+++ /dev/null
-This is free and unencumbered software released into the public domain.
-
-Anyone is free to copy, modify, publish, use, compile, sell, or
-distribute this software, either in source code form or as a compiled
-binary, for any purpose, commercial or non-commercial, and by any
-means.
-
-In jurisdictions that recognize copyright laws, the author or authors
-of this software dedicate any and all copyright interest in the
-software to the public domain. We make this dedication for the benefit
-of the public at large and to the detriment of our heirs and
-successors. We intend this dedication to be an overt act of
-relinquishment in perpetuity of all present and future rights to this
-software under copyright law.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
-EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF
-MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.
-IN NO EVENT SHALL THE AUTHORS BE LIABLE FOR ANY CLAIM, DAMAGES OR
-OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE,
-ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR
-OTHER DEALINGS IN THE SOFTWARE.
-
-For more information, please refer to <https://unlicense.org>
+++ /dev/null
-Usage
-
-Required Fonts:
-
-- haydn (https://github.com/OpenLilyPondFonts/haydn)
-- Junicode
-- Syne
-
-The content of this project (music and logos) is protected under copyright, and the underlying source code used to format that content licensed under the Unlicense.
-(Copyright © 2023 Tucker Johnson)
line-width = 120
first-page-number = -1
footnote-separator-markup = \markup { \left-column { \vspace #0.5 \draw-line #'(6 . 0) } }
+ #(include-special-characters)
print-page-number = ##f
#(set-paper-size "arch a")
print-all-headers = ##f
right-margin = 0.75\in
indent = 1\in
short-indent = 0\cm
- #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "syne"))
+ #(define fonts (set-global-fonts #:music "scorlatti" #:brace "scorlatti" #:roman "Junicode" #:sans "classico"))
max-systems-per-page = #10
system-system-spacing = #'((basic-distance . 5) (minimum-distance . 3) (padding . 6))
score-system-spacing = #'((basic-distance . 2) (minimum-distance . 0) (padding . 0))
}
\center-column {
\vspace #5
- \line { \hbracket \bold \sans " program notes "}
- \vspace #0.2
- \center-column {
- \override #'(line-width . 100)
- \justify {
- Underlying \bold "Choruses" is a cyclic harmonic structure whose
+ \left-column { }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "program notes" }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 90)
+ \justify {
+ \smallCaps "Underlying" \bold "Choruses" is a cyclic harmonic structure whose
features and intervals influence its ever-changing,
improvisation-like surface. The musical surface recasts this
underlying structure during 29 repetitions \char #8211 29
interacts with the soloist. I want to dedicate this work to Tampa
Bay saxophonist David Pate, whose tremendous impact on my early
musical life resonates far beyond then.
- }
}
- \vspace #3
- \override #'(thickness . 5)
- \draw-squiggle-line #0.5 #'(20 . 0) ##t
+ }
+ \vspace #2.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "performance notes" }
+ \vspace #0.5
+ \wordwrap { § \hspace #3.5 \sans \bold \italic "interpreting notations" }
+ }
+ \left-column {
+ \override #'(line-width . 90)
+ \line { \hspace #90 }
+ \justify { \sans \italic 1. \hspace #1 Accidentals carry through each bar. }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \wordwrap { § \hspace #3.5 \sans \bold \italic "interpreting techniques" }
+ }
+ \left-column {
+ \override #'(line-width . 90)
+ \line { \hspace #90 }
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 1. \hspace #1 Subtone indicates a soft, breathy timbre at a low volume.
+ }
+ \vspace #0.3
+ \override #'(line-width . 90)
+ \justify {
+ \sans \italic 2. \hspace #1 Fingerings for multiphonics are supplied in the score. These
+ fingerings are taken from Daniel Kientzy's \italic "Les sons multiples aux saxophones"
+ and the multiphonic index number is supplied in beside the fingering.
+ }
+ }
+ \vspace #2.5
+ \line { \char ##x2042 }
}
+
\right-column {
\vspace #-0.5
\right-column \fontsize #-1 {
xcr = \markup \tiny { Copyright Tucker Johnson 2024. All Rights Reserved (ASCAP) }
oddhead = \markup { \fill-line { \null \center-column { \bold { \xcomp } " " } \null } }
evhead = \markup { \fill-line { \null \center-column { \bold { \xtitle } " " } \null } }
-oddfoot = \markup { \fill-line { \null \center-column { " " \concat { " - " \fromproperty #'page:page-number-string " - " } } \null } }
-evfoot = \markup { \fill-line { \null \center-column { " " \concat { " - " \fromproperty #'page:page-number-string " - " } } \null } }
+oddfoot = \markup { \fill-line { \null \center-column { " " \concat { \tiny \char ##x1F661 " " \sans \fromproperty #'page:page-number-string " " \tiny \char ##x1F663 } } \null } }
+evfoot = \markup { \fill-line { \null \center-column { " " \concat { \tiny \char ##x1F661 " " \sans \fromproperty #'page:page-number-string " " \tiny \char ##x1F663 } } \null } }
finfoot = \markup { \fill-line { \null \center-column { " " \concat { " - " \fromproperty #'page:page-number-string " - " } \small \typewriter { "February 1st, 2022 - Rochester, New York" } } \null } }