#(info-matter-markuplist)
\center-column {
\vspace #5
+ \left-column {
+ \override #'(line-width . 100)
+ \line { \hspace #100 }
+ \vspace #-1
+ \wordwrap { \char ##x10AF1 \hspace #0.5 \large \bold \sans "forces" }
+ }
+ \vspace #0.5
+ \left-column {
+ \override #'(line-width . 90)
+ \hspace #90
+ \vspace #-1
+ \line { flutes (2) }
+ \line { oboes (2) }
+ \line { clarinets (2) }
+ \line { bassoons (2) }
+ \line { horns (4) }
+ \line { trumpets (3) }
+ \line { trombones (2) }
+ \line { tuba }
+ \line { percussion "(1: vibraphone; 2: crotales, suspended cymbal, marimba)" }
+ \line { timpani }
+ \line { baritone voice }
+ \line { strings }
+ }
+ \vspace #2.5
#(toc-markuplist)
- #(program-notes-markuplist #{ \programNotes #})
#(performance-notes-markuplist #{ \performanceNotes #})
\line { \char ##x2042 }
}
+% root = ../evenings-in-the-west.ly
xtitle = \markup { Evenings in the West }
xsub = \markup { }
xcomp = \markup { Tucker Johnson }
-xinst = \markup { Baritone & Orchestra }
+xinst = \markup { [2.2.2.2 - 4.3.2.1 - perc(2).timp - strings] }
xdur = \markup { \sans "~2 minutes" }
xyear = \markup { 2026 }
xcr = \markup \tiny { Copyright Umbel Press \concat { \sans \xyear "." } All Rights Reserved (ASCAP) }
\relative {
\omit Score.TimeSignature \omit Score.Stem \omit Score.Beam
\time 20/4 \clef percussion \omit Score.Flag
- g4\offset X-offset -0.7 _\markup \rotate #-45 { "kick drum" }
- b4\offset X-offset -0.7 _\markup \rotate #-45 { "low tom" }
- d4\offset X-offset -0.7 _\markup \rotate #-45 { "med tom" }
- f4\offset X-offset -0.7 _\markup \rotate #-45 { "high tom" }
- e8(\offset X-offset -0.7 _\markup \rotate #-45 { "caxixi" }
- g8)
\clef treble
s4\offset X-offset -0.7 _\markup \rotate #-45 { "vibraphone" }
}
}
+\fontsize #-4 \left-column {
+ \line { \teeny \bold beaters: }
+ \line { \teeny mallets }
+ \line { \teeny bow }
+ }
}
percTwoSetup =
\relative {
\omit Score.TimeSignature \omit Score.Stem \omit Score.Beam
\time 20/4 \clef percussion \omit Score.Flag \omit Score.Dots
- d'4\offset X-offset -0.7 _\markup \rotate #-45 { "snare drum" }
- e4\offset X-offset -0.7 _\markup \rotate #-45 { "tambourine" }
\xNotesOn
- g4.\offset X-offset -0.7 _\markup \rotate #-45 { "ride cymbal" }
- a8(\offset X-offset -0.7 _\markup \rotate #-45 { "hi-hat" }
- e,4)
+ b'4\offset X-offset -0.7 _\markup \rotate #-45 { "suspended cymbal" }
\xNotesOff
\clef treble
- s4.\offset X-offset -0.7 _\markup \rotate #-45 { "marimba" }
- s4\offset X-offset -0.7 _\markup \rotate #-45 { "tubular bells" }
+ s2\offset X-offset -0.7 _\markup \rotate #-45 { "crotales" }
+ s4\offset X-offset -0.7 _\markup \rotate #-45 { "marimba" }
}
}
+ \fontsize #-4 \left-column {
+ \line { \teeny \bold beaters: }
+ \line { \teeny mallets }
+ \line { \teeny bow }
+ }
}
performanceNotes =
\sans \italic 1. \hspace #1 Accidentals carry through each
bar – cautionary accidentals added for clarification.
}
- \override #'(line-width . 90)
- \justify {
- \sans \italic 2. \hspace #1 Two fermata notations are used: a
- \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a
- \italic long fermata ( \musicglyph "scripts.ufermata" ).
- }
- \override #'(line-width . 90)
- \justify {
- \sans \italic 3. \hspace #1 Dotted slurs are used to indicate phrasing that may not be clear through dynamics and other notations.
- }
- \override #'(line-width . 90)
- \justify {
- \sans \italic 4. \hspace #1 Clusters should contain all of the
- chromatic notes between the upper and lower limit of the
- cluster-span.
- }
- \override #'(line-width . 90)
- \justify {
- \sans \italic 5. \hspace #1 Cadenza notation should be interpreted
- freely, though music should be continuous between breath marks and
- rests. Breath marks indicate a short break, while rests are longer.
- }
}
\left-column {
\override #'(line-width . 100)
\vspace #-0.1
\line { \fontsize #3 \sans \xcomp }
\vspace #3
- \line { \fontsize #2 \sans \concat { "for " \xinst } }
+ \line { \fontsize #2 \sans \concat { "for Baritone & Orchestra" } }
}
}
\vspace #bottom-space
a2.~ a8 e8) |
a2. |
\tuplet 3/2 { fis4\pp\< e d\p } |
- ees4--\> e4~\ppp e2\fermata |
+ ees4--\> e4~\pp e2\fermata |
R1*4 |
r2 r2\fermata |
R1 |
fis2.~ fis8 e8) |
a2 bes,4\pp |
\tuplet 3/2 { b4\< c b\p } |
- ees4--\> cis4~\ppp cis2\fermata |
+ ees4--\> cis4~\pp cis2\fermata |
R1*4 |
r2 r2\fermata |
R1 |
R1*2/4 |
g4--\< e,4~\mf e2\fermata |
R1*3 |
- r4 r8 \pitchedTrill c''8~\startTrillSpan d c2~ |
- c8\stopTrillSpan \pitchedTrill des8~\startTrillSpan ees des4\stopTrillSpan \pitchedTrill b2~\fermata\startTrillSpan c |
+ r4 r8 \pitchedTrill c''8_~\startTrillSpan d c2~ |
+ c8\stopTrillSpan \pitchedTrill des8_~\startTrillSpan ees des4\stopTrillSpan \pitchedTrill b2_~\fermata\startTrillSpan c |
b8\stopTrillSpan r8 r4 r2 |
gis,2~\mp \after 2 \! 2.\> |
R1*2/4 |
\tuplet 3/2 { r4 r4 cis4\p } |
d4--\< cis,4~\mf cis2\fermata |
R1*3 |
- r4 r8 \pitchedTrill a''8~\p\startTrillSpan c a2~ |
- a8\stopTrillSpan \pitchedTrill a8~\startTrillSpan bes a4\stopTrillSpan \pitchedTrill a2~\fermata\startTrillSpan bes |
+ r4 r8 \pitchedTrill a''8_~\p\startTrillSpan c a2~ |
+ a8\stopTrillSpan \pitchedTrill a8_~\startTrillSpan bes a4\stopTrillSpan \pitchedTrill a2_~\fermata\startTrillSpan bes |
a8\stopTrillSpan r8 r4 r2 |
e,2~\mp \after 2 \! 2.\> |
R1*2/4 |
R1 |
R1*3/4 |
R1*2/4 |
- \footnote \markup † #'(-0.5 . 0.5) \markup \tiny { † "Maintain 16th note length for staccato notes." }
- dis4\<\halfopen\glissando
- e4~\mp\open e2\fermata |
+ \tag #'part {
+ \footnote \markup \tiny \number 1 #'(-1 . -1) \markup \tiny { \number 1 \italic \bold "Broken Glissando:" "Create a glissando gesture by gradually removing hand" } Voice.NoteHead
+ }
+ dis4(\mf\>\stopped\glissando e4~\p\open e2)\fermata |
R1*4 |
r2 r2\fermata |
R1 |
R1*5/4 |
R1*2/4 |
- dis4\<\halfopen\glissando e4~\mp\open e2\fermata |
+ dis4(\mf\>\stopped e4~\p\open e2)\fermata |
R1*3 |
R1*2/4 |
R1 |
R1 |
R1*3/4 |
R1*2/4 |
- r4 cis'4~\mp cis2\fermata |
+ r4 cis'4~\p cis2\fermata |
R1*4 |
r2 r2\fermata |
R1 |
R1*5/4 |
R1*2/4 |
- r4 cis4~\mp cis2\fermata |
+ r4 cis4~\p cis2\fermata |
R1*3 |
R1*2/4 |
R1 |
hornTHREEMusic =
\relative {
\clef treble
- R1 |
- r2 f'2~-+\mp\> |
- f16\niente r8. r4 r2 |
+ R1*3 |
R1*3/4 |
R1 |
R1*3/4 |
R1*2/4 |
- f,4\<\halfopen\glissando fis4~\mp\open fis2\fermata |
+ \tag #'part {
+ \footnote \markup \tiny \number 1 #'(-1 . -1) \markup \tiny { \number 1 \italic \bold "Broken Glissando:" "Create a glissando gesture by gradually removing hand" } Voice.NoteHead
+ }
+ f4(\mf\>\stopped\glissando fis4~\p\open fis2)\fermata |
R1*4 |
r2 r2\fermata |
R1 |
R1*5/4 |
R1*2/4 |
- f4\<\halfopen\glissando fis4~\mp\open fis2\fermata |
+ f4(\mf\>\stopped\glissando fis4~\p\open fis2)\fermata |
R1*3 |
R1*2/4 |
R1 |
R1 |
R1*3/4 |
R1*2/4 |
- r4 fis,4~\mp fis2\fermata |
+ \tag #'part { \clef bass }
+ r4 fis,4~\p fis2\fermata |
r8 a8~\p\> a4~ a2\pp |
R1*3 |
r2 r2\fermata |
R1 |
R1*5/4 |
R1*2/4 |
- r4 fis4~\mp fis2\fermata |
+ r4 fis4~\p fis2\fermata |
R1*3 |
R1*2/4 |
R1 |
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { "percussion I" }
+ meter = \percOneSetup
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
subtitle = \markup { \medium \italic \xsub }
composer = \xcomp
poet = \markup { "percussion II" }
+ meter = \percTwoSetup
arranger = \markup { \tiny \typewriter { \shortHash - \branchName } }
}
\score {
projects / blood-meridian.git / commitdiff