--- /dev/null
+%fifteen inventions project
+\book {
+\outcover
+\pageBreak
+\markup { \vspace #5 }
+\pageBreak
+\cover
+\pageBreak
+\front-matter
+\pageBreak
+ \header {
+ tagline = ##f
+}
+
+\score {
+\header {
+title = \markup { \fontsize #1 \xtitle }
+subtitle = \markup { \medium \italic \xsub }
+composer = \xcomp
+poet = \markup { "piano" }
+piece = \markup { \large { \bold "pappus" } }
+}
+\include "manuscripts/1i.ly"
+}
+
+\score {
+\header {
+piece = \markup { \large { \bold "panicle" } }
+}
+\include "manuscripts/2i.ly"
+}
+
+\score {
+\header {
+piece = \markup { \large { \bold "polar" } }
+}
+\include "manuscripts/3i.ly"
+}
+
+\score {
+\header {
+piece = \markup { \large { \bold "composite" } }
+}
+\include "manuscripts/4i.ly"
+}
+
+\score {
+\header {
+piece = \markup { \large { \bold "cyme" } }
+}
+\include "manuscripts/13i.ly"
+}
+
+\score {
+\header {
+piece = \markup { \large { \bold "circumnutation" } }
+}
+\include "manuscripts/15i.ly"
+}
+\pageBreak
+ \markup { \null }
+ \pageBreak
+ \backcover
+ \pageBreak
+ \markup { \null }
+}
--- /dev/null
+%fifteen inventions project
+%------paper-block------
+\paper {
+ first-page-number = -1
+ print-page-number = ##f
+ oddHeaderMarkup = \markup { \tiny { " " } }
+ evenHeaderMarkup = \markup { \tiny { " " } }
+ oddFooterMarkup = \markup {
+ \concat { \on-the-fly #(on-page 3) \fill-line { \null \xcr \null } }
+ \concat { \on-the-fly #(on-page 5) \oddfoot }
+ \concat { \on-the-fly #(on-page 7) \oddfoot }
+ \concat { \on-the-fly #(on-page 9) \oddfoot }
+ \concat { \on-the-fly #(on-page 11) \oddfoot }
+ \concat { \on-the-fly #(on-page 13) \oddfoot }
+ \concat { \on-the-fly #(on-page 15) \oddfoot }
+ \concat { \on-the-fly #(on-page 17) \oddfoot }
+ \concat { \on-the-fly #(on-page 19) \oddfoot }
+ \concat { \on-the-fly #(on-page 21) \oddfoot }
+ \concat { \on-the-fly #(on-page 23) \oddfoot }
+ \concat { \on-the-fly #(on-page 25) \oddfoot }
+ \concat { \on-the-fly #(on-page 27) \oddfoot }
+ }
+ evenFooterMarkup = \markup {
+ \concat { \on-the-fly #(on-page 2) \evfoot }
+ \concat { \on-the-fly #(on-page 4) \evfoot }
+ \concat { \on-the-fly #(on-page 6) \evfoot }
+ \concat { \on-the-fly #(on-page 8) \evfoot }
+ \concat { \on-the-fly #(on-page 10) \evfoot }
+ \concat { \on-the-fly #(on-page 12) \evfoot }
+ \concat { \on-the-fly #(on-page 14) \evfoot }
+ \concat { \on-the-fly #(on-page 16) \evfoot }
+ \concat { \on-the-fly #(on-page 18) \evfoot }
+ \concat { \on-the-fly #(on-page 20) \evfoot }
+ \concat { \on-the-fly #(on-page 22) \evfoot }
+ \concat { \on-the-fly #(on-page 24) \evfoot }
+ \concat { \on-the-fly #(on-page 26) \evfoot }
+ \concat { \on-the-fly #(on-page 28) \evfoot }
+ }
+#(set-paper-size "letter")
+ print-all-headers = ##t
+ top-margin = 0.8\cm
+ bottom-margin = 0.8\cm
+ left-margin = 2\cm
+ right-margin = 2\cm
+ indent = 1.3\cm
+ short-indent = 0\cm
+ #(define fonts
+ (set-global-fonts
+ #:music "haydn"
+ #:brace "haydn"
+ #:roman "Junicode"
+ #:sans "syne"
+ ))
+ max-systems-per-page = #7
+ system-system-spacing =
+ #'((basic-distance . 5)
+ (minimum-distance . 5)
+ (padding . 8))
+ score-system-spacing =
+ #'((basic-distance . 4)
+ (minimum-distance . 4)
+ (padding . 5))
+}
--- /dev/null
+%fifteen inventions project
+
+backcover = \markuplist { \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #1
+ \line { \hbracket \bold \concat { "about " \xcomp } }
+ \vspace #1
+ \xbio
+ \vspace #1.3
+ \line { ================================= }
+ \vspace #1.3
+ \override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(strftime "%m-%d-%Y" (localtime (current-time))), using LilyPond version 2.22.2. If you would like to view the most recent version of the input documents that generated it, visit \sans \bold https://github.com/tuckerjohnson/fifteen-inventions.}
+ }
+ \line { \null }
+ }
+}
--- /dev/null
+%fifteen inventions project
+front-matter = \markuplist {
+ \fill-line {
+ \left-column {
+ \line { \bold \xtitle " [2022]" }
+ \line { \xinst " | " \xdur }
+ \line { \xcomp }
+ \vspace #25
+
+ }
+ \center-column {
+
+ \vspace #7
+ \line { \hbracket \bold "program notes" }
+ \vspace #0.2
+ \xpnote
+ \vspace #0.5
+ \line { ================================= }
+ \fill-line { \column { \null }
+ \left-column {
+ \line { \bold "1 pappus" }
+ \line { \bold "2 panicle" }
+ \line { \bold "3 polar" }
+ \line { \bold "4 cyme" }
+ \line { \bold "5 panicle" }
+ \line { \bold "6 composite" }
+ \line { \bold "7 cyme" }
+ \line { \bold "8 panicle" }
+ \line { \bold "9 polar" }
+ \line { \bold "10 cyme" }
+ \line { \bold "11 panicle" }
+ \line { \bold "12 composite" }
+ \line { \bold "13 cyme" }
+ \line { \bold "14 umbel" }
+ \line { \bold "15 circumnutation" }
+ }
+ \column { \null }
+ }
+ \vspace #0.5
+ \line { ================================= }
+ \vspace #1.5
+ }
+ }
+ \column { \null }
+ }
--- /dev/null
+%fifteen inventions project
+
+cover = \markuplist {
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #10
+ \line { \hbracket \fontsize #10 \number 2022 }
+ \vspace #4
+ \line { \xcomp }
+ \vspace #1
+ \line { \fontsize #5 \bold \xtitle }
+ \line { \italic \xsub }
+ \vspace #4
+ }
+ \right-column {
+ \line { \null }
+ }
+ }
+ }
--- /dev/null
+%fifteen inventions project
+
+outcover = \markuplist {
+\fill-line {
+ \line { \null }
+ \center-column {
+ \line { \with-url #"https://newer.systems" \fontsize #1 \hbracket \sans \bold " https://newer.systems " }
+ }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ }
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \line { \null }
+ }
+ \right-column {
+ \vspace #15
+ \line { \fontsize #8 \bold \underline \xtitle }
+ \vspace #-0.1
+ \line { \fontsize #3 \sans \xcomp }
+ \vspace #3
+ \line { \fontsize #2 \sans \concat { "for " \xinst } }
+ }
+ }
+ \vspace #23.32
+ \fill-line {
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \line { \null }
+ \center-column {
+ \path #0.1
+ #'((moveto 0 0)
+ (curveto 1 0.3 3.6 1 4.2 1.6)
+ (moveto 0 0)
+ (curveto -1 0.3 -3.6 1 -4.2 1.6)
+ (moveto 0 0)
+ (curveto 0.9 0.3 2.9 1 3.5 1.7)
+ (moveto 0 0)
+ (curveto -0.9 0.3 -2.9 1 -3.5 1.7)
+ (moveto 0 0)
+ (curveto 0.8 0.3 2.2 1 2.8 1.8)
+ (moveto 0 0)
+ (curveto -0.8 0.3 -2.2 1 -2.8 1.8)
+ (moveto 0 0)
+ (curveto 0.6 0.3 1.5 1 2.1 1.9)
+ (moveto 0 0)
+ (curveto -0.6 0.3 -1.5 1 -2.1 1.9)
+ (moveto 0 0)
+ (curveto 0.4 0.3 0.8 1 1.4 2)
+ (moveto 0 0)
+ (curveto -0.4 0.3 -0.8 1 -1.4 2)
+ (moveto 0 0)
+ (curveto 0.2 0.3 0.5 1 0.7 2.1)
+ (moveto 0 0)
+ (curveto -0.2 0.3 -0.5 1 -0.7 2.1)
+ (moveto 0 0)
+ (lineto 0 2.2))
+ \vspace #-0.035
+ \override #'(height . 0.25) \draw-squiggle-line #1 #'(0 . 5) ##f
+ \vspace #-0.275
+ \line { \fontsize #1 \hbracket \sans \bold " umbel press " }
+ }
+ \line { \null }
+ }
+}
+++ /dev/null
-\version "2.22.2"
-\paper {
- #(set-paper-size "letter")
- print-all-headers = ##t
- top-margin = 0.8\cm
- bottom-margin = 0.8\cm
- left-margin = 2\cm
- right-margin = 2\cm
- indent = 1.3\cm
- short-indent = 0\cm
- #(define fonts
- (set-global-fonts
- #:music "haydn"
- #:brace "haydn"
- #:roman "Junicode"
- ))
- max-systems-per-page = #7
- system-system-spacing =
- #'((basic-distance . 5)
- (minimum-distance . 5)
- (padding . 8))
- score-system-spacing =
- #'((basic-distance . 4)
- (minimum-distance . 4)
- (padding . 5))
-}
+++ /dev/null
-\version "2.22.2" %piano piece doc structure file
-
-\book {
-\outcover
-\pageBreak
-\markup { \vspace #5 }
-\pageBreak
-\cover
-\pageBreak
-\front-matter
-\pageBreak
- \header {
- tagline = ##f
-}
-
-\score {
-\header {
-title = \markup { \fontsize #1 \xtitle }
-subtitle = \markup { \medium \italic \xsub }
-composer = \xcomp
-poet = \markup { "piano" }
-instrument = \markup { \italic "sequence" \number 1 \smaller \medium \italic " (sunwise)" }
-piece = \markup { \large { \bold "prelude" } }
-}
-\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui1" {
-\accidentalStyle forget
-<<
-\relative \voiceApre
->>
-}
-\new Staff = "di1" { \clef bass
-\accidentalStyle forget
-<<
-\relative \voiceBpre
->>
-}
->>
-\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
-}
-}
-\score {
-\header {
-piece = \markup { \large { \bold "panicle" } }
-}
-\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui2" {
-\accidentalStyle modern
-<<
-\relative \voiceAitwo
->>
-}
-\new Staff = "di2" { \clef bass
-\accidentalStyle modern
-<<
-\relative \voiceBitwo
->>
-}
->>
-%\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.break-visibility = ##(#f #f #f)
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
-}
-}
-
-\score {
-\header {
-piece = \markup { \large { \bold "circumnutation" } }
-}
-\new PianoStaff <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui3" {
-\accidentalStyle modern
-<<
-\relative \voiceAithree
-\\
-\relative \voiceDithree
-\\
-\relative \voiceBithree
-\\
-\relative \voiceCithree
->>
-}
-\new Staff = "di3" { \clef bass
-\accidentalStyle modern
-<<
-\relative \voiceEithree
-\\
-\relative \voiceGithree
-\\
-\relative \voiceFithree
->>
-}
->>
-%\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
-}
-}
-
-\pageBreak
-\score {
-\header {
-instrument = \markup { \italic "sequence" \number 2 \smaller \medium \italic " (counterclockwise)" }
-piece = \markup { \large { \bold "polar" } }
-}
-\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui19" {
-\accidentalStyle modern
-<<
-\relative \voiceAfour
->>
-}
-\new Staff = "di19" { \clef bass
-\accidentalStyle modern
-<<
-\relative \voiceBfour
->>
-}
->>
-%\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-}
-}
-}
-
-\pageBreak
-\score {
-\header {
-instrument = \markup { \italic "sequence" \number 5 \smaller \medium \italic " (sunwise)" }
-piece = \markup { \large { \bold "composite" } }
-}
-\new PianoStaff <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui13" {
-\accidentalStyle modern
-<<
-\relative \voiceAithrteen
-\\
-\relative \voiceBithrteen
->>
-}
-\new Staff = "di13" { \clef bass
-\accidentalStyle modern
-<<
-\relative \voiceCithrteen
-\\
-\relative \voiceDithrteen
-\\
-\relative \voiceEithrteen
->>
-}
->>
-%\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
-}
-}
-
-\pageBreak
-\score {
-\header {
-instrument = \markup { \italic "sequence" \number 7 \smaller \medium \italic " (sunwise)" }
-piece = \markup { \large { \bold "panicle" } }
-}
-\new PianoStaff <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui19" {
-\accidentalStyle modern
-<<
-\relative \voiceAnineteen
->>
-}
-\new Staff = "di19" { \clef bass
-\accidentalStyle modern
-<<
-\relative \voiceBnineteen
->>
-}
->>
-%%\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.break-visibility = ##(#f #f #f)
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
-}
-}
-
-\score {
-\header {
-piece = \markup { \large { \bold "cyme" } }
-}
-\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ut4" {
-\accidentalStyle modern
-<<
-\relative \voiceAtfour
-\\
-\relative \voiceBtfour
->>
-}
-\new Staff = "dt4" { \clef bass
-\accidentalStyle modern
-<<
-\relative \voiceCtfour
-\\
-\relative \voiceDtfour
->>
-}
->>
-%\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-}
-}
-}
-
-\score {
-\header {
-piece = \markup { \large { \bold "circumnutation" } }
-}
-\new PianoStaff <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui7" {
-\accidentalStyle modern
-<<
-\relative \voiceAisev
-\\
-\relative \voiceDisev
-\\
-\relative \voiceBisev
-\\
-\relative \voiceCisev
->>
-}
-\new Staff = "di7" { \clef bass
-\accidentalStyle modern
-<<
-\relative \voiceEisev
-\\
-\relative \voiceGisev
-\\
-\relative \voiceFisev
->>
-}
->>
-%\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
-}
-}
-}
+++ /dev/null
-\version "2.22.2" %sts paper file
-
-%------paper-block------
-\paper {
- first-page-number = -1
- print-page-number = ##f
- oddHeaderMarkup = \markup { \tiny { " " } }
- evenHeaderMarkup = \markup { \tiny { " " } }
- oddFooterMarkup = \markup {
- \concat { \on-the-fly #(on-page 3) \fill-line { \null \xcr \null } }
- \concat { \on-the-fly #(on-page 5) \oddfoot }
- \concat { \on-the-fly #(on-page 7) \oddfoot }
- \concat { \on-the-fly #(on-page 9) \oddfoot }
- \concat { \on-the-fly #(on-page 11) \oddfoot }
- \concat { \on-the-fly #(on-page 13) \oddfoot }
- \concat { \on-the-fly #(on-page 15) \oddfoot }
- \concat { \on-the-fly #(on-page 17) \oddfoot }
- \concat { \on-the-fly #(on-page 19) \oddfoot }
- \concat { \on-the-fly #(on-page 21) \oddfoot }
- \concat { \on-the-fly #(on-page 23) \oddfoot }
- \concat { \on-the-fly #(on-page 25) \oddfoot }
- \concat { \on-the-fly #(on-page 27) \oddfoot }
- }
- evenFooterMarkup = \markup {
- \concat { \on-the-fly #(on-page 2) \evfoot }
- \concat { \on-the-fly #(on-page 4) \evfoot }
- \concat { \on-the-fly #(on-page 6) \evfoot }
- \concat { \on-the-fly #(on-page 8) \evfoot }
- \concat { \on-the-fly #(on-page 10) \evfoot }
- \concat { \on-the-fly #(on-page 12) \evfoot }
- \concat { \on-the-fly #(on-page 14) \evfoot }
- \concat { \on-the-fly #(on-page 16) \evfoot }
- \concat { \on-the-fly #(on-page 18) \evfoot }
- \concat { \on-the-fly #(on-page 20) \evfoot }
- \concat { \on-the-fly #(on-page 22) \evfoot }
- \concat { \on-the-fly #(on-page 24) \evfoot }
- \concat { \on-the-fly #(on-page 26) \evfoot }
- \concat { \on-the-fly #(on-page 28) \evfoot }
- }
-
-}
+++ /dev/null
-\version "2.22.2"
-
-%texts
-xtitle = \markup { Fifteen Inventions }
-xsub = \markup { \null }
-xcomp = \markup { Tucker Johnson }
-xinst = \markup { piano }
-xdur = \markup { 20 minutes }
-xcr = \markup \tiny { Copyright Tucker Johnson MMXXII. All Rights Reserved }
-oddfoot = \markup { \fill-line { \null \center-column { \concat { " - " \fromproperty #'page:page-number-string " - " } \small { \xcomp } } \null } }
-evfoot = \markup { \fill-line { \null \center-column { \concat { " - " \fromproperty #'page:page-number-string " - " } \small { \xtitle } } \null } }
-finfoot = \markup { \fill-line { \null \center-column { \concat { " - " \fromproperty #'page:page-number-string " - " } \small \typewriter { "February 1st, 2022 - Rochester, New York" } } \null } }
-
-%music
-tmarkione = \tempo "Molto rubato"
-tmarksev = \tempo "Poco rubato" 4 = 46-52
-tmarktfour = \tempo "Tempo giusto" 4 = 60
-tmarktthree = \tempo "Presto" 4 = 165
-tmarktwo = \tempo "Allegro moderato" 4 = 103
-tmarkfive = \tempo "largo" 8 = 40
-bh = \break
-ds = #2.5
-sods = #3.4
-phds = #3.9
-dtim = \override Staff.TimeSignature.style = #'single-digit
-
-
-%notationmarks
-lsp = \once \override TextSpanner.bound-details.left.text = "sp"
-rsp = \once \override TextSpanner.bound-details.right.text = " sp"
-lst = \once \override TextSpanner.bound-details.left.text = "st"
-rst = \once \override TextSpanner.bound-details.right.text = " st"
-lord = \once \override TextSpanner.bound-details.left.text = "ord"
-rord = \once \override TextSpanner.bound-details.right.text = " ord"
+++ /dev/null
-\version "2.20.0" %back cover
-
-backcover = \markuplist { \fill-line {
- \line { \null }
- \center-column {
- \vspace #1
- \line { \hbracket \bold \concat { "about " \xcomp } }
- \vspace #1
- \xbio
- \vspace #1.3
- \line { ================================= }
- \vspace #1.3
- \override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(strftime "%m-%d-%Y" (localtime (current-time))), using LilyPond version 2.20.0. If you would like to view the most recent version of this score and the input documents that generated it, visit the repository at \bold https://github.com/tuckerjohnson/Settle-the-Score.}
- }
- \line { \null }
- }
-}
+++ /dev/null
-\version "2.20.0"
-
-xbio = \markup { \center-column { \override #'(line-width . 75) \justify \tiny { Currently based in Rochester, New York, Tucker Johnson's musical practice includes works for soloists, ensembles, and electronic media. }
- \vspace #0.8
- \override #'(line-width . 75) \justify \tiny { His music has been programmed and honored at festivals and events, including the inaugural Dot-The- Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound, NYC), Shastra Rhythm Workshop, 2018 MCS Elements showcase, and the National Young Composers' Challenge. In addition, Tucker received two awards for Outstanding Undergraduate Research at Penn State: the Peter T. Luckie Award in the spring of 2020 (a presence within reassembly) and the First Place Oral Presentation in 2021 (Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears). Interested in interdisciplinary practice, He served as a collaborative creator in a workshop with artist Nick Cave and the "Music for the Visible Turn" concert at the University of South Florida Contemporary Art Museum in 2019. }
- \vspace #0.8
- \override #'(line-width . 75) \justify \tiny { He seeks to draw connections between philosophy, mathematics, and design through his work. These ideas are often synthesized through a blend of experimentation and highly organized systems. Recent explorations in Tucker's music have included prescriptive applications of mathematical relationships/number sequences, the reorganization of improvised materials, and 12-tone structures. Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside interests in visual art, open-source software, and teaching. }
- \vspace #0.8
- \override #'(line-width . 75) \justify \tiny { A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts. From 2017-2019 he served as a production team member, librarian, and logistics coordinator for the New Music Consortium at the University of South Florida, a student organization dedicated to the performance and promotion of new music. Tucker helped coordinate the 2018 USF New Music Festival, the 2019 International Call for Scores, and several other events during his time with the organization. In 2020 he helped to relaunch Penn State's Living Music student organization. As president of Living Music, he coordinated several guest lectures, a weekly radio show, and the inaugural Penn State International New Music Festival. In Fall of 2021, he began co-hosting and producing the monthly podcast Earshot for Contemporary Art Music Project (CAMP). }
- \vspace #0.8
- \override #'(line-width . 75) \justify \tiny { Tucker received the BM in music composition from the Pennsylvania State University, where his composition teachers were Baljinder Sekhon and Steven Rice. He previously studied with Susanna Hancock and Paul Reller at the University of South Florida. Tucker is pursuing the MA in music composition at the Eastman School of Music, where he serves as a teaching assistant for the Eastman Audio Research Studio. There he studies with Robert Morris, David Liptak, and Matt Barber. }
-}
-}
+++ /dev/null
-\version "2.20.0" %front matter
-
-front-matter = \markuplist {
- \fill-line {
- \left-column {
- \line { \bold \xtitle " [2022]" }
- \line { \xinst " | " \xdur }
- \line { \xcomp }
- \vspace #25
-
- }
- \center-column {
-
- \vspace #7
- \line { \hbracket \bold "program notes" }
- \vspace #0.2
- \xpnote
- \vspace #0.5
- \line { ================================= }
- \vspace #0.5
- \fill-line { \column { \null }
- \left-column { \line { \italic "sequence 1" }
- \line { \bold "1 prelude" }
- \line { \bold "2 panicle" }
- \line { \bold "3 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 2" }
- \line { \bold "4 polar" }
- \line { \bold "5 panicle" }
- \line { \bold "6 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 3" }
- \line { \bold "7 cyme" }
- \line { \bold "8 polar" }
- \line { \bold "9 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 4" }
- \line { \bold "10 panicle" }
- \line { \bold "11 composite" }
- \line { \bold "12 circumnutation" }
- \vspace #0.2
- }
- \left-column {
- \line { \italic "sequence 5" }
- \line { \bold "13 composite" }
- \line { \bold "14 polar" }
- \line { \bold "15 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 6" }
- \line { \bold "16 cyme" }
- \line { \bold "17 pappus" }
- \line { \bold "18 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 7" }
- \line { \bold "19 panicle" }
- \line { \bold "20 cyme" }
- \line { \bold "21 circumnutation" }
- }
- \column { \null }
- }
- \vspace #0.5
- \line { ================================= }
- \vspace #1.5
- }
- }
- \column { \null }
- }
+++ /dev/null
-\version "2.20.0" %inside cover
-
-cover = \markuplist {
- \fill-line {
- \line { \null }
- \center-column {
- \vspace #10
- \line { \hbracket \fontsize #10 \number 2022 }
- \vspace #4
- \line { \xcomp }
- \vspace #1
- \line { \fontsize #5 \bold \xtitle }
- \line { \italic \xsub }
- \vspace #4
- }
- \right-column {
- \line { \null }
- }
- }
- }
+++ /dev/null
-\version "2.20.0" % outside cover
-
-outcover = \markup {
- \center-column {
- \vspace #13
- %\general-align #Y #DOWN { \epsfile #X #108.6 #"lilypond-files/front-matter/sts-cover-all.eps"}
- }
-}
+++ /dev/null
-\version "2.20.0"
-
-xpnote = \markup { \override #'(line-width . 90) \justify { \bold \italic "Fifteen Inventions" is a modular, multi-movement work for piano. The inventions are organized into seven, three-movement groups called sequences. These sequences can be played in any combination. I constructed each of the short inventions from one to seven contrapuntal strands. Inventions which share the same number of these strands are composed out in a similar fashion, and thus share a title. }}
+++ /dev/null
-\version "2.22.2"
-
-voiceAithrteen = { \tmarkfive
-\time 2/4 c'''2 |
-c2 |
-\time 7/16 g4. g16 |
-\time 7/8 gis4. dis2 |
-}
-
-voiceBithrteen = { \tmarkfive
-\time 2/4 e''2 |
-d2 |
-\time 7/16 b4. c16 |
-\time 7/8 a4. fis2 |
-}
-
-voiceCithrteen = { \tmarkfive
-\time 2/4 <g f>2 |
-<a f>2 |
-\time 7/16 <f e>4. <e d>16 |
-\time 7/8 b'4. b2 |
-}
-
-voiceDithrteen = { \tmarkfive
-\time 2/4 s2 |
-s2 |
-\time 7/16 s4. s16 |
-\time 7/8 s4. s2
-}
-
-voiceEithrteen = { \tmarkfive
-\time 2/4 \stemDown b,2 |
-b2 |
-\time 7/16 a4. a16 |
-\time 7/8 <cis e>4. <cis e>2 |
-}
+++ /dev/null
-\version "2.22.2" %invention 1 manuscript:
-
-\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
-\set PianoStaff.connectArpeggios = ##t
-\override PianoStaff.Arpeggio.arpeggio-direction = #UP
-\new Staff = "ui1" {
- \accidentalStyle modern-cautionary
- <<
- \relative { \tempo "Presto"
- \time 7/16 s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 |
- s16 s16 s16 s16 s16 s16 s16 \bar "|."
- }
- >>
-}
-\new Staff = "di1" { \clef bass
- \accidentalStyle modern-cautionary
- <<
- \relative { \tempo "Presto"
- \time 7/16 e,16[\p fis g a b c d] |
- ees16[ f aes bes \change Staff = "ui1" des ces \change Staff = "di1" ges] |
- f16[ ees d c bes aes g] |
- e16[ cis a b dis fis gis] |
- a16[ bes c d e f g] |
- \change Staff = "ui1" des'[ ees c \change Staff = "di1" bes aes g f] |
- fis[ e d cis b a g] |
- gis[ a b cis d e fis] |
- bes[ c \change Staff = "ui1" ees f ges des \change Staff = "di1" aes] |
- g[ f ees d c bes a] |
- b[ e, dis fis gis ais cis] |
- d[ e f g a b c] \bar "|."
- }
->>
-}
->>
-\midi { }
-\layout {
-\context {
-\Score
-\override BarNumber.font-size = #1
-\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
-\override TimeSignature.stencil = ##f
-}
-}
+++ /dev/null
-\version "2.20.0" %Invention 2 manuscript:
-
-utwo = \change Staff = "ui2"
-dtwo = \change Staff = "di2"
-
-voiceAitwo = { \tmarktthree
-\omit Staff.BarLine
-\override Staff.BarLine.allow-span-bar = ##f
-\override DynamicLineSpanner.staff-padding = \phds
-\time 7/8 c'8[\offset X-offset #-2.5 \f d-- e f->-. \change Staff = "di2" g,-. a-. b-.] |
-b8[-. \change Staff = "ui2" c-.\> d-. e-. f-. g-. a->-.] |
-e[-.-> f-.\mp g a \change Staff = "di2" bes,, \change Staff = "ui2" c''-. \change Staff = "di2" d,,] |
-\change Staff = "ui2" c''-.[ \change Staff = "di2" d,,-. \utwo ees''-. \dtwo f,,-. g-. \utwo aes''-. bes,-.->] |
-\stemUp \dtwo e,,-.[ \utwo f''-. g,-.-> \dtwo a,-. \utwo bes''-. \dtwo c,, \utwo d''-.] |
-\dtwo b,,[ cis d \utwo e-.\> fis-. g-.-> a-.] |
-\stemNeutral a-.[ b-. c-.-> d-. e-. f-. g-.]\p |
-\dtwo g,,,[ \utwo aes'''-. bes,-.-> \dtwo c,, des-. \utwo ees''' f] |
-\dtwo bes,,,,-.[\> \utwo c'''-. des-. \dtwo ees,,,-. f-. \utwo ges''-.-> aes-.] |
-fis-.[ \dtwo gis,,-.\mp \utwo ais''-. \dtwo b,,,, cis' \utwo dis''-.-> \dtwo e,,] |
-cis,-.[ \utwo dis'''-.-> \dtwo e,,-. fis,-. gis'-. a,-. b'-.] |
-a,-.[ b'-. \utwo cis' d, \dtwo e,,-. \utwo fis''-. \dtwo g,,-.] |
-g-.[ \utwo a''-. b-.-> \dtwo c,, d, \utwo e''' \dtwo f,,-.] |
-\utwo f''[ \dtwo g,,-. \utwo a''-. bes,-.-> c'-. \dtwo d,,,-. ees-.] |
-aes-.[ bes-. \utwo c''-. d-. ees,-.-> \dtwo f,,, \utwo \ottava 1 g''''-.] \ottava 0 |
-\dtwo fis,,,,[ gis-. ais-. \utwo \ottava 1 b''''-. \ottava 0 \dtwo cis,,,, \utwo dis''-.-> \dtwo e,,] |
-\utwo e''-.->[ \dtwo fis,,-. gis-. ais,-. b'-. cis,-. dis-.] |
-c-.[ \utwo d'-. e'-.-> \dtwo fis,,,, g a'' b] |
-\utwo c-.[ d-. e-. fis'-.-> \dtwo g,,,,-. a-.\offset Y-offset #-1.7 \> b-.] |
-\utwo f'''-.[ g-. a^\markup { \italic "molto rit." } b \dtwo c,,,-. d-. e-.]\offset Y-offset #-1.7 \pp \utwo \bar "|." \undo \omit Staff.BarLine \once \override Staff.BarLine.allow-span-bar = ##t }
-
-voiceBitwo = { \tmarktthree \set tieWaitForNote = ##t \override TimeSignature.stencil = ##f \override Staff.BarLine.stencil = ##f
-\time 7/8 \utwo \stemDown c'4_( e8_._) \dtwo s8 s8 s8 s8 |
-s1*7/8 |
-s4 \utwo \stemUp g8^([^\f a8^.]^) \dtwo \stemDown bes,,4_(\f d8_._) |
-s1*7/8 |
-s4. s4 c'4_( |
-b8_._) cis8_([ d8_.]_) s8 s4. |
-s1*7/8 |
-g,,4._(\ff c8_._) s8 \utwo \stemUp ees'''8^([ f8^.]^) |
-\dtwo s1*7/8 |
-\stemDown s8 s8 s8 b,,,,,8_(\f cis'4 e8_._)|
-s8 s8 s8\> s8 s8 s8 s8 |
-s8 s8\p \utwo cis''8_>_([ d,8_._)] s4. |
-s4. \dtwo c,8_([\ff d,_._)] \utwo \stemUp e'''4^( |
-f8^.^) \dtwo s8 s4 s8\> s8 s8 |
-s4 s8\p s4 \stemDown f,,,4_(\f |
-fis8_._) s8 s8 s8 cis'4_( e8_._) |
-s8 s8\> s8 s8 s8 s8 s8 |
-s8\pp s4 fis,,8_([\ff g_._)] a''_([ b_._)] |
-s1*7/8 |
-\utwo s4 \stemUp a'8~[ b~^>] <a b>4.\offset X-offset #3.5 ^\markup "attacca" \dtwo | \revert Staff.BarLine.stencil }
+++ /dev/null
-\version "2.20.0" %Cor Anglais Settle the Score manuscript:
-
-voiceAithree = { \tmarksev \dtim \override TextSpanner.bound-details.left.text = "poco rit."
-\time 7/4 s1*7/4 |
-\time 6/4 d''1. |
-\time 5/4 s1*5/4 |
-\time 4/4 \stemUp s2 ees2 |
-\time 2/4 s4 f4 |
-\time 3/4 f4( g a) |
-s4 bes( c) |
-\time 2/4 s1*2/4 |
-\time 3/4 s1*3/4 |
-\time 4/4 s1 |
-\stemDown cis4^( b ais gis^) |
-\time 5/4 s1*5/4 |
-\time 3/4 s1*3/4 |
-\time 2/4 \stemUp fis4^( e^) |
-\time 4/4 dis1\arpeggio \bar "|." }
-
-
-voiceBithree = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 6/4 s1*6/4 |
-\time 5/4 s1*5/4 |
-\time 4/4 s1 |
-\time 2/4 \stemDown <bes' gis>4_( <c fis,>_) |
-\time 3/4 s4 s4 d4_( |
-e f g_) |
-\time 2/4 \stemUp fis2 |
-\time 3/4 s4 fis4^( e^) |
-\time 4/4 s4 dis2^( cis4^) |
-s1 |
-\time 5/4 s1*5/4 |
-\time 3/4 s4 b2 |
-\time 2/4 \stemDown a2 |
-\time 4/4 s1 \bar "|." }
-
-
-
-voiceCithree = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 6/4 \stemDown e'4( f g a b c) |
-\time 5/4 s1*5/4 |
-\time 4/4 d1 |
-\time 2/4 s1*2/4 |
-\time 3/4 s1*3/4 |
-s1*3/4 |
-\time 2/4 ees2 |
-\time 3/4 s4 ees4_( des_) |
-\time 4/4 s4 c2. |
-s1 |
-\time 5/4 s1*5/4 |
-\time 3/4 bes4_( aes ges_) |
-\time 2/4 s1*1/2 |
-\time 4/4 <f g>1\arpeggio \bar "|." }
-
-
-voiceDithree = { \tmarksev \dtim
-\time 7/4 \stemNeutral cis''4(\mp b ais gis fis e dis) |
-\time 6/4 s1*6/4 |
-\time 5/4 s1*5/4 |
-\time 4/4 s1 |
-\time 2/4 s1*2/4 |
-\time 3/4 s1*3/4 |
-s1*3/4 |
-\time 2/4 \change Staff = "di3" \stemUp e2 |
-\time 3/4 s1*3/4 |
-\time 4/4 s1 |
-s1 |
-\time 5/4 \change Staff = "ui3" d4^( cis \change Staff = "di3" b a g^) |
-\time 3/4 s1*3/4 |
-\time 2/4 g2 |
-\time 4/4 fis1\arpeggio \bar "|." }
-
-
-voiceEithree = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 6/4 s1*6/4 |
-\time 5/4 s1 \change Staff = "ui3" \stemUp a'4 |
-\time 4/4 s1 |
-\time 2/4 s1*2/4 |
-\time 3/4 s4 \change Staff = "di3" e2( |
-d2.) |
-\time 2/4 \stemDown cis4 \stemUp <bes aes> |
-\time 3/4 s1*3/4 |
-\time 4/4 \stemDown bes4( aes g f) |
-s1 |
-\time 5/4 s1*5/4 |
-\time 3/4 f4( ees des) |
-\time 2/4 s1*1/2 |
-\time 4/4 c1\arpeggio \bar "|." }
-
-
-voiceFithree = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 6/4 s1*6/4 |
-\time 5/4 \change Staff = "ui3" \stemDown g'4( f e d c) |
-\time 4/4 s4 s4 s4 \change Staff = "di3" \stemUp c4 |
-\time 2/4 s1*2/4 |
-\time 3/4 s4 \stemDown bes2 |
-s4 s4 bes4 |
-\time 2/4 s1*2/4 |
-\time 3/4 s1*3/4 |
-\time 4/4 s1 |
-ges4( f ees2) |
-\time 5/4 s1*5/4 |
-\time 3/4 s1*3/4 |
-\time 2/4 des4_( \stemUp ces_) |
-\time 4/4 bes1\arpeggio \bar "|." }
-
-
-voiceGithree = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 6/4 s1*6/4 |
-\time 5/4 bes4~ 1 |
-\time 4/4 \stemDown bes4( aes g f |
-\time 2/4 ees des) |
-\time 3/4 s2 c4 |
-s1*3/4 |
-\time 2/4 s4 b4 |
-\time 3/4 \stemUp b4_( a gis) |
-\time 4/4 s1 |
-s1 |
-\time 5/4 \stemDown fis1( e4) |
-\time 3/4 s1*3/4 |
-\time 2/4 s4 e4 |
-\time 4/4 cis1\arpeggio \bar "|." }
-
-
-
+++ /dev/null
-\version "2.22.2"
-
-voiceAfour = { \tmarktwo
-\time 4/4 d''2 \tuplet 3/2 { r16 b16_( a16 } g16 a16 g8_) e'8~ |
-e2 cis4-> fis4-> |
-ees2 r32 c32( bes32 c32 bes16 aes16-.) r8 f'8~ |
-f4 d2-> g4-> |
-e4~ e16 cis( b a b a16-.) r8 r16 fis'16-. r8 |
-r4 dis4-> gis2-> |
-f4. \tuplet 3/2 { d16( c16 bes16-.) } r8 g'8~ g4 |
-e2.-> a4-> |
-r8 dis,8-. cis8-. b-.
-}
-
-
-voiceBfour = { \tmarktwo
-\time 4/4 r2 c4-> f4-> |
-e4.( d8-.) \tuplet 3/2 { r16 b16( a16 } g16 a16 g4~ |
-g2) des'4-> ges4-> |
-f8( ees8~ ees4) r32 c32( bes32 c32 bes16 aes16-.) r4 |
-r4 d2-> g4-> |
-fis16( e8.~ e16) cis( b a b a16-.) r8 r4 |
-r4 ees'4-> aes2-> |
-\acciaccatura g8 f4. \tuplet 3/2 { d16( c16 bes16-.) } r2 |
-e2.-> a4-> |
-}
+++ /dev/null
-\version "2.22.2"
-
-unt = \change Staff = "ui19"
-dnt = \change Staff = "di19"
-
-voiceAnineteen = { \tmarktthree
-\time 7/8 s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 \bar "|." }
-
-voiceBnineteen = { \tmarktthree
-\time 7/8 s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 |
-s1*7/8 | }
+++ /dev/null
-\version "2.20.0" %Cor Anglais Settle the Score manuscript:
-
-voiceAtfour = { \tmarktfour
-\time 4/4 s4 \clef bass \tuplet 3/2 { r8 dis8-.-> r8 } s2 |
-s4 fis'8-.\p r8 s2 |
-r16 b,16-.\p r8 s4 r16 ges16-.->\f s8 s4 |
-s4 r8. b16-.->\f s2 |
-s4 r16 des16-.->^\f s8 s2 |
-s1 |
-s2. s4 \offset Y-offset 2 \fermata \bar "|." }
-
-
-voiceBtfour = { \tmarktfour
-\time 4/4 s4 cis4(\mf e4~ e16 gis8.~ |
-gis4) s8 r8 \tuplet 3/2 { gis8~^(\mf <gis ais>8~ <gis~ ais~ b^~>8 } <gis ais b>4) |
-r16 s16 r8 ees8^(\mf des16~ <des~ f^~>16 <des f>2) |
-\tuplet 3/2 { fis16^(\mf gis16~ <gis~ ais^~>16 } <gis~ ais^~>8 <gis ais>2.) \clef treble |
-r8 c8~(\mf c4 ees4~ <ees g>4) |
-\stemNeutral a4~-> a8.. b32( cis2) |
-\tuplet 3/2 { d4~^( <d~ e>4 <d~ fis^~>4 } <d~ fis^~>4 <d\laissezVibrer fis^\laissezVibrer>4) \offset X-offset 4 ^\markup {"attacca"} }
-
-
-voiceCtfour = { \tmarktfour
-\time 4/4 s1 |
-s2 s4 r8 cis8_._>\f |
-s1 |
-s2 s4 \tuplet 3/2 { r8 e8_.\p r8 } |
-s2. r8 aes,8_.\p |
-r2 s4 r16 s8. |
-s4 r8 s8 s4 s4 \offset Y-offset 2 \fermata | }
-
-
-voiceDtfour = { \tmarktfour
-\time 4/4 \change Staff = "ut4" \stemUp a'16-. \offset Y-offset -2 \p \change Staff = "dt4" b,,8.~(\mp \stemNeutral b4~ b8 fis8~ fis4) |
-\tuplet 3/2 { dis8^( e4~ } e2) r8 s8 |
-bes'2.(\mp aes4~ |
-aes2) \stemDown \tuplet 3/2 { cis4~^( <cis~ dis^~>8 } <cis dis>4) |
-\tuplet 5/4 { bes8^~^(\mp <bes^~ f~>8. } <bes f>2.) |
-r2 \tuplet 3/2 { r8 d,8^. \change Staff = "ut4" e''8^.^> \offset Y-offset 2.6 ^\f } \change Staff = "dt4" r16 \stemNeutral fis,,8(\mp gis16~ |
-gis4) r8 g,8_.\p a''16^.^>^\f b,16(\mp cis8~ cis4\laissezVibrer) | }
-
+++ /dev/null
-\version "2.20.0" %Cor Anglais Settle the Score manuscript:
-
-voiceAisev = { \tmarksev \dtim \override TextSpanner.bound-details.left.text = "poco rit."
-\time 7/4 s1*7/4 |
-\time 3/4 \stemUp e''''4(^\markup { \tiny \bold E } d c) |
-\time 5/4 s2. c2^\markup { \tiny \bold C } |
-\time 4/4 s2 bes2(^\markup { \tiny \bold Bb } |
-\time 2/4 a2) |
-\time 5/4 s1*5/4 |
-\time 6/4 s1 g2(^\markup { \tiny \bold G } |
-\time 3/4 f4) dis2 |
-s1*3/4 |
-s4 <cis gis>2 |
-\time 4/4 s1 |
-cis4( b a gis |
-\time 2/4 fis2)\startTextSpan |
-\time 3/4 s2 s8 s8\stopTextSpan |
-\time 4/4 e1 \offset Y-offset 2 \fermata \arpeggio \bar "|." }
-
-
-voiceBisev = { \tmarksev \dtim
-\time 7/4 \stemDown cis'''4^(\mp b a g fis e d) |
-\time 3/4 s2 <b' fis>4_( |
-\time 5/4 a g f e d) |
-\time 4/4 <c d>1 |
-\time 2/4 \stemUp s4 gis'4 |
-\time 5/4 s1*5/4 |
-\time 6/4 s1*6/4 |
-\time 3/4 s1*3/4 |
-s1*3/4 |
-s1*3/4 |
-\time 4/4 s1 |
-\stemDown s2 fis4_( e) |
-\time 2/4 s1*2/4 |
-\time 3/4 \stemUp d4( cis b) |
-\time 4/4 a1 \arpeggio \bar "|." }
-
-
-voiceCisev = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 3/4 s1*3/4 |
-\time 5/4 s1*5/4 |
-\time 4/4 s1 |
-\time 2/4 s4 <d'' e>4 |
-\time 5/4 s1*5/4 |
-\time 6/4 s1*6/4 |
-\time 3/4 s1*3/4 |
-\stemUp e2^( d4) |
-\stemDown c2_( bes4) |
-\time 4/4 s1 |
-s1 |
-\time 2/4 a4( \stemUp g) |
-\time 3/4 s1*3/4 |
-\time 4/4 f1 \arpeggio \bar "|." }
-
-
-voiceDisev = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 3/4 s1*3/4 |
-\time 5/4 s1*5/4 |
-\time 4/4 s1*4/4 |
-\time 2/4 s1*2/4 |
-\time 5/4 g''4^( f ees des c) |
-\time 6/4 s1*6/4 |
-\time 3/4 s2 bes4( |
-aes2) fis4 |
-s1*3/4 |
-\time 4/4 \stemUp e4( d2 c4) |
-s1 |
-\time 2/4 s4 \stemDown b4 |
-\time 3/4 \stemUp \change Staff = "di7" s2 a4 |
-\time 4/4 g1 \arpeggio \bar "|." }
-
-
-voiceEisev = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 3/4 s1*3/4 |
-\time 5/4 s4 b1 |
-\time 4/4 s1*4/4 |
-\time 2/4 b2 |
-\time 5/4 s1*5/4 |
-\time 6/4 s1*6/4 |
-\time 3/4 s1*3/4 |
-s1*3/4 |
-s1*3/4 |
-\time 4/4 \stemDown b4( a g f) |
-s1 |
-\time 2/4 \stemUp e4( d) |
-\time 3/4 s1*3/4 |
-\time 4/4 c1 \arpeggio \bar "|." }
-
-
-voiceFisev = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 3/4 a2. |
-\time 5/4 s1*5/4 |
-\time 4/4 s1*4/4 |
-\time 2/4 \stemDown cis,4 fis4 |
-\time 5/4 s1*5/4 |
-\time 6/4 \stemUp fis4^( e d c b a |
-\time 3/4 g) a2 |
-s1*3/4 |
-g4_( f ees) |
-\time 4/4 s1 |
-s4 d2. |
-\time 2/4 \stemDown s4 c4 |
-\time 3/4 s1*3/4 |
-\time 4/4 bes1 \arpeggio \bar "|." }
-
-
-voiceGisev = { \tmarksev \dtim
-\time 7/4 s1*7/4 |
-\time 3/4 s4 g,,2_\markup { \tiny \bold G } |
-\time 5/4 s1*5/4 |
-\time 4/4 \stemUp ees4(_\markup { \tiny \bold Eb } f g aes) |
-\time 2/4 s1*2/4 |
-\time 5/4 \stemDown aes2( bes2.) |
-\time 6/4 s1*6/4 |
-\time 3/4 s4 c4( d) |
-cis( b a) |
-s1*3/4 |
-\time 4/4 s1 |
-s1 |
-\time 2/4 s1*2/4 |
-\time 3/4 g4(_\markup { \tiny \bold G } fis e) |
-\time 4/4 d1 \arpeggio \bar "|." }
-
-
--- /dev/null
+%fifteen inventions project
+\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
+\set PianoStaff.connectArpeggios = ##t
+\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+\new Staff = "ut4" {
+\accidentalStyle modern
+<<
+\relative { \tmarktfour
+\time 4/4 s4 \clef bass \tuplet 3/2 { r8 dis8-.-> r8 } s2 |
+s4 fis'8-.\p r8 s2 |
+r16 b,16-.\p r8 s4 r16 ges16-.->\f s8 s4 |
+s4 r8. b16-.->\f s2 |
+s4 r16 des16-.->^\f s8 s2 |
+s1 |
+s2. s4 \offset Y-offset 2 \fermata \bar "|." }
+\\
+\relative { \tmarktfour
+\time 4/4 s4 cis4(\mf e4~ e16 gis8.~ |
+gis4) s8 r8 \tuplet 3/2 { gis8~^(\mf <gis ais>8~ <gis~ ais~ b^~>8 } <gis ais b>4) |
+r16 s16 r8 ees8^(\mf des16~ <des~ f^~>16 <des f>2) |
+\tuplet 3/2 { fis16^(\mf gis16~ <gis~ ais^~>16 } <gis~ ais^~>8 <gis ais>2.) \clef treble |
+r8 c8~(\mf c4 ees4~ <ees g>4) |
+\stemNeutral a4~-> a8.. b32( cis2) |
+\tuplet 3/2 { d4~^( <d~ e>4 <d~ fis^~>4 } <d~ fis^~>4 <d\laissezVibrer fis^\laissezVibrer>4) \offset X-offset 4 ^\markup {"attacca"} }
+>>
+}
+\new Staff = "dt4" { \clef bass
+\accidentalStyle modern
+<<
+\relative { \tmarktfour
+\time 4/4 s1 |
+s2 s4 r8 cis8_._>\f |
+s1 |
+s2 s4 \tuplet 3/2 { r8 e8_.\p r8 } |
+s2. r8 aes,8_.\p |
+r2 s4 r16 s8. |
+s4 r8 s8 s4 s4 \offset Y-offset 2 \fermata | }
+\\
+\relative { \tmarktfour
+\time 4/4 \change Staff = "ut4" \stemUp a'16-. \offset Y-offset -2 \p \change Staff = "dt4" b,,8.~(\mp \stemNeutral b4~ b8 fis8~ fis4) |
+\tuplet 3/2 { dis8^( e4~ } e2) r8 s8 |
+bes'2.(\mp aes4~ |
+aes2) \stemDown \tuplet 3/2 { cis4~^( <cis~ dis^~>8 } <cis dis>4) |
+\tuplet 5/4 { bes8^~^(\mp <bes^~ f~>8. } <bes f>2.) |
+r2 \tuplet 3/2 { r8 d,8^. \change Staff = "ut4" e''8^.^> \offset Y-offset 2.6 ^\f } \change Staff = "dt4" r16 \stemNeutral fis,,8(\mp gis16~ |
+gis4) r8 g,8_.\p a''16^.^>^\f b,16(\mp cis8~ cis4\laissezVibrer) | }
+>>
+}
+>>
+%\midi { }
+\layout {
+\context {
+\Score
+\override BarNumber.font-size = #1
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+}
+}
--- /dev/null
+%fifteen inventions project
+\new PianoStaff <<
+\set PianoStaff.connectArpeggios = ##t
+\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+\new Staff = "ui7" {
+\accidentalStyle modern
+<<
+\relative { \tmarksev \dtim \override TextSpanner.bound-details.left.text = "poco rit."
+\time 7/4 s1*7/4 |
+\time 3/4 \stemUp e''''4(^\markup { \tiny \bold E } d c) |
+\time 5/4 s2. c2^\markup { \tiny \bold C } |
+\time 4/4 s2 bes2(^\markup { \tiny \bold Bb } |
+\time 2/4 a2) |
+\time 5/4 s1*5/4 |
+\time 6/4 s1 g2(^\markup { \tiny \bold G } |
+\time 3/4 f4) dis2 |
+s1*3/4 |
+s4 <cis gis>2 |
+\time 4/4 s1 |
+cis4( b a gis |
+\time 2/4 fis2)\startTextSpan |
+\time 3/4 s2 s8 s8\stopTextSpan |
+\time 4/4 e1 \offset Y-offset 2 \fermata \arpeggio \bar "|." }
+\\
+\relative { \tmarksev \dtim
+\time 7/4 s1*7/4 |
+\time 3/4 s1*3/4 |
+\time 5/4 s1*5/4 |
+\time 4/4 s1*4/4 |
+\time 2/4 s1*2/4 |
+\time 5/4 g''4^( f ees des c) |
+\time 6/4 s1*6/4 |
+\time 3/4 s2 bes4( |
+aes2) fis4 |
+s1*3/4 |
+\time 4/4 \stemUp e4( d2 c4) |
+s1 |
+\time 2/4 s4 \stemDown b4 |
+\time 3/4 \stemUp \change Staff = "di7" s2 a4 |
+\time 4/4 g1 \arpeggio \bar "|." }
+\\
+\relative { \tmarksev \dtim
+\time 7/4 \stemDown cis'''4^(\mp b a g fis e d) |
+\time 3/4 s2 <b' fis>4_( |
+\time 5/4 a g f e d) |
+\time 4/4 <c d>1 |
+\time 2/4 \stemUp s4 gis'4 |
+\time 5/4 s1*5/4 |
+\time 6/4 s1*6/4 |
+\time 3/4 s1*3/4 |
+s1*3/4 |
+s1*3/4 |
+\time 4/4 s1 |
+\stemDown s2 fis4_( e) |
+\time 2/4 s1*2/4 |
+\time 3/4 \stemUp d4( cis b) |
+\time 4/4 a1 \arpeggio \bar "|." }
+\\
+\relative { \tmarksev \dtim
+\time 7/4 s1*7/4 |
+\time 3/4 s1*3/4 |
+\time 5/4 s1*5/4 |
+\time 4/4 s1 |
+\time 2/4 s4 <d'' e>4 |
+\time 5/4 s1*5/4 |
+\time 6/4 s1*6/4 |
+\time 3/4 s1*3/4 |
+\stemUp e2^( d4) |
+\stemDown c2_( bes4) |
+\time 4/4 s1 |
+s1 |
+\time 2/4 a4( \stemUp g) |
+\time 3/4 s1*3/4 |
+\time 4/4 f1 \arpeggio \bar "|." }
+>>
+}
+\new Staff = "di7" { \clef bass
+\accidentalStyle modern
+<<
+\relative { \tmarksev \dtim
+\time 7/4 s1*7/4 |
+\time 3/4 s1*3/4 |
+\time 5/4 s4 b1 |
+\time 4/4 s1*4/4 |
+\time 2/4 b2 |
+\time 5/4 s1*5/4 |
+\time 6/4 s1*6/4 |
+\time 3/4 s1*3/4 |
+s1*3/4 |
+s1*3/4 |
+\time 4/4 \stemDown b4( a g f) |
+s1 |
+\time 2/4 \stemUp e4( d) |
+\time 3/4 s1*3/4 |
+\time 4/4 c1 \arpeggio \bar "|." }
+\\
+\relative { \tmarksev \dtim
+\time 7/4 s1*7/4 |
+\time 3/4 s4 g,,2_\markup { \tiny \bold G } |
+\time 5/4 s1*5/4 |
+\time 4/4 \stemUp ees4(_\markup { \tiny \bold Eb } f g aes) |
+\time 2/4 s1*2/4 |
+\time 5/4 \stemDown aes2( bes2.) |
+\time 6/4 s1*6/4 |
+\time 3/4 s4 c4( d) |
+cis( b a) |
+s1*3/4 |
+\time 4/4 s1 |
+s1 |
+\time 2/4 s1*2/4 |
+\time 3/4 g4(_\markup { \tiny \bold G } fis e) |
+\time 4/4 d1 \arpeggio \bar "|." }
+\\
+\relative { \tmarksev \dtim
+\time 7/4 s1*7/4 |
+\time 3/4 a2. |
+\time 5/4 s1*5/4 |
+\time 4/4 s1*4/4 |
+\time 2/4 \stemDown cis,4 fis4 |
+\time 5/4 s1*5/4 |
+\time 6/4 \stemUp fis4^( e d c b a |
+\time 3/4 g) a2 |
+s1*3/4 |
+g4_( f ees) |
+\time 4/4 s1 |
+s4 d2. |
+\time 2/4 \stemDown s4 c4 |
+\time 3/4 s1*3/4 |
+\time 4/4 bes1 \arpeggio \bar "|." }
+>>
+}
+>>
+%\midi { }
+\layout {
+\context {
+\Score
+\override BarNumber.font-size = #1
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+\override TimeSignature.stencil = ##f
+}
+}
--- /dev/null
+%fifteen inventions project
+
+\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
+\set PianoStaff.connectArpeggios = ##t
+\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+\new Staff = "ui1" {
+ \accidentalStyle modern-cautionary
+ <<
+ \relative { \tempo "Presto"
+ \time 7/16 s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 \bar "|."
+ }
+ >>
+}
+\new Staff = "di1" { \clef bass
+ \accidentalStyle modern-cautionary
+ <<
+ \relative { \tempo "Presto"
+ \time 7/16 e,16[\p fis g a b c d] |
+ ees16[ f aes bes \change Staff = "ui1" des ces \change Staff = "di1" ges] |
+ f16[ ees d c bes aes g] |
+ e16[ cis a b dis fis gis] |
+ a16[ bes c d e f g] |
+ \change Staff = "ui1" des'[ ees c \change Staff = "di1" bes aes g f] |
+ fis[ e d cis b a g] |
+ gis[ a b cis d e fis] |
+ bes[ c \change Staff = "ui1" ees f ges des \change Staff = "di1" aes] |
+ g[ f ees d c bes a] |
+ b[ e, dis fis gis ais cis] |
+ d[ e f g a b c] \bar "|."
+ }
+>>
+}
+>>
+%\midi { }
+\layout {
+\context {
+\Score
+\override BarNumber.font-size = #1
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+\override TimeSignature.stencil = ##f
+}
+}
--- /dev/null
+%fifteen inventions project
+\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
+\set PianoStaff.connectArpeggios = ##t
+\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+\new Staff = "ui2" {
+\accidentalStyle modern
+<<
+\relative { \tmarktthree
+\omit Staff.BarLine
+\override Staff.BarLine.allow-span-bar = ##f
+\override DynamicLineSpanner.staff-padding = \phds
+\time 7/8 c'8[\offset X-offset #-2.5 \f d-- e f->-. \change Staff = "di2" g,-. a-. b-.] |
+b8[-. \change Staff = "ui2" c-.\> d-. e-. f-. g-. a->-.] |
+e[-.-> f-.\mp g a \change Staff = "di2" bes,, \change Staff = "ui2" c''-. \change Staff = "di2" d,,] |
+\change Staff = "ui2" c''-.[ \change Staff = "di2" d,,-. \utwo ees''-. \dtwo f,,-. g-. \utwo aes''-. bes,-.->] |
+\stemUp \dtwo e,,-.[ \utwo f''-. g,-.-> \dtwo a,-. \utwo bes''-. \dtwo c,, \utwo d''-.] |
+\dtwo b,,[ cis d \utwo e-.\> fis-. g-.-> a-.] |
+\stemNeutral a-.[ b-. c-.-> d-. e-. f-. g-.]\p |
+\dtwo g,,,[ \utwo aes'''-. bes,-.-> \dtwo c,, des-. \utwo ees''' f] |
+\dtwo bes,,,,-.[\> \utwo c'''-. des-. \dtwo ees,,,-. f-. \utwo ges''-.-> aes-.] |
+fis-.[ \dtwo gis,,-.\mp \utwo ais''-. \dtwo b,,,, cis' \utwo dis''-.-> \dtwo e,,] |
+cis,-.[ \utwo dis'''-.-> \dtwo e,,-. fis,-. gis'-. a,-. b'-.] |
+a,-.[ b'-. \utwo cis' d, \dtwo e,,-. \utwo fis''-. \dtwo g,,-.] |
+g-.[ \utwo a''-. b-.-> \dtwo c,, d, \utwo e''' \dtwo f,,-.] |
+\utwo f''[ \dtwo g,,-. \utwo a''-. bes,-.-> c'-. \dtwo d,,,-. ees-.] |
+aes-.[ bes-. \utwo c''-. d-. ees,-.-> \dtwo f,,, \utwo \ottava 1 g''''-.] \ottava 0 |
+\dtwo fis,,,,[ gis-. ais-. \utwo \ottava 1 b''''-. \ottava 0 \dtwo cis,,,, \utwo dis''-.-> \dtwo e,,] |
+\utwo e''-.->[ \dtwo fis,,-. gis-. ais,-. b'-. cis,-. dis-.] |
+c-.[ \utwo d'-. e'-.-> \dtwo fis,,,, g a'' b] |
+\utwo c-.[ d-. e-. fis'-.-> \dtwo g,,,,-. a-.\offset Y-offset #-1.7 \> b-.] |
+\utwo f'''-.[ g-. a^\markup { \italic "molto rit." } b \dtwo c,,,-. d-. e-.]\offset Y-offset #-1.7 \pp \utwo \bar "|." \undo \omit Staff.BarLine \once \override Staff.BarLine.allow-span-bar = ##t }
+>>
+}
+\new Staff = "di2" { \clef bass
+\accidentalStyle modern
+<<
+\relative { \tmarktthree \set tieWaitForNote = ##t \override TimeSignature.stencil = ##f \override Staff.BarLine.stencil = ##f
+\time 7/8 \utwo \stemDown c'4_( e8_._) \dtwo s8 s8 s8 s8 |
+s1*7/8 |
+s4 \utwo \stemUp g8^([^\f a8^.]^) \dtwo \stemDown bes,,4_(\f d8_._) |
+s1*7/8 |
+s4. s4 c'4_( |
+b8_._) cis8_([ d8_.]_) s8 s4. |
+s1*7/8 |
+g,,4._(\ff c8_._) s8 \utwo \stemUp ees'''8^([ f8^.]^) |
+\dtwo s1*7/8 |
+\stemDown s8 s8 s8 b,,,,,8_(\f cis'4 e8_._)|
+s8 s8 s8\> s8 s8 s8 s8 |
+s8 s8\p \utwo cis''8_>_([ d,8_._)] s4. |
+s4. \dtwo c,8_([\ff d,_._)] \utwo \stemUp e'''4^( |
+f8^.^) \dtwo s8 s4 s8\> s8 s8 |
+s4 s8\p s4 \stemDown f,,,4_(\f |
+fis8_._) s8 s8 s8 cis'4_( e8_._) |
+s8 s8\> s8 s8 s8 s8 s8 |
+s8\pp s4 fis,,8_([\ff g_._)] a''_([ b_._)] |
+s1*7/8 |
+\utwo s4 \stemUp a'8~[ b~^>] <a b>4.\offset X-offset #3.5 ^\markup "attacca" \dtwo | \revert Staff.BarLine.stencil }
+>>
+}
+>>
+%\midi { }
+\layout {
+\context {
+\Score
+\override BarNumber.break-visibility = ##(#f #f #f)
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+\override TimeSignature.stencil = ##f
+}
+}
--- /dev/null
+%fifteen inventions project
+\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
+\set PianoStaff.connectArpeggios = ##t
+\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+\new Staff = "u3" {
+\accidentalStyle modern
+<<
+\relative { \tmarktwo
+\time 4/4 d''2 \tuplet 3/2 { r16 b16_( a16 } g16 a16 g8_) e'8~ |
+e2 cis4-> fis4-> |
+ees2 r32 c32( bes32 c32 bes16 aes16-.) r8 f'8~ |
+f4 d2-> g4-> |
+e4~ e16 cis( b a b a16-.) r8 r16 fis'16-. r8 |
+r4 dis4-> gis2-> |
+f4. \tuplet 3/2 { d16( c16 bes16-.) } r8 g'8~ g4 |
+e2.-> a4-> |
+r8 dis,8-. cis8-. b-.
+}
+>>
+}
+\new Staff = "d3" { \clef bass
+\accidentalStyle modern
+<<
+\relative { \tmarktwo
+\time 4/4 r2 c4-> f4-> |
+e4.( d8-.) \tuplet 3/2 { r16 b16( a16 } g16 a16 g4~ |
+g2) des'4-> ges4-> |
+f8( ees8~ ees4) r32 c32( bes32 c32 bes16 aes16-.) r4 |
+r4 d2-> g4-> |
+fis16( e8.~ e16) cis( b a b a16-.) r8 r4 |
+r4 ees'4-> aes2-> |
+\acciaccatura g8 f4. \tuplet 3/2 { d16( c16 bes16-.) } r2 |
+e2.-> a4-> |
+}
+>>
+}
+>>
+%\midi { }
+\layout {
+\context {
+\Score
+\override BarNumber.font-size = #1
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+}
+}
--- /dev/null
+%fifteen inventions project
+\new PianoStaff <<
+\set PianoStaff.connectArpeggios = ##t
+\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+\new Staff = "u4" {
+\accidentalStyle modern
+<<
+\relative { \tmarkfive
+\time 2/4 c'''2 |
+c2 |
+\time 7/16 g4. g16 |
+\time 7/8 gis4. dis2 |
+}
+\\
+\relative { \tmarkfive
+\time 2/4 e''2 |
+d2 |
+\time 7/16 b4. c16 |
+\time 7/8 a4. fis2 |
+}
+>>
+}
+\new Staff = "d4" { \clef bass
+\accidentalStyle modern
+<<
+\relative { \tmarkfive
+\time 2/4 <g f>2 |
+<a f>2 |
+\time 7/16 <f e>4. <e d>16 |
+\time 7/8 b'4. b2 |
+}
+\\
+\relative { \tmarkfive
+\time 2/4 s2 |
+s2 |
+\time 7/16 s4. s16 |
+\time 7/8 s4. s2
+}
+\\
+\relative { \tmarkfive
+\time 2/4 \stemDown b,2 |
+b2 |
+\time 7/16 a4. a16 |
+\time 7/8 <cis e>4. <cis e>2 |
+}
+>>
+}
+>>
+%\midi { }
+\layout {
+\context {
+\Score
+\override BarNumber.font-size = #1
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+\override TimeSignature.stencil = ##f
+}
+}
--- /dev/null
+\version "2.22.2"
--- /dev/null
+%fifteen inventions project
+
+xbio = \markup { \center-column { \override #'(line-width . 75) \justify \tiny { Currently based in Rochester, New York, Tucker Johnson's musical practice includes works for soloists, ensembles, and electronic media. }
+ \vspace #0.8
+ \override #'(line-width . 75) \justify \tiny { His music has been programmed and honored at festivals and events, including the inaugural Dot-The- Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound, NYC), Shastra Rhythm Workshop, 2018 MCS Elements showcase, and the National Young Composers' Challenge. In addition, Tucker received two awards for Outstanding Undergraduate Research at Penn State: the Peter T. Luckie Award in the spring of 2020 (a presence within reassembly) and the First Place Oral Presentation in 2021 (Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears). Interested in interdisciplinary practice, He served as a collaborative creator in a workshop with artist Nick Cave and the "Music for the Visible Turn" concert at the University of South Florida Contemporary Art Museum in 2019. }
+ \vspace #0.8
+ \override #'(line-width . 75) \justify \tiny { He seeks to draw connections between philosophy, mathematics, and design through his work. These ideas are often synthesized through a blend of experimentation and highly organized systems. Recent explorations in Tucker's music have included prescriptive applications of mathematical relationships/number sequences, the reorganization of improvised materials, and 12-tone structures. Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside interests in visual art, open-source software, and teaching. }
+ \vspace #0.8
+ \override #'(line-width . 75) \justify \tiny { A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts. From 2017-2019 he served as a production team member, librarian, and logistics coordinator for the New Music Consortium at the University of South Florida, a student organization dedicated to the performance and promotion of new music. Tucker helped coordinate the 2018 USF New Music Festival, the 2019 International Call for Scores, and several other events during his time with the organization. In 2020 he helped to relaunch Penn State's Living Music student organization. As president of Living Music, he coordinated several guest lectures, a weekly radio show, and the inaugural Penn State International New Music Festival. In Fall of 2021, he began co-hosting and producing the monthly podcast Earshot for Contemporary Art Music Project (CAMP). }
+ \vspace #0.8
+ \override #'(line-width . 75) \justify \tiny { Tucker received the BM in music composition from the Pennsylvania State University, where his composition teachers were Baljinder Sekhon and Steven Rice. He previously studied with Susanna Hancock and Paul Reller at the University of South Florida. Tucker is pursuing the MA in music composition at the Eastman School of Music, where he serves as a teaching assistant for the Eastman Audio Research Studio. There he studies with Robert Morris, David Liptak, and Matt Barber. }
+}
+}
--- /dev/null
+%fifteen inventions project
+
+xpnote = \markup { \override #'(line-width . 90) \justify { \bold \italic "Fifteen Inventions" is a modular, multi-movement work for piano. The inventions are organized into seven, three-movement groups called sequences. These sequences can be played in any combination. I constructed each of the short inventions from one to seven contrapuntal strands. Inventions which share the same number of these strands are composed out in a similar fashion, and thus share a title. }}
--- /dev/null
+%fifteen inventions project
+%texts
+xtitle = \markup { Fifteen Inventions }
+xsub = \markup { \null }
+xcomp = \markup { Tucker Johnson }
+xinst = \markup { piano }
+xdur = \markup { 20 minutes }
+xcr = \markup \tiny { Copyright Tucker Johnson MMXXII. All Rights Reserved }
+oddfoot = \markup { \fill-line { \null \center-column { \concat { " - " \fromproperty #'page:page-number-string " - " } \small { \xcomp } } \null } }
+evfoot = \markup { \fill-line { \null \center-column { \concat { " - " \fromproperty #'page:page-number-string " - " } \small { \xtitle } } \null } }
+finfoot = \markup { \fill-line { \null \center-column { \concat { " - " \fromproperty #'page:page-number-string " - " } \small \typewriter { "February 1st, 2022 - Rochester, New York" } } \null } }
+
+%music
+tmarkione = \tempo "Molto rubato"
+tmarksev = \tempo "Poco rubato" 4 = 46-52
+tmarktfour = \tempo "Tempo giusto" 4 = 60
+tmarktthree = \tempo "Presto" 4 = 165
+tmarktwo = \tempo "Allegro moderato" 4 = 103
+tmarkfive = \tempo "largo" 8 = 40
+bh = \break
+ds = #2.5
+sods = #3.4
+phds = #3.9
+dtim = \override Staff.TimeSignature.style = #'single-digit
+
+
+%notationmarks
+lsp = \once \override TextSpanner.bound-details.left.text = "sp"
+rsp = \once \override TextSpanner.bound-details.right.text = " sp"
+lst = \once \override TextSpanner.bound-details.left.text = "st"
+rst = \once \override TextSpanner.bound-details.right.text = " st"
+lord = \once \override TextSpanner.bound-details.left.text = "ord"
+rord = \once \override TextSpanner.bound-details.right.text = " ord"
+
+
+utwo = \change Staff = "ui2"
+dtwo = \change Staff = "di2"