italic "improvise freely"
+ s4 s4 s4 s4
+ \once \omit Voice.Stem
+ \once \override DurationLine.dash-period = 4
+ c4\- ^\markup \tiny "accel. poco a poco" s4 s4 s4
+ \once \omit Voice.Stem
+ \once \omit Voice.Flag
+ \once \override DurationLine.dash-period = 3
+ c4\-
+ _\markup \teeny \italic "gradually come together"
+ s4 s8 s16
+ \once \omit Voice.Stem
+ \once \omit Voice.Flag
+ s16 \bar "||"
+ \tempo \markup { "A tempo" \small { "(10\")" } } 4 = 172
+ \time 3/4
+ \once \omit Voice.Stem
+ c4\-
+ _\markup \teeny \italic "in time"
+ s4 r4 \bar "||" \break
+ }
+ >>
+ \oneVoice
+ \tempo " " 2 = 86
+ \revert Score.TimeSignature.stencil
+ \time 2/2
+ \improvisationOff
+ b8 ^\markup \tiny \box "metal pipes low->high" r8
+ b d r8
+ d r8
+ d | r4
+ d8 r8 r4
+ d8 r8 | r8
+ b d r8 r8
+ b r4 |
+ b8 r8 r4
+ b8 <b d> <b d> <b d> | <b d>
+ b d r8 r8
+ b r4 |
+
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\- _\markup \teeny \italic "improv. always in time"
+ \improvisationOff
+
+ s2. | s2. r4 | r8
+
+ b8 r4 r8
+ b8 <b d>8 8 | 8 8
+ b d r2 |
+ b8 d r4 r4 r8
+ b8 | d r8 r4 r8
+ b8 b b | b b
+
+ r4 r2 |
+
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s8
+
+ s8 s8 s8 s8
+ s8 | s8 s8
+ s8 s8 s4 r4 | r8
+ b8 r4 r8
+ b8 <b d>8 8 | 8 8
+ b8 d8 r2 |
+ b8 8 8 8 8
+
+ b8 r4 | r8
+ b8 8 8 8 8
+
+ \sectionLabel \markup { \box \number 2 }
+
+ r4 | r4 b8 r8
+ r4 r8 b8 | 8
+
+ r8 r8 b8 r4
+ r8 d8 | <d b>8 8
+
+ r4 r8 d8 b8 r8 |
+ r4 d8 <d b>8 8
+
+ r8 r8 d8 | r2
+ d8 8
+
+ r4 | d8 r8
+ r4 r8 d8 8
+
+ r8 | r8 d8 r4
+ r4 d8 8 |
+
+ r2 d8 r8
+ r4 | r8 d8 8
+
+ \sectionLabel \markup { \box \number 3 }
+
+ d8 r4 r8
+ d8 | r4
+ d8 r8 r4
+ d8 r8 | r8
+ b8 d8 r8 r8
+ b8 <b d>8 8 | 8 8
+
+ b8 d8 r4
+ b8 r8 | r8
+ b8 r4 r8
+ b8 r4 |
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s8 s8 s8
+ s8 s8
+ s8 | s8 s8
+ s8 s8 s8 s8
+ r4 | r8
+ b8 r4 r8
+ b8 8 8 | 8 8
+
+ b8 r8 r4
+ b8 <b d>8 | 8 8 8
+
+ b8 d8 r8 r4 | r8
+ b8 <b d>8 8 8 8
+
+ d8 r8 | r4
+ d8 8 8 8 8
+
+ d8 | r4 r8
+ d8 8 8 8 8 |
+
+ d8 r8 r4 r4
+ d8 r8 | r2 r8
+ d8 r4 | r4 r8
+ d8 8 8 8 8 |
+
+ \sectionLabel \markup { \box \number 4 }
+
+ r2 d8 r8
+ r4 | r8 d8 8
+
+ r8 r4 r8 d8 |
+ r2 d8 8
+
+ r4 | r8 d8 b8 r8
+ r2 | d8 b8 r4
+ r4 r8 d8 |
+ r2 r4 d8 r8 |
+ r2 d8 r8
+ r4 | r4 r8 d8
+ r2 | r8 d8
+ r4 r2 | d8 r8
+ r4 r2 | d8 r8
+ r4 r4 r8 d8 |
+ r2 r8 d8
+ r4 | r4 d8 8
+
+ r2 | d8 r8
+ r4 r8 d8 8
+
+ r8 | r4 d8 b8
+ r2 | r8 d8 b8 r8
+ r4 r8 d8 | b8 r8
+ r4 r8 b8 8
+
+ r8 | r4 r8 b8
+ r2 | b8 8
+ r4 r2
+ \once \omit Voice.Stem
+ \improvisationOn
+ | c4\-
+ \improvisationOff
+ s8
+
+ \sectionLabel \markup { \box \number 5 }
+
+ s8 s8 s8 s8
+ s8 | s8 s8
+ s8 s8 s8 s8
+ s8 s8 | r8
+ b8 r4 r8
+ b8 8 8 | 8 8
+
+ b8 r8 r4
+ b8 <b d>8 | 8 8 8
+
+ b8 d8 r8 r4 | r8
+ b8 <b d>8 8 8 8
+
+ d8 r8 | r4
+ d8 8 8 8 8
+
+ d8 | r4 r8
+ d8 8 8 8 8 |
+
+ d8 r8 r4 r4
+ d8 r8 | r2 r8
+ d8 r4 | r4 r8
+ d8 8 8 8 8 |
+
+ d8 r8 r4 r4
+ d8 8 | 8 8 8
+
+ \sectionLabel \markup { \box \number 6 }
+
+ r8 r4 r8 d8 |
+ r2 d8 8
+
+ r4 | r8 d8 b8 r8
+ r2 | d8 b8 r4
+ r4 d8 b8 |
+ r2 b8 8
+
+ r4 | r4 b8 r8
+ r2 | r8 b8 r4
+ r4 r8 b8 | r2
+ r8 d8 b8 r8 |
+ r2 r8 d8 b8 r8 |
+ r2 d8 b8 r4
+ | r4 d8 b8 r2
+ | b8 8
+
+ r4 r4 b8 r8 |
+ r2 r8 b8 r4
+ | r4 r8 b8 r2
+ | r4 b8 r8
+ r2 | r4 b8 r8
+ r2 | r8 b8 r4
+ r4 r8 b8 | r2
+ b8 8
+
+ r4 | r4 b8 r8
+ r4 r8 b8 | 8
+
+ r8 r4 r8 b8 r4
+ | r4 r8 d8 b8 r8 r4
+ | r8 d8 b8 r8
+ r4 r8 b8 | 8
+
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s8
+ s2
+ | r4
+
+ \sectionLabel \markup { \box \number 7 }
+
+ b8 r8 r2 |
+ b8 d8 r4 r4 r8
+ b8 | d8 r8 r4 r4 r8
+ b8 | r2 r4
+ b8 r8 | r2
+ b8 d8 r4 | r2 r8
+ b8 d8 r8 | r4 r8
+ b8 8 8 8 8 |
+
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+
+ s8 s8
+ s8 s8 s8 s8 | s8
+
+ s8 s8 s8 s8 s8 s8
+ s8 | s8 s8 s8 s8
+
+ s8 s8 s8 s8 |
+ s8 s8 s8 s8 s8
+
+ s8 s8 s8 | s8
+ s8 s8 s8 s8 s8
+
+ s8 s8 | s8 s8 s8 s8
+ s8 s8 s8 s8 | s8
+
+ s8 s8 s8 s8 s8 s8
+ s8 | s8 s8 s8 s8 s8 s8
+ s8 s8 | s8 s8 s8 s8
+ s8 s8 s8 s8 | r2
+
+
+ r8 b8 r4
+ | r4 r8 d8 b8 r8 r4
+ | r4 r8 d8 b8 r8 r4
+ | r4 r8 b8 r2
+ |
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s4
+ s4 s8 s8 |
+
+ r2 b8 r8 r4
+ | r4 d8 b8 r2
+ | r4 d8 b8 r2
+ | r4 r8 d8 b8 r8 r4
+ | r4 r8 d8 b8 r8 r4
+ | r4 d8 b8 r2
+ | r4 d8 b8 r2
+ | r8 d8 b8 r8
+ r4 r8 d8 | b8 r8 r4
+ r8 b8 8 r8 |
+
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s4
+ s4 s4 |
+
+ r2 b8 r8 r4
+ | r4 d8 b8 r2
+ | d8 b8 r4
+ r4 b8 8 |
+
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s8 s8
+ s4 s8 s8 | s8
+
+ s8 s4 s8 s8 s4
+ | s8 s8 s8 s8
+
+ s4 s8 s8 |
+ s4 s8 s8 s8
+
+ \sectionLabel \markup { \box \number 9 }
+
+ s8 s8 s8 | s8
+ s8 s8 s8
+ s8 s8 s8 s8 |
+ s8 s8 s8
+ s8 s8 s8 s8
+ s8 | s8 s8 s8 s8
+
+ s8 s8 s8 s8|
+ s8 s8 s8
+ s8 s8 s8 s8
+ s8 | r4
+ b8 r8 r4
+ b8 8 | 8 8 8
+
+ b8 r8 r8 r8
+ b8 | <b d>8 8 8 8
+
+ b8 d8 r4 | r4
+ b8 <b d>8 8 8 8
+
+ b8 | d8 r8 r4 r8
+ b8 d8 r8 | r2
+ b8 d8 r4 | r4
+ b8 8 8 8 8
+
+ b8 | r2 r8
+ b8 8 8 | 8 8
+
+ b8 r8 r4
+ b8 8 | 8 8 8
+
+ \sectionLabel \markup { \box \number 10 }
+
+ r8 r8 b8 r4
+ | r8 d8 <d b>8 8
+
+ r4 r8 d8 | b8 r8
+ r4 d8 <d b>8 8
+
+ r8 | r8 d8 r4
+ r4 d8 8 |
+
+ r4 d8 r8
+ r4 r8 d8 | 8
+
+ r8 r4 r8 d8
+ r4 | r4 d8 8
+
+ r4 d8 r8 |
+ r4 r8 d8 8
+
+ r8 r8 d8 | r8
+ r8 d8 r8
+ r4 d8 r8 |
+ r8 d8 r8
+ r8 d8 b8 r4
+ | r8 d8 <d b>8 8
+
+ r8 d8 b8 r8 |
+ r8 b8 r4
+ r8 b8 r4
+ | b8 r8
+ \once \omit Voice.Stem
+ \improvisationOn
+ c4\-
+ \improvisationOff
+ s8 s8 s8
+ s8 \bar "||"
+
+ s4_\markup \teeny \italic "gradually decrescendo and ritardando" s4 s4\longfermata s4 \bar "|."
+
+}
--- /dev/null
+\version "2.24.4"
+
+\include "general/info.ly"
+\include "general/aliases.ly"
+\include "general/scripts.ly"
+\include "general/umbel.ly"
+
+\paper {
+ line-width = 120
+ first-page-number = -1
+ #(include-special-characters)
+ footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
+ print-page-number = ##f
+ #(set-paper-size "arch a")
+ print-all-headers = ##f
+ %ragged-last = ##t
+ top-margin = 0.5\in
+ bottom-margin = 0.5\in
+ left-margin = 0.9\in
+ right-margin = 0.9\in
+ indent = 0.75\in
+ short-indent = 0\cm
+ #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "classico"))
+ max-systems-per-page = #10
+ system-system-spacing = #'((basic-distance . 10) (minimum-distance . 8) (padding . 12))
+ score-system-spacing = #'((basic-distance . 2) (minimum-distance . 1) (padding . 0))
+ last-bottom-spacing = #'((basic-distance . 5) (minimum-distance . 5) (padding . 0))
+ oddHeaderMarkup = \markup {
+ \concat { \if \on-page #5 \oddhead }
+ \concat { \if \on-page #7 \evhead }
+ }
+ evenHeaderMarkup = \markup {
+ \concat { \if \on-page #4 \evhead }
+ \concat { \if \on-page #6 \evhead }
+ }
+ oddFooterMarkup = \markup {
+ \concat { \if \on-page #3 \fill-line { \null \xcr \null } }
+ \concat { \if \on-page #5 \oddfoot }
+ \concat { \if \on-page #7 \oddfoot }
+ }
+ evenFooterMarkup = \markup {
+ \concat { \if \on-page #2 \evfoot }
+ \concat { \if \on-page #4 \evfoot }
+ \concat { \if \on-page #6 \evfoot }
+ \concat { \if \on-page #8 \fill-line { \null \concat { \char ##x2767 " " \tiny \typewriter \longHash " " \char ##x2619 } \null } }
+ }
+
+}
+
+\book {
+
+ \markuplist { %Outside Cover
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \line { \with-url #"https://newer.systems" \fontsize #1 \hbracket \sans \bold " https://newer.systems " }
+ }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ }
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \line { \null }
+ }
+ \right-column {
+ \vspace #15
+ \line { \fontsize #8 \bold \underline \xtitle }
+ \vspace #-0.1
+ \line { \fontsize #3 \sans \xcomp }
+ \vspace #3
+ \line { \fontsize #2 \sans \concat { "for " \xinst } }
+ }
+ }
+ \vspace #26.25
+ \fill-line {
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \center-column {
+ \xumbel
+ \vspace #0.3
+ \line { \fontsize #1 \hbracket \sans \bold " umbel press " }
+ }
+ \line { \null }
+ }
+ }
+
+ \pageBreak
+ \markup { \vspace #5 }
+
+ \pageBreak
+ \markuplist { %Inside Cover
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #10
+ \line { \hbracket \fontsize #10 \number 2024 }
+ \vspace #4
+ \line { \xcomp }
+ \vspace #1
+ \line { \fontsize #5 \bold \xtitle }
+ \line { \italic \xsub }
+ \vspace #4
+ }
+ \right-column {
+ \line { \null }
+ }
+ }
+ }
+
+ \pageBreak
+ \markuplist { %Front Matter
+ \fill-line {
+ \left-column {
+ \line { \bold \xtitle " [2024]" }
+ \line { \xinst " | " \sans 5 minutes }
+ \line { \xcomp }
+ \vspace #25
+ }
+ \center-column {
+ \vspace #5
+ \left-column { }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "program notes" }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 90)
+ \justify {
+ \smallCaps "When Matchstick described" that part of their intention
+ with the \italic "Strike Anywhere" project was to generate works
+ that could easily be performed outside, my imagination immediately
+ drifted to practices of \italic "bellringing." Two specific
+ practices came to mind: \underline "Russian Orthodox bellringing"
+ which, in monastaries, is often paired with the striking of a
+ wooden \concat { \italic "semantron" , } and
+ \underline "Change Ringing" with its careful sequences and complete extants.
+ }
+ \vspace #0.25
+ \override #'(line-width . 90)
+ \justify {
+ \bold "Quads I" takes its name from the Samuel Beckett's television play
+ \italic "Quad," with which it has a structural affinity. "\"Quad\"" could
+ also refer to the number of performers, or the work's usage and traversal
+ of four-note harmonies.
+ }
+ }
+ \vspace #2.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "performance notes" }
+ \vspace #0.5
+ \wordwrap { § \hspace #3.5 \sans \bold \italic "instrumentation" }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 90)
+ \justify {
+ As a part of \italic "Matchstick Percussion's" commissioning
+ project \concat { \underline "Strike Anywhere" "," } \bold
+ "Quads I" is designed to use a minimal instrumentation that can be
+ easily transported:
+ }
+ }
+ \vspace #0.5
+ \fill-line {
+ \column { \null }
+ \box \column {
+ \line { \huge \bold { \sans 8 "metal pipes" } }
+ \override #'(padding . 4)
+ \table
+ #'(-1 -1 1)
+ {
+ \underline { player pitch frequency }
+ \bold I \concat { "E" \sub { "5" } } \typewriter { 659.25 }
+ \bold I \concat { "C" \super \sharp \sub { "5" } } \typewriter { 554.37 }
+ \bold II \concat { "A" \sub { "4" } } \typewriter { 440.00 }
+ \bold II \concat { "f" \sub { "4" } } \typewriter { 349.23 }
+ \bold III \concat { "G" \sub { "4" } } \typewriter { 392.00 }
+ \bold III \concat { "E" \super \flat \sub { "4" } } \typewriter { 311.13 }
+ \bold IV \concat { "D" \sub { "3" } } \typewriter { 293.66 }
+ \bold IV \concat { "B" \super \flat \sub { "3" } } \typewriter { 233.08 }
+ }
+ }
+ \column {
+ \box \column {
+ \line { \huge \bold { \sans 4 "wood slats" } }
+ \override #'(padding . 4)
+ \table
+ #'(-1 -1 1)
+ {
+ \underline { player pitch frequency }
+ \bold I \concat { "C" \sub { "5" } } \typewriter { 523.25 }
+ \bold II \concat { "G" \super \sharp \sub { "4" } } \typewriter { 415.30 }
+ \bold III \concat { "F" \super \sharp \sub { "4" } } \typewriter { 369.99 }
+ \bold IV \concat { "B" \sub { "4" } } \typewriter { 493.88 }
+ }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 35)
+ \justify {
+ Helpful resources for creating tuned pipes and slats:
+ \with-url #"https://www.lineuponlinepercussion.org/pipe-tuning-method"
+ \underline \italic { "PIPE TUNING METHOD" } by Adam Bedell and
+ \with-url #"https://thirdcoastpercussion.com/colins-corner-wood-slats/"
+ \underline \italic { "WOOD SLATS" } by Colin Campbell.
+ }
+ }
+ }
+ \column { \null }
+ }
+ \left-column {
+ \override #'(line-width . 90)
+ \line { \hspace #90 }
+ \justify { \sans \italic 1. \hspace #1 Accidentals carry through each bar – cautionary accidentals are not supplied. }
+ \justify { \sans \italic 2. \hspace #1 Two fermata notations are used: a \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a \italic long fermata ( \musicglyph "scripts.ufermata" ). }
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 3. \hspace #1 Harmonics are notated with diamond noteheads
+ ( \override #'(style . harmonic-mixed) \note-by-number #2 #0 #0.8 /
+ \override #'(style . harmonic-mixed) \note-by-number #1 #0 #0.8 )
+ to indicate the touched node. Artificial harmonics are notated
+ with two noteheads, a normal notehead for the stopped position and
+ a diamond for the node.
+ }
+ \vspace #0.4
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 4. \hspace #1 Dotted slurs are used to indicate phrasing that may not be clear through dynamics and other notations. }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \wordwrap { § \hspace #3.5 \sans \bold \italic "interpreting techniques" }
+ }
+ \left-column {
+ \override #'(line-width . 90)
+ \line { \hspace #90 }
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 1. \hspace #1 Bow position indications such as \italic "sul pont"
+ and \italic "sul tasto" should be interpreted generously – i.e. almost
+ \italic "molto sul pont/tasto."
+ }
+ \vspace #0.3
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 2. \hspace #1 Portamento/glissando notations should be
+ interpreted somewhere between a romantic-style \italic portamento
+ – the sliding motion happening toward the very end of the
+ note – and a more contemporary \italic glissando –
+ sliding over the full duration of the note evenly. The sliding
+ motion should be exponential over the durations of the note –
+ begin at the start of the note, but the bulk of the motion should
+ happen towards the end of the note.
+ }
+ }
+ \vspace #2.5
+ \line { \char ##x2042 }
+ }
+
+ \right-column {
+ \vspace #-0.2
+ \right-column \fontsize #-1 {
+ \line { \fontsize #-2 \typewriter { \shortHash - \subject } }
+ \vspace #-0.4
+ \line { \fontsize #-2 \typewriter { \commitDate } }
+ \vspace #-0.4
+ \line { \fontsize #-2 \typewriter { "branch:" \branchName } }
+ }
+ \vspace #2
+ }
+ }
+ }
+
+ \pageBreak
+ \header {
+ tagline = "test"
+ }
+
+ \bookpart {
+ \header {
+ title = \markup { \fontsize #1 \xtitle }
+ subtitle = \markup { \medium \italic \xsub }
+ composer = \xcomp
+ poet = \markup { \xinst }
+ }
+ \score {
+ <<
+ \new StaffGroup <<
+ \include "manuscripts/I.ly"
+ \include "manuscripts/II.ly"
+ \include "manuscripts/III.ly"
+ \include "manuscripts/IV.ly"
+ >>
+ >>
+ %\midi { }
+ \layout {
+ \context {
+ \Score
+ \override RehearsalMark.break-visibility = #begin-of-line-invisible
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+ \override Hairpin.to-barline = ##f
+ \overrideTimeSignatureSettings 4/4 1/4 1,1,1,1 #'()
+ \overrideTimeSignatureSettings 3/4 1/4 1,1,1 #'()
+ \overrideTimeSignatureSettings 5/8 1/8 2,3 #'()
+ \override BarNumber.font-name = "classico"
+ \phrasingSlurDashPattern #0.5 #2.0
+ \override PhrasingSlur.thickness = 0.00
+ \override StaffSymbol.layer = #4
+ \override Stem.layer = #4
+ \override Beam.layer = #4
+ \override Tie.layer = #4
+ \override Hairpin.layer = #4
+ \override TimeSignature.layer = #2
+ \override Tie.layer = #1
+ \override TupletBracket.layer = #2
+ \override StringNumber.layer = #2
+ \override TextSpanner.layer = #3
+ \override NoteHead.layer = #4
+ \override Accidental.layer = #4
+ \override TimeSignature.whiteout = 2
+ \override StringNumber.whiteout = 6
+ \override StringNumber.avoid-slur = #'ignore
+ \override TextScript.padding = 1
+ \override TextScript.layer = #4
+ \numericTimeSignature
+ \override TupletNumber.layer = 4
+ \override TupletNumber.font-shape = #'upright
+ }
+ \context {
+ \Voice
+ \consists Duration_line_engraver
+ \override DurationLine.style = #'dotted-line
+ \override DurationLine.dash-period = 2
+ }
+ }
+ }
+ }
+
+ \pageBreak
+ \markup {
+ \fill-line {
+ \center-column {
+ \vspace #24 \xumbel
+ \vspace #0.3
+ \line { \with-url #"https://www.jwpepper.com/myscore/umbel-press" \fontsize #-3 \hbracket \sans \bold " https://www.jwpepper.com/myscore/umbel-press " }
+ }
+ }
+ }
+}