accidentals

diff --git a/applesAndPairs.ly b/applesAndPairs.ly
index 3134500ba3d9b2272a0f654889d4ffbeb0d0d3ef..8a3247b0da477dadf4da1ab784139baa18257882 100644 (file)
--- a/applesAndPairs.ly
+++ b/applesAndPairs.ly
@@ -166,7 +166,7 @@
         \left-column {
           \override #'(line-width . 90)
           \line { \hspace #90 }
         \left-column {
           \override #'(line-width . 90)
           \line { \hspace #90 }

-          \justify { \sans \italic 1. \hspace #1 Accidentals carry through each bar – cautionary accidentals are not supplied. }
+          \justify { \sans \italic 1. \hspace #1 Accidentals carry through each bar. }

           \justify { \sans \italic 2. \hspace #1 Two fermata notations are used: a \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a \italic long fermata ( \musicglyph "scripts.ufermata" ). }
           \override #'(line-width . 90)
           \justify {
           \justify { \sans \italic 2. \hspace #1 Two fermata notations are used: a \italic short fermata ( \musicglyph "scripts.ushortfermata" ) and a \italic long fermata ( \musicglyph "scripts.ufermata" ). }
           \override #'(line-width . 90)
           \justify {


@@ -252,6 +252,7 @@
       \layout {
         \context {
           \Score
       \layout {
         \context {
           \Score

+          \accidentalStyle Score.modern

           \override RehearsalMark.break-visibility = #begin-of-line-invisible
           \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
           \override Hairpin.to-barline = ##f
           \override RehearsalMark.break-visibility = #begin-of-line-invisible
           \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/20)
           \override Hairpin.to-barline = ##f

diff --git a/manuscripts/violinI.ly b/manuscripts/violinI.ly
index e4f90b76897d1ad04edfc939174ce5df1c88991b..0c697c932479390ce2e89867f5ee333ca13939eb 100644 (file)
--- a/manuscripts/violinI.ly
+++ b/manuscripts/violinI.ly
@@ -54,7 +54,7 @@
   \time 4/4 d4.\mf gis,,8 b4\glissando f'4 | %016
   <<
     {
   \time 4/4 d4.\mf gis,,8 b4\glissando f'4 | %016
   <<
     {

-      \tuplet 3/2 { \stringNumberSpanner "II" c'4\>\startTextSpan a4 a4\p\stopTextSpan } r8 <b, fis'\harmonic>8~->\sfz\> \after 8 \! <b fis'\harmonic>4 | %017
+      \tuplet 3/2 { \stringNumberSpanner "II" c'4\>\startTextSpan a4 a4\p\stopTextSpan } r8 fis'8~->\sfz\> \after 8 \! fis4 | %017

       \time 7/8 R1*7/8 | %018
     }
     \new Voice {
       \time 7/8 R1*7/8 | %018
     }
     \new Voice {


@@ -63,7 +63,7 @@
     }
   >>
   \tempo "a tempo"
     }
   >>
   \tempo "a tempo"

-  \time 4/4 \tuplet 3/2 { r4 <fis' cis'\harmonic>2~->\sfz\> } <fis cis'\harmonic>4\! \stringNumberSpanner "III" g4\(\startTextSpan | %019
+  \time 4/4 \tuplet 3/2 { r4 cis'2~->\sfz\> } cis4\! \stringNumberSpanner "III" g,4\(\startTextSpan | %019

   bes4 e,2\<\stopTextSpan <a\3 f'^\2>4 | %020
   <<
     {
   bes4 e,2\<\stopTextSpan <a\3 f'^\2>4 | %020
   <<
     {


@@ -125,7 +125,7 @@
   f,8\> aes \harm d4\3 g8\2 c(\glissando\mf \harm a4) | %044
   <<
     {
   f,8\> aes \harm d4\3 g8\2 c(\glissando\mf \harm a4) | %044
   <<
     {

-      bes2\) b,4\3\> \tuplet 3/2 { \stringNumberSpanner "II" a8\startTextSpan c8 ees8 } | %045
+      ais2\) b,4\3\> \tuplet 3/2 { \stringNumberSpanner "II" a!8\startTextSpan c8 ees8 } | %045

       \voiceOne
       fis2~\p\stopTextSpan fis2\fermata \caesura \bar "||" %046
     }
       \voiceOne
       fis2~\p\stopTextSpan fis2\fermata \caesura \bar "||" %046
     }