+++ /dev/null
-| | | | | | | | |
-|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|
-| *(0* | *7* | *83* | *t5* | *2)* | *(68* | *4e* | *t* |
-| *(42* | *e0* | *96* | *7)* | *(9* | *t* | *0* | *42* |
-| *(5* | *4* | *e* | *2* | *70)* | *(34* | *7* | *5* |
-| *(79* | *52* | *4* | *0* | *e)* | *(1* | *2* | *79* |
-| *(e* | *9* | *1* | *38* | *46)* | *(e* | *69 | *0* |
+++ /dev/null
-| *2176543* | *2176543* | *2176543* | *2176543* | *2176543* | *2176543* | *2176543* | *2176543* | *1765432* | *1765432* | *1765432* | *1765432* | *1765432* | *1765432* | *1765432* | *1765432* | *7654321* | *7654321* | *7654321* | *7654321* | *7654321* | *7654321* | *7654321* | *7654321* |
-|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|-----------:|
-| | | | | | | | | | | | | | | | | | | | | | | | |
-| *2e974* | *16* | *30t85* | *27* | *41e96* | *38* | *520t7* | *49* | *31e86* | *5t* | *42097* | *6e* | *531t8* | *70* | *642e9* | *81* | *7530t* | *92* | *8641e* | *t3* | *97520* | *e4* | *t8631* | *50* |
-| *05* | *42e97* | *16* | *530t8* | *27* | *641e9* | *38* | *7520t* | *49* | *631e8* | *5t* | *74209* | *6e* | *8531t* | *70* | *9642e* | *18* | *7530t* | *29* | *8641e* | *3t* | *97520* | *4e* | *t8631* |
-| | | | | | | | | | | | | | | | | | | | | | | | |
-| *(34)* | *(34)* | *(34)* | *(24)* | *(24)* | *(23)* | *(23)* | *(14)* | *(14)* | *(13)* | *(13)* | *(12)* | *(12)* | *(12)* | *(12)* | *(23)* | *(23)* | *(14)* | *(14)* | *(24)* | *(24)* | *(13)* | *(13)* | *(34)* |
+++ /dev/null
-| [1234567] |
-|-----------:|
-| *024579e* |
-| *13568t0* |
-| *24679e1* |
-| *3578t02* |
-| *4689e13* |
-| *579t024* |
-| *68te135* |
-| *79e0246* |
-| *8t01357* |
-| *9e12468* |
-| *t023579* |
-| *e13468t* |
+++ /dev/null
-### m-1
-
-| 3462571 | 4326517 | 4236157 | 4231657 | 2413567 | 2143567 | 1234567 |
-|:-------:|:-------:|:-------:|:-------:|:-------:|:-------:|:-------:|
-| 8916e34 | t972054 | 2e16948 | 7462e91 | 907e246 | 1e4368t | 024579e |
+++ /dev/null
-### m 19
-
-
-| *e024579* | *9t02357* | *89e1246* | *78t0135* | *79t0235* | *8te1346* |
-|:---------:|:---------:|:---------:|:---------:|:---------:|:---------:|
-| {e209- | -9057} | {e146 | 8t3}{5 | 7902 | e1}{36 |
-| {05 | t3 | 82 | 7}{1 | t3 | 84 |
-| {7 | 2 | 9 | 0 | 5 | t |
-| (7123456) | (7123456) | (7123456) | (7123456) | (6712345) | (6712345) |
-
-
-| *3568te1* | *e124679* | *4689e12* | *79e0245* | *468te13* | *024579e* |
-|:---------:|:---------:|:---------:|:---------:|:---------:|:---------:|
-| 58t1 | e}{467 | 9e12} | {7e90 | 461}{3 | 0279 |
-| 6e} | {12 | 68 | 45 | e}{8 | 4e |
-| 3} | {9 | 4 | 2 | t | 5 |
-| (6712345) | (6712345) | (5671234) | (5671234) | (4567123) | (5671234) |
-
-
-| *t024579* | *679e124* | |
-|:---------:|:---------:|:----:|
-| t5}{47 | 9e24 | (6) |
-| 29 | 61} | |
-| 0 | 7} | |
-| (4567123) | (3456712) | |
-
+++ /dev/null
-### m 2 (331)
-
-| *024579e* | *e024579* | *4579t02* | *023578t* | *4579t02* |
-|:---------:|:---------:|:---------:|:---------:|:---------:|
-| {079 | e24 | 5}{70- | -038 | 5t2} |
-| {24e | 057 | 9}{t2- | -257 | 94{0} |
-| {5 | 9 | 4 | t | 7- |
-| (1234567) | (7123456) | (7123456) | (6712345) | (7123456) |
-
-
-| *e124679* | *9e02457* | *78t0135* | *t013568* | *68te134* |
-|:---------:|:---------:|:---------:|:---------:|:---------:|
-| {126 | 9e4 | 8}{35 | 018 | 6t}{e |
-| e49 | 257} | {701 | t35 | 8}{14- |
-| -7 | 0 | t | 6 | 3- |
-| (6712345) | (6712345) | (7123456) | (6712345) | (5671234) |
-
-
-| *134689e* | *9e12467* | *79e0245* | *579t023* | *8t02357* |
-|:---------:|:---------:|:---------:|:---------:|:---------:|
-| 169- | -947- | -72}{4 | 590- | -027 |
-| -48e- | -e26 | 9}{05 | 723 | 8t}{5 |
-| -3} | {1 | e | t | 3- |
-| (6712345) | (5671234) | (5671234) | (5671234) | (4567123) |
-
-
-| *68te134* | *468te13* | *024679e* | *024679e* | *579e024* |
-|:---------:|:---------:|:---------:|:---------:|:---------:|
-| e}{14 | 68e | 2{9}e | 024 | 57}(9) |
-| 68t- | -t13 | 0}{67- | -79e | 024} |
-| -3 | 4- | -4 | 6} | (e) |
-| (5671234) | (4567123) | (4567123) | (4567123) | (4567123) |
-
-
+++ /dev/null
-### mov 20 array
-
-| *1e97642* | *86421e9* | *875310t* | *431et86* | *86531et* | *1et8643* | *86431e9* | |
-|:--------- |:--------- |:--------- |:--------- |:--------- |:--------- |:--------- |:---- |
-| {(6)42 | 1e9 | 7}{30 | t86 | 51}{3 | et8- | -841 | (6)} |
-| {(1)e | 86 | 5t | 3}{1 | 8t | 43 | 6e} | |
-| {(9) | 4 | 1 | e | 6 | 1 | 3} | |
-| {(7) | 2 | 8 | 4 | e | 6 | 9} | |
-| (7654321) | (7654321) | (1765432) | (1765432) | (2176543) | (2176543) | (3217654) | |
+++ /dev/null
- ### "Ionian" Array
-
-| (15) | (8) | (13) | (6) | (5) | (10) | (9) | (12) | (2) | (3) | (14) | (7) | (4) | (11) | (1) |
-|:---- |:--- |:---- |:----- |:----- |:---- |:---- |:---- |:------- |:------ |:----- |:------ |:----- |:----- |:-------- |
-| {9 | e12 | | 46 | | 8- | | | | | -8} | | | (6) | |
-| {7 | 9 | e | | 024 | | 6}{8 | t | | 01357} | {2- | 2- | | | 24679e1} |
-| {5 | | 79 | | | t0 | 24- | | | | -4} | {0 | 24579 | e} | |
-| {2 | 467 | | | | | 9e1} | {20 | | t8- | | -8753} | | (7) | |
-| {0 | | 24 | | 579e- | | | | | | -e- | | -e} | (9) | |
-| {4 | | 6 | 89e1- | | -1 | | 3}{5 | 7 | | 9 | t | 0- | -024} | |
-| {t | | 0 | 2 | | 357 | | 9}{7 | 9e0246- | | 6}(1) | | | | |
-
-
-| (15) | (8) | (13) | (6) |
-|:---- |:--- |:---- |:----- |
-| {t | 024 | | 57 |
-| {8 | t | 0 | |
-| {6 | | 8t | |
-| {3 | 579 | | |
-| {1 | | 35 | |
-| {5 | | 7 | 9e02- |
-| {e | | 1 | 3 |
+++ /dev/null
-### Invention 3
-
-| 1^7^ | 2^2^1^3^| 3^2^1 | 52 | 43 | 421 | 322 | 21^6^ | 321^2^ | 31^3^ | 2^3^1 | 41^3^ | 51^2^ | 61 | 7 |
-|:----:|:-------:|:-----:|:------:|:-----:|:-----:|:----:|:------:|:------:|:-----:|:-----:|:-----:|:-------:|:-------:|:---------:|
-| {3 | 46 | | | 8te1} | | | | {0t | 975- | -5 | 3 | | 2} | |
-| {8 | 9 | e | | | 13 | 46- | -6} | {754 | 2 | 0t | | | | (9) |
-| {5 | | 68t | | | 0 | 13- | -3} | | | | {2 | | 0e9754} | |
-| {6 | 7- | | -79e12 | | | | 4} | | | | | | | {3468te1} |
-| {0 | | 135 | | | 578t- | | -t}{1 | 2 | 4 | 68 | | 9 | | (e) |
-| {t | e1 | | | 356 | | | 8} | {9 | t | | 0- | -02457} | | |
-| {1 | 2 | | 46 | | | 89e- | -e} | | 0 | 13 | 578t- | -t} | | |
-
+++ /dev/null
-| | | | | | | | | | | | | | | | |
-| ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | ''1765432'' | | | | | | | | |
-| :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | | | | | | | | |
-| ''31e86'' | ''5t'' | ''42097'' | ''6e'' | ''531t8'' | ''70'' | ''642e9'' | ''81'' | | | | | | | | |
-| ''49'' | ''631e8'' | ''5t'' | ''74209'' | ''6e'' | ''8531t'' | ''70'' | ''9642e'' | | | | | | | | |
-| | | | | | | | | | | | | | | | |
-| ''(14)'' | ''(13)'' | ''(13)'' | ''(12)'' | ''(12)'' | ''(12)'' | ''(12)'' | ''(23)'' | | | | | | | | |
-| | | | | | | | | | | | | | | | |
-| ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | ''7654321'' | | | | | | | | |
-| :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | :-----: | | | | | | | | |
-| ''7530t'' | ''92'' | ''8641e'' | ''t3'' | ''97520'' | ''e4'' | ''t8631'' | ''50'' | | | | | | | | |
-| ''18'' | ''7530t'' | ''29'' | ''8641e'' | ''3t'' | ''97520'' | ''4e'' | ''t8631'' | | | | | | | | |
-| | | | | | | | | | | | | | | | |
-| ''(23)'' | ''(14)'' | ''(14)'' | ''(24)'' | ''(24)'' | ''(13)'' | ''(13)'' | ''(34)'' | | | | | | | | |
+++ /dev/null
-### sequences order
-
-2
-3
-5
-1
-4
-6
-0
--- /dev/null
+\version "2.22.2"
+\paper {
+ #(set-paper-size "letter")
+ print-all-headers = ##t
+ top-margin = 0.8\cm
+ bottom-margin = 0.8\cm
+ left-margin = 2\cm
+ right-margin = 2\cm
+ indent = 1.3\cm
+ short-indent = 0\cm
+ #(define fonts
+ (set-global-fonts
+ #:music "haydn"
+ #:brace "haydn"
+ #:roman "Junicode"
+ ))
+ max-systems-per-page = #7
+ system-system-spacing =
+ #'((basic-distance . 5)
+ (minimum-distance . 5)
+ (padding . 8))
+ score-system-spacing =
+ #'((basic-distance . 4)
+ (minimum-distance . 4)
+ (padding . 5))
+}
\concat { \on-the-fly #(on-page 26) \evfoot }
\concat { \on-the-fly #(on-page 28) \evfoot }
}
- #(set-paper-size "letter")
- print-all-headers = ##t
- top-margin = 0.8\cm
- bottom-margin = 0.8\cm
- left-margin = 2\cm
- right-margin = 2\cm
- indent = 1.3\cm
- short-indent = 0\cm
- #(define fonts
- (set-global-fonts
- #:music "haydn"
- #:brace "haydn"
- #:roman "Junicode"
- ))
- max-systems-per-page = #7
- system-system-spacing =
- #'((basic-distance . 5)
- (minimum-distance . 5)
- (padding . 8))
- score-system-spacing =
- #'((basic-distance . 4)
- (minimum-distance . 4)
- (padding . 5))
+
}
+++ /dev/null
-\version "2.20.0" %commonplace Common Tones engraver file
-
-%------called files------
-\include "eng-files/pp-variables.ly"
-\include "eng-files/pp-paper.ly"
-\include "front-matter/pp-p-notes.ly"
-\include "front-matter/pp-bio.ly"
-\include "front-matter/pp-back-cover.ly"
-\include "front-matter/pp-outside-cover.ly"
-\include "front-matter/pp-inside-cover.ly"
-\include "front-matter/pp-front-matter.ly"
-\include "manuscripts/1i.ly"
-\include "manuscripts/2i.ly"
-\include "manuscripts/3i.ly"
-\include "manuscripts/4i.ly"
-\include "manuscripts/13i.ly"
-\include "manuscripts/pp-i19.ly"
-\include "manuscripts/pp-i20.ly"
-\include "manuscripts/pp-i21.ly"
-\include "eng-files/pp-document-structure.ly"
--- /dev/null
+\version "2.20.0" %back cover
+
+backcover = \markuplist { \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #1
+ \line { \hbracket \bold \concat { "about " \xcomp } }
+ \vspace #1
+ \xbio
+ \vspace #1.3
+ \line { ================================= }
+ \vspace #1.3
+ \override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(strftime "%m-%d-%Y" (localtime (current-time))), using LilyPond version 2.20.0. If you would like to view the most recent version of this score and the input documents that generated it, visit the repository at \bold https://github.com/tuckerjohnson/Settle-the-Score.}
+ }
+ \line { \null }
+ }
+}
--- /dev/null
+\version "2.20.0"
+
+xbio = \markup { \center-column { \override #'(line-width . 75) \justify \tiny { Currently based in Rochester, New York, Tucker Johnson's musical practice includes works for soloists, ensembles, and electronic media. }
+ \vspace #0.8
+ \override #'(line-width . 75) \justify \tiny { His music has been programmed and honored at festivals and events, including the inaugural Dot-The- Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound, NYC), Shastra Rhythm Workshop, 2018 MCS Elements showcase, and the National Young Composers' Challenge. In addition, Tucker received two awards for Outstanding Undergraduate Research at Penn State: the Peter T. Luckie Award in the spring of 2020 (a presence within reassembly) and the First Place Oral Presentation in 2021 (Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears). Interested in interdisciplinary practice, He served as a collaborative creator in a workshop with artist Nick Cave and the "Music for the Visible Turn" concert at the University of South Florida Contemporary Art Museum in 2019. }
+ \vspace #0.8
+ \override #'(line-width . 75) \justify \tiny { He seeks to draw connections between philosophy, mathematics, and design through his work. These ideas are often synthesized through a blend of experimentation and highly organized systems. Recent explorations in Tucker's music have included prescriptive applications of mathematical relationships/number sequences, the reorganization of improvised materials, and 12-tone structures. Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside interests in visual art, open-source software, and teaching. }
+ \vspace #0.8
+ \override #'(line-width . 75) \justify \tiny { A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts. From 2017-2019 he served as a production team member, librarian, and logistics coordinator for the New Music Consortium at the University of South Florida, a student organization dedicated to the performance and promotion of new music. Tucker helped coordinate the 2018 USF New Music Festival, the 2019 International Call for Scores, and several other events during his time with the organization. In 2020 he helped to relaunch Penn State's Living Music student organization. As president of Living Music, he coordinated several guest lectures, a weekly radio show, and the inaugural Penn State International New Music Festival. In Fall of 2021, he began co-hosting and producing the monthly podcast Earshot for Contemporary Art Music Project (CAMP). }
+ \vspace #0.8
+ \override #'(line-width . 75) \justify \tiny { Tucker received the BM in music composition from the Pennsylvania State University, where his composition teachers were Baljinder Sekhon and Steven Rice. He previously studied with Susanna Hancock and Paul Reller at the University of South Florida. Tucker is pursuing the MA in music composition at the Eastman School of Music, where he serves as a teaching assistant for the Eastman Audio Research Studio. There he studies with Robert Morris, David Liptak, and Matt Barber. }
+}
+}
--- /dev/null
+\version "2.20.0" %front matter
+
+front-matter = \markuplist {
+ \fill-line {
+ \left-column {
+ \line { \bold \xtitle " [2022]" }
+ \line { \xinst " | " \xdur }
+ \line { \xcomp }
+ \vspace #25
+
+ }
+ \center-column {
+
+ \vspace #7
+ \line { \hbracket \bold "program notes" }
+ \vspace #0.2
+ \xpnote
+ \vspace #0.5
+ \line { ================================= }
+ \vspace #0.5
+ \fill-line { \column { \null }
+ \left-column { \line { \italic "sequence 1" }
+ \line { \bold "1 prelude" }
+ \line { \bold "2 panicle" }
+ \line { \bold "3 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 2" }
+ \line { \bold "4 polar" }
+ \line { \bold "5 panicle" }
+ \line { \bold "6 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 3" }
+ \line { \bold "7 cyme" }
+ \line { \bold "8 polar" }
+ \line { \bold "9 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 4" }
+ \line { \bold "10 panicle" }
+ \line { \bold "11 composite" }
+ \line { \bold "12 circumnutation" }
+ \vspace #0.2
+ }
+ \left-column {
+ \line { \italic "sequence 5" }
+ \line { \bold "13 composite" }
+ \line { \bold "14 polar" }
+ \line { \bold "15 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 6" }
+ \line { \bold "16 cyme" }
+ \line { \bold "17 pappus" }
+ \line { \bold "18 circumnutation" }
+ \vspace #0.2
+ \line { \italic "sequence 7" }
+ \line { \bold "19 panicle" }
+ \line { \bold "20 cyme" }
+ \line { \bold "21 circumnutation" }
+ }
+ \column { \null }
+ }
+ \vspace #0.5
+ \line { ================================= }
+ \vspace #1.5
+ }
+ }
+ \column { \null }
+ }
--- /dev/null
+\version "2.20.0" %inside cover
+
+cover = \markuplist {
+ \fill-line {
+ \line { \null }
+ \center-column {
+ \vspace #10
+ \line { \hbracket \fontsize #10 \number 2022 }
+ \vspace #4
+ \line { \xcomp }
+ \vspace #1
+ \line { \fontsize #5 \bold \xtitle }
+ \line { \italic \xsub }
+ \vspace #4
+ }
+ \right-column {
+ \line { \null }
+ }
+ }
+ }
--- /dev/null
+\version "2.20.0" % outside cover
+
+outcover = \markup {
+ \center-column {
+ \vspace #13
+ %\general-align #Y #DOWN { \epsfile #X #108.6 #"lilypond-files/front-matter/sts-cover-all.eps"}
+ }
+}
--- /dev/null
+\version "2.20.0"
+
+xpnote = \markup { \override #'(line-width . 90) \justify { \bold \italic "Fifteen Inventions" is a modular, multi-movement work for piano. The inventions are organized into seven, three-movement groups called sequences. These sequences can be played in any combination. I constructed each of the short inventions from one to seven contrapuntal strands. Inventions which share the same number of these strands are composed out in a similar fashion, and thus share a title. }}
+++ /dev/null
-\version "2.20.0" %back cover
-
-backcover = \markuplist { \fill-line {
- \line { \null }
- \center-column {
- \vspace #1
- \line { \hbracket \bold \concat { "about " \xcomp } }
- \vspace #1
- \xbio
- \vspace #1.3
- \line { ================================= }
- \vspace #1.3
- \override #'(line-width . 75) \justify \typewriter \tiny { This score was engraved on #(strftime "%m-%d-%Y" (localtime (current-time))), using LilyPond version 2.20.0. If you would like to view the most recent version of this score and the input documents that generated it, visit the repository at \bold https://github.com/tuckerjohnson/Settle-the-Score.}
- }
- \line { \null }
- }
-}
+++ /dev/null
-\version "2.20.0"
-
-xbio = \markup { \center-column { \override #'(line-width . 75) \justify \tiny { Currently based in Rochester, New York, Tucker Johnson's musical practice includes works for soloists, ensembles, and electronic media. }
- \vspace #0.8
- \override #'(line-width . 75) \justify \tiny { His music has been programmed and honored at festivals and events, including the inaugural Dot-The- Line new music festival (Seoul), Longy Divergent Studio (Boston), soundSCAPE Festival (Cesena), Composing in the Wilderness (Prince William Sound, NYC), Shastra Rhythm Workshop, 2018 MCS Elements showcase, and the National Young Composers' Challenge. In addition, Tucker received two awards for Outstanding Undergraduate Research at Penn State: the Peter T. Luckie Award in the spring of 2020 (a presence within reassembly) and the First Place Oral Presentation in 2021 (Listening to Ghosts, Imagining Lost Futures: Metaphor and Structure in Wears and Tears). Interested in interdisciplinary practice, He served as a collaborative creator in a workshop with artist Nick Cave and the "Music for the Visible Turn" concert at the University of South Florida Contemporary Art Museum in 2019. }
- \vspace #0.8
- \override #'(line-width . 75) \justify \tiny { He seeks to draw connections between philosophy, mathematics, and design through his work. These ideas are often synthesized through a blend of experimentation and highly organized systems. Recent explorations in Tucker's music have included prescriptive applications of mathematical relationships/number sequences, the reorganization of improvised materials, and 12-tone structures. Experiences reading, hiking, and amateur botanizing can be found intertwined in his work, alongside interests in visual art, open-source software, and teaching. }
- \vspace #0.8
- \override #'(line-width . 75) \justify \tiny { A consistent supporter of new music, Tucker has helped organize many events, festivals, and concerts. From 2017-2019 he served as a production team member, librarian, and logistics coordinator for the New Music Consortium at the University of South Florida, a student organization dedicated to the performance and promotion of new music. Tucker helped coordinate the 2018 USF New Music Festival, the 2019 International Call for Scores, and several other events during his time with the organization. In 2020 he helped to relaunch Penn State's Living Music student organization. As president of Living Music, he coordinated several guest lectures, a weekly radio show, and the inaugural Penn State International New Music Festival. In Fall of 2021, he began co-hosting and producing the monthly podcast Earshot for Contemporary Art Music Project (CAMP). }
- \vspace #0.8
- \override #'(line-width . 75) \justify \tiny { Tucker received the BM in music composition from the Pennsylvania State University, where his composition teachers were Baljinder Sekhon and Steven Rice. He previously studied with Susanna Hancock and Paul Reller at the University of South Florida. Tucker is pursuing the MA in music composition at the Eastman School of Music, where he serves as a teaching assistant for the Eastman Audio Research Studio. There he studies with Robert Morris, David Liptak, and Matt Barber. }
-}
-}
+++ /dev/null
-\version "2.20.0" %front matter
-
-front-matter = \markuplist {
- \fill-line {
- \left-column {
- \line { \bold \xtitle " [2022]" }
- \line { \xinst " | " \xdur }
- \line { \xcomp }
- \vspace #25
-
- }
- \center-column {
-
- \vspace #7
- \line { \hbracket \bold "program notes" }
- \vspace #0.2
- \xpnote
- \vspace #0.5
- \line { ================================= }
- \vspace #0.5
- \fill-line { \column { \null }
- \left-column { \line { \italic "sequence 1" }
- \line { \bold "1 prelude" }
- \line { \bold "2 panicle" }
- \line { \bold "3 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 2" }
- \line { \bold "4 polar" }
- \line { \bold "5 panicle" }
- \line { \bold "6 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 3" }
- \line { \bold "7 cyme" }
- \line { \bold "8 polar" }
- \line { \bold "9 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 4" }
- \line { \bold "10 panicle" }
- \line { \bold "11 composite" }
- \line { \bold "12 circumnutation" }
- \vspace #0.2
- }
- \left-column {
- \line { \italic "sequence 5" }
- \line { \bold "13 composite" }
- \line { \bold "14 polar" }
- \line { \bold "15 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 6" }
- \line { \bold "16 cyme" }
- \line { \bold "17 pappus" }
- \line { \bold "18 circumnutation" }
- \vspace #0.2
- \line { \italic "sequence 7" }
- \line { \bold "19 panicle" }
- \line { \bold "20 cyme" }
- \line { \bold "21 circumnutation" }
- }
- \column { \null }
- }
- \vspace #0.5
- \line { ================================= }
- \vspace #1.5
- }
- }
- \column { \null }
- }
+++ /dev/null
-\version "2.20.0" %inside cover
-
-cover = \markuplist {
- \fill-line {
- \line { \null }
- \center-column {
- \vspace #10
- \line { \hbracket \fontsize #10 \number 2022 }
- \vspace #4
- \line { \xcomp }
- \vspace #1
- \line { \fontsize #5 \bold \xtitle }
- \line { \italic \xsub }
- \vspace #4
- }
- \right-column {
- \line { \null }
- }
- }
- }
+++ /dev/null
-\version "2.20.0" % outside cover
-
-outcover = \markup {
- \center-column {
- \vspace #13
- %\general-align #Y #DOWN { \epsfile #X #108.6 #"lilypond-files/front-matter/sts-cover-all.eps"}
- }
-}
+++ /dev/null
-\version "2.20.0"
-
-xpnote = \markup { \override #'(line-width . 90) \justify { \bold \italic "Fifteen Inventions" is a modular, multi-movement work for piano. The inventions are organized into seven, three-movement groups called sequences. These sequences can be played in any combination. I constructed each of the short inventions from one to seven contrapuntal strands. Inventions which share the same number of these strands are composed out in a similar fashion, and thus share a title. }}
-\version "2.20.0" %invention 1 manuscript:
+\version "2.22.2" %invention 1 manuscript:
-voiceApre = { \tmarkione \override Beam.auto-knee-gap = #6 \override Flag.stroke-style = #"grace"
-\time 15/8 \change Staff = "di1" \stemUp d8[\laissezVibrer\sustainOn_\markup { \bold "(" \dynamic pp \bold "-" \dynamic mf \bold ")" } a'\laissezVibrer e\laissezVibrer g\laissezVibrer fis\laissezVibrer b\laissezVibrer c\laissezVibrer]
-\change Staff = "ui1" \override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b1*1/2^~ 1*1/2 \offset X-offset #-3.4 ^\markup { \tiny \italic "a piacere" } \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\change Staff = "ui1" \stemDown f'8[\laissezVibrer bes\laissezVibrer ees\laissezVibrer des\laissezVibrer aes'\laissezVibrer ces\laissezVibrer ges\laissezVibrer]
-\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b,,1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-f''8[\laissezVibrer g,\laissezVibrer ees\laissezVibrer c\laissezVibrer \change Staff = "di1" bes\laissezVibrer aes\laissezVibrer \change Staff = "ui1" d\laissezVibrer]
-\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\stemUp \change Staff = "di1" e,8[\laissezVibrer a,\laissezVibrer cis,\laissezVibrer dis\laissezVibrer fis\laissezVibrer gis\laissezVibrer b\laissezVibrer]
-\change Staff = "ui1" \override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b'1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\change Staff = "di1" g,8[\laissezVibrer bes\laissezVibrer f'\laissezVibrer a\laissezVibrer \change Staff = "ui1" e'\laissezVibrer d\laissezVibrer c'\laissezVibrer]
-\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b,1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\stemDown des''8[\laissezVibrer f\laissezVibrer g,\laissezVibrer bes,\laissezVibrer ees,\laissezVibrer \change Staff = "di1" c\laissezVibrer aes\laissezVibrer]
-\change Staff = "ui1" \override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\stemUp \change Staff = "di1" a8[\laissezVibrer fis\laissezVibrer e\laissezVibrer b\laissezVibrer cis,\laissezVibrer d,\laissezVibrer g\laissezVibrer] \change Staff = "ui1"
-\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b''1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\change Staff = "di1" a,,8[\laissezVibrer fis'\laissezVibrer gis\laissezVibrer cis\laissezVibrer e\laissezVibrer \change Staff = "ui1" d'\laissezVibrer b'\laissezVibrer]
-\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b,1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\stemDown c'8[\laissezVibrer f\laissezVibrer ees'\laissezVibrer bes'\laissezVibrer ges,\laissezVibrer des\laissezVibrer aes\laissezVibrer]
-\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b,1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\stemUp bes'8[\laissezVibrer f\laissezVibrer g\laissezVibrer c,\laissezVibrer \change Staff = "di1" ees,\laissezVibrer a,\laissezVibrer d\laissezVibrer] \change Staff = "ui1"
-\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b'1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\change Staff = "di1" \stemUp b,8[\laissezVibrer e,\laissezVibrer cis\laissezVibrer dis\laissezVibrer fis\laissezVibrer gis\laissezVibrer ais\laissezVibrer] \change Staff = "ui1"
-\override NoteHead #'no-ledgers = ##t \override NoteHead.transparent = ##t b'1*1/2^~ 1*1/2 \override NoteHead.transparent = ##f \override NoteHead #'no-ledgers = ##f |
-\time 7/8 \stemUp \change Staff = "di1" c,8[\laissezVibrer\sustainOff\sustainOn d\laissezVibrer e\laissezVibrer f\laissezVibrer g\laissezVibrer a\laissezVibrer b\laissezVibrer] \bar "|." }
-
-voiceBpre = { \tmarkione \override NoteHead #'no-ledgers = ##t \override Score.SustainPedalLineSpanner #'padding = #'3
-\time 15/8 \set Staff.pedalSustainStyle = #'bracket \override NoteHead.transparent = ##t s4.\sustainOn s4 s4 d'1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-s4.\sustainOff\sustainOn s4 s4 d1*1/2_~ 1*1/2 |
-\time 7/8 \change Staff = "ui1" s8^\markup { \italic "poco rit." } s8 s8 s8 s8 s8 s8 \offset X-offset -2 ^\markup { "attacca" } | }
+\new PianoStaff \with { \consists "Merge_rests_engraver" } <<
+\set PianoStaff.connectArpeggios = ##t
+\override PianoStaff.Arpeggio.arpeggio-direction = #UP
+\new Staff = "ui1" {
+ \accidentalStyle modern-cautionary
+ <<
+ \relative { \tempo "Presto"
+ \time 7/16 s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 |
+ s16 s16 s16 s16 s16 s16 s16 \bar "|."
+ }
+ >>
+}
+\new Staff = "di1" { \clef bass
+ \accidentalStyle modern-cautionary
+ <<
+ \relative { \tempo "Presto"
+ \time 7/16 e,16[\p fis g a b c d] |
+ ees16[ f aes bes \change Staff = "ui1" des ces \change Staff = "di1" ges] |
+ f16[ ees d c bes aes g] |
+ e16[ cis a b dis fis gis] |
+ a16[ bes c d e f g] |
+ \change Staff = "ui1" des'[ ees c \change Staff = "di1" bes aes g f] |
+ fis[ e d cis b a g] |
+ gis[ a b cis d e fis] |
+ bes[ c \change Staff = "ui1" ees f ges des \change Staff = "di1" aes] |
+ g[ f ees d c bes a] |
+ b[ e, dis fis gis ais cis] |
+ d[ e f g a b c] \bar "|."
+ }
+>>
+}
+>>
+\midi { }
+\layout {
+\context {
+\Score
+\override BarNumber.font-size = #1
+\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
+\override TimeSignature.stencil = ##f
+}
+}
\version "2.20.0" %Invention 2 manuscript:
-
+
utwo = \change Staff = "ui2"
dtwo = \change Staff = "di2"
-voiceAitwo = { \tmarktthree
-\omit Staff.BarLine
-\override Staff.BarLine.allow-span-bar = ##f
+voiceAitwo = { \tmarktthree
+\omit Staff.BarLine
+\override Staff.BarLine.allow-span-bar = ##f
\override DynamicLineSpanner.staff-padding = \phds
\time 7/8 c'8[\offset X-offset #-2.5 \f d-- e f->-. \change Staff = "di2" g,-. a-. b-.] |
b8[-. \change Staff = "ui2" c-.\> d-. e-. f-. g-. a->-.] |