+++ /dev/null
-These are typesetting input files for [Groff](https://www.gnu.org/software/groff/) using the ms macro package.
-The typset PDFs can be found on my [website](https://newer.systems).
--- /dev/null
+These are typesetting input files for Groff using the ms macro package.
+The typset PDFs can be found on my website.
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-.heading "Full Bio"
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-Tucker Johnson is a composer, performer, and educator pursuing the Ph.D. in Music Composition at the Eastman School of Music in Rochester, NY.
-His musical practice includes works for soloists, ensembles, and electronic media, including pieces designed for indoor and outdoor installation.
-He seeks to create highly organized systems to build connections between philosophy, design, and personal experience. Many of his works commune with music from other times and places, establishing links and references to histories of musical culture.
-Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside a passion for open-source software and teaching.
-.sp 0.3
-Tucker's music has been concertized and honored at festivals and events, including the Dot-The-Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New Jersey), and the Penn State New Music Festival (State College).
-In 2021, he was awarded the Marjorie Jane Brewster Memorial Music Scholarship, given to one graduating Penn State student each year to pay for graduate studies at another institution.
-Additional honors include the Belle S. Gitelman Prize, Peter T. Luckie Award, and Warren Benson Scholarship.
-.sp 0.3
-A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts and served various music organizations throughout his academic career.
-Currently, he serves as technical director of OSSIA New Music, a student-run organization at the Eastman School of Music committed to performing the works of contemporary composers.
-He has also worked with the Hochstein School, WXXI Classical, Penn State's Living Music, and the New Music Consortium.
-Additionally, Tucker serves as a sound engineer, technician, and teaching assistant with the Electronic Music Studios at Eastman (EMusE) and has produced and performed dozens of electroacoustic works in this position with artists and ensembles such as Alarm Will
-Sound, percussionist Dan Druckman, and soprano Jamie Jordan.
-.sp 0.3
-In his research, he has worked to develop approaches to music composition and collaborative improvisation using mathematics, networked computer instruments, machine listening, ambisonics, and other computer-assisted methods, with a tendency to favor recycled and reclaimed computer hardware.
-Listeners can hear this work in improvised performances with Belgian saxophonist Floris Van Der Veken, recordings with percussionist/guitarist John McGovern, and performances with Ossia New Music.
-.sp 0.3
-He holds the MA and Catherine Filene Shouse Arts Leadership Certificate from the Eastman School of Music and the BM from Penn State University.
-He also studied at the University of South Florida.
-He has studied with Robert Morris, Matthew Barber, David Liptak, Baljinder Sekhon, Sarah Genevieve Burghart Rice, and Susanna Hancock.
-Tucker serves as instructor of the Penn State Young Composers Institute, a virtual program for high school students running in the fall and spring.
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-Tucker Johnson is a composer, performer, and educator pursuing the Ph.D. in Music Composition at the Eastman School of Music in Rochester, NY.
-His musical practice includes works for soloists, ensembles, and electronic media, including pieces designed for indoor and outdoor installation.
-He seeks to create highly organized systems to build connections between philosophy, design, and personal experience. Many of his works commune with music from other times and places, establishing links and references to histories of musical culture.
-Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside a passion for open-source software and teaching.
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-Tucker's music has been concertized and honored at festivals and events, including the Dot-The-Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New Jersey), and the Penn State New Music Festival (State College).
-Other honors include the Belle S. Gitelman Prize, Marjorie Jane Brewster Memorial Music Scholarship, Peter T. Luckie Award, and Warren Benson Scholarship.
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-He holds the MA and Catherine Filene Shouse Arts Leadership Certificate from the Eastman School of Music and the BM from Penn State University.
-He has studied with Robert Morris, Matthew Barber, David Liptak, Baljinder Sekhon, Sarah Genevieve Burghart Rice, and Susanna Hancock.
-Tucker serves as instructor of the Penn State Young Composers Institute, a virtual program for high school students running in the fall and spring.
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-Tucker Johnson is a composer, performer, and educator pursuing the Ph.D. in Music Composition at the Eastman School of Music in Rochester, NY.
-His musical practice includes works for soloists, ensembles, and electronic media, including pieces designed for indoor and outdoor installation.
-He seeks to create highly organized systems to build connections between philosophy, design, and personal experience.
-Many of his works commune with music from other times and places, establishing links and references to histories of musical culture.
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-Tucker Johnson is a composer, performer, and educator whose music has been concertized and honored at festivals and events, including the Dot-The-Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New Jersey), and the Penn State New Music Festival (State College).
-In 2021, he was awarded the Marjorie Jane Brewster Memorial Music Scholarship, a scholarship awarded each year to one graduating Penn State student to pay for graduate studies at another institution.
-Additional honors include the Belle S. Gitelman Prize, Peter T. Luckie Award, and Warren Benson Scholarship.
-Tucker completed the MA at the Eastman School of Music under the instruction of Robert Morris, Matthew Barber, and David Liptak. He also completed the BM at Penn State, where he studied with Baljinder Sekhon and Sarah Genevieve Burghart Rice.
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-.B "Eastman School of Music"
-[Rochester, NY]
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-.B "Institute for Music Leadership:"
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-Primary Teachers: Robert Morris, Mathew Barber, David Liptak
-.br
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+.B "Catherine Filene Shouse Arts Leadership Certificate"
+(05/2023)
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-01/20 \(en 05/21|T{
+T{
.B "Pennsylvania State University"
-[State College, PA]
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-Primary Teachers: Baljinder Sekhon, Sarah Genevieve Burghart Rice
-.sp .25
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-08/17 \(en 12/19|T{
-.B "University of South Florida"
-[Tampa, FL]
-\(en Bachelor of Music, Music Composition
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-Primary Teachers: Paul Reller, Susanna Hancock, Benjamin Whiting
-.br
-(transfered after fall 2019 semester)
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-[Rochester, NY]
-\(en Master of Arts, Music Composition
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-Primary Teachers: Robert Morris, Mathew Barber, David Liptak
-.br
-.B "Institute for Music Leadership:"
-Arts Leadership Certificate
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-01/20\(en05/21|T{
-.B "Pennsylvania State University"
-[State College, PA]
-\(en Bachelor of Music, Music Composition
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-Primary Teachers: Baljinder Sekhon, Steven Rice
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-08/17\(en12/19|T{
-.B "University of South Florida"
-[Tampa, FL]
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-(transfered after fall 2019 semester)
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-.B "Eastman Graduate Composers' Sinfonietta (GCS)"
-[Rochester, NY]
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-Recruit performers from the Eastman community;
-Plan rehearsals;
-Assist in the creation of the GCS budget;
-Print and deliver parts
-.sp .25
-T}
-08/21\(em|T{
-.B "Eastman Audio Research Studio (EARS)"
-[Rochester, NY]
-\(en Teaching Assistant
-.br
-Instruct graduate and undergraduate computer music students;
-Provide equipment and services for Eastman concerts (5-7 per semester);
-Maintain EARS website;
-Maintain EARS equipment and facilities
-.sp .25
-T}
-08/22\(en12/22|T{
-.B "Hochstein School of Music and Dance"
-[Rochester, NY]
-\(en Intern
-.br
-Assist in fundraising campaigns;
-Send mail to donors;
-Shadow Hochstein grant-writing;
-Research donors;
-Use Bloomerang donor management systems
-.sp .25
-T}
-08/21\(en07/22|T{
-.B "Contemporary Art Music Project"
-[Tampa, FL]
-\(en Podcast Producer/Host
-.br
-Researched, programed, and wrote monthly podcasts;
-Interviewed guests;
-Recorded and produced monthly podcasts
-.sp .25
-T}
-01/20\(en04/21|T{
-.B "Living Music"
-[State College, PA]
-\(en President
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-Organized and maintain organization rosters;
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-Hosted and produced weekly radio show;
-Produced events and concerts (International New Music Festival, Call for Scores, etc.)
-.sp .25
-T}
-01/20\(en04/21|T{
-.B "ROARS Recording Studio at Penn State"
-[State College, PA]
-\(en Audio/Recording Engineer
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-Produced recordings for Penn State students and faculty;
-Assisted in concert production for concerts (3-5 per semester);
-Maintained ROARS studio equipment and facilities
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-T}
-08/17\(en12/19|T{
-.B "New Music Consortium"
-[Tampa, FL]
-\(en Logistics Coordinator/Librarian
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-Organized rehearsals;
-Oversaw music rentals;
-Provided scores and parts to performers
-.sp .25
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Current and Ongoing Projects"
-.sp .25
-\#
-.BI "Untitled Orchestral Piece"
-[composition]
-.br
-A work for moderately sized orchestra. A large scale contrapuntal piece
-focused on the composing out of embedded and overlapping pitch structures.
-I initially explored these structures in my
-.I "Fifteen Keyboard Inventions."
-.sp .25
-\#
-.BI "Anagram: Quiet Jaw, Fine Rain on Tidal Ponds, Formant"
-[composition]
-.br
-A work for piano, oboe, clarinet, horn, and bassoon inspired by Mozart's
-.I "Quintet in Eb major".
-Each of the three movements serves as a reorganization of the musical events in Mozart's work.
-.sp .25
-\#
-.B "spigot DUO"
-[performance]
-.br
-Duo project with saxophonist Floris Van der Veken. Creating improvised music for saxophone and computers.
-(anticipated independent release Spring 2023)
-.sp .25
-\#
-.B VISCS
-(vi-like sound corpus sequencer) [technology]
-.br
-Built using Supercollider and the Fluid Corpus Manipulation tools,
-.I "VISCIS"
-is an instrument for composition and improvisation that sequences large sound corpora from parametric input.
-.sp .25
-\#
-\#
-\# --------------------------------------------------------
-.heading "Honors and Commissions"
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-2022|T{
-\(en Scholarship: Warren Benson Scholarship in Composition, ESM
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-\(en Commission: Eastman Graduate Composers' Sinfonietta
-.I "(Commonplace Common Tones)"
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-\(en Inducted: Eastman Arts Leadership Certificate Program (class of 2023)
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-\(en Winner: 1st place (Arts and Humanities) Penn State Undergraduate Research Exhibition
-.I "(Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears)"
-.br
-\(en Graduate Award: Teaching Assistant for the Eastman Audio Research Studio
-.br
-\(en Commission: Hillsborough Arts Grant, Michael Standard
-.I "(Mutable Subjects)"
-.br
-\(en Graduate Acceptance: MA in Music Composition at the Eastman School of Music
-.br
-\(en Selected Composer: Longy Divergent Studio
-.I "(Enter Ghost)"
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-\(en Commission: Bob McCormick and Eunmi Ko
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-\(en Scholarship Award: Miller/Junker Scholarship in Music, PSU
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-T}
-2020|T{
-\(en Winner: Marjorie Jane Brewster Competition, PSU
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-\(en Winner: Peter T. Luckie Award for Outstanding Research in Arts and Humanities
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-\(en Winner: Moreau VanTuinen Duo Call for Miniatures
-.I "(Second-hand Asymmetry)"
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-\(en Selected Composer: Classical WSMR Modern Notebook Marathon, April 12, 2020
-.I "(CO)"
-.sp .25
-T}
-2019|T{
-.br
-\(en Elected Logistics Coordinator: USF New Music Consortium
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-\(en Winner: Dot-the-Line Call for Scores - Seoul, South Korea
-.I "(CO)"
-.br
-\(en Selected Composer: USF Contemporary Art Museum - Music for the Visible Turn
-.sp .25
-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Festivals, Programs, and Conferences"
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-2022|T{
-.B "Vibraphone Century"
-[State College, PA]
-\(en composer
-.br
-performed work:
-.I "Injunctions of Bruckner "
-(John McGovern - vibraphone)
-.sp .25
-T}
-2021|T{
-.B "Penn State International New Music Festival"
-[State College, PA (online)]
-\(en planning, hosting
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-.sp .25
-T}
-2019|T{
-.B "Nick Cave and Bob Faust Workshop"
-[Tampa, FL]
-\(en Collaborator
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-collaborative multidisciplinary installation:
-.I "Mobillity, on beauty"
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-.B "Composing in the Wilderness"
-[Prince William Sound, AK]
-\(en Selected Composer
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-commissioned work:
-.I "Or Maybe While Crossing"
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-.B "soundSCAPE"
-[Cesena, Italy]
-\(en Selected Composer
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-commissioned work:
-.I "WRITE/TAKE "
-(Dieter Hennings, John Rivera Pico - guitars)
-.br
-.B "Dot-the-Line"
-[Seoul, South Korea]
-\(en Call-for-Scores Winner
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-performed work:
-.I "CO "
-(Changhoon Lee - alto saxophone, Jieun Shin - piano)
-.sp .25
-T}
-2018|T{
-.B "SHASTRA Tabla and Hindustani Rhythm Workshop"
-[Wayne, NJ]
-\(en Selected Composer
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-commissioned work:
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-.sp .25
-.B "USF International New Music Festival"
-[Tampa, FL]
-\(en planning, hosting
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-T}
-.TE
-\#
-\#
-\# --------------------------------------------------------
-.heading "Software/Programming Proficiency"
-Finale,
-Sibelius,
-Lilypond,
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-Reaper,
-Da Vinci Resolve,
-OBS,
-Max/MSP,
-Supercollider,
-PureData,
-HUGO,
-Lua,
-Latex,
-GNUtroff,
-Arch/Artix Linux,
-Linux Pro Audio,
-Octave/MATLAB
--- /dev/null
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-.sp 0.73
-T}|T{
-Katherine Weintraub, Eunmi Ko
-.sp 0.75
-T}|T{
-FL, St. Petersburg: The Palladium
-T}
-3/26/23|T{
-.B "Improvisation"
-.sp -0.2
-.I "[Johnson/Van der Veken]"
-.sp 0.73
-T}|T{
-Tucker Johnson, Floris Van Der Veken
-.sp .75
-T}|T{
-NY, Rochester: Klibourn Hall
-T}
-3/24/23|T{
-.B "Settle the Score"
-.sp -0.2
-.I "[mixed quartet, computer]"
-.sp 0.73
-T}|T{
-Katie Eaton, Nathan McKinstry, Austin White, Artur Korotin, Amber Lucas
-.sp .75
-T}|T{
-PA, State College: Esber Hall
-T}
-3/3/23|T{
-.B "...for me, the cowbell..."
-.sp -0.2
-.I "[percussion]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-MD, University Park: Gildenhorn Recital Hall
-.sp .75
-T}
-2/1/23|T{
-.B "Fifteen Keyboard Inventions"
-.I "selections"
-.sp -0.2
-.I "[keyboard]"
-.sp 0.73
-T}|T{
-Ko Muramatsu
-T}|T{
-NY, Rochester: Kilbourn Hall
-.sp .75
-T}
-T{
-.BI "2022"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/17/22|T{
-.B "Fifteen Keyboard Inventions"
-.I "selections"
-.sp -0.2
-.I "[keyboard]"
-.sp 0.73
-T}|T{
-Zihan Wu
-T}|T{
-NY, Rochester: Hatch Recital Hall
-.sp .75
-T}
-11/14/22|T{
-.B "I AM COVERED IN STARCH"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-9/10/22|T{
-.B "Ossia Fluxus Improvisation"
-.sp -0.2
-.I "[installation]"
-.sp 0.73
-T}|T{
-Tucker Johnson, Zoe Markle, Floris Van Der Veken
-.sp .75
-T}|T{
-NY, Rochester: ESM Ray Wright Room
-T}
-9/28/22|T{
-.B "Improvisation"
-.sp -0.2
-.I "[Johnson/Van der Veken]"
-.sp 0.73
-T}|T{
-Tucker Johnson, Floris Van Der Veken
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-9/19/22|T{
-.B "Fifteen Keyboard Inventions"
-.I "selections"
-.sp -0.2
-.I "[keyboard]"
-.sp 0.73
-T}|T{
-Xingyi Chen
-T}|T{
-NY, Rochester: Hatch Recital Hall
-.sp .75
-T}
-4/7/22|T{
-.B "Settle the Score"
-.sp -0.2
-.I "[mixed quartet, computer]"
-.sp 0.73
-T}|T{
-Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
-.sp .75
-T}|T{
-NY, Rochester: Hatch Recital Hall
-T}
-2/12/22|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: New Recital Hall
-.sp .75
-T}
-2/2/22|T{
-.B "Settle the Score"
-.sp -0.2
-.I "[computer]"
-.sp 0.73
-T}|T{
-computer: quadrophonic playback
-T}|T{
-NY, Rochester: Kilbourn Hall
-.sp 1.75
-T}
-T{
-.BI "2021"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/10/21|T{
-.B "Commonplace Common Tones"
-.sp -0.2
-.I "[sinfonietta]"
-.sp 0.73
-T}|T{
-Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
-.sp .75
-T}|T{
-NY, Rochester: Kilbourn Hall
-T}
-5/4/21|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-MD, University Park: Gildenhorn Recital Hall
-.sp .75
-T}
-4/25/21|T{
-.B "Falling Paths, Coloring Grounds"
-.sp -0.2
-.I "[cello, computer]"
-.sp 0.73
-T}|T{
-Hudson Webber
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "The Ecstasy of Communication"
-.sp -0.2
-.I "[snare drum, triggered media]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "A Presence Within Reassembly"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-quadrophonic playback
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Falling Paths, Coloring Grounds"
-.sp -0.2
-.I "[cello, computer]"
-.sp 0.73
-T}|T{
-Hudson Webber
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/24/21|T{
-.B "Injunctions of Bruckner"
-.sp -0.2
-.I "[vibraphone, computer]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-4/16/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-PA, State College: Esber Recital Hall
-.sp .75
-T}
-3/30/21|T{
-.B "Wears and Tears"
-.sp -0.2
-.I "[clarinet, computer]"
-.sp 0.73
-T}|T{
-Amber Lucas
-T}|T{
-Online Event - Penn State International New Music Festival
-.sp .75
-T}
-T{
-.BI "2020"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/20/20|T{
-.B "The Ecstasy of Communication"
-.sp -0.2
-.I "[snare drum, triggered media]"
-.sp 0.73
-T}|T{
-John McGovern
-T}|T{
-MD, University Park: Gildenhorn Recital Hall
-.sp .75
-T}
-10/23/20|T{
-.B "A Presence Within Reassembly"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-quadrophonic playback
-T}|T{
-PA, State College: Water Tower Plaza
-.sp .75
-T}
-7/5/20|T{
-.B "All of my Life's Work Until This Point"
-.sp -0.2
-.I "[cello]"
-.sp 0.73
-T}|T{
-Eduard Teregulov
-T}|T{
-Online Event - (recorded in Dade City, FL)
-.sp .75
-T}
-T{
-.BI "2019"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-12/2/19|T{
-.B "-------"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-T}|T{
-FL, Tampa: Barness Recital Hall
-.sp .75
-T}
-11/22/19|T{
-.B "Or Maybe While Crossing"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Corvus Ensemble
-T}|T{
-NY, NYC: Federal Hall Memorial
-.sp .75
-T}
-11/7/19|T{
-.B "WE CANNOT POST IN SUMMER"
-.sp -0.2
-.I "[sinfonietta]"
-.sp 0.73
-T}|T{
-USF Student Sinfonietta
-T}|T{
-FL, Tampa: Contemporary Art Museum at USF
-.sp .75
-T}
-10/12/19|T{
-.B "CO"
-.sp -0.2
-.I "[saxophone, piano]"
-.sp 0.73
-T}|T{
-Doug O'Connor, Eunmi Ko
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-10/9/19|T{
-.B "Mobility, on beauty"
-.sp -0.2
-.I "[installation]"
-.sp 0.73
-T}|T{
-collaborative installation
-T}|T{
-FL, Tampa: USF Theatre 2
-.sp .75
-T}
-10/7/19|T{
-.B "I AM COVERED IN STARCH"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-T}|T{
-FL, Tampa: Barness Recital Hall
-.sp .75
-T}
-8/10/19|T{
-.B "References to the Antichrist in eccleciastical writings"
-.sp -0.2
-.I "[violin]"
-.sp 0.73
-T}|T{
-Bennett Astrove
-T}|T{
-FL, Dade City: Heritage and Cultural Museum
-.sp .75
-T}
-7/12/19|T{
-.B "WRITE/TAKE"
-.sp -0.2
-.I "[guitar duo]"
-.sp 0.73
-T}|T{
-Dieter Hennings, John Rivera Pico
-T}|T{
-Italy, Cesena: Conservatorio Bruno Maderna
-.sp .75
-T}
-5/31/19|T{
-.B "CO"
-.sp -0.2
-.I "[saxophone, piano]"
-.sp 0.73
-T}|T{
-Changhoon Lee, Jieun Shin
-.sp .75
-T}|T{
-South Korea, Jeonju: Sori Arts Center
-T}
-5/11/19|T{
-.B "JetFuel"
-.sp -0.2
-.I "[orchestra]"
-.sp 0.73
-T}|T{
-Tampa Metropolitan Youth Orchestra, William Weidrich
-.sp .75
-T}|T{
-FL, Tampa: Concert Hall at USF
-T}
-4/22/19|T{
-.B "All of My Life's Work Until This Point"
-.sp -0.2
-.I "[cello]"
-.sp 0.73
-T}|T{
-Sydney Andersen
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-2/22/19|T{
-.B "A Different City*The Cold Part"
-.sp -0.2
-.I "[installation]"
-.sp 0.73
-T}|T{
-RAMP GROUP
-.sp .75
-T}|T{
-FL, Tampa: Contemporary Art Museum at USF
-T}
-2/8/19|T{
-.B "Four Weeks Now"
-.sp -0.2
-.I "[string quartet]"
-.sp 0.73
-T}|T{
-Luz Vasquez, KaleyAnna Raabe, Daphne Waggener, Sydney Andersen
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-T{
-.BI "2018"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/26/18|T{
-.B "The Identity of Policing"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "Space Flight Participant"
-.sp -0.2
-.I "[double bass]"
-.sp 0.73
-T}|T{
-Keon Sahbkar
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "Would Also Feel the Need to Enjoy"
-.sp -0.2
-.I "[prepared midi keyboard]"
-.sp 0.73
-T}|T{
-Sohyun Lim
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "This First Semester is Dedicated"
-.sp -0.2
-.I "[trumpet, bassoon]"
-.sp 0.73
-T}|T{
-Bradley Mikesel II, Tucker Johnson
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "There's almost never a point in time when there's no one walking in the hallways"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "References to the Antichrist in eccleciastical writings"
-.sp -0.2
-.I "[violin]"
-.sp 0.73
-T}|T{
-Bennett Astrove
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/17/18|T{
-.B "Time in North Dakota"
-.sp -0.2
-.I "[viola]"
-.sp 0.73
-T}|T{
-Daphne Waggener
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-11/16/18|T{
-.B "Space Flight Participant"
-.sp -0.2
-.I "[double bass]"
-.sp 0.73
-T}|T{
-Keon Sahbkar
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-9/29/18|T{
-.B "Time in North Dakota"
-.sp -0.2
-.I "[viola]"
-.sp 0.73
-T}|T{
-Daphne Waggener
-T}|T{
-FL, Saint Petersburg: Studio 620
-T}
-9/27/18|T{
-.B "Time in North Dakota"
-.sp -0.2
-.I "[viola]"
-.sp 0.73
-T}|T{
-Daphne Waggener
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-9/27/18|T{
-.B "References to the Antichrist in eccleciastical writings"
-.sp -0.2
-.I "[violin]"
-.sp 0.73
-T}|T{
-Bennett Astrove
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-9/2/18|T{
-.B "There's almost never a point in time when there's no one walking in the hallways"
-.sp -0.2
-.I "[fixed media]"
-.sp 0.73
-T}|T{
-stereo playback
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-8/12/18|T{
-.B "...for the discernment of vocations with..."
-.sp -0.2
-.I "[tabla, mallet quartet]"
-.sp 0.73
-T}|T{
-Shawn Mativetsky, New Jersey Percussion Ensemble
-.sp .75
-T}|T{
-NJ, Wayne: William Patterson University
-T}
-4/16/18|T{
-.B "Numlock"
-.sp -0.2
-.I "[woodwind quintet]"
-.sp 0.73
-T}|T{
-Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-4/13/18|T{
-.B "Numlock"
-.sp -0.2
-.I "[woodwind quintet]"
-.sp 0.73
-T}|T{
-Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
-.sp .75
-T}|T{
-FL, Tampa: USF Instrumental Rehearsal Hall
-T}
-3/5/18|T{
-.B "Grater Brute"
-.sp -0.2
-.I "[flute, marimba]"
-.sp 0.73
-T}|T{
-Kevin Baylen, Lionel Martinez
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-3/2/18|T{
-.B "Transportation in Metropolitan Detroit"
-.sp -0.2
-.I "[piano]"
-.sp 0.73
-T}|T{
-Logan Barrett
-.sp .75
-T}|T{
-FL, Tampa: USF Choral Rehearsal Hall
-T}
-3/2/18|T{
-.B "Grater Brute"
-.sp -0.2
-.I "[flute, marimba]"
-.sp 0.73
-T}|T{
-Kevin Baylen, Lionel Martinez
-.sp .75
-T}|T{
-FL, Tampa: USF Choral Rehearsal Hall
-T}
-T{
-.BI "2017"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-11/17/17|T{
-.B "r9-13\\\I TERDI..."
-.sp -0.2
-.I "[multi-percussion]"
-.sp 0.73
-T}|T{
-Kaycie Howell
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-10/20/17|T{
-.B "Transportation in Metropolitan Detroit"
-.sp -0.2
-.I "[piano]"
-.sp 0.73
-T}|T{
-Logan Barrett
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-7/8/17|T{
-.B "In the Shape of the Sky"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Kinhaven Student Ensemble
-.sp .75
-T}|T{
-VT, Weston: Kinhaven School of Music
-T}
-5/8/17|T{
-.B "Walkin' With Billy"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Pinellas County Center for the Arts Student Ensemble
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-5/8/17|T{
-.B "Designations"
-.sp -0.2
-.I "[saxophone]"
-.sp 0.73
-T}|T{
-Kendric McAllister
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-T{
-.BI "2016"
-T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
- |
-12/7/16|T{
-.B "Walkin' With Billy"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Pinellas County Center for the Arts Student Ensemble
-.sp .75
-T}|T{
-FL, Tampa: Barness Recital Hall
-T}
-7/29/16|T{
-.B "Morning Chase"
-.sp -0.2
-.I "[mixed quintet]"
-.sp 0.73
-T}|T{
-Kinhaven Student Ensemble
-.sp .75
-T}|T{
-VT, Weston: Kinhaven School of Music
-T}
-7/29/16|T{
-.B "Letters Unwritten"
-.sp -0.2
-.I "[brass quintet]"
-.sp 0.73
-T}|T{
-Kinhaven Student Ensemble
-.sp .75
-T}|T{
-VT, Weston: Kinhaven School of Music
-T}
-5/24/16|T{
-.B "Ephemeral Sketches"
-.sp -0.2
-.I "[saxophone, cello]"
-.sp 0.73
-T}|T{
-Britney Waggott, Miranda Godfrey
-.sp .75
-T}|T{
-FL, Saint Petersburg: Pinellas County Center for the Arts
-T}
-5/24/16|T{
-.B "Letters Unwritten"
-.sp -0.2
-.I "[brass quintet]"
-.sp 0.73
-T}|T{
-Pinellas County Center for the Arts Student Ensemble
-.sp .75
-T}|T{
-FL, Saint Petersburg: Pinellas County Center for the Arts
-T}
-.TE
+++ /dev/null
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-\# -----------------------TOP------------------------------
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-.I "composer, improviser"
-(updated \n(mo \(en \ny)
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-.I "tucker [@] newer.systems"
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-Rochester, NY|T{
-.I "(727) 483-3689"
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-.I "https://newer.systems"
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-\#
-\# --------------------------------------------------------
-.heading "Complete List of Replicable Work (through performance and playback)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW50|lw10|lx.
-[year]|[title]|[duration]|[forces]
-2023|T{
-.B "Circumnutation"
-.I "(fifteen inventions)"
-T}|11 minutes|T{
-keyboard instruments
-.sp .75
-T}
- |T{
-.B "...for me, the cowbell..."
-T}|8 minutes|T{
-percussion
-T}
- |T{
-.I "commissioned by John McGovern"
-.sp .75
-T}| |T{
-.sp .75
-T}
-2022|T{
-.B "Settle the Score"
-.I "in one or five parts"
-T}|1-5 minutes|T{
-english horn, trumpet, electric guitar, violin, computer
-.sp .75
-T}
- |T{
-.B "Mutable Subjects"
-T}|1-14 minutes|T{
-marimba, computer
-T}
- |T{
-.I "commissioned by Michael Standard"
-.sp .75
-T}| |T{
-.sp .75
-T}
-2021|T{
-.B "Commonplace Common Tones"
-T}|7 minutes|T{
-sinfonietta
-T}
- |T{
-.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Even the Pieces I can't Remember"
-T}|14 minutes|T{
-percussion, piano
-T}
- |T{
-.I "commissioned by Eunmi Ko and Bob McCormick"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "Enter Ghost"
-T}|5 minutes|T{
-voice, trumpet, bass clarinet, trombone
-.sp .75
-T}
- |T{
-.B "The Melody of Practice"
-T}|3 minutes|T{
-oboe
-.sp .75
-T}
- |T{
-.B "Wears and Tears"
-T}|5 minutes|T{
-clarinet, computer
-.sp .75
-T}
- |T{
-.B "Injunctions of Bruckner: Aequale no. 1 & 2"
-T}|2 minutes|T{
-vibraphone, live-processing
-.sp .75
-T}
- |T{
-.B "Is Breathing"
-T}|8 minutes|T{
-alto saxophone
-.sp .75
-T}
-2020|T{
-.B "Falling Paths, Coloring Grounds"
-T}|10 minutes|T{
-cello, computer
-.sp .75
-T}
- |T{
-.B "Moment/Time \(enPractice"
-T}|variable|T{
-open
-.sp .75
-T}
- |T{
-.B "The Ecstasy of Communication"
-T}|10-25 minutes|T{
-snare drum, triggered media
-T}
- |T{
-.I "commissioned by John McGovern"
-.sp .75
-T}| |T{
-.sp .75
-T}
- |T{
-.B "A Presence Within Reassembly"
-T}|5 minutes|T{
-quadrophonic fixed media
-.sp .75
-T}
-2019|T{
-.B "------------"
-T}|22 minutes|T{
-fixed media
-.sp .75
-T}
- |T{
-.B "Or Maybe While Crossing"
-.sp 0
-.I "commissioned by Corvus and Composing in the Wilderness
-T}|6 1/2 minutes|T{
-flute, saxophone, violin, cello, percussion
-.sp .75
-T}
- |T{
-.B "I AM COVERED IN STARCH"
-T}|6 minutes|T{
-fixed media
-.sp .75
-T}
- |T{
-.B "We Cannot Post in Summer"
-T}|10 minutes|T{
-sinfonietta
-.sp .75
-T}
- |T{
-.B "WRITE/TAKE"
-.sp 0
-.I "for soundSCAPE"
-.sp .75
-T}|6 minutes|T{
-guitar duo
-T}
- |T{
-.B "CO"
-T}|6 minutes|T{
-alto saxophone, piano
-.sp .75
-T}
-2018|T{
-.B "All of My Life's Work Up Until This Point"
-T}|5 minutes|T{
-cello
-.sp .75
-T}
- |T{
-.B "JetFuel"
-T}|4 minutes|T{
-orchestra
-T}
- |T{
-.I "commissioned by the Tampa Metropolitan Youth Orchestra"
-.sp .75 T}| |T{
-T}
- |T{
-.B "...for the discernment of vocations with..."
-.sp 0
-.I "for SHASTRA"
-.sp .75
-T}|8 minutes|T{
-tabla, mallet quartet
-.sp .75
-T}
-2017|T{
-.B "Grater Brute"
-T}|3 minutes|T{
-flute, marimba
-.sp .75
-T}
- |T{
-.B "r9-13\\\I TERDI..."
-T}|8 minutes|T{
-multi-percussion
-.sp .75
-T}
- |T{
-.B "Transportation in Metropolitan Detroit"
-T}|7 minutes|T{
-piano
-.sp .75
-T}
- |T{
-.B "In the Shape of the Sky"
-T}|6 minutes|T{
-2 trumpets, 2 trombones, vibraphone, percussion
-.sp .75
-T}
- |T{
-.B "Designations"
-T}|12 minutes|T{
-tenor saxophone
-.sp .75
-T}
-.TE
-.sp -1
-\D'l 7.25i 0'
-.sp 0.2
-.heading "Complete List of Non-replicable Work"
-.heading "(installations)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW30|lw27|lx.
-[date]|[title/duration]|[forces]|[venue]|
-11/10/22|T{
-.B "Ossia Sound Bath"
-.sp -0.2
-.I "90 minutes"
-.sp 0.73
-T}|T{
-computer, double bass, saxophone, resonant objects
-.sp .75
-T}|T{
-NY, Rochester: ESM Ray Wright Room
-T}
-10/9/19|T{
-.B "Mobility, on beauty"
-.sp -0.2
-.I "unspecified"
-.sp 0.73
-T}|T{
-multimedia installation
-T}|T{
-FL, Tampa: USF Theatre 2
-.sp .75
-T}
-2/22/19|T{
-.B "A Different City*The Cold Part"
-.sp -0.2
-.I "30 minutes"
-.sp 0.73
-T}|T{
-multimedia installation
-.sp .75
-T}|T{
-FL, Tampa: Contemporary Art Museum at USF
-T}
-.TE
-.sp -1
-\D'l 7.25i 0'
-.sp 0.2
-.heading "(recordings)"
-.ps 10
-.TS
-tab(|) nospaces;
-rW5|lW28|lw37|lx.
-[year]|[title/duration]|[credits]|[tracks]
-2020|T{
-.B "spank; + Logan Barrett"
-.sp -0.2
-.I "73 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp 0
-Logan Barrett, electronics
-.sp 0
-Joshua Mallard & Han Hitchen, recording
-T}|T{
-1) <s}p/a[n)k;
-.br
-2) /hum]
-.br
-3) <bounce}
-.br
-4) [crawl)
-.br
-5) /shimmer>
-.br
-6) (frog}
-.br
-7) [sour>
-.br
-8) {wring/
-.br
-9) <swell)
-.br
-10) {cave]
-.sp .75
-T}
- |T{
-.B "FOR NATE"
-.sp -0.2
-.I "10 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp 0
-Joshua Mallard & Han Hitchen, recording
-.sp .75
-T}|T{
-1) FOR NATE
-T}
- |T{
-.B "What They Bury Themselves For"
-.sp -0.2
-.I "8 minutes"
-T}|T{
-Tucker Johnson, computer
-.sp 0
-John McGovern, guitar
-T}|T{
-1) What They Bury Themselves For
-.sp .75
-T}
-2019|T{
-.B "Maritime Chaparral"
-.sp -0.2
-.I "17 minutes"
-T}|T{
-Tucker Johnson, bassoon
-.sp 0
-Lionel Martinez, percussion
-.sp .75
-T}|T{
-1) three quarter
-.br
-2) no. please do.
-T}
-.TE
-.sp -1
-\D'l 7.25i 0'
-.sp 0.2
--- /dev/null
+\# module - BIO
+.sp 0.5
+.heading "Full Bio"
+.lj
+.sp 0.3
+Tucker Johnson is a composer, performer, and educator pursuing the Ph.D. in Music Composition at the Eastman School of Music in Rochester, NY.
+His musical practice includes works for soloists, ensembles, and electronic media, including pieces designed for indoor and outdoor installation.
+He seeks to create highly organized systems to build connections between philosophy, design, and personal experience. Many of his works commune with music from other times and places, establishing links and references to histories of musical culture.
+Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside a passion for open-source software and teaching.
+.sp 0.3
+Tucker's music has been concertized and honored at festivals and events, including the Dot-The-Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New Jersey), and the Penn State New Music Festival (State College).
+In 2021, he was awarded the Marjorie Jane Brewster Memorial Music Scholarship, given to one graduating Penn State student each year to pay for graduate studies at another institution.
+Additional honors include the Belle S. Gitelman Prize, Peter T. Luckie Award, and Warren Benson Scholarship.
+.sp 0.3
+A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts and served various music organizations throughout his academic career.
+Currently, he serves as technical director of OSSIA New Music, a student-run organization at the Eastman School of Music committed to performing the works of contemporary composers.
+He has also worked with the Hochstein School, WXXI Classical, Penn State's Living Music, and the New Music Consortium.
+Additionally, Tucker serves as a sound engineer, technician, and teaching assistant with the Electronic Music Studios at Eastman (EMusE) and has produced and performed dozens of electroacoustic works in this position with artists and ensembles such as Alarm Will
+Sound, percussionist Dan Druckman, and soprano Jamie Jordan.
+.sp 0.3
+In his research, he has worked to develop approaches to music composition and collaborative improvisation using mathematics, networked computer instruments, machine listening, ambisonics, and other computer-assisted methods, with a tendency to favor recycled and reclaimed computer hardware.
+Listeners can hear this work in improvised performances with Belgian saxophonist Floris Van Der Veken, recordings with percussionist/guitarist John McGovern, and performances with Ossia New Music.
+.sp 0.3
+He holds the MA and Catherine Filene Shouse Arts Leadership Certificate from the Eastman School of Music and the BM from Penn State University.
+He also studied at the University of South Florida.
+He has studied with Robert Morris, Matthew Barber, David Liptak, Baljinder Sekhon, Sarah Genevieve Burghart Rice, and Susanna Hancock.
+Tucker serves as instructor of the Penn State Young Composers Institute, a virtual program for high school students running in the fall and spring.
+.br
+\D'l 7.25i 0'
+.sp 0.3
+.heading "Medium Bio"
+.sp 0.3
+Tucker Johnson is a composer, performer, and educator pursuing the Ph.D. in Music Composition at the Eastman School of Music in Rochester, NY.
+His musical practice includes works for soloists, ensembles, and electronic media, including pieces designed for indoor and outdoor installation.
+He seeks to create highly organized systems to build connections between philosophy, design, and personal experience. Many of his works commune with music from other times and places, establishing links and references to histories of musical culture.
+Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside a passion for open-source software and teaching.
+.sp 0.3
+Tucker's music has been concertized and honored at festivals and events, including the Dot-The-Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New Jersey), and the Penn State New Music Festival (State College).
+Other honors include the Belle S. Gitelman Prize, Marjorie Jane Brewster Memorial Music Scholarship, Peter T. Luckie Award, and Warren Benson Scholarship.
+.sp 0.3
+He holds the MA and Catherine Filene Shouse Arts Leadership Certificate from the Eastman School of Music and the BM from Penn State University.
+He has studied with Robert Morris, Matthew Barber, David Liptak, Baljinder Sekhon, Sarah Genevieve Burghart Rice, and Susanna Hancock.
+Tucker serves as instructor of the Penn State Young Composers Institute, a virtual program for high school students running in the fall and spring.
+.br
+\D'l 7.25i 0'
+.sp 0.3
+.heading "Short Bio A"
+.sp 0.3
+Tucker Johnson is a composer, performer, and educator pursuing the Ph.D. in Music Composition at the Eastman School of Music in Rochester, NY.
+His musical practice includes works for soloists, ensembles, and electronic media, including pieces designed for indoor and outdoor installation.
+He seeks to create highly organized systems to build connections between philosophy, design, and personal experience.
+Many of his works commune with music from other times and places, establishing links and references to histories of musical culture.
+Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside a passion for open-source software and teaching.
+.br
+\D'l 7.25i 0'
+.sp 0.3
+.heading "Short Bio B"
+.sp 0.3
+Tucker Johnson is a composer, performer, and educator whose music has been concertized and honored at festivals and events, including the Dot-The-Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound & NYC), Shastra Rhythm Workshop (New Jersey), and the Penn State New Music Festival (State College).
+In 2021, he was awarded the Marjorie Jane Brewster Memorial Music Scholarship, a scholarship awarded each year to one graduating Penn State student to pay for graduate studies at another institution.
+Additional honors include the Belle S. Gitelman Prize, Peter T. Luckie Award, and Warren Benson Scholarship.
+Tucker completed the MA at the Eastman School of Music under the instruction of Robert Morris, Matthew Barber, and David Liptak. He also completed the BM at Penn State, where he studied with Baljinder Sekhon and Sarah Genevieve Burghart Rice.
+.br
+\D'l 7.25i 0'
+.sp 0.3
+.heading "Very Short Bio/introduction"
+.sp 0.3
+Based in Rochester, New York,
+.B "Tucker Johnson"
+composes works for soloists, ensembles, electronic media, and installations.
+Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside a passion for open-source software and teaching.
+.br
+\D'l 7.25i 0'
--- /dev/null
+\# module - CV
+.heading "Education"
+.TS
+tab(|) nospaces;
+lw24|lx.
+T{
+.B "Eastman School of Music"
+T}|T{
+.B "Doctor of Philosophy" ,
+Music Composition (in progress)
+.br
+.B "Master of Arts" ,
+Music Composition (05/2023)
+.br
+.B "Catherine Filene Shouse Arts Leadership Certificate"
+(05/2023)
+.sp 0.2
+T}
+T{
+.B "Pennsylvania State University"
+T}|T{
+.B "Bachelor of Music" ,
+Music Composition (05/2021)
+.sp 0.2
+T}
+.TE
--- /dev/null
+\# module - LOP CV
+.heading "List of Performances"
+.ps 10.25
+.TS
+tab(|) nospaces;
+rW5|lW30|lw27|lx.
+[date]|[title]|[performer(s)]|[venue]|
+6/14/23|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Katherine Weintraub, Eunmi Ko
+.sp 0.75
+T}|T{
+FL, St. Petersburg: The Palladium
+T}
+3/26/23|T{
+.B "Improvisation"
+.sp -0.2
+.I "[Johnson/Van der Veken]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Floris Van Der Veken
+.sp .75
+T}|T{
+NY, Rochester: Klibourn Hall
+T}
+3/24/23|T{
+.B "Settle the Score"
+.sp -0.2
+.I "[mixed quartet, computer]"
+.sp 0.73
+T}|T{
+Katie Eaton, Nathan McKinstry, Austin White, Artur Korotin, Amber Lucas
+.sp .75
+T}|T{
+PA, State College: Esber Hall
+T}
+3/3/23|T{
+.B "...for me, the cowbell..."
+.sp -0.2
+.I "[percussion]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+2/1/23|T{
+.B "Fifteen Keyboard Inventions"
+.I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
+T}|T{
+Ko Muramatsu
+T}|T{
+NY, Rochester: Kilbourn Hall
+.sp .75
+T}
+T{
+.BI "2022"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/17/22|T{
+.B "Fifteen Keyboard Inventions"
+.I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
+T}|T{
+Zihan Wu
+T}|T{
+NY, Rochester: Hatch Recital Hall
+.sp .75
+T}
+11/14/22|T{
+.B "I AM COVERED IN STARCH"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+9/10/22|T{
+.B "Ossia Fluxus Improvisation"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Zoe Markle, Floris Van Der Veken
+.sp .75
+T}|T{
+NY, Rochester: ESM Ray Wright Room
+T}
+9/28/22|T{
+.B "Improvisation"
+.sp -0.2
+.I "[Johnson/Van der Veken]"
+.sp 0.73
+T}|T{
+Tucker Johnson, Floris Van Der Veken
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+9/19/22|T{
+.B "Fifteen Keyboard Inventions"
+.I "selections"
+.sp -0.2
+.I "[keyboard]"
+.sp 0.73
+T}|T{
+Xingyi Chen
+T}|T{
+NY, Rochester: Hatch Recital Hall
+.sp .75
+T}
+4/7/22|T{
+.B "Settle the Score"
+.sp -0.2
+.I "[mixed quartet, computer]"
+.sp 0.73
+T}|T{
+Katie Eaton, Nathan McKinstry, Logan Barrett, Artur Korotin
+.sp .75
+T}|T{
+NY, Rochester: Hatch Recital Hall
+T}
+2/12/22|T{
+.B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+PA, State College: New Recital Hall
+.sp .75
+T}
+2/2/22|T{
+.B "Settle the Score"
+.sp -0.2
+.I "[computer]"
+.sp 0.73
+T}|T{
+computer: quadrophonic playback
+T}|T{
+NY, Rochester: Kilbourn Hall
+.sp 1.75
+T}
+T{
+.BI "2021"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/10/21|T{
+.B "Commonplace Common Tones"
+.sp -0.2
+.I "[sinfonietta]"
+.sp 0.73
+T}|T{
+Eastman Graduate Composers' Sinfonietta, Nicholas Sharma
+.sp .75
+T}|T{
+NY, Rochester: Kilbourn Hall
+T}
+5/4/21|T{
+.B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+4/25/21|T{
+.B "Falling Paths, Coloring Grounds"
+.sp -0.2
+.I "[cello, computer]"
+.sp 0.73
+T}|T{
+Hudson Webber
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "The Ecstasy of Communication"
+.sp -0.2
+.I "[snare drum, triggered media]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "A Presence Within Reassembly"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+quadrophonic playback
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
+T}|T{
+Amber Lucas
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Falling Paths, Coloring Grounds"
+.sp -0.2
+.I "[cello, computer]"
+.sp 0.73
+T}|T{
+Hudson Webber
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/24/21|T{
+.B "Injunctions of Bruckner"
+.sp -0.2
+.I "[vibraphone, computer]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+4/16/21|T{
+.B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
+T}|T{
+Amber Lucas
+T}|T{
+PA, State College: Esber Recital Hall
+.sp .75
+T}
+3/30/21|T{
+.B "Wears and Tears"
+.sp -0.2
+.I "[clarinet, computer]"
+.sp 0.73
+T}|T{
+Amber Lucas
+T}|T{
+Online Event - Penn State International New Music Festival
+.sp .75
+T}
+T{
+.BI "2020"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/20/20|T{
+.B "The Ecstasy of Communication"
+.sp -0.2
+.I "[snare drum, triggered media]"
+.sp 0.73
+T}|T{
+John McGovern
+T}|T{
+MD, University Park: Gildenhorn Recital Hall
+.sp .75
+T}
+10/23/20|T{
+.B "A Presence Within Reassembly"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+quadrophonic playback
+T}|T{
+PA, State College: Water Tower Plaza
+.sp .75
+T}
+7/5/20|T{
+.B "All of my Life's Work Until This Point"
+.sp -0.2
+.I "[cello]"
+.sp 0.73
+T}|T{
+Eduard Teregulov
+T}|T{
+Online Event - (recorded in Dade City, FL)
+.sp .75
+T}
+T{
+.BI "2019"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+12/2/19|T{
+.B "-------"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+T}|T{
+FL, Tampa: Barness Recital Hall
+.sp .75
+T}
+11/22/19|T{
+.B "Or Maybe While Crossing"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Corvus Ensemble
+T}|T{
+NY, NYC: Federal Hall Memorial
+.sp .75
+T}
+11/7/19|T{
+.B "WE CANNOT POST IN SUMMER"
+.sp -0.2
+.I "[sinfonietta]"
+.sp 0.73
+T}|T{
+USF Student Sinfonietta
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+.sp .75
+T}
+10/12/19|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Doug O'Connor, Eunmi Ko
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+10/9/19|T{
+.B "Mobility, on beauty"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+collaborative installation
+T}|T{
+FL, Tampa: USF Theatre 2
+.sp .75
+T}
+10/7/19|T{
+.B "I AM COVERED IN STARCH"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+T}|T{
+FL, Tampa: Barness Recital Hall
+.sp .75
+T}
+8/10/19|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Dade City: Heritage and Cultural Museum
+.sp .75
+T}
+7/12/19|T{
+.B "WRITE/TAKE"
+.sp -0.2
+.I "[guitar duo]"
+.sp 0.73
+T}|T{
+Dieter Hennings, John Rivera Pico
+T}|T{
+Italy, Cesena: Conservatorio Bruno Maderna
+.sp .75
+T}
+5/31/19|T{
+.B "CO"
+.sp -0.2
+.I "[saxophone, piano]"
+.sp 0.73
+T}|T{
+Changhoon Lee, Jieun Shin
+.sp .75
+T}|T{
+South Korea, Jeonju: Sori Arts Center
+T}
+5/11/19|T{
+.B "JetFuel"
+.sp -0.2
+.I "[orchestra]"
+.sp 0.73
+T}|T{
+Tampa Metropolitan Youth Orchestra, William Weidrich
+.sp .75
+T}|T{
+FL, Tampa: Concert Hall at USF
+T}
+4/22/19|T{
+.B "All of My Life's Work Until This Point"
+.sp -0.2
+.I "[cello]"
+.sp 0.73
+T}|T{
+Sydney Andersen
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+2/22/19|T{
+.B "A Different City*The Cold Part"
+.sp -0.2
+.I "[installation]"
+.sp 0.73
+T}|T{
+RAMP GROUP
+.sp .75
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+T}
+2/8/19|T{
+.B "Four Weeks Now"
+.sp -0.2
+.I "[string quartet]"
+.sp 0.73
+T}|T{
+Luz Vasquez, KaleyAnna Raabe, Daphne Waggener, Sydney Andersen
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+T{
+.BI "2018"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/26/18|T{
+.B "The Identity of Policing"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Space Flight Participant"
+.sp -0.2
+.I "[double bass]"
+.sp 0.73
+T}|T{
+Keon Sahbkar
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Would Also Feel the Need to Enjoy"
+.sp -0.2
+.I "[prepared midi keyboard]"
+.sp 0.73
+T}|T{
+Sohyun Lim
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "This First Semester is Dedicated"
+.sp -0.2
+.I "[trumpet, bassoon]"
+.sp 0.73
+T}|T{
+Bradley Mikesel II, Tucker Johnson
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/17/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+11/16/18|T{
+.B "Space Flight Participant"
+.sp -0.2
+.I "[double bass]"
+.sp 0.73
+T}|T{
+Keon Sahbkar
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/29/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Saint Petersburg: Studio 620
+T}
+9/27/18|T{
+.B "Time in North Dakota"
+.sp -0.2
+.I "[viola]"
+.sp 0.73
+T}|T{
+Daphne Waggener
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/27/18|T{
+.B "References to the Antichrist in eccleciastical writings"
+.sp -0.2
+.I "[violin]"
+.sp 0.73
+T}|T{
+Bennett Astrove
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+9/2/18|T{
+.B "There's almost never a point in time when there's no one walking in the hallways"
+.sp -0.2
+.I "[fixed media]"
+.sp 0.73
+T}|T{
+stereo playback
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+8/12/18|T{
+.B "...for the discernment of vocations with..."
+.sp -0.2
+.I "[tabla, mallet quartet]"
+.sp 0.73
+T}|T{
+Shawn Mativetsky, New Jersey Percussion Ensemble
+.sp .75
+T}|T{
+NJ, Wayne: William Patterson University
+T}
+4/16/18|T{
+.B "Numlock"
+.sp -0.2
+.I "[woodwind quintet]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+4/13/18|T{
+.B "Numlock"
+.sp -0.2
+.I "[woodwind quintet]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Vagelis Petropolous, Han Hitchen, Brendon Sill, Alexandro Russo
+.sp .75
+T}|T{
+FL, Tampa: USF Instrumental Rehearsal Hall
+T}
+3/5/18|T{
+.B "Grater Brute"
+.sp -0.2
+.I "[flute, marimba]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Lionel Martinez
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+3/2/18|T{
+.B "Transportation in Metropolitan Detroit"
+.sp -0.2
+.I "[piano]"
+.sp 0.73
+T}|T{
+Logan Barrett
+.sp .75
+T}|T{
+FL, Tampa: USF Choral Rehearsal Hall
+T}
+3/2/18|T{
+.B "Grater Brute"
+.sp -0.2
+.I "[flute, marimba]"
+.sp 0.73
+T}|T{
+Kevin Baylen, Lionel Martinez
+.sp .75
+T}|T{
+FL, Tampa: USF Choral Rehearsal Hall
+T}
+T{
+.BI "2017"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+11/17/17|T{
+.B "r9-13\\\I TERDI..."
+.sp -0.2
+.I "[multi-percussion]"
+.sp 0.73
+T}|T{
+Kaycie Howell
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+10/20/17|T{
+.B "Transportation in Metropolitan Detroit"
+.sp -0.2
+.I "[piano]"
+.sp 0.73
+T}|T{
+Logan Barrett
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+7/8/17|T{
+.B "In the Shape of the Sky"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+5/8/17|T{
+.B "Walkin' With Billy"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+5/8/17|T{
+.B "Designations"
+.sp -0.2
+.I "[saxophone]"
+.sp 0.73
+T}|T{
+Kendric McAllister
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+T{
+.BI "2016"
+T}| \(em \(em \(em \(em | \(em \(em \(em \(em | \(em \(em \(em \(em
+ |
+12/7/16|T{
+.B "Walkin' With Billy"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Tampa: Barness Recital Hall
+T}
+7/29/16|T{
+.B "Morning Chase"
+.sp -0.2
+.I "[mixed quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+7/29/16|T{
+.B "Letters Unwritten"
+.sp -0.2
+.I "[brass quintet]"
+.sp 0.73
+T}|T{
+Kinhaven Student Ensemble
+.sp .75
+T}|T{
+VT, Weston: Kinhaven School of Music
+T}
+5/24/16|T{
+.B "Ephemeral Sketches"
+.sp -0.2
+.I "[saxophone, cello]"
+.sp 0.73
+T}|T{
+Britney Waggott, Miranda Godfrey
+.sp .75
+T}|T{
+FL, Saint Petersburg: Pinellas County Center for the Arts
+T}
+5/24/16|T{
+.B "Letters Unwritten"
+.sp -0.2
+.I "[brass quintet]"
+.sp 0.73
+T}|T{
+Pinellas County Center for the Arts Student Ensemble
+.sp .75
+T}|T{
+FL, Saint Petersburg: Pinellas County Center for the Arts
+T}
+.TE
--- /dev/null
+\# module - LOW CV
+.heading "Complete List of Replicable Work (through performance and playback)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW50|lw10|lx.
+[year]|[title]|[duration]|[forces]
+2023|T{
+.B "Circumnutation"
+.I "(fifteen inventions)"
+T}|11 minutes|T{
+keyboard instruments
+.sp .75
+T}
+ |T{
+.B "...for me, the cowbell..."
+T}|8 minutes|T{
+percussion
+T}
+ |T{
+.I "commissioned by John McGovern"
+.sp .75
+T}| |T{
+.sp .75
+T}
+2022|T{
+.B "Settle the Score"
+.I "in one or five parts"
+T}|1-5 minutes|T{
+english horn, trumpet, electric guitar, violin, computer
+.sp .75
+T}
+ |T{
+.B "Mutable Subjects"
+T}|1-14 minutes|T{
+marimba, computer
+T}
+ |T{
+.I "commissioned by Michael Standard"
+.sp .75
+T}| |T{
+.sp .75
+T}
+2021|T{
+.B "Commonplace Common Tones"
+T}|7 minutes|T{
+sinfonietta
+T}
+ |T{
+.I "commissioned by the Eastman Graduate Composers' Sinfonietta"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "Even the Pieces I can't Remember"
+T}|14 minutes|T{
+percussion, piano
+T}
+ |T{
+.I "commissioned by Eunmi Ko and Bob McCormick"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "Enter Ghost"
+T}|5 minutes|T{
+voice, trumpet, bass clarinet, trombone
+.sp .75
+T}
+ |T{
+.B "Wears and Tears"
+T}|5 minutes|T{
+clarinet, computer
+.sp .75
+T}
+ |T{
+.B "Injunctions of Bruckner: Aequale no. 1 & 2"
+T}|2 minutes|T{
+vibraphone, live-processing
+.sp .75
+T}
+ |T{
+.B "Transpile"
+T}|8 minutes|T{
+alto saxophone
+.sp .75
+T}
+2020|T{
+.B "Falling Paths, Coloring Grounds"
+T}|10 minutes|T{
+cello, computer
+.sp .75
+T}
+ |T{
+.B "Moment/Time \(enPractice"
+T}|variable|T{
+open
+.sp .75
+T}
+ |T{
+.B "The Ecstasy of Communication"
+T}|10-25 minutes|T{
+snare drum, triggered media
+T}
+ |T{
+.I "commissioned by John McGovern"
+.sp .75
+T}| |T{
+.sp .75
+T}
+ |T{
+.B "A Presence Within Reassembly"
+T}|5 minutes|T{
+quadrophonic fixed media
+.sp .75
+T}
+2019|T{
+.B "------------"
+T}|22 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "Or Maybe While Crossing"
+.sp 0
+.I "commissioned by Corvus and Composing in the Wilderness
+T}|6 1/2 minutes|T{
+flute, saxophone, violin, cello, percussion
+.sp .75
+T}
+ |T{
+.B "I AM COVERED IN STARCH"
+T}|6 minutes|T{
+fixed media
+.sp .75
+T}
+ |T{
+.B "We Cannot Post in Summer"
+T}|10 minutes|T{
+sinfonietta
+.sp .75
+T}
+ |T{
+.B "WRITE/TAKE"
+.sp 0
+.I "for soundSCAPE"
+.sp .75
+T}|6 minutes|T{
+guitar duo
+T}
+ |T{
+.B "CO"
+T}|6 minutes|T{
+alto saxophone, piano
+.sp .75
+T}
+2018|T{
+.B "All of My Life's Work Up Until This Point"
+T}|5 minutes|T{
+cello
+.sp .75
+T}
+ |T{
+.B "JetFuel"
+T}|4 minutes|T{
+orchestra
+T}
+ |T{
+.I "commissioned by the Tampa Metropolitan Youth Orchestra"
+.sp .75 T}| |T{
+T}
+ |T{
+.B "...for the discernment of vocations with..."
+.sp 0
+.I "for SHASTRA"
+.sp .75
+T}|8 minutes|T{
+tabla, mallet quartet
+.sp .75
+T}
+2017|T{
+.B "Grater Brute"
+T}|3 minutes|T{
+flute, marimba
+.sp .75
+T}
+ |T{
+.B "r9-13\\\I TERDI..."
+T}|8 minutes|T{
+multi-percussion
+.sp .75
+T}
+ |T{
+.B "Transportation in Metropolitan Detroit"
+T}|7 minutes|T{
+piano
+.sp .75
+T}
+ |T{
+.B "In the Shape of the Sky"
+T}|6 minutes|T{
+2 trumpets, 2 trombones, vibraphone, percussion
+.sp .75
+T}
+ |T{
+.B "Designations"
+T}|12 minutes|T{
+tenor saxophone
+.sp .75
+T}
+.TE
+.sp -1
+\D'l 7.25i 0'
+.sp 0.2
+.heading "Complete List of Non-replicable Work"
+.heading "(installations)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW30|lw27|lx.
+[date]|[title/duration]|[forces]|[venue]|
+11/10/22|T{
+.B "Ossia Sound Bath"
+.sp -0.2
+.I "90 minutes"
+.sp 0.73
+T}|T{
+computer, double bass, saxophone, resonant objects
+.sp .75
+T}|T{
+NY, Rochester: ESM Ray Wright Room
+T}
+10/9/19|T{
+.B "Mobility, on beauty"
+.sp -0.2
+.I "unspecified"
+.sp 0.73
+T}|T{
+multimedia installation
+T}|T{
+FL, Tampa: USF Theatre 2
+.sp .75
+T}
+2/22/19|T{
+.B "A Different City*The Cold Part"
+.sp -0.2
+.I "30 minutes"
+.sp 0.73
+T}|T{
+multimedia installation
+.sp .75
+T}|T{
+FL, Tampa: Contemporary Art Museum at USF
+T}
+.TE
+.sp -1
+\D'l 7.25i 0'
+.sp 0.2
+.heading "(recordings)"
+.ps 10
+.TS
+tab(|) nospaces;
+rW5|lW28|lw37|lx.
+[year]|[title/duration]|[credits]|[tracks]
+2020|T{
+.B "spank; + Logan Barrett"
+.sp -0.2
+.I "73 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp 0
+Logan Barrett, electronics
+.sp 0
+Joshua Mallard & Han Hitchen, recording
+T}|T{
+1) <s}p/a[n)k;
+.br
+2) /hum]
+.br
+3) <bounce}
+.br
+4) [crawl)
+.br
+5) /shimmer>
+.br
+6) (frog}
+.br
+7) [sour>
+.br
+8) {wring/
+.br
+9) <swell)
+.br
+10) {cave]
+.sp .75
+T}
+ |T{
+.B "FOR NATE"
+.sp -0.2
+.I "10 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp 0
+Joshua Mallard & Han Hitchen, recording
+.sp .75
+T}|T{
+1) FOR NATE
+T}
+ |T{
+.B "What They Bury Themselves For"
+.sp -0.2
+.I "8 minutes"
+T}|T{
+Tucker Johnson, computer
+.sp 0
+John McGovern, guitar
+T}|T{
+1) What They Bury Themselves For
+.sp .75
+T}
+2019|T{
+.B "Maritime Chaparral"
+.sp -0.2
+.I "17 minutes"
+T}|T{
+Tucker Johnson, bassoon
+.sp 0
+Lionel Martinez, percussion
+.sp .75
+T}|T{
+1) three quarter
+.br
+2) no. please do.
+T}
+.TE
+.sp -1
+\D'l 7.25i 0'
+.sp 0.2
--- /dev/null
+\# module - CV
+.heading "Roles and Experience"
+.XP
+.B "Penn State Young Composers Institute"
+\(en Instructor (since 06/2023)
+.br
+teach classes;
+write curriculum;
+organize and edit recording sessions
+.XP
+.B "OSSIA New Music"
+\(en Technical Director/Webmaster (since 05/2023)
+.br
+oversee technical and electronic components of OSSIA performances;
+maintain spreadsheets and forms for repertoire, commission proposals, and call for scores
+.XP
+.B "Electronic Music Studios @ Eastman (EMusE)"
+\(en Teaching Assistant/Sound Engineer/Technician (since 08/2021)
+.br
+instruct graduate and undergraduate computer music students;
+provide equipment and services for Eastman concerts (5-7 per semester);
+maintain equipment and facilities
+.XP
+.B "WXXI Classical"
+\(en Classical Intern (01/2023 - 05/2023)
+.br
+write blog posts;
+record small radio spots;
+assist with live concert broadcasts
+.XP
+.B "The Hochstein School"
+\(en Development Intern (08/2022 - 12/2022)
+.br
+assist in fundraising campaigns;
+send mail to donors;
+shadow Hochstein grant-writing;
+research donors;
+use Bloomerang donor management systems
+.XP
+.B "Living Music @ Penn State"
+\(en President (03/2020 - 05/2021)
+.br
+organize and maintain organization rosters;
+oversee funding requests;
+host and produce weekly radio show;
+produce events and concerts (International New Music Festival, Call for Scores, etc.)
+.XP
+.B "ROARS Recording Studios at Penn State"
+\(en Recording Engineer (01/2020 - 05/2021)
+.br
+produce recordings for Penn State students and faculty;
+assist in concert production for concerts (3-5 per semester);
+maintain ROARS studio equipment and facilities
+.XP
+.B "The New Music Consortium"
+\(en Logistics Coordinator/Librarian (08/2017 - 12/2019)
+.br
+organized rehearsals;
+oversaw music rentals;
+provided scores and parts to performers
+.LP
--- /dev/null
+\# module LOW LOP CV RES BIO
+.ce 0
+.ps 18
+.B "Tucker Johnson"
+.ps 10
+.I "composer, performer, educator"
+(updated \n(mo/\ny)
+.sp -0.5
+\D'l 4.7i 0 '\D'P -0.6m 0 0 -0.6m -0.6m 0'
+.sp -1
+.TS
+tab(|) nospaces;
+l rx.
+169 spring tree ln|T{
+.I "tucker [@] newer.systems"
+T}
+Rochester, NY|T{
+.I "(727) 483-3689"
+T}
+14612|T{
+.I "https://newer.systems"
+T}
+.TE